A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
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The New Royal Arms of England. The Supporters of the Crown are Alfred the Great and Cha.s Ja.s Fox, the Founder and last popular Defender of the Constitution- On the Shield, one and three, the King; two and four, the Duke of Sussex. Among the Branches of the Oak may be traced Portraits of Lords Grey, Brougham, Althorpe and J. Russell.
R. J. Hamerton del.t.
Published by J. M.cCormick 147, Strand, London. Printed by Lefeure & Co. 52 Newman St. [n.d., c.1832.]
Fine lithograph. Sheet: 280 x 255mm (11 x 10"), with very large margins. Some marking on right side off image.
A satirical print celebrating the passing of the Reform Act in 1832, showing the major figures involved in the passing of the law. A transformation image.
[Ref: 42611] £260.00 (£312.00 incl.VAT)
R. J. Hamerton del.t.
Published by J. M.cCormick 147, Strand, London. Printed by Lefeure & Co. 52 Newman St. [n.d., c.1832.]
Fine lithograph. Sheet: 280 x 255mm (11 x 10"), with very large margins. Some marking on right side off image.
A satirical print celebrating the passing of the Reform Act in 1832, showing the major figures involved in the passing of the law. A transformation image.
[Ref: 42611] £260.00 (£312.00 incl.VAT)
British Royal Horse Artillery. Review Order.
W. Heath Del. Drawn by W.m Heath. Printed by Graf and Soret.
London, Published by Colnaghi & Co., No. 23, Cockspur Street, Charing Cross. Printsellers in Ordinary to His Majesty & to H.R.H. the Duchess of Kent. [n.d. c.1840.]
Coloured lithograph with fine hand colour. Sheet 260 x 400mm (10¼ x 15¾"). Slight mount burn. Trimmed.
From "Heath's Royal Artillery''.
See Ref: 12998
[Ref: 59517] £260.00 (£312.00 incl.VAT)
W. Heath Del. Drawn by W.m Heath. Printed by Graf and Soret.
London, Published by Colnaghi & Co., No. 23, Cockspur Street, Charing Cross. Printsellers in Ordinary to His Majesty & to H.R.H. the Duchess of Kent. [n.d. c.1840.]
Coloured lithograph with fine hand colour. Sheet 260 x 400mm (10¼ x 15¾"). Slight mount burn. Trimmed.
From "Heath's Royal Artillery''.
See Ref: 12998
[Ref: 59517] £260.00 (£312.00 incl.VAT)
![Royal Artillery. [Royal Horse Artillery.] Driver. Horse Sergeant. Field Gunner or Garrison Sergeant-Major.](jpegs/13056.jpg)
Royal Artillery. [Royal Horse Artillery.] Driver. Horse Sergeant. Field Gunner or Garrison Sergeant-Major.
[Drawn & Lith by Geo. H.Thomas.]
[Pub. Day & Son, Sep. 7, 1861.]
Soft-ground etching in a good maple frame. Image 318 x 473mm. 12½ x 18¾". A burn spot in the image with small spots of staining.
From "G. H. Thomas's Sketches of British Soldiers."
From the Collection of Major J.B. Talbot M.C. R.A. Ogliby:908III.
[Ref: 13056] £480.00
[Drawn & Lith by Geo. H.Thomas.]
[Pub. Day & Son, Sep. 7, 1861.]
Soft-ground etching in a good maple frame. Image 318 x 473mm. 12½ x 18¾". A burn spot in the image with small spots of staining.
From "G. H. Thomas's Sketches of British Soldiers."
From the Collection of Major J.B. Talbot M.C. R.A. Ogliby:908III.
[Ref: 13056] £480.00
British Royal Horse Artillery. Marching Order.
W. Heath Del. Drawn by W.m Heath. Printed by Graf and Soret.
London, Published by Colnaghi & Co., No. 23, Cockspur Street, Charing Cross. Printsellers in Ordinary to His Majesty & to H.R.H. the Duchess of Kent. [n.d. c.1840.]
Coloured lithograph with fine hand colour. Sheet 270 x 400mm (10¾ x 15¾"). Slight mount burn. Trimmed.
A gun being fired before a village and windmill. From "Heath's Royal Artillery''.
See Ref: 12998
[Ref: 59518] £260.00 (£312.00 incl.VAT)
W. Heath Del. Drawn by W.m Heath. Printed by Graf and Soret.
London, Published by Colnaghi & Co., No. 23, Cockspur Street, Charing Cross. Printsellers in Ordinary to His Majesty & to H.R.H. the Duchess of Kent. [n.d. c.1840.]
Coloured lithograph with fine hand colour. Sheet 270 x 400mm (10¾ x 15¾"). Slight mount burn. Trimmed.
A gun being fired before a village and windmill. From "Heath's Royal Artillery''.
See Ref: 12998
[Ref: 59518] £260.00 (£312.00 incl.VAT)
Officers of the British Army, No. 56. Royal Artillery (Horse Brigade). Dedicated by Permission to the Adjatant General of his Majesty's Forces.
L. Mansion & S.t Eschauzier inv. & del. Printed by Lefevre & Co.
London, Published by W. Spooner 253, Regent St. Coloured by C.H. Martin. [n.d., c.1830.]
Rare & fine coloured lithograph. Framed. Printed area: 360 x 280mm (14 x 11''). Frame: 520 x 440mm (20½ x 17¼''). Unexamined out of frame. Foxing.
A mounted portrait of an officer of the Royal Artillery.
[Ref: 48968] £320.00
L. Mansion & S.t Eschauzier inv. & del. Printed by Lefevre & Co.
London, Published by W. Spooner 253, Regent St. Coloured by C.H. Martin. [n.d., c.1830.]
Rare & fine coloured lithograph. Framed. Printed area: 360 x 280mm (14 x 11''). Frame: 520 x 440mm (20½ x 17¼''). Unexamined out of frame. Foxing.
A mounted portrait of an officer of the Royal Artillery.
[Ref: 48968] £320.00
Royal Artillery Barrack's Woolwich. Proof.
Drawn on Stone by Charles H. Fairland, from a Drawing by William Ranwell. Printed by Iefevrre & Kohler, Newman St.
Published by E. Jones, Library-Woolwich. [n.d., c.1850.]
Lithograph, scarce. Printed area 320 x 455mm (12½ x 18"). Some repaired holes, creasing.
A parade outside the barracks at Woolwich.
[Ref: 31786] £240.00 (£288.00 incl.VAT)
Drawn on Stone by Charles H. Fairland, from a Drawing by William Ranwell. Printed by Iefevrre & Kohler, Newman St.
Published by E. Jones, Library-Woolwich. [n.d., c.1850.]
Lithograph, scarce. Printed area 320 x 455mm (12½ x 18"). Some repaired holes, creasing.
A parade outside the barracks at Woolwich.
[Ref: 31786] £240.00 (£288.00 incl.VAT)
![Royal Artillery Barracks, Woolwich. [&] Royal Military Cadets Academy, Woolwich.](jpegs/13377.jpg)
Royal Artillery Barracks, Woolwich. [&] Royal Military Cadets Academy, Woolwich.
Drawn by G. Robson. Engraved by T. Fielding.
London, Published by T. Fielding, 26 Newman Street, March 15th. 1820. [&] London, Published by T. Fielding, 26 Newman Street, April 20th 1820.
A pair of hand coloured aquatints, each 290 x 450mm. 11½ x 17¾". Very fine and rare pair.
The Royal Artillery Barracks at Woolwich in South East London is the "home" of the Royal Artillery. It is famous for having the longest continuous building facade in the UK as well as for having the largest parade square of any UK barracks. The Barracks were built between 1776 and 1802 on a site overlooking Woolwich Common. Their use by the RA ended with the departure of 16 Regiment, Royal Artillery in July 2007. The Royal Military Academy (RMA) at Woolwich, in south-east London, was a British Army military academy for the training of commissioned officers of the Royal Artillery and Royal Engineers. It later also trained officers of the Royal Corps of Signals and other technical corps. The RMA was founded in 1741. It was intended to provide an education and produce "good officers of Artillery and perfect Engineers". An attractive pair of views after George Fennel Robson (1788 - 1833).
[Ref: 13377] £950.00 view all images for this item
Drawn by G. Robson. Engraved by T. Fielding.
London, Published by T. Fielding, 26 Newman Street, March 15th. 1820. [&] London, Published by T. Fielding, 26 Newman Street, April 20th 1820.
A pair of hand coloured aquatints, each 290 x 450mm. 11½ x 17¾". Very fine and rare pair.
The Royal Artillery Barracks at Woolwich in South East London is the "home" of the Royal Artillery. It is famous for having the longest continuous building facade in the UK as well as for having the largest parade square of any UK barracks. The Barracks were built between 1776 and 1802 on a site overlooking Woolwich Common. Their use by the RA ended with the departure of 16 Regiment, Royal Artillery in July 2007. The Royal Military Academy (RMA) at Woolwich, in south-east London, was a British Army military academy for the training of commissioned officers of the Royal Artillery and Royal Engineers. It later also trained officers of the Royal Corps of Signals and other technical corps. The RMA was founded in 1741. It was intended to provide an education and produce "good officers of Artillery and perfect Engineers". An attractive pair of views after George Fennel Robson (1788 - 1833).
[Ref: 13377] £950.00 view all images for this item
![View of the Royal Artillery Barracks, Woolwich. Dedicated by permission, to the Rigth Hon.ble the Earl of Mulgrave, Master General of the Ordnance, by his most obedient humble Servant, [Jas. Cockburn, Major in the Royal Artillery. ]](jpegs/54950.jpg)
View of the Royal Artillery Barracks, Woolwich. Dedicated by permission, to the Rigth Hon.ble the Earl of Mulgrave, Master General of the Ordnance, by his most obedient humble Servant, [Jas. Cockburn, Major in the Royal Artillery. ]
Drawn by Major Cockburn. Engraved by R. Havell & Son. 3 Chapel Street, Tottenham Court Road.
[Published March 30, 1816, for the Proprietor, by Colnaghi & Co, Cockspur Street, London.]
Coloured aquatint. Sheet 340 x 500mm (13½ x 19¾"). Trimmed, losing end of dedication and publication line.
The Royal Artillery excercising. From "Cockburn's Woolwich'.
Ogilby: 186.
[Ref: 54950] £390.00
Drawn by Major Cockburn. Engraved by R. Havell & Son. 3 Chapel Street, Tottenham Court Road.
[Published March 30, 1816, for the Proprietor, by Colnaghi & Co, Cockspur Street, London.]
Coloured aquatint. Sheet 340 x 500mm (13½ x 19¾"). Trimmed, losing end of dedication and publication line.
The Royal Artillery excercising. From "Cockburn's Woolwich'.
Ogilby: 186.
[Ref: 54950] £390.00
The Royal Bathers, or, Maids in their proper Element. Published in the Carlton House Magazine.
[London: W. & J. Stratford, n.d., c.1792.]
Rare engraving. Sheet 210 x 115mm (8¼ x 4½"). Trimmed within plate.
A bath house, two women derobing, the third topless in the pool. The Carlton House Magazine ran from 1792 to 1796.
[Ref: 44750] £140.00 (£168.00 incl.VAT)
[London: W. & J. Stratford, n.d., c.1792.]
Rare engraving. Sheet 210 x 115mm (8¼ x 4½"). Trimmed within plate.
A bath house, two women derobing, the third topless in the pool. The Carlton House Magazine ran from 1792 to 1796.
[Ref: 44750] £140.00 (£168.00 incl.VAT)
![[Royal Society of British Bowmen] To His Royal Highness George Prince of Wales. The Plate Representing a Meeting of The Society of Royal British Archers In Gwersyllt Park Denbighshire](jpegs/59554.jpg)
[Royal Society of British Bowmen] To His Royal Highness George Prince of Wales. The Plate Representing a Meeting of The Society of Royal British Archers In Gwersyllt Park Denbighshire Is by Permission Most Respectfully Dedicated to his Royal Highness's most obedient and devoted humble Servant John Emes.
The Figures drawn by R. Smirke R.A. The Landscape by J. Emes. The Aqua-Tinta by C. Apostol.
Published as the Act directs April 1, 1794 by J. Emes, No. 1 North Street, Upper Charlotte Street, London.
Scarce aquatint. 490 x 620mm (19¼ x 24½"). Framed. Unexamined out of frame.
A scene showing a meeeting of the Society of British Bowmen, founded by Sir Foster Cunliffe in 1787, showing a lady taking aim at a target, surrounded by onlookers.
See Ref: 42740
[Ref: 59554] £480.00
The Figures drawn by R. Smirke R.A. The Landscape by J. Emes. The Aqua-Tinta by C. Apostol.
Published as the Act directs April 1, 1794 by J. Emes, No. 1 North Street, Upper Charlotte Street, London.
Scarce aquatint. 490 x 620mm (19¼ x 24½"). Framed. Unexamined out of frame.
A scene showing a meeeting of the Society of British Bowmen, founded by Sir Foster Cunliffe in 1787, showing a lady taking aim at a target, surrounded by onlookers.
See Ref: 42740
[Ref: 59554] £480.00
This Plate representing the Meeting of the Royal British Bowmen in the Grounds of Erthig, Denbighshire, the Seat of Simon Yorke Esqr., on Sept.r 13th, 1822, is respectfully dedicated to that Society by One of its Members.
J. Townshend del.t. [Coloured from the original drawing by W. H. Timms.] Engraved by Bennett.
[Published as the Act directs 1823.]
Fine coloured aquatint. Sheet 240 x 300mm (9½ x 11¾"). Trimmed to image on three sides, into plate at bottom losing text.
A party of men and women in green practising archery beside a white tent on the banks of a river. On the hill on the opposite bank is a country house, Erthig in Denbighshire, Wales, belonging to Simon Yorke. Yorke (1771 - 1834) was sheriff of Denbighshire from 1807 and MP for Grantham 1793 - 1802.
[Ref: 63911] £280.00 (£336.00 incl.VAT)
J. Townshend del.t. [Coloured from the original drawing by W. H. Timms.] Engraved by Bennett.
[Published as the Act directs 1823.]
Fine coloured aquatint. Sheet 240 x 300mm (9½ x 11¾"). Trimmed to image on three sides, into plate at bottom losing text.
A party of men and women in green practising archery beside a white tent on the banks of a river. On the hill on the opposite bank is a country house, Erthig in Denbighshire, Wales, belonging to Simon Yorke. Yorke (1771 - 1834) was sheriff of Denbighshire from 1807 and MP for Grantham 1793 - 1802.
[Ref: 63911] £280.00 (£336.00 incl.VAT)
![[Playbill] Royal Circus & Surrey Theatre.](jpegs/65950.jpg)
[Playbill] Royal Circus & Surrey Theatre. The Public are Most respectfully informed, that to accomadate numerous Families, who wish their Children to leave the Theatre at an early Hour, the very Popular Pantomime will be the first Performance of the Evening. This present Monday, January 13, 1817...
Lowndes, Printer, Marquis-Court.
Letterpress, sheet 305 x 190mm (12 x 7½"). Creasing. Surface dirt. Glued to back sheet on left side.
Playbill for the Royal Circus & Surrey Theatre. featuring, 'Pedlar's Acre: Or Harlequin in Lambeth,' 'Italian Wife,' 'The Favourite Song of "Evelyn's Bower," by Mr. Leonard.' & 'Three times Three Or, Boys, Girls, & Guardians.' For the benefit of Miss Taylor.
Ricky Jay Collection.
[Ref: 65950] £130.00 (£156.00 incl.VAT)
Lowndes, Printer, Marquis-Court.
Letterpress, sheet 305 x 190mm (12 x 7½"). Creasing. Surface dirt. Glued to back sheet on left side.
Playbill for the Royal Circus & Surrey Theatre. featuring, 'Pedlar's Acre: Or Harlequin in Lambeth,' 'Italian Wife,' 'The Favourite Song of "Evelyn's Bower," by Mr. Leonard.' & 'Three times Three Or, Boys, Girls, & Guardians.' For the benefit of Miss Taylor.
Ricky Jay Collection.
[Ref: 65950] £130.00 (£156.00 incl.VAT)
Royal Coburg Theatre, Surrey. This first stone of the Royal Coburg Theatre was laid on the 14th day of September in the year 1816, by his serene Highness the Prince of Saxe Coburg and her Royal Highness the Princess Charlotte of Wales, by their serene and Royal Highness's Proxy Alderman Goodbehere.
Schnebblie del. Dale sculp.
London, Published 1st Januarary 1819 by Robert Wilkinson, No. 125 Fenchurch Street.
Coloured etching. 225 x 315mm (9 x 12½"). Small margins.
A plate celebrating the opening of the Coburg Theatre in London (now the Old Vic) in Waterloo Bridge Road.
[Ref: 38817] £130.00 (£156.00 incl.VAT)
Schnebblie del. Dale sculp.
London, Published 1st Januarary 1819 by Robert Wilkinson, No. 125 Fenchurch Street.
Coloured etching. 225 x 315mm (9 x 12½"). Small margins.
A plate celebrating the opening of the Coburg Theatre in London (now the Old Vic) in Waterloo Bridge Road.
[Ref: 38817] £130.00 (£156.00 incl.VAT)
The Royal Elephant Preserving the true Prince (Mr. Hemmings) from the Conspirators. Now performing with distinguished success at the Theatre Royal, Adelphi.
R.J.H. [in image.]
Pub.d by W. Kenneth, corner Bow Street, Covent Garden, London. G.E. Madeley, Lithog. Wellington St. Strand. [n.d. c.1829.]
Rare lithograph. 197 x 282mm (7¼ x 10½").
A depiction of the elephant from 'The Elephant of Siam and the Fire Fiend!', first produced at the Adelphi on Thursday 3 December 1829. The mid-Victorian period marked the height of the British public's fascination with Britain's colonies; hence, the introduction of elephants across the capital. Three elephants were brought to England in East India Company ships between 1809 and 1811.
[Ref: 52455] £230.00 (£276.00 incl.VAT)
R.J.H. [in image.]
Pub.d by W. Kenneth, corner Bow Street, Covent Garden, London. G.E. Madeley, Lithog. Wellington St. Strand. [n.d. c.1829.]
Rare lithograph. 197 x 282mm (7¼ x 10½").
A depiction of the elephant from 'The Elephant of Siam and the Fire Fiend!', first produced at the Adelphi on Thursday 3 December 1829. The mid-Victorian period marked the height of the British public's fascination with Britain's colonies; hence, the introduction of elephants across the capital. Three elephants were brought to England in East India Company ships between 1809 and 1811.
[Ref: 52455] £230.00 (£276.00 incl.VAT)
The Royal Elephant at Dinner Now performing with distinguised success, at the Theatre Royal, Adelphi.
R.J. Hamerton [in image.]
Pub.d by W. Kenneth, corner Bow Street, Covent Garden, London. G.E. Madeley, Lithog. Wellington St. Strand. [n.d. c.1829.]
Rare lithograph. 214 x 280mm (8 x 10½"). Some creasing.
Three elephants were brought to England in East India Company ships between 1809 and 1811. The elephants were either exhibited at the Covent Garden Theatre or bought by circus owner Stephani Polito, where they joined his menagerie at Exeter Exchange on the Strand in London. The mid-Victorian period marked the height of the British public's fascination with Britain's colonies; hence, the introduction of elephants across the capital.
[Ref: 52456] £230.00 (£276.00 incl.VAT)
R.J. Hamerton [in image.]
Pub.d by W. Kenneth, corner Bow Street, Covent Garden, London. G.E. Madeley, Lithog. Wellington St. Strand. [n.d. c.1829.]
Rare lithograph. 214 x 280mm (8 x 10½"). Some creasing.
Three elephants were brought to England in East India Company ships between 1809 and 1811. The elephants were either exhibited at the Covent Garden Theatre or bought by circus owner Stephani Polito, where they joined his menagerie at Exeter Exchange on the Strand in London. The mid-Victorian period marked the height of the British public's fascination with Britain's colonies; hence, the introduction of elephants across the capital.
[Ref: 52456] £230.00 (£276.00 incl.VAT)
N.º 6 Morgan's Improved Protean Scenery; The Royal Exchange, London. Morning v. Night. This Print at first represents the venerable Building, early in the morning, on the 10.th day of Jauary; and, upon holding it before the left, you will observe the awful conflagration, as it appeared on the night of the same day, which totally destroyed the Exchange.
Published Feb.y 5.th 1838, by W.m Morgan, 25 Bartletts Buildings, Holborn.
Lithograph with hand colour, 165 x 230mm (6½ x 9"), prepared as a transparency, mounted on card with title underneath.
The empty abbey fills with people when held up to the light.
[Ref: 64432] £160.00 (£192.00 incl.VAT)
Published Feb.y 5.th 1838, by W.m Morgan, 25 Bartletts Buildings, Holborn.
Lithograph with hand colour, 165 x 230mm (6½ x 9"), prepared as a transparency, mounted on card with title underneath.
The empty abbey fills with people when held up to the light.
[Ref: 64432] £160.00 (£192.00 incl.VAT)
![[The courtyard of the Royal Exchange during the fire of 1838.]](jpegs/67167.jpg)
[The courtyard of the Royal Exchange during the fire of 1838.]
[n.d., c.1838.]
Rare lithograph. Sheet 275 x 370mm (10¾ x 14½"). Vertical crease.
Edward Jarman's Royal Exchange was destroyed on the 10th January 1838 by a fire caused by an overheated stove.
[Ref: 67167] £180.00 (£216.00 incl.VAT)
[n.d., c.1838.]
Rare lithograph. Sheet 275 x 370mm (10¾ x 14½"). Vertical crease.
Edward Jarman's Royal Exchange was destroyed on the 10th January 1838 by a fire caused by an overheated stove.
[Ref: 67167] £180.00 (£216.00 incl.VAT)
A View of the Royal Exchange London. Vüe de la Bourse Royale à Londres. 7.
T. Bowles delin et Sculp.
Publish'd according to Act of Parliament. Published 12.th May, 1794. by Laurie & Whittle, 53, Fleet Street London.
Engraving with fine colour. 260 x 400mm (10¼ x 15¾").
View of the old Royal Exchange on Cornhill, with figures, carts and coaches in street outside. On the far right a group of men are righting an overturned carriage!
[Ref: 64330] £280.00 (£336.00 incl.VAT)
T. Bowles delin et Sculp.
Publish'd according to Act of Parliament. Published 12.th May, 1794. by Laurie & Whittle, 53, Fleet Street London.
Engraving with fine colour. 260 x 400mm (10¼ x 15¾").
View of the old Royal Exchange on Cornhill, with figures, carts and coaches in street outside. On the far right a group of men are righting an overturned carriage!
[Ref: 64330] £280.00 (£336.00 incl.VAT)
Byrsa Londinensis vulgo the Royal Exchange 1 & 7
[W. Hollar.]
[n.d. c.1647.]
Engraving. 150 x 252mm (6 x 10"). Cut.
Interior view of the Royal Exchange, London; showing three sides.
Pennington: 907.
[Ref: 30895] £120.00 (£144.00 incl.VAT)
[W. Hollar.]
[n.d. c.1647.]
Engraving. 150 x 252mm (6 x 10"). Cut.
Interior view of the Royal Exchange, London; showing three sides.
Pennington: 907.
[Ref: 30895] £120.00 (£144.00 incl.VAT)
Porticum hanc Londinensem quam tanto artificio trienni spatio hic absolutam vides a fundamentix aere suo extruendam curavit Thomas Greshamus eques ad Regiae Urbis ornamentum et usum publicum anno MDLXVI die VII mensis IVNII. P.12.
De peristylii hujus exemplari anno MDLXIX, quo estructum fuit, aere inciso Georgius Vertue London sculpsit anno MDCCXXXIX.
[n.d. c.1739.]
Etching and engraving, paper watermarked. 310 x 386mm (12¼ x 15¼"). Trimmed.
View of the west, north and east fronts of the inner court of the Royal Exchange, three sides of colonnade supporting first floot with niches and statues of England monarchs; figures in courtyards. Plate for Ward's "Lives of the Gresham Professors".
Alexander: 812.
[Ref: 30899] £280.00 (£336.00 incl.VAT)
De peristylii hujus exemplari anno MDLXIX, quo estructum fuit, aere inciso Georgius Vertue London sculpsit anno MDCCXXXIX.
[n.d. c.1739.]
Etching and engraving, paper watermarked. 310 x 386mm (12¼ x 15¼"). Trimmed.
View of the west, north and east fronts of the inner court of the Royal Exchange, three sides of colonnade supporting first floot with niches and statues of England monarchs; figures in courtyards. Plate for Ward's "Lives of the Gresham Professors".
Alexander: 812.
[Ref: 30899] £280.00 (£336.00 incl.VAT)
Royal Exchange.
Rowlandson & Pugin del.t. et sculp.t./ Hill aqua.t.
London Pub 1.st.May 1809, at R.Ackermann's Repository of Arts 101 Strand.
Hand coloured aquatint with large margins. Plate: 270 x 230mm (10½ x 9").
Abbey Scenery: 212.
[Ref: 34356] £220.00 (£264.00 incl.VAT)
Rowlandson & Pugin del.t. et sculp.t./ Hill aqua.t.
London Pub 1.st.May 1809, at R.Ackermann's Repository of Arts 101 Strand.
Hand coloured aquatint with large margins. Plate: 270 x 230mm (10½ x 9").
Abbey Scenery: 212.
[Ref: 34356] £220.00 (£264.00 incl.VAT)
The New Royal Exchange.
Printed & Published by C.J. Cox, Royal Polytechnic, London. [n.d., c.1845.]
Tinted lithograph. Printed area 140 x 180mm (5½ x 7"). Slight crease.
A rare view of the Royal Exchange, which Queen Victoria opened in 1844.
[Ref: 38932] £80.00 (£96.00 incl.VAT)
Printed & Published by C.J. Cox, Royal Polytechnic, London. [n.d., c.1845.]
Tinted lithograph. Printed area 140 x 180mm (5½ x 7"). Slight crease.
A rare view of the Royal Exchange, which Queen Victoria opened in 1844.
[Ref: 38932] £80.00 (£96.00 incl.VAT)
The Royal Exchange.
T. Malton Delin.t & fecit.
Publish'd Oct.r 1. 1781 by T.Malton, No. 8 Carlisle Street, Soho, London.
Aquatint printed in sepia. Platemark: 370 x 505mm, 14½ x 19¾". Repaired damage. Trimmed close to plate.
A view of London's second Royal Exchange, designed by Edward Jerman and opened in 1669, destroyed by fire in 1838. Behind is the dome of St Paul's Cathedral. This plate was drawn and etched by Thomas Malton (1748-1804) for his first series of London views, a dozen plates published 1781-87, larger than his better known 'Pictureque Tour' series. Malton etched a smaller version of this scene, duplicating even the staffage, for the Tour.
Adams 72.
[Ref: 40037] £520.00
T. Malton Delin.t & fecit.
Publish'd Oct.r 1. 1781 by T.Malton, No. 8 Carlisle Street, Soho, London.
Aquatint printed in sepia. Platemark: 370 x 505mm, 14½ x 19¾". Repaired damage. Trimmed close to plate.
A view of London's second Royal Exchange, designed by Edward Jerman and opened in 1669, destroyed by fire in 1838. Behind is the dome of St Paul's Cathedral. This plate was drawn and etched by Thomas Malton (1748-1804) for his first series of London views, a dozen plates published 1781-87, larger than his better known 'Pictureque Tour' series. Malton etched a smaller version of this scene, duplicating even the staffage, for the Tour.
Adams 72.
[Ref: 40037] £520.00
Vista De La Parte Interior de La Lonja de Londres - Vue du de dans de la Bours:Royale a Londres
[n.d. c.1690]
Etching. 466 x 371mm.
Sir Thomas Gresham founded the London Exchange in the 16th Century: his building was destroyed in 1666 and this design by Jarman was destroyed by fire in 1838.
[Ref: 352] £500.00
[n.d. c.1690]
Etching. 466 x 371mm.
Sir Thomas Gresham founded the London Exchange in the 16th Century: his building was destroyed in 1666 and this design by Jarman was destroyed by fire in 1838.
[Ref: 352] £500.00
The Royall Exchange Of London. Nobilissimo, Fortissimo, Consultissimo, Viro Domino, R: Ford Equiti Aurato Praetori. T: Cartwright.
R: White delint: et sculpsit 1671.
[London: John Overton, first published 1671.] Cum Privilegio.
Engraving, 470 x 595mm. 18½ x 23½". Age toned; hole to centre of upper margin with tear into plate. Full margins. Some repairs.
The south façade, and a view of the inner courtyard with colonnade, of the Royal Exchange in the City of London, seen slightly from above; two angels in sky holding up a banner inscribed with title. Dedication to Sir Richard Ford by the builder, Thomas Cartwright, lower left, and two lines of Latin below image. The Royal Exchange was founded in 1565 by Sir Thomas Gresham to act as a centre of commerce for the city. The design was inspired by a bourse Gresham had seen in Antwerp. It was officially opened by Queen Elizabeth I who awarded the building its Royal title, on January 23, 1571. Gresham's original building was destroyed in the Great Fire of London in 1666. Gresham College, the first institution of higher learning in London, was established in 1597. An impressive print.
[Ref: 13369] £390.00
R: White delint: et sculpsit 1671.
[London: John Overton, first published 1671.] Cum Privilegio.
Engraving, 470 x 595mm. 18½ x 23½". Age toned; hole to centre of upper margin with tear into plate. Full margins. Some repairs.
The south façade, and a view of the inner courtyard with colonnade, of the Royal Exchange in the City of London, seen slightly from above; two angels in sky holding up a banner inscribed with title. Dedication to Sir Richard Ford by the builder, Thomas Cartwright, lower left, and two lines of Latin below image. The Royal Exchange was founded in 1565 by Sir Thomas Gresham to act as a centre of commerce for the city. The design was inspired by a bourse Gresham had seen in Antwerp. It was officially opened by Queen Elizabeth I who awarded the building its Royal title, on January 23, 1571. Gresham's original building was destroyed in the Great Fire of London in 1666. Gresham College, the first institution of higher learning in London, was established in 1597. An impressive print.
[Ref: 13369] £390.00
Vue de la bourse royale à Londres.
F.A.Shmidt fe:
[n.d., c.1820]
Aquatint, printed in colours and hand-finished. 430 x 550mm. Several repaired tears. Publication line scratched out.
[Ref: 5434] £590.00
F.A.Shmidt fe:
[n.d., c.1820]
Aquatint, printed in colours and hand-finished. 430 x 550mm. Several repaired tears. Publication line scratched out.
[Ref: 5434] £590.00
![[The Royal Exchange and the Bank of England.]](jpegs/10021.jpg)
[The Royal Exchange and the Bank of England.]
A.L. Thomas, pinx. T.A. Prior sculp.
[n.d., c.1860.]
Hand coloured steel engraving on india laid paper, 250 x 465mm. 9¾ x 8¼". Tatty and stained extremities, trimmed on right margin.
View of the Royal Exchange and the Bank of England to left, with figures, horses, carriages and omnibuses in the street. From a plate engraved for the Stationers' Almanack. The Stationers' Company had published the Stationers' Almanack since 1747, a single-sheet which consisted of calendar text set out beneath an engraved headpiece that recorded significant events of the preceeding year.
[Ref: 10021] £190.00 (£228.00 incl.VAT)
A.L. Thomas, pinx. T.A. Prior sculp.
[n.d., c.1860.]
Hand coloured steel engraving on india laid paper, 250 x 465mm. 9¾ x 8¼". Tatty and stained extremities, trimmed on right margin.
View of the Royal Exchange and the Bank of England to left, with figures, horses, carriages and omnibuses in the street. From a plate engraved for the Stationers' Almanack. The Stationers' Company had published the Stationers' Almanack since 1747, a single-sheet which consisted of calendar text set out beneath an engraved headpiece that recorded significant events of the preceeding year.
[Ref: 10021] £190.00 (£228.00 incl.VAT)
![[The Royal Exchange.]](jpegs/54634.jpg)
[The Royal Exchange.]
Sydney R. Jones.
[n.d., 1927.]
Drypoint etching, signed in pencil by the artist. 270 x 330mm (10¾ x 13").
View of the Royal Exchange's west front, with bustling street scene outside, including traffic and pedestrians. Sydney Robert Fleming Jones (1881-1961) was a notable watercolourist and etcher, particularly of architectural views; he also wrote several books on the English countryside and provided illustrations for several publications including The Times, Illustrated London News and The Studio.
[Ref: 54634] £320.00
Sydney R. Jones.
[n.d., 1927.]
Drypoint etching, signed in pencil by the artist. 270 x 330mm (10¾ x 13").
View of the Royal Exchange's west front, with bustling street scene outside, including traffic and pedestrians. Sydney Robert Fleming Jones (1881-1961) was a notable watercolourist and etcher, particularly of architectural views; he also wrote several books on the English countryside and provided illustrations for several publications including The Times, Illustrated London News and The Studio.
[Ref: 54634] £320.00
The Inside View of the Royal Exchange at London. Veue du dedans de la Bourse Royale a Londres.
Bowles Delin et Sculpt.
London, Printed for Bowles and Carver 69 St Paul's Church, R. Wilkinson 58 Cornhill amd Laurie & Whittle 53, Fleet Street [n.d., c.1794].
Coloured engraving. 285 x 425mm (11¼ x 16¾"). A few marks in title, top corners of margins snipped.
A view of the interior courtyard of London's second Royal Exchange, designed by Edward Jerman and opened in 1669, destroyed by fire in 1838.
[Ref: 59819] £240.00 (£288.00 incl.VAT)
Bowles Delin et Sculpt.
London, Printed for Bowles and Carver 69 St Paul's Church, R. Wilkinson 58 Cornhill amd Laurie & Whittle 53, Fleet Street [n.d., c.1794].
Coloured engraving. 285 x 425mm (11¼ x 16¾"). A few marks in title, top corners of margins snipped.
A view of the interior courtyard of London's second Royal Exchange, designed by Edward Jerman and opened in 1669, destroyed by fire in 1838.
[Ref: 59819] £240.00 (£288.00 incl.VAT)
Royal Exchange and Bank of England.
E. Walker, Del Et. Lith. Day & Son. Lith.rs to the Queen.
London, Published May 1.st 1852 by Mess.rs Lloyd Brothers & Co. 22 Ludgate Hill.
Hand-coloured lithograph, sheet 380 x 490mm (15 x 19½"). Foxing. Repaired tears to margins.
A view of the grand west front of the Royal Exchange showing the large portico with Corinthian columns, the Bank of England on the left, an equestrian statue in front of exchange. Coaches, carriages and pedestrians fill the busy street. From a series of 12 views of famous London buildings by Edmund Walker (1850 - 1856; fl.); Abbey describes the folio as 'Views of the Principal Buildings in London'.
[Ref: 68803] £420.00
E. Walker, Del Et. Lith. Day & Son. Lith.rs to the Queen.
London, Published May 1.st 1852 by Mess.rs Lloyd Brothers & Co. 22 Ludgate Hill.
Hand-coloured lithograph, sheet 380 x 490mm (15 x 19½"). Foxing. Repaired tears to margins.
A view of the grand west front of the Royal Exchange showing the large portico with Corinthian columns, the Bank of England on the left, an equestrian statue in front of exchange. Coaches, carriages and pedestrians fill the busy street. From a series of 12 views of famous London buildings by Edmund Walker (1850 - 1856; fl.); Abbey describes the folio as 'Views of the Principal Buildings in London'.
[Ref: 68803] £420.00
Arcade of the North Front of the Royal Exchange. Plate 66.
Published May 16.th 1795 by T. Malton.
Aquatint, sheet 415 x 310mm (16¼ x 12¼"). to
A view below the arcade, looking towards the Bank of England; two elegantly dressed women and a child buying goods from a street trader, two men on the left have a conversation. Plate to 'A Picturesque Tour Through the Cities of London and Westminster, illustrated With the most interesting Views, accurately delineated And executed in Aquatinta by Thomas Malton', 1792 - 1801.
Adams 1983 72.66. Abbey Scenery 204.66
[Ref: 58336] £140.00 (£168.00 incl.VAT)
Published May 16.th 1795 by T. Malton.
Aquatint, sheet 415 x 310mm (16¼ x 12¼"). to
A view below the arcade, looking towards the Bank of England; two elegantly dressed women and a child buying goods from a street trader, two men on the left have a conversation. Plate to 'A Picturesque Tour Through the Cities of London and Westminster, illustrated With the most interesting Views, accurately delineated And executed in Aquatinta by Thomas Malton', 1792 - 1801.
Adams 1983 72.66. Abbey Scenery 204.66
[Ref: 58336] £140.00 (£168.00 incl.VAT)
![[Receipt for insurance payments to Royal-Exchange Assurance by Sir William Lee]](jpegs/39200.jpg)
[Receipt for insurance payments to Royal-Exchange Assurance by Sir William Lee] The 15th Day of July 1765. Received of W.m Lee Esq. the Sum of Two Pounds Six Shillins being the Eighth Annual Payment for Aussrance [...]
Letterpress with ms, sheet 135 x 160mm (5¼ x 6¼"). Folded.
Receipt for payment made to the Royal Exchange Assurance Company in London, an insurance company founded in 1710, probably by Sir William Lee, 4th Baronet (1726-99). The Royal Exhange Assurance continued as an independent company for over 250 years before merging with the Guardian Assurance Company in 1968.
[Ref: 39200] £120.00 (£144.00 incl.VAT)
Letterpress with ms, sheet 135 x 160mm (5¼ x 6¼"). Folded.
Receipt for payment made to the Royal Exchange Assurance Company in London, an insurance company founded in 1710, probably by Sir William Lee, 4th Baronet (1726-99). The Royal Exhange Assurance continued as an independent company for over 250 years before merging with the Guardian Assurance Company in 1968.
[Ref: 39200] £120.00 (£144.00 incl.VAT)
The Royal Family. King William/ Queen Mary/ Prince George of Denmark/ Princess Anne of Denmark.
E.Cooper excudit. B.Lens Fecit.
[n.d., c.1700.]
Rare & fine mezzotint. 205 x 170mm (8 x 6¾"). Trimmed close to platemark, very small margins.
Portraits of William III (1650-1702), reigned 1689-1702., Mary II (1662-1694), reigned with William III 1689-94, Prince George of Denmark (1653-1708), Consort of Queen Anne; son of King Frederick III of Denmark and Norway and Sophie Amalie of Brunswick-Lüneburg and Princess Anne of Denmark, later Queen Anne (1665-1714), reigned 1702-14.
Ex: Collection of The Hon. C. Lennox-Boyd. CS 17.
[Ref: 64503] £290.00 (£348.00 incl.VAT)
E.Cooper excudit. B.Lens Fecit.
[n.d., c.1700.]
Rare & fine mezzotint. 205 x 170mm (8 x 6¾"). Trimmed close to platemark, very small margins.
Portraits of William III (1650-1702), reigned 1689-1702., Mary II (1662-1694), reigned with William III 1689-94, Prince George of Denmark (1653-1708), Consort of Queen Anne; son of King Frederick III of Denmark and Norway and Sophie Amalie of Brunswick-Lüneburg and Princess Anne of Denmark, later Queen Anne (1665-1714), reigned 1702-14.
Ex: Collection of The Hon. C. Lennox-Boyd. CS 17.
[Ref: 64503] £290.00 (£348.00 incl.VAT)
The Royal Family. King William/ Queen Mary/ Prince George of Denmark/ Princess Anne of Denmark.
E.Cooper excudit. B.Lens Fecit.
[n.d., c.1700.]
Rare & fine mezzotint. 205 x 170mm (8 x 6¾"). Trimmed close to platemark, small margins.
Portraits of William III (1650-1702), reigned 1689-1702., Mary II (1662-1694), reigned with William III 1689-94, Prince George of Denmark (1653-1708), Consort of Queen Anne; son of King Frederick III of Denmark and Norway and Sophie Amalie of Brunswick-Lüneburg and Princess Anne of Denmark, later Queen Anne (1665-1714), reigned 1702-14.
CS 17.
[Ref: 66880] £280.00 (£336.00 incl.VAT)
E.Cooper excudit. B.Lens Fecit.
[n.d., c.1700.]
Rare & fine mezzotint. 205 x 170mm (8 x 6¾"). Trimmed close to platemark, small margins.
Portraits of William III (1650-1702), reigned 1689-1702., Mary II (1662-1694), reigned with William III 1689-94, Prince George of Denmark (1653-1708), Consort of Queen Anne; son of King Frederick III of Denmark and Norway and Sophie Amalie of Brunswick-Lüneburg and Princess Anne of Denmark, later Queen Anne (1665-1714), reigned 1702-14.
CS 17.
[Ref: 66880] £280.00 (£336.00 incl.VAT)
Portraits of the Whole of the Royal Family, Engraved from the Original Pictures By Her Majestys most gracious permission to whom they are Humbly Dedicated by her Dutiful And Obedient Servant E. Harding.
Nash del. Greig sculp. Hopkins del. M.A. Bourlier sc. S.r W.m Beechy del. Cheesman sc. Lawrence del. Madame Le Brun del. Muller del. Geremia sc. Fodd Sculp. Gainsborough pinx.
Published by E. Harding N.o 100. Pall Mall. 1806.
Folio with board covers and leather spine with gilt. 21 very fine stipple plates printed in colour, included in front is a prospectus for Nash's Views of the chapel of St. George's at Windsor Castle, with list of subscribers verso. On paper watermarked 1802, large margins.
Portraits include: George III (1738-1820), Queen Charlotte (1744-1818), George IV as the Prince of Wales (1762-1830), Caroline of Brunswick as the Princess of Wales (1768-1822), Princess Charlotte Augusta of Wales (1796-1817), Prince Frederick Duke of York and Albany (1763-1827), Princess Frederica Charlotte of Prussia Duchess of York (1767-1820), William IV as the Duke od Clarence (1765-1837), Charlotte Princess Royal as Duchess (Queen Consort) of Württemberg (1766-1828), Prince Edward Duke of Kent and Strathearn (1767-1829), Princess Augusta Sophia (1768-1840), Princess Elizabeth (1770-1840), Ernest Augustus King of Hanover as the Duke of Cumberland (1771-1851), Prince Augustus Frederick Duke of Sussex (1773-1843), Prince Adolphus Duke of Cambridge (1774-1850), Princess Mary Duchess of Gloucester (1776-1857), Princess Sophia (1777-1848), Prince Octavius (1779–1783), Prince Alfred (1780-1782) and Princess Amelia (1783-1810).
Abbey Life 298.
[Ref: 61627] £820.00 view all images for this item
Nash del. Greig sculp. Hopkins del. M.A. Bourlier sc. S.r W.m Beechy del. Cheesman sc. Lawrence del. Madame Le Brun del. Muller del. Geremia sc. Fodd Sculp. Gainsborough pinx.
Published by E. Harding N.o 100. Pall Mall. 1806.
Folio with board covers and leather spine with gilt. 21 very fine stipple plates printed in colour, included in front is a prospectus for Nash's Views of the chapel of St. George's at Windsor Castle, with list of subscribers verso. On paper watermarked 1802, large margins.
Portraits include: George III (1738-1820), Queen Charlotte (1744-1818), George IV as the Prince of Wales (1762-1830), Caroline of Brunswick as the Princess of Wales (1768-1822), Princess Charlotte Augusta of Wales (1796-1817), Prince Frederick Duke of York and Albany (1763-1827), Princess Frederica Charlotte of Prussia Duchess of York (1767-1820), William IV as the Duke od Clarence (1765-1837), Charlotte Princess Royal as Duchess (Queen Consort) of Württemberg (1766-1828), Prince Edward Duke of Kent and Strathearn (1767-1829), Princess Augusta Sophia (1768-1840), Princess Elizabeth (1770-1840), Ernest Augustus King of Hanover as the Duke of Cumberland (1771-1851), Prince Augustus Frederick Duke of Sussex (1773-1843), Prince Adolphus Duke of Cambridge (1774-1850), Princess Mary Duchess of Gloucester (1776-1857), Princess Sophia (1777-1848), Prince Octavius (1779–1783), Prince Alfred (1780-1782) and Princess Amelia (1783-1810).
Abbey Life 298.
[Ref: 61627] £820.00 view all images for this item
Prince Albert's Stock; or, the Royal Fashion for 1843, which is to Continue for the Succeeding Ten Years.
London Published by William Spooner 377 Strand. Printed for W. Kohler.
Coloured lithograph with overlay. Sheet: 345 x 255mm (13½ x 10''). Flap damaged, laid on album sheet.
A transformation print showing Prince Albert's stock or neckcloth, once the flaps are lifted Prince Albert and Queen Victoria's children the Princess Royal, Prince Edward and the newborn Princess Alice are revealed.
See Ref: 58855
[Ref: 48939] £240.00 (£288.00 incl.VAT) view all images for this item
London Published by William Spooner 377 Strand. Printed for W. Kohler.
Coloured lithograph with overlay. Sheet: 345 x 255mm (13½ x 10''). Flap damaged, laid on album sheet.
A transformation print showing Prince Albert's stock or neckcloth, once the flaps are lifted Prince Albert and Queen Victoria's children the Princess Royal, Prince Edward and the newborn Princess Alice are revealed.
See Ref: 58855
[Ref: 48939] £240.00 (£288.00 incl.VAT) view all images for this item
![[Ancient Greece. Royal Gallery of British Art.]](jpegs/52464.jpg)
[Ancient Greece. Royal Gallery of British Art.]
Painted by W. Linton. Engraved by J.W. Appleton. Printed by Horwood & Watkins.
London, Published Dec.r 1, 1840, by the Proprietors No.s 18 & 19, Southampton Place, Euston Square, Sold also by F.G. Moon, Threadneedle Street, and Ackermann & Co., Strand.
Etching and engraving on chine collé. Plate 360 x 510mm (14¼ x 20") with wide margins. Some surface dirt in margins.
A city in ancient Greece, after Linton; people on steps in front of a temple in the foreground, with trees round the curved collonaded portico, preparing to offer a sacrifice and looking to left towards a galley carrying men in armour which rows past, other galleys lined up to left in front of another temples, more in the harbour beyond to right with town buildings rising above, including a bridge lined by statues across a cascade, to left. According to ODNB, the 'Royal Gallery of British Art' was the most ambitious publication of the brothers William and Edward Finden, though sadly unprofitable: a set of forty-eight plates after the most notable painters of the day, published by them with the collaboration of others, between 1838 and 1840.
[Ref: 52464] £180.00 (£216.00 incl.VAT)
Painted by W. Linton. Engraved by J.W. Appleton. Printed by Horwood & Watkins.
London, Published Dec.r 1, 1840, by the Proprietors No.s 18 & 19, Southampton Place, Euston Square, Sold also by F.G. Moon, Threadneedle Street, and Ackermann & Co., Strand.
Etching and engraving on chine collé. Plate 360 x 510mm (14¼ x 20") with wide margins. Some surface dirt in margins.
A city in ancient Greece, after Linton; people on steps in front of a temple in the foreground, with trees round the curved collonaded portico, preparing to offer a sacrifice and looking to left towards a galley carrying men in armour which rows past, other galleys lined up to left in front of another temples, more in the harbour beyond to right with town buildings rising above, including a bridge lined by statues across a cascade, to left. According to ODNB, the 'Royal Gallery of British Art' was the most ambitious publication of the brothers William and Edward Finden, though sadly unprofitable: a set of forty-eight plates after the most notable painters of the day, published by them with the collaboration of others, between 1838 and 1840.
[Ref: 52464] £180.00 (£216.00 incl.VAT)
![History Made Easy [Royal] Genealogy Since The Conquest.](jpegs/23518.jpg)
History Made Easy [Royal] Genealogy Since The Conquest.
Entered at Stationer's Hall. Chart, Two Shillings. Key to Do. One Shilling [here lacking]. Published by W. Pinnock, Newbury, Berks and sold by all Booksellers in the United Kingdom [n.d., c.1810-1820].
Engraved folding genealogical chart, c.400 x 500mm. 15¾ x 19¾". Folds splitting, repaired.
A large circular diagram at centre traces the genealogy of British royalty since the Norman Conquest. In surrounding cartouches a list of British rulers from Egbert to Harold, a list of consorts since the Conquest, and 'Notes' and 'Directions' to the reader. An interesting and probably scarce piece of educational ephemera. The chart was perhaps originally intended to be mounted on linen and folded into a cardboard slipcase.
[Ref: 23518] £260.00 (£312.00 incl.VAT)
Entered at Stationer's Hall. Chart, Two Shillings. Key to Do. One Shilling [here lacking]. Published by W. Pinnock, Newbury, Berks and sold by all Booksellers in the United Kingdom [n.d., c.1810-1820].
Engraved folding genealogical chart, c.400 x 500mm. 15¾ x 19¾". Folds splitting, repaired.
A large circular diagram at centre traces the genealogy of British royalty since the Norman Conquest. In surrounding cartouches a list of British rulers from Egbert to Harold, a list of consorts since the Conquest, and 'Notes' and 'Directions' to the reader. An interesting and probably scarce piece of educational ephemera. The chart was perhaps originally intended to be mounted on linen and folded into a cardboard slipcase.
[Ref: 23518] £260.00 (£312.00 incl.VAT)
To His Royal Highness George Prince of Wales. Honi. Soit. Qui. Mal. Y. Pense. Ich Dien. [in crest]
T Baston F. J. Harris S.
[n.d. c.1721].
Coloured engraving. 210 x 305mm (8¼ x 12").
'Royal George' was a short-lived name for the Royal Nay 100-gun ship of the line launched in 1675 as 'Royal James'. After the Glorious Revolution she was renamed 'Victory', then 'Royal George' in 1714, on the Hanoverian accession, but reverted to 'Victory' the following year.. She burned to the waterline in 1721 and was broken up. Fine impression.
[Ref: 8507] £130.00 (£156.00 incl.VAT)
T Baston F. J. Harris S.
[n.d. c.1721].
Coloured engraving. 210 x 305mm (8¼ x 12").
'Royal George' was a short-lived name for the Royal Nay 100-gun ship of the line launched in 1675 as 'Royal James'. After the Glorious Revolution she was renamed 'Victory', then 'Royal George' in 1714, on the Hanoverian accession, but reverted to 'Victory' the following year.. She burned to the waterline in 1721 and was broken up. Fine impression.
[Ref: 8507] £130.00 (£156.00 incl.VAT)
To his Royal Highness George Prince of Wales, This Plate of his Maj.ties Ship the Royal George is most humbly Inscribed.
T. Baston delin: J. Cole Sculp.
[n.d., c.1714.]
Engraving. Sheet 335 x 485mm (13¼ x 19"). Mss borders added through image from a print screen.
'Royal George' was a short-lived name for the Royal Navy 100-gun ship of the line launched in 1675 as 'Royal James'. After the Glorious Revolution she was renamed 'Victory', then 'Royal George' in 1714, on the Hanoverian accession, but reverted to 'Victory' the following year. She burned to the waterline in 1721 and was broken up.
[Ref: 55056] £680.00
T. Baston delin: J. Cole Sculp.
[n.d., c.1714.]
Engraving. Sheet 335 x 485mm (13¼ x 19"). Mss borders added through image from a print screen.
'Royal George' was a short-lived name for the Royal Navy 100-gun ship of the line launched in 1675 as 'Royal James'. After the Glorious Revolution she was renamed 'Victory', then 'Royal George' in 1714, on the Hanoverian accession, but reverted to 'Victory' the following year. She burned to the waterline in 1721 and was broken up.
[Ref: 55056] £680.00
![[The Royal George Yacht.]](jpegs/33725.jpg)
[The Royal George Yacht.] To His Royal Highness Prince Albert, K.G. &c. &c. This Engraving representing the Royal George Yacht Conveying Her Majesty and Royal Consort to Edinburgh, August, 1842. Off the Bass Rock, at the Time the Squadron was joined by the General Steam Navigation Company's Steam Ships Trident and Monarch, each of 1000 Tons, is with permission humbly dedicated by His Royal Highness' most obedient Servant, W.J. Huggins.
Painted by W.J. Huggins, Marine Painter to His late Majesty William IVth. Engraved by E. Duncan.
London. Published February 1st 1843, by M.r Huggins, 105, Leadenhall Street.
Aquatint, printed in colours and hand finished. Sheet 480 x 660mm (19 x 26"). A few repairs.
Queen Victoria and Albert aboard the Royal George Yacht in the Firth of Forth, on one of its last voyages as the Royal Yacht. Other ships shown are the 'Trinity Yacht', 'Monarch', 'Shear-Water', 'Black Eagle' and 'Trident', as well as two cutters full of sight-seers. To the right is the Bass Rock, Tantallon Castle to the left. Launched in 1817 the 'Royal George' was replaced in 1843 by a paddle steamer, the 'Victoria and Albert'. This was Victoria's first visit to Scotland, five years after becoming monarch. She had been fascinated by the novels of Sir Walter Scott and her interest in Scotland increased with this trip. She bought Balmoral in 1852.
NMM: PAH8904.
[Ref: 33725] £680.00
Painted by W.J. Huggins, Marine Painter to His late Majesty William IVth. Engraved by E. Duncan.
London. Published February 1st 1843, by M.r Huggins, 105, Leadenhall Street.
Aquatint, printed in colours and hand finished. Sheet 480 x 660mm (19 x 26"). A few repairs.
Queen Victoria and Albert aboard the Royal George Yacht in the Firth of Forth, on one of its last voyages as the Royal Yacht. Other ships shown are the 'Trinity Yacht', 'Monarch', 'Shear-Water', 'Black Eagle' and 'Trident', as well as two cutters full of sight-seers. To the right is the Bass Rock, Tantallon Castle to the left. Launched in 1817 the 'Royal George' was replaced in 1843 by a paddle steamer, the 'Victoria and Albert'. This was Victoria's first visit to Scotland, five years after becoming monarch. She had been fascinated by the novels of Sir Walter Scott and her interest in Scotland increased with this trip. She bought Balmoral in 1852.
NMM: PAH8904.
[Ref: 33725] £680.00
Royal George 1759 by Serres.
[Dominic Serres]
Ink and grey wash. Sheet 170 x 450mm (6¾ x 17¾"). 'Royal George' in same grey wash on reverse, title on front (as above) in later hand. Tears, stains, mounted on card.
The starboard side of the 'Royal George', a first-rate with 100 guns on three decks, the largest warship in the world when launched in 1756. The year of this sketch she was Admiral Sir Edward Hawke's flagship at the Battle of Quiberon Bay, where she sank 'Superbe'. Royal George sank in August 1782 at Spithead off Portsmouth while she was rolled for maintenance, with the loss of more than 900 lives. The wreck was a major hazard in the Solent until 1840, when gunpowder was used to destroy it. We believe this sketch shows the Royal George with damage after the Battle of Quiberon Bay. Dominic Serres (1722-93) was a French-born maritime painter who documented the events of the Seven Years' War, including Quiberon Bay and the Capture of Havana in 1762.
[Ref: 56382] £590.00
[Dominic Serres]
Ink and grey wash. Sheet 170 x 450mm (6¾ x 17¾"). 'Royal George' in same grey wash on reverse, title on front (as above) in later hand. Tears, stains, mounted on card.
The starboard side of the 'Royal George', a first-rate with 100 guns on three decks, the largest warship in the world when launched in 1756. The year of this sketch she was Admiral Sir Edward Hawke's flagship at the Battle of Quiberon Bay, where she sank 'Superbe'. Royal George sank in August 1782 at Spithead off Portsmouth while she was rolled for maintenance, with the loss of more than 900 lives. The wreck was a major hazard in the Solent until 1840, when gunpowder was used to destroy it. We believe this sketch shows the Royal George with damage after the Battle of Quiberon Bay. Dominic Serres (1722-93) was a French-born maritime painter who documented the events of the Seven Years' War, including Quiberon Bay and the Capture of Havana in 1762.
[Ref: 56382] £590.00
Club Rooms & Baths. To Sir Charles Ibbetson Bart: Commodore, and the other Members of the Royal Harwich Yacht Club, This Print is respectfully Inscribed by the Author.
W.H. Landsey Del. J. Sutcliffe, Lithr.
[n.d., c.1845.]
Rare hand coloured lithograph, sheet 145 x 230mm. 5¾ x 9". Horizontal crease.
The clubhouse of the Royal Harwich Yacht Club (est.1845) which overlooked the harbour entrance at Harwich, Essex, ideally located for the signalling activities which were a significant part of yacht club life. The scene features bathing boxes on wheels, to right.
[Ref: 15700] £120.00 (£144.00 incl.VAT)
W.H. Landsey Del. J. Sutcliffe, Lithr.
[n.d., c.1845.]
Rare hand coloured lithograph, sheet 145 x 230mm. 5¾ x 9". Horizontal crease.
The clubhouse of the Royal Harwich Yacht Club (est.1845) which overlooked the harbour entrance at Harwich, Essex, ideally located for the signalling activities which were a significant part of yacht club life. The scene features bathing boxes on wheels, to right.
[Ref: 15700] £120.00 (£144.00 incl.VAT)
Key to the Royal Horoscope of Futurity, For Unfolding the Mysteries of Destiny, Respectfully dedicated to all Lovers of the Astral Sciences, by their Devoted Servant, Gabriel, Astrologer of the 19th Century.
Letterpress. Sheet: 165 x 170mm (6½ x 6¾''). Creasing, trimmed and laid on album sheet.
A horoscope, possibly produced by the Society of the Mercurii, one of the primary groups involved in the revival of the occult and astrological in the 1830s.
[Ref: 51134] £85.00 (£102.00 incl.VAT)
Letterpress. Sheet: 165 x 170mm (6½ x 6¾''). Creasing, trimmed and laid on album sheet.
A horoscope, possibly produced by the Society of the Mercurii, one of the primary groups involved in the revival of the occult and astrological in the 1830s.
[Ref: 51134] £85.00 (£102.00 incl.VAT)
![[Royal Horse Artillery.]](jpegs/55433.jpg)
[Royal Horse Artillery.]
Gilbert Holiday.
[n.d., c.1920.]
Photolithograph. 255 x 400mm (10 x 15¾"), trimmed to image and laid on board, as issued.
Charles Gilbert Holiday (1879-1937) worked as an illustrator at The Graphic, The Tatler and The Illustrated London News before the Great War. Receiving a commission with The Royal Field Artillery, he served with distinction at Arras, Passchendaele and the Third Battle of Ypres. After the war he returned to his main interest, painting horses. Lionel Edwards said: ''no one can, or ever could, paint a horse in action better than Gilbert could''.
[Ref: 55433] £230.00 (£276.00 incl.VAT)
Gilbert Holiday.
[n.d., c.1920.]
Photolithograph. 255 x 400mm (10 x 15¾"), trimmed to image and laid on board, as issued.
Charles Gilbert Holiday (1879-1937) worked as an illustrator at The Graphic, The Tatler and The Illustrated London News before the Great War. Receiving a commission with The Royal Field Artillery, he served with distinction at Arras, Passchendaele and the Third Battle of Ypres. After the war he returned to his main interest, painting horses. Lionel Edwards said: ''no one can, or ever could, paint a horse in action better than Gilbert could''.
[Ref: 55433] £230.00 (£276.00 incl.VAT)
Royal Horse Guard . . . Created in 1661.
J. June sc.
Printed for Jn. Smith, at Hogarth's Head, in Cheapside [n.d., c. 1785]
Coloured engraving, 170 x 150mm. 6¾ x 6". Slight foxing
One of a series of ten military costume prints engraved by June and published by Smith.
Ogilby 872.10
[Ref: 11184] £120.00 (£144.00 incl.VAT)
J. June sc.
Printed for Jn. Smith, at Hogarth's Head, in Cheapside [n.d., c. 1785]
Coloured engraving, 170 x 150mm. 6¾ x 6". Slight foxing
One of a series of ten military costume prints engraved by June and published by Smith.
Ogilby 872.10
[Ref: 11184] £120.00 (£144.00 incl.VAT)
The Royal Hospital of Chelsea.
[London: Henry Overton, c.1724.]
Engraving. Plate: 165 x 245mm (6½ x 9¾"). Marking in large margins.
A view of the Royal Hospital on the banks of the Thames at Chelsea, from 'Prospects of the most remarkable places in and about the Citty of London, Neatly Engraved' published by Henry Overton.
[Ref: 45324] £190.00 (£228.00 incl.VAT)
[London: Henry Overton, c.1724.]
Engraving. Plate: 165 x 245mm (6½ x 9¾"). Marking in large margins.
A view of the Royal Hospital on the banks of the Thames at Chelsea, from 'Prospects of the most remarkable places in and about the Citty of London, Neatly Engraved' published by Henry Overton.
[Ref: 45324] £190.00 (£228.00 incl.VAT)
The Royal Hospital of Chelsey, fronting ye River Thames.
[London: Henry Overton, c.1724.]
Engraving. Plate: 165 x 245mm (6½ x 9¾"). Marking in large margins.
A view of the Royal Hospital on the banks of the Thames at Chelsea, from 'Prospects of the most remarkable places in and about the Citty of London, Neatly Engraved' published by Henry Overton.
[Ref: 45325] £190.00 (£228.00 incl.VAT)
[London: Henry Overton, c.1724.]
Engraving. Plate: 165 x 245mm (6½ x 9¾"). Marking in large margins.
A view of the Royal Hospital on the banks of the Thames at Chelsea, from 'Prospects of the most remarkable places in and about the Citty of London, Neatly Engraved' published by Henry Overton.
[Ref: 45325] £190.00 (£228.00 incl.VAT)
The Royal Hospital of Greenwich.
[London: Henry Overton, c.1724.]
Engraving. Plate: 165 x 245mm (6½ x 9¾"). Marking in large margins.
A view of the Royal Hospital on the banks of the Thames at Greenwich, from 'Prospects of the most remarkable places in and about the Citty of London, Neatly Engraved' published by Henry Overton.
[Ref: 45326] £190.00 (£228.00 incl.VAT)
[London: Henry Overton, c.1724.]
Engraving. Plate: 165 x 245mm (6½ x 9¾"). Marking in large margins.
A view of the Royal Hospital on the banks of the Thames at Greenwich, from 'Prospects of the most remarkable places in and about the Citty of London, Neatly Engraved' published by Henry Overton.
[Ref: 45326] £190.00 (£228.00 incl.VAT)
![[Two untitled prints relating to the Royal Humane Society]](jpegs/58508.jpg)
[Two untitled prints relating to the Royal Humane Society]
[n.d., c.1840.]
Two lithographs. 1: sheet 120 x 205mm (4¾ x 8"). 2: on chine collé, 160 x 245mm (6¼ x 9½"). 2: trimmed into chine collé at top, spotting and creasing.
The first print shows the Society's receiving house by the Serpentine in Hyde Park, with their wheeled ladders designed to rescue skaters who have fallen through the ice. The second scene shows skaters enjoying themselves, oblivious to one of their number under the ice beneath them.
[Ref: 58508] £180.00 (£216.00 incl.VAT) view all images for this item
[n.d., c.1840.]
Two lithographs. 1: sheet 120 x 205mm (4¾ x 8"). 2: on chine collé, 160 x 245mm (6¼ x 9½"). 2: trimmed into chine collé at top, spotting and creasing.
The first print shows the Society's receiving house by the Serpentine in Hyde Park, with their wheeled ladders designed to rescue skaters who have fallen through the ice. The second scene shows skaters enjoying themselves, oblivious to one of their number under the ice beneath them.
[Ref: 58508] £180.00 (£216.00 incl.VAT) view all images for this item