A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
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![[Nathan Mayer Rothschild.] N. Rothschild [facsimile signature]](jpegs/66955.jpg)
[Nathan Mayer Rothschild.] N. Rothschild [facsimile signature]
Private Plate. Excudit June 1, 1837, by W.m Walker, 64, Margaret Street, Cavendish Square, London.
Rare mezzotint. 380 x 295mm (15 x 11½"). Trimmed into plate at bottom, narrow margins elsewhere.
Nathan Mayer Rothschild (1777-1836), founder of the merchant bank, N.M. Rothschild. Jewish interest.
Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 66955] £490.00
Private Plate. Excudit June 1, 1837, by W.m Walker, 64, Margaret Street, Cavendish Square, London.
Rare mezzotint. 380 x 295mm (15 x 11½"). Trimmed into plate at bottom, narrow margins elsewhere.
Nathan Mayer Rothschild (1777-1836), founder of the merchant bank, N.M. Rothschild. Jewish interest.
Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 66955] £490.00
Vue Générale de Rouen. Prise des Carrières S.te Catherine.
Dessiné d'après nature par Chapuy. Lith. par Bichebois_Fig par V. Adam.
[n.d., c.1860.]
Tinted lithograph. Sheet: 315 x 460mm (12½ x 18'') large margins.
A view of the French town of Rouen showing a carriage racing into the town.
[Ref: 50905] £140.00 (£168.00 incl.VAT)
Dessiné d'après nature par Chapuy. Lith. par Bichebois_Fig par V. Adam.
[n.d., c.1860.]
Tinted lithograph. Sheet: 315 x 460mm (12½ x 18'') large margins.
A view of the French town of Rouen showing a carriage racing into the town.
[Ref: 50905] £140.00 (£168.00 incl.VAT)
Vue du Port et de la Ville de Rouen. Prise de la petite Chaussée à l'ouest de la Ville, ou l'on voit le vieux Palais, la Cathedrale, la Romaine, la Bourse et le Port.
Dressée d'après nature par C.N. Cochin. Gravé sous la direction de le Bas et Choffard.
A Paris chez Basan freres, Rue Serpente, No 14. [n.d., c.1758.]
Engraving. 540 x 760mm (21¼ x 30"). Thread margins, publication line weakly printed.
A large and impressive view of Rouen from the opposite bank of the Seine, with the foreground filled with laundresses, boat-builders and expensively-dressed promenaders. One from the fantastic set of "Les Ports de France".
[Ref: 38821] £550.00
Dressée d'après nature par C.N. Cochin. Gravé sous la direction de le Bas et Choffard.
A Paris chez Basan freres, Rue Serpente, No 14. [n.d., c.1758.]
Engraving. 540 x 760mm (21¼ x 30"). Thread margins, publication line weakly printed.
A large and impressive view of Rouen from the opposite bank of the Seine, with the foreground filled with laundresses, boat-builders and expensively-dressed promenaders. One from the fantastic set of "Les Ports de France".
[Ref: 38821] £550.00
![Rue Saint Romain Rouen [in plate].](jpegs/13817.jpg)
Rue Saint Romain Rouen [in plate].
Albany E. Howarth [signed in pencil.]
[n.d., c.1920.]
Drypoint etching, 410 x 280mm. 16 x 11". A fine impression.
A street scene in Rouen, Normandy, France; figures and skilfully rendered architecture. By Albany E. Howarth ARE (1872 - 1936).
[Ref: 13817] £130.00 (£156.00 incl.VAT)
Albany E. Howarth [signed in pencil.]
[n.d., c.1920.]
Drypoint etching, 410 x 280mm. 16 x 11". A fine impression.
A street scene in Rouen, Normandy, France; figures and skilfully rendered architecture. By Albany E. Howarth ARE (1872 - 1936).
[Ref: 13817] £130.00 (£156.00 incl.VAT)
Rough and Ready.
Frank Paton [pencil signature].
London, Published Nov.r 17.th 1888 by E.E. Leggatt, 62, Cheapside E.C.
Etching, signed by the artist in pencil. 210 x 260mm (8¼ x 10¼"). Some paper toning.
Three terriers ratting in a hayloft. surrounded by remarques including: a football game; at the barbers; training a dog to jump through a hoop; handing out seasick bowls aboard a steam ship; a bureau de change; a bear hunting a city gent; horse racing; and actors admiring their costume in a mirror. A rare early image of Association Football. Frank Paton (1856-1909) was best known for his paintings and etchings of animals and scenes of rural life.
[Ref: 56053] £230.00 (£276.00 incl.VAT)
Frank Paton [pencil signature].
London, Published Nov.r 17.th 1888 by E.E. Leggatt, 62, Cheapside E.C.
Etching, signed by the artist in pencil. 210 x 260mm (8¼ x 10¼"). Some paper toning.
Three terriers ratting in a hayloft. surrounded by remarques including: a football game; at the barbers; training a dog to jump through a hoop; handing out seasick bowls aboard a steam ship; a bureau de change; a bear hunting a city gent; horse racing; and actors admiring their costume in a mirror. A rare early image of Association Football. Frank Paton (1856-1909) was best known for his paintings and etchings of animals and scenes of rural life.
[Ref: 56053] £230.00 (£276.00 incl.VAT)
![[Rough Coated Terriers.]](jpegs/59661.jpg)
[Rough Coated Terriers.]
Henry Wilkinson.
Coloured etching signed by the artist. 240 x 300mm (9½ x 11¾"), with very large margins. Limited edition: 10/250. Mint.
An etching by artist Henry Wilkinson (1921-2011) who specialised in sporting dogs and scenes.
[Ref: 59661] £250.00 (£300.00 incl.VAT)
Henry Wilkinson.
Coloured etching signed by the artist. 240 x 300mm (9½ x 11¾"), with very large margins. Limited edition: 10/250. Mint.
An etching by artist Henry Wilkinson (1921-2011) who specialised in sporting dogs and scenes.
[Ref: 59661] £250.00 (£300.00 incl.VAT)
The Rough Terrier. From an Original Picture by De Wilde.
[n.d. c.1790.]
Very rare coloured mezzotint. Sheet 229 x 279mm (9 x 11"). Cut and laid on sheet.
A rough terrier stood by his kennel; landscape behind.
[Ref: 31251] £160.00 (£192.00 incl.VAT)
[n.d. c.1790.]
Very rare coloured mezzotint. Sheet 229 x 279mm (9 x 11"). Cut and laid on sheet.
A rough terrier stood by his kennel; landscape behind.
[Ref: 31251] £160.00 (£192.00 incl.VAT)
Franciscus Rous Armig: Collegii Etonensis Praepositus. Anno Christi } 1656. Aetatis. 77. Adam the first, this Image claymes as his, Within, the Second Adams Image is. That is the hidden Face not seen by thee, But God it sees, and it Gods Face shall see.
Guil: Faythorne Scul.
[n.d. c.1657.]
Line engraving. 201 x 143mm. Trimmed.
Francis Rous or Rouse (1579-1659) was an English politician and a prominent Puritan. He was also Provost of Eton, and wrote several theological and devotional works. He took a leading part in Parliament: he was elected to Parliament for Cornwall in 1604 and 1656; for Truro 1626, 1640 and 1654; for Tregony 1628; and for Devon 1653. In the 1628 parliament he took part in the ferocious criticisms of Roger Mainwaring. In the Long Parliament Rous opened the debate on the legality of William Laud's new canons on 9 December 1640, and presented the articles of impeachment against John Cosin on 15 March 1641. When the Westminster Assembly was set up, 12 June 1643, he was nominated one of its lay assessors, and on 23 September 1643 he took the Solemn League and Covenant. He was chairman of the committee for ordination of ministers constituted on 2 October 1643 following, and a member of the committee of appeals appointed for the visitation of the University of Oxford on 1 May 1647. On 16 July 1648 he was sworn of the Derby House Committee. He was Speaker of the House during Barebone's Parliament of The Protectorate. In 1657 he offered a seat in Cromwell's House of Lords, but did not take it. He obtained many offices under the Commonwealth, among them that of provost of Eton College. At first a Presbyterian, he afterwards joined the Independents, in 1649. In early 1652 he served on the committee for propagation of the gospel, which framed an abortive scheme for a state church on a congregational plan. When Barebone's Parliament dissolved itself, Rous was sworn in on Oliver Cromwell's council of state. In 1654 he was on the committee for approbation of public preachers; he was also one of the committee appointed on 9 April 1656 to discuss the question of the kingship with Cromwell. He contributed works to various compilations, such as a sonnet and poems; although his main works where stand-alone theological papers and pamphlets. He was a versifier of the Psalms. His translation, with some modifications, was adopted by the Church and Parliament of Scotland for use in public worship, a position which it held almost exclusively until the middle of the 19th century. He was one of Cromwell's peers and was called "the old illiterate Jew of Eton".
NPG: D22924.
[Ref: 12557] £140.00 (£168.00 incl.VAT)
Guil: Faythorne Scul.
[n.d. c.1657.]
Line engraving. 201 x 143mm. Trimmed.
Francis Rous or Rouse (1579-1659) was an English politician and a prominent Puritan. He was also Provost of Eton, and wrote several theological and devotional works. He took a leading part in Parliament: he was elected to Parliament for Cornwall in 1604 and 1656; for Truro 1626, 1640 and 1654; for Tregony 1628; and for Devon 1653. In the 1628 parliament he took part in the ferocious criticisms of Roger Mainwaring. In the Long Parliament Rous opened the debate on the legality of William Laud's new canons on 9 December 1640, and presented the articles of impeachment against John Cosin on 15 March 1641. When the Westminster Assembly was set up, 12 June 1643, he was nominated one of its lay assessors, and on 23 September 1643 he took the Solemn League and Covenant. He was chairman of the committee for ordination of ministers constituted on 2 October 1643 following, and a member of the committee of appeals appointed for the visitation of the University of Oxford on 1 May 1647. On 16 July 1648 he was sworn of the Derby House Committee. He was Speaker of the House during Barebone's Parliament of The Protectorate. In 1657 he offered a seat in Cromwell's House of Lords, but did not take it. He obtained many offices under the Commonwealth, among them that of provost of Eton College. At first a Presbyterian, he afterwards joined the Independents, in 1649. In early 1652 he served on the committee for propagation of the gospel, which framed an abortive scheme for a state church on a congregational plan. When Barebone's Parliament dissolved itself, Rous was sworn in on Oliver Cromwell's council of state. In 1654 he was on the committee for approbation of public preachers; he was also one of the committee appointed on 9 April 1656 to discuss the question of the kingship with Cromwell. He contributed works to various compilations, such as a sonnet and poems; although his main works where stand-alone theological papers and pamphlets. He was a versifier of the Psalms. His translation, with some modifications, was adopted by the Church and Parliament of Scotland for use in public worship, a position which it held almost exclusively until the middle of the 19th century. He was one of Cromwell's peers and was called "the old illiterate Jew of Eton".
NPG: D22924.
[Ref: 12557] £140.00 (£168.00 incl.VAT)
![H.J. Rous [facsimile signature.]](jpegs/21870.jpg)
H.J. Rous [facsimile signature.]
A d'Orsay fecit 5 March 1842 - [signed in plate.]
London, Published by J. Mitchell, Royal Library, 33, Old Bond Street. C. Graf, Lith. to Her Majesty.
Lithograph, india paper. 210 x 165mm. (8¼ x 6½"). Fales margins added.
Portrait of Henry John Rous (1795 - 1877), admiral and sportsman. He served in the Indian and New Holland stations from 1823 to 1829. In April 1827, he organised Sydney's first regatta. In August 1828, he explored the Tweed and Richmond Rivers in northeastern New South Wales. While in Moreton Bay he named Rous Channel, Dunwich, Queensland, Stradbroke Island after his family titles and influenced the naming of Ipswich, Queensland. From a series of portraits by Count Alfred Guillaume Gabriel d'Orsay (1801 - 1852), Paris-born artist and gentleman of fashion. His profile sketches of his contemporaries, to the number of 125, include among them nearly all the literary, artistic, and fashionable celebrities of that time.
O'Donoghue p.618.
[Ref: 21870] £220.00 (£264.00 incl.VAT)
A d'Orsay fecit 5 March 1842 - [signed in plate.]
London, Published by J. Mitchell, Royal Library, 33, Old Bond Street. C. Graf, Lith. to Her Majesty.
Lithograph, india paper. 210 x 165mm. (8¼ x 6½"). Fales margins added.
Portrait of Henry John Rous (1795 - 1877), admiral and sportsman. He served in the Indian and New Holland stations from 1823 to 1829. In April 1827, he organised Sydney's first regatta. In August 1828, he explored the Tweed and Richmond Rivers in northeastern New South Wales. While in Moreton Bay he named Rous Channel, Dunwich, Queensland, Stradbroke Island after his family titles and influenced the naming of Ipswich, Queensland. From a series of portraits by Count Alfred Guillaume Gabriel d'Orsay (1801 - 1852), Paris-born artist and gentleman of fashion. His profile sketches of his contemporaries, to the number of 125, include among them nearly all the literary, artistic, and fashionable celebrities of that time.
O'Donoghue p.618.
[Ref: 21870] £220.00 (£264.00 incl.VAT)
The Rt. Honble John Lord Rous, Baron Rous of Dennington in the County of Suffolk.
Painted by Sir Wm. Beechey, Painter to Her Majesty. Engraved by C. Turner, Warren Street, Fitzroy Square.
London Published Octr. 1. 1811, by C. Turner, Warren Street, Fitzroy Square.
Mezzotint, 355 x 250mm. 14 x 9¾". Lacking lower margin; some worm holes, mostly filled.
Portrait of Henry John Rous (1750 - 1827), standing in a landscape, wearing an ornate fur-trimmed robe tied with a broad black ribbon at the neck. Rous was an MP for Suffolk and president of the Suffolk Humane Society (1821). After Sir William Beechey (1735 - 1839).
Whitman 501.
[Ref: 22333] £130.00 (£156.00 incl.VAT)
Painted by Sir Wm. Beechey, Painter to Her Majesty. Engraved by C. Turner, Warren Street, Fitzroy Square.
London Published Octr. 1. 1811, by C. Turner, Warren Street, Fitzroy Square.
Mezzotint, 355 x 250mm. 14 x 9¾". Lacking lower margin; some worm holes, mostly filled.
Portrait of Henry John Rous (1750 - 1827), standing in a landscape, wearing an ornate fur-trimmed robe tied with a broad black ribbon at the neck. Rous was an MP for Suffolk and president of the Suffolk Humane Society (1821). After Sir William Beechey (1735 - 1839).
Whitman 501.
[Ref: 22333] £130.00 (£156.00 incl.VAT)
Jean Baptiste Rousseau. Poëte François Né à Paris en 1669, Mort à Bruxelles le 17 mars 1741.
à Paris chés Daumont. [n.d. c.1790.]
Engraving. Plate 165 x 108mm. 6½ x 4¼". Uncut.
Portrait of the French poet Jean Baptiste Rousseau (1671-1741), enemy of Voltaire. Rousseau's scandalous verses saw him condemned to exile; he spent much of his life abroad and rejected an eventual invitation to return to France.
W: 2547.
[Ref: 15750] £60.00 (£72.00 incl.VAT)
à Paris chés Daumont. [n.d. c.1790.]
Engraving. Plate 165 x 108mm. 6½ x 4¼". Uncut.
Portrait of the French poet Jean Baptiste Rousseau (1671-1741), enemy of Voltaire. Rousseau's scandalous verses saw him condemned to exile; he spent much of his life abroad and rejected an eventual invitation to return to France.
W: 2547.
[Ref: 15750] £60.00 (£72.00 incl.VAT)
Histoire Veritable et Remarquable, arrivée à l'endroit d'un nommé Roux, fils d'un Cordonnier, lequel aiant renié son Pére, le Diable en prit possession. Sur l'Air des Pendus.
[Rotterdam: Fritsch and Böhm, 1712.]
Engraved plate with letterpress, sheet 180 x 215mm (7 x 8½"). Repaired tears, original binding folds. Damaged.
A plate illustrating a poem in François Gacon's 'L'Anti-Rousseau, par le poe`te sans fard', a satire of the works of Jean Baptiste Rousseau. It tells of the son of a shoemaker (like Rousseau) who grows up and renounces his father and gets possessed by the devil.
[Ref: 60137] £130.00 (£156.00 incl.VAT)
[Rotterdam: Fritsch and Böhm, 1712.]
Engraved plate with letterpress, sheet 180 x 215mm (7 x 8½"). Repaired tears, original binding folds. Damaged.
A plate illustrating a poem in François Gacon's 'L'Anti-Rousseau, par le poe`te sans fard', a satire of the works of Jean Baptiste Rousseau. It tells of the son of a shoemaker (like Rousseau) who grows up and renounces his father and gets possessed by the devil.
[Ref: 60137] £130.00 (£156.00 incl.VAT)
Joannes Baptista Rousseau, Natus Anno 1670. Certior in nostro carmine vultus erit. Mart. L.7. Ep.84.
J. Aved pinxit. G.F. Schmidt Sculpsit.
[n.d. c.1740.]
Very scarce engraving. 300 x 210mm (11¾ x 8¼"). Mounted in album paper at sides. Unidentified collector's stamp on reverse.
Three-quarter length portrait of Jean Baptiste Rousseau (1670-1741), sitting in an armchair, looking to the right with a quill in his left hand and sheets in his right hand. Rousseau was a French playwright and poet particularly noted for his cynical epigrams.
Watermark listed as Lugt, L.3205, unidentified.
[Ref: 62188] £480.00
J. Aved pinxit. G.F. Schmidt Sculpsit.
[n.d. c.1740.]
Very scarce engraving. 300 x 210mm (11¾ x 8¼"). Mounted in album paper at sides. Unidentified collector's stamp on reverse.
Three-quarter length portrait of Jean Baptiste Rousseau (1670-1741), sitting in an armchair, looking to the right with a quill in his left hand and sheets in his right hand. Rousseau was a French playwright and poet particularly noted for his cynical epigrams.
Watermark listed as Lugt, L.3205, unidentified.
[Ref: 62188] £480.00
Joannes Baptista Rousseau, Natus Anno 1670. Certior in nostro carmine vultus erit. Mart. L.7. Ep.84.
J. Aved pinxit. G.F. Schmidt Sculpsit.
[n.d. c.1740.]
Very scarce engraving, sheet 300 x 210mm (11¾ x 8¼"). Trimmed to plate, glued on album sheet. 18th century watermark.
Three-quarter length portrait of Jean Baptiste Rousseau (1670-1741), French playwright and poet. Very atmospheric & fine portrait of Rousseau sitting in an armchair, looking to the right with a quill in his left hand and sheets in his right hand. Rousseau was particularly noted for his cynical epigrams.
[Ref: 59378] £650.00
J. Aved pinxit. G.F. Schmidt Sculpsit.
[n.d. c.1740.]
Very scarce engraving, sheet 300 x 210mm (11¾ x 8¼"). Trimmed to plate, glued on album sheet. 18th century watermark.
Three-quarter length portrait of Jean Baptiste Rousseau (1670-1741), French playwright and poet. Very atmospheric & fine portrait of Rousseau sitting in an armchair, looking to the right with a quill in his left hand and sheets in his right hand. Rousseau was particularly noted for his cynical epigrams.
[Ref: 59378] £650.00
Jean Bapt.e. Rousseau. Né á Paris en 1671.
J.P. Sauvage Pinx. G. F. Schmidt Sculp.
Aparis chez Odieuvre .m.d. d'Estampes de l'Ecole vis-à-vis la samarit.e.alabelle Image.
Line Engraving with small margins. 140mm x 100mm (5½" x 4")
Portrait of the French poet Jean Baptiste Rousseau (1671-1741), enemy of Voltaire, within an oval. Rousseau's scandalous verses saw him condemned to exile; he spent much of his life abroad and rejected an eventual invitation to return to France.
[Ref: 31923] £120.00 (£144.00 incl.VAT)
J.P. Sauvage Pinx. G. F. Schmidt Sculp.
Aparis chez Odieuvre .m.d. d'Estampes de l'Ecole vis-à-vis la samarit.e.alabelle Image.
Line Engraving with small margins. 140mm x 100mm (5½" x 4")
Portrait of the French poet Jean Baptiste Rousseau (1671-1741), enemy of Voltaire, within an oval. Rousseau's scandalous verses saw him condemned to exile; he spent much of his life abroad and rejected an eventual invitation to return to France.
[Ref: 31923] £120.00 (£144.00 incl.VAT)
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Rousseau addressing his Wife immediately before his Death. For the European Magazine.
J.M. Moreau del. Walker sculp.
Publish'd by J. Sewell Cornhill, Feb.y 1.st 1786.
Engraving. 125 x 170mm (5 x 6¾"). Narrow bottom margin.
Philosopher Jean-Jacques Rousseau (1712-78), seated in a wooden chair, raises his hand to gesture at his wife, who stands in the window of their living room.
[Ref: 66233] £90.00 (£108.00 incl.VAT)
J.M. Moreau del. Walker sculp.
Publish'd by J. Sewell Cornhill, Feb.y 1.st 1786.
Engraving. 125 x 170mm (5 x 6¾"). Narrow bottom margin.
Philosopher Jean-Jacques Rousseau (1712-78), seated in a wooden chair, raises his hand to gesture at his wife, who stands in the window of their living room.
[Ref: 66233] £90.00 (£108.00 incl.VAT)
J.J.Rousseau. L'Original appartient a M.r le C.te Louis de Giardin.
[After François Gérard] Y.in Melliaze [[?]Lithograph signature] Imp. Lith de Delpech. Latour pinx.t
[n.d c.1825]
Fine lithograph, sheet 510 x 335mm (20 x 13¼") very large margins.
Portrait of Jean Jacques Rousseau (1712-78), half-length, turned to left, looking to the viewer, wearing a fur-trimmed coat and a fur hat. The print is actually after Baron François Pascal Simon Gérard's (1770-1837) black and white chalk drawing which was after Maurice Quentin de La Tour's (1704-88) painting which is claimed to be the only one that Rousseau admitted as a likeness.
Original black and white chalk drawing in National Gallery of Victoria, Melbourne.
[Ref: 60608] £280.00 (£336.00 incl.VAT)
[After François Gérard] Y.in Melliaze [[?]Lithograph signature] Imp. Lith de Delpech. Latour pinx.t
[n.d c.1825]
Fine lithograph, sheet 510 x 335mm (20 x 13¼") very large margins.
Portrait of Jean Jacques Rousseau (1712-78), half-length, turned to left, looking to the viewer, wearing a fur-trimmed coat and a fur hat. The print is actually after Baron François Pascal Simon Gérard's (1770-1837) black and white chalk drawing which was after Maurice Quentin de La Tour's (1704-88) painting which is claimed to be the only one that Rousseau admitted as a likeness.
Original black and white chalk drawing in National Gallery of Victoria, Melbourne.
[Ref: 60608] £280.00 (£336.00 incl.VAT)
J. Jaques Rousseau. Tombeau de I. I. Rousseau a Ermenonville ou il a été déposé le 4 Julliet 1778 agé de 66 ans.
A Genêne chez Cassin, à Paris chez Isabay M.d d'Estampe rue de Gesvres.[n.d., c.1778.]
Engraving. Sheet 220 x 135mm (8¾ x 5¼"). Triummed within plate, printers crease top right.
A bust portrait in profile to the right of Genevan philosopher Jean-Jacques Rousseau, within a trompe l'oeil oval. Below the portrait is a depiction of Rousseau's tomb. He was initially buried at Ermenonville on the 'Ile des Peupliers' as shown, which became a place of pilgrimage for his many admirers, before being moved to the Panthéon in 1794.
W2547
[Ref: 53182] £65.00 (£78.00 incl.VAT)
A Genêne chez Cassin, à Paris chez Isabay M.d d'Estampe rue de Gesvres.[n.d., c.1778.]
Engraving. Sheet 220 x 135mm (8¾ x 5¼"). Triummed within plate, printers crease top right.
A bust portrait in profile to the right of Genevan philosopher Jean-Jacques Rousseau, within a trompe l'oeil oval. Below the portrait is a depiction of Rousseau's tomb. He was initially buried at Ermenonville on the 'Ile des Peupliers' as shown, which became a place of pilgrimage for his many admirers, before being moved to the Panthéon in 1794.
W2547
[Ref: 53182] £65.00 (£78.00 incl.VAT)
Jean Jacques Rousseau, Né à Genêve en 1708.
[A. Ramsay] London Pinx. 1766. J.B. Nochez Sculp 1[769. No. 6.]
[AParis chez Delalain, rue St Jacques. Avec Privilege du Roi.]
Scarce & fine engraving. Sheet 340 x 260mm (13½ x 10¼). Trimmed 2cm into image at sides and top, affecting artis & engraver's inscriptions, and 3cm at bottom, losing verse and publication line.
A half-length portrait of the philosopher Jean-Jacques Rousseau wearing fur hat and fur-lined coat, the Armenian costume he wore when he fled his native Switzerland to settle in Paris. This portrait was painted during his stay in England (January 1766 to May 1767). Engraved by Jean Edmé Nocher (b. 1736) after Allan Ramsay (1713-84), published by Nicolas-Augustin Delalain (c.1735-1806).
[Ref: 64230] £190.00 (£228.00 incl.VAT)
[A. Ramsay] London Pinx. 1766. J.B. Nochez Sculp 1[769. No. 6.]
[AParis chez Delalain, rue St Jacques. Avec Privilege du Roi.]
Scarce & fine engraving. Sheet 340 x 260mm (13½ x 10¼). Trimmed 2cm into image at sides and top, affecting artis & engraver's inscriptions, and 3cm at bottom, losing verse and publication line.
A half-length portrait of the philosopher Jean-Jacques Rousseau wearing fur hat and fur-lined coat, the Armenian costume he wore when he fled his native Switzerland to settle in Paris. This portrait was painted during his stay in England (January 1766 to May 1767). Engraved by Jean Edmé Nocher (b. 1736) after Allan Ramsay (1713-84), published by Nicolas-Augustin Delalain (c.1735-1806).
[Ref: 64230] £190.00 (£228.00 incl.VAT)
Jean Jacques Rousseau. Vitam Impendere Vero.
A. Ramsay Pinx.t. 1766. C. Corbutt [pseudonym of Richard Purcell] fecit.
Fine mezzotint. 355 x 255mm (14 x 10"), large margins, 18th century watermark.
Half-length portrait of the philosopher Jean-Jacques Rousseau wearing fur hat and fur-lined coat, the Armenian costume he wore when he fled his native Switzerland to settle in Paris. This portrait was painted during his stay in England (January 1766 to May 1767). The engraver was Richard Purcell, who used the pseudonym Corbutt when pirating the works of others, often for Robert Sayer, in this case one by David Martin. Chaloner Smith was not a fan of Rousseau: in his entry for the Martin plate he writes Rousseau wrote ''plays and novels'' and ''published other works of a quasi philosophical character".
CS 67, state i of ii.
[Ref: 65614] £680.00
A. Ramsay Pinx.t. 1766. C. Corbutt [pseudonym of Richard Purcell] fecit.
Fine mezzotint. 355 x 255mm (14 x 10"), large margins, 18th century watermark.
Half-length portrait of the philosopher Jean-Jacques Rousseau wearing fur hat and fur-lined coat, the Armenian costume he wore when he fled his native Switzerland to settle in Paris. This portrait was painted during his stay in England (January 1766 to May 1767). The engraver was Richard Purcell, who used the pseudonym Corbutt when pirating the works of others, often for Robert Sayer, in this case one by David Martin. Chaloner Smith was not a fan of Rousseau: in his entry for the Martin plate he writes Rousseau wrote ''plays and novels'' and ''published other works of a quasi philosophical character".
CS 67, state i of ii.
[Ref: 65614] £680.00
Apothéose de J.J. Rousseau, sa Translation auy Panthéon. le 11 Octobre 1794, ou 20 Vendémaire An 3.eme de la République.
Duplesi-Bertaux inv. & del. Berthault Sculp.
[Paris: Auber, 1804.]
Etching with large margins. 240 x 310mm (9½ x 12¼"). Repaired tear outside plate.
The philosopher Jean-Jacques Rousseau (1712-1778) was one the figureheads of the French Revolution. He was originally buried at Ermenonville on the Ile des Peupliers, but in 1794 his remains were transferred to the Pantheon and interred in a tomb in the shape of a classical temple. Published in the 'Collection complète des tableaux historiques de la révolution française'.
[Ref: 28241] £90.00 (£108.00 incl.VAT)
Duplesi-Bertaux inv. & del. Berthault Sculp.
[Paris: Auber, 1804.]
Etching with large margins. 240 x 310mm (9½ x 12¼"). Repaired tear outside plate.
The philosopher Jean-Jacques Rousseau (1712-1778) was one the figureheads of the French Revolution. He was originally buried at Ermenonville on the Ile des Peupliers, but in 1794 his remains were transferred to the Pantheon and interred in a tomb in the shape of a classical temple. Published in the 'Collection complète des tableaux historiques de la révolution française'.
[Ref: 28241] £90.00 (£108.00 incl.VAT)
J.J.Rousseau, Author of Letters on Botany & c. The Tomb of Jean Jaque Rousseau.
Ramsay, Portrait Painter to the King. pinxt. Caldwall sculpt.
London. Published July 1.1801, by Dr.Thornton, Hinde Sheet.
Stipple & line engraving. 470 x 317mm (18½" x 12½"). A few nicks and tears around the edges, a few small spots of foxing, na4rrow margins.
Jean-Jacques Rousseau (June 28, 1712 - July 2, 1778) was a Franco-Swiss philosopher of the Enlightenment whose political ideas influenced the French Revolution, the development of socialist theory, and the growth of nationalism. His legacy as a radical and revolutionary is perhaps best demonstrated by his most famous line in The Social Contract: 'Man is born free, and everywhere he is in chains.'
W: 2547-9.
[Ref: 26910] £160.00 (£192.00 incl.VAT)
Ramsay, Portrait Painter to the King. pinxt. Caldwall sculpt.
London. Published July 1.1801, by Dr.Thornton, Hinde Sheet.
Stipple & line engraving. 470 x 317mm (18½" x 12½"). A few nicks and tears around the edges, a few small spots of foxing, na4rrow margins.
Jean-Jacques Rousseau (June 28, 1712 - July 2, 1778) was a Franco-Swiss philosopher of the Enlightenment whose political ideas influenced the French Revolution, the development of socialist theory, and the growth of nationalism. His legacy as a radical and revolutionary is perhaps best demonstrated by his most famous line in The Social Contract: 'Man is born free, and everywhere he is in chains.'
W: 2547-9.
[Ref: 26910] £160.00 (£192.00 incl.VAT)
A pleasing Method of rouzing the Doctor_or a Tythe Pig no bad fight.
[Anon.]
Printed for Carington Bowles, at his Map & Print Warehouse, No.69 in St. Pauls Church Yard, London. Published as the Act directs, 31 Aug. 1775.
Hand coloured mezzotint. Platemark: 325 x 250mm (12¾ x 9¾"). Light creasing. Paper toned. Small repaired tears to edges of sheet. One small hole above head of doctor.
An interior scene in which a maid-servant tickles the nose of a sleeping country parson with the tail of a suckling pig, that has just been delivered by a boy who watches from the door in the background to right. On the wall to the left hangs 'A Plan of the Doctor's Parish', and two portraits. There are also two open books, one on the floor, and one on the table, inscribed 'Poem on goodliving', and 'Tythe Laws fully Consider'd'.
[Ref: 35388] £230.00 (£276.00 incl.VAT)
[Anon.]
Printed for Carington Bowles, at his Map & Print Warehouse, No.69 in St. Pauls Church Yard, London. Published as the Act directs, 31 Aug. 1775.
Hand coloured mezzotint. Platemark: 325 x 250mm (12¾ x 9¾"). Light creasing. Paper toned. Small repaired tears to edges of sheet. One small hole above head of doctor.
An interior scene in which a maid-servant tickles the nose of a sleeping country parson with the tail of a suckling pig, that has just been delivered by a boy who watches from the door in the background to right. On the wall to the left hangs 'A Plan of the Doctor's Parish', and two portraits. There are also two open books, one on the floor, and one on the table, inscribed 'Poem on goodliving', and 'Tythe Laws fully Consider'd'.
[Ref: 35388] £230.00 (£276.00 incl.VAT)
![[Rovereto] Napoleon & Massena Defeating the Austrian Army, at the Terrible Battle of Roveredo.](jpegs/53343.jpg)
[Rovereto] Napoleon & Massena Defeating the Austrian Army, at the Terrible Battle of Roveredo.
Engraved by Mr George Cruikshank from the original drawn from Nature by C. Vernet executed at Paris by L. Duplessi Bertaux.
Published August 1, 1823 by John Cumberland, No 19, Ludgate Hill.
Coloured aquatint. Sheet 215 x 275mm (8½ x 10¾"). Folded twice as issued, split taped, creasing, album paper stuck over left edge.
The Battle of Rovereto (also Battle of Roveredo), fought 4th September 1796 east of Lake Guardia in northern Italy, at which Napoleon Bonaparte defeated the Austrians who were trying to raise the Seige of Mantova. From W.H. Ireland's 'Life of Napoleon Bonaparte', 1828.
Tooley 278.
[Ref: 53343] £95.00 (£114.00 incl.VAT)
Engraved by Mr George Cruikshank from the original drawn from Nature by C. Vernet executed at Paris by L. Duplessi Bertaux.
Published August 1, 1823 by John Cumberland, No 19, Ludgate Hill.
Coloured aquatint. Sheet 215 x 275mm (8½ x 10¾"). Folded twice as issued, split taped, creasing, album paper stuck over left edge.
The Battle of Rovereto (also Battle of Roveredo), fought 4th September 1796 east of Lake Guardia in northern Italy, at which Napoleon Bonaparte defeated the Austrians who were trying to raise the Seige of Mantova. From W.H. Ireland's 'Life of Napoleon Bonaparte', 1828.
Tooley 278.
[Ref: 53343] £95.00 (£114.00 incl.VAT)
Harry Rowe. Born at York in 1726. Trumpeter in the Duke of Kingston's Light Horse at the Battle of Culloden in 1746 and 45 Years Trumpeter to the High Sheriffs of Yorkshire 1797.
[n.d. 1800.]
A very fine etching. 141 x 108mm. 5½ x 4¼". Cut and laid on separate sheet.
Harry Rowe [1726-1800] was not only a trumpeter in York by also the master of a puppet-show, and for many successive years, he opened his little theatre at York during the winter months.
[Ref: 14275] £75.00 (£90.00 incl.VAT)
[n.d. 1800.]
A very fine etching. 141 x 108mm. 5½ x 4¼". Cut and laid on separate sheet.
Harry Rowe [1726-1800] was not only a trumpeter in York by also the master of a puppet-show, and for many successive years, he opened his little theatre at York during the winter months.
[Ref: 14275] £75.00 (£90.00 incl.VAT)
Harry Rowe, Born in York 1726. Trumpeter in the Duke of Kingston's Light Horse at the Battle of Culloden in 1746. Forty six Years Trumpeter to the High Sherrifs of Yorkshire and Manager of a Company of Artificial Comedians.
F:A ad viv del.t & fecit 1798.
Etching and drypoint. 150 x 100mm (6 x 4"), with large margins with ink note '4th State different inscription May 30 1799 R.A.'.
Half-length portrait of the english showman, trumpeter and puppet master Harry Rowe (1726-1799), aged seventy-two, standing in profile to left at stage of puppet theatre. Drum, trumpet and images of puppets hang at right, a man drowning at sea can be seen in the background. He is best known for his ammended publication of Shakespeare's Macbeth, 'with Notes by Harry Rowe. York, printed for the Annotator (1797).' The notes were of humorous nature, and in this image he is shown holding a copy of the publication.
BM 1851,0308.572
[Ref: 55016] £280.00 (£336.00 incl.VAT)
F:A ad viv del.t & fecit 1798.
Etching and drypoint. 150 x 100mm (6 x 4"), with large margins with ink note '4th State different inscription May 30 1799 R.A.'.
Half-length portrait of the english showman, trumpeter and puppet master Harry Rowe (1726-1799), aged seventy-two, standing in profile to left at stage of puppet theatre. Drum, trumpet and images of puppets hang at right, a man drowning at sea can be seen in the background. He is best known for his ammended publication of Shakespeare's Macbeth, 'with Notes by Harry Rowe. York, printed for the Annotator (1797).' The notes were of humorous nature, and in this image he is shown holding a copy of the publication.
BM 1851,0308.572
[Ref: 55016] £280.00 (£336.00 incl.VAT)
Rowing. University eight training on the Isis.
William Mackenzie, London, Edinburgh, & Glasgow. [n.d. c.1860.]
Lithograph and letterpress text. 305 x 245mm. 12 x 9¾".
The Oxford University crew training on the River Isis with coaches, friends and onlookers running along side. Other water vessels can also be seen: such as a single skull, two fours and a sailing boat. Two church spires can be seen above the trees in the background. Enclosed inside text on Rowing and Sculling, inlcuding a list of the of 'Principles of Rowing and Steering', 'Faults in Rowing', and the 'General Rules of Boat-Racing'.
[Ref: 24936] £220.00 (£264.00 incl.VAT)
William Mackenzie, London, Edinburgh, & Glasgow. [n.d. c.1860.]
Lithograph and letterpress text. 305 x 245mm. 12 x 9¾".
The Oxford University crew training on the River Isis with coaches, friends and onlookers running along side. Other water vessels can also be seen: such as a single skull, two fours and a sailing boat. Two church spires can be seen above the trees in the background. Enclosed inside text on Rowing and Sculling, inlcuding a list of the of 'Principles of Rowing and Steering', 'Faults in Rowing', and the 'General Rules of Boat-Racing'.
[Ref: 24936] £220.00 (£264.00 incl.VAT)
![[Rowing Race.]](jpegs/53291.jpg)
[Rowing Race.]
Ed. Sagot Editeur Paris. [n.d., c.1900.]
Scarce chromolithograph. Sheet 210 x 1050mm (8¼ x 41¼"). Folded, small hole near centre fold.
A race between two sixes, one with a female cox, followed by a motor launch.
[Ref: 53291] £260.00 (£312.00 incl.VAT)
Ed. Sagot Editeur Paris. [n.d., c.1900.]
Scarce chromolithograph. Sheet 210 x 1050mm (8¼ x 41¼"). Folded, small hole near centre fold.
A race between two sixes, one with a female cox, followed by a motor launch.
[Ref: 53291] £260.00 (£312.00 incl.VAT)
Life on the Water. The Grand Rowing Match for Mr Kean's Prize Wherry. Red House, Battersea.
[Knight & Lacey London, 1827.]
Engraving with very fine colour. Sheet 185 x 120mm (7¼ x 4¾"). Trimmed and edges backed onto album paper. Tear across bottom right corner, repaired with tape.
A satirical print depiciting distressed men rowing frantcially in a match, with the Red House, Battersea in the background..
[Ref: 68420] £160.00 (£192.00 incl.VAT)
[Knight & Lacey London, 1827.]
Engraving with very fine colour. Sheet 185 x 120mm (7¼ x 4¾"). Trimmed and edges backed onto album paper. Tear across bottom right corner, repaired with tape.
A satirical print depiciting distressed men rowing frantcially in a match, with the Red House, Battersea in the background..
[Ref: 68420] £160.00 (£192.00 incl.VAT)
![[Rowing at Oxford.]](jpegs/40254.jpg)
[Rowing at Oxford.]
Launcelot Speed.
[n.d., 1902.]
Photolithograph. Sheet 205 x 300mm (8 x 12"), mounted on original green backing paper, with sheet of descriptive text.
From B.F. Robinson's 'Sporting Pictures', 1902. The rowers are watched by spectators in numerous small craft. Lancelot Speed (1860-1931), an artist whose illustrations for 'She' by H. Rider Haggard won him the role of designer on a 1916 silent movie version of the novel.
[Ref: 40254] £65.00 (£78.00 incl.VAT)
Launcelot Speed.
[n.d., 1902.]
Photolithograph. Sheet 205 x 300mm (8 x 12"), mounted on original green backing paper, with sheet of descriptive text.
From B.F. Robinson's 'Sporting Pictures', 1902. The rowers are watched by spectators in numerous small craft. Lancelot Speed (1860-1931), an artist whose illustrations for 'She' by H. Rider Haggard won him the role of designer on a 1916 silent movie version of the novel.
[Ref: 40254] £65.00 (£78.00 incl.VAT)
![[Rowing.]](jpegs/7670.jpg)
[Rowing.]
[n.d., c.1830.]
Coloured aquatint. Image 290 x 450mm. Restoration to tears and holes, laid on restorer's tissue.
A very scarce rowing scene, with an eight-man crew, probably from a college.
[Ref: 7670] £320.00
[n.d., c.1830.]
Coloured aquatint. Image 290 x 450mm. Restoration to tears and holes, laid on restorer's tissue.
A very scarce rowing scene, with an eight-man crew, probably from a college.
[Ref: 7670] £320.00
![[William Rowland.]](jpegs/68027.jpg)
[William Rowland.]
[n.d., c.1690.]
Engraving. Sheet 145 x 95mm (5¾ x 3¼"). Trimmed and backed onto album paper at borders
Portrait of William Rowland (c.1600s), Physician.
Not in Wellcome.
[Ref: 68027] £70.00 (£84.00 incl.VAT)
[n.d., c.1690.]
Engraving. Sheet 145 x 95mm (5¾ x 3¼"). Trimmed and backed onto album paper at borders
Portrait of William Rowland (c.1600s), Physician.
Not in Wellcome.
[Ref: 68027] £70.00 (£84.00 incl.VAT)
![[Estuary with ship and ruined forts, St Maws?]](jpegs/58147.jpg)
[Estuary with ship and ruined forts, St Maws?]
[Etched by Thomas Rowlandson.]
[London: J. Rowlandson, c.1813.]
Coloured etching. 170 x 255mm (6¾ x 10"), with large margins. Notch in edge of margin on left. Taped in mount.
From Rowlandson's 'Views in Cornwall', without an identified location.
Abbey 105-13.
[Ref: 58147] £220.00 (£264.00 incl.VAT)
[Etched by Thomas Rowlandson.]
[London: J. Rowlandson, c.1813.]
Coloured etching. 170 x 255mm (6¾ x 10"), with large margins. Notch in edge of margin on left. Taped in mount.
From Rowlandson's 'Views in Cornwall', without an identified location.
Abbey 105-13.
[Ref: 58147] £220.00 (£264.00 incl.VAT)
![[Village with stream, bridge and stepping stones, near Helston?]](jpegs/58148.jpg)
[Village with stream, bridge and stepping stones, near Helston?]
[Etched by Thomas Rowlandson.]
[London: J. Rowlandson, c.1813.]
Coloured etching. 170 x 255mm (6¾ x 10"), with large margins. Slight mount burn. Taped in mount.
From Rowlandson's 'Views in Cornwall', without an identified location.
Abbey 105-9.
[Ref: 58148] £220.00 (£264.00 incl.VAT)
[Etched by Thomas Rowlandson.]
[London: J. Rowlandson, c.1813.]
Coloured etching. 170 x 255mm (6¾ x 10"), with large margins. Slight mount burn. Taped in mount.
From Rowlandson's 'Views in Cornwall', without an identified location.
Abbey 105-9.
[Ref: 58148] £220.00 (£264.00 incl.VAT)
Everdingen.
[Etched by Thomas Rowlandson.]
[London: J. Rowlandson, c.1813.]
Coloured etching. 165 x 175mm (6½ x 7"), with large margins. Taped in mount.
Two carts on a truck before a church and distant hills. From Rowlandson's 'Views in Cornwall'. Abbey is uncertain whether 'Everdingen' is the title or the artist.
Abbey 105-7.
[Ref: 58146] £160.00 (£192.00 incl.VAT)
[Etched by Thomas Rowlandson.]
[London: J. Rowlandson, c.1813.]
Coloured etching. 165 x 175mm (6½ x 7"), with large margins. Taped in mount.
Two carts on a truck before a church and distant hills. From Rowlandson's 'Views in Cornwall'. Abbey is uncertain whether 'Everdingen' is the title or the artist.
Abbey 105-7.
[Ref: 58146] £160.00 (£192.00 incl.VAT)
Rowlandson The Caricaturist. A Selection from his Works with Anecdotal Descriptions of his Famous Caricatures and A Sketch of his Life, Times, and Contemporaries with about four hundred illustrations. In Two Volumes - Vol. I. [&] Vol. II
by Joseph Grego Author of 'James Gillray, The Caricaturist; His Life, Works, and Times'.
London. Chatto and Windus, Piccadilly 1880. London: Printed by Spottiswoode and Co, New-Street Square and Parliament Street.
2 Volumes. Book: 4to (278 x 214mm) (i) pp. xii-xv 377. (ii) pp. vi-xi 453. Both profusely illustrated with b/w images. Morocco leather binding. Top edges gilt (i) Binding and cover worn. Some spotting on pages. (ii) Leather spine almost completely detatched, worn cover.
An illustrated narrative of a selection Rowlandson's works.
[Ref: 14209] £460.00 view all images for this item
by Joseph Grego Author of 'James Gillray, The Caricaturist; His Life, Works, and Times'.
London. Chatto and Windus, Piccadilly 1880. London: Printed by Spottiswoode and Co, New-Street Square and Parliament Street.
2 Volumes. Book: 4to (278 x 214mm) (i) pp. xii-xv 377. (ii) pp. vi-xi 453. Both profusely illustrated with b/w images. Morocco leather binding. Top edges gilt (i) Binding and cover worn. Some spotting on pages. (ii) Leather spine almost completely detatched, worn cover.
An illustrated narrative of a selection Rowlandson's works.
[Ref: 14209] £460.00 view all images for this item
Chelsea Volunteer. Prime & Load 4th priming motion (Front Rank). When the Cartridge is opened, the hand is brought to the Pan. which by a couple of shakes is filled.
Rowlandson delin.
London Pub. Aug. 7 1798 at Ackermann Gallery No. 101 Strand
Etching and aquatint, coloured and heightened with gold. Platemark 250 x 200mm (10 x 8"). Outside of frame 425 x 380mm (16½ x 15").
Plate thirty-five from 'Loyal Volunteers of London & Environs. Infantry & Cavalry, in their respective Uniforms. Representing the whole of the Manual, Platoon, & Funeral Exercise, in 87 Plates. Designed & etched by T. Rowlandson, and Dedicated by Permission to His Royal Highness the Duke of Glocester'.
Ogilby 778.35; Abbey: Life 379. For complete volume see ref. 7433
[Ref: 18955] £180.00 (£216.00 incl.VAT)
Rowlandson delin.
London Pub. Aug. 7 1798 at Ackermann Gallery No. 101 Strand
Etching and aquatint, coloured and heightened with gold. Platemark 250 x 200mm (10 x 8"). Outside of frame 425 x 380mm (16½ x 15").
Plate thirty-five from 'Loyal Volunteers of London & Environs. Infantry & Cavalry, in their respective Uniforms. Representing the whole of the Manual, Platoon, & Funeral Exercise, in 87 Plates. Designed & etched by T. Rowlandson, and Dedicated by Permission to His Royal Highness the Duke of Glocester'.
Ogilby 778.35; Abbey: Life 379. For complete volume see ref. 7433
[Ref: 18955] £180.00 (£216.00 incl.VAT)
Fulham Volunteer. Ground Arms 2.d Motion. At the motion, the left foot makes a firm step out; the right hand at the same time quits the muzzle, takes the Firelock by the middle & brings it to the ground with the right knee upon the lock & the left hand straight down the left calf
Rowlandson delin.
London Pub. June 10. 1798 at Ackermann Gallery No. 101 Strand
Etching and aquatint, coloured and heightened with gold. 250 x 200mm (10 x 8"). Outside of frame 425 x 380mm (16½ x 15").
Plate twenty-seven from 'Loyal Volunteers of London & Environs. Infantry & Cavalry, in their respective Uniforms. Representing the whole of the Manual, Platoon, & Funeral Exercise, in 87 Plates. Designed & etched by T. Rowlandson, and Dedicated by Permission to His Royal Highness the Duke of Glocester'.
Ogilby 778.27; Abbey: Life 379. For complete volume see ref. 7433
[Ref: 18953] £140.00 (£168.00 incl.VAT)
Rowlandson delin.
London Pub. June 10. 1798 at Ackermann Gallery No. 101 Strand
Etching and aquatint, coloured and heightened with gold. 250 x 200mm (10 x 8"). Outside of frame 425 x 380mm (16½ x 15").
Plate twenty-seven from 'Loyal Volunteers of London & Environs. Infantry & Cavalry, in their respective Uniforms. Representing the whole of the Manual, Platoon, & Funeral Exercise, in 87 Plates. Designed & etched by T. Rowlandson, and Dedicated by Permission to His Royal Highness the Duke of Glocester'.
Ogilby 778.27; Abbey: Life 379. For complete volume see ref. 7433
[Ref: 18953] £140.00 (£168.00 incl.VAT)
Westminster Volunteer Attention. An Upright Position, the muzzle of the Piece placed in the Interval of the right Shoulder. Right hand extended down the Sling, Left hand straight down the thigh.
Rowlandson delin.
London Pub. June 1. 1798 at Ackermann Gallery No. 101 Strand
Etching and aquatint, coloured and heightened with gold. Platemark 250 x 200mm (10 x 8").
Plate two from 'Loyal Volunteers of London & Environs. Infantry & Cavalry, in their respective Uniforms. Representing the whole of the Manual, Platoon, & Funeral Exercise, in 87 Plates. Designed & etched by T. Rowlandson, and Dedicated by Permission to His Royal Highness the Duke of Glocester'.
Ogilby 778.2; Abbey: Life 379. For complete volume see ref. 7433
[Ref: 18948] £180.00 (£216.00 incl.VAT)
Rowlandson delin.
London Pub. June 1. 1798 at Ackermann Gallery No. 101 Strand
Etching and aquatint, coloured and heightened with gold. Platemark 250 x 200mm (10 x 8").
Plate two from 'Loyal Volunteers of London & Environs. Infantry & Cavalry, in their respective Uniforms. Representing the whole of the Manual, Platoon, & Funeral Exercise, in 87 Plates. Designed & etched by T. Rowlandson, and Dedicated by Permission to His Royal Highness the Duke of Glocester'.
Ogilby 778.2; Abbey: Life 379. For complete volume see ref. 7433
[Ref: 18948] £180.00 (£216.00 incl.VAT)
Unloading A Waggon. 214.
Rowlandson inv.
Pub.d September 12. 1813 by Tho.s Tegg No.111 Cheapside.
Hand coloured etching. Sheet 235 x 335mm (9¼ x 13¼"). Trimmed to image and around title. Pinholes in top corners.
A lively scene depicting a variety of characters descending from a covered wagon, to the left, into a coaching inn to the right, the 'Flying Waggon Inn'. A sign above the door reads, 'Entertainment For Man and Horse'. By renowned English artist and caricaturist, Thomas Rowlandson (1756 - 1827).
[Ref: 58820] £260.00 (£312.00 incl.VAT)
Rowlandson inv.
Pub.d September 12. 1813 by Tho.s Tegg No.111 Cheapside.
Hand coloured etching. Sheet 235 x 335mm (9¼ x 13¼"). Trimmed to image and around title. Pinholes in top corners.
A lively scene depicting a variety of characters descending from a covered wagon, to the left, into a coaching inn to the right, the 'Flying Waggon Inn'. A sign above the door reads, 'Entertainment For Man and Horse'. By renowned English artist and caricaturist, Thomas Rowlandson (1756 - 1827).
[Ref: 58820] £260.00 (£312.00 incl.VAT)
Rowlandson. Watercolours and Drawings.
John Hayes.
Phaidon Press Limited, 5 Cromwell Place, London SW7. First published 1972, by Phaidon Press Limited.
Book: 4to (280 x 215mm). pp. 214. With 16 colour and 193 b/w illustrations. Paperback with glossy illustrated cover. Slight tear to top left-hand corner of cover.
An illustrated narrative of some of Rowlandson's watercolours and drawings, including some biographical notes.
Library of Congress Catalog Card Number: 79-190599.
[Ref: 10069] £45.00
John Hayes.
Phaidon Press Limited, 5 Cromwell Place, London SW7. First published 1972, by Phaidon Press Limited.
Book: 4to (280 x 215mm). pp. 214. With 16 colour and 193 b/w illustrations. Paperback with glossy illustrated cover. Slight tear to top left-hand corner of cover.
An illustrated narrative of some of Rowlandson's watercolours and drawings, including some biographical notes.
Library of Congress Catalog Card Number: 79-190599.
[Ref: 10069] £45.00
The Honble: William Rowley Esqr: Vice Admiral of the Blue, and Commander in Chief of his Majesty's Fleet in the Mediterranean 1745.
Arnulphy Pinxt. 1743. J. Faber fecit 1745.
Sold by J. Faber in Bloomsbury Square, T. Bowles in St. Pauls Church Yard & J. Bowles in Cornhill.
A fine mezzotint. Plate: 350 x 250mm (13¾ x 9¾"). Small margins.
William Rowley (c.1690-1768), K.B., was Admiral of the Fleet in the British Royal Navy and a Member of Parliament. He was a Knight in the Order of the Bath and entered Parliament in 1750 as member for Taunton, and represented that town until 1754 when he was chosen to represent Portsmouth until 1761.
C.S. 308 only state. Not in Parker.
[Ref: 48689] £260.00 (£312.00 incl.VAT)
Arnulphy Pinxt. 1743. J. Faber fecit 1745.
Sold by J. Faber in Bloomsbury Square, T. Bowles in St. Pauls Church Yard & J. Bowles in Cornhill.
A fine mezzotint. Plate: 350 x 250mm (13¾ x 9¾"). Small margins.
William Rowley (c.1690-1768), K.B., was Admiral of the Fleet in the British Royal Navy and a Member of Parliament. He was a Knight in the Order of the Bath and entered Parliament in 1750 as member for Taunton, and represented that town until 1754 when he was chosen to represent Portsmouth until 1761.
C.S. 308 only state. Not in Parker.
[Ref: 48689] £260.00 (£312.00 incl.VAT)
The Honble: William Rowley Esqr: Vice Admiral of the White and Commander in Chief of his Majesty's Fleet in the Mediterranean 1745.
J. Brooks Fecit
Sod by T. Jefferys at the Corner of St. Martins Lane Charing Cross and W. Herbert at the Golden Globe on London Bridge.
Mezzotint with small margins, fine; platemark 355 x 255mm (14¼ x 10¼"). Slight foxing; ms lower right 'Capt. 26 June 1716'
William Rowley (c.1690-1768), K.B., naval officer, beside a cannon. He greatly distinguished himself in the lost Battle of Toulon (1744) on HMS Stirling Castle. He became Commander in Chief of his Majesty's Fleet in the Mediterranean in 1745 for the rest of the War of Austrian Succession. He successfully kept the Spanish and French fleets in their harbours. He became Rear-Admiral in 1749, Lord Commissioner of the Admiralty in 1751 and Admiral of the Fleet on December 17, 1762. He was also a Knight in the Order of the Bath. He entered Parliament in 1750 as member for Taunton, and represented that town until 1754. in that year he was chosen to represent Portsmouth until 1761.
Ex Collection of the Late Hon. C. Lennox-Boyd; CS 29 ii/ii
[Ref: 36510] £260.00 (£312.00 incl.VAT)
J. Brooks Fecit
Sod by T. Jefferys at the Corner of St. Martins Lane Charing Cross and W. Herbert at the Golden Globe on London Bridge.
Mezzotint with small margins, fine; platemark 355 x 255mm (14¼ x 10¼"). Slight foxing; ms lower right 'Capt. 26 June 1716'
William Rowley (c.1690-1768), K.B., naval officer, beside a cannon. He greatly distinguished himself in the lost Battle of Toulon (1744) on HMS Stirling Castle. He became Commander in Chief of his Majesty's Fleet in the Mediterranean in 1745 for the rest of the War of Austrian Succession. He successfully kept the Spanish and French fleets in their harbours. He became Rear-Admiral in 1749, Lord Commissioner of the Admiralty in 1751 and Admiral of the Fleet on December 17, 1762. He was also a Knight in the Order of the Bath. He entered Parliament in 1750 as member for Taunton, and represented that town until 1754. in that year he was chosen to represent Portsmouth until 1761.
Ex Collection of the Late Hon. C. Lennox-Boyd; CS 29 ii/ii
[Ref: 36510] £260.00 (£312.00 incl.VAT)
William Roxburgh M.D. F.L.S Superintendnt of the Hon.ble East India Company's Botanic Garden at Calcutta, Late Honorary Corresponding Member of the Society for the Encouragement of Arts, Maufactures and Commerce.
Engraved by Charles Warren, Esq.r from a Miniature in the possession of M.rs Roxburgh.
[n.d., c.1820.]
Scarce engraving. Sheet 170 x 105mm (6¾ x 4¼"). Trimmed, browned, glue stains.
A half-length seated portrait of surgeon and botanist William Roxburgh (1751-1815), known as the founding father of Indian botany. Calcutta interest.
Wellcpme 2552.
[Ref: 67427] £160.00 (£192.00 incl.VAT)
Engraved by Charles Warren, Esq.r from a Miniature in the possession of M.rs Roxburgh.
[n.d., c.1820.]
Scarce engraving. Sheet 170 x 105mm (6¾ x 4¼"). Trimmed, browned, glue stains.
A half-length seated portrait of surgeon and botanist William Roxburgh (1751-1815), known as the founding father of Indian botany. Calcutta interest.
Wellcpme 2552.
[Ref: 67427] £160.00 (£192.00 incl.VAT)
Roxelane. O vous que Mars rend invincible, Voulez-vous être au rang des Dieux? Deffendez vous s'il est possible, D'être eslave de doux beaux yeux.
Dugoure inv. pinx. Le Beau sculp.
Se vend à Paris chez Basan et Poignant Mds. d’Estampes. Rue et Hôtel Serpente. [n.d. c.1790.]
A very fine copper engraving. Plate 255 x 178mm. 10 x 7".
Roxelane, Her Imperial Majesty the Empress Consort Hurrem Sultan of the Ottoman Empire (c.1505-1558), was the legal wife of the Suleyman the Magnificent of the Ottoman Empire. She was captured in the 1520s as a young woman by Crimean Tatars during one of their frequent raids of the region and was taken as a slave, probably the first to the Crimean city of Kaffa, and then onto Istanbul where she was selected for Suleyman's harem.
[Ref: 16195] £160.00 (£192.00 incl.VAT)
Dugoure inv. pinx. Le Beau sculp.
Se vend à Paris chez Basan et Poignant Mds. d’Estampes. Rue et Hôtel Serpente. [n.d. c.1790.]
A very fine copper engraving. Plate 255 x 178mm. 10 x 7".
Roxelane, Her Imperial Majesty the Empress Consort Hurrem Sultan of the Ottoman Empire (c.1505-1558), was the legal wife of the Suleyman the Magnificent of the Ottoman Empire. She was captured in the 1520s as a young woman by Crimean Tatars during one of their frequent raids of the region and was taken as a slave, probably the first to the Crimean city of Kaffa, and then onto Istanbul where she was selected for Suleyman's harem.
[Ref: 16195] £160.00 (£192.00 incl.VAT)
Et erunt reges nutricii tui et reginae eorum nutrices euae.} Esai.49. Beati qui audiunt verbum dei et custodiunt illud. LVC. II. Non me pudet Euangelij Christi. Virtus enim Dei est ad salu=tem Omni credenti Rom. 1.' (i.e. Romans 1.16)
[n.d. c.1700.]
Rare engraving. 210 x 159mm (8¼ x 6¼"). Trimmed.
Royal holding sceptre and orb; crowned by Justice and Mercy; Fortitude and Prudence look up from below throne.
[Ref: 52515] £140.00 (£168.00 incl.VAT)
[n.d. c.1700.]
Rare engraving. 210 x 159mm (8¼ x 6¼"). Trimmed.
Royal holding sceptre and orb; crowned by Justice and Mercy; Fortitude and Prudence look up from below throne.
[Ref: 52515] £140.00 (£168.00 incl.VAT)
Drawing from Life at the Royal Academy, (Somerset House.) Plate 1.
Rowlandson & Pugin del.t et sculp.t. Harraden Aquatin.
London Pub.d 1. Jan.y 1808, at R. Ackermann's Repository of Arts on the Strand.
Hand coloured aquatint. 240 x 285mm (9½ x 11¼") very large margins.
The interior view of a life drawing class at Somerset House, London, with a nude male posing for a class arranged in two tiers around the edge of the room. Published in Ackermann's famous work, the 'Microcosm of London', the figures were drawn by the famous caricaturist Thomas Rowlandson and the architecture by Augustus Pugin.
Abbey, Scenery: 212.
[Ref: 61926] £220.00 (£264.00 incl.VAT)
Rowlandson & Pugin del.t et sculp.t. Harraden Aquatin.
London Pub.d 1. Jan.y 1808, at R. Ackermann's Repository of Arts on the Strand.
Hand coloured aquatint. 240 x 285mm (9½ x 11¼") very large margins.
The interior view of a life drawing class at Somerset House, London, with a nude male posing for a class arranged in two tiers around the edge of the room. Published in Ackermann's famous work, the 'Microcosm of London', the figures were drawn by the famous caricaturist Thomas Rowlandson and the architecture by Augustus Pugin.
Abbey, Scenery: 212.
[Ref: 61926] £220.00 (£264.00 incl.VAT)
Drawing from Life at the Royal Academy, (Somerset House.) Plate 1.
Rowlandson & Pugin del.t et sculp.t. Harraden Aquatin.
London Pub.d 1. Jan.y 1808, at R. Ackermann's Repository of Arts on the Strand.
Very fine hand coloured aquatint. 240 x 285mm (9½ x 11¼") very large margins.
The interior view of a life drawing class at Somerset House, London, with a nude male posing for a class arranged in two tiers around the edge of the room. Published in Ackermann's famous work, the 'Microcosm of London', the figures were drawn by the famous caricaturist Thomas Rowlandson and the architecture by Augustus Pugin.
Abbey, Scenery: 212.
[Ref: 61927] £260.00 (£312.00 incl.VAT)
Rowlandson & Pugin del.t et sculp.t. Harraden Aquatin.
London Pub.d 1. Jan.y 1808, at R. Ackermann's Repository of Arts on the Strand.
Very fine hand coloured aquatint. 240 x 285mm (9½ x 11¼") very large margins.
The interior view of a life drawing class at Somerset House, London, with a nude male posing for a class arranged in two tiers around the edge of the room. Published in Ackermann's famous work, the 'Microcosm of London', the figures were drawn by the famous caricaturist Thomas Rowlandson and the architecture by Augustus Pugin.
Abbey, Scenery: 212.
[Ref: 61927] £260.00 (£312.00 incl.VAT)
The Hall at the Royal Academy. Somerset House. Plate 29. Vol.3.
[Engraved by Thomas Hosmer Shepherd.]
No. 17. of Ackermann's Repository of Arts & Pub. May 1. 1810, at 401 Strand.
Hand-coloured aquatint. Sheet 240 x 150mm (9½ x 6"). Trimmed into plate.
A view of the Hall of the Royal Academy at Somerset House, now the entrance hall of the Courtauld Gallery. In the foreground on the left is a cast of the Apollo Belvedere next to a sculpture of a head. A student sits by a window, drawing either a cast of the Farnese Hercules or the Furietti Centaurs flanking it.
[Ref: 63221] £120.00 (£144.00 incl.VAT)
[Engraved by Thomas Hosmer Shepherd.]
No. 17. of Ackermann's Repository of Arts & Pub. May 1. 1810, at 401 Strand.
Hand-coloured aquatint. Sheet 240 x 150mm (9½ x 6"). Trimmed into plate.
A view of the Hall of the Royal Academy at Somerset House, now the entrance hall of the Courtauld Gallery. In the foreground on the left is a cast of the Apollo Belvedere next to a sculpture of a head. A student sits by a window, drawing either a cast of the Farnese Hercules or the Furietti Centaurs flanking it.
[Ref: 63221] £120.00 (£144.00 incl.VAT)
Key to the Plate of the Royal Academicians.
[after the painting by Henry Singleton.]
Pub. by C. Bestland 1802.
Etching. 290 x 375mm (11½ x 14¾"), paper watermarked 'J Whatman 1839. Slight creasing and staining.
Scarce keyplate to Henry Singleton's painting, engraved by Bestland as 'The Royal Academicians Assembled in their Council Chamber'. The 40 Academicians named include: James Barry, Francesco Bartolozzi, Sir William Beechey, Richard Cosway, Henry Fuseli, Angelica Kauffmann, James Northcote, Paul & Thomas Sandby, Benjamin West, Francis Wheatley & Johann Zoffany. The painting still hangs in the Royal Academy.
[Ref: 58949] £360.00
[after the painting by Henry Singleton.]
Pub. by C. Bestland 1802.
Etching. 290 x 375mm (11½ x 14¾"), paper watermarked 'J Whatman 1839. Slight creasing and staining.
Scarce keyplate to Henry Singleton's painting, engraved by Bestland as 'The Royal Academicians Assembled in their Council Chamber'. The 40 Academicians named include: James Barry, Francesco Bartolozzi, Sir William Beechey, Richard Cosway, Henry Fuseli, Angelica Kauffmann, James Northcote, Paul & Thomas Sandby, Benjamin West, Francis Wheatley & Johann Zoffany. The painting still hangs in the Royal Academy.
[Ref: 58949] £360.00