Grosvenor Prints

Schach Selim, Supremus Mogol.
[Pieter van der Aa.]
[n.d., c.1710.]
Very fine engraving. Platemark: 285 x 170mm (11¼ x 6¾"). Very large margins.
Nur-ud-din Mohammad Salim (1569-1627), known by his imperial name Jahangir (conqueror of the world), was the fourth Mughal Emperor who ruled from 1605 until his death in 1627. He is considered to be one of the greatest Indian Emperors and the fourth of the Grand Mughals. Plate 80 from the scarce series of historical portraits, 'Principum et illustrium quorundam virorum. Qui in Europa alibique terrarum, qua fama, qua eruditione celebres fuerunt, verae imagines', published Pieter van der Aa (1659 - 1733) c.1710.
[Ref: 39267] £240.00 (£288.00 incl.VAT)

[Salisbury] The Town House of the City of New Sarum 15 Nov. 1780. Built in the year 1579.
S. Green Fecit.
Published by S., Green I , Aug 1782.
Rare etching with mezzotint ground. 230 x 170mm (9 x 6¾"), very large margins. Central creasing.
A large Elizabethan half-timbered house; square, with two bays on each side below apex roofs, a small turret set on a short square base, and a colonnaded walkway at ground level. A companion plate shows the building on fire.
[Ref: 55988] £320.00

Salesbury / Sarisburia
[Pieter Van der Aa after Johannes Kip, 1707]
Rare engraving, platemark 130 x 165mm (5 x 6½"). Very large margins; unfolded state; Collector's stamp of Robert Johannes Meyer verso.
Early map of Salisbury, in Wiltshire, showing the cathedral and cutaway view of the town house. Plate from James Beverell's Les Delices de la Grande Bretagne et de L'Irlande. Formerly in the collection of Robert Johannes Meyer (1882-1976), Hamburg lawyer and print collector.
L.4536
[Ref: 38544] £70.00 (£84.00 incl.VAT)

[First Anglo-Burmese War] The Conflagration of Dalla, on the Rangoon River.
Drawn by J. Moore. Engraved by G. Hunt.
Published Jan. 2, 1826, by Thos. Clay, 18, Ludgate Hill, & Kingsbury & Co. Leadenhall Str.t London.
Hand coloured aquatint. 330 x 420mm (13 x 16½"), watermarked 'J Whatman Turkey Mill'.
Steam and sailing ships and their crews observing the city on fire in the distance. Plate17 of Series 1 of 'Views taken at or near Rangoon, and Combined operations in the Birman Empire', by Lieutenant Joseph Moore, published in two series 1825-26. The First Anglo-Burmese War (5 March 1824 - 24 February 1826).
Abbey Travel 404; Hickman p.230, illus p. 241.
[Ref: 63042] £320.00

Promenade Pittoresque. Un chasseur engagé dans un précipice de la valleé de Sallanches échappe au danger d'y périr. No.24.
Bacler d'Albe ft. Lith de G. Engelmann.
[Paris, 1820-22.]
Lithograph. 368 x 274mm(14½ x 10¾").
Sallanches, near Chamonix, is a commune in the Haute-Savoie in the Rhone-Alps region of south-eastern France. From 'Souvenirs pittoresques du Général Bacler d'Albe', a collection of landscapes by Louis Albert Guislain Bacler d'Albe (1761-1824) drawn during the Napoleonic Wars. A soldier, cartographer and painter, Bacler d'Albe was a close companion of Napoléon Bonaparte from Toulon in 1793 until 1815. Napoleon's will tasked him with the education of his son Napoleon II.
[Ref: 15510] £120.00 (£144.00 incl.VAT)

Salmon. Scene in the Highlands of Scotland.
[n.d., c.1820.]
Engraving. 140 x 210mm (5½ x 8¼"). Stitch holes in bottom margin, tear in right edge.
A fish on a bank, mountian behind.
[Ref: 56610] £50.00 (£60.00 incl.VAT)

Salmon Fishing.
H. Alken del.t. I. Clark sculp.t.
London, Published by T. McLean, Jan.y 1. 1820.
Aquatint with fine hand-colour, J. Whatman 1820 watermark. Plate: 280 x 375mm (11 x 14¾"), with large margins. Very slight stain in title area, & slight offsetting.
A fishing scene showing three men fishing salmon with the long rods, one man has a salmon in his basket. From 'The National Sports of Great Britain' by Henry Alken.
[Ref: 46282] £350.00

[Salmon on the Line] A Thirty-Pounder [in pencil].
Norman Wilkinson [signed in pencil].
[n.d. c. 1920s.]
Etching with drypoint with artist's signature in pencil; limited edition 100; 225 x 300mm (9 x 12"), with very large margins. Faint foxing.
Etching of a Salmon fish pulled from the water by a fishing line. Norman Wilkinson [1878-1971] was an illustrator for the Illustrated London News, and during both World Wars worked developing camouflage techniques.
[Ref: 56126] £320.00

[Spring on the Spey.]
Norman Wilkinson [Pencil signature.]
[n.d., c.1930.]
Drypoint etching. 230 x 305mm.
Wilkinson [1878-1971] was an illustrator for the Illustrated London News, and during both World Wars worked developing camouflage techniques.
[Ref: 6613] £480.00

[The Salmon Leap.]
[After] Douglas Adams 1892 [etched in images]. Douglas Adams [signed in pencil]. With Printseller's Association blindstamp.
[n.d. 1893.]
Rare photogravure printed on chine colle, with artist's signature, artist's proof 225. 590 x 430mm (23¼ x 17"). Large margins.
A man watches a salmon fish leaping upstream from a rock on the bank, his fishing rod discarded behind him.
[Ref: 56193] £490.00

[Below the Falls.]
Norman Wilkinson [etched in plate and signed in pencil].
[n.d. c. 1920s.]
Etching with drypoint with artist's signature. 225 x 300mm (9 x 12") very large margins.
Etching of a salmon fish leaping out of the pool. Norman Wilkinson [1878-1971] was an illustrator for the Illustrated London News, and during both World Wars worked developing camouflage techniques.
[Ref: 56131] £280.00 (£336.00 incl.VAT)

[A Salmon River.] N.o 35 [in pencil].
D. T. Robertson [signed in pencil].
[n.d. c.1920s.]
Etching with drypoint and artist's signature. 190 x 325mm (7½ x 12½").
A salmon fish leaping upstream.
[Ref: 56137] £250.00 (£300.00 incl.VAT)

Salmon Trout.
J. Scott Jun.r sc.t.
Published by Sherwood & Co, April 1 1827.
Engraving. 140 x 205mm (5½ x 8"). Trimmed to plate at top, stitch holes within plate at bottom.
Probably published in the 'Sporting Magazine'.
[Ref: 55329] £60.00 (£72.00 incl.VAT)

To the Inhabitants of the Hundred of East and West Flegg, this Portrait of Rev.d B.W. Salmon, Engraved at their request, in token of their respect for his Character, & their Gratitude for his exertions as a Magistrate, is inscribed by their Humble Serv.t W.C. Edwards.
Painted by T. Phillips. Engraved by W.C. Edwards.
[n.d. c.1820.]
Line engraving on india with large margins. 355 x 305mm (14 x 12"). Edges soiled.
Benjamin Wymberley Salmon (1742-1821), the East India Company chaplain at Fort St George (Madras) 1769-1774. In 1781 he became Rector of Caistor in the diocese of Norwich; in 1805 he was appointed Domestic Chaplain to H.R.H. the Prince of Wales (afterwards George IV). He died at Caistor in 1821, aged 78.
[Ref: 34381] £120.00 (£144.00 incl.VAT)

[To the Inhabitants of the Hundred of East and West Flegg, this Portrait of Rev.d B.W. Salmon, Engraved at their request, in token of their respect for his Character, & their Gratitude for his exertions as a Magistrate, is inscribed by their Humble Serv.t W.C. Edwards.]
Painted by T. Phillips. Engraved by W.C. Edwards.
[n.d. c.1820.]
Line engraving on india, proof before title, very large margins. 355 x 305mm (14 x 12"). Edges soiled. Uncut.
Benjamin Wymberley Salmon (1742-1821), the East India Company chaplain at Fort St George (Madras) 1769-1774. In 1781 he became Rector of Caistor in the diocese of Norwich; in 1805 he was appointed Domestic Chaplain to H.R.H. the Prince of Wales (afterwards George IV). He died at Caistor in 1821, aged 78.
[Ref: 34382] £80.00 (£96.00 incl.VAT)

David Stewart Salmon, aged 105. The legal Father of two Indian Princes of the Wabee Tribe in America. A resident of Cable Street, Liverpool. [After serving his King and Country upwards, of sixty years six months and five days of which time was spent without ever leaving his Majesty's Service, is now allowed 2s. 6d. per week from the Parish of Liverpool. He is the last survivor of the Crew of the Centurion when commanded by Commodore Anson, with whom he sail'd round the World.
[Published Aug.t 15th. 1807, by I. Troughton, Liverpool.]
Stipple. Excised scrap, very scarce; 140 x 80mm (5½ x 3¼"), part of the title pasted underneath. Trimmed around portrait, laid on album paper in corners.
Corry's 'History of Liverpool', 1810, describes him as a native of Virginia who served in the Royal Navy for sixty years, leaving at the end of the War of Independence. The Lancaster Gazette of 23 September 1809 states he died on the 14th September, aged 106.
[Ref: 53374] £320.00

[William Salmon] Guilielmus Salmon Medicinae Professor. Aetatis Suae. 27. Anno. 1675. You see his form and years, but if you would View his just Soule, (which envy can't behold) In to his work; ye following tractate looke the lively picture of his minde ye booke.
W Sherwin ad vita Sculp.t.
[n.d. c.1675.]
Engraving. Sheet 140 x 90mm (5½ x 3½"). Cut.
William Salmon (1644-1713), an empiric doctor and self-proclaimed "Professor of Physick", author of medical texts, often referred to as the 'King of the Quacks'.
Ex Collection: R. Hobson of Hove. W: 2588-1.
[Ref: 25227] £120.00 (£144.00 incl.VAT)

Guiliemus Salmon Medicinæ Professor Ætatis Suæ 26 Anno. 1670. You see his form and years; but if you would views his just Soule...
W. Sherwin ad vitam sculpt.
[1670.]
Engraving. Sheet: 140 x 85mm (5½ x 3½''). Trimmed.
A portrait of medical practitioner William Salmon (1644-1713), frontispiece to 'Synopsis Medciniæ' (1671) and 'Polygraphice, or, The Arts of Drawing, Engraving...' (1673).
W 2588-1.
[Ref: 49101] £140.00 (£168.00 incl.VAT)

[William Salmon.] Guilielmus Salmon Medicinæ Professor. Ætatis Suæ 36 annº 1681.
[n.d., c.1690.]
Engraving. Sheet 155 x 95mm (6 x 3¾"). Trimmed and backed onto album paper at borders.
Portrait of William Salmon (1644 - 1713), English empiric doctor and a writer of medical texts. He advertised himself as a "Professor of Physick".
W2588-2.
[Ref: 68029] £90.00 (£108.00 incl.VAT)

[William Salmon.] Guilielmus Salmon, M.D.
R.White delin et sculp.
1700.
Engraving. Sheet 145 x 90mm (5¾ x 3½"). Trimmed and backed onto album paper at borders
Portrait of William Salmon (1644 - 1713), English empiric doctor and a writer of medical texts. He advertised himself as a "Professor of Physick".
W2588-5.
[Ref: 68031] £75.00 (£90.00 incl.VAT)

[Salome with the head of John the Baptist.] And his Head was brought in a Charger and given to ye Damsel & She brought it to her Mother. Matt.w Chap XIV. Ver. XI. Done from the Painting in his Maj.ties Royal Pallace at Kensington and Dedicated to Henry Lowman Esq.r Housekeeper of the said Pallace by his Oblidged Serv.t John Faber.
Carlo Dulci pinx Aº 1664. J. Faber Fecit 1728.
Mezzotint. Sheet 355 x 250mm (14 x 9¾") Trimmed to plate, slight loss in top corners.
Salome, dressed in fine Stuart-era clothes, stands holding a platter with the haloed head of John the Baptist. The original painting, by Florentine painter Carlo Dolci (1616-86) still hangs in the King's Drawing Room, Kensington Palace.
CS p.460, mentioned. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 67367] £220.00 (£264.00 incl.VAT)

[View of the Incantada or Propylaea of the Hippodrome, Salonica.]
J. Steuart, delin.t. Lerpiniere Sculp.t.
[London: Elizabeth Stuart, 1794.]
Engraving. 360 x 500mm, 14 x 19¾". Trimmed to plate at top, with large margins on 3 sides..
A view of the prophylaea (gateway) of the Hippodrome, Thessaloniki, with a private house built through it, published in the 'Antiquities of Athens and Other Monuments of Greece' by James 'Athenian' Stuart & Nicholas Revett. Stuart (1713-88) and Revett (1720-1804) joined Gavin Hamillton and Matthew Brettingham on a Grand Tour of Italy, the Balkans & Greece between 1748-55. On their return they started work on the 'Antiquities', which was the first accurate survey of the surviving classical buildings of Athens, with the first volume published in 1762, the second 1789, third 1794, fourth 1816 and fifth 1830 (nearly 80 years after the first). The work was incredibly influential, fueling the Greek revivalist style in 18th-century English architecture. The attention to detail was such that it attracted the attention of Hogarth, who satirised the work with his 'Five Orders of Periwig'.
Stuart's gouache of the building is in the Victoria and Albert Museum, RIBA Library Drawings Collection, SD146/3.
[Ref: 26793] £290.00 (£348.00 incl.VAT)

Salozskaia Près Arkangel Côte De La Mer Blanche.
Dessine par Brissot. Grave par Formster.
Paris; Imp. Chardon Jne. & fils, r. Racine; 3. [n.d., c.1840.]
Engraving, sheet 180 x 280mm. 7 x 11". Sheet trimmed, close to top of image.
A fishing village near Arkhangelsk (Archangel), on the White Sea coast in the far north of European Russia; includes fishing boats, figures in traditional costume and log-built dwellings.
[Ref: 17905] £95.00 (£114.00 incl.VAT)

[For the Benefit of Mr Salpietro.]
[F. Bartolozzi inv: et sculp. 1773]
Very fine stipple with etching, proof before letters, printed in brown. 140 x 180mm (5½ x 7"), with very large margins.
Three putti on clouds decorated with laurel branches, holding music scores. The design was first used as a billhead for the benefit of the Italian violinist Giovanni Salpietro, who came to London with his wife (a singer) c.1779. He was portrayed in 'A Sunday Concert at Dr Burney's', engraved by Bretherton after C.L. Smith. Later it was used as the trade card of William Humphrey, brother of Hannah Humphrey, James Gillray's publisher and partner.
De Vesme 1939, state i of iv.
[Ref: 53404] £520.00

[Set of Six.] The descent into the salt-mines of Dürnberg. Entrance to the mine. [&] Sliding-party in the under-part. [&] Passage over the brine-lake in the inner-part of the mountain. [&] Sliding-party in the upper-part. [&] Getting out of the mine (on a wooden horse).
Gez. v. Hanns Brunner.
Eigenthum des Jos. Hinterstoisser am Dürnberge (Vorbehalt jeder Art Nachdruck).
Set of six engravings printed on india paper. Plates: 145 x 125mm (5¾ x 5"), with very large margins. Light foxing.
A series of six plates illustrating various processed of salt-mining in the Durrnberg mines near Salzburg in Austria.
[Ref: 44626] £230.00 (£276.00 incl.VAT) view all images for this item

View of the Patent Sa[l]t works & Rock Salt Mine,
Print[ed] by C. Hullmandel.
Scarce lithograph, sheet 245 x 460mm (9¾ x 18"). Trimmed losing secondary title. Abrasions losing some letters in text. Laid down on archival paper.
A man with a dog points directions to a man on a horse and a shepherd looks after his flock against the backdrop of smoking chimneys of the Salt Works.
[Ref: 57089] £240.00 (£288.00 incl.VAT)

Sir Titus Salt, Bart.
Engraved by W. Holl, from a Photograph by Appleton & Co., Bradford.
[n.d., c.1870.]
Steel engraving. Printed area 200 x 115mm (8 x 4½").
Sir Titus Salt (1803-76), textile manufacturer, politician & philanthropist. Based in Bradford, Salt set up a wool business with his father and by 1850 owned five mills. He set up the model village Saltaire for his workforce which was considered a remarkable experiment in industrial and social relations. It is estimated that over 100,000 people lined the streets for his funeral.
[Ref: 43390] £60.00 (£72.00 incl.VAT)

Titus Salt [facsimile signature]
[Anon, c.1870]
Chromolithograph, sheet 275 x 205mm (10¾ x 8").
Sir Titus Salt (1803-76), textile manufacturer and politician. Based in Bradford, Salt set up a wool business with his father, and by 1850 owned five mills. He set up the model village Saltaire for his workforce which was considered a remarkable experiment in industrial and social relations.
[Ref: 43386] £65.00 (£78.00 incl.VAT)

The Royal Albert Bridge. Saltash.
R.T. Pentreath del.t.
Pub.d by H. Besley. Directory Office, South Street, Exeter. [n.d., c.1865.]
Hand coloured engraving. Printed area. 130 x 180mm (5 x 7").
An illustration from 'The illustrated handbook of Plymouth, Devonport, and Stonehouse', by W. H. Luke, 1865, depicting the Cornwall Railway, which crosses the river Tamer on its way from Plymouth into Cornwall.
[Ref: 39377] £70.00 (£84.00 incl.VAT)

Royal Albert Bridge, Saltash The above Engraving of the "Royal Albert Bridge," across the River Tamar at Saltash, represents a wrought-iron structure, 2,200 feet, or nearly half-a-mile, in length [...]
Sketched by Mr. Hake; Engraved and Published by W. Wood, 52 Fore Street, Devonport.
Wood-engraving with hand-colouring, sheet 155 x 230mm (6 x 9"). Small margins.
The Royal Albert Bridge, which crosses the Tamar at Saltash in Cornwall. Isambard Kingdom Brunel (1806-59) was chief engineer and designer of the bridge, which replaced the ferry across the river to carry the new railway line linking Cornwall to the rest of England. The bridge opened shortly before Brunel's death in 1859, and this print, with its detailed information about the bridge, was probably made to coincide with its opening.
[Ref: 41172] £110.00 (£132.00 incl.VAT)

Railway Bridge over the River Tamar.
Drawn by P. Phillips. Engraved by H. Adlard.
[n.d., c.1860.]
Wood engraving. Sheet 230 x 425mm (9 x 16¾") Trimmed into sur-title, tear top right.
An oval view of the Royal Albert Bridge, designed by Isambard Kingdom Brunel (1806-59) to carry the new railway line linking Cornwall to the rest of England. Brunel died shortly after the opening. From the Stationers' Company Almanack.
[Ref: 41335] £220.00 (£264.00 incl.VAT)

Royal Albert Bridge, Saltash The above Engraving of the "Royal Albert Bridge," across the River Tamar at Saltash, represents a wrought-iron structure, 2,200 feet, or nearly half-a-mile, in length [...]
Printed and Published by W. Wood, 52, Fore Street, (opposite the Banks) Devonport.
Wood-engraving with hand-colouring, sheet 225 x 300mm (9 x 11¾").
The Royal Albert Bridge, which crosses the Tamar at Saltash in Cornwall. Isambard Kingdom Brunel (1806-59) was chief engineer and designer of the bridge, which replaced the ferry across the river to carry the new railway line linking Cornwall to the rest of England. The bridge opened shortly before Brunel's death in 1859, and this print, with its detailed information about the bridge, was one of several published shortly after it opened.
[Ref: 43614] £180.00 (£216.00 incl.VAT)

William Salte Esqe.
Painted by Sir Willm. Beechey, R.A. Portrait Painter to Her Majesty. Engraved by Willm. Skelton.
Published Octr. 1st. 1813, by W. Skelton, 1 Stafford Place, Pimlico.
A rare engraving. 515 x 393mm (20¼ x 15½"), with wide margins.
William Salte (1746-1817) of Tottenham, a linen draper. This engraving shows him holding a paper, on which the words "Asylum to meet H.R.H. the Duke of Cambridge April 9 1812" are legible.
[Ref: 12735] £230.00 (£276.00 incl.VAT)

S.S.D.D. ...Dr. Salter Prebendary of Norwich. [in ink outside the image.]
[probably by François Vivares]
[n.d. c.1750.]
A very scarce etching. Very large margins. Sheet 381 x 285mm. 15 x 11¼". Some nicks and tears in the edges of the sheet.
Samuel Salter (c.1680 - 1756), Archdeacon of Norwich.
In the NPG.
[Ref: 14413] £60.00 (£72.00 incl.VAT)

Soltykoff. [facsimilie signature.]
J.E. Mayall photo. Joseph Brown sc.
[n.d., c.1860.]
Engraving, printed on chine collé. Plate: 230 x 150mm (9 x 6''), with very large margins.
A portrait of Russian traveller Prince Aleksei Saltykov (1806-1859) who travelled through Persia and India.
[Ref: 50580] £95.00 (£114.00 incl.VAT)

[Soltykoff.]
[J.E. Mayall photo. Joseph Brown sc.]
[n.d., c.1860.]
Engraving, proof before all letters, printed on chine collé. Plate: 230 x 150mm (9 x 6''), with very large margins.
A portrait of Russian traveller Prince Aleksei Saltykov (1806-1859) who travelled through Persia and India.
[Ref: 50581] £80.00 (£96.00 incl.VAT)

[Salukis.]
Henry Wilkinson.
Coloured etching signed by the artist. 250 x 300mm (9¾ x 11¾"). Limited edition: 15/200.
An etching by artist Henry Wilkinson (1921-2011) who specialised in sporting dogs and scenes.
[Ref: 47910] £220.00 (£264.00 incl.VAT)

[Salukis.]
Henry Wilkinson. [signed in pencil.]
Coloured etching signed by the artist. 245 x 345mm (9¾ x 13½"), with very large margins. Limited edition: 27/250. Mint.
An etching by artist Henry Wilkinson (1921-2011) who specialised in sporting dogs and scenes.
[Ref: 59718] £220.00 (£264.00 incl.VAT)

The Salutation. From the Original Picture In the Collection of Rob.t Udny Esq,,r.
Fredericus Barocci Pinxit. Josiah Boydell delin.t. Val. Green Engraver in Metzotinto to his Majesty & the Elector Palatine Sculpsit.
John Boydell excudit 1778. Published Nov,,r 17.th 1778 by John Boydell Engraver in Cheapside London.
Mezzotint, 620 x 455mm (24½ x 17½"), with very large margins. Minute pinholes in image, margins soiled with small tears and creases.
The archangel Gabriel greets the Virgin, who sits reading a book.
Witman 208. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 67609] £320.00

The Salutation Tavern. Macaroni and other soups hot every day.
Mr.Bunbury del. J.Bretherton f.
Publish'd 20th March 1773, New Bond Street No.134
Etching, 235 x 325mm (8¾ x 12¾"). Trimmed inside platemark top edge; occasional staining; glued to backing sheet.
Two men bowing towards each other- a pastiche inn advertisement. Etched after Henry Bunbury, an amateur printmaker who subsequently enjoyed a successful career as a designer for printsellers. 'Prints by Bunbury an his imitators were conspicuously 'polite' and appealed, like novels, 'To the Fashionable World and Polite circles'. Of good family, amply endowed with social skills, a beautiful wife and connections in high society, Bunbury's appeal was not solely aesthetic' and his admirers 'recognized his comic talent, his informed enthusiasm for literature, and his ability to draw a momentary pang with something of the sensitivity with which Sterne could write it' (Clayton).
BM Satire 4716; see Timothy Clayton, 'The English Print, 1688-1802', p.245.
[Ref: 1079] £130.00 (£156.00 incl.VAT)

The Salvador del Munda disabled & the Victory bearing up a stern & rakeing her with a broadside.
R. Dodd fecit.
Publish'd by Bunney & Gold. August 1.st 1800.
Aquatint with explanatory text. 140 x 222mm. 5½ x 8¾". Trimmed to left of image.
The Battle of Cape St Vincent (1797), when the British fleet under Admiral Sir John Jervis defeated a larger Spanish fleet under Admiral Don Jose de Cordoba near Cape St Vincent, Portugal. In the afternoon of February 14th 1797, the Excellent and Diadem commenced an attacked on Salvator del Munda. The Excellent positioned herself on the weather boy and Diadem on the lee quarter of the Spanish three-decker. Observing that the Victory was about to pass close astern, the Salvator del Mundo, which had more or less been disabled, judiciously hauled down her flag as soon as some of Victory's bow guns came to bear. This engraving was published in the 'Naval Chronicle'. Gold was the founder and publisher.
See NMM: PAD5539.
[Ref: 23319] £120.00 (£144.00 incl.VAT)

This Back View of Salvadore House Academy Tooting Surry is inscribed to the Parents and Guardians of the Young Gentlemen Educated at the Academy by their Humble Servant John Walker Drawing Master.
Aqua.t by F. Jukes. Drawn & Engraved by J. Walker.
Published 2.d April 1787. Sold by R. Wilkinson, N.º 58, Cornhill, London.
Scarce aquatint, rich impression. 245 x 320mm (8¾ x 12½"). Framed. Unexamined out of frame.
Pupils playing cricket and flying kites in the grounds of Salvadore House Academy.
[Ref: 67054] £290.00 (£348.00 incl.VAT)

Salvason or Makins College for Cadets.
[n.d., c.1840.]
Ink and wash sketch. 50 x 80mm, 2 x 3¼", within embossed paper border, sheet size 110 x 150mm, 4¼ x 6".
A colonial building on a riverside, palm trees behind.
[Ref: 25253] £250.00 (£300.00 incl.VAT)

Saltzburg Carintha.
[Engraved by Jodocus Hondius.]
[London, Michael Sparke & Samuel Cartwright, 1635.]
Engraved map, 140 x 200mm, 5½ x 8", set in a page of letterpress.
A map of Saltzburg in Austria. Originally engraved in 1607 by Jodocus Hondius for his "Atlas Minor", the printing plate of this map was sold to a London publisher when a new, up-to-date map was engraved. It was first used to illustrate Samuel Purchas's "Hakluytus Posthumus or Purchas His Pilgrimes" in 1625, then Sparke & Cartwright's "Historia Mundi or Mercator's Atlas", as this example.
[Ref: 18122] £170.00

Salzburg.
E.Sturvant pinx. Photograviere u Druck von Carl Sabo Berlin.
Verlag von Rich. Bong in Berlin. Copyright 1897 by Rich. Bong Berlin.
Photogravure on india. 520 x 685mm, 20½ x 26¾". Laid on board, ome spotting to edges.
Prospect of the city, dominated by the Festung Hohensalzburg.
[Ref: 10052] £380.00

Vüe du Jardin des Nains de Mirabell à Salsbourg du coté du Midi. 6.
Cum Priv. S.C.M. leveé et dessiné par Francois Antoine Danreiter. I. A. Corvinus sculp.
[n.d. c.1735.]
Engraving and etching, sheet 245 x 330mm (9¾ x 13"). Trimmed within plate and glued on album sheet. Folded along central crease, some creases, surface dirt on inscription area.
View of the gardens of Mirabell Palace in Salzburg, after Franz Anton Danreiter (1695-1760). Dwarf statues are located on the both sides of the main walking path.
[Ref: 58982] £160.00 (£192.00 incl.VAT)

[Salzburg] Prospectus Elegantiores Splendidissimae Achiepiscopalis Urbis Salisburgensis...
A Jo. Baptista Homanno Noribergae [n.d., c.1720].
Engraving, 18th century watermark. 495 x 585mm (19½ x 23"). Original central fold, printer's crease, trimmed into plate at bottom.
Views of Salzburg in ten compartments: a prospect of the city and nine views of important buildings, including the Hohensalzburg Fortress.
Ex: Collection of Edward Croft Murray
[Ref: 62144] £490.00

[Schloß Klessheim] Prospect des Neuen Lust-gebaüdes bei ner Hoch Fürze Knaden zu Salzburg, Clesheimb [...]
de 'invention et de l'ordonnation de J.B. Fischers d'Erlachen
Cum Privil: Sacr: Caesar Majest. [Leipzig, 1725]
Engraving with very large margins, platemark 300 x 430mm (11¾ x 17"). Text in French and German; slight foxing to margins.
Schloß Klessheim, a baroque palace near Salzburg designed by Austrian architect Johann Bernard Fischer von Erlach in 1700 for Prince-Archbishop Johann Ernest von Thun. It was originally named 'Lustschloss Favorita', a title mentioned on the text beneath the image. The palace became summer residence for the Archbishops of Salzburg, but was not completed until 1732 (after this print was made), by which time the original design had been scaled down. The twin structures in the foreground of this print appear never to have been built. Since 1993 the palace has been the Salzburg Casino. Plate from Fischer's 'Entwurf einer historischen Architektur' ('Outline of Historical Architecture', first published 1721), the first comparative architecture of all periods and nations.
[Ref: 33398] £480.00

[Kollegienkirche, Salzburg] Prospect der neüen Kirchen Unsrer Liebe Frauen zu Salzburg [...]
Angegeben von J.B.F. v. E. / et ordonée par J.B.F. v. E.
C.P.S.C.M. [Leipzig, 1725]
Engraving with very large margins, platemark 300 x 430mm (11¾ x 17"). Text in French and German; foxing to edges.
The baroque Kollegienkirche, designed by Austrian architect Johann Bernard Fischer von Erlach. It was commissioned in 1694 by Archbishop Johann Ernst von Thun, to serve the city's university. Mozart was born in January 1756 and lived in a house nearby with two clocks on clock tower. Plate from Fischer's 'Entwurf einer historischen Architektur' ('Outline of Historical Architecture', first published 1721) , the first comparative architecture of all periods and nations.
[Ref: 33402] £450.00

Sam Snatch; or, The Fashionable Bailiff. My name's Sam Snatch---a grab, d'ye see, Never was a bolder / Vith high and low I can make free, And tap 'em on the shoulder [...]
Cruikshank
Printed and published by R. Harrild, 20, Great Eastcheap
Etching with hand-colouring and letterpress, sheet 270 x 190mm (10½ x 7½"). Tears top left and bottom. Damaged.
A bailiff grips a terrified dandy by the shoulders while others flee; song text beneath.
[Ref: 41572] £65.00 (£78.00 incl.VAT)

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