A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
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Joannes Baptista Rousseau, Natus Anno 1670. Certior in nostro carmine vultus erit. Mart. L.7. Ep.84.
J. Aved pinxit. G.F. Schmidt Sculpsit.
[n.d. c.1740.]
Very scarce engraving, sheet 300 x 210mm (11¾ x 8¼"). Trimmed to plate, glued on album sheet. 18th century watermark.
Three-quarter length portrait of Jean Baptiste Rousseau (1670-1741), French playwright and poet. Very atmospheric & fine portrait of Rousseau sitting in an armchair, looking to the right with a quill in his left hand and sheets in his right hand. Rousseau was particularly noted for his cynical epigrams.
[Ref: 59378] £650.00
J. Aved pinxit. G.F. Schmidt Sculpsit.
[n.d. c.1740.]
Very scarce engraving, sheet 300 x 210mm (11¾ x 8¼"). Trimmed to plate, glued on album sheet. 18th century watermark.
Three-quarter length portrait of Jean Baptiste Rousseau (1670-1741), French playwright and poet. Very atmospheric & fine portrait of Rousseau sitting in an armchair, looking to the right with a quill in his left hand and sheets in his right hand. Rousseau was particularly noted for his cynical epigrams.
[Ref: 59378] £650.00
Jean Bapt.e. Rousseau. Né á Paris en 1671.
J.P. Sauvage Pinx. G. F. Schmidt Sculp.
Aparis chez Odieuvre .m.d. d'Estampes de l'Ecole vis-à-vis la samarit.e.alabelle Image.
Line Engraving with small margins. 140mm x 100mm (5½" x 4")
Portrait of the French poet Jean Baptiste Rousseau (1671-1741), enemy of Voltaire, within an oval. Rousseau's scandalous verses saw him condemned to exile; he spent much of his life abroad and rejected an eventual invitation to return to France.
[Ref: 31923] £120.00 (£144.00 incl.VAT)
J.P. Sauvage Pinx. G. F. Schmidt Sculp.
Aparis chez Odieuvre .m.d. d'Estampes de l'Ecole vis-à-vis la samarit.e.alabelle Image.
Line Engraving with small margins. 140mm x 100mm (5½" x 4")
Portrait of the French poet Jean Baptiste Rousseau (1671-1741), enemy of Voltaire, within an oval. Rousseau's scandalous verses saw him condemned to exile; he spent much of his life abroad and rejected an eventual invitation to return to France.
[Ref: 31923] £120.00 (£144.00 incl.VAT)
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Rousseau addressing his Wife immediately before his Death. For the European Magazine.
J.M. Moreau del. Walker sculp.
Publish'd by J. Sewell Cornhill, Feb.y 1.st 1786.
Engraving. 125 x 170mm (5 x 6¾"). Narrow bottom margin.
Philosopher Jean-Jacques Rousseau (1712-78), seated in a wooden chair, raises his hand to gesture at his wife, who stands in the window of their living room.
[Ref: 66233] £90.00 (£108.00 incl.VAT)
J.M. Moreau del. Walker sculp.
Publish'd by J. Sewell Cornhill, Feb.y 1.st 1786.
Engraving. 125 x 170mm (5 x 6¾"). Narrow bottom margin.
Philosopher Jean-Jacques Rousseau (1712-78), seated in a wooden chair, raises his hand to gesture at his wife, who stands in the window of their living room.
[Ref: 66233] £90.00 (£108.00 incl.VAT)
J.J.Rousseau. L'Original appartient a M.r le C.te Louis de Giardin.
[After François Gérard] Y.in Melliaze [[?]Lithograph signature] Imp. Lith de Delpech. Latour pinx.t
[n.d c.1825]
Fine lithograph, sheet 510 x 335mm (20 x 13¼") very large margins.
Portrait of Jean Jacques Rousseau (1712-78), half-length, turned to left, looking to the viewer, wearing a fur-trimmed coat and a fur hat. The print is actually after Baron François Pascal Simon Gérard's (1770-1837) black and white chalk drawing which was after Maurice Quentin de La Tour's (1704-88) painting which is claimed to be the only one that Rousseau admitted as a likeness.
Original black and white chalk drawing in National Gallery of Victoria, Melbourne.
[Ref: 60608] £280.00 (£336.00 incl.VAT)
[After François Gérard] Y.in Melliaze [[?]Lithograph signature] Imp. Lith de Delpech. Latour pinx.t
[n.d c.1825]
Fine lithograph, sheet 510 x 335mm (20 x 13¼") very large margins.
Portrait of Jean Jacques Rousseau (1712-78), half-length, turned to left, looking to the viewer, wearing a fur-trimmed coat and a fur hat. The print is actually after Baron François Pascal Simon Gérard's (1770-1837) black and white chalk drawing which was after Maurice Quentin de La Tour's (1704-88) painting which is claimed to be the only one that Rousseau admitted as a likeness.
Original black and white chalk drawing in National Gallery of Victoria, Melbourne.
[Ref: 60608] £280.00 (£336.00 incl.VAT)
J. Jaques Rousseau. Tombeau de I. I. Rousseau a Ermenonville ou il a été déposé le 4 Julliet 1778 agé de 66 ans.
A Genêne chez Cassin, à Paris chez Isabay M.d d'Estampe rue de Gesvres.[n.d., c.1778.]
Engraving. Sheet 220 x 135mm (8¾ x 5¼"). Triummed within plate, printers crease top right.
A bust portrait in profile to the right of Genevan philosopher Jean-Jacques Rousseau, within a trompe l'oeil oval. Below the portrait is a depiction of Rousseau's tomb. He was initially buried at Ermenonville on the 'Ile des Peupliers' as shown, which became a place of pilgrimage for his many admirers, before being moved to the Panthéon in 1794.
W2547
[Ref: 53182] £65.00 (£78.00 incl.VAT)
A Genêne chez Cassin, à Paris chez Isabay M.d d'Estampe rue de Gesvres.[n.d., c.1778.]
Engraving. Sheet 220 x 135mm (8¾ x 5¼"). Triummed within plate, printers crease top right.
A bust portrait in profile to the right of Genevan philosopher Jean-Jacques Rousseau, within a trompe l'oeil oval. Below the portrait is a depiction of Rousseau's tomb. He was initially buried at Ermenonville on the 'Ile des Peupliers' as shown, which became a place of pilgrimage for his many admirers, before being moved to the Panthéon in 1794.
W2547
[Ref: 53182] £65.00 (£78.00 incl.VAT)
Jean Jacques Rousseau, Né à Genêve en 1708.
[A. Ramsay] London Pinx. 1766. J.B. Nochez Sculp 1[769. No. 6.]
[AParis chez Delalain, rue St Jacques. Avec Privilege du Roi.]
Scarce & fine engraving. Sheet 340 x 260mm (13½ x 10¼). Trimmed 2cm into image at sides and top, affecting artis & engraver's inscriptions, and 3cm at bottom, losing verse and publication line.
A half-length portrait of the philosopher Jean-Jacques Rousseau wearing fur hat and fur-lined coat, the Armenian costume he wore when he fled his native Switzerland to settle in Paris. This portrait was painted during his stay in England (January 1766 to May 1767). Engraved by Jean Edmé Nocher (b. 1736) after Allan Ramsay (1713-84), published by Nicolas-Augustin Delalain (c.1735-1806).
[Ref: 64230] £190.00 (£228.00 incl.VAT)
[A. Ramsay] London Pinx. 1766. J.B. Nochez Sculp 1[769. No. 6.]
[AParis chez Delalain, rue St Jacques. Avec Privilege du Roi.]
Scarce & fine engraving. Sheet 340 x 260mm (13½ x 10¼). Trimmed 2cm into image at sides and top, affecting artis & engraver's inscriptions, and 3cm at bottom, losing verse and publication line.
A half-length portrait of the philosopher Jean-Jacques Rousseau wearing fur hat and fur-lined coat, the Armenian costume he wore when he fled his native Switzerland to settle in Paris. This portrait was painted during his stay in England (January 1766 to May 1767). Engraved by Jean Edmé Nocher (b. 1736) after Allan Ramsay (1713-84), published by Nicolas-Augustin Delalain (c.1735-1806).
[Ref: 64230] £190.00 (£228.00 incl.VAT)
Jean Jacques Rousseau. Vitam Impendere Vero.
A. Ramsay Pinx.t. 1766. C. Corbutt [pseudonym of Richard Purcell] fecit.
Fine mezzotint. 355 x 255mm (14 x 10"), large margins, 18th century watermark.
Half-length portrait of the philosopher Jean-Jacques Rousseau wearing fur hat and fur-lined coat, the Armenian costume he wore when he fled his native Switzerland to settle in Paris. This portrait was painted during his stay in England (January 1766 to May 1767). The engraver was Richard Purcell, who used the pseudonym Corbutt when pirating the works of others, often for Robert Sayer, in this case one by David Martin. Chaloner Smith was not a fan of Rousseau: in his entry for the Martin plate he writes Rousseau wrote ''plays and novels'' and ''published other works of a quasi philosophical character".
CS 67, state i of ii.
[Ref: 65614] £680.00
A. Ramsay Pinx.t. 1766. C. Corbutt [pseudonym of Richard Purcell] fecit.
Fine mezzotint. 355 x 255mm (14 x 10"), large margins, 18th century watermark.
Half-length portrait of the philosopher Jean-Jacques Rousseau wearing fur hat and fur-lined coat, the Armenian costume he wore when he fled his native Switzerland to settle in Paris. This portrait was painted during his stay in England (January 1766 to May 1767). The engraver was Richard Purcell, who used the pseudonym Corbutt when pirating the works of others, often for Robert Sayer, in this case one by David Martin. Chaloner Smith was not a fan of Rousseau: in his entry for the Martin plate he writes Rousseau wrote ''plays and novels'' and ''published other works of a quasi philosophical character".
CS 67, state i of ii.
[Ref: 65614] £680.00
J.J.Rousseau, Author of Letters on Botany & c. The Tomb of Jean Jaque Rousseau.
Ramsay, Portrait Painter to the King. pinxt. Caldwall sculpt.
London. Published July 1.1801, by Dr.Thornton, Hinde Sheet.
Stipple & line engraving. 470 x 317mm (18½" x 12½"). A few nicks and tears around the edges, a few small spots of foxing, na4rrow margins.
Jean-Jacques Rousseau (June 28, 1712 - July 2, 1778) was a Franco-Swiss philosopher of the Enlightenment whose political ideas influenced the French Revolution, the development of socialist theory, and the growth of nationalism. His legacy as a radical and revolutionary is perhaps best demonstrated by his most famous line in The Social Contract: 'Man is born free, and everywhere he is in chains.'
W: 2547-9.
[Ref: 26910] £160.00 (£192.00 incl.VAT)
Ramsay, Portrait Painter to the King. pinxt. Caldwall sculpt.
London. Published July 1.1801, by Dr.Thornton, Hinde Sheet.
Stipple & line engraving. 470 x 317mm (18½" x 12½"). A few nicks and tears around the edges, a few small spots of foxing, na4rrow margins.
Jean-Jacques Rousseau (June 28, 1712 - July 2, 1778) was a Franco-Swiss philosopher of the Enlightenment whose political ideas influenced the French Revolution, the development of socialist theory, and the growth of nationalism. His legacy as a radical and revolutionary is perhaps best demonstrated by his most famous line in The Social Contract: 'Man is born free, and everywhere he is in chains.'
W: 2547-9.
[Ref: 26910] £160.00 (£192.00 incl.VAT)
Apothéose de J.J. Rousseau, sa Translation auy Panthéon. le 11 Octobre 1794, ou 20 Vendémaire An 3.eme de la République.
Duplesi-Bertaux inv. & del. Berthault Sculp.
[Paris: Auber, 1804.]
Etching with large margins. 240 x 310mm (9½ x 12¼"). Repaired tear outside plate.
The philosopher Jean-Jacques Rousseau (1712-1778) was one the figureheads of the French Revolution. He was originally buried at Ermenonville on the Ile des Peupliers, but in 1794 his remains were transferred to the Pantheon and interred in a tomb in the shape of a classical temple. Published in the 'Collection complète des tableaux historiques de la révolution française'.
[Ref: 28241] £90.00 (£108.00 incl.VAT)
Duplesi-Bertaux inv. & del. Berthault Sculp.
[Paris: Auber, 1804.]
Etching with large margins. 240 x 310mm (9½ x 12¼"). Repaired tear outside plate.
The philosopher Jean-Jacques Rousseau (1712-1778) was one the figureheads of the French Revolution. He was originally buried at Ermenonville on the Ile des Peupliers, but in 1794 his remains were transferred to the Pantheon and interred in a tomb in the shape of a classical temple. Published in the 'Collection complète des tableaux historiques de la révolution française'.
[Ref: 28241] £90.00 (£108.00 incl.VAT)
A pleasing Method of rouzing the Doctor_or a Tythe Pig no bad fight.
[Anon.]
Printed for Carington Bowles, at his Map & Print Warehouse, No.69 in St. Pauls Church Yard, London. Published as the Act directs, 31 Aug. 1775.
Hand coloured mezzotint. Platemark: 325 x 250mm (12¾ x 9¾"). Light creasing. Paper toned. Small repaired tears to edges of sheet. One small hole above head of doctor.
An interior scene in which a maid-servant tickles the nose of a sleeping country parson with the tail of a suckling pig, that has just been delivered by a boy who watches from the door in the background to right. On the wall to the left hangs 'A Plan of the Doctor's Parish', and two portraits. There are also two open books, one on the floor, and one on the table, inscribed 'Poem on goodliving', and 'Tythe Laws fully Consider'd'.
[Ref: 35388] £230.00 (£276.00 incl.VAT)
[Anon.]
Printed for Carington Bowles, at his Map & Print Warehouse, No.69 in St. Pauls Church Yard, London. Published as the Act directs, 31 Aug. 1775.
Hand coloured mezzotint. Platemark: 325 x 250mm (12¾ x 9¾"). Light creasing. Paper toned. Small repaired tears to edges of sheet. One small hole above head of doctor.
An interior scene in which a maid-servant tickles the nose of a sleeping country parson with the tail of a suckling pig, that has just been delivered by a boy who watches from the door in the background to right. On the wall to the left hangs 'A Plan of the Doctor's Parish', and two portraits. There are also two open books, one on the floor, and one on the table, inscribed 'Poem on goodliving', and 'Tythe Laws fully Consider'd'.
[Ref: 35388] £230.00 (£276.00 incl.VAT)
![[Rovereto] Napoleon & Massena Defeating the Austrian Army, at the Terrible Battle of Roveredo.](jpegs/53343.jpg)
[Rovereto] Napoleon & Massena Defeating the Austrian Army, at the Terrible Battle of Roveredo.
Engraved by Mr George Cruikshank from the original drawn from Nature by C. Vernet executed at Paris by L. Duplessi Bertaux.
Published August 1, 1823 by John Cumberland, No 19, Ludgate Hill.
Coloured aquatint. Sheet 215 x 275mm (8½ x 10¾"). Folded twice as issued, split taped, creasing, album paper stuck over left edge.
The Battle of Rovereto (also Battle of Roveredo), fought 4th September 1796 east of Lake Guardia in northern Italy, at which Napoleon Bonaparte defeated the Austrians who were trying to raise the Seige of Mantova. From W.H. Ireland's 'Life of Napoleon Bonaparte', 1828.
Tooley 278.
[Ref: 53343] £95.00 (£114.00 incl.VAT)
Engraved by Mr George Cruikshank from the original drawn from Nature by C. Vernet executed at Paris by L. Duplessi Bertaux.
Published August 1, 1823 by John Cumberland, No 19, Ludgate Hill.
Coloured aquatint. Sheet 215 x 275mm (8½ x 10¾"). Folded twice as issued, split taped, creasing, album paper stuck over left edge.
The Battle of Rovereto (also Battle of Roveredo), fought 4th September 1796 east of Lake Guardia in northern Italy, at which Napoleon Bonaparte defeated the Austrians who were trying to raise the Seige of Mantova. From W.H. Ireland's 'Life of Napoleon Bonaparte', 1828.
Tooley 278.
[Ref: 53343] £95.00 (£114.00 incl.VAT)
Harry Rowe. Born at York in 1726. Trumpeter in the Duke of Kingston's Light Horse at the Battle of Culloden in 1746 and 45 Years Trumpeter to the High Sheriffs of Yorkshire 1797.
[n.d. 1800.]
A very fine etching. 141 x 108mm. 5½ x 4¼". Cut and laid on separate sheet.
Harry Rowe [1726-1800] was not only a trumpeter in York by also the master of a puppet-show, and for many successive years, he opened his little theatre at York during the winter months.
[Ref: 14275] £75.00 (£90.00 incl.VAT)
[n.d. 1800.]
A very fine etching. 141 x 108mm. 5½ x 4¼". Cut and laid on separate sheet.
Harry Rowe [1726-1800] was not only a trumpeter in York by also the master of a puppet-show, and for many successive years, he opened his little theatre at York during the winter months.
[Ref: 14275] £75.00 (£90.00 incl.VAT)
Harry Rowe, Born in York 1726. Trumpeter in the Duke of Kingston's Light Horse at the Battle of Culloden in 1746. Forty six Years Trumpeter to the High Sherrifs of Yorkshire and Manager of a Company of Artificial Comedians.
F:A ad viv del.t & fecit 1798.
Etching and drypoint. 150 x 100mm (6 x 4"), with large margins with ink note '4th State different inscription May 30 1799 R.A.'.
Half-length portrait of the english showman, trumpeter and puppet master Harry Rowe (1726-1799), aged seventy-two, standing in profile to left at stage of puppet theatre. Drum, trumpet and images of puppets hang at right, a man drowning at sea can be seen in the background. He is best known for his ammended publication of Shakespeare's Macbeth, 'with Notes by Harry Rowe. York, printed for the Annotator (1797).' The notes were of humorous nature, and in this image he is shown holding a copy of the publication.
BM 1851,0308.572
[Ref: 55016] £280.00 (£336.00 incl.VAT)
F:A ad viv del.t & fecit 1798.
Etching and drypoint. 150 x 100mm (6 x 4"), with large margins with ink note '4th State different inscription May 30 1799 R.A.'.
Half-length portrait of the english showman, trumpeter and puppet master Harry Rowe (1726-1799), aged seventy-two, standing in profile to left at stage of puppet theatre. Drum, trumpet and images of puppets hang at right, a man drowning at sea can be seen in the background. He is best known for his ammended publication of Shakespeare's Macbeth, 'with Notes by Harry Rowe. York, printed for the Annotator (1797).' The notes were of humorous nature, and in this image he is shown holding a copy of the publication.
BM 1851,0308.572
[Ref: 55016] £280.00 (£336.00 incl.VAT)
Rowing. University eight training on the Isis.
William Mackenzie, London, Edinburgh, & Glasgow. [n.d. c.1860.]
Lithograph and letterpress text. 305 x 245mm. 12 x 9¾".
The Oxford University crew training on the River Isis with coaches, friends and onlookers running along side. Other water vessels can also be seen: such as a single skull, two fours and a sailing boat. Two church spires can be seen above the trees in the background. Enclosed inside text on Rowing and Sculling, inlcuding a list of the of 'Principles of Rowing and Steering', 'Faults in Rowing', and the 'General Rules of Boat-Racing'.
[Ref: 24936] £220.00 (£264.00 incl.VAT)
William Mackenzie, London, Edinburgh, & Glasgow. [n.d. c.1860.]
Lithograph and letterpress text. 305 x 245mm. 12 x 9¾".
The Oxford University crew training on the River Isis with coaches, friends and onlookers running along side. Other water vessels can also be seen: such as a single skull, two fours and a sailing boat. Two church spires can be seen above the trees in the background. Enclosed inside text on Rowing and Sculling, inlcuding a list of the of 'Principles of Rowing and Steering', 'Faults in Rowing', and the 'General Rules of Boat-Racing'.
[Ref: 24936] £220.00 (£264.00 incl.VAT)
![[Rowing Race.]](jpegs/53291.jpg)
[Rowing Race.]
Ed. Sagot Editeur Paris. [n.d., c.1900.]
Scarce chromolithograph. Sheet 210 x 1050mm (8¼ x 41¼"). Folded, small hole near centre fold.
A race between two sixes, one with a female cox, followed by a motor launch.
[Ref: 53291] £260.00 (£312.00 incl.VAT)
Ed. Sagot Editeur Paris. [n.d., c.1900.]
Scarce chromolithograph. Sheet 210 x 1050mm (8¼ x 41¼"). Folded, small hole near centre fold.
A race between two sixes, one with a female cox, followed by a motor launch.
[Ref: 53291] £260.00 (£312.00 incl.VAT)
Life on the Water. The Grand Rowing Match for Mr Kean's Prize Wherry. Red House, Battersea.
[Knight & Lacey London, 1827.]
Engraving with very fine colour. Sheet 185 x 120mm (7¼ x 4¾"). Trimmed and edges backed onto album paper. Tear across bottom right corner, repaired with tape.
A satirical print depiciting distressed men rowing frantcially in a match, with the Red House, Battersea in the background..
[Ref: 68420] £160.00 (£192.00 incl.VAT)
[Knight & Lacey London, 1827.]
Engraving with very fine colour. Sheet 185 x 120mm (7¼ x 4¾"). Trimmed and edges backed onto album paper. Tear across bottom right corner, repaired with tape.
A satirical print depiciting distressed men rowing frantcially in a match, with the Red House, Battersea in the background..
[Ref: 68420] £160.00 (£192.00 incl.VAT)
![[Rowing at Oxford.]](jpegs/40254.jpg)
[Rowing at Oxford.]
Launcelot Speed.
[n.d., 1902.]
Photolithograph. Sheet 205 x 300mm (8 x 12"), mounted on original green backing paper, with sheet of descriptive text.
From B.F. Robinson's 'Sporting Pictures', 1902. The rowers are watched by spectators in numerous small craft. Lancelot Speed (1860-1931), an artist whose illustrations for 'She' by H. Rider Haggard won him the role of designer on a 1916 silent movie version of the novel.
[Ref: 40254] £65.00 (£78.00 incl.VAT)
Launcelot Speed.
[n.d., 1902.]
Photolithograph. Sheet 205 x 300mm (8 x 12"), mounted on original green backing paper, with sheet of descriptive text.
From B.F. Robinson's 'Sporting Pictures', 1902. The rowers are watched by spectators in numerous small craft. Lancelot Speed (1860-1931), an artist whose illustrations for 'She' by H. Rider Haggard won him the role of designer on a 1916 silent movie version of the novel.
[Ref: 40254] £65.00 (£78.00 incl.VAT)
![[Rowing.]](jpegs/7670.jpg)
[Rowing.]
[n.d., c.1830.]
Coloured aquatint. Image 290 x 450mm. Restoration to tears and holes, laid on restorer's tissue.
A very scarce rowing scene, with an eight-man crew, probably from a college.
[Ref: 7670] £320.00
[n.d., c.1830.]
Coloured aquatint. Image 290 x 450mm. Restoration to tears and holes, laid on restorer's tissue.
A very scarce rowing scene, with an eight-man crew, probably from a college.
[Ref: 7670] £320.00
![[William Rowland.]](jpegs/68027.jpg)
[William Rowland.]
[n.d., c.1690.]
Engraving. Sheet 145 x 95mm (5¾ x 3¼"). Trimmed and backed onto album paper at borders
Portrait of William Rowland (c.1600s), Physician.
Not in Wellcome.
[Ref: 68027] £70.00 (£84.00 incl.VAT)
[n.d., c.1690.]
Engraving. Sheet 145 x 95mm (5¾ x 3¼"). Trimmed and backed onto album paper at borders
Portrait of William Rowland (c.1600s), Physician.
Not in Wellcome.
[Ref: 68027] £70.00 (£84.00 incl.VAT)
![[Estuary with ship and ruined forts, St Maws?]](jpegs/58147.jpg)
[Estuary with ship and ruined forts, St Maws?]
[Etched by Thomas Rowlandson.]
[London: J. Rowlandson, c.1813.]
Coloured etching. 170 x 255mm (6¾ x 10"), with large margins. Notch in edge of margin on left. Taped in mount.
From Rowlandson's 'Views in Cornwall', without an identified location.
Abbey 105-13.
[Ref: 58147] £220.00 (£264.00 incl.VAT)
[Etched by Thomas Rowlandson.]
[London: J. Rowlandson, c.1813.]
Coloured etching. 170 x 255mm (6¾ x 10"), with large margins. Notch in edge of margin on left. Taped in mount.
From Rowlandson's 'Views in Cornwall', without an identified location.
Abbey 105-13.
[Ref: 58147] £220.00 (£264.00 incl.VAT)
![[Village with stream, bridge and stepping stones, near Helston?]](jpegs/58148.jpg)
[Village with stream, bridge and stepping stones, near Helston?]
[Etched by Thomas Rowlandson.]
[London: J. Rowlandson, c.1813.]
Coloured etching. 170 x 255mm (6¾ x 10"), with large margins. Slight mount burn. Taped in mount.
From Rowlandson's 'Views in Cornwall', without an identified location.
Abbey 105-9.
[Ref: 58148] £220.00 (£264.00 incl.VAT)
[Etched by Thomas Rowlandson.]
[London: J. Rowlandson, c.1813.]
Coloured etching. 170 x 255mm (6¾ x 10"), with large margins. Slight mount burn. Taped in mount.
From Rowlandson's 'Views in Cornwall', without an identified location.
Abbey 105-9.
[Ref: 58148] £220.00 (£264.00 incl.VAT)
Everdingen.
[Etched by Thomas Rowlandson.]
[London: J. Rowlandson, c.1813.]
Coloured etching. 165 x 175mm (6½ x 7"), with large margins. Taped in mount.
Two carts on a truck before a church and distant hills. From Rowlandson's 'Views in Cornwall'. Abbey is uncertain whether 'Everdingen' is the title or the artist.
Abbey 105-7.
[Ref: 58146] £160.00 (£192.00 incl.VAT)
[Etched by Thomas Rowlandson.]
[London: J. Rowlandson, c.1813.]
Coloured etching. 165 x 175mm (6½ x 7"), with large margins. Taped in mount.
Two carts on a truck before a church and distant hills. From Rowlandson's 'Views in Cornwall'. Abbey is uncertain whether 'Everdingen' is the title or the artist.
Abbey 105-7.
[Ref: 58146] £160.00 (£192.00 incl.VAT)
Rowlandson The Caricaturist. A Selection from his Works with Anecdotal Descriptions of his Famous Caricatures and A Sketch of his Life, Times, and Contemporaries with about four hundred illustrations. In Two Volumes - Vol. I. [&] Vol. II
by Joseph Grego Author of 'James Gillray, The Caricaturist; His Life, Works, and Times'.
London. Chatto and Windus, Piccadilly 1880. London: Printed by Spottiswoode and Co, New-Street Square and Parliament Street.
2 Volumes. Book: 4to (278 x 214mm) (i) pp. xii-xv 377. (ii) pp. vi-xi 453. Both profusely illustrated with b/w images. Morocco leather binding. Top edges gilt (i) Binding and cover worn. Some spotting on pages. (ii) Leather spine almost completely detatched, worn cover.
An illustrated narrative of a selection Rowlandson's works.
[Ref: 14209] £460.00 view all images for this item
by Joseph Grego Author of 'James Gillray, The Caricaturist; His Life, Works, and Times'.
London. Chatto and Windus, Piccadilly 1880. London: Printed by Spottiswoode and Co, New-Street Square and Parliament Street.
2 Volumes. Book: 4to (278 x 214mm) (i) pp. xii-xv 377. (ii) pp. vi-xi 453. Both profusely illustrated with b/w images. Morocco leather binding. Top edges gilt (i) Binding and cover worn. Some spotting on pages. (ii) Leather spine almost completely detatched, worn cover.
An illustrated narrative of a selection Rowlandson's works.
[Ref: 14209] £460.00 view all images for this item
Chelsea Volunteer. Prime & Load 4th priming motion (Front Rank). When the Cartridge is opened, the hand is brought to the Pan. which by a couple of shakes is filled.
Rowlandson delin.
London Pub. Aug. 7 1798 at Ackermann Gallery No. 101 Strand
Etching and aquatint, coloured and heightened with gold. Platemark 250 x 200mm (10 x 8"). Outside of frame 425 x 380mm (16½ x 15").
Plate thirty-five from 'Loyal Volunteers of London & Environs. Infantry & Cavalry, in their respective Uniforms. Representing the whole of the Manual, Platoon, & Funeral Exercise, in 87 Plates. Designed & etched by T. Rowlandson, and Dedicated by Permission to His Royal Highness the Duke of Glocester'.
Ogilby 778.35; Abbey: Life 379. For complete volume see ref. 7433
[Ref: 18955] £180.00 (£216.00 incl.VAT)
Rowlandson delin.
London Pub. Aug. 7 1798 at Ackermann Gallery No. 101 Strand
Etching and aquatint, coloured and heightened with gold. Platemark 250 x 200mm (10 x 8"). Outside of frame 425 x 380mm (16½ x 15").
Plate thirty-five from 'Loyal Volunteers of London & Environs. Infantry & Cavalry, in their respective Uniforms. Representing the whole of the Manual, Platoon, & Funeral Exercise, in 87 Plates. Designed & etched by T. Rowlandson, and Dedicated by Permission to His Royal Highness the Duke of Glocester'.
Ogilby 778.35; Abbey: Life 379. For complete volume see ref. 7433
[Ref: 18955] £180.00 (£216.00 incl.VAT)
Fulham Volunteer. Ground Arms 2.d Motion. At the motion, the left foot makes a firm step out; the right hand at the same time quits the muzzle, takes the Firelock by the middle & brings it to the ground with the right knee upon the lock & the left hand straight down the left calf
Rowlandson delin.
London Pub. June 10. 1798 at Ackermann Gallery No. 101 Strand
Etching and aquatint, coloured and heightened with gold. 250 x 200mm (10 x 8"). Outside of frame 425 x 380mm (16½ x 15").
Plate twenty-seven from 'Loyal Volunteers of London & Environs. Infantry & Cavalry, in their respective Uniforms. Representing the whole of the Manual, Platoon, & Funeral Exercise, in 87 Plates. Designed & etched by T. Rowlandson, and Dedicated by Permission to His Royal Highness the Duke of Glocester'.
Ogilby 778.27; Abbey: Life 379. For complete volume see ref. 7433
[Ref: 18953] £140.00 (£168.00 incl.VAT)
Rowlandson delin.
London Pub. June 10. 1798 at Ackermann Gallery No. 101 Strand
Etching and aquatint, coloured and heightened with gold. 250 x 200mm (10 x 8"). Outside of frame 425 x 380mm (16½ x 15").
Plate twenty-seven from 'Loyal Volunteers of London & Environs. Infantry & Cavalry, in their respective Uniforms. Representing the whole of the Manual, Platoon, & Funeral Exercise, in 87 Plates. Designed & etched by T. Rowlandson, and Dedicated by Permission to His Royal Highness the Duke of Glocester'.
Ogilby 778.27; Abbey: Life 379. For complete volume see ref. 7433
[Ref: 18953] £140.00 (£168.00 incl.VAT)
Westminster Volunteer Attention. An Upright Position, the muzzle of the Piece placed in the Interval of the right Shoulder. Right hand extended down the Sling, Left hand straight down the thigh.
Rowlandson delin.
London Pub. June 1. 1798 at Ackermann Gallery No. 101 Strand
Etching and aquatint, coloured and heightened with gold. Platemark 250 x 200mm (10 x 8").
Plate two from 'Loyal Volunteers of London & Environs. Infantry & Cavalry, in their respective Uniforms. Representing the whole of the Manual, Platoon, & Funeral Exercise, in 87 Plates. Designed & etched by T. Rowlandson, and Dedicated by Permission to His Royal Highness the Duke of Glocester'.
Ogilby 778.2; Abbey: Life 379. For complete volume see ref. 7433
[Ref: 18948] £180.00 (£216.00 incl.VAT)
Rowlandson delin.
London Pub. June 1. 1798 at Ackermann Gallery No. 101 Strand
Etching and aquatint, coloured and heightened with gold. Platemark 250 x 200mm (10 x 8").
Plate two from 'Loyal Volunteers of London & Environs. Infantry & Cavalry, in their respective Uniforms. Representing the whole of the Manual, Platoon, & Funeral Exercise, in 87 Plates. Designed & etched by T. Rowlandson, and Dedicated by Permission to His Royal Highness the Duke of Glocester'.
Ogilby 778.2; Abbey: Life 379. For complete volume see ref. 7433
[Ref: 18948] £180.00 (£216.00 incl.VAT)
Unloading A Waggon. 214.
Rowlandson inv.
Pub.d September 12. 1813 by Tho.s Tegg No.111 Cheapside.
Hand coloured etching. Sheet 235 x 335mm (9¼ x 13¼"). Trimmed to image and around title. Pinholes in top corners.
A lively scene depicting a variety of characters descending from a covered wagon, to the left, into a coaching inn to the right, the 'Flying Waggon Inn'. A sign above the door reads, 'Entertainment For Man and Horse'. By renowned English artist and caricaturist, Thomas Rowlandson (1756 - 1827).
[Ref: 58820] £260.00 (£312.00 incl.VAT)
Rowlandson inv.
Pub.d September 12. 1813 by Tho.s Tegg No.111 Cheapside.
Hand coloured etching. Sheet 235 x 335mm (9¼ x 13¼"). Trimmed to image and around title. Pinholes in top corners.
A lively scene depicting a variety of characters descending from a covered wagon, to the left, into a coaching inn to the right, the 'Flying Waggon Inn'. A sign above the door reads, 'Entertainment For Man and Horse'. By renowned English artist and caricaturist, Thomas Rowlandson (1756 - 1827).
[Ref: 58820] £260.00 (£312.00 incl.VAT)
Rowlandson. Watercolours and Drawings.
John Hayes.
Phaidon Press Limited, 5 Cromwell Place, London SW7. First published 1972, by Phaidon Press Limited.
Book: 4to (280 x 215mm). pp. 214. With 16 colour and 193 b/w illustrations. Paperback with glossy illustrated cover. Slight tear to top left-hand corner of cover.
An illustrated narrative of some of Rowlandson's watercolours and drawings, including some biographical notes.
Library of Congress Catalog Card Number: 79-190599.
[Ref: 10069] £45.00
John Hayes.
Phaidon Press Limited, 5 Cromwell Place, London SW7. First published 1972, by Phaidon Press Limited.
Book: 4to (280 x 215mm). pp. 214. With 16 colour and 193 b/w illustrations. Paperback with glossy illustrated cover. Slight tear to top left-hand corner of cover.
An illustrated narrative of some of Rowlandson's watercolours and drawings, including some biographical notes.
Library of Congress Catalog Card Number: 79-190599.
[Ref: 10069] £45.00
The Honble: William Rowley Esqr: Vice Admiral of the Blue, and Commander in Chief of his Majesty's Fleet in the Mediterranean 1745.
Arnulphy Pinxt. 1743. J. Faber fecit 1745.
Sold by J. Faber in Bloomsbury Square, T. Bowles in St. Pauls Church Yard & J. Bowles in Cornhill.
A fine mezzotint. Plate: 350 x 250mm (13¾ x 9¾"). Small margins.
William Rowley (c.1690-1768), K.B., was Admiral of the Fleet in the British Royal Navy and a Member of Parliament. He was a Knight in the Order of the Bath and entered Parliament in 1750 as member for Taunton, and represented that town until 1754 when he was chosen to represent Portsmouth until 1761.
C.S. 308 only state. Not in Parker.
[Ref: 48689] £260.00 (£312.00 incl.VAT)
Arnulphy Pinxt. 1743. J. Faber fecit 1745.
Sold by J. Faber in Bloomsbury Square, T. Bowles in St. Pauls Church Yard & J. Bowles in Cornhill.
A fine mezzotint. Plate: 350 x 250mm (13¾ x 9¾"). Small margins.
William Rowley (c.1690-1768), K.B., was Admiral of the Fleet in the British Royal Navy and a Member of Parliament. He was a Knight in the Order of the Bath and entered Parliament in 1750 as member for Taunton, and represented that town until 1754 when he was chosen to represent Portsmouth until 1761.
C.S. 308 only state. Not in Parker.
[Ref: 48689] £260.00 (£312.00 incl.VAT)
The Honble: William Rowley Esqr: Vice Admiral of the White and Commander in Chief of his Majesty's Fleet in the Mediterranean 1745.
J. Brooks Fecit
Sod by T. Jefferys at the Corner of St. Martins Lane Charing Cross and W. Herbert at the Golden Globe on London Bridge.
Mezzotint with small margins, fine; platemark 355 x 255mm (14¼ x 10¼"). Slight foxing; ms lower right 'Capt. 26 June 1716'
William Rowley (c.1690-1768), K.B., naval officer, beside a cannon. He greatly distinguished himself in the lost Battle of Toulon (1744) on HMS Stirling Castle. He became Commander in Chief of his Majesty's Fleet in the Mediterranean in 1745 for the rest of the War of Austrian Succession. He successfully kept the Spanish and French fleets in their harbours. He became Rear-Admiral in 1749, Lord Commissioner of the Admiralty in 1751 and Admiral of the Fleet on December 17, 1762. He was also a Knight in the Order of the Bath. He entered Parliament in 1750 as member for Taunton, and represented that town until 1754. in that year he was chosen to represent Portsmouth until 1761.
Ex Collection of the Late Hon. C. Lennox-Boyd; CS 29 ii/ii
[Ref: 36510] £260.00 (£312.00 incl.VAT)
J. Brooks Fecit
Sod by T. Jefferys at the Corner of St. Martins Lane Charing Cross and W. Herbert at the Golden Globe on London Bridge.
Mezzotint with small margins, fine; platemark 355 x 255mm (14¼ x 10¼"). Slight foxing; ms lower right 'Capt. 26 June 1716'
William Rowley (c.1690-1768), K.B., naval officer, beside a cannon. He greatly distinguished himself in the lost Battle of Toulon (1744) on HMS Stirling Castle. He became Commander in Chief of his Majesty's Fleet in the Mediterranean in 1745 for the rest of the War of Austrian Succession. He successfully kept the Spanish and French fleets in their harbours. He became Rear-Admiral in 1749, Lord Commissioner of the Admiralty in 1751 and Admiral of the Fleet on December 17, 1762. He was also a Knight in the Order of the Bath. He entered Parliament in 1750 as member for Taunton, and represented that town until 1754. in that year he was chosen to represent Portsmouth until 1761.
Ex Collection of the Late Hon. C. Lennox-Boyd; CS 29 ii/ii
[Ref: 36510] £260.00 (£312.00 incl.VAT)
William Roxburgh M.D. F.L.S Superintendnt of the Hon.ble East India Company's Botanic Garden at Calcutta, Late Honorary Corresponding Member of the Society for the Encouragement of Arts, Maufactures and Commerce.
Engraved by Charles Warren, Esq.r from a Miniature in the possession of M.rs Roxburgh.
[n.d., c.1820.]
Scarce engraving. Sheet 170 x 105mm (6¾ x 4¼"). Trimmed, browned, glue stains.
A half-length seated portrait of surgeon and botanist William Roxburgh (1751-1815), known as the founding father of Indian botany. Calcutta interest.
Wellcpme 2552.
[Ref: 67427] £160.00 (£192.00 incl.VAT)
Engraved by Charles Warren, Esq.r from a Miniature in the possession of M.rs Roxburgh.
[n.d., c.1820.]
Scarce engraving. Sheet 170 x 105mm (6¾ x 4¼"). Trimmed, browned, glue stains.
A half-length seated portrait of surgeon and botanist William Roxburgh (1751-1815), known as the founding father of Indian botany. Calcutta interest.
Wellcpme 2552.
[Ref: 67427] £160.00 (£192.00 incl.VAT)
Roxelane. O vous que Mars rend invincible, Voulez-vous être au rang des Dieux? Deffendez vous s'il est possible, D'être eslave de doux beaux yeux.
Dugoure inv. pinx. Le Beau sculp.
Se vend à Paris chez Basan et Poignant Mds. d’Estampes. Rue et Hôtel Serpente. [n.d. c.1790.]
A very fine copper engraving. Plate 255 x 178mm. 10 x 7".
Roxelane, Her Imperial Majesty the Empress Consort Hurrem Sultan of the Ottoman Empire (c.1505-1558), was the legal wife of the Suleyman the Magnificent of the Ottoman Empire. She was captured in the 1520s as a young woman by Crimean Tatars during one of their frequent raids of the region and was taken as a slave, probably the first to the Crimean city of Kaffa, and then onto Istanbul where she was selected for Suleyman's harem.
[Ref: 16195] £160.00 (£192.00 incl.VAT)
Dugoure inv. pinx. Le Beau sculp.
Se vend à Paris chez Basan et Poignant Mds. d’Estampes. Rue et Hôtel Serpente. [n.d. c.1790.]
A very fine copper engraving. Plate 255 x 178mm. 10 x 7".
Roxelane, Her Imperial Majesty the Empress Consort Hurrem Sultan of the Ottoman Empire (c.1505-1558), was the legal wife of the Suleyman the Magnificent of the Ottoman Empire. She was captured in the 1520s as a young woman by Crimean Tatars during one of their frequent raids of the region and was taken as a slave, probably the first to the Crimean city of Kaffa, and then onto Istanbul where she was selected for Suleyman's harem.
[Ref: 16195] £160.00 (£192.00 incl.VAT)
Et erunt reges nutricii tui et reginae eorum nutrices euae.} Esai.49. Beati qui audiunt verbum dei et custodiunt illud. LVC. II. Non me pudet Euangelij Christi. Virtus enim Dei est ad salu=tem Omni credenti Rom. 1.' (i.e. Romans 1.16)
[n.d. c.1700.]
Rare engraving. 210 x 159mm (8¼ x 6¼"). Trimmed.
Royal holding sceptre and orb; crowned by Justice and Mercy; Fortitude and Prudence look up from below throne.
[Ref: 52515] £140.00 (£168.00 incl.VAT)
[n.d. c.1700.]
Rare engraving. 210 x 159mm (8¼ x 6¼"). Trimmed.
Royal holding sceptre and orb; crowned by Justice and Mercy; Fortitude and Prudence look up from below throne.
[Ref: 52515] £140.00 (£168.00 incl.VAT)
Drawing from Life at the Royal Academy, (Somerset House.) Plate 1.
Rowlandson & Pugin del.t et sculp.t. Harraden Aquatin.
London Pub.d 1. Jan.y 1808, at R. Ackermann's Repository of Arts on the Strand.
Hand coloured aquatint. 240 x 285mm (9½ x 11¼") very large margins.
The interior view of a life drawing class at Somerset House, London, with a nude male posing for a class arranged in two tiers around the edge of the room. Published in Ackermann's famous work, the 'Microcosm of London', the figures were drawn by the famous caricaturist Thomas Rowlandson and the architecture by Augustus Pugin.
Abbey, Scenery: 212.
[Ref: 61926] £220.00 (£264.00 incl.VAT)
Rowlandson & Pugin del.t et sculp.t. Harraden Aquatin.
London Pub.d 1. Jan.y 1808, at R. Ackermann's Repository of Arts on the Strand.
Hand coloured aquatint. 240 x 285mm (9½ x 11¼") very large margins.
The interior view of a life drawing class at Somerset House, London, with a nude male posing for a class arranged in two tiers around the edge of the room. Published in Ackermann's famous work, the 'Microcosm of London', the figures were drawn by the famous caricaturist Thomas Rowlandson and the architecture by Augustus Pugin.
Abbey, Scenery: 212.
[Ref: 61926] £220.00 (£264.00 incl.VAT)
Drawing from Life at the Royal Academy, (Somerset House.) Plate 1.
Rowlandson & Pugin del.t et sculp.t. Harraden Aquatin.
London Pub.d 1. Jan.y 1808, at R. Ackermann's Repository of Arts on the Strand.
Very fine hand coloured aquatint. 240 x 285mm (9½ x 11¼") very large margins.
The interior view of a life drawing class at Somerset House, London, with a nude male posing for a class arranged in two tiers around the edge of the room. Published in Ackermann's famous work, the 'Microcosm of London', the figures were drawn by the famous caricaturist Thomas Rowlandson and the architecture by Augustus Pugin.
Abbey, Scenery: 212.
[Ref: 61927] £260.00 (£312.00 incl.VAT)
Rowlandson & Pugin del.t et sculp.t. Harraden Aquatin.
London Pub.d 1. Jan.y 1808, at R. Ackermann's Repository of Arts on the Strand.
Very fine hand coloured aquatint. 240 x 285mm (9½ x 11¼") very large margins.
The interior view of a life drawing class at Somerset House, London, with a nude male posing for a class arranged in two tiers around the edge of the room. Published in Ackermann's famous work, the 'Microcosm of London', the figures were drawn by the famous caricaturist Thomas Rowlandson and the architecture by Augustus Pugin.
Abbey, Scenery: 212.
[Ref: 61927] £260.00 (£312.00 incl.VAT)
The Hall at the Royal Academy. Somerset House. Plate 29. Vol.3.
[Engraved by Thomas Hosmer Shepherd.]
No. 17. of Ackermann's Repository of Arts & Pub. May 1. 1810, at 401 Strand.
Hand-coloured aquatint. Sheet 240 x 150mm (9½ x 6"). Trimmed into plate.
A view of the Hall of the Royal Academy at Somerset House, now the entrance hall of the Courtauld Gallery. In the foreground on the left is a cast of the Apollo Belvedere next to a sculpture of a head. A student sits by a window, drawing either a cast of the Farnese Hercules or the Furietti Centaurs flanking it.
[Ref: 63221] £120.00 (£144.00 incl.VAT)
[Engraved by Thomas Hosmer Shepherd.]
No. 17. of Ackermann's Repository of Arts & Pub. May 1. 1810, at 401 Strand.
Hand-coloured aquatint. Sheet 240 x 150mm (9½ x 6"). Trimmed into plate.
A view of the Hall of the Royal Academy at Somerset House, now the entrance hall of the Courtauld Gallery. In the foreground on the left is a cast of the Apollo Belvedere next to a sculpture of a head. A student sits by a window, drawing either a cast of the Farnese Hercules or the Furietti Centaurs flanking it.
[Ref: 63221] £120.00 (£144.00 incl.VAT)
Old Royal Academy in Pall Mall in 1771
[n.d., c.1820.]
Watercolour. Sheet 270 x 185mm (10½ x 7¼"). Faint crease down centre of image.
An exterior view of the Old Royal Academy in Pall Mall. The Royal Academy was initially housed in cramped quarters in Pall Mall, in 1771 it was given temporary accommodation for its library and schools in Old Somerset House, then a royal palace.
[Ref: 65871] £180.00 (£216.00 incl.VAT)
[n.d., c.1820.]
Watercolour. Sheet 270 x 185mm (10½ x 7¼"). Faint crease down centre of image.
An exterior view of the Old Royal Academy in Pall Mall. The Royal Academy was initially housed in cramped quarters in Pall Mall, in 1771 it was given temporary accommodation for its library and schools in Old Somerset House, then a royal palace.
[Ref: 65871] £180.00 (£216.00 incl.VAT)
Key to the Plate of the Royal Academicians.
[after the painting by Henry Singleton.]
Pub. by C. Bestland 1802.
Etching. 290 x 375mm (11½ x 14¾"), paper watermarked 'J Whatman 1839. Slight creasing and staining.
Scarce keyplate to Henry Singleton's painting, engraved by Bestland as 'The Royal Academicians Assembled in their Council Chamber'. The 40 Academicians named include: James Barry, Francesco Bartolozzi, Sir William Beechey, Richard Cosway, Henry Fuseli, Angelica Kauffmann, James Northcote, Paul & Thomas Sandby, Benjamin West, Francis Wheatley & Johann Zoffany. The painting still hangs in the Royal Academy.
[Ref: 58949] £360.00
[after the painting by Henry Singleton.]
Pub. by C. Bestland 1802.
Etching. 290 x 375mm (11½ x 14¾"), paper watermarked 'J Whatman 1839. Slight creasing and staining.
Scarce keyplate to Henry Singleton's painting, engraved by Bestland as 'The Royal Academicians Assembled in their Council Chamber'. The 40 Academicians named include: James Barry, Francesco Bartolozzi, Sir William Beechey, Richard Cosway, Henry Fuseli, Angelica Kauffmann, James Northcote, Paul & Thomas Sandby, Benjamin West, Francis Wheatley & Johann Zoffany. The painting still hangs in the Royal Academy.
[Ref: 58949] £360.00
![[The Council of the Royal Academy.]](jpegs/10053.jpg)
[The Council of the Royal Academy.]
Hubert von Herkomer 1908.
Published by Franz Hanfstaengl, Murich, London & New York. Printed in Munich.
Photogravure.
Hubert von Herkomer was born in Germany in 1849, but his family moved to England before he was ten years old. After making his name drawing for the Graphic newspaper he made very good money as a portrait painter, which allowed him to produce social realist paintings for his own satisfaction. He opened his own art school and 1883, as well as acting as Slade Professor of Art between 1885 and 1895. Knighted in 1907, Heromer died in 1914.
The original painting was donated to the Tate Gallery by the Artist in 1909.
[Ref: 10053] £390.00
Hubert von Herkomer 1908.
Published by Franz Hanfstaengl, Murich, London & New York. Printed in Munich.
Photogravure.
Hubert von Herkomer was born in Germany in 1849, but his family moved to England before he was ten years old. After making his name drawing for the Graphic newspaper he made very good money as a portrait painter, which allowed him to produce social realist paintings for his own satisfaction. He opened his own art school and 1883, as well as acting as Slade Professor of Art between 1885 and 1895. Knighted in 1907, Heromer died in 1914.
The original painting was donated to the Tate Gallery by the Artist in 1909.
[Ref: 10053] £390.00
![The Exhibition of the Royal Academy of Painting, in the Year 1771. From an Original Drawing in the Possession of Rob.t Sayer. [&] The Inside of the Pantheon in Oxford Road. L'Intérior du Panthéon de Londres.](jpegs/40707.jpg)
The Exhibition of the Royal Academy of Painting, in the Year 1771. From an Original Drawing in the Possession of Rob.t Sayer. [&] The Inside of the Pantheon in Oxford Road. L'Intérior du Panthéon de Londres. From an Original Drawing in the Possession of Rob.t Sayer.
Chas. Brandoin inv.t. et delin. Rich.d Earlom fecit. R. Sayer Excudit.
London, Printed for Robt. Sayer No. 53 in Fleet Street. Published as the Act directs 20 May 1772 [& 30 August 1772].
Pair of mezzotints, fine impression. Each sheet: 470 x 555mm (18½ x 22"). Cut to image. Overall paper tone and pin holes. Crease on Pantheon.
A fine pair of satires on the contemporary social scene, showing the well-do-do at the Royal Academy and Pantheon. In the Royal Academy view James Barry's 'Temptation of Adam' takes pride of place on the walls. The Pantheon was a place of public entertainment on the south side of Oxford Street, designed by James Wyatt. It opened in 1772, when the main rotunda was one of the largest rooms in England. Orginally built as a set of winter assembly rooms, it was later briefly converted into a theatre. Before being demolished in 1937, it was a bazaar and a wine merchant's show room for over a hundred years. Michel Vincent Brandoin (1733 - 1790), known as Charles Brandoin, was a Swiss painter, watercolourist, draughtsman, and caricaturist who working out of London.
[Ref: 40707] £1,750.00 view all images for this item
Chas. Brandoin inv.t. et delin. Rich.d Earlom fecit. R. Sayer Excudit.
London, Printed for Robt. Sayer No. 53 in Fleet Street. Published as the Act directs 20 May 1772 [& 30 August 1772].
Pair of mezzotints, fine impression. Each sheet: 470 x 555mm (18½ x 22"). Cut to image. Overall paper tone and pin holes. Crease on Pantheon.
A fine pair of satires on the contemporary social scene, showing the well-do-do at the Royal Academy and Pantheon. In the Royal Academy view James Barry's 'Temptation of Adam' takes pride of place on the walls. The Pantheon was a place of public entertainment on the south side of Oxford Street, designed by James Wyatt. It opened in 1772, when the main rotunda was one of the largest rooms in England. Orginally built as a set of winter assembly rooms, it was later briefly converted into a theatre. Before being demolished in 1937, it was a bazaar and a wine merchant's show room for over a hundred years. Michel Vincent Brandoin (1733 - 1790), known as Charles Brandoin, was a Swiss painter, watercolourist, draughtsman, and caricaturist who working out of London.
[Ref: 40707] £1,750.00 view all images for this item
The Exhibition of the Royal Academy, M.DCCCXIII. The Forty-Fifth.
London: Printed by B. McMillan, Bow Street, Covent Garden, Printer to the Royal Academy. (Price One Shilling.)
4to pamphlet, pp. 42 (list of exhibits)+(8)(lists of members & exhibitors). Some usage wear, contemporary ink marginalia throughout.
The brochure to the Royal Academy Exhibition of 1813, with manuscript notes to the paintings by 'Richard James'. Among the exhibits are J.M.W. Turner's 'Frosty Morning' (described by James as 'a large picture much below what I conceived of Turner'); Philip Reinagle's 'group of stages' ('tame and mannered'); Arnaud's 'Boar that killed Adonis' ('a very good picture - but too gaudy'); and James Ward's 'A favourite hunter ' ('excellent') and 'A hunter' ('capital').
[Ref: 40875] £260.00 view all images for this item
London: Printed by B. McMillan, Bow Street, Covent Garden, Printer to the Royal Academy. (Price One Shilling.)
4to pamphlet, pp. 42 (list of exhibits)+(8)(lists of members & exhibitors). Some usage wear, contemporary ink marginalia throughout.
The brochure to the Royal Academy Exhibition of 1813, with manuscript notes to the paintings by 'Richard James'. Among the exhibits are J.M.W. Turner's 'Frosty Morning' (described by James as 'a large picture much below what I conceived of Turner'); Philip Reinagle's 'group of stages' ('tame and mannered'); Arnaud's 'Boar that killed Adonis' ('a very good picture - but too gaudy'); and James Ward's 'A favourite hunter ' ('excellent') and 'A hunter' ('capital').
[Ref: 40875] £260.00 view all images for this item
![[Henry-Macbeth-Raeburn Certificate of Entry as an Associate of the Royal Academy of Arts.]](jpegs/19165.jpg)
[Henry-Macbeth-Raeburn Certificate of Entry as an Associate of the Royal Academy of Arts.] His Majesty having been graciously pleased to establish in this his City of London, A Society for the Purposes of Cultivating and Improving the Arts of Painting, Sculpture, and Architecture, Under the Name and Title of the Royal Academy of Arts…The President and Academicians of the said Royal Academy, by Virtue of the said Power, and in Consideration of your Skill in the Art of Engraving, do by these presents constitute, and appoint you Henry-Macbeth-Raeburn, Gentleman, To be One of the Associates of the Royal Academy Hereby Granting unto you all the Privileges thereof…Your are required to sign the obligation in the Manner Prescribed, and the Secretary is Hereby Directed to Insert your Name in the Roll of Associates. Royal Academy. 3rd. July 1922.
G.B. Cipriani inv.t et del.t F. Bartolozzi Engraver to his Majesty Sculp.t
[n.d. c.1922.]
Fine engraving with ink signature. Plate 653 x 478mm. 25¾ x 18¾". Some glue stains along lower edge. Small tear lower right-hand corner.
Certificate recognising the membership of Henry Macbeth Raeburn as an Associate of the Royal Academy; signed by the President at the time. Henry Macbeth-Raeburn (1860-1947) was a noted Scottish painter and mezzotint engraver, active in Edinburgh during the 1920s. He was made a member of Royal Academy in 1922, and similarly was a made a member of the Royal Society of Painters, Etchers, and Engravers.
[Ref: 19165] £280.00 (£336.00 incl.VAT)
G.B. Cipriani inv.t et del.t F. Bartolozzi Engraver to his Majesty Sculp.t
[n.d. c.1922.]
Fine engraving with ink signature. Plate 653 x 478mm. 25¾ x 18¾". Some glue stains along lower edge. Small tear lower right-hand corner.
Certificate recognising the membership of Henry Macbeth Raeburn as an Associate of the Royal Academy; signed by the President at the time. Henry Macbeth-Raeburn (1860-1947) was a noted Scottish painter and mezzotint engraver, active in Edinburgh during the 1920s. He was made a member of Royal Academy in 1922, and similarly was a made a member of the Royal Society of Painters, Etchers, and Engravers.
[Ref: 19165] £280.00 (£336.00 incl.VAT)
Royal Academy Club. MDCCCL [amended in ink mss to read MDCCCXCV]
Lithograph on gilt-edged card. Sheet 120 x 180mm, 4¾ x 7".
Printed from a stone created for 1850, this has the dates of the meetings of the club in early 1895 added in ink mss.
[Ref: 11572] £160.00 (£192.00 incl.VAT)
Lithograph on gilt-edged card. Sheet 120 x 180mm, 4¾ x 7".
Printed from a stone created for 1850, this has the dates of the meetings of the club in early 1895 added in ink mss.
[Ref: 11572] £160.00 (£192.00 incl.VAT)
English Agricultural Society's Dinner at Downing College Cambridge. July 15th. 1840. To his Grace the Duke of Richmond, President...this Print is most respectfully dedicated.
Drawn by T. Pinney. G. Scharf, lith. Day & Haghe Lithrs. to the Queen.
Published by J. Hankin, Crescent, Cambridge._W.H. Smith._& Sold by R. Ackermann, Eclipse Sporting Gallery, 191, Regent St, London.
Lithograph on india laid paper, sheet 280 x 380mm. 11 x 15".
The English Agricultural Society was founded in 1838. In 1840 it was granted its Royal Charter by Queen Victoria, and so became the Royal Agricultural Society of England. It organises the annual 'Royal Show' at the Society's headquarters at Stoneleigh Park, Warwickshire.
[Ref: 14946] £140.00 (£168.00 incl.VAT)
Drawn by T. Pinney. G. Scharf, lith. Day & Haghe Lithrs. to the Queen.
Published by J. Hankin, Crescent, Cambridge._W.H. Smith._& Sold by R. Ackermann, Eclipse Sporting Gallery, 191, Regent St, London.
Lithograph on india laid paper, sheet 280 x 380mm. 11 x 15".
The English Agricultural Society was founded in 1838. In 1840 it was granted its Royal Charter by Queen Victoria, and so became the Royal Agricultural Society of England. It organises the annual 'Royal Show' at the Society's headquarters at Stoneleigh Park, Warwickshire.
[Ref: 14946] £140.00 (£168.00 incl.VAT)
![English Agricultural Societies' Dinner, in Queen's College Quadrangle, Oxford, July 1[7th?] 1839. [&]](jpegs/9598.jpg)
English Agricultural Societies' Dinner, in Queen's College Quadrangle, Oxford, July 1[7th?] 1839. [&] English Agricultural Society's Show Yard. First Meeting at Oxford, July 17th. 1839. To the Right Honble. John Charles, Earl Spencer, President, the Trustees, Vice Presidents, Committee of Management, and Members, This Print is most respectfully dedicated.
G. Scharf, lith: from a drawing by W.A. Delamo[tte]. [&] On Stone by T. Picken, from a Drawing by W.A. Delamotte. Day & Haghe Lithrs. to the Queen.
Published by J. & R. Dewe, Broad St. Oxford; and Sold by R. Ackermann, Eclipse Sporting Gallery, 191, Regent Street: and T.M. McLean, 26, Haymarket, London [c.1839].
Pair of lithographs, each image 195 x 300mm. 7¾ x 11¾". Creases. The 'dinner' plate trimmed at top.
The English Agricultural Society was founded in 1838. In 1840 it was granted its Royal Charter by Queen Victoria, and so became the Royal Agricultural Society of England. It organises the annual 'Royal Show' at the Society's headquarters at Stoneleigh Park, Warwickshire. This fascinating pair of prints includes a depiction of the society's first show at Oxford, and features cattle, ploughs and other examples of the latest agricultural and harvesting technology.
[Ref: 9598] £320.00 view all images for this item
G. Scharf, lith: from a drawing by W.A. Delamo[tte]. [&] On Stone by T. Picken, from a Drawing by W.A. Delamotte. Day & Haghe Lithrs. to the Queen.
Published by J. & R. Dewe, Broad St. Oxford; and Sold by R. Ackermann, Eclipse Sporting Gallery, 191, Regent Street: and T.M. McLean, 26, Haymarket, London [c.1839].
Pair of lithographs, each image 195 x 300mm. 7¾ x 11¾". Creases. The 'dinner' plate trimmed at top.
The English Agricultural Society was founded in 1838. In 1840 it was granted its Royal Charter by Queen Victoria, and so became the Royal Agricultural Society of England. It organises the annual 'Royal Show' at the Society's headquarters at Stoneleigh Park, Warwickshire. This fascinating pair of prints includes a depiction of the society's first show at Oxford, and features cattle, ploughs and other examples of the latest agricultural and harvesting technology.
[Ref: 9598] £320.00 view all images for this item
English Agricultural Societies' Dinner, in Queen's College Quadrangle, Oxford, July 17th 1839. To the Right Hon.ble John Charles, Earl Spencer, President, the Trustees, Vice Presidents, Committee of Management, and Members, This Print is most respectfully dedicated.
G. Scharf, lith: from a drawing by W.A. Delamotte.
Published by J. & R. Dewe, Broad St. Oxford; and Sold by R. Ackermann, Eclipse Sporting Gallery, 191, Regent Street: and T.M. McLean, 26, Haymarket, London [c.1839].
Lithograph. Printed area 240 x 300mm (9½ x 11¾"). Crease top right, outside image, damp stain on left.
The English Agricultural Society, founded in 1838, becoming the Royal Agricultural Society of England the following year when it was granted its Royal Charter by Queen Victoria.
[Ref: 59169] £230.00 (£276.00 incl.VAT)
G. Scharf, lith: from a drawing by W.A. Delamotte.
Published by J. & R. Dewe, Broad St. Oxford; and Sold by R. Ackermann, Eclipse Sporting Gallery, 191, Regent Street: and T.M. McLean, 26, Haymarket, London [c.1839].
Lithograph. Printed area 240 x 300mm (9½ x 11¾"). Crease top right, outside image, damp stain on left.
The English Agricultural Society, founded in 1838, becoming the Royal Agricultural Society of England the following year when it was granted its Royal Charter by Queen Victoria.
[Ref: 59169] £230.00 (£276.00 incl.VAT)
A View of the Grand Agricultural Dinner in Queen's College Quadrangle, Oxford, July 17th 1839. Presented gratuitously to the Readers of Jackson's Oxford Journal.
Plowman Lithog. Oxford.
[c.1839.]
Rare lithograph. Sheet 290 x 380mm (11½ x 15"). Trimmed to image.
The first meeting of the Agricultural Society of England, a year before a Royal Charter of Incorporation changed the name to the Royal Agricultural Society. Held in a specially-constructed pavilion, the dinner seated 2,500.
[Ref: 52207] £320.00
Plowman Lithog. Oxford.
[c.1839.]
Rare lithograph. Sheet 290 x 380mm (11½ x 15"). Trimmed to image.
The first meeting of the Agricultural Society of England, a year before a Royal Charter of Incorporation changed the name to the Royal Agricultural Society. Held in a specially-constructed pavilion, the dinner seated 2,500.
[Ref: 52207] £320.00
The Royal Allied Oak and Self Created Mushroom Race. Behold the Oak, whose firm fix'd stay / Doth check Oppression's course, / Whose slightest branch can ne'er decay, / While strong with Virtue's force / [...]The Mushroom Race you have to seek In weeds about the Root, Who scarce dare at the Oak to peep, Or at its Princely Fruit.
J. Field del.t. Etch'd by Heath.
Pub. May 29. 1815, by J. Jenkins, 48 Strand.
Etching with fine hand colour. Shert 300 x 215mm (11¾ x 8½"). Trimmed into plate, slight crease at bottom.
A puzzle-print: a gnarled and aged oak creates profiles of George III, Louis XVIII, the Prince Regent , Tsar Alexander I, Wellington and Blücher. On the ground are two mushrooms and plants, in which are hidden the profiles of Napoleon Buonaparte; his son Napoleon (King of Rome) and brothers Louis, Jerome and Joseph; Charles XIV John of Sweden; and Joachim Murat. In the background the tower of Windsor Castle emerges from trees.
BM Satires: 12547.
[Ref: 50308] £190.00 (£228.00 incl.VAT)
J. Field del.t. Etch'd by Heath.
Pub. May 29. 1815, by J. Jenkins, 48 Strand.
Etching with fine hand colour. Shert 300 x 215mm (11¾ x 8½"). Trimmed into plate, slight crease at bottom.
A puzzle-print: a gnarled and aged oak creates profiles of George III, Louis XVIII, the Prince Regent , Tsar Alexander I, Wellington and Blücher. On the ground are two mushrooms and plants, in which are hidden the profiles of Napoleon Buonaparte; his son Napoleon (King of Rome) and brothers Louis, Jerome and Joseph; Charles XIV John of Sweden; and Joachim Murat. In the background the tower of Windsor Castle emerges from trees.
BM Satires: 12547.
[Ref: 50308] £190.00 (£228.00 incl.VAT)
The Royal Allied Oak and Self Created Mushroom Race. Behold the Oak, whose firm fix'd stay / Doth check Oppression's course, / Whose slightest branch can ne'er decay, / While strong with Virtue's force / [...]The Mushroom Race you have to seek In weeds about the Root, Who scarce dare at the Oak to peep, Or at its Princely Fruit.
J. Field del.t. Etch'd by Heath.
Pub. May 29. 1815, by J. Jenkins, 48 Strand.
Etching with fine hand colour. 305 x 215mm (12 x 8½"). Small tear just entering plate, slight staining.
A puzzle-print: a gnarled and aged oak creates profiles of George III, Louis XVIII, the Prince Regent , Tsar Alexander I, Wellington and Blücher. On the ground are two mushrooms and plants, in which are hidden the profiles of Napoleon Bonaparte; his son Napoleon (King of Rome) and brothers Louis, Jerome and Joseph; Charles XIV John of Sweden; and Joachim Murat. In the background the tower of Windsor Castle emerges from trees.
BM Satires: 12547. See Ref: 50308 for trimmed image.
[Ref: 60246] £250.00 (£300.00 incl.VAT)
J. Field del.t. Etch'd by Heath.
Pub. May 29. 1815, by J. Jenkins, 48 Strand.
Etching with fine hand colour. 305 x 215mm (12 x 8½"). Small tear just entering plate, slight staining.
A puzzle-print: a gnarled and aged oak creates profiles of George III, Louis XVIII, the Prince Regent , Tsar Alexander I, Wellington and Blücher. On the ground are two mushrooms and plants, in which are hidden the profiles of Napoleon Bonaparte; his son Napoleon (King of Rome) and brothers Louis, Jerome and Joseph; Charles XIV John of Sweden; and Joachim Murat. In the background the tower of Windsor Castle emerges from trees.
BM Satires: 12547. See Ref: 50308 for trimmed image.
[Ref: 60246] £250.00 (£300.00 incl.VAT)
Royal Amusement or Nature will Prevail.!! 130.
Woodward del. IC.k [Isaac Cruikshank] sc.p.
London Published 1. by Tho.S Tegg Cheapside Price one Shilling. [n.d., engraved 1807 but c.1819.]
Finely hand-coloured etching, plate 245 x 340mm (9¾ x 13½''), with large margins, watermarked 'C. Willmot 1819'.
A couple sit by a table in a kitchen remarking on a newspaper, dicussing what the countryman would do if he were king.
BM Satires 10903.
[Ref: 61839] £260.00 (£312.00 incl.VAT)
Woodward del. IC.k [Isaac Cruikshank] sc.p.
London Published 1. by Tho.S Tegg Cheapside Price one Shilling. [n.d., engraved 1807 but c.1819.]
Finely hand-coloured etching, plate 245 x 340mm (9¾ x 13½''), with large margins, watermarked 'C. Willmot 1819'.
A couple sit by a table in a kitchen remarking on a newspaper, dicussing what the countryman would do if he were king.
BM Satires 10903.
[Ref: 61839] £260.00 (£312.00 incl.VAT)