A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
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Effigies Alexandri Rossaei. Anno aetatis 63.
[Engraved by P. Lombart].
[n.d. c.1653].
Engraving. Sheet 68 x 130mm. Trimmed inside platemark.
Alexander Ross [1591 - 1654] writer of many books, in English and Latin, on miscellaneous subjects including theology, history and philosophy, and of verse. From the frontispiece to his 'Pansebeia, or a View of all Religions in the World' of 1653. He is probably shown in his library at Bramshill in Hampshire, where he died.
[Ref: 349] £60.00 (£72.00 incl.VAT)
[Engraved by P. Lombart].
[n.d. c.1653].
Engraving. Sheet 68 x 130mm. Trimmed inside platemark.
Alexander Ross [1591 - 1654] writer of many books, in English and Latin, on miscellaneous subjects including theology, history and philosophy, and of verse. From the frontispiece to his 'Pansebeia, or a View of all Religions in the World' of 1653. He is probably shown in his library at Bramshill in Hampshire, where he died.
[Ref: 349] £60.00 (£72.00 incl.VAT)
Capt.n John Ross, R.N. [Engraved for Vol. XXII of the Mirror.]
Roffe sc.
[John Limbird, Publisher, 143, Strand.]
Stipple. Sheet 180 x 125mm (7 x 5"). Trimmed, losing inscriptions.
A portrait of naval officer Sir John Ross (1777-1856), before he was knighted in 1834. He made three journeys to the Arctic, becoming the first European to cross the North Magnetic Pole in 1831 and leading an expedition to find Sir John Franklin in 1850.
[Ref: 57321] £70.00 (£84.00 incl.VAT)
Roffe sc.
[John Limbird, Publisher, 143, Strand.]
Stipple. Sheet 180 x 125mm (7 x 5"). Trimmed, losing inscriptions.
A portrait of naval officer Sir John Ross (1777-1856), before he was knighted in 1834. He made three journeys to the Arctic, becoming the first European to cross the North Magnetic Pole in 1831 and leading an expedition to find Sir John Franklin in 1850.
[Ref: 57321] £70.00 (£84.00 incl.VAT)
Sir John Ross, C.B. K.S.A. K.C.S. Captain in the Royal Navy.
Painted by B.R. Faulkner. Engraved by Rob.t Hart. Printed by Gaywood & Longworth.
London, Published 1834, by Captain J, Ross, R.N.
Engraving on india, with very large margins. Plate 291 x 202mm. 11½ x 8".
Sir John Ross (1777-1856), the Scottish Rear Admiral and Arctic explorer. He became an Arctic explorer after distinguished naval service in the Napoleonic Wars. In 1818, he made his first voyages in search of the Northwest Passage to China. However, deciding the route was blocked by mountains, Ross's reputation suffered when it was later shown that the mountains were an optical illusion. Ross rebounded by attracting funding, from the gin distiller Felix Booth, to command the first steam ship into the Arctic on another voyage to locate the Northwest Passage (1829-33).
[Ref: 24752] £75.00 (£90.00 incl.VAT)
Painted by B.R. Faulkner. Engraved by Rob.t Hart. Printed by Gaywood & Longworth.
London, Published 1834, by Captain J, Ross, R.N.
Engraving on india, with very large margins. Plate 291 x 202mm. 11½ x 8".
Sir John Ross (1777-1856), the Scottish Rear Admiral and Arctic explorer. He became an Arctic explorer after distinguished naval service in the Napoleonic Wars. In 1818, he made his first voyages in search of the Northwest Passage to China. However, deciding the route was blocked by mountains, Ross's reputation suffered when it was later shown that the mountains were an optical illusion. Ross rebounded by attracting funding, from the gin distiller Felix Booth, to command the first steam ship into the Arctic on another voyage to locate the Northwest Passage (1829-33).
[Ref: 24752] £75.00 (£90.00 incl.VAT)
Sir John Ross.
Lith.u.gedr.v.Louis Zoellner in Dresden.
[n.d. c.1850.]
Very rare lithograph, printed on chine collé. 178 x 152mm (7 x 6").
Sir John Ross (1777-1856), the Scottish Rear Admiral and Arctic explorer. He became an Arctic explorer after distinguished naval service in the Napoleonic Wars. In 1818, he made his first voyages in search of the Northwest Passage to China. However, deciding the route was blocked by mountains, Ross's reputation suffered when it was later shown that the mountains were an optical illusion. Ross rebounded by attracting funding, from the gin distiller Felix Booth, to command the first steam ship into the Arctic on another voyage to locate the Northwest Passage (1829-33).
[Ref: 24753] £140.00 (£168.00 incl.VAT)
Lith.u.gedr.v.Louis Zoellner in Dresden.
[n.d. c.1850.]
Very rare lithograph, printed on chine collé. 178 x 152mm (7 x 6").
Sir John Ross (1777-1856), the Scottish Rear Admiral and Arctic explorer. He became an Arctic explorer after distinguished naval service in the Napoleonic Wars. In 1818, he made his first voyages in search of the Northwest Passage to China. However, deciding the route was blocked by mountains, Ross's reputation suffered when it was later shown that the mountains were an optical illusion. Ross rebounded by attracting funding, from the gin distiller Felix Booth, to command the first steam ship into the Arctic on another voyage to locate the Northwest Passage (1829-33).
[Ref: 24753] £140.00 (£168.00 incl.VAT)
Captain Ross.
Drawn & Engraved by Page & Son.
[n.d., c1810.]
Engraving. Plate: 150 x 100mm (6 x 4"). Trimmed to plate.
A half-length portrait of Admiral Sir John Ross (1777-1856) a British naval officer and arctic explorer. Behind him is a scene showing a man in a canoe within an arctic scene.
[Ref: 45956] £70.00 (£84.00 incl.VAT)
Drawn & Engraved by Page & Son.
[n.d., c1810.]
Engraving. Plate: 150 x 100mm (6 x 4"). Trimmed to plate.
A half-length portrait of Admiral Sir John Ross (1777-1856) a British naval officer and arctic explorer. Behind him is a scene showing a man in a canoe within an arctic scene.
[Ref: 45956] £70.00 (£84.00 incl.VAT)
![John Ross. [facsimilie signature.]](jpegs/49075.jpg)
John Ross. [facsimilie signature.] Victory, Discovery Ship, Sailed 23rd may, 1829 Capt.n Ross R.N. & Crew returned 19th October 1833.
[Drawn from Nature & on Stone by Harriot Gouldsmith]
[Published by Permission by H. Gouldsmith, 151, Albany Street, Regents Park. Printed by C. Hullmandel. [n.d., c.1830.]
Rare lithograph. Sheet: 195 x 125mm (7¾ x 5''). Damage in corners.
A portrait of naval officer John Ross (1777-1856) who made three journeys to the artic, in 1831 he was the first European to cross the North Magnetic Pole and in 1850 he undertook a voyage to try and find Sir John Franklin who had gone missing four years before.
[Ref: 49075] £130.00 (£156.00 incl.VAT)
[Drawn from Nature & on Stone by Harriot Gouldsmith]
[Published by Permission by H. Gouldsmith, 151, Albany Street, Regents Park. Printed by C. Hullmandel. [n.d., c.1830.]
Rare lithograph. Sheet: 195 x 125mm (7¾ x 5''). Damage in corners.
A portrait of naval officer John Ross (1777-1856) who made three journeys to the artic, in 1831 he was the first European to cross the North Magnetic Pole and in 1850 he undertook a voyage to try and find Sir John Franklin who had gone missing four years before.
[Ref: 49075] £130.00 (£156.00 incl.VAT)
![John Ross [facsimile signature.]](jpegs/11426.jpg)
John Ross [facsimile signature.] Victory, Discovery Ship, Sailed 23rd May, 1829; Captn. Ross R.N. & Crew returned 19th October 1833.
Drawn from Nature & on Stone by Harriot Gouldsmith.
Published by Permission by H. Gouldsmith, 151, Albany Street, Regents Park. Printed by C. Hullmandel. [n.d., c.1830.]
Lithograph on india laid paper, india 215 x 185mm. 8½ x 7¼". Trimmed, to india on three sides. Foxed.
Sir John Ross (1777 - 1856), Rear-Admiral and Arctic explorer. In 1850 he set off on his third voyage to the Arctic, in a futile search for the missing explorer Sir John Franklin. He died in London in 1856.
[Ref: 11426] £120.00 (£144.00 incl.VAT)
Drawn from Nature & on Stone by Harriot Gouldsmith.
Published by Permission by H. Gouldsmith, 151, Albany Street, Regents Park. Printed by C. Hullmandel. [n.d., c.1830.]
Lithograph on india laid paper, india 215 x 185mm. 8½ x 7¼". Trimmed, to india on three sides. Foxed.
Sir John Ross (1777 - 1856), Rear-Admiral and Arctic explorer. In 1850 he set off on his third voyage to the Arctic, in a futile search for the missing explorer Sir John Franklin. He died in London in 1856.
[Ref: 11426] £120.00 (£144.00 incl.VAT)
![[Ross-on-Wye.] 76.](jpegs/14648.jpg)
[Ross-on-Wye.] 76. [The attractive market town of Ross lies on the River Wye in Herefordshire. The town's most prominent building is the thirteenth century church, which stands on a rock overlooking the town, with its graceful spire a conspicuous landmark for miles around. It is opposite to the Markey Hall, a building or red sandstone erected in the reign of Charles II. The quiet, pleasant streets of Ross have made the town a favourite with artists and writers, amongst them Charles Dickins. It was here that he met his friend and biographer, John Forster, and decided to undertake his American reading tour of 1867-8; also associated with the town is the charitable and eccentric John Kyrles, immortalized by Alexander Poper as "The Man of Ross." Ross-on-Wye is in every way a typical market town of the West Country.]
Arthur Spencer [pencil signature to the bottom left-hand side outside the image]
[n.d. c.1920.] Copyright. F. & M. Ltd., Bedford, Eng.
Etching. 249 x 279mm. 9¾ x 11".
[Ref: 14648] £50.00 (£60.00 incl.VAT)
Arthur Spencer [pencil signature to the bottom left-hand side outside the image]
[n.d. c.1920.] Copyright. F. & M. Ltd., Bedford, Eng.
Etching. 249 x 279mm. 9¾ x 11".
[Ref: 14648] £50.00 (£60.00 incl.VAT)
Rossall, from the Cricket-Field.
E. Burrows.
Published by W.H. Beynon & C.o. Cheltenham.
Rare etching, on india paper. Plate: 175 x 315mm (7 x 12½''), with large margins.
A view of Rossall School in Lancashire.
[Ref: 50050] £260.00 (£312.00 incl.VAT)
E. Burrows.
Published by W.H. Beynon & C.o. Cheltenham.
Rare etching, on india paper. Plate: 175 x 315mm (7 x 12½''), with large margins.
A view of Rossall School in Lancashire.
[Ref: 50050] £260.00 (£312.00 incl.VAT)
Rossall School __ ''General View from the Cricket Field.''
Painted by F.P. Barraud. Etched by W.J. Allingham.
London Published April 2.d 1891 by Mess.rs Dickinson & Foster, Publishers to The Queen. 114, New Bond Street, W. Copyright Registered.
Etching. Plate 436 x 584mm (17¼ x 23").
Rossall School, the co-educational independent school in Lancashire. It was founded in 1844 by St Vincent Beechey as a sister school to Marlborough College. Along with Cheltenham, Lancing and Marlborough, Rossall was part of a flurry of expansion in education during the early Victorian period. After Francis Philip Barraud (1824-1900).
[Ref: 28095] £360.00
Painted by F.P. Barraud. Etched by W.J. Allingham.
London Published April 2.d 1891 by Mess.rs Dickinson & Foster, Publishers to The Queen. 114, New Bond Street, W. Copyright Registered.
Etching. Plate 436 x 584mm (17¼ x 23").
Rossall School, the co-educational independent school in Lancashire. It was founded in 1844 by St Vincent Beechey as a sister school to Marlborough College. Along with Cheltenham, Lancing and Marlborough, Rossall was part of a flurry of expansion in education during the early Victorian period. After Francis Philip Barraud (1824-1900).
[Ref: 28095] £360.00
![[Rossall School - Hockey on the Sea Shore.]](jpegs/526.jpg)
[Rossall School - Hockey on the Sea Shore.]
F.P.Barraud. William J.Allingham [Pencil signatures.]
London, Published April 2nd 1891 by Messrs Dickinson & Foster, Publishers to the Queen, 114 Bond Street W.
Etching, remarqued Artist's Proof, limited edition of 60.
After Francis Philip Barraud (1824-1900).
[Ref: 526] £370.00
F.P.Barraud. William J.Allingham [Pencil signatures.]
London, Published April 2nd 1891 by Messrs Dickinson & Foster, Publishers to the Queen, 114 Bond Street W.
Etching, remarqued Artist's Proof, limited edition of 60.
After Francis Philip Barraud (1824-1900).
[Ref: 526] £370.00
![[Battle of Rossbach] A Plan of the Battle of Weissenfels](jpegs/52006.jpg)
[Battle of Rossbach] A Plan of the Battle of Weissenfels between the King of Prussia on one Side & the combined Armies of France & the Empire on the the other, November 5th 1757.
Drawn on the Spot by Mos. Freadm Aid de Camp to Gen.l Bourkm and Capt: Engineer in his Prussian Majesty's Service. Engrav'd by Eman.l Bowen Geog.r to his Britannick Majesty.
Published according to Act of Parliament Nov.r 29th 1757, and sold by J. Robinson and G. Kearsly at the Golden Lion in Ludgate Street: Price 1s.
Engraving with old colour. 215 x 320mm (8½ x 12½"), large margins. Creases and folds.
A plan of the Battle of Rossbach, fought as part of the Third Silesian War (1756-63, a local theatre of the Seven Years' War). Led by Frederick the Great, the Prussian army crushed a French/Imperial army twice its size in 90 minutes, without deploying its full strength. The Prussian dead and wounded were fewer than 700 against 3,500 (including six generals), with at least 5,000 soldiers captured.
[Ref: 52006] £180.00 (£216.00 incl.VAT)
Drawn on the Spot by Mos. Freadm Aid de Camp to Gen.l Bourkm and Capt: Engineer in his Prussian Majesty's Service. Engrav'd by Eman.l Bowen Geog.r to his Britannick Majesty.
Published according to Act of Parliament Nov.r 29th 1757, and sold by J. Robinson and G. Kearsly at the Golden Lion in Ludgate Street: Price 1s.
Engraving with old colour. 215 x 320mm (8½ x 12½"), large margins. Creases and folds.
A plan of the Battle of Rossbach, fought as part of the Third Silesian War (1756-63, a local theatre of the Seven Years' War). Led by Frederick the Great, the Prussian army crushed a French/Imperial army twice its size in 90 minutes, without deploying its full strength. The Prussian dead and wounded were fewer than 700 against 3,500 (including six generals), with at least 5,000 soldiers captured.
[Ref: 52006] £180.00 (£216.00 incl.VAT)
![[Antonio Roselli]](jpegs/46091.jpg)
[Antonio Roselli] Antonius Rosellus Aretinus Anno M CCCC LXXX
[Anon., 1566]
Engraving, sheet 225 x 155mm (8¾ x 6"). Trimmed and glued to backing sheet; ink staining at top.
Antonio Roselli (1381-1466), law professor and jurist.
[Ref: 46091] £280.00 (£336.00 incl.VAT)
[Anon., 1566]
Engraving, sheet 225 x 155mm (8¾ x 6"). Trimmed and glued to backing sheet; ink staining at top.
Antonio Roselli (1381-1466), law professor and jurist.
[Ref: 46091] £280.00 (£336.00 incl.VAT)
Dante Gabriel Rossetti, In His Back Garden.
[Max Beerbohm]
[London: William Heinemann, 1904 ]
Chromolithograph, sheet 380 x 535mm (15 x 21") Trimmed and glued to backing sheet.
From 'The Poets’ Corner'. Rossetti, who appears sketching Fanny Cornforth at lower left, and continuing counter-clockwise, the figures are J. M. Whistler, A. C. Swinburne, Theodore Watts-Dunton, George Meredith, William Morris, William Bell Scott, William Holman Hunt, John Ruskin, and Fanny Cornforth, Rossetti's mistress and model; Sir Edward Burne Jones presents a flower to a kangaroo. The painter and poet D. G. Rossetti (1828–1882) actually did keep a menagerie of exotic animals, from peacocks to wombats, at his London house. Sir Henry Maximilian Beerbohm (1872–1956) was an English essayist, parodist and caricaturist under the signature Max.
[Ref: 61989] £190.00 (£228.00 incl.VAT)
[Max Beerbohm]
[London: William Heinemann, 1904 ]
Chromolithograph, sheet 380 x 535mm (15 x 21") Trimmed and glued to backing sheet.
From 'The Poets’ Corner'. Rossetti, who appears sketching Fanny Cornforth at lower left, and continuing counter-clockwise, the figures are J. M. Whistler, A. C. Swinburne, Theodore Watts-Dunton, George Meredith, William Morris, William Bell Scott, William Holman Hunt, John Ruskin, and Fanny Cornforth, Rossetti's mistress and model; Sir Edward Burne Jones presents a flower to a kangaroo. The painter and poet D. G. Rossetti (1828–1882) actually did keep a menagerie of exotic animals, from peacocks to wombats, at his London house. Sir Henry Maximilian Beerbohm (1872–1956) was an English essayist, parodist and caricaturist under the signature Max.
[Ref: 61989] £190.00 (£228.00 incl.VAT)
Balmacarro-house, Loch-alsh, Roshire.
Drawn & Engraved by Will.m Daniell.
Published by Mess.rs Longman & Co. Paternoster Row & W. Daniell, 9 Cleveland Street, Fitzroy Square, London, May 1, 1818.
Aquatint with fine original hand colour. 230 x 300mm (9 x 12"). Watermarked 'J. Whatman 1817'. Large margins, uncut.
Balmacara, a small village on the north shore of Loch Alsh near Kyle of Lochalsh. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 36289] £160.00 (£192.00 incl.VAT)
Drawn & Engraved by Will.m Daniell.
Published by Mess.rs Longman & Co. Paternoster Row & W. Daniell, 9 Cleveland Street, Fitzroy Square, London, May 1, 1818.
Aquatint with fine original hand colour. 230 x 300mm (9 x 12"). Watermarked 'J. Whatman 1817'. Large margins, uncut.
Balmacara, a small village on the north shore of Loch Alsh near Kyle of Lochalsh. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 36289] £160.00 (£192.00 incl.VAT)
Théâtre Italien. Mr Rossi dans Othello. Rôle d'Othello.
[by Antonin Marie Chatinière?]
[Paris c.1875?]
Tinted lithograph with hand colour. Sheet 315 x 230mm (12¼ x 9"). Edges toned.
Ernesto Rossi (1827-1896), an Italian actor who specialised in Shakespearean roles and performed throughout Europe. The example held by the Yale Center for British Art has the attribution to Chatinière (1828-c.1900), written in pencil on the reverse.
Yale: B1976.1.216.
[Ref: 38827] £70.00 (£84.00 incl.VAT)
[by Antonin Marie Chatinière?]
[Paris c.1875?]
Tinted lithograph with hand colour. Sheet 315 x 230mm (12¼ x 9"). Edges toned.
Ernesto Rossi (1827-1896), an Italian actor who specialised in Shakespearean roles and performed throughout Europe. The example held by the Yale Center for British Art has the attribution to Chatinière (1828-c.1900), written in pencil on the reverse.
Yale: B1976.1.216.
[Ref: 38827] £70.00 (£84.00 incl.VAT)
Giuseppe Ignazio Rossi. Architetto. Dis. 1727.
Carol Gregori Sc.
[n.d., c.1739.]
Engraving, 18th century watermark. 400 x 260mm (15¾ x 10¼"), very large margins.
Roundel portrait of Giuseppe Ignazio Rossi (1696-1731, engraved by Carlo Gegori (1702-59) as the frontispiece portrait for his 'La Libreria Mediceo-Laurenziana, architettura di Michelagnolo Buonarotti'. This work was a study of the Laurentian Library, designed and built by Michelangelo between 1525 and 1562.
[Ref: 62819] £180.00 (£216.00 incl.VAT)
Carol Gregori Sc.
[n.d., c.1739.]
Engraving, 18th century watermark. 400 x 260mm (15¾ x 10¼"), very large margins.
Roundel portrait of Giuseppe Ignazio Rossi (1696-1731, engraved by Carlo Gegori (1702-59) as the frontispiece portrait for his 'La Libreria Mediceo-Laurenziana, architettura di Michelagnolo Buonarotti'. This work was a study of the Laurentian Library, designed and built by Michelangelo between 1525 and 1562.
[Ref: 62819] £180.00 (£216.00 incl.VAT)
Rossini.
L. Dupre en 1819. a Son ami Rossini. Coiny incl.
[n.d., c.1860.]
Stipple engraving. Sheet 240 x 155mm (9½ x 6"). Trimmed.
Portrait of Gioachino Antonio Rossini (1792 - 1868), Italian composer who gained fame for his 39 operas, although he also wrote many songs, some chamber music and piano pieces and some sacred music.
[Ref: 63259] £65.00 (£78.00 incl.VAT)
L. Dupre en 1819. a Son ami Rossini. Coiny incl.
[n.d., c.1860.]
Stipple engraving. Sheet 240 x 155mm (9½ x 6"). Trimmed.
Portrait of Gioachino Antonio Rossini (1792 - 1868), Italian composer who gained fame for his 39 operas, although he also wrote many songs, some chamber music and piano pieces and some sacred music.
[Ref: 63259] £65.00 (£78.00 incl.VAT)
![[Gioachino Rossini.]](jpegs/59813.jpg)
[Gioachino Rossini.]
[n.d. c.1860.]
Tinted lithograph. Sheet 255 x 195mm (10 x 7¾"). Spots & stains in edges.
Gioachino Antonio Rossini (1792-1868) the Italian composer of operas.
[Ref: 59813] £95.00 (£114.00 incl.VAT)
[n.d. c.1860.]
Tinted lithograph. Sheet 255 x 195mm (10 x 7¾"). Spots & stains in edges.
Gioachino Antonio Rossini (1792-1868) the Italian composer of operas.
[Ref: 59813] £95.00 (£114.00 incl.VAT)
![[Rossini.]](jpegs/24376.jpg)
[Rossini.]
[n.d. c.1860.]
Photograph on album page with title cover-page. Sheet 330 x 256mm. 13 x 10".
Gioachino Antonio Rossini (1792-1868), Italian composer who is known for his inspired and song-like melodies, hence his nickname "The Italian Mozart". Rossini was one of the most popular composers of his time with success after success. He was a foreign associate of the institute and grand officer of the Legion d'honneur, amongst other innumerable orders. Following Rossini's death, Verdi proposed to collaborate with twelve other Italian composers on a "Requiem for Rossini", to be performed on the first anniversary of his death. The score was written, but the performance was abandoned shortly before its scheduled premiere.
[Ref: 24376] £60.00 (£72.00 incl.VAT)
[n.d. c.1860.]
Photograph on album page with title cover-page. Sheet 330 x 256mm. 13 x 10".
Gioachino Antonio Rossini (1792-1868), Italian composer who is known for his inspired and song-like melodies, hence his nickname "The Italian Mozart". Rossini was one of the most popular composers of his time with success after success. He was a foreign associate of the institute and grand officer of the Legion d'honneur, amongst other innumerable orders. Following Rossini's death, Verdi proposed to collaborate with twelve other Italian composers on a "Requiem for Rossini", to be performed on the first anniversary of his death. The score was written, but the performance was abandoned shortly before its scheduled premiere.
[Ref: 24376] £60.00 (£72.00 incl.VAT)
![[Gioachino] Rossini.](jpegs/62250.jpg)
[Gioachino] Rossini.
Bertonniere [after Hortense Haudebourt-Lescot].
[n.d. c.1860.]
Engraving. 250 x 180mm (9¾ x 7), very large margins. Spotting.
Gioachino Antonio Rossini (1792-1868) the Italian operatic composer. A detail of the 1828 oil by Hortense Haudebourt-Lescot, once owned by the composer
[Ref: 62250] £70.00 (£84.00 incl.VAT)
Bertonniere [after Hortense Haudebourt-Lescot].
[n.d. c.1860.]
Engraving. 250 x 180mm (9¾ x 7), very large margins. Spotting.
Gioachino Antonio Rossini (1792-1868) the Italian operatic composer. A detail of the 1828 oil by Hortense Haudebourt-Lescot, once owned by the composer
[Ref: 62250] £70.00 (£84.00 incl.VAT)
![[Gioachino Rossini] Signor Joachim Rossini.](jpegs/62251.jpg)
[Gioachino Rossini] Signor Joachim Rossini.
Engraved by W. Read, from an original Drawing expressly for La Belle Assemblée.
[Published Jan.y 1.st 1823 for La Belle Assemblée. N.º 183.]
Stipple. Sheet 195 x 135mm (7¾ x 5¼") Trimmed, losing publication line.
Half-length portrait of Gioachino Antonio Rossini (1792-1868), Italian composer of operas, as a young man.
[Ref: 62251] £60.00 (£72.00 incl.VAT)
Engraved by W. Read, from an original Drawing expressly for La Belle Assemblée.
[Published Jan.y 1.st 1823 for La Belle Assemblée. N.º 183.]
Stipple. Sheet 195 x 135mm (7¾ x 5¼") Trimmed, losing publication line.
Half-length portrait of Gioachino Antonio Rossini (1792-1868), Italian composer of operas, as a young man.
[Ref: 62251] £60.00 (£72.00 incl.VAT)
Giovacchino Rossini.
from the bust executed at Florence.
[n.d. c.1820.]
Etching. 215 x 165mm. 8½ x 9½". Trimmed.
Gioachino Antonio Rossini (1792-1868) was an Italian composer, famous for his operas, sacred music, chamber music, songs and some intrusmental and piano compositions. His music was made up of song-like melodies, which inspired his nickanme "the Italian Mozart." Rossini was one of the most popular composers of his time with success after success. He was a foreign associate of the institute and grand officer of the Legion d'honneur, amongst other innumerable orders. Following Rossini's death, Verdi proposed to collaborate with twelve other Italian composers on a "Requiem for Rossini", to be performed on the first anniversary of his death. The score was written, but the performance was abandoned shortly before its scheduled premiere.
From the Collection of J.S. Bumpus.
[Ref: 17247] £120.00 (£144.00 incl.VAT)
from the bust executed at Florence.
[n.d. c.1820.]
Etching. 215 x 165mm. 8½ x 9½". Trimmed.
Gioachino Antonio Rossini (1792-1868) was an Italian composer, famous for his operas, sacred music, chamber music, songs and some intrusmental and piano compositions. His music was made up of song-like melodies, which inspired his nickanme "the Italian Mozart." Rossini was one of the most popular composers of his time with success after success. He was a foreign associate of the institute and grand officer of the Legion d'honneur, amongst other innumerable orders. Following Rossini's death, Verdi proposed to collaborate with twelve other Italian composers on a "Requiem for Rossini", to be performed on the first anniversary of his death. The score was written, but the performance was abandoned shortly before its scheduled premiere.
From the Collection of J.S. Bumpus.
[Ref: 17247] £120.00 (£144.00 incl.VAT)
Rossini.
Willis & Co. Royal Musical Library, 75, Lower Grosvenor St, London & 7, Westmoreland St, Dublin, April 4th.1885.
Fine lithograph. 341 x 241mm. 13 x 9½". Trimmed.
Gioachino Antonio Rossini (1792-1868) was an Italian composer, famous for his operas, sacred music, chamber music, songs and some intrusmental and piano compositions. His music was made up of song-like melodies, which inspired his nickanme "the Italian Mozart." Rossini was one of the most popular composers of his time with success after success. He was a foreign associate of the institute and grand officer of the Legion d'honneur, amongst other innumerable orders. Following Rossini's death, Verdi proposed to collaborate with twelve other Italian composers on a "Requiem for Rossini", to be performed on the first anniversary of his death. The score was written, but the performance was abandoned shortly before its scheduled premiere.
From the Collection of J.S. Bumpus.
[Ref: 17249] £240.00 (£288.00 incl.VAT)
Willis & Co. Royal Musical Library, 75, Lower Grosvenor St, London & 7, Westmoreland St, Dublin, April 4th.1885.
Fine lithograph. 341 x 241mm. 13 x 9½". Trimmed.
Gioachino Antonio Rossini (1792-1868) was an Italian composer, famous for his operas, sacred music, chamber music, songs and some intrusmental and piano compositions. His music was made up of song-like melodies, which inspired his nickanme "the Italian Mozart." Rossini was one of the most popular composers of his time with success after success. He was a foreign associate of the institute and grand officer of the Legion d'honneur, amongst other innumerable orders. Following Rossini's death, Verdi proposed to collaborate with twelve other Italian composers on a "Requiem for Rossini", to be performed on the first anniversary of his death. The score was written, but the performance was abandoned shortly before its scheduled premiere.
From the Collection of J.S. Bumpus.
[Ref: 17249] £240.00 (£288.00 incl.VAT)
Gioachino Rossini.
Per N. Bettoni. Fil.o Caporati dis. ed inc.
[n.d. c.1820.]
Engraving. 274 x 202mm. 10¾ x 8". Trimmed to platemark.
Gioachino Antonio Rossini (1792-1868) was an Italian composer, famous for his operas, sacred music, chamber music, songs and some intrusmental and piano compositions. His music was made up of song-like melodies, which inspired his nickanme "the Italian Mozart." Rossini was one of the most popular composers of his time with success after success. He was a foreign associate of the institute and grand officer of the Legion d'honneur, amongst other innumerable orders. Following Rossini's death, Verdi proposed to collaborate with twelve other Italian composers on a "Requiem for Rossini", to be performed on the first anniversary of his death. The score was written, but the performance was abandoned shortly before its scheduled premiere.
From the Collection of J.S. Bumpus.
[Ref: 17250] £160.00 (£192.00 incl.VAT)
Per N. Bettoni. Fil.o Caporati dis. ed inc.
[n.d. c.1820.]
Engraving. 274 x 202mm. 10¾ x 8". Trimmed to platemark.
Gioachino Antonio Rossini (1792-1868) was an Italian composer, famous for his operas, sacred music, chamber music, songs and some intrusmental and piano compositions. His music was made up of song-like melodies, which inspired his nickanme "the Italian Mozart." Rossini was one of the most popular composers of his time with success after success. He was a foreign associate of the institute and grand officer of the Legion d'honneur, amongst other innumerable orders. Following Rossini's death, Verdi proposed to collaborate with twelve other Italian composers on a "Requiem for Rossini", to be performed on the first anniversary of his death. The score was written, but the performance was abandoned shortly before its scheduled premiere.
From the Collection of J.S. Bumpus.
[Ref: 17250] £160.00 (£192.00 incl.VAT)
Rossini.
[n.d. c.1830.]
Lithograph. 272 x 215mm. 10¾ x 8½".
Gioachino Antonio Rossini (1792-1868) was an Italian composer, famous for his operas, sacred music, chamber music, songs and some intrusmental and piano compositions. His music was made up of song-like melodies, which inspired his nickanme "the Italian Mozart." Rossini was one of the most popular composers of his time with success after success. He was a foreign associate of the institute and grand officer of the Legion d'honneur, amongst other innumerable orders. Following Rossini's death, Verdi proposed to collaborate with twelve other Italian composers on a "Requiem for Rossini", to be performed on the first anniversary of his death. The score was written, but the performance was abandoned shortly before its scheduled premiere.
From the Collection of J.S. Bumpus.
[Ref: 17251] £180.00 (£216.00 incl.VAT)
[n.d. c.1830.]
Lithograph. 272 x 215mm. 10¾ x 8½".
Gioachino Antonio Rossini (1792-1868) was an Italian composer, famous for his operas, sacred music, chamber music, songs and some intrusmental and piano compositions. His music was made up of song-like melodies, which inspired his nickanme "the Italian Mozart." Rossini was one of the most popular composers of his time with success after success. He was a foreign associate of the institute and grand officer of the Legion d'honneur, amongst other innumerable orders. Following Rossini's death, Verdi proposed to collaborate with twelve other Italian composers on a "Requiem for Rossini", to be performed on the first anniversary of his death. The score was written, but the performance was abandoned shortly before its scheduled premiere.
From the Collection of J.S. Bumpus.
[Ref: 17251] £180.00 (£216.00 incl.VAT)
Gioacchino Rossini.
Published by Pinnock, Nov. 1823.
Engraving. Plate 241 x 209mm. 9½ x 8¼". Trimmed to the plate at the sides.
Gioachino Antonio Rossini (1792-1868) was an Italian composer, famous for his operas, sacred music, chamber music, songs and some intrusmental and piano compositions. His music was made up of song-like melodies, which inspired his nickanme "the Italian Mozart." Rossini was one of the most popular composers of his time with success after success. He was a foreign associate of the institute and grand officer of the Legion d'honneur, amongst other innumerable orders. Following Rossini's death, Verdi proposed to collaborate with twelve other Italian composers on a "Requiem for Rossini", to be performed on the first anniversary of his death. The score was written, but the performance was abandoned shortly before its scheduled premiere.
From the Collection of J.S. Bumpus.
[Ref: 17252] £130.00 (£156.00 incl.VAT)
Published by Pinnock, Nov. 1823.
Engraving. Plate 241 x 209mm. 9½ x 8¼". Trimmed to the plate at the sides.
Gioachino Antonio Rossini (1792-1868) was an Italian composer, famous for his operas, sacred music, chamber music, songs and some intrusmental and piano compositions. His music was made up of song-like melodies, which inspired his nickanme "the Italian Mozart." Rossini was one of the most popular composers of his time with success after success. He was a foreign associate of the institute and grand officer of the Legion d'honneur, amongst other innumerable orders. Following Rossini's death, Verdi proposed to collaborate with twelve other Italian composers on a "Requiem for Rossini", to be performed on the first anniversary of his death. The score was written, but the performance was abandoned shortly before its scheduled premiere.
From the Collection of J.S. Bumpus.
[Ref: 17252] £130.00 (£156.00 incl.VAT)
Rossini.
Geoffroy Sc.
Au Magasin de musique de Pacini, Boulevard des Italiens, No.11. [n.d. c.1835.]
Lithograph. 298 x 215mm. 11¾ x 8½". Some staining.
Gioachino Antonio Rossini (1792-1868) was an Italian composer, famous for his operas, sacred music, chamber music, songs and some intrusmental and piano compositions. His music was made up of song-like melodies, which inspired his nickanme "the Italian Mozart." Rossini was one of the most popular composers of his time with success after success. He was a foreign associate of the institute and grand officer of the Legion d'honneur, amongst other innumerable orders. Following Rossini's death, Verdi proposed to collaborate with twelve other Italian composers on a "Requiem for Rossini", to be performed on the first anniversary of his death. The score was written, but the performance was abandoned shortly before its scheduled premiere.
From the Collection of J.S. Bumpus.
[Ref: 17253] £160.00 (£192.00 incl.VAT)
Geoffroy Sc.
Au Magasin de musique de Pacini, Boulevard des Italiens, No.11. [n.d. c.1835.]
Lithograph. 298 x 215mm. 11¾ x 8½". Some staining.
Gioachino Antonio Rossini (1792-1868) was an Italian composer, famous for his operas, sacred music, chamber music, songs and some intrusmental and piano compositions. His music was made up of song-like melodies, which inspired his nickanme "the Italian Mozart." Rossini was one of the most popular composers of his time with success after success. He was a foreign associate of the institute and grand officer of the Legion d'honneur, amongst other innumerable orders. Following Rossini's death, Verdi proposed to collaborate with twelve other Italian composers on a "Requiem for Rossini", to be performed on the first anniversary of his death. The score was written, but the performance was abandoned shortly before its scheduled premiere.
From the Collection of J.S. Bumpus.
[Ref: 17253] £160.00 (£192.00 incl.VAT)
Gioachino Rossini.
[n.d. c.1825.]
Lithograph. Stamped on verso Emile Chelard Iena, 1860, 185 x 151mm. 7¼ x 6". Trimmed around the title area horizontal centre crease.
Gioachino Antonio Rossini (1792-1868) was an Italian composer, famous for his operas, sacred music, chamber music, songs and some intrusmental and piano compositions. His music was made up of song-like melodies, which inspired his nickanme "the Italian Mozart." Rossini was one of the most popular composers of his time with success after success. He was a foreign associate of the institute and grand officer of the Legion d'honneur, amongst other innumerable orders. Following Rossini's death, Verdi proposed to collaborate with twelve other Italian composers on a "Requiem for Rossini", to be performed on the first anniversary of his death. The score was written, but the performance was abandoned shortly before its scheduled premiere.
From the Collection of J.S. Bumpus.
[Ref: 17262] £70.00 (£84.00 incl.VAT)
[n.d. c.1825.]
Lithograph. Stamped on verso Emile Chelard Iena, 1860, 185 x 151mm. 7¼ x 6". Trimmed around the title area horizontal centre crease.
Gioachino Antonio Rossini (1792-1868) was an Italian composer, famous for his operas, sacred music, chamber music, songs and some intrusmental and piano compositions. His music was made up of song-like melodies, which inspired his nickanme "the Italian Mozart." Rossini was one of the most popular composers of his time with success after success. He was a foreign associate of the institute and grand officer of the Legion d'honneur, amongst other innumerable orders. Following Rossini's death, Verdi proposed to collaborate with twelve other Italian composers on a "Requiem for Rossini", to be performed on the first anniversary of his death. The score was written, but the performance was abandoned shortly before its scheduled premiere.
From the Collection of J.S. Bumpus.
[Ref: 17262] £70.00 (£84.00 incl.VAT)
Signor Gioacchino Rossini.
Painted by Michielli. Engraved by T. Woolnoth.
[n.d. c.1860.]
Stipple, laid on album page. 165 x 110mm (6½ x 4½").
Gioachino Antonio Rossini (1792-1868) the Italian composer, famous for his operas, sacred music, chamber music, songs, and some instrumental and piano compositions. His music was made up of song-like melodies, which inspired his nickname "the Italian Mozart". Following Rossini's death, Verdi proposed to collaborate with twelve other Italian composers on a "Requiem for Rossini", to be performed on the first anniversary of his death. The score was written, but the performance was abandoned shortly before its scheduled premiere.
[Ref: 34571] £60.00 (£72.00 incl.VAT)
Painted by Michielli. Engraved by T. Woolnoth.
[n.d. c.1860.]
Stipple, laid on album page. 165 x 110mm (6½ x 4½").
Gioachino Antonio Rossini (1792-1868) the Italian composer, famous for his operas, sacred music, chamber music, songs, and some instrumental and piano compositions. His music was made up of song-like melodies, which inspired his nickname "the Italian Mozart". Following Rossini's death, Verdi proposed to collaborate with twelve other Italian composers on a "Requiem for Rossini", to be performed on the first anniversary of his death. The score was written, but the performance was abandoned shortly before its scheduled premiere.
[Ref: 34571] £60.00 (£72.00 incl.VAT)
![Benj.n Rotch [facsimile signature].](jpegs/16667.jpg)
Benj.n Rotch [facsimile signature].
[London: Thomas & William Boone, 480 Strand. 1823.]
Coloured engraving. Printed area 100 x 80mm, 4 x 3¼".
A half-length portrait of Benjamin Rotch, barrister, chairman of the board of Middlesex magistrates & MP. As an MP he was particularly active working for reform of British patent law. His father, also Benjamin, was a Nantucket whaler who established a whale fishery operating from Milford Haven. Published in "Portraits of the Worthies of Westminster-Hall, with their Autographs; being Fac-Similies of Original Sketches, Found in the Note-Book of a Briefless Barrister". Only Part I of this work was published: an attempt to fund Part II by subscription failed.
[Ref: 16667] £65.00 (£78.00 incl.VAT)
[London: Thomas & William Boone, 480 Strand. 1823.]
Coloured engraving. Printed area 100 x 80mm, 4 x 3¼".
A half-length portrait of Benjamin Rotch, barrister, chairman of the board of Middlesex magistrates & MP. As an MP he was particularly active working for reform of British patent law. His father, also Benjamin, was a Nantucket whaler who established a whale fishery operating from Milford Haven. Published in "Portraits of the Worthies of Westminster-Hall, with their Autographs; being Fac-Similies of Original Sketches, Found in the Note-Book of a Briefless Barrister". Only Part I of this work was published: an attempt to fund Part II by subscription failed.
[Ref: 16667] £65.00 (£78.00 incl.VAT)
Rotheley Temple, Leicestershire, The Seat of Thomas Babington, Esq.r M.P.
Eng.d by John Scott.
[n.d. c.1820.]
Rare engraving. 248 x 322mm (9¾ x 12¾").
A view of Rotheley Temple, the home to Thomas Babington (1758-1837) then English philanthropist and politician. He was a member of the Clapham Sect, alongside more famous abolitionists such as William Wilberforce and Hannah More.
[Ref: 31191] £95.00 (£114.00 incl.VAT)
Eng.d by John Scott.
[n.d. c.1820.]
Rare engraving. 248 x 322mm (9¾ x 12¾").
A view of Rotheley Temple, the home to Thomas Babington (1758-1837) then English philanthropist and politician. He was a member of the Clapham Sect, alongside more famous abolitionists such as William Wilberforce and Hannah More.
[Ref: 31191] £95.00 (£114.00 incl.VAT)
![[The Avenue at Chaulnes.]](jpegs/62554.jpg)
[The Avenue at Chaulnes.]
[Published for the artist, & sold by the Cotswold Gallery, 59 Frith Street, Soho Sqaure, W.1. c.1918-22.]
Fine dry-point etching. 203 x 152mm (8 x 6”), with large margins. Uncut.
From 'Landscapes of the War' 1918-1922. View of an avenue of dead trees, with trunks standing without branches, and a collapsed structure blocking the road in foreground. The artist Sir William Rothenstein (1872 – 1945) acted as an Official War Artist to the British and Canadian armies on the Western Front during WW1, recording the devastation caused by war.
BM 1960,0409.247
[Ref: 62554] £280.00 (£336.00 incl.VAT)
[Published for the artist, & sold by the Cotswold Gallery, 59 Frith Street, Soho Sqaure, W.1. c.1918-22.]
Fine dry-point etching. 203 x 152mm (8 x 6”), with large margins. Uncut.
From 'Landscapes of the War' 1918-1922. View of an avenue of dead trees, with trunks standing without branches, and a collapsed structure blocking the road in foreground. The artist Sir William Rothenstein (1872 – 1945) acted as an Official War Artist to the British and Canadian armies on the Western Front during WW1, recording the devastation caused by war.
BM 1960,0409.247
[Ref: 62554] £280.00 (£336.00 incl.VAT)
![[Bourlon Church.]](jpegs/62556.jpg)
[Bourlon Church.]
[Published for the artist, & sold by the Cotswold Gallery, 59 Frith Street, Soho Sqaure, W.1. c.1918-22.]
Fine dry-point etching. 165 x 140mm (6½ x 5 ½”), with large margins. Some soiling in the edge of the margins. Uncut.
From 'Landscapes of the War' 1918-1922. View of a village with buildings damaged by war, in foreground at centre, church with ruined tower and rubble of stones in front. The artist Sir William Rothenstein (1872 – 1945) acted as an Official War Artist to the British and Canadian armies on the Western Front during WW1, recording the devastation caused by war.
BM 1960,0409.243
[Ref: 62556] £220.00 (£264.00 incl.VAT)
[Published for the artist, & sold by the Cotswold Gallery, 59 Frith Street, Soho Sqaure, W.1. c.1918-22.]
Fine dry-point etching. 165 x 140mm (6½ x 5 ½”), with large margins. Some soiling in the edge of the margins. Uncut.
From 'Landscapes of the War' 1918-1922. View of a village with buildings damaged by war, in foreground at centre, church with ruined tower and rubble of stones in front. The artist Sir William Rothenstein (1872 – 1945) acted as an Official War Artist to the British and Canadian armies on the Western Front during WW1, recording the devastation caused by war.
BM 1960,0409.243
[Ref: 62556] £220.00 (£264.00 incl.VAT)
![[The Church Square at Bourlon No.10.]](jpegs/62553.jpg)
[The Church Square at Bourlon No.10.]
[Published for the artist, & sold by the Cotswold Gallery, 59 Frith Street, Soho Sqaure, W.1. c.1918-22.]
Fine dry-point etching. 230 x 140mm (9 x 5 ½”), with large margins. Uncut.
From 'Lanscapes of the War' 1918-1922. View of derelict buildings damaged by war, surrounded by leafless trees with broken branches, with church at centre during. The artist Sir William Rothenstein (1872 – 1945) acted as an Official War Artist to the British and Canadian armies on the Western Front during WW1, recording the devastation caused by war.
BM 1960,0409.244
[Ref: 62553] £280.00 (£336.00 incl.VAT)
[Published for the artist, & sold by the Cotswold Gallery, 59 Frith Street, Soho Sqaure, W.1. c.1918-22.]
Fine dry-point etching. 230 x 140mm (9 x 5 ½”), with large margins. Uncut.
From 'Lanscapes of the War' 1918-1922. View of derelict buildings damaged by war, surrounded by leafless trees with broken branches, with church at centre during. The artist Sir William Rothenstein (1872 – 1945) acted as an Official War Artist to the British and Canadian armies on the Western Front during WW1, recording the devastation caused by war.
BM 1960,0409.244
[Ref: 62553] £280.00 (£336.00 incl.VAT)
![[Fresnes No.2.]](jpegs/62551.jpg)
[Fresnes No.2.]
[Published for the artist, & sold by the Cotswold Gallery, 59 Frith Street, Soho Sqaure, W.1. c.1918-22.]
Fine dry-point etching. 203 x 140mm (8 x 5 ½”), with large margins. Uncut.
From 'Landscapes of the War' 1918 - 1922. A sketch of Fresnes, France. Broken branches of dead trees lying on the ground, with rubble of destroyed wooden buildings behind, and a dead leafless tree with broken branches standing at centre. The artist Sir William Rothenstein (1872 – 1945) acted as an Official War Artist to the British and Canadian armies on the Western Front during WW1, recording the devastation caused by war.
BM 1960,0409.239
[Ref: 62551] £280.00 (£336.00 incl.VAT)
[Published for the artist, & sold by the Cotswold Gallery, 59 Frith Street, Soho Sqaure, W.1. c.1918-22.]
Fine dry-point etching. 203 x 140mm (8 x 5 ½”), with large margins. Uncut.
From 'Landscapes of the War' 1918 - 1922. A sketch of Fresnes, France. Broken branches of dead trees lying on the ground, with rubble of destroyed wooden buildings behind, and a dead leafless tree with broken branches standing at centre. The artist Sir William Rothenstein (1872 – 1945) acted as an Official War Artist to the British and Canadian armies on the Western Front during WW1, recording the devastation caused by war.
BM 1960,0409.239
[Ref: 62551] £280.00 (£336.00 incl.VAT)
![[Havrincourt.]](jpegs/62555.jpg)
[Havrincourt.]
[Published for the artist, & sold by the Cotswold Gallery, 59 Frith Street, Soho Sqaure, W.1. c.1918-22.]
Fine dry-point etching. Head & Co. watermark. 203 x 140mm (8 x 5 ½”), with large margins. Some soiling in the edge of margins. Slight foxmark top left in margin.
From 'Landscapes of the War' 1918-1922. View of buildings ruined by war, with fragments of walls standing among dead trees with broken branches during the First World War. The artist Sir William Rothenstein (1872 – 1945) acted as an Official War Artist to the British and Canadian armies on the Western Front during WW1, recording the devastation caused by war.
BM 1960,0409.250, BM 1949,0411.680
[Ref: 62555] £280.00 (£336.00 incl.VAT)
[Published for the artist, & sold by the Cotswold Gallery, 59 Frith Street, Soho Sqaure, W.1. c.1918-22.]
Fine dry-point etching. Head & Co. watermark. 203 x 140mm (8 x 5 ½”), with large margins. Some soiling in the edge of margins. Slight foxmark top left in margin.
From 'Landscapes of the War' 1918-1922. View of buildings ruined by war, with fragments of walls standing among dead trees with broken branches during the First World War. The artist Sir William Rothenstein (1872 – 1945) acted as an Official War Artist to the British and Canadian armies on the Western Front during WW1, recording the devastation caused by war.
BM 1960,0409.250, BM 1949,0411.680
[Ref: 62555] £280.00 (£336.00 incl.VAT)
![[Rothenstein Landscape.]](jpegs/62557.jpg)
[Rothenstein Landscape.]
[Published for the artist, & sold by the Cotswold Gallery, 59 Frith Street, Soho Sqaure, W.1. c.1918-22.]
Dry-point etching, Head & Co. watermark; 235 x 155mm (9¼ x 6”), with large margins. Some soiling in the edge of the margins. Uncut.
From 'Landscapes of the War' 1918-1922. View of a woodland, damaged by war. In the right foreground two large trees stand dead with broken branches depicting the impact of the First World War. The artist Sir William Rothenstein (1872 – 1945) acted as an Official War Artist to the British and Canadian armies on the Western Front during WW1, recording the devastation caused by war.
[Ref: 62557] £280.00 (£336.00 incl.VAT)
[Published for the artist, & sold by the Cotswold Gallery, 59 Frith Street, Soho Sqaure, W.1. c.1918-22.]
Dry-point etching, Head & Co. watermark; 235 x 155mm (9¼ x 6”), with large margins. Some soiling in the edge of the margins. Uncut.
From 'Landscapes of the War' 1918-1922. View of a woodland, damaged by war. In the right foreground two large trees stand dead with broken branches depicting the impact of the First World War. The artist Sir William Rothenstein (1872 – 1945) acted as an Official War Artist to the British and Canadian armies on the Western Front during WW1, recording the devastation caused by war.
[Ref: 62557] £280.00 (£336.00 incl.VAT)
![[Old Houses at Perrone No.5.]](jpegs/62552.jpg)
[Old Houses at Perrone No.5.]
[Published for the artist, & sold by the Cotswold Gallery, 59 Frith Street, Soho Sqaure, W.1. c.1918-22.]
Fine dry-Point etching, Head & Co. watermark. 203 x 140mm (8 x 5 ½”), with large margins. Some soiling in the edge of the margins. Uncut.
From 'Landscapes of the War' 1918-1922. View of wooden houses damaged by war, the one at centre with pointed roof, and pile of broken timber lying at front on top of a low stone wall. The artist Sir William Rothenstein (1872 – 1945) acted as an Official War Artist to the British and Canadian armies on the Western Front during WW1, recording the devastation caused by war.
[Ref: 62552] £280.00 (£336.00 incl.VAT)
[Published for the artist, & sold by the Cotswold Gallery, 59 Frith Street, Soho Sqaure, W.1. c.1918-22.]
Fine dry-Point etching, Head & Co. watermark. 203 x 140mm (8 x 5 ½”), with large margins. Some soiling in the edge of the margins. Uncut.
From 'Landscapes of the War' 1918-1922. View of wooden houses damaged by war, the one at centre with pointed roof, and pile of broken timber lying at front on top of a low stone wall. The artist Sir William Rothenstein (1872 – 1945) acted as an Official War Artist to the British and Canadian armies on the Western Front during WW1, recording the devastation caused by war.
[Ref: 62552] £280.00 (£336.00 incl.VAT)
![[Outside Bourlon Wood No.1.]](jpegs/62550.jpg)
[Outside Bourlon Wood No.1.]
[Published for the artist, & sold by the Cotswold Gallery, 59 Frith Street, Soho Sqaure, W.1. c.1918-22.]
Dry-point etching. 235 x 157mm (9¼ x 6”), with large margins. Some soiling in the edge of the margins. Uncut.
From 'Landscapes of the War' 1918-1922. View of a wooded area with broken trunks of dead trees standing without branches; church and other buildings seen in background at right and left. The artist Sir William Rothenstein (1872 – 1945) acted as an Official War Artist to the British and Canadian armies on the Western Front during WW1, recording the devastation caused by war. Bourlon Wood memorial stands today to commemorate the series of battles the Canadian Corps fought in the final months of the Great War.
[Ref: 62550] £280.00 (£336.00 incl.VAT)
[Published for the artist, & sold by the Cotswold Gallery, 59 Frith Street, Soho Sqaure, W.1. c.1918-22.]
Dry-point etching. 235 x 157mm (9¼ x 6”), with large margins. Some soiling in the edge of the margins. Uncut.
From 'Landscapes of the War' 1918-1922. View of a wooded area with broken trunks of dead trees standing without branches; church and other buildings seen in background at right and left. The artist Sir William Rothenstein (1872 – 1945) acted as an Official War Artist to the British and Canadian armies on the Western Front during WW1, recording the devastation caused by war. Bourlon Wood memorial stands today to commemorate the series of battles the Canadian Corps fought in the final months of the Great War.
[Ref: 62550] £280.00 (£336.00 incl.VAT)
Tho:s de Rotheram alias Scot Lincoln: deinde Archiep: Ebor totius Angliæ Cancell.s Coll: B. Mariæ, & Omn. Sanct: Lincoln Fund: Secund: Aº D.i 1478.
[after Wilhelm Sonmans.]
Summa. cum Humil: & Observ.tia D.D.D. J. Faber. [n.d., c.1715.]
Mezzotint. 260 x 205mm (10¼ x 8"), with large margins.
Thomas Rotherham (1423-1500), appointed Bishop of Rochester in 1468, Lincoln in 1472, and then Archbishop of York in 1480 until his death. He twice served as Lord Chancellor. After the Wars of the Roses his patronage saved Lincoln College Oxford, which had recieved its charter from the deposed Lancastrians. One of a set of portraits of founders of Oxford Colleges after portraits by Wilhelm Sonmans (d.1708), now in the Bodleian Library.
CS 34.
[Ref: 51983] £130.00 (£156.00 incl.VAT)
[after Wilhelm Sonmans.]
Summa. cum Humil: & Observ.tia D.D.D. J. Faber. [n.d., c.1715.]
Mezzotint. 260 x 205mm (10¼ x 8"), with large margins.
Thomas Rotherham (1423-1500), appointed Bishop of Rochester in 1468, Lincoln in 1472, and then Archbishop of York in 1480 until his death. He twice served as Lord Chancellor. After the Wars of the Roses his patronage saved Lincoln College Oxford, which had recieved its charter from the deposed Lancastrians. One of a set of portraits of founders of Oxford Colleges after portraits by Wilhelm Sonmans (d.1708), now in the Bodleian Library.
CS 34.
[Ref: 51983] £130.00 (£156.00 incl.VAT)
![[Two portraits of Thomas Rotherham]](jpegs/44068.jpg)
[Two portraits of Thomas Rotherham]
Two engravings and letterpress, the coloured one from Ackermanns Oxford; trimmed and pasted to album sheet covering area 400 x 200mm (15¾ x 8").
Thomas Rotherham (1423-1500), archbishop of York. Rotherham was a benefactor of the universities in both Oxford and Cambridge - he was chancellor of Cambridge and master of Pembroke from 1480, and co-founder of Lincoln College Oxford (which had been founded by Bishop Richard Flemming in 1427).
[Ref: 44068] £95.00 (£114.00 incl.VAT)
Two engravings and letterpress, the coloured one from Ackermanns Oxford; trimmed and pasted to album sheet covering area 400 x 200mm (15¾ x 8").
Thomas Rotherham (1423-1500), archbishop of York. Rotherham was a benefactor of the universities in both Oxford and Cambridge - he was chancellor of Cambridge and master of Pembroke from 1480, and co-founder of Lincoln College Oxford (which had been founded by Bishop Richard Flemming in 1427).
[Ref: 44068] £95.00 (£114.00 incl.VAT)
![[Two portraits of Thomas Rotherham]](jpegs/44069.jpg)
[Two portraits of Thomas Rotherham]
Two engravings and letterpress, trimmed and pasted to album sheet covering area 460 x 200mm (18 x 8").
Thomas Rotherham (1423-1500), archbishop of York. Rotherham was a benefactor of the universities in both Oxford and Cambridge - he was chancellor of Cambridge and master of Pembroke from 1480, and co-founder of Lincoln College Oxford (which had been founded by Bishop Richard Flemming in 1427).
[Ref: 44069] £140.00 (£168.00 incl.VAT)
Two engravings and letterpress, trimmed and pasted to album sheet covering area 460 x 200mm (18 x 8").
Thomas Rotherham (1423-1500), archbishop of York. Rotherham was a benefactor of the universities in both Oxford and Cambridge - he was chancellor of Cambridge and master of Pembroke from 1480, and co-founder of Lincoln College Oxford (which had been founded by Bishop Richard Flemming in 1427).
[Ref: 44069] £140.00 (£168.00 incl.VAT)
![[Thomas Rotherham.] Tho: de Rotheram.](jpegs/65139.jpg)
[Thomas Rotherham.] Tho: de Rotheram. Alias Scot Lincoln: deinde Archiep: Ebor: totius Angliae Cancell:s Coll: B: Mariae. & Omn: Sanct: Lincoln: Fund: Secund: Ao Di 1478. Hanc effigiem Rev:do Viro Fitzherb: Adams S.T.P. & istius Coll: Rectori Dignissimo.
Summa cum Humil: & Observ.tia D.D.D. J.Faber.
[n.d., c.1712.]
Very fine mezzotint. 255 x 200mm (10 x 8"), with large margins.
Portrait of Thomas Rotherham (1423 - 1500), Founder of Lincoln College, Oxford, and English cleric and statesman. He served as bishop of several dioceses, most notably as Archbishop of York and, on two occasions as Lord Chancellor.
CS 34 I of IV. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65139] £160.00 (£192.00 incl.VAT)
Summa cum Humil: & Observ.tia D.D.D. J.Faber.
[n.d., c.1712.]
Very fine mezzotint. 255 x 200mm (10 x 8"), with large margins.
Portrait of Thomas Rotherham (1423 - 1500), Founder of Lincoln College, Oxford, and English cleric and statesman. He served as bishop of several dioceses, most notably as Archbishop of York and, on two occasions as Lord Chancellor.
CS 34 I of IV. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65139] £160.00 (£192.00 incl.VAT)
![[Thomas Rotherham.] Tho: de Rotheram.](jpegs/65141.jpg)
[Thomas Rotherham.] Tho: de Rotheram. Alias Scot Lincoln: deinde Archiep: Ebor: totius Angliae Cancell:s Coll: B: Mariae. & Omn: Sanct: Lincoln: Fund: Secund: Ao Di 1478. Hanc effigiem Rev:do Viro Fitzherb: Adams S.T.P. & istius Coll: Rectori Dignissimo.
Summa cum Humil: & Observ.tia D.D.D. J.Faber.
[n.d., c.1730.] Printed and Sold by Tho.s Bakewell next door to the Horn Tavern in Fleetstreet London.
Mezzotint. 255 x 200mm (10 x 8"). Trimmed.
Portrait of Thomas Rotherham (1423 - 1500), Founder of Lincoln College, Oxford, and English cleric and statesman. He served as bishop of several dioceses, most notably as Archbishop of York and, on two occasions as Lord Chancellor.
CS 34 III of IV. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65141] £160.00 (£192.00 incl.VAT)
Summa cum Humil: & Observ.tia D.D.D. J.Faber.
[n.d., c.1730.] Printed and Sold by Tho.s Bakewell next door to the Horn Tavern in Fleetstreet London.
Mezzotint. 255 x 200mm (10 x 8"). Trimmed.
Portrait of Thomas Rotherham (1423 - 1500), Founder of Lincoln College, Oxford, and English cleric and statesman. He served as bishop of several dioceses, most notably as Archbishop of York and, on two occasions as Lord Chancellor.
CS 34 III of IV. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65141] £160.00 (£192.00 incl.VAT)
Rotherhithe.
Tombleson del. J. Carter sculp.
[n.d., c.1840.]
Steel engraving. 180 x 230mm (7 x 9").
A view of Rotherhithe from the Thames, with shipping. From W.G. Fernside's ''Eighty Picturesque Views on the Thames and Medway Engraved on Steel By the First Artists''.
[Ref: 64174] £45.00 (£54.00 incl.VAT)
Tombleson del. J. Carter sculp.
[n.d., c.1840.]
Steel engraving. 180 x 230mm (7 x 9").
A view of Rotherhithe from the Thames, with shipping. From W.G. Fernside's ''Eighty Picturesque Views on the Thames and Medway Engraved on Steel By the First Artists''.
[Ref: 64174] £45.00 (£54.00 incl.VAT)
Rotherhithe.
Tombleson del. J. Carter sculp.
[n.d., c.1840.]
Steel engraving. 180 x 230mm (7 x 9").
A view of Rotherhithe from the Thames, with shipping. From W.G. Fernside's ''Eighty Picturesque Views on the Thames and Medway Engraved on Steel By the First Artists''.
[Ref: 64175] £45.00 (£54.00 incl.VAT)
Tombleson del. J. Carter sculp.
[n.d., c.1840.]
Steel engraving. 180 x 230mm (7 x 9").
A view of Rotherhithe from the Thames, with shipping. From W.G. Fernside's ''Eighty Picturesque Views on the Thames and Medway Engraved on Steel By the First Artists''.
[Ref: 64175] £45.00 (£54.00 incl.VAT)
![[Map of Rotherhithe and Limehouse, from John Rocque's ‘Plan of the cities of London and Westminster, and borough of Southwark’.]](jpegs/53082.jpg)
[Map of Rotherhithe and Limehouse, from John Rocque's ‘Plan of the cities of London and Westminster, and borough of Southwark’.]
Published by John Pine & John Tinney in October 1746 according to Act of Parliament.
Engraved map. 695 x 505mm (27¼ x 19¾"). Small margins.
The most detailed map of Rotherhithe and Limehouse up to that time, showing the locations of the small docks made obsolete by the building of the East and West India docks half a century later. This plate was on the eastern edge of an iconic 24 sheet map, with a scale of 26 inches to a mile, surveyed by John Rocque (1736 - 1762) between 1735 and 1746. The map's eleborate engraved border runs down the right of this sheet.
[Ref: 53082] £460.00
Published by John Pine & John Tinney in October 1746 according to Act of Parliament.
Engraved map. 695 x 505mm (27¼ x 19¾"). Small margins.
The most detailed map of Rotherhithe and Limehouse up to that time, showing the locations of the small docks made obsolete by the building of the East and West India docks half a century later. This plate was on the eastern edge of an iconic 24 sheet map, with a scale of 26 inches to a mile, surveyed by John Rocque (1736 - 1762) between 1735 and 1746. The map's eleborate engraved border runs down the right of this sheet.
[Ref: 53082] £460.00
![["Barron Lionel"]](jpegs/63682.jpg)
["Barron Lionel"]
Ape. [Carlo Pellegrini] [Vincent Brooks, Day & Son, Lith.]
[Vanity Fair. Sep.r 22 1877]
Chromolithograph proof, with text, sheet 385 x 260mm (15¼ x 10¼"), large margins. Lightly foxed.
Full length caricature portrait of British Jewish banker, politician and philanthropist, Baron Lionel Nathan de Rothschild (1808 -79). He sits in a plush green armchair.
[Ref: 63682] £120.00 (£144.00 incl.VAT)
Ape. [Carlo Pellegrini] [Vincent Brooks, Day & Son, Lith.]
[Vanity Fair. Sep.r 22 1877]
Chromolithograph proof, with text, sheet 385 x 260mm (15¼ x 10¼"), large margins. Lightly foxed.
Full length caricature portrait of British Jewish banker, politician and philanthropist, Baron Lionel Nathan de Rothschild (1808 -79). He sits in a plush green armchair.
[Ref: 63682] £120.00 (£144.00 incl.VAT)
![[Nathan Mayer Rothschild.]](jpegs/66954.jpg)
[Nathan Mayer Rothschild.]
Private Plate. Excudit June 1, 1837, by W.m Walker, 64, Margaret Street, Cavendish Square, London.
Rare mezzotint proof. 380 x 295mm (15 x 11½"). Trimmed into plate at bottom, narrow margins elsewhere.
Nathan Mayer Rothschild (1777-1836), founder of the merchant bank, N.M. Rothschild. Jewish interest.
Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 66954] £390.00
Private Plate. Excudit June 1, 1837, by W.m Walker, 64, Margaret Street, Cavendish Square, London.
Rare mezzotint proof. 380 x 295mm (15 x 11½"). Trimmed into plate at bottom, narrow margins elsewhere.
Nathan Mayer Rothschild (1777-1836), founder of the merchant bank, N.M. Rothschild. Jewish interest.
Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 66954] £390.00