A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
A Woman Sadne.
Susana Jones inv.t.
[n.d., c.1790.]
Stipple, printed in sepia. 120 x 90mm (5¾ x 3½"), with large margins.
A woman in a wide-brimmed hat looking skyward. As we have been unable to trace this print it is likely to have been an amateur production.
[Ref: 58219] £95.00 (£114.00 incl.VAT)
Susana Jones inv.t.
[n.d., c.1790.]
Stipple, printed in sepia. 120 x 90mm (5¾ x 3½"), with large margins.
A woman in a wide-brimmed hat looking skyward. As we have been unable to trace this print it is likely to have been an amateur production.
[Ref: 58219] £95.00 (£114.00 incl.VAT)
![[Saddler] Sellier. Sattler.](jpegs/36606.jpg)
[Saddler] Sellier. Sattler.
[after Jean-Frédéric Wentzel] Lith. C. Fasoli et Ohlman à Stras.sbg.
[n.d., c.1845.]
Lithograph with fine hand colour heightened with gum arabic, rare with large margins. Printed area 200 x 250mm (8 x 9¾").
The interior of a saddler's, although through the door two men are working on a coach.
[Ref: 36606] £120.00 (£144.00 incl.VAT)
[after Jean-Frédéric Wentzel] Lith. C. Fasoli et Ohlman à Stras.sbg.
[n.d., c.1845.]
Lithograph with fine hand colour heightened with gum arabic, rare with large margins. Printed area 200 x 250mm (8 x 9¾").
The interior of a saddler's, although through the door two men are working on a coach.
[Ref: 36606] £120.00 (£144.00 incl.VAT)
Burrey, Saddler & Harness Maker. Christchurch. London Whips Bits & Spurs.
[n.d., c.1820.]
Engraving. Sheet 85 x 65mm (3¼ x 2½"). Trimmed on right.
With illustrations of hunting.
[Ref: 52341] £75.00 (£90.00 incl.VAT)
[n.d., c.1820.]
Engraving. Sheet 85 x 65mm (3¼ x 2½"). Trimmed on right.
With illustrations of hunting.
[Ref: 52341] £75.00 (£90.00 incl.VAT)
![[SADDLER] George Palliser, Saddler and Harness Manufacturer, 8, Finsbury Place, London,](jpegs/16857.jpg)
[SADDLER] George Palliser, Saddler and Harness Manufacturer, 8, Finsbury Place, London, Begs most respectfully to announce to the Nobility and Gentry...he has been induced to open a Branch Establishment for their accommodation, at No.153, Piccadilly. Opposite the Gloucester Coffee House.
W. Spiers, Printer, 399, Oxford Street. ['1832' in pencil to upper right.]
Promotional handbill/flyer, letterpress broadside, sheet 225 x 125mm. 9 x 5". Some staining; generally good and a strong printing.
An interesting and well-preserved advertisement for an upmarket London supplier of equestrian goods.
[Ref: 16857] £60.00 (£72.00 incl.VAT)
W. Spiers, Printer, 399, Oxford Street. ['1832' in pencil to upper right.]
Promotional handbill/flyer, letterpress broadside, sheet 225 x 125mm. 9 x 5". Some staining; generally good and a strong printing.
An interesting and well-preserved advertisement for an upmarket London supplier of equestrian goods.
[Ref: 16857] £60.00 (£72.00 incl.VAT)
Williams. Saddler, Collar, Harness & Whip Maker, High Street, Wandsworth. Horses Neatly Fitted. Engraving neatly Executed.
[Wandsworth, c. 1830]
Engraved trade card, on card, 84 x 62mm. The upper half a fine vignette of the coat of arms of The Worshipful Company of Saddlers. Ink stains.
Rare.
[Ref: 7519] £75.00 (£90.00 incl.VAT)
[Wandsworth, c. 1830]
Engraved trade card, on card, 84 x 62mm. The upper half a fine vignette of the coat of arms of The Worshipful Company of Saddlers. Ink stains.
Rare.
[Ref: 7519] £75.00 (£90.00 incl.VAT)
Aegidius Sadeler. Un de premiers engraveurs de toute le monde….ou il mourut. L'an 1629. '107' annotated in ink.
Aegidius Sadeler pinxit. Pet. De Iode sculpsit. Io. Meyssens excudit.
[n.d. c.1694].
Engraving. 160 x 110mm. Water staininng in top margin, outside plate.
Egidius (or Gillis) Sadeler the younger [1570 - 1623] engraver, draughtsman and painter. The Sadelers were a family of Flemish engravers, publishers and printsellers who were active throughout Europe for three generations and played a major role in European graphic art, producing a wide range of high quality work. From the 'True Effigies Of the most Eminent Painters, and other Famous Artists That have Flourished in Europe' published in 1694 in Antwerp.
[Ref: 4220] £70.00 (£84.00 incl.VAT)
Aegidius Sadeler pinxit. Pet. De Iode sculpsit. Io. Meyssens excudit.
[n.d. c.1694].
Engraving. 160 x 110mm. Water staininng in top margin, outside plate.
Egidius (or Gillis) Sadeler the younger [1570 - 1623] engraver, draughtsman and painter. The Sadelers were a family of Flemish engravers, publishers and printsellers who were active throughout Europe for three generations and played a major role in European graphic art, producing a wide range of high quality work. From the 'True Effigies Of the most Eminent Painters, and other Famous Artists That have Flourished in Europe' published in 1694 in Antwerp.
[Ref: 4220] £70.00 (£84.00 incl.VAT)
Aegidius Sadeler. Un de premiers engraveurs de toute le monde. il est ne en Anvers l'an 1570 [...]
Aegidius Sadeler pinxit. Pet. De Iode sculpsit. Io. Meyssens excudit.
[n.d. c.1694].
Engraving. 165 x 115mm. Glued to backing sheet. Small margins.
Aegidius Sadeler II (?1570-1629), engraver, draughtsman and painter. Part of an important family of engravers, publishers and printsellers in Antwerp, Aegidius moved to Munich as a young man and also visited Rome. In around 1597 he arrived in Prague, working as an imperial engraver at the courts of Rudolf II, Matthias and Ferdinand II. Aegidius was admired for the psychological insight of his engravings, which earned him the sobriquet of the 'Phoenix of Engraving'. Engraving after a self-portrait, from the 'True Effigies Of the most Eminent Painters, and other Famous Artists That have Flourished in Europe' published in 1694 in Antwerp.
[Ref: 41463] £70.00 (£84.00 incl.VAT)
Aegidius Sadeler pinxit. Pet. De Iode sculpsit. Io. Meyssens excudit.
[n.d. c.1694].
Engraving. 165 x 115mm. Glued to backing sheet. Small margins.
Aegidius Sadeler II (?1570-1629), engraver, draughtsman and painter. Part of an important family of engravers, publishers and printsellers in Antwerp, Aegidius moved to Munich as a young man and also visited Rome. In around 1597 he arrived in Prague, working as an imperial engraver at the courts of Rudolf II, Matthias and Ferdinand II. Aegidius was admired for the psychological insight of his engravings, which earned him the sobriquet of the 'Phoenix of Engraving'. Engraving after a self-portrait, from the 'True Effigies Of the most Eminent Painters, and other Famous Artists That have Flourished in Europe' published in 1694 in Antwerp.
[Ref: 41463] £70.00 (£84.00 incl.VAT)
Iean Sadeler. Tres excellent engraveur, natif de Brusselles….il mourut de la chaude fiebre l'an 1600.
Coenr. Waumans sculp. Io. Meyssens exc.
[n.d. c.1694].
Engraving. 160 x 110mm. Foxing and staining, outside plate only.
Jan (or Johan) Sadeler [1550 - 1600], draughtsman, engraver and publisher, and brother of Raphael. He began work as a steel-chiseller or damascener but moved to Antwerp, where he was admitted to the Guild of St Luke in 1572 as a copperplate engraver. It was probably in Antwerp also that he met Marten de Vos, with whom he and his brothers collaborated for many years. The Sadelers were a family of Flemish engravers, publishers and printsellers who were active throughout Europe for three generations and played a major role in European graphic art, producing a wide range of high quality work. From the 'True Effigies Of the most Eminent Painters, and other Famous Artists That have Flourished in Europe' published in 1694 in Antwerp.
[Ref: 4222] £70.00 (£84.00 incl.VAT)
Coenr. Waumans sculp. Io. Meyssens exc.
[n.d. c.1694].
Engraving. 160 x 110mm. Foxing and staining, outside plate only.
Jan (or Johan) Sadeler [1550 - 1600], draughtsman, engraver and publisher, and brother of Raphael. He began work as a steel-chiseller or damascener but moved to Antwerp, where he was admitted to the Guild of St Luke in 1572 as a copperplate engraver. It was probably in Antwerp also that he met Marten de Vos, with whom he and his brothers collaborated for many years. The Sadelers were a family of Flemish engravers, publishers and printsellers who were active throughout Europe for three generations and played a major role in European graphic art, producing a wide range of high quality work. From the 'True Effigies Of the most Eminent Painters, and other Famous Artists That have Flourished in Europe' published in 1694 in Antwerp.
[Ref: 4222] £70.00 (£84.00 incl.VAT)
Raphael Sadeler. Excellent engraveur natif de Brusselles….il a ete pour quelques temps peintre. '104' annotated in ink.
Coenr. Waumans sculp. Io. Meyssens excudit.
[n.d. c.1694].
Engraving. 160 x 110mm. Foxing and staining, outside plate only.
Painter and engraver [c.1555 - c.1632], brother of Jan Sadeler. The Sadelers were a family of Flemish engravers, publishers and printsellers who were active throughout Europe for three generations and played a major role in European graphic art, producing a wide range of high quality work. From the 'True Effigies Of the most Eminent Painters, and other Famous Artists That have Flourished in Europe' published in 1694 in Antwerp.
[Ref: 4221] £70.00 (£84.00 incl.VAT)
Coenr. Waumans sculp. Io. Meyssens excudit.
[n.d. c.1694].
Engraving. 160 x 110mm. Foxing and staining, outside plate only.
Painter and engraver [c.1555 - c.1632], brother of Jan Sadeler. The Sadelers were a family of Flemish engravers, publishers and printsellers who were active throughout Europe for three generations and played a major role in European graphic art, producing a wide range of high quality work. From the 'True Effigies Of the most Eminent Painters, and other Famous Artists That have Flourished in Europe' published in 1694 in Antwerp.
[Ref: 4221] £70.00 (£84.00 incl.VAT)
A Pegged-Down Fishing Match.
Painted by W. Dendy Sadler, Photogravure, Goupil & Co.i
London. April 1885. Published by I.P. Mendoza, St. James's Gallery, King Street, St. James's. New York, Fishel, Adler & Schwartz. Entered according to Act of Congress in the year 1885 by Fishel, Adler & Schwartz in the Office of the Librarian of Congress at Washington.
A rare photogravure, platemark 650 x 870mm (25½ x 34¼"). Outside of frame 960 x 1180mm (37¾ x 46½"). Some spotting towards top; unexamined out of original frame.
Fishing scene, inspired by the idea of a London Angling Society outing to the River Lea, the Sussex Ouse or the Thames, and the fishing of a friendly competition amongst the members. Sadler's painting of 1884 (now in the Beaverbrook Gallery in Fredericton, New Brunswick, Canada) has been described as his greatest angling scene, which 'shows contemporary fishing in a thoroughly naturalistic and unsentimental way'.
David Beazley, 'Images of Angling', p.180 PSA: Vol.I. A.P. 125.
[Ref: 23151] £520.00
Painted by W. Dendy Sadler, Photogravure, Goupil & Co.i
London. April 1885. Published by I.P. Mendoza, St. James's Gallery, King Street, St. James's. New York, Fishel, Adler & Schwartz. Entered according to Act of Congress in the year 1885 by Fishel, Adler & Schwartz in the Office of the Librarian of Congress at Washington.
A rare photogravure, platemark 650 x 870mm (25½ x 34¼"). Outside of frame 960 x 1180mm (37¾ x 46½"). Some spotting towards top; unexamined out of original frame.
Fishing scene, inspired by the idea of a London Angling Society outing to the River Lea, the Sussex Ouse or the Thames, and the fishing of a friendly competition amongst the members. Sadler's painting of 1884 (now in the Beaverbrook Gallery in Fredericton, New Brunswick, Canada) has been described as his greatest angling scene, which 'shows contemporary fishing in a thoroughly naturalistic and unsentimental way'.
David Beazley, 'Images of Angling', p.180 PSA: Vol.I. A.P. 125.
[Ref: 23151] £520.00
Aquatic Theatre, Sadler's Wells.
Published Augt. 23, 1813, [bit later] by Jas. Whittle & Richd. H. Laurie, 53, Fleet Street, London.
Etching and engraving, 300 x 445mm (11¾ x 17½").
View of Sadler's Wells Theatre, showing a horse-drawn carriage and figures fishing along the river in the foreground. Sadler's Wells Theatre on Rosebery Avenue, Clerkenwell. Many famous actors appeared at the theatre, including Edmund Kean, and popular comedians such as Joseph Grimaldi (1778 - 1837), originator of the painted clown. A tank under the stage could be flooded with water from the New River. This 'Aquatic Theatre' was used to stage extravagant naval melodramas, such as 'The Siege of Gibraltar'.
[Ref: 56116] £280.00 (£336.00 incl.VAT)
Published Augt. 23, 1813, [bit later] by Jas. Whittle & Richd. H. Laurie, 53, Fleet Street, London.
Etching and engraving, 300 x 445mm (11¾ x 17½").
View of Sadler's Wells Theatre, showing a horse-drawn carriage and figures fishing along the river in the foreground. Sadler's Wells Theatre on Rosebery Avenue, Clerkenwell. Many famous actors appeared at the theatre, including Edmund Kean, and popular comedians such as Joseph Grimaldi (1778 - 1837), originator of the painted clown. A tank under the stage could be flooded with water from the New River. This 'Aquatic Theatre' was used to stage extravagant naval melodramas, such as 'The Siege of Gibraltar'.
[Ref: 56116] £280.00 (£336.00 incl.VAT)
Sadler's Wells Theatre 1720
[Anon., c.1780]
Rare etching, laid on album sheet; platemark 105 x 160mm (4 x 6¼"), with large margins.
The original Sadler's Wells Theatre in Islington, north London. It was built by Richard Sadler in 1683 as a music house close to a newly-discovered mineral spring with the intention of rivalling similar establishments at Epsom and Tunbridge Wells. The various entertainments in the theatre's early days included jugglers, dancing dogs, and even a singing duck!
[Ref: 42086] £130.00 (£156.00 incl.VAT)
[Anon., c.1780]
Rare etching, laid on album sheet; platemark 105 x 160mm (4 x 6¼"), with large margins.
The original Sadler's Wells Theatre in Islington, north London. It was built by Richard Sadler in 1683 as a music house close to a newly-discovered mineral spring with the intention of rivalling similar establishments at Epsom and Tunbridge Wells. The various entertainments in the theatre's early days included jugglers, dancing dogs, and even a singing duck!
[Ref: 42086] £130.00 (£156.00 incl.VAT)
The Ascent of Mr Sadler and Capt.n Paget from Hackney, 12th Augs.t 1811. From a Drawing taken on the Spot.
Publish'd Aug.t 19th by I.Murray Princess Street Soho & 326 Oxford Street.
Etching. Sheet 305 x 190mm (12 x 7½"). Trimmed within plate. Minor surface dirt, handling creases, numbered in brown ink outside the image.
Showing James Sadler's (1753 – 1828) balloon flight to mark the birthday of George, Prince of Wales (later George IV) on 12th August 1811. He took off from the gardens of the Mermaid Tavern in Hackney, along with Captain Paget of the Royal Navy (presumably Vice-Admiral Sir Charles Paget (1778–1839)), who was a paying passenger, and landed near Tilbury Fort 73 minutes later. Apparently published a week after the event.
Illustrated: Turnor, Hatton, Astra Castra. Experiments and Adventures in the Atmopshere, Chapman and Hall, 1865, illus. p. 262. From the Collection of Christopher Hatton Turnor 1840-1914 Author of "A
[Ref: 58178] £260.00 (£312.00 incl.VAT)
Publish'd Aug.t 19th by I.Murray Princess Street Soho & 326 Oxford Street.
Etching. Sheet 305 x 190mm (12 x 7½"). Trimmed within plate. Minor surface dirt, handling creases, numbered in brown ink outside the image.
Showing James Sadler's (1753 – 1828) balloon flight to mark the birthday of George, Prince of Wales (later George IV) on 12th August 1811. He took off from the gardens of the Mermaid Tavern in Hackney, along with Captain Paget of the Royal Navy (presumably Vice-Admiral Sir Charles Paget (1778–1839)), who was a paying passenger, and landed near Tilbury Fort 73 minutes later. Apparently published a week after the event.
Illustrated: Turnor, Hatton, Astra Castra. Experiments and Adventures in the Atmopshere, Chapman and Hall, 1865, illus. p. 262. From the Collection of Christopher Hatton Turnor 1840-1914 Author of "A
[Ref: 58178] £260.00 (£312.00 incl.VAT)
The Cries of Westminster by William Heath. Newcastle Salmon- delicate Salmon- Ah this is a first rate man- (Prodigious).
Pub Oct 28 1829 by T. Mclean 26 Haymarket sole Publisher of WH etchings.
Hand-coloured etching. Sheet: 365 x 255mm (14¼ x 10"). Trimmed with some marking below right foot.
A satirical portrait of Michael Thomas Sadler (1780-1835) on his return to Newark as the nominee of the Duke of Newcastle.
BM Satire 15891.
[Ref: 43636] £230.00 (£276.00 incl.VAT)
Pub Oct 28 1829 by T. Mclean 26 Haymarket sole Publisher of WH etchings.
Hand-coloured etching. Sheet: 365 x 255mm (14¼ x 10"). Trimmed with some marking below right foot.
A satirical portrait of Michael Thomas Sadler (1780-1835) on his return to Newark as the nominee of the Duke of Newcastle.
BM Satire 15891.
[Ref: 43636] £230.00 (£276.00 incl.VAT)
The Charms of Dishabille, or New Tunbridge Wells at Islington.
For the Flute. The Words by Mr. Lockman, Written in 1733. To ye Tune of ye Black Joke. G. Bickham junr. Sculp.
[n.d., c.1745.]
Engraved musical score lettered with lyrics, three verses of lyrics below, etched illustration above, plate 320 x 200mm (12¾ x 7¾"), with margins. Glued to backing sheet on borders at edges. Fold. Some light foxing.
An ode to sartorial variety at the pleasure gardens at Sadler's Wells (sometimes called 'New Tunbridge Wells') in Islington, London. The author of the lyrics remarks upon the array of fashions sported by a socially mixed clientele. During the 18th century the initial exclusiveness of Sadler's Wells declined along with the quality of the clientele, who were described as 'vermin trained up to the gallows' by a contemporary, while, by 1711, Sadler's Wells was characterized as 'a nursery of debauchery'. By George Bickham the Younger (c. 1706 - 1771), printmaker and publisher, and son of George Bickham the Elder. From a book of sheet music. Plate inscribed '42' upper right.
[Ref: 62004] £130.00 (£156.00 incl.VAT)
For the Flute. The Words by Mr. Lockman, Written in 1733. To ye Tune of ye Black Joke. G. Bickham junr. Sculp.
[n.d., c.1745.]
Engraved musical score lettered with lyrics, three verses of lyrics below, etched illustration above, plate 320 x 200mm (12¾ x 7¾"), with margins. Glued to backing sheet on borders at edges. Fold. Some light foxing.
An ode to sartorial variety at the pleasure gardens at Sadler's Wells (sometimes called 'New Tunbridge Wells') in Islington, London. The author of the lyrics remarks upon the array of fashions sported by a socially mixed clientele. During the 18th century the initial exclusiveness of Sadler's Wells declined along with the quality of the clientele, who were described as 'vermin trained up to the gallows' by a contemporary, while, by 1711, Sadler's Wells was characterized as 'a nursery of debauchery'. By George Bickham the Younger (c. 1706 - 1771), printmaker and publisher, and son of George Bickham the Elder. From a book of sheet music. Plate inscribed '42' upper right.
[Ref: 62004] £130.00 (£156.00 incl.VAT)
![[Six original sketches for the Sados Restaurant and Winter Gardens, Brighton.]](jpegs/62306.jpg)
[Six original sketches for the Sados Restaurant and Winter Gardens, Brighton.]
G. Mareshal. Artist. 35 Liverpool R.d Kingston Hill, Kingston on Thames.
[c.1930.]
Six watercolours. Sheets c.260 x 305mm (10¼ x 12") First sheet soiled, with tear.
Six interior design sketches. The three with pencil titles are: 'Front of Bar in Lounge 1st Floor Sado's Restaurant, Brighton', with a fantastical Chinoiserie pheasant; 'Proposed scenery for Walls Sado's Winter Gardens, Brighton', with a southern Italianate terrace; and 'Decorative Scheme for Bathing Pool'. The others are a view of a river from under an Arabesque colonade; another Chinoiserie pheasant on a wall; and a room with a fireplace and two large window-like paintings.
[Ref: 62306] £290.00 (£348.00 incl.VAT) view all images for this item
G. Mareshal. Artist. 35 Liverpool R.d Kingston Hill, Kingston on Thames.
[c.1930.]
Six watercolours. Sheets c.260 x 305mm (10¼ x 12") First sheet soiled, with tear.
Six interior design sketches. The three with pencil titles are: 'Front of Bar in Lounge 1st Floor Sado's Restaurant, Brighton', with a fantastical Chinoiserie pheasant; 'Proposed scenery for Walls Sado's Winter Gardens, Brighton', with a southern Italianate terrace; and 'Decorative Scheme for Bathing Pool'. The others are a view of a river from under an Arabesque colonade; another Chinoiserie pheasant on a wall; and a room with a fireplace and two large window-like paintings.
[Ref: 62306] £290.00 (£348.00 incl.VAT) view all images for this item
![[La Peinture.]](jpegs/14541.jpg)
[La Peinture.]
E. Sadzeyt.
[n.d. c.1880.]
Coloured lithograph. 230 x 151mm. 9 x 6". Cut and laid on separate sheet.
A harlequin engrossed in painting a rustic Dutchman on this canvas.
[Ref: 14541] £140.00 (£168.00 incl.VAT)
E. Sadzeyt.
[n.d. c.1880.]
Coloured lithograph. 230 x 151mm. 9 x 6". Cut and laid on separate sheet.
A harlequin engrossed in painting a rustic Dutchman on this canvas.
[Ref: 14541] £140.00 (£168.00 incl.VAT)
![[La Foise.]](jpegs/14542.jpg)
[La Foise.]
E. Sadzeyt.
[n.d. c.1840.]
Coloured lithograph. 230 x 151mm. 9 x 6". Cut and laid on separate sheet.
A harlequin imitating the great writers of past with a laurel head-piece of Roman times, and papers around him, cigarettes in the ashtray and publications on the wall.
[Ref: 14542] £140.00 (£168.00 incl.VAT)
E. Sadzeyt.
[n.d. c.1840.]
Coloured lithograph. 230 x 151mm. 9 x 6". Cut and laid on separate sheet.
A harlequin imitating the great writers of past with a laurel head-piece of Roman times, and papers around him, cigarettes in the ashtray and publications on the wall.
[Ref: 14542] £140.00 (£168.00 incl.VAT)
![[L'Automne.]](jpegs/14543.jpg)
[L'Automne.]
E. Sadzeyt.
[n.d. c.1840.]
Coloured lithograph. 232 x 151mm. 9 x 6". Some scuffing to the image.
A harlequin imitating Dionysis with a head-reef of grapes, leaning against a barrel with a basket of grapes over one arm, a bottle of wine in his hand, and grapes flowing out his pocket.
[Ref: 14543] £130.00 (£156.00 incl.VAT)
E. Sadzeyt.
[n.d. c.1840.]
Coloured lithograph. 232 x 151mm. 9 x 6". Some scuffing to the image.
A harlequin imitating Dionysis with a head-reef of grapes, leaning against a barrel with a basket of grapes over one arm, a bottle of wine in his hand, and grapes flowing out his pocket.
[Ref: 14543] £130.00 (£156.00 incl.VAT)
![[La Sculpture.]](jpegs/14544.jpg)
[La Sculpture.]
E. Sadzeyt.
[n.d. c.1880.]
Coloured lithograph. 232 x 151mm. 9 x 6".
A Harlequin creating his masterpiece out of stone. Other statues sit on shelves on the wall. A palette sticks out his left pocket. A laurel reef leans up against the stool that he sits on.
[Ref: 14544] £140.00 (£168.00 incl.VAT)
E. Sadzeyt.
[n.d. c.1880.]
Coloured lithograph. 232 x 151mm. 9 x 6".
A Harlequin creating his masterpiece out of stone. Other statues sit on shelves on the wall. A palette sticks out his left pocket. A laurel reef leans up against the stool that he sits on.
[Ref: 14544] £140.00 (£168.00 incl.VAT)
M.rs Sage. [The first English Female Aerial Traveller, who ascended with Mr. Biggin, in Mr. Lunardi's Balloon, from St. George's Fields June 29th 1785; at 25 Minutes after one oClock, and descended a few Miles beyond Harrow in Middlesex, at three oClock, after traversing upwards of Thirty Miles on the Atmosphere.]
Tburke fecit. S. Shelley del.
[n.d., c.1790.]
Rare stipple, printed in sepia. Sheet: 130 x 140mm (5 x 5½"). Trimmed.
A portrait of Letitia Ann Sage (1750-1817) an actress who was the first woman to fly, riding in Vincenzo Lunardi's balloon.
See ref: 50053 for another version.
[Ref: 56977] £180.00 (£216.00 incl.VAT)
Tburke fecit. S. Shelley del.
[n.d., c.1790.]
Rare stipple, printed in sepia. Sheet: 130 x 140mm (5 x 5½"). Trimmed.
A portrait of Letitia Ann Sage (1750-1817) an actress who was the first woman to fly, riding in Vincenzo Lunardi's balloon.
See ref: 50053 for another version.
[Ref: 56977] £180.00 (£216.00 incl.VAT)
M.rs Sage. The first English Female Aerial Traveller, who ascended with Mr. Biggin, in Mr. Lunardi's Balloon, from St. George's Fields June 29th 1785; at 25 Minutes after one oClock, and descended a few Miles beyond Harrow in Middlesex, at three oClock, after traversing upwards of Thirty Miles on the Atmosphere.
Tburke fecit.
[n.d., c.1790.]
Rare stipple, printed in sepia. Sheet: 185 x 135mm (7¼ x 5¼''). Trimmed and marked. Bit messy.
A portrait of Letitia Ann Sage (1750-1817) an actress who was the first woman to fly, flying in Vincenzo Lunardi's balloon. By the artist Samuel Shelly.
[Ref: 50053] £280.00 (£336.00 incl.VAT)
Tburke fecit.
[n.d., c.1790.]
Rare stipple, printed in sepia. Sheet: 185 x 135mm (7¼ x 5¼''). Trimmed and marked. Bit messy.
A portrait of Letitia Ann Sage (1750-1817) an actress who was the first woman to fly, flying in Vincenzo Lunardi's balloon. By the artist Samuel Shelly.
[Ref: 50053] £280.00 (£336.00 incl.VAT)
November. Chiron as Sagittarius teaching Achilles the use of the Bow.
Burney del.t. J. Agar sculp.t.
Pub. Jan.y 1809 by R.Ackermann, at his Repository of Arts, No 101, Strand, London.
Stipple. Sheet 200 x 260mm, 8 x 10¼", watermarked "J.Whatman 1808". Trimmed within plate, left corners torn.
An allegorical image of the zodiac sign Sagittarius. The infant Achilles being taught archery by the centaur Chiron. Behind them the goddess Artemis also fires a bow.
[Ref: 14141] £75.00 (£90.00 incl.VAT)
Burney del.t. J. Agar sculp.t.
Pub. Jan.y 1809 by R.Ackermann, at his Repository of Arts, No 101, Strand, London.
Stipple. Sheet 200 x 260mm, 8 x 10¼", watermarked "J.Whatman 1808". Trimmed within plate, left corners torn.
An allegorical image of the zodiac sign Sagittarius. The infant Achilles being taught archery by the centaur Chiron. Behind them the goddess Artemis also fires a bow.
[Ref: 14141] £75.00 (£90.00 incl.VAT)
November, Chiron as Sagittarius teaching Achilles the use of the Bow.
['Burney delt.' & 'J. Agar sculpt' faded.]
Pub. Jany. 2. 1809 by R. Ackermann, as his Repository of Arts, No. 101, Strand, London [but c.1815].
Hand-coloured stipple and etching, reissue on Whatman paper, partly printed in colour. 195 x 260mm, 7¾ x 10¼". Some staining and soiling; two creases in plate. Uncut.
Chiron as Sagittarius, standing at right on his hind legs, holding a bow, with the infant Achilles kneeling on his back, pulling the arrow; Artemis standing with her left foot on a small chariot pulled by Chiron, with head turned back in profile to left, holding a bow in her left hand after firing an arrow. Chiron was the centaur tutor to Achilles, Asclepius and Hercules. No trace of price upper right. After Edward Francis Burney (1760 - 1848), from a series of allegories of the months.
[Ref: 22588] £230.00 (£276.00 incl.VAT)
['Burney delt.' & 'J. Agar sculpt' faded.]
Pub. Jany. 2. 1809 by R. Ackermann, as his Repository of Arts, No. 101, Strand, London [but c.1815].
Hand-coloured stipple and etching, reissue on Whatman paper, partly printed in colour. 195 x 260mm, 7¾ x 10¼". Some staining and soiling; two creases in plate. Uncut.
Chiron as Sagittarius, standing at right on his hind legs, holding a bow, with the infant Achilles kneeling on his back, pulling the arrow; Artemis standing with her left foot on a small chariot pulled by Chiron, with head turned back in profile to left, holding a bow in her left hand after firing an arrow. Chiron was the centaur tutor to Achilles, Asclepius and Hercules. No trace of price upper right. After Edward Francis Burney (1760 - 1848), from a series of allegories of the months.
[Ref: 22588] £230.00 (£276.00 incl.VAT)
Per Mathisön Sahra. A Mountain Laplander on Qualöen or Whale Island.
Drawn from Nature by Capn. de C. Brooke: Drawn on Stone by D: Dighton.
London Pubd. by Rodwell and Martin New Bond Street. Printed by C. Hullmandel. [n.d. c.1825.]
Lithograph. 255 x 184mm. 10 x 7¼". Crease.
From a collection of drawings made by Captain A. deC. Brooke during two journeys to Scandinavia, 1820 and 1820-21.
Scott Polar Research Institute: 56/18/12.
[Ref: 15137] £120.00 (£144.00 incl.VAT)
Drawn from Nature by Capn. de C. Brooke: Drawn on Stone by D: Dighton.
London Pubd. by Rodwell and Martin New Bond Street. Printed by C. Hullmandel. [n.d. c.1825.]
Lithograph. 255 x 184mm. 10 x 7¼". Crease.
From a collection of drawings made by Captain A. deC. Brooke during two journeys to Scandinavia, 1820 and 1820-21.
Scott Polar Research Institute: 56/18/12.
[Ref: 15137] £120.00 (£144.00 incl.VAT)
Said Pacha Beglierbey de Roumely Ambassadeur extraordinaire de sa Haut.se vers Sa Majesté tres Chretienne. Puisse son nom vivant chez nos derniers Neveux...Etre egalement cher a deux Peuples heureux.
Presenté par son Excellence par son tres humble Serviteur Petit.
a Paris chez Petit rue S. Jacques a la Couronne d'Epines. 1742.
Engraving. Plate 151 x 106mm (6 x 4¼"). Rare.
Ottoman ambassador to France.
[Ref: 29820] £95.00 (£114.00 incl.VAT)
Presenté par son Excellence par son tres humble Serviteur Petit.
a Paris chez Petit rue S. Jacques a la Couronne d'Epines. 1742.
Engraving. Plate 151 x 106mm (6 x 4¼"). Rare.
Ottoman ambassador to France.
[Ref: 29820] £95.00 (£114.00 incl.VAT)
![[Sail boats in coastal waters.]](jpegs/13966.jpg)
[Sail boats in coastal waters.]
Norman Wilkinson [pencil signature.]
[n.d., c.1930.]
Drypoint etching. 175 x 280, 7 x 11".
Wilkinson [1878-1971] was an illustrator for the Illustrated London News, and during both World Wars worked developing camouflage techniques.
[Ref: 13966] £260.00 (£312.00 incl.VAT)
Norman Wilkinson [pencil signature.]
[n.d., c.1930.]
Drypoint etching. 175 x 280, 7 x 11".
Wilkinson [1878-1971] was an illustrator for the Illustrated London News, and during both World Wars worked developing camouflage techniques.
[Ref: 13966] £260.00 (£312.00 incl.VAT)
![[Sail-Boat.]](jpegs/48107.jpg)
[Sail-Boat.]
[n.d., c.1960.]
Signed watercolour. Sheet: 140 x 90mm (5½ x 3½''). Mounted on card.
[Ref: 48107] £120.00 (£144.00 incl.VAT)
[n.d., c.1960.]
Signed watercolour. Sheet: 140 x 90mm (5½ x 3½''). Mounted on card.
[Ref: 48107] £120.00 (£144.00 incl.VAT)
The Return of a Sailing Party.
A. Crowquill - Esq.r del.t Etched by G. C-k.
London. Pub.d August 14 1826 by S. Knights Sweetings Alley Royal Exchange.
Coloured etching. 255 x 360mm (10 x 14¼"). Tear in margin, some creasing.
A group of seasick urbanites disembarking from a small boat onto a beach under chalk cliffs, etched by George Cruikshank.
[Ref: 33939] £130.00 (£156.00 incl.VAT)
A. Crowquill - Esq.r del.t Etched by G. C-k.
London. Pub.d August 14 1826 by S. Knights Sweetings Alley Royal Exchange.
Coloured etching. 255 x 360mm (10 x 14¼"). Tear in margin, some creasing.
A group of seasick urbanites disembarking from a small boat onto a beach under chalk cliffs, etched by George Cruikshank.
[Ref: 33939] £130.00 (£156.00 incl.VAT)
![[Barge Regatta.]](jpegs/22810.jpg)
[Barge Regatta.]
W. Monk [pencil signature.]
18Monk98.
Etching, signed in pencil. Remarque of sailing barges in lower left. Plate 368 x 669mm (14½ x 26¼").
Very fine & atmospheric scene, sailing ships, thames barges and steamers on river; the barge regatta. William Monk (1863-1937). He created slightly over one hundred original etchings during his career: most being views of London, New York, Eton, Winchester and Durham. He was elected a full member of the Royal Engravers in 1899. Museums that purchased his etchings and paintings in the early twentieth century include the British Museum, the Victoria and Albert Museum and the War Museum, London.
[Ref: 22810] £580.00
W. Monk [pencil signature.]
18Monk98.
Etching, signed in pencil. Remarque of sailing barges in lower left. Plate 368 x 669mm (14½ x 26¼").
Very fine & atmospheric scene, sailing ships, thames barges and steamers on river; the barge regatta. William Monk (1863-1937). He created slightly over one hundred original etchings during his career: most being views of London, New York, Eton, Winchester and Durham. He was elected a full member of the Royal Engravers in 1899. Museums that purchased his etchings and paintings in the early twentieth century include the British Museum, the Victoria and Albert Museum and the War Museum, London.
[Ref: 22810] £580.00
![[Collection of four ink mss. sailing directions, three ink sketches and a pencil sketch, from the collection of Sir Graham Hamond.]](jpegs/54217.jpg)
[Collection of four ink mss. sailing directions, three ink sketches and a pencil sketch, from the collection of Sir Graham Hamond.]
[Various dates, 1815-1854.]
8 sheets, various hands, largest 325 x 200mm (12¾ x 8"). Some staining.
The sailing directions relate to the work of Trinity House (the institution in charge of Britain's lighthouses) on navigational buoys. One sheet, bearing their address as sender and dated 28th August 1815, describes two buoys near Selsey Bill; the same text was published by Trinity House on 23rd May 1818 and recorded in Norie's 'New and complete sailing directions for the east coast of England'. The ink sketches (in the same hand) detail parts of a wooden ship. The pencil sketch, signed '[**] Hammond Dec. 30 /54', depicts two ships under sail with a town in the background. From the collection of Sir Graham Hamond (1779-1862), a Royal Naval officer who appears in Mather Brown's painting of the Battle of the Glorious First of June (1794), at which he served as a young midshipman. He continued to serve throughout the Napoleonic wars, including the Battle of Copenhagen and the siege of French-held Malta. He died less than a month after being promoted to full admiral.
[Ref: 54217] £280.00 (£336.00 incl.VAT) view all images for this item
[Various dates, 1815-1854.]
8 sheets, various hands, largest 325 x 200mm (12¾ x 8"). Some staining.
The sailing directions relate to the work of Trinity House (the institution in charge of Britain's lighthouses) on navigational buoys. One sheet, bearing their address as sender and dated 28th August 1815, describes two buoys near Selsey Bill; the same text was published by Trinity House on 23rd May 1818 and recorded in Norie's 'New and complete sailing directions for the east coast of England'. The ink sketches (in the same hand) detail parts of a wooden ship. The pencil sketch, signed '[**] Hammond Dec. 30 /54', depicts two ships under sail with a town in the background. From the collection of Sir Graham Hamond (1779-1862), a Royal Naval officer who appears in Mather Brown's painting of the Battle of the Glorious First of June (1794), at which he served as a young midshipman. He continued to serve throughout the Napoleonic wars, including the Battle of Copenhagen and the siege of French-held Malta. He died less than a month after being promoted to full admiral.
[Ref: 54217] £280.00 (£336.00 incl.VAT) view all images for this item
![[A Gentle Breeze.]](jpegs/19340.jpg)
[A Gentle Breeze.]
Bernard J Carr [pencil signature.]
[British, c.1939.]
Fine drypoint etching, signed artist's proof. 150 x 225mm. 6 x 9". A fine impression, mint..
Yachts sailing at sea; a trawler in the background far left. Publisher's blindstamp lower left, titled in pencil to lower left margin. Bernard James Carr was an etcher and painter who studied at the Sheffield College of Arts and Crafts; noted for his etchings of marine subjects.
The Print Society 'Fine Prints', Index.
[Ref: 19340] £160.00 (£192.00 incl.VAT)
Bernard J Carr [pencil signature.]
[British, c.1939.]
Fine drypoint etching, signed artist's proof. 150 x 225mm. 6 x 9". A fine impression, mint..
Yachts sailing at sea; a trawler in the background far left. Publisher's blindstamp lower left, titled in pencil to lower left margin. Bernard James Carr was an etcher and painter who studied at the Sheffield College of Arts and Crafts; noted for his etchings of marine subjects.
The Print Society 'Fine Prints', Index.
[Ref: 19340] £160.00 (£192.00 incl.VAT)
![[Fine Weather.]](jpegs/19343.jpg)
[Fine Weather.]
Bernard J Carr [pencil signature.]
[British, c.1939.]
Fine drypoint etching, signed artist's proof. 140 x 210mm. 5½ x 8¼". A fine impression, mint.
A yachts on flat-calm water; shoreline beyond, part of a pontoon to foreground lower right. Publisher's blindstamp lower left, titled in pencil to lower left margin. Bernard James Carr was an etcher and painter who studied at the Sheffield College of Arts and Crafts; noted for his etchings of marine subjects.
The Print Society 'Fine Prints', p.191.
[Ref: 19343] £160.00 (£192.00 incl.VAT)
Bernard J Carr [pencil signature.]
[British, c.1939.]
Fine drypoint etching, signed artist's proof. 140 x 210mm. 5½ x 8¼". A fine impression, mint.
A yachts on flat-calm water; shoreline beyond, part of a pontoon to foreground lower right. Publisher's blindstamp lower left, titled in pencil to lower left margin. Bernard James Carr was an etcher and painter who studied at the Sheffield College of Arts and Crafts; noted for his etchings of marine subjects.
The Print Society 'Fine Prints', p.191.
[Ref: 19343] £160.00 (£192.00 incl.VAT)
![[Passing the Buoy.]](jpegs/19345.jpg)
[Passing the Buoy.]
Bernard J Carr [pencil signature.]
[British, c.1939.]
Fine drypoint etching, signed artist's proof. 150 x 225mm. 6 x 9". A fine impression, mint.
Yachts sailing at sea; buoy to lower left foreground. Publisher's blindstamp lower left, titled in pencil to lower left margin. Bernard James Carr was an etcher and painter who studied at the Sheffield College of Arts and Crafts; noted for his etchings of marine subjects.
The Print Society 'Fine Prints', Index.
[Ref: 19345] £160.00 (£192.00 incl.VAT)
Bernard J Carr [pencil signature.]
[British, c.1939.]
Fine drypoint etching, signed artist's proof. 150 x 225mm. 6 x 9". A fine impression, mint.
Yachts sailing at sea; buoy to lower left foreground. Publisher's blindstamp lower left, titled in pencil to lower left margin. Bernard James Carr was an etcher and painter who studied at the Sheffield College of Arts and Crafts; noted for his etchings of marine subjects.
The Print Society 'Fine Prints', Index.
[Ref: 19345] £160.00 (£192.00 incl.VAT)
![[The Pierhead.]](jpegs/19347.jpg)
[The Pierhead.]
Bernard J Carr [pencil signature.]
[British, c.1939.]
Fine drypoint etching, signed artist's proof. 115 x 205mm. 4½ x 8". A fine impression, mint.
A yacht approaching a pier, to left. Publisher's blindstamp lower left, titled in pencil to lower left margin. Bernard James Carr was an etcher and painter who studied at the Sheffield College of Arts and Crafts; noted for his etchings of marine subjects.
The Print Society 'Fine Prints', p.191.
[Ref: 19347] £180.00 (£216.00 incl.VAT)
Bernard J Carr [pencil signature.]
[British, c.1939.]
Fine drypoint etching, signed artist's proof. 115 x 205mm. 4½ x 8". A fine impression, mint.
A yacht approaching a pier, to left. Publisher's blindstamp lower left, titled in pencil to lower left margin. Bernard James Carr was an etcher and painter who studied at the Sheffield College of Arts and Crafts; noted for his etchings of marine subjects.
The Print Society 'Fine Prints', p.191.
[Ref: 19347] £180.00 (£216.00 incl.VAT)
![[A Choppy Sea.]](jpegs/19349.jpg)
[A Choppy Sea.]
Bernard J Carr [pencil signature.]
[British, c.1939.]
Fine drypoint etching, signed artist's proof. 125 x 225mm. 5 x 9". A fine impression, mint.
Publisher's blindstamp lower left, titled in pencil to lower left margin. Bernard James Carr was an etcher and painter who studied at the Sheffield College of Arts and Crafts; noted for his etchings of marine subjects.
The Print Society 'Fine Prints', p.191.
[Ref: 19349] £180.00 (£216.00 incl.VAT)
Bernard J Carr [pencil signature.]
[British, c.1939.]
Fine drypoint etching, signed artist's proof. 125 x 225mm. 5 x 9". A fine impression, mint.
Publisher's blindstamp lower left, titled in pencil to lower left margin. Bernard James Carr was an etcher and painter who studied at the Sheffield College of Arts and Crafts; noted for his etchings of marine subjects.
The Print Society 'Fine Prints', p.191.
[Ref: 19349] £180.00 (£216.00 incl.VAT)
![[Still Waters.]](jpegs/19350.jpg)
[Still Waters.]
Bernard J Carr [pencil signature.]
[British, c.1939.]
Fine drypoint etching, signed artist's proof. 130 x 210mm. 5 x 8¼". Publisher's blindstamp lower left, titled in pencil to lower left margin. A fine impression, mint.
Yachts on a flat-calm sea. Bernard James Carr was an etcher and painter who studied at the Sheffield College of Arts and Crafts; noted for his etchings of marine subjects.
The Print Society 'Fine Prints', p.191.
[Ref: 19350] £180.00 (£216.00 incl.VAT)
Bernard J Carr [pencil signature.]
[British, c.1939.]
Fine drypoint etching, signed artist's proof. 130 x 210mm. 5 x 8¼". Publisher's blindstamp lower left, titled in pencil to lower left margin. A fine impression, mint.
Yachts on a flat-calm sea. Bernard James Carr was an etcher and painter who studied at the Sheffield College of Arts and Crafts; noted for his etchings of marine subjects.
The Print Society 'Fine Prints', p.191.
[Ref: 19350] £180.00 (£216.00 incl.VAT)
![[Passing the Lighthouse.]](jpegs/19351.jpg)
[Passing the Lighthouse.]
Bernard J Carr [pencil signature.]
[British, c.1939.]
Fine drypoint etching, signed artist's proof. 150 x 225mm. 6 x 9". A fine impression, mint.
Yachts sailing past a lighthouse guarding the entrance to a harbour; several moored ships in background, cliffs beyond. Publisher's blindstamp lower left, titled in pencil to lower left margin. Bernard James Carr was an etcher and painter who studied at the Sheffield College of Arts and Crafts; noted for his etchings of marine subjects.
The Print Society 'Fine Prints', Index.
[Ref: 19351] £180.00 (£216.00 incl.VAT)
Bernard J Carr [pencil signature.]
[British, c.1939.]
Fine drypoint etching, signed artist's proof. 150 x 225mm. 6 x 9". A fine impression, mint.
Yachts sailing past a lighthouse guarding the entrance to a harbour; several moored ships in background, cliffs beyond. Publisher's blindstamp lower left, titled in pencil to lower left margin. Bernard James Carr was an etcher and painter who studied at the Sheffield College of Arts and Crafts; noted for his etchings of marine subjects.
The Print Society 'Fine Prints', Index.
[Ref: 19351] £180.00 (£216.00 incl.VAT)
![[Calm Waters.]](jpegs/19353.jpg)
[Calm Waters.]
Bernard J Carr [pencil signature.]
[British, c.1939.]
Fine drypoint etching, signed artist's proof. 115 x 225mm. 4½ x 9". A fine impression, mint.
Yachts on a flat-calm sea; lighthouse and harbour wall to background. Publisher's blindstamp lower left, titled in pencil to lower left margin. Bernard James Carr was an etcher and painter who studied at the Sheffield College of Arts and Crafts; noted for his etchings of marine subjects.
The Print Society 'Fine Prints', Index.
[Ref: 19353] £180.00 (£216.00 incl.VAT)
Bernard J Carr [pencil signature.]
[British, c.1939.]
Fine drypoint etching, signed artist's proof. 115 x 225mm. 4½ x 9". A fine impression, mint.
Yachts on a flat-calm sea; lighthouse and harbour wall to background. Publisher's blindstamp lower left, titled in pencil to lower left margin. Bernard James Carr was an etcher and painter who studied at the Sheffield College of Arts and Crafts; noted for his etchings of marine subjects.
The Print Society 'Fine Prints', Index.
[Ref: 19353] £180.00 (£216.00 incl.VAT)
![[Fisherman's Home-coming.]](jpegs/19354.jpg)
[Fisherman's Home-coming.]
Bernard J Carr [pencil signature.]
[British, c.1939.]
Fine drypoint etching, signed artist's proof. 150 x 225mm. 6 x 9". A fine impression.
A fishing boat returning to harbour. Publisher's blindstamp lower left, titled in pencil to lower left margin. Bernard James Carr was an etcher and painter who studied at the Sheffield College of Arts and Crafts; noted for his etchings of marine subjects.
The Print Society 'Fine Prints', Index.
[Ref: 19354] £160.00 (£192.00 incl.VAT)
Bernard J Carr [pencil signature.]
[British, c.1939.]
Fine drypoint etching, signed artist's proof. 150 x 225mm. 6 x 9". A fine impression.
A fishing boat returning to harbour. Publisher's blindstamp lower left, titled in pencil to lower left margin. Bernard James Carr was an etcher and painter who studied at the Sheffield College of Arts and Crafts; noted for his etchings of marine subjects.
The Print Society 'Fine Prints', Index.
[Ref: 19354] £160.00 (£192.00 incl.VAT)
![[A Strong Breeze.]](jpegs/13863.jpg)
[A Strong Breeze.]
Bernard Carr [pencil signature.]
[n.d., c.1910.]
Fine drypoint etching, 135 x 290mm. 5¼ x 11½". Slight age toning.
Yachts sailing at sea; a tug boat in the background far left, and a distant shoreline.
[Ref: 13863] £220.00 (£264.00 incl.VAT)
Bernard Carr [pencil signature.]
[n.d., c.1910.]
Fine drypoint etching, 135 x 290mm. 5¼ x 11½". Slight age toning.
Yachts sailing at sea; a tug boat in the background far left, and a distant shoreline.
[Ref: 13863] £220.00 (£264.00 incl.VAT)
![[Sailmakers.]](jpegs/19914.jpg)
[Sailmakers.]
[After Jan Van Vliet.]
[Published by Gaspard Duchange?] [n.d. c.1750.]
Etching. 210 x 165mm. 8¼ x 6½". Trimmed to the image.
Sailmakers: two seated male figures holding sewing needles working on a large piece of cloth; various instruments suspended from nails on the back wall. This is one from a series of twenty-two plates (plus title) after Jan van Vliet, published by Gaspard Duchange, with French captions.
See BM: S.6198 [in reverse].
[Ref: 19914] £85.00 (£102.00 incl.VAT)
[After Jan Van Vliet.]
[Published by Gaspard Duchange?] [n.d. c.1750.]
Etching. 210 x 165mm. 8¼ x 6½". Trimmed to the image.
Sailmakers: two seated male figures holding sewing needles working on a large piece of cloth; various instruments suspended from nails on the back wall. This is one from a series of twenty-two plates (plus title) after Jan van Vliet, published by Gaspard Duchange, with French captions.
See BM: S.6198 [in reverse].
[Ref: 19914] £85.00 (£102.00 incl.VAT)
![Why, Tom, thou'rt a seaman [...]](jpegs/63499.jpg)
Why, Tom, thou'rt a seaman [...]
[n.d., c.1850.]
Ink and watercolour. Sheet 220 x 165mm (8¾ x 6½"), paper watermarked '1847'? Some spotting in borders.
A 'Lilliputian' (i.e. a large head on a small body) caricature of a sailor, with the first verse of Charles Dibdin's ''Jack's Advice to his Friend'.
[Ref: 63499] £70.00 (£84.00 incl.VAT)
[n.d., c.1850.]
Ink and watercolour. Sheet 220 x 165mm (8¾ x 6½"), paper watermarked '1847'? Some spotting in borders.
A 'Lilliputian' (i.e. a large head on a small body) caricature of a sailor, with the first verse of Charles Dibdin's ''Jack's Advice to his Friend'.
[Ref: 63499] £70.00 (£84.00 incl.VAT)
Sailors at a Quakers funeral.
[After Isaac Cruikshank, c.1810]
Hand-coloured etching, sheet 235 x 330mm (9¼ x 13"). Trimmed inside platemark; small tear to bottom edge.
Quakers, sailors and a gravedigger stood by an open grave. Copy of an etching after George Moutard Woodward (c.1760 - 1809), etched by caricaturist Isaac Cruikshank (1764 - 1811), father of Isaac Robert and George.
See BM Satires 10902; for Cruikshank's etching see ref. 18477.
[Ref: 47197] £260.00 (£312.00 incl.VAT)
[After Isaac Cruikshank, c.1810]
Hand-coloured etching, sheet 235 x 330mm (9¼ x 13"). Trimmed inside platemark; small tear to bottom edge.
Quakers, sailors and a gravedigger stood by an open grave. Copy of an etching after George Moutard Woodward (c.1760 - 1809), etched by caricaturist Isaac Cruikshank (1764 - 1811), father of Isaac Robert and George.
See BM Satires 10902; for Cruikshank's etching see ref. 18477.
[Ref: 47197] £260.00 (£312.00 incl.VAT)
A Sailor at a Quakers Funeral.
Woodward del. Cruikshanks sp.
[London: T. Tegg, c.1810.]
Hand coloured etching, sheet 220 x 320mm. 8¾ x 12½". Trimmed into plate, to image on three sides.
Social satire: a Quaker stands by an open grave in a large walled graveyard, with clasped hands, eyes sanctimoniously turned up. A grave-digger leans on his spade watching him with puzzled distaste. The Quaker: "Verily the spirit at length beginneth to move me - Alas! there is no happiness on this side of the grave." A disgruntled sailor who stands opposite him asks: "Why then you Lubber, dont you come on this side?" A second Quaker stands behind the first, hands clasped, looking down. On the extreme left a woman in a Quaker's bonnet weeps, puting her handkerchief to her eyes. Behind the sailor and on the extreme right is another mourner, also puzzled and unsympathetic. A skull lies beside the open grave, grinning up at the Quaker. After George Moutard Woodward (c.1760 - 1809), etched by caricaturist Isaac Cruikshank (1764 - 1811), father of Isaac Robert and George.
BM Satires: 10902. Ex Collection Norman Blackburn.
[Ref: 18477] £130.00 (£156.00 incl.VAT)
Woodward del. Cruikshanks sp.
[London: T. Tegg, c.1810.]
Hand coloured etching, sheet 220 x 320mm. 8¾ x 12½". Trimmed into plate, to image on three sides.
Social satire: a Quaker stands by an open grave in a large walled graveyard, with clasped hands, eyes sanctimoniously turned up. A grave-digger leans on his spade watching him with puzzled distaste. The Quaker: "Verily the spirit at length beginneth to move me - Alas! there is no happiness on this side of the grave." A disgruntled sailor who stands opposite him asks: "Why then you Lubber, dont you come on this side?" A second Quaker stands behind the first, hands clasped, looking down. On the extreme left a woman in a Quaker's bonnet weeps, puting her handkerchief to her eyes. Behind the sailor and on the extreme right is another mourner, also puzzled and unsympathetic. A skull lies beside the open grave, grinning up at the Quaker. After George Moutard Woodward (c.1760 - 1809), etched by caricaturist Isaac Cruikshank (1764 - 1811), father of Isaac Robert and George.
BM Satires: 10902. Ex Collection Norman Blackburn.
[Ref: 18477] £130.00 (£156.00 incl.VAT)
The Sailor in a Storm. O God! have mercy in this dreadful hour... [&] The Poetical Sailor. The Captain of a certain British Frigate, a man of undaunted bravery, had a natural antipathy to a cat...
[n.d., c.1840.]
Two ink mss. Sheets 145 x 135mm (5¾ x 5¼") & 125 x 165mm (9 x 6½"). Laid on album sheets.
Two calligraphy exercises, copying a poem by Robert Southey (1774-1843), Poet Laureate from 1813 until his death and an anonymous anecdote, published in (amongst many) 'The Log Book; Or, Nautical Miscellany', 1830.
[Ref: 52593] £180.00 (£216.00 incl.VAT) view all images for this item
[n.d., c.1840.]
Two ink mss. Sheets 145 x 135mm (5¾ x 5¼") & 125 x 165mm (9 x 6½"). Laid on album sheets.
Two calligraphy exercises, copying a poem by Robert Southey (1774-1843), Poet Laureate from 1813 until his death and an anonymous anecdote, published in (amongst many) 'The Log Book; Or, Nautical Miscellany', 1830.
[Ref: 52593] £180.00 (£216.00 incl.VAT) view all images for this item
A Sailor sitting for his Miniature.
Woodward delin. Etch'd by Roberts.
[London Pub.d by P. Roberts 28 Middle Row, Holborn.][n.d. c.1807]
Finely hand coloured etching. Sheet 270 x 380mm (10½ x 15"), on Whatman paper.
The artist wearing a floral dressing gown/artists smock, a self-portrait of Woodward, sits at a writing desk painting a miniature of the sailor that sits on a stool opposite arms akimbo. He says: "Come my Hearty - mind what you are at - make good use of your Eyes - you know the terms on which I set sail - ten golden quids if you come to Anchor in ten minutes - but a minute beyond time, and you have but five you know, so heave a head do you hear - and lay in plenty of the true-blue about the jacket, - and Harkee Young-one - don't forget the beauty spot on the lar-board side of my Cheek - Poll calls it her hearts delight, - well this same painting is a fine knack to be sure - but I am rather puzzled about one thing - If you can get my hulk, head, and stern into that there little bit of ivory - d------n me, but I think you would be able to tow a seventy-four through one of the cock boat Arches of London Bridge."
BM Satires 10894. See [Ref: 68511] for one with different colouring.
[Ref: 61900] £230.00 (£276.00 incl.VAT)
Woodward delin. Etch'd by Roberts.
[London Pub.d by P. Roberts 28 Middle Row, Holborn.][n.d. c.1807]
Finely hand coloured etching. Sheet 270 x 380mm (10½ x 15"), on Whatman paper.
The artist wearing a floral dressing gown/artists smock, a self-portrait of Woodward, sits at a writing desk painting a miniature of the sailor that sits on a stool opposite arms akimbo. He says: "Come my Hearty - mind what you are at - make good use of your Eyes - you know the terms on which I set sail - ten golden quids if you come to Anchor in ten minutes - but a minute beyond time, and you have but five you know, so heave a head do you hear - and lay in plenty of the true-blue about the jacket, - and Harkee Young-one - don't forget the beauty spot on the lar-board side of my Cheek - Poll calls it her hearts delight, - well this same painting is a fine knack to be sure - but I am rather puzzled about one thing - If you can get my hulk, head, and stern into that there little bit of ivory - d------n me, but I think you would be able to tow a seventy-four through one of the cock boat Arches of London Bridge."
BM Satires 10894. See [Ref: 68511] for one with different colouring.
[Ref: 61900] £230.00 (£276.00 incl.VAT)
A Sailor sitting for his Miniature.
Woodward delin. Etch'd by Roberts.
London Pub.d by P. Roberts 28 Middle Row, Holborn. Pub Jan.y xxxx T Tegg 111 Cheapside. [engraved c.1807 but later]
Coloured etching. 270 x 340mm (10½ x 13¼"), on paper watermarked 'J Whatman 1824'. Coloured faded, time-staining, small top margin.
The artist (a self-portrait of Woodward, wearing a floral dressing gown/artists smock, sits at a writing desk painting a miniature of the sailor that sits on a stool opposite arms akimbo. He says: "Come my Hearty - mind what you are at - make good use of your Eyes - you know the terms on which I set sail - ten golden quids if you come to Anchor in ten minutes - but a minute beyond time, and you have but five you know, so heave a head do you hear - and lay in plenty of the true-blue about the jacket, - and Harkee Young-one - don't forget the beauty spot on the lar-board side of my Cheek - Poll calls it her hearts delight, - well this same painting is a fine knack to be sure - but I am rather puzzled about one thing - If you can get my hulk, head, and stern into that there little bit of ivory - d------n me, but I think you would be able to tow a seventy-four through one of the cock boat Arches of London Bridge."
BM Satires 10894. See [Ref: 61900] for one with different colouring.
[Ref: 68511] £280.00 (£336.00 incl.VAT)
Woodward delin. Etch'd by Roberts.
London Pub.d by P. Roberts 28 Middle Row, Holborn. Pub Jan.y xxxx T Tegg 111 Cheapside. [engraved c.1807 but later]
Coloured etching. 270 x 340mm (10½ x 13¼"), on paper watermarked 'J Whatman 1824'. Coloured faded, time-staining, small top margin.
The artist (a self-portrait of Woodward, wearing a floral dressing gown/artists smock, sits at a writing desk painting a miniature of the sailor that sits on a stool opposite arms akimbo. He says: "Come my Hearty - mind what you are at - make good use of your Eyes - you know the terms on which I set sail - ten golden quids if you come to Anchor in ten minutes - but a minute beyond time, and you have but five you know, so heave a head do you hear - and lay in plenty of the true-blue about the jacket, - and Harkee Young-one - don't forget the beauty spot on the lar-board side of my Cheek - Poll calls it her hearts delight, - well this same painting is a fine knack to be sure - but I am rather puzzled about one thing - If you can get my hulk, head, and stern into that there little bit of ivory - d------n me, but I think you would be able to tow a seventy-four through one of the cock boat Arches of London Bridge."
BM Satires 10894. See [Ref: 61900] for one with different colouring.
[Ref: 68511] £280.00 (£336.00 incl.VAT)
A Sailor on the Mane or a trip to sea.
Heath del.
[n.d., c.1815.]
Coloured etching. 250 x 350mm (9¾ x 13¾"). Trimmed within plate, surface abrasions, small tear in right edge.
A sailor grasps the ears of a horse at he is flung forward as his mount refuses to continue over a cliff into the sea. A castle in the background is probably Dover.
Not in BM, Yale 16874336.
[Ref: 63648] £80.00 (£96.00 incl.VAT)
Heath del.
[n.d., c.1815.]
Coloured etching. 250 x 350mm (9¾ x 13¾"). Trimmed within plate, surface abrasions, small tear in right edge.
A sailor grasps the ears of a horse at he is flung forward as his mount refuses to continue over a cliff into the sea. A castle in the background is probably Dover.
Not in BM, Yale 16874336.
[Ref: 63648] £80.00 (£96.00 incl.VAT)
![[A Sailor's Family.]](jpegs/57787.jpg)
[A Sailor's Family.]
Rowlandson. 1787.
Rare etching, proof before title; 250 x 200mm (9¾ x 8"). Small margins.
A scene in the interior of a cottage, with a sailor and his wife playing with their infant child, with another woman and child behind and a dog by their side. A sword and musket are on a shelf.
Metropolitan Museum 33.7(20), also without title.
[Ref: 57787] £320.00
Rowlandson. 1787.
Rare etching, proof before title; 250 x 200mm (9¾ x 8"). Small margins.
A scene in the interior of a cottage, with a sailor and his wife playing with their infant child, with another woman and child behind and a dog by their side. A sword and musket are on a shelf.
Metropolitan Museum 33.7(20), also without title.
[Ref: 57787] £320.00