A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
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Old Royal Academy in Pall Mall in 1771
[n.d., c.1820.]
Watercolour. Sheet 270 x 185mm (10½ x 7¼"). Faint crease down centre of image.
An exterior view of the Old Royal Academy in Pall Mall. The Royal Academy was initially housed in cramped quarters in Pall Mall, in 1771 it was given temporary accommodation for its library and schools in Old Somerset House, then a royal palace.
[Ref: 65871] £180.00 (£216.00 incl.VAT)
[n.d., c.1820.]
Watercolour. Sheet 270 x 185mm (10½ x 7¼"). Faint crease down centre of image.
An exterior view of the Old Royal Academy in Pall Mall. The Royal Academy was initially housed in cramped quarters in Pall Mall, in 1771 it was given temporary accommodation for its library and schools in Old Somerset House, then a royal palace.
[Ref: 65871] £180.00 (£216.00 incl.VAT)
![[The Council of the Royal Academy.]](jpegs/10053.jpg)
[The Council of the Royal Academy.]
Hubert von Herkomer 1908.
Published by Franz Hanfstaengl, Murich, London & New York. Printed in Munich.
Photogravure.
Hubert von Herkomer was born in Germany in 1849, but his family moved to England before he was ten years old. After making his name drawing for the Graphic newspaper he made very good money as a portrait painter, which allowed him to produce social realist paintings for his own satisfaction. He opened his own art school and 1883, as well as acting as Slade Professor of Art between 1885 and 1895. Knighted in 1907, Heromer died in 1914.
The original painting was donated to the Tate Gallery by the Artist in 1909.
[Ref: 10053] £390.00
Hubert von Herkomer 1908.
Published by Franz Hanfstaengl, Murich, London & New York. Printed in Munich.
Photogravure.
Hubert von Herkomer was born in Germany in 1849, but his family moved to England before he was ten years old. After making his name drawing for the Graphic newspaper he made very good money as a portrait painter, which allowed him to produce social realist paintings for his own satisfaction. He opened his own art school and 1883, as well as acting as Slade Professor of Art between 1885 and 1895. Knighted in 1907, Heromer died in 1914.
The original painting was donated to the Tate Gallery by the Artist in 1909.
[Ref: 10053] £390.00
![The Exhibition of the Royal Academy of Painting, in the Year 1771. From an Original Drawing in the Possession of Rob.t Sayer. [&] The Inside of the Pantheon in Oxford Road. L'Intérior du Panthéon de Londres.](jpegs/40707.jpg)
The Exhibition of the Royal Academy of Painting, in the Year 1771. From an Original Drawing in the Possession of Rob.t Sayer. [&] The Inside of the Pantheon in Oxford Road. L'Intérior du Panthéon de Londres. From an Original Drawing in the Possession of Rob.t Sayer.
Chas. Brandoin inv.t. et delin. Rich.d Earlom fecit. R. Sayer Excudit.
London, Printed for Robt. Sayer No. 53 in Fleet Street. Published as the Act directs 20 May 1772 [& 30 August 1772].
Pair of mezzotints, fine impression. Each sheet: 470 x 555mm (18½ x 22"). Cut to image. Overall paper tone and pin holes. Crease on Pantheon.
A fine pair of satires on the contemporary social scene, showing the well-do-do at the Royal Academy and Pantheon. In the Royal Academy view James Barry's 'Temptation of Adam' takes pride of place on the walls. The Pantheon was a place of public entertainment on the south side of Oxford Street, designed by James Wyatt. It opened in 1772, when the main rotunda was one of the largest rooms in England. Orginally built as a set of winter assembly rooms, it was later briefly converted into a theatre. Before being demolished in 1937, it was a bazaar and a wine merchant's show room for over a hundred years. Michel Vincent Brandoin (1733 - 1790), known as Charles Brandoin, was a Swiss painter, watercolourist, draughtsman, and caricaturist who working out of London.
[Ref: 40707] £1,750.00 view all images for this item
Chas. Brandoin inv.t. et delin. Rich.d Earlom fecit. R. Sayer Excudit.
London, Printed for Robt. Sayer No. 53 in Fleet Street. Published as the Act directs 20 May 1772 [& 30 August 1772].
Pair of mezzotints, fine impression. Each sheet: 470 x 555mm (18½ x 22"). Cut to image. Overall paper tone and pin holes. Crease on Pantheon.
A fine pair of satires on the contemporary social scene, showing the well-do-do at the Royal Academy and Pantheon. In the Royal Academy view James Barry's 'Temptation of Adam' takes pride of place on the walls. The Pantheon was a place of public entertainment on the south side of Oxford Street, designed by James Wyatt. It opened in 1772, when the main rotunda was one of the largest rooms in England. Orginally built as a set of winter assembly rooms, it was later briefly converted into a theatre. Before being demolished in 1937, it was a bazaar and a wine merchant's show room for over a hundred years. Michel Vincent Brandoin (1733 - 1790), known as Charles Brandoin, was a Swiss painter, watercolourist, draughtsman, and caricaturist who working out of London.
[Ref: 40707] £1,750.00 view all images for this item
The Exhibition of the Royal Academy, M.DCCCXIII. The Forty-Fifth.
London: Printed by B. McMillan, Bow Street, Covent Garden, Printer to the Royal Academy. (Price One Shilling.)
4to pamphlet, pp. 42 (list of exhibits)+(8)(lists of members & exhibitors). Some usage wear, contemporary ink marginalia throughout.
The brochure to the Royal Academy Exhibition of 1813, with manuscript notes to the paintings by 'Richard James'. Among the exhibits are J.M.W. Turner's 'Frosty Morning' (described by James as 'a large picture much below what I conceived of Turner'); Philip Reinagle's 'group of stages' ('tame and mannered'); Arnaud's 'Boar that killed Adonis' ('a very good picture - but too gaudy'); and James Ward's 'A favourite hunter ' ('excellent') and 'A hunter' ('capital').
[Ref: 40875] £260.00 view all images for this item
London: Printed by B. McMillan, Bow Street, Covent Garden, Printer to the Royal Academy. (Price One Shilling.)
4to pamphlet, pp. 42 (list of exhibits)+(8)(lists of members & exhibitors). Some usage wear, contemporary ink marginalia throughout.
The brochure to the Royal Academy Exhibition of 1813, with manuscript notes to the paintings by 'Richard James'. Among the exhibits are J.M.W. Turner's 'Frosty Morning' (described by James as 'a large picture much below what I conceived of Turner'); Philip Reinagle's 'group of stages' ('tame and mannered'); Arnaud's 'Boar that killed Adonis' ('a very good picture - but too gaudy'); and James Ward's 'A favourite hunter ' ('excellent') and 'A hunter' ('capital').
[Ref: 40875] £260.00 view all images for this item
![[Henry-Macbeth-Raeburn Certificate of Entry as an Associate of the Royal Academy of Arts.]](jpegs/19165.jpg)
[Henry-Macbeth-Raeburn Certificate of Entry as an Associate of the Royal Academy of Arts.] His Majesty having been graciously pleased to establish in this his City of London, A Society for the Purposes of Cultivating and Improving the Arts of Painting, Sculpture, and Architecture, Under the Name and Title of the Royal Academy of Arts…The President and Academicians of the said Royal Academy, by Virtue of the said Power, and in Consideration of your Skill in the Art of Engraving, do by these presents constitute, and appoint you Henry-Macbeth-Raeburn, Gentleman, To be One of the Associates of the Royal Academy Hereby Granting unto you all the Privileges thereof…Your are required to sign the obligation in the Manner Prescribed, and the Secretary is Hereby Directed to Insert your Name in the Roll of Associates. Royal Academy. 3rd. July 1922.
G.B. Cipriani inv.t et del.t F. Bartolozzi Engraver to his Majesty Sculp.t
[n.d. c.1922.]
Fine engraving with ink signature. Plate 653 x 478mm. 25¾ x 18¾". Some glue stains along lower edge. Small tear lower right-hand corner.
Certificate recognising the membership of Henry Macbeth Raeburn as an Associate of the Royal Academy; signed by the President at the time. Henry Macbeth-Raeburn (1860-1947) was a noted Scottish painter and mezzotint engraver, active in Edinburgh during the 1920s. He was made a member of Royal Academy in 1922, and similarly was a made a member of the Royal Society of Painters, Etchers, and Engravers.
[Ref: 19165] £280.00 (£336.00 incl.VAT)
G.B. Cipriani inv.t et del.t F. Bartolozzi Engraver to his Majesty Sculp.t
[n.d. c.1922.]
Fine engraving with ink signature. Plate 653 x 478mm. 25¾ x 18¾". Some glue stains along lower edge. Small tear lower right-hand corner.
Certificate recognising the membership of Henry Macbeth Raeburn as an Associate of the Royal Academy; signed by the President at the time. Henry Macbeth-Raeburn (1860-1947) was a noted Scottish painter and mezzotint engraver, active in Edinburgh during the 1920s. He was made a member of Royal Academy in 1922, and similarly was a made a member of the Royal Society of Painters, Etchers, and Engravers.
[Ref: 19165] £280.00 (£336.00 incl.VAT)
Royal Academy Club. MDCCCL [amended in ink mss to read MDCCCXCV]
Lithograph on gilt-edged card. Sheet 120 x 180mm, 4¾ x 7".
Printed from a stone created for 1850, this has the dates of the meetings of the club in early 1895 added in ink mss.
[Ref: 11572] £160.00 (£192.00 incl.VAT)
Lithograph on gilt-edged card. Sheet 120 x 180mm, 4¾ x 7".
Printed from a stone created for 1850, this has the dates of the meetings of the club in early 1895 added in ink mss.
[Ref: 11572] £160.00 (£192.00 incl.VAT)
![English Agricultural Societies' Dinner, in Queen's College Quadrangle, Oxford, July 1[7th?] 1839. [&]](jpegs/9598.jpg)
English Agricultural Societies' Dinner, in Queen's College Quadrangle, Oxford, July 1[7th?] 1839. [&] English Agricultural Society's Show Yard. First Meeting at Oxford, July 17th. 1839. To the Right Honble. John Charles, Earl Spencer, President, the Trustees, Vice Presidents, Committee of Management, and Members, This Print is most respectfully dedicated.
G. Scharf, lith: from a drawing by W.A. Delamo[tte]. [&] On Stone by T. Picken, from a Drawing by W.A. Delamotte. Day & Haghe Lithrs. to the Queen.
Published by J. & R. Dewe, Broad St. Oxford; and Sold by R. Ackermann, Eclipse Sporting Gallery, 191, Regent Street: and T.M. McLean, 26, Haymarket, London [c.1839].
Pair of lithographs, each image 195 x 300mm. 7¾ x 11¾". Creases. The 'dinner' plate trimmed at top.
The English Agricultural Society was founded in 1838. In 1840 it was granted its Royal Charter by Queen Victoria, and so became the Royal Agricultural Society of England. It organises the annual 'Royal Show' at the Society's headquarters at Stoneleigh Park, Warwickshire. This fascinating pair of prints includes a depiction of the society's first show at Oxford, and features cattle, ploughs and other examples of the latest agricultural and harvesting technology.
[Ref: 9598] £320.00 view all images for this item
G. Scharf, lith: from a drawing by W.A. Delamo[tte]. [&] On Stone by T. Picken, from a Drawing by W.A. Delamotte. Day & Haghe Lithrs. to the Queen.
Published by J. & R. Dewe, Broad St. Oxford; and Sold by R. Ackermann, Eclipse Sporting Gallery, 191, Regent Street: and T.M. McLean, 26, Haymarket, London [c.1839].
Pair of lithographs, each image 195 x 300mm. 7¾ x 11¾". Creases. The 'dinner' plate trimmed at top.
The English Agricultural Society was founded in 1838. In 1840 it was granted its Royal Charter by Queen Victoria, and so became the Royal Agricultural Society of England. It organises the annual 'Royal Show' at the Society's headquarters at Stoneleigh Park, Warwickshire. This fascinating pair of prints includes a depiction of the society's first show at Oxford, and features cattle, ploughs and other examples of the latest agricultural and harvesting technology.
[Ref: 9598] £320.00 view all images for this item
English Agricultural Society's Dinner at Downing College Cambridge. July 15th. 1840. To his Grace the Duke of Richmond, President...this Print is most respectfully dedicated.
Drawn by T. Pinney. G. Scharf, lith. Day & Haghe Lithrs. to the Queen.
Published by J. Hankin, Crescent, Cambridge._W.H. Smith._& Sold by R. Ackermann, Eclipse Sporting Gallery, 191, Regent St, London.
Lithograph on india laid paper, sheet 280 x 380mm. 11 x 15".
The English Agricultural Society was founded in 1838. In 1840 it was granted its Royal Charter by Queen Victoria, and so became the Royal Agricultural Society of England. It organises the annual 'Royal Show' at the Society's headquarters at Stoneleigh Park, Warwickshire.
[Ref: 14946] £140.00 (£168.00 incl.VAT)
Drawn by T. Pinney. G. Scharf, lith. Day & Haghe Lithrs. to the Queen.
Published by J. Hankin, Crescent, Cambridge._W.H. Smith._& Sold by R. Ackermann, Eclipse Sporting Gallery, 191, Regent St, London.
Lithograph on india laid paper, sheet 280 x 380mm. 11 x 15".
The English Agricultural Society was founded in 1838. In 1840 it was granted its Royal Charter by Queen Victoria, and so became the Royal Agricultural Society of England. It organises the annual 'Royal Show' at the Society's headquarters at Stoneleigh Park, Warwickshire.
[Ref: 14946] £140.00 (£168.00 incl.VAT)
A View of the Grand Agricultural Dinner in Queen's College Quadrangle, Oxford, July 17th 1839. Presented gratuitously to the Readers of Jackson's Oxford Journal.
Plowman Lithog. Oxford.
[c.1839.]
Rare lithograph. Sheet 290 x 380mm (11½ x 15"). Trimmed to image.
The first meeting of the Agricultural Society of England, a year before a Royal Charter of Incorporation changed the name to the Royal Agricultural Society. Held in a specially-constructed pavilion, the dinner seated 2,500.
[Ref: 52207] £320.00
Plowman Lithog. Oxford.
[c.1839.]
Rare lithograph. Sheet 290 x 380mm (11½ x 15"). Trimmed to image.
The first meeting of the Agricultural Society of England, a year before a Royal Charter of Incorporation changed the name to the Royal Agricultural Society. Held in a specially-constructed pavilion, the dinner seated 2,500.
[Ref: 52207] £320.00
English Agricultural Societies' Dinner, in Queen's College Quadrangle, Oxford, July 17th 1839. To the Right Hon.ble John Charles, Earl Spencer, President, the Trustees, Vice Presidents, Committee of Management, and Members, This Print is most respectfully dedicated.
G. Scharf, lith: from a drawing by W.A. Delamotte.
Published by J. & R. Dewe, Broad St. Oxford; and Sold by R. Ackermann, Eclipse Sporting Gallery, 191, Regent Street: and T.M. McLean, 26, Haymarket, London [c.1839].
Lithograph. Printed area 240 x 300mm (9½ x 11¾"). Crease top right, outside image, damp stain on left.
The English Agricultural Society, founded in 1838, becoming the Royal Agricultural Society of England the following year when it was granted its Royal Charter by Queen Victoria.
[Ref: 59169] £230.00 (£276.00 incl.VAT)
G. Scharf, lith: from a drawing by W.A. Delamotte.
Published by J. & R. Dewe, Broad St. Oxford; and Sold by R. Ackermann, Eclipse Sporting Gallery, 191, Regent Street: and T.M. McLean, 26, Haymarket, London [c.1839].
Lithograph. Printed area 240 x 300mm (9½ x 11¾"). Crease top right, outside image, damp stain on left.
The English Agricultural Society, founded in 1838, becoming the Royal Agricultural Society of England the following year when it was granted its Royal Charter by Queen Victoria.
[Ref: 59169] £230.00 (£276.00 incl.VAT)
The Royal Allied Oak and Self Created Mushroom Race. Behold the Oak, whose firm fix'd stay / Doth check Oppression's course, / Whose slightest branch can ne'er decay, / While strong with Virtue's force / [...]The Mushroom Race you have to seek In weeds about the Root, Who scarce dare at the Oak to peep, Or at its Princely Fruit.
J. Field del.t. Etch'd by Heath.
Pub. May 29. 1815, by J. Jenkins, 48 Strand.
Etching with fine hand colour. Shert 300 x 215mm (11¾ x 8½"). Trimmed into plate, slight crease at bottom.
A puzzle-print: a gnarled and aged oak creates profiles of George III, Louis XVIII, the Prince Regent , Tsar Alexander I, Wellington and Blücher. On the ground are two mushrooms and plants, in which are hidden the profiles of Napoleon Buonaparte; his son Napoleon (King of Rome) and brothers Louis, Jerome and Joseph; Charles XIV John of Sweden; and Joachim Murat. In the background the tower of Windsor Castle emerges from trees.
BM Satires: 12547.
[Ref: 50308] £190.00 (£228.00 incl.VAT)
J. Field del.t. Etch'd by Heath.
Pub. May 29. 1815, by J. Jenkins, 48 Strand.
Etching with fine hand colour. Shert 300 x 215mm (11¾ x 8½"). Trimmed into plate, slight crease at bottom.
A puzzle-print: a gnarled and aged oak creates profiles of George III, Louis XVIII, the Prince Regent , Tsar Alexander I, Wellington and Blücher. On the ground are two mushrooms and plants, in which are hidden the profiles of Napoleon Buonaparte; his son Napoleon (King of Rome) and brothers Louis, Jerome and Joseph; Charles XIV John of Sweden; and Joachim Murat. In the background the tower of Windsor Castle emerges from trees.
BM Satires: 12547.
[Ref: 50308] £190.00 (£228.00 incl.VAT)
The Royal Allied Oak and Self Created Mushroom Race. Behold the Oak, whose firm fix'd stay / Doth check Oppression's course, / Whose slightest branch can ne'er decay, / While strong with Virtue's force / [...]The Mushroom Race you have to seek In weeds about the Root, Who scarce dare at the Oak to peep, Or at its Princely Fruit.
J. Field del.t. Etch'd by Heath.
Pub. May 29. 1815, by J. Jenkins, 48 Strand.
Etching with fine hand colour. 305 x 215mm (12 x 8½"). Small tear just entering plate, slight staining.
A puzzle-print: a gnarled and aged oak creates profiles of George III, Louis XVIII, the Prince Regent , Tsar Alexander I, Wellington and Blücher. On the ground are two mushrooms and plants, in which are hidden the profiles of Napoleon Bonaparte; his son Napoleon (King of Rome) and brothers Louis, Jerome and Joseph; Charles XIV John of Sweden; and Joachim Murat. In the background the tower of Windsor Castle emerges from trees.
BM Satires: 12547. See Ref: 50308 for trimmed image.
[Ref: 60246] £250.00 (£300.00 incl.VAT)
J. Field del.t. Etch'd by Heath.
Pub. May 29. 1815, by J. Jenkins, 48 Strand.
Etching with fine hand colour. 305 x 215mm (12 x 8½"). Small tear just entering plate, slight staining.
A puzzle-print: a gnarled and aged oak creates profiles of George III, Louis XVIII, the Prince Regent , Tsar Alexander I, Wellington and Blücher. On the ground are two mushrooms and plants, in which are hidden the profiles of Napoleon Bonaparte; his son Napoleon (King of Rome) and brothers Louis, Jerome and Joseph; Charles XIV John of Sweden; and Joachim Murat. In the background the tower of Windsor Castle emerges from trees.
BM Satires: 12547. See Ref: 50308 for trimmed image.
[Ref: 60246] £250.00 (£300.00 incl.VAT)
Royal Amusement or Nature will Prevail.!! 130.
Woodward del. IC.k [Isaac Cruikshank] sc.p.
London Published 1. by Tho.S Tegg Cheapside Price one Shilling. [n.d., engraved 1807 but c.1819.]
Finely hand-coloured etching, plate 245 x 340mm (9¾ x 13½''), with large margins, watermarked 'C. Willmot 1819'.
A couple sit by a table in a kitchen remarking on a newspaper, dicussing what the countryman would do if he were king.
BM Satires 10903.
[Ref: 61839] £260.00 (£312.00 incl.VAT)
Woodward del. IC.k [Isaac Cruikshank] sc.p.
London Published 1. by Tho.S Tegg Cheapside Price one Shilling. [n.d., engraved 1807 but c.1819.]
Finely hand-coloured etching, plate 245 x 340mm (9¾ x 13½''), with large margins, watermarked 'C. Willmot 1819'.
A couple sit by a table in a kitchen remarking on a newspaper, dicussing what the countryman would do if he were king.
BM Satires 10903.
[Ref: 61839] £260.00 (£312.00 incl.VAT)
Royal Amusement or Nature will Prevail.!! 130.
Woodward del. IC.k [Isaac Cruikshank] sc.p.
London Published 1. [blank] by Tho.S Tegg Cheapside Price one Shilling [n.d., 1807].
Coloured etching. 245 x 340mm (9¾ x 13½'').
A couple sit by a table in a kitchen remarking on a newspaper, dicussing what the countryman would do if he were king.
BM Satires 10903.
[Ref: 68515] £260.00 (£312.00 incl.VAT)
Woodward del. IC.k [Isaac Cruikshank] sc.p.
London Published 1. [blank] by Tho.S Tegg Cheapside Price one Shilling [n.d., 1807].
Coloured etching. 245 x 340mm (9¾ x 13½'').
A couple sit by a table in a kitchen remarking on a newspaper, dicussing what the countryman would do if he were king.
BM Satires 10903.
[Ref: 68515] £260.00 (£312.00 incl.VAT)
To the R.t Hon.ble the Lords Commissioners for Executing the Office of Lord High Admiral of Great Britain and Ireland &c. and all of his Majesties Plantations &c. This Drawing of his Maj.ties Ship the Royal Anne is most humbly Dedicated.
Baston F. 1721.
Fine coloured engraving. Sheet 295 x 400mm (11½ x 15¾"). Trimmed to plate, pinholes in top corners.
The naval ship the Royal Anne, sails unfurled and surrounded by longboats seen from a coast with a Corinthian portico and classical ruins on the left. From a series 'Twenty-two prints of several of the capital ships of his Majesties Royal Navy with variety of other sea pieces'.
[Ref: 38307] £360.00
Baston F. 1721.
Fine coloured engraving. Sheet 295 x 400mm (11½ x 15¾"). Trimmed to plate, pinholes in top corners.
The naval ship the Royal Anne, sails unfurled and surrounded by longboats seen from a coast with a Corinthian portico and classical ruins on the left. From a series 'Twenty-two prints of several of the capital ships of his Majesties Royal Navy with variety of other sea pieces'.
[Ref: 38307] £360.00
The New Royal Arms of England. The Supporters of the Crown are Alfred the Great and Cha.s Ja.s Fox, the Founder and last popular Defender of the Constitution- On the Shield, one and three, the King; two and four, the Duke of Sussex. Among the Branches of the Oak may be traced Portraits of Lords Grey, Brougham, Althorpe and J. Russell.
R. J. Hamerton del.t.
Published by J. M.cCormick 147, Strand, London. Printed by Lefeure & Co. 52 Newman St. [n.d., c.1832.]
Fine lithograph. Sheet: 280 x 255mm (11 x 10"), with very large margins. Some marking on right side off image.
A satirical print celebrating the passing of the Reform Act in 1832, showing the major figures involved in the passing of the law. A transformation image.
[Ref: 42611] £260.00 (£312.00 incl.VAT)
R. J. Hamerton del.t.
Published by J. M.cCormick 147, Strand, London. Printed by Lefeure & Co. 52 Newman St. [n.d., c.1832.]
Fine lithograph. Sheet: 280 x 255mm (11 x 10"), with very large margins. Some marking on right side off image.
A satirical print celebrating the passing of the Reform Act in 1832, showing the major figures involved in the passing of the law. A transformation image.
[Ref: 42611] £260.00 (£312.00 incl.VAT)
British Royal Horse Artillery. Review Order.
W. Heath Del. Drawn by W.m Heath. Printed by Graf and Soret.
London, Published by Colnaghi & Co., No. 23, Cockspur Street, Charing Cross. Printsellers in Ordinary to His Majesty & to H.R.H. the Duchess of Kent. [n.d. c.1840.]
Coloured lithograph with fine hand colour. Sheet 260 x 400mm (10¼ x 15¾"). Slight mount burn. Trimmed.
From "Heath's Royal Artillery''.
See Ref: 12998
[Ref: 59517] £260.00 (£312.00 incl.VAT)
W. Heath Del. Drawn by W.m Heath. Printed by Graf and Soret.
London, Published by Colnaghi & Co., No. 23, Cockspur Street, Charing Cross. Printsellers in Ordinary to His Majesty & to H.R.H. the Duchess of Kent. [n.d. c.1840.]
Coloured lithograph with fine hand colour. Sheet 260 x 400mm (10¼ x 15¾"). Slight mount burn. Trimmed.
From "Heath's Royal Artillery''.
See Ref: 12998
[Ref: 59517] £260.00 (£312.00 incl.VAT)
![Royal Artillery. [Royal Horse Artillery.] Driver. Horse Sergeant. Field Gunner or Garrison Sergeant-Major.](jpegs/13056.jpg)
Royal Artillery. [Royal Horse Artillery.] Driver. Horse Sergeant. Field Gunner or Garrison Sergeant-Major.
[Drawn & Lith by Geo. H.Thomas.]
[Pub. Day & Son, Sep. 7, 1861.]
Soft-ground etching in a good maple frame. Image 318 x 473mm. 12½ x 18¾". A burn spot in the image with small spots of staining.
From "G. H. Thomas's Sketches of British Soldiers."
From the Collection of Major J.B. Talbot M.C. R.A. Ogliby:908III.
[Ref: 13056] £480.00
[Drawn & Lith by Geo. H.Thomas.]
[Pub. Day & Son, Sep. 7, 1861.]
Soft-ground etching in a good maple frame. Image 318 x 473mm. 12½ x 18¾". A burn spot in the image with small spots of staining.
From "G. H. Thomas's Sketches of British Soldiers."
From the Collection of Major J.B. Talbot M.C. R.A. Ogliby:908III.
[Ref: 13056] £480.00
British Royal Horse Artillery. Marching Order.
W. Heath Del. Drawn by W.m Heath. Printed by Graf and Soret.
London, Published by Colnaghi & Co., No. 23, Cockspur Street, Charing Cross. Printsellers in Ordinary to His Majesty & to H.R.H. the Duchess of Kent. [n.d. c.1840.]
Coloured lithograph with fine hand colour. Sheet 270 x 400mm (10¾ x 15¾"). Slight mount burn. Trimmed.
A gun being fired before a village and windmill. From "Heath's Royal Artillery''.
See Ref: 12998
[Ref: 59518] £260.00 (£312.00 incl.VAT)
W. Heath Del. Drawn by W.m Heath. Printed by Graf and Soret.
London, Published by Colnaghi & Co., No. 23, Cockspur Street, Charing Cross. Printsellers in Ordinary to His Majesty & to H.R.H. the Duchess of Kent. [n.d. c.1840.]
Coloured lithograph with fine hand colour. Sheet 270 x 400mm (10¾ x 15¾"). Slight mount burn. Trimmed.
A gun being fired before a village and windmill. From "Heath's Royal Artillery''.
See Ref: 12998
[Ref: 59518] £260.00 (£312.00 incl.VAT)
Officers of the British Army, No. 56. Royal Artillery (Horse Brigade). Dedicated by Permission to the Adjatant General of his Majesty's Forces.
L. Mansion & S.t Eschauzier inv. & del. Printed by Lefevre & Co.
London, Published by W. Spooner 253, Regent St. Coloured by C.H. Martin. [n.d., c.1830.]
Rare & fine coloured lithograph. Framed. Printed area: 360 x 280mm (14 x 11''). Frame: 520 x 440mm (20½ x 17¼''). Unexamined out of frame. Foxing.
A mounted portrait of an officer of the Royal Artillery.
[Ref: 48968] £320.00
L. Mansion & S.t Eschauzier inv. & del. Printed by Lefevre & Co.
London, Published by W. Spooner 253, Regent St. Coloured by C.H. Martin. [n.d., c.1830.]
Rare & fine coloured lithograph. Framed. Printed area: 360 x 280mm (14 x 11''). Frame: 520 x 440mm (20½ x 17¼''). Unexamined out of frame. Foxing.
A mounted portrait of an officer of the Royal Artillery.
[Ref: 48968] £320.00
Royal Artillery Barrack's Woolwich. Proof.
Drawn on Stone by Charles H. Fairland, from a Drawing by William Ranwell. Printed by Iefevrre & Kohler, Newman St.
Published by E. Jones, Library-Woolwich. [n.d., c.1850.]
Lithograph, scarce. Printed area 320 x 455mm (12½ x 18"). Some repaired holes, creasing.
A parade outside the barracks at Woolwich.
[Ref: 31786] £240.00 (£288.00 incl.VAT)
Drawn on Stone by Charles H. Fairland, from a Drawing by William Ranwell. Printed by Iefevrre & Kohler, Newman St.
Published by E. Jones, Library-Woolwich. [n.d., c.1850.]
Lithograph, scarce. Printed area 320 x 455mm (12½ x 18"). Some repaired holes, creasing.
A parade outside the barracks at Woolwich.
[Ref: 31786] £240.00 (£288.00 incl.VAT)
![Royal Artillery Barracks, Woolwich. [&] Royal Military Cadets Academy, Woolwich.](jpegs/13377.jpg)
Royal Artillery Barracks, Woolwich. [&] Royal Military Cadets Academy, Woolwich.
Drawn by G. Robson. Engraved by T. Fielding.
London, Published by T. Fielding, 26 Newman Street, March 15th. 1820. [&] London, Published by T. Fielding, 26 Newman Street, April 20th 1820.
A pair of hand coloured aquatints, each 290 x 450mm. 11½ x 17¾". Very fine and rare pair.
The Royal Artillery Barracks at Woolwich in South East London is the "home" of the Royal Artillery. It is famous for having the longest continuous building facade in the UK as well as for having the largest parade square of any UK barracks. The Barracks were built between 1776 and 1802 on a site overlooking Woolwich Common. Their use by the RA ended with the departure of 16 Regiment, Royal Artillery in July 2007. The Royal Military Academy (RMA) at Woolwich, in south-east London, was a British Army military academy for the training of commissioned officers of the Royal Artillery and Royal Engineers. It later also trained officers of the Royal Corps of Signals and other technical corps. The RMA was founded in 1741. It was intended to provide an education and produce "good officers of Artillery and perfect Engineers". An attractive pair of views after George Fennel Robson (1788 - 1833).
[Ref: 13377] £950.00 view all images for this item
Drawn by G. Robson. Engraved by T. Fielding.
London, Published by T. Fielding, 26 Newman Street, March 15th. 1820. [&] London, Published by T. Fielding, 26 Newman Street, April 20th 1820.
A pair of hand coloured aquatints, each 290 x 450mm. 11½ x 17¾". Very fine and rare pair.
The Royal Artillery Barracks at Woolwich in South East London is the "home" of the Royal Artillery. It is famous for having the longest continuous building facade in the UK as well as for having the largest parade square of any UK barracks. The Barracks were built between 1776 and 1802 on a site overlooking Woolwich Common. Their use by the RA ended with the departure of 16 Regiment, Royal Artillery in July 2007. The Royal Military Academy (RMA) at Woolwich, in south-east London, was a British Army military academy for the training of commissioned officers of the Royal Artillery and Royal Engineers. It later also trained officers of the Royal Corps of Signals and other technical corps. The RMA was founded in 1741. It was intended to provide an education and produce "good officers of Artillery and perfect Engineers". An attractive pair of views after George Fennel Robson (1788 - 1833).
[Ref: 13377] £950.00 view all images for this item
![View of the Royal Artillery Barracks, Woolwich. Dedicated by permission, to the Rigth Hon.ble the Earl of Mulgrave, Master General of the Ordnance, by his most obedient humble Servant, [Jas. Cockburn, Major in the Royal Artillery. ]](jpegs/54950.jpg)
View of the Royal Artillery Barracks, Woolwich. Dedicated by permission, to the Rigth Hon.ble the Earl of Mulgrave, Master General of the Ordnance, by his most obedient humble Servant, [Jas. Cockburn, Major in the Royal Artillery. ]
Drawn by Major Cockburn. Engraved by R. Havell & Son. 3 Chapel Street, Tottenham Court Road.
[Published March 30, 1816, for the Proprietor, by Colnaghi & Co, Cockspur Street, London.]
Coloured aquatint. Sheet 340 x 500mm (13½ x 19¾"). Trimmed, losing end of dedication and publication line.
The Royal Artillery excercising. From "Cockburn's Woolwich'.
Ogilby: 186.
[Ref: 54950] £390.00
Drawn by Major Cockburn. Engraved by R. Havell & Son. 3 Chapel Street, Tottenham Court Road.
[Published March 30, 1816, for the Proprietor, by Colnaghi & Co, Cockspur Street, London.]
Coloured aquatint. Sheet 340 x 500mm (13½ x 19¾"). Trimmed, losing end of dedication and publication line.
The Royal Artillery excercising. From "Cockburn's Woolwich'.
Ogilby: 186.
[Ref: 54950] £390.00
The Royal Bathers, or, Maids in their proper Element. Published in the Carlton House Magazine.
[London: W. & J. Stratford, n.d., c.1792.]
Rare engraving. Sheet 210 x 115mm (8¼ x 4½"). Trimmed within plate.
A bath house, two women derobing, the third topless in the pool. The Carlton House Magazine ran from 1792 to 1796.
[Ref: 44750] £140.00 (£168.00 incl.VAT)
[London: W. & J. Stratford, n.d., c.1792.]
Rare engraving. Sheet 210 x 115mm (8¼ x 4½"). Trimmed within plate.
A bath house, two women derobing, the third topless in the pool. The Carlton House Magazine ran from 1792 to 1796.
[Ref: 44750] £140.00 (£168.00 incl.VAT)
![[Royal Society of British Bowmen] To His Royal Highness George Prince of Wales. The Plate Representing a Meeting of The Society of Royal British Archers In Gwersyllt Park Denbighshire](jpegs/59554.jpg)
[Royal Society of British Bowmen] To His Royal Highness George Prince of Wales. The Plate Representing a Meeting of The Society of Royal British Archers In Gwersyllt Park Denbighshire Is by Permission Most Respectfully Dedicated to his Royal Highness's most obedient and devoted humble Servant John Emes.
The Figures drawn by R. Smirke R.A. The Landscape by J. Emes. The Aqua-Tinta by C. Apostol.
Published as the Act directs April 1, 1794 by J. Emes, No. 1 North Street, Upper Charlotte Street, London.
Scarce aquatint. 490 x 620mm (19¼ x 24½"). Framed. Unexamined out of frame.
A scene showing a meeeting of the Society of British Bowmen, founded by Sir Foster Cunliffe in 1787, showing a lady taking aim at a target, surrounded by onlookers.
See Ref: 42740
[Ref: 59554] £480.00
The Figures drawn by R. Smirke R.A. The Landscape by J. Emes. The Aqua-Tinta by C. Apostol.
Published as the Act directs April 1, 1794 by J. Emes, No. 1 North Street, Upper Charlotte Street, London.
Scarce aquatint. 490 x 620mm (19¼ x 24½"). Framed. Unexamined out of frame.
A scene showing a meeeting of the Society of British Bowmen, founded by Sir Foster Cunliffe in 1787, showing a lady taking aim at a target, surrounded by onlookers.
See Ref: 42740
[Ref: 59554] £480.00
This Plate representing the Meeting of the Royal British Bowmen in the Grounds of Erthig, Denbighshire, the Seat of Simon Yorke Esqr., on Sept.r 13th, 1822, is respectfully dedicated to that Society by One of its Members.
J. Townshend del.t. [Coloured from the original drawing by W. H. Timms.] Engraved by Bennett.
[Published as the Act directs 1823.]
Fine coloured aquatint. Sheet 240 x 300mm (9½ x 11¾"). Trimmed to image on three sides, into plate at bottom losing text.
A party of men and women in green practising archery beside a white tent on the banks of a river. On the hill on the opposite bank is a country house, Erthig in Denbighshire, Wales, belonging to Simon Yorke. Yorke (1771 - 1834) was sheriff of Denbighshire from 1807 and MP for Grantham 1793 - 1802.
[Ref: 63911] £280.00 (£336.00 incl.VAT)
J. Townshend del.t. [Coloured from the original drawing by W. H. Timms.] Engraved by Bennett.
[Published as the Act directs 1823.]
Fine coloured aquatint. Sheet 240 x 300mm (9½ x 11¾"). Trimmed to image on three sides, into plate at bottom losing text.
A party of men and women in green practising archery beside a white tent on the banks of a river. On the hill on the opposite bank is a country house, Erthig in Denbighshire, Wales, belonging to Simon Yorke. Yorke (1771 - 1834) was sheriff of Denbighshire from 1807 and MP for Grantham 1793 - 1802.
[Ref: 63911] £280.00 (£336.00 incl.VAT)
![[Playbill] Royal Circus & Surrey Theatre.](jpegs/65950.jpg)
[Playbill] Royal Circus & Surrey Theatre. The Public are Most respectfully informed, that to accomadate numerous Families, who wish their Children to leave the Theatre at an early Hour, the very Popular Pantomime will be the first Performance of the Evening. This present Monday, January 13, 1817...
Lowndes, Printer, Marquis-Court.
Letterpress, sheet 305 x 190mm (12 x 7½"). Creasing. Surface dirt. Glued to back sheet on left side.
Playbill for the Royal Circus & Surrey Theatre. featuring, 'Pedlar's Acre: Or Harlequin in Lambeth,' 'Italian Wife,' 'The Favourite Song of "Evelyn's Bower," by Mr. Leonard.' & 'Three times Three Or, Boys, Girls, & Guardians.' For the benefit of Miss Taylor.
Ricky Jay Collection.
[Ref: 65950] £130.00 (£156.00 incl.VAT)
Lowndes, Printer, Marquis-Court.
Letterpress, sheet 305 x 190mm (12 x 7½"). Creasing. Surface dirt. Glued to back sheet on left side.
Playbill for the Royal Circus & Surrey Theatre. featuring, 'Pedlar's Acre: Or Harlequin in Lambeth,' 'Italian Wife,' 'The Favourite Song of "Evelyn's Bower," by Mr. Leonard.' & 'Three times Three Or, Boys, Girls, & Guardians.' For the benefit of Miss Taylor.
Ricky Jay Collection.
[Ref: 65950] £130.00 (£156.00 incl.VAT)
Royal Coburg Theatre, Surrey. This first stone of the Royal Coburg Theatre was laid on the 14th day of September in the year 1816, by his serene Highness the Prince of Saxe Coburg and her Royal Highness the Princess Charlotte of Wales, by their serene and Royal Highness's Proxy Alderman Goodbehere.
Schnebblie del. Dale sculp.
London, Published 1st Januarary 1819 by Robert Wilkinson, No. 125 Fenchurch Street.
Coloured etching. 225 x 315mm (9 x 12½"). Small margins.
A plate celebrating the opening of the Coburg Theatre in London (now the Old Vic) in Waterloo Bridge Road.
[Ref: 38817] £130.00 (£156.00 incl.VAT)
Schnebblie del. Dale sculp.
London, Published 1st Januarary 1819 by Robert Wilkinson, No. 125 Fenchurch Street.
Coloured etching. 225 x 315mm (9 x 12½"). Small margins.
A plate celebrating the opening of the Coburg Theatre in London (now the Old Vic) in Waterloo Bridge Road.
[Ref: 38817] £130.00 (£156.00 incl.VAT)
The Royal Elephant Preserving the true Prince (Mr. Hemmings) from the Conspirators. Now performing with distinguished success at the Theatre Royal, Adelphi.
R.J.H. [in image.]
Pub.d by W. Kenneth, corner Bow Street, Covent Garden, London. G.E. Madeley, Lithog. Wellington St. Strand. [n.d. c.1829.]
Rare lithograph. 197 x 282mm (7¼ x 10½").
A depiction of the elephant from 'The Elephant of Siam and the Fire Fiend!', first produced at the Adelphi on Thursday 3 December 1829. The mid-Victorian period marked the height of the British public's fascination with Britain's colonies; hence, the introduction of elephants across the capital. Three elephants were brought to England in East India Company ships between 1809 and 1811.
[Ref: 52455] £230.00 (£276.00 incl.VAT)
R.J.H. [in image.]
Pub.d by W. Kenneth, corner Bow Street, Covent Garden, London. G.E. Madeley, Lithog. Wellington St. Strand. [n.d. c.1829.]
Rare lithograph. 197 x 282mm (7¼ x 10½").
A depiction of the elephant from 'The Elephant of Siam and the Fire Fiend!', first produced at the Adelphi on Thursday 3 December 1829. The mid-Victorian period marked the height of the British public's fascination with Britain's colonies; hence, the introduction of elephants across the capital. Three elephants were brought to England in East India Company ships between 1809 and 1811.
[Ref: 52455] £230.00 (£276.00 incl.VAT)
The Royal Elephant at Dinner Now performing with distinguised success, at the Theatre Royal, Adelphi.
R.J. Hamerton [in image.]
Pub.d by W. Kenneth, corner Bow Street, Covent Garden, London. G.E. Madeley, Lithog. Wellington St. Strand. [n.d. c.1829.]
Rare lithograph. 214 x 280mm (8 x 10½"). Some creasing.
Three elephants were brought to England in East India Company ships between 1809 and 1811. The elephants were either exhibited at the Covent Garden Theatre or bought by circus owner Stephani Polito, where they joined his menagerie at Exeter Exchange on the Strand in London. The mid-Victorian period marked the height of the British public's fascination with Britain's colonies; hence, the introduction of elephants across the capital.
[Ref: 52456] £230.00 (£276.00 incl.VAT)
R.J. Hamerton [in image.]
Pub.d by W. Kenneth, corner Bow Street, Covent Garden, London. G.E. Madeley, Lithog. Wellington St. Strand. [n.d. c.1829.]
Rare lithograph. 214 x 280mm (8 x 10½"). Some creasing.
Three elephants were brought to England in East India Company ships between 1809 and 1811. The elephants were either exhibited at the Covent Garden Theatre or bought by circus owner Stephani Polito, where they joined his menagerie at Exeter Exchange on the Strand in London. The mid-Victorian period marked the height of the British public's fascination with Britain's colonies; hence, the introduction of elephants across the capital.
[Ref: 52456] £230.00 (£276.00 incl.VAT)
A View of the Royal Exchange London. Vüe de la Bourse Royale à Londres. 7.
T. Bowles delin et Sculp.
Publish'd according to Act of Parliament. Published 12.th May, 1794. by Laurie & Whittle, 53, Fleet Street London.
Engraving with fine colour. 260 x 400mm (10¼ x 15¾").
View of the old Royal Exchange on Cornhill, with figures, carts and coaches in street outside. On the far right a group of men are righting an overturned carriage!
[Ref: 64330] £280.00 (£336.00 incl.VAT)
T. Bowles delin et Sculp.
Publish'd according to Act of Parliament. Published 12.th May, 1794. by Laurie & Whittle, 53, Fleet Street London.
Engraving with fine colour. 260 x 400mm (10¼ x 15¾").
View of the old Royal Exchange on Cornhill, with figures, carts and coaches in street outside. On the far right a group of men are righting an overturned carriage!
[Ref: 64330] £280.00 (£336.00 incl.VAT)
N.º 6 Morgan's Improved Protean Scenery; The Royal Exchange, London. Morning v. Night. This Print at first represents the venerable Building, early in the morning, on the 10.th day of Jauary; and, upon holding it before the left, you will observe the awful conflagration, as it appeared on the night of the same day, which totally destroyed the Exchange.
Published Feb.y 5.th 1838, by W.m Morgan, 25 Bartletts Buildings, Holborn.
Lithograph with hand colour, 165 x 230mm (6½ x 9"), prepared as a transparency, mounted on card with title underneath.
The empty abbey fills with people when held up to the light.
[Ref: 64432] £160.00 (£192.00 incl.VAT)
Published Feb.y 5.th 1838, by W.m Morgan, 25 Bartletts Buildings, Holborn.
Lithograph with hand colour, 165 x 230mm (6½ x 9"), prepared as a transparency, mounted on card with title underneath.
The empty abbey fills with people when held up to the light.
[Ref: 64432] £160.00 (£192.00 incl.VAT)
![[The courtyard of the Royal Exchange during the fire of 1838.]](jpegs/67167.jpg)
[The courtyard of the Royal Exchange during the fire of 1838.]
[n.d., c.1838.]
Rare lithograph. Sheet 275 x 370mm (10¾ x 14½"). Vertical crease.
Edward Jarman's Royal Exchange was destroyed on the 10th January 1838 by a fire caused by an overheated stove.
[Ref: 67167] £180.00 (£216.00 incl.VAT)
[n.d., c.1838.]
Rare lithograph. Sheet 275 x 370mm (10¾ x 14½"). Vertical crease.
Edward Jarman's Royal Exchange was destroyed on the 10th January 1838 by a fire caused by an overheated stove.
[Ref: 67167] £180.00 (£216.00 incl.VAT)
The New Royal Exchange.
Printed & Published by C.J. Cox, Royal Polytechnic, London. [n.d., c.1845.]
Tinted lithograph. Printed area 140 x 180mm (5½ x 7"). Slight crease.
A rare view of the Royal Exchange, which Queen Victoria opened in 1844.
[Ref: 38932] £80.00 (£96.00 incl.VAT)
Printed & Published by C.J. Cox, Royal Polytechnic, London. [n.d., c.1845.]
Tinted lithograph. Printed area 140 x 180mm (5½ x 7"). Slight crease.
A rare view of the Royal Exchange, which Queen Victoria opened in 1844.
[Ref: 38932] £80.00 (£96.00 incl.VAT)
The Royal Exchange.
T. Malton Delin.t & fecit.
Publish'd Oct.r 1. 1781 by T.Malton, No. 8 Carlisle Street, Soho, London.
Aquatint printed in sepia. Platemark: 370 x 505mm, 14½ x 19¾". Repaired damage. Trimmed close to plate.
A view of London's second Royal Exchange, designed by Edward Jerman and opened in 1669, destroyed by fire in 1838. Behind is the dome of St Paul's Cathedral. This plate was drawn and etched by Thomas Malton (1748-1804) for his first series of London views, a dozen plates published 1781-87, larger than his better known 'Pictureque Tour' series. Malton etched a smaller version of this scene, duplicating even the staffage, for the Tour.
Adams 72.
[Ref: 40037] £520.00
T. Malton Delin.t & fecit.
Publish'd Oct.r 1. 1781 by T.Malton, No. 8 Carlisle Street, Soho, London.
Aquatint printed in sepia. Platemark: 370 x 505mm, 14½ x 19¾". Repaired damage. Trimmed close to plate.
A view of London's second Royal Exchange, designed by Edward Jerman and opened in 1669, destroyed by fire in 1838. Behind is the dome of St Paul's Cathedral. This plate was drawn and etched by Thomas Malton (1748-1804) for his first series of London views, a dozen plates published 1781-87, larger than his better known 'Pictureque Tour' series. Malton etched a smaller version of this scene, duplicating even the staffage, for the Tour.
Adams 72.
[Ref: 40037] £520.00
South West View Of The New Royal Exchange, William Tite, F.R.S. F.G.S. Architect.
Drawn by G. B. Moore. Engd. by Thos. Higham.
Stationers' Almanack, 1841. [Chiswick: Printed by C. Whittingham, for the Company of Stationers]
Steel engraving, sheet 245 x 450mm. 9¾ x 17¾". Trimmed within plate; creasing.
'The design by Sir William Tite (1798-1873) for the third Royal Exchange, as if viewed from the west end of Cornhill. Since the building was not completed for another three years, it must have been based on the architect's perspective' (Hyde). The Royal Exchange as built (and still standing) differs in several ways from this design, although these were decorative- the structure of the building was fundamentally the same. Engraved for the Stationers' Almanack, published by the Stationers' Company since 1747, a single-sheet which consisted of calendar text set out beneath an engraved headpiece that recorded significant events of the preceeding year. At the end of the year, when the almanack was taken down, the engraved headpieces (such as this) would be separated from the text and kept.
Ralph Hyde, 'London Displayed: Headpieces from the Stationers' Almanacks', p.40.
[Ref: 30692] £130.00 (£156.00 incl.VAT)
Drawn by G. B. Moore. Engd. by Thos. Higham.
Stationers' Almanack, 1841. [Chiswick: Printed by C. Whittingham, for the Company of Stationers]
Steel engraving, sheet 245 x 450mm. 9¾ x 17¾". Trimmed within plate; creasing.
'The design by Sir William Tite (1798-1873) for the third Royal Exchange, as if viewed from the west end of Cornhill. Since the building was not completed for another three years, it must have been based on the architect's perspective' (Hyde). The Royal Exchange as built (and still standing) differs in several ways from this design, although these were decorative- the structure of the building was fundamentally the same. Engraved for the Stationers' Almanack, published by the Stationers' Company since 1747, a single-sheet which consisted of calendar text set out beneath an engraved headpiece that recorded significant events of the preceeding year. At the end of the year, when the almanack was taken down, the engraved headpieces (such as this) would be separated from the text and kept.
Ralph Hyde, 'London Displayed: Headpieces from the Stationers' Almanacks', p.40.
[Ref: 30692] £130.00 (£156.00 incl.VAT)
Byrsa Londinensis vulgo the Royal Exchange 1 & 7
[W. Hollar.]
[n.d. c.1647.]
Engraving. 150 x 252mm (6 x 10"). Cut.
Interior view of the Royal Exchange, London; showing three sides.
Pennington: 907.
[Ref: 30895] £120.00 (£144.00 incl.VAT)
[W. Hollar.]
[n.d. c.1647.]
Engraving. 150 x 252mm (6 x 10"). Cut.
Interior view of the Royal Exchange, London; showing three sides.
Pennington: 907.
[Ref: 30895] £120.00 (£144.00 incl.VAT)
Porticum hanc Londinensem quam tanto artificio trienni spatio hic absolutam vides a fundamentix aere suo extruendam curavit Thomas Greshamus eques ad Regiae Urbis ornamentum et usum publicum anno MDLXVI die VII mensis IVNII. P.12.
De peristylii hujus exemplari anno MDLXIX, quo estructum fuit, aere inciso Georgius Vertue London sculpsit anno MDCCXXXIX.
[n.d. c.1739.]
Etching and engraving, paper watermarked. 310 x 386mm (12¼ x 15¼"). Trimmed.
View of the west, north and east fronts of the inner court of the Royal Exchange, three sides of colonnade supporting first floot with niches and statues of England monarchs; figures in courtyards. Plate for Ward's "Lives of the Gresham Professors".
Alexander: 812.
[Ref: 30899] £280.00 (£336.00 incl.VAT)
De peristylii hujus exemplari anno MDLXIX, quo estructum fuit, aere inciso Georgius Vertue London sculpsit anno MDCCXXXIX.
[n.d. c.1739.]
Etching and engraving, paper watermarked. 310 x 386mm (12¼ x 15¼"). Trimmed.
View of the west, north and east fronts of the inner court of the Royal Exchange, three sides of colonnade supporting first floot with niches and statues of England monarchs; figures in courtyards. Plate for Ward's "Lives of the Gresham Professors".
Alexander: 812.
[Ref: 30899] £280.00 (£336.00 incl.VAT)
Royal Exchange.
Rowlandson & Pugin del.t. et sculp.t./ Hill aqua.t.
London Pub 1.st.May 1809, at R.Ackermann's Repository of Arts 101 Strand.
Hand coloured aquatint with large margins. Plate: 270 x 230mm (10½ x 9").
Abbey Scenery: 212.
[Ref: 34356] £220.00 (£264.00 incl.VAT)
Rowlandson & Pugin del.t. et sculp.t./ Hill aqua.t.
London Pub 1.st.May 1809, at R.Ackermann's Repository of Arts 101 Strand.
Hand coloured aquatint with large margins. Plate: 270 x 230mm (10½ x 9").
Abbey Scenery: 212.
[Ref: 34356] £220.00 (£264.00 incl.VAT)
![[The Royal Exchange.]](jpegs/62482.jpg)
[The Royal Exchange.]
Sydney R. Jones.
[n.d., 1927.]
Drypoint etching, signed in pencil by the artist. 270 x 330mm (10¾ x 13").
View of the Royal Exchange's west front, with bustling street scene outside, including traffic and pedestrians. Sydney Robert Fleming Jones (1881-1961) was a notable watercolourist and etcher, particularly of architectural views; he also wrote several books on the English countryside and provided illustrations for several publications including The Times, Illustrated London News and The Studio.
[Ref: 62482] £280.00 (£336.00 incl.VAT)
Sydney R. Jones.
[n.d., 1927.]
Drypoint etching, signed in pencil by the artist. 270 x 330mm (10¾ x 13").
View of the Royal Exchange's west front, with bustling street scene outside, including traffic and pedestrians. Sydney Robert Fleming Jones (1881-1961) was a notable watercolourist and etcher, particularly of architectural views; he also wrote several books on the English countryside and provided illustrations for several publications including The Times, Illustrated London News and The Studio.
[Ref: 62482] £280.00 (£336.00 incl.VAT)
Vista De La Parte Interior de La Lonja de Londres - Vue du de dans de la Bours:Royale a Londres
[n.d. c.1690]
Etching. 466 x 371mm.
Sir Thomas Gresham founded the London Exchange in the 16th Century: his building was destroyed in 1666 and this design by Jarman was destroyed by fire in 1838.
[Ref: 352] £500.00
[n.d. c.1690]
Etching. 466 x 371mm.
Sir Thomas Gresham founded the London Exchange in the 16th Century: his building was destroyed in 1666 and this design by Jarman was destroyed by fire in 1838.
[Ref: 352] £500.00
The Royall Exchange Of London. Nobilissimo, Fortissimo, Consultissimo, Viro Domino, R: Ford Equiti Aurato Praetori. T: Cartwright.
R: White delint: et sculpsit 1671.
[London: John Overton, first published 1671.] Cum Privilegio.
Engraving, 470 x 595mm. 18½ x 23½". Age toned; hole to centre of upper margin with tear into plate. Full margins. Some repairs.
The south façade, and a view of the inner courtyard with colonnade, of the Royal Exchange in the City of London, seen slightly from above; two angels in sky holding up a banner inscribed with title. Dedication to Sir Richard Ford by the builder, Thomas Cartwright, lower left, and two lines of Latin below image. The Royal Exchange was founded in 1565 by Sir Thomas Gresham to act as a centre of commerce for the city. The design was inspired by a bourse Gresham had seen in Antwerp. It was officially opened by Queen Elizabeth I who awarded the building its Royal title, on January 23, 1571. Gresham's original building was destroyed in the Great Fire of London in 1666. Gresham College, the first institution of higher learning in London, was established in 1597. An impressive print.
[Ref: 13369] £390.00
R: White delint: et sculpsit 1671.
[London: John Overton, first published 1671.] Cum Privilegio.
Engraving, 470 x 595mm. 18½ x 23½". Age toned; hole to centre of upper margin with tear into plate. Full margins. Some repairs.
The south façade, and a view of the inner courtyard with colonnade, of the Royal Exchange in the City of London, seen slightly from above; two angels in sky holding up a banner inscribed with title. Dedication to Sir Richard Ford by the builder, Thomas Cartwright, lower left, and two lines of Latin below image. The Royal Exchange was founded in 1565 by Sir Thomas Gresham to act as a centre of commerce for the city. The design was inspired by a bourse Gresham had seen in Antwerp. It was officially opened by Queen Elizabeth I who awarded the building its Royal title, on January 23, 1571. Gresham's original building was destroyed in the Great Fire of London in 1666. Gresham College, the first institution of higher learning in London, was established in 1597. An impressive print.
[Ref: 13369] £390.00
![[The Royal Exchange and the Bank of England.]](jpegs/10021.jpg)
[The Royal Exchange and the Bank of England.]
A.L. Thomas, pinx. T.A. Prior sculp.
[n.d., c.1860.]
Hand coloured steel engraving on india laid paper, 250 x 465mm. 9¾ x 8¼". Tatty and stained extremities, trimmed on right margin.
View of the Royal Exchange and the Bank of England to left, with figures, horses, carriages and omnibuses in the street. From a plate engraved for the Stationers' Almanack. The Stationers' Company had published the Stationers' Almanack since 1747, a single-sheet which consisted of calendar text set out beneath an engraved headpiece that recorded significant events of the preceeding year.
[Ref: 10021] £190.00 (£228.00 incl.VAT)
A.L. Thomas, pinx. T.A. Prior sculp.
[n.d., c.1860.]
Hand coloured steel engraving on india laid paper, 250 x 465mm. 9¾ x 8¼". Tatty and stained extremities, trimmed on right margin.
View of the Royal Exchange and the Bank of England to left, with figures, horses, carriages and omnibuses in the street. From a plate engraved for the Stationers' Almanack. The Stationers' Company had published the Stationers' Almanack since 1747, a single-sheet which consisted of calendar text set out beneath an engraved headpiece that recorded significant events of the preceeding year.
[Ref: 10021] £190.00 (£228.00 incl.VAT)
![[The Royal Exchange.]](jpegs/54634.jpg)
[The Royal Exchange.]
Sydney R. Jones.
[n.d., 1927.]
Drypoint etching, signed in pencil by the artist. 270 x 330mm (10¾ x 13").
View of the Royal Exchange's west front, with bustling street scene outside, including traffic and pedestrians. Sydney Robert Fleming Jones (1881-1961) was a notable watercolourist and etcher, particularly of architectural views; he also wrote several books on the English countryside and provided illustrations for several publications including The Times, Illustrated London News and The Studio.
[Ref: 54634] £320.00
Sydney R. Jones.
[n.d., 1927.]
Drypoint etching, signed in pencil by the artist. 270 x 330mm (10¾ x 13").
View of the Royal Exchange's west front, with bustling street scene outside, including traffic and pedestrians. Sydney Robert Fleming Jones (1881-1961) was a notable watercolourist and etcher, particularly of architectural views; he also wrote several books on the English countryside and provided illustrations for several publications including The Times, Illustrated London News and The Studio.
[Ref: 54634] £320.00
Vue de la bourse royale à Londres.
F.A.Shmidt fe:
[n.d., c.1820]
Aquatint, printed in colours and hand-finished. 430 x 550mm. Several repaired tears. Publication line scratched out.
[Ref: 5434] £590.00
F.A.Shmidt fe:
[n.d., c.1820]
Aquatint, printed in colours and hand-finished. 430 x 550mm. Several repaired tears. Publication line scratched out.
[Ref: 5434] £590.00
The Inside View of the Royal Exchange at London. Veue du dedans de la Bourse Royale a Londres.
Bowles Delin et Sculpt.
London, Printed for Bowles and Carver 69 St Paul's Church, R. Wilkinson 58 Cornhill amd Laurie & Whittle 53, Fleet Street [n.d., c.1794].
Coloured engraving. 285 x 425mm (11¼ x 16¾"). A few marks in title, top corners of margins snipped.
A view of the interior courtyard of London's second Royal Exchange, designed by Edward Jerman and opened in 1669, destroyed by fire in 1838.
[Ref: 59819] £240.00 (£288.00 incl.VAT)
Bowles Delin et Sculpt.
London, Printed for Bowles and Carver 69 St Paul's Church, R. Wilkinson 58 Cornhill amd Laurie & Whittle 53, Fleet Street [n.d., c.1794].
Coloured engraving. 285 x 425mm (11¼ x 16¾"). A few marks in title, top corners of margins snipped.
A view of the interior courtyard of London's second Royal Exchange, designed by Edward Jerman and opened in 1669, destroyed by fire in 1838.
[Ref: 59819] £240.00 (£288.00 incl.VAT)
Royal Exchange and Bank of England.
E. Walker, Del Et. Lith. Day & Son. Lith.rs to the Queen.
London, Published May 1.st 1852 by Mess.rs Lloyd Brothers & Co. 22 Ludgate Hill.
Hand-coloured lithograph, sheet 380 x 490mm (15 x 19½"). Foxing. Repaired tears to margins.
A view of the grand west front of the Royal Exchange showing the large portico with Corinthian columns, the Bank of England on the left, an equestrian statue in front of exchange. Coaches, carriages and pedestrians fill the busy street. From a series of 12 views of famous London buildings by Edmund Walker (1850 - 1856; fl.); Abbey describes the folio as 'Views of the Principal Buildings in London'.
[Ref: 68803] £420.00
E. Walker, Del Et. Lith. Day & Son. Lith.rs to the Queen.
London, Published May 1.st 1852 by Mess.rs Lloyd Brothers & Co. 22 Ludgate Hill.
Hand-coloured lithograph, sheet 380 x 490mm (15 x 19½"). Foxing. Repaired tears to margins.
A view of the grand west front of the Royal Exchange showing the large portico with Corinthian columns, the Bank of England on the left, an equestrian statue in front of exchange. Coaches, carriages and pedestrians fill the busy street. From a series of 12 views of famous London buildings by Edmund Walker (1850 - 1856; fl.); Abbey describes the folio as 'Views of the Principal Buildings in London'.
[Ref: 68803] £420.00
Arcade of the North Front of the Royal Exchange. Plate 66.
Published May 16.th 1795 by T. Malton.
Aquatint, sheet 415 x 310mm (16¼ x 12¼"). to
A view below the arcade, looking towards the Bank of England; two elegantly dressed women and a child buying goods from a street trader, two men on the left have a conversation. Plate to 'A Picturesque Tour Through the Cities of London and Westminster, illustrated With the most interesting Views, accurately delineated And executed in Aquatinta by Thomas Malton', 1792 - 1801.
Adams 1983 72.66. Abbey Scenery 204.66
[Ref: 58336] £140.00 (£168.00 incl.VAT)
Published May 16.th 1795 by T. Malton.
Aquatint, sheet 415 x 310mm (16¼ x 12¼"). to
A view below the arcade, looking towards the Bank of England; two elegantly dressed women and a child buying goods from a street trader, two men on the left have a conversation. Plate to 'A Picturesque Tour Through the Cities of London and Westminster, illustrated With the most interesting Views, accurately delineated And executed in Aquatinta by Thomas Malton', 1792 - 1801.
Adams 1983 72.66. Abbey Scenery 204.66
[Ref: 58336] £140.00 (£168.00 incl.VAT)
![[Receipt for insurance payments to Royal-Exchange Assurance by Sir William Lee]](jpegs/39200.jpg)
[Receipt for insurance payments to Royal-Exchange Assurance by Sir William Lee] The 15th Day of July 1765. Received of W.m Lee Esq. the Sum of Two Pounds Six Shillins being the Eighth Annual Payment for Aussrance [...]
Letterpress with ms, sheet 135 x 160mm (5¼ x 6¼"). Folded.
Receipt for payment made to the Royal Exchange Assurance Company in London, an insurance company founded in 1710, probably by Sir William Lee, 4th Baronet (1726-99). The Royal Exhange Assurance continued as an independent company for over 250 years before merging with the Guardian Assurance Company in 1968.
[Ref: 39200] £120.00 (£144.00 incl.VAT)
Letterpress with ms, sheet 135 x 160mm (5¼ x 6¼"). Folded.
Receipt for payment made to the Royal Exchange Assurance Company in London, an insurance company founded in 1710, probably by Sir William Lee, 4th Baronet (1726-99). The Royal Exhange Assurance continued as an independent company for over 250 years before merging with the Guardian Assurance Company in 1968.
[Ref: 39200] £120.00 (£144.00 incl.VAT)
The Royal Family. King William/ Queen Mary/ Prince George of Denmark/ Princess Anne of Denmark.
E.Cooper excudit. B.Lens Fecit.
[n.d., c.1700.]
Rare & fine mezzotint. 205 x 170mm (8 x 6¾"). Trimmed close to platemark, small margins.
Portraits of William III (1650-1702), reigned 1689-1702., Mary II (1662-1694), reigned with William III 1689-94, Prince George of Denmark (1653-1708), Consort of Queen Anne; son of King Frederick III of Denmark and Norway and Sophie Amalie of Brunswick-Lüneburg and Princess Anne of Denmark, later Queen Anne (1665-1714), reigned 1702-14.
CS 17.
[Ref: 66880] £280.00 (£336.00 incl.VAT)
E.Cooper excudit. B.Lens Fecit.
[n.d., c.1700.]
Rare & fine mezzotint. 205 x 170mm (8 x 6¾"). Trimmed close to platemark, small margins.
Portraits of William III (1650-1702), reigned 1689-1702., Mary II (1662-1694), reigned with William III 1689-94, Prince George of Denmark (1653-1708), Consort of Queen Anne; son of King Frederick III of Denmark and Norway and Sophie Amalie of Brunswick-Lüneburg and Princess Anne of Denmark, later Queen Anne (1665-1714), reigned 1702-14.
CS 17.
[Ref: 66880] £280.00 (£336.00 incl.VAT)