[Richmond Lodge The front elec] The Royal Palace at Richmond in Surry.
Printed for, and Sold by John Wilcox in the Strand, George Foster at the White Horse in St Paul's Church Yard, and Henry Chappelle in Grosvenor Street. M.DCC.XXIX [1739].
Engraving. 170 x 245mm (6¾ x 9¾"), set in letterpress. Sheet trimmed.
The front elevation of Richmond Lodge in the Old Deer Park, puchased by George, Prince of Wales, (George II) in 1718, demolished 1772. The engraving was the vignette in the title page to ''Vitruvius Brittanicus, Volume the Fourth. Being A Collection Of Plans, Elevations, and Perspective Views, Of` The Royal Palaces, Noblemen, and Gentlemens Seats, In Great Britain, Not Exhibited in any Collection of this nature hitherto published. Design'd By J. Badeslade and J. Rocque, &c. And Engraven by the Best Hands''. Not in Gascoigne.
[Ref: 61698] £180.00
(£216.00 incl.VAT)
In Richmond Park.
J. Laporte del.t & sculp.t.
London Published July.1, 1809 by H. Setchel & Son 23 King Str. Covent Garden.
Rare soft ground etching, printed in brown. 240 x 300mm (9½ x 11¾"). Small margins.
Cows under trees, a tower in the background. One of four prints in 'A New Drawing book, in Different Coloured Chalks, for young practitioners in landscape: by John Laporte'. BM 1874,0509.150-153. Gascoigne 681.
[Ref: 61697] £140.00
(£168.00 incl.VAT)
[Bill Richmond] Richmond the Black.
Published by J. McGowan, Great Windmill Street [1826].
Stipple. 195 x 120mm (7¾ x 4¾"). Trimmed to image at sides.
Bill Richmond (1763-1829), born a slave on Staten Island, NY. In his early teens a tavern brawl with several Redcoats brought him to the attention of British general Earl Percy, fighting contests arranged by Percy as entertainment for his guests. In 1777 Percy sent Richmond to England to apprentice as a carpenter, but he continued to fight, beating George Moore, Paddy Green and Frank Mayers, but was defeated by Tom Cribb. He then started training with Thomas Molineaux, another freed slave, and opened a boxing academy in London . From John Badcock's 'The Fancy; or The True Sportsman’s Guide: Being Authentic Memoirs of the Lives, Actions, Prowess, and Battles of the Leading Pugilists, from the Days of Figg and Broughton, to the Championship of Ward. By an Operator'. See Ref: 57975
[Ref: 50612] £190.00
(£228.00 incl.VAT)
A Striking View of Richmond.
Drawn, Etch'd & Pub'd By Dighton, 6 Charing Cross, March 1810.
Etching with hand colour. 325 x 220mm (12¾ x 8¾''), paper watermarked 1812? Colour faded.
A portrait of Bill Richmond (1763-1829), born a slave in Richmondtown, Staten Island, Richmond moved to England in 1777 and spent the rest of his life there. After being educated Richmond was apprenticed to a cabinet maker in York. While in Yorkshire he fought in several boxing matches, and then in 1795 he moved to London and ran the pub the Horse and Dolphin in Leicester Square, he made his name boxing and he fought against Tom Cribb, George Maddox, Tom Molineaux and Tom Shelton. The title jokily refers to topographical views of Richmond, Surrey. Siltzer:p327. BM Satire 11587.
[Ref: 57975] £260.00
(£312.00 incl.VAT)
John Rickman Esq.r. Clerk of the House of Commons.
S. Lane pinxit 1831.
Printed by Graf & Soret.
Lithograph. Sheet: 280 x 190mm (11 x 7½''). Creasing and foxing off image.
A portrait of government official and statistician John Rickman (1771-1840) shown seated in his study.
[Ref: 50590] £60.00
(£72.00 incl.VAT)
George James Riddell, of Loddon, in the County of Norfolk, Esq.r Lietenant in the 2.d Troop of Horse Grenadier Guards - And Son of Sir James Riddell Bar.t who died on the 22.d of April 1783 of a Wound He received in a Duel the preceding day & was Intered in Westminster Abbey...
J. Downman pinxt. F. Bartolozzi sculp.
Publish'd as the Act directs April 1st. 1784.
Stipple with etching printed in red ink, sheet 305 x 230mm. 12 x 9". Trimmed to plate.
Fine portrait in an oval in profile of a young military officer in uniform. After John Downman (1750 - 1824).
[Ref: 18821] £160.00
(£192.00 incl.VAT)
[Riddle sheet]
[n.d., c.1850]
Manuscript, sheet 105 x 145mm. 4¼ x 5½".
Fascinating sheet arranging a series of (unanswered) riddles in a decorative way, moving outwards from a central point. Examples: 'what is most likely to fly when its wings are cut off?'; 'To what question must you always answer yes?' See Ref: 15907 & 15201
[Ref: 15837] £65.00
(£78.00 incl.VAT)
Ride to Rumford.
[after Thomas Rowlandson.]
[n.d., c.1820.] But later.
Coloured etching. 220 x 295mm (8¾ x 11½"). Original folds, laid on archival paper, old ink mss. at top edge of plate and margin.
In the interior of a veterinary practice a woman in riding dress lifts her skrts so a dressing can be applied to a saddle sore on her bottom. Another man looks on in enjoyment, to the disgust of a woman. A copy of Rowlandson's etching (BM Satires 9465), without the continued title 'Let the Gall'd Jade winch'. Royal Collection RCIN 810538.
[Ref: 58365] £180.00
(£216.00 incl.VAT)
A Ride to the Hustings. Strutt-ing with a C__dish.
[n.d., c.1820.]
Etchin, very rare. Sheet 220 x 190mm (8¾ x 7½"). Trimmed.
A cavalry officer rides on the shoulders of a civilian named Cavendish, saying 'I Say Trucky Didn't you vote for Infant Slavery'. His mount replies 'That Subject drop or I'll drop you. Stick Fast to me I'll see you through'. The satire is apparently aimed at those opposing the child labour laws. The Cavendish family included the extremely wealthy Dukes of Devonshire, who were regular targets for the Chartist movement in Derbyshire.
[Ref: 31457] £120.00
(£144.00 incl.VAT)
[A Scandinavian [?] horse archer.]
[n.d., c.1800.]
Stipple, proof before letters. 415 x 305mm (16¼ x 12"). Tear entering image on left repaired, other small tears in margin, slight soiling.
A full-length portrait of an archer wearing spurs and an inverted bowl-shaped helmet, standing in a stable. He carries a longbow, quiver, sword and shield.
[Ref: 55731] £260.00
(£312.00 incl.VAT)
Chevaux de Races de tous pays. Avant La Charge!... Chevaux Tartares.
V. Adam. Imp. par Lemercier.
Paris _ Jeannin Édit. Place du Louvre, 20 [n.d., c.1850].
Coloured tinted lithograph. Sheet 355 x 460mm (14 x 18"), with publisher's blindstamp, large margins. Some spotting.
Tartar riders prepare to charge, by Victor Adam (1801-66).
[Ref: 55561] £240.00
(£288.00 incl.VAT)
The Ridicule.
Pub by MDarly accor to Act May 17th. 1772 (39) Strand.
Etching, 170 x 120mm. 6¾ x 4¾".
The looped club of hair of a tall and slim and very fashionable man is so enormous that it is supported on the head and shoulders of a short stout man (apparently a porter) walking behind him. The gentleman wears a sword and looks through a lorgnette held in his left hand. In his right hand is a tasselled cane. One of several satires caricaturing the enormous wigs of the period. From 'Macaronies, Characters, Caricatures &c designed by the greatest personages, artists &c', in an album of caricatures published by Mary Darly dated January 1776. It seems that her husband Matthew made the plates. Numbered 'V.3' upper left and '6' faintly upper right. BM Satires: 5008.
[Ref: 14232] £140.00
(£168.00 incl.VAT)
The Ridiculous Match.
[1768.]
Fine engraving. Plate: 110 x 180mm (4¼ x 7") large margins.
A scene in a church in which a group of people gather before the communion rail, a young woman and an old man stand saying wedding vows. One figure behind holds a paper titled 'Deed of Settlement & Provision of Young or Children' and a woman a phial labeled 'Mrs Gibsons Blessed Medicine'. BM Satire 4208.
[Ref: 45463] £140.00
(£168.00 incl.VAT)
[Riding School]
à Joh: El: Ridinger inv: et del: Aug: Vindel: 1744. & Mart: El: Ridinger Filio suo æri incisi 1774.
[Augsburg, c.1774.]
Scarce large etching. 375 x 630mm (14¾ x 24¾"), with wide margins. Very slight stain left top. Otherwise mint.
An untitled scene of the interior of a riding school, each filled with horses, dogs and horse trainers, with prospective buyers on a balcony, with a key noting the horse-training techniques being depicted. Painted by Johann Elias Ridinger (1698-1767) and engraved by his son Martin Elias (1730-81).
[Ref: 52900] £750.00
[Riding School.]
à Joh: El: Ridinger inv: et del: Aug: Vindel: 1744. & Mart: El: Ridinger Filio suo æri incisi 1774.
[Augsburg, c.1774.]
Scarce large etching. 375 x 630mm (14¾ x 24¾"), with large margins.
An untitled scene, filled with horses, dogs, horse trainers and prospective buyers, with a key noting the horse-training techniques being depicted. Painted by Johann Elias Ridinger (1698-1767) and engraved by his son Martin Elias (1730-81).
[Ref: 52869] £750.00
[Riding School]
à Joh: El: Ridinger inv: et del: Aug: Vindel: 1744. & Mart: El: Ridinger Filio suo æri incisi 1774.
[Augsburg, c.1774.]
Scarce large etching. 375 x 630mm (14¾ x 24¾"), with very large margins.
An untitled scene of the courtyard of a riding school, each filled with horses, dogs and horse trainers, with prospective buyers looking over a wall, with a key noting the horse-training techniques being depicted. Painted by Johann Elias Ridinger (1698-1767) and engraved by his son Martin Elias (1730-81).
[Ref: 52902] £680.00
[Riding School.]
à Joh: El: Ridinger inv: et del: Aug: Vindel: 1744. & Mart: El: Ridinger Filio suo æri incisi 1774.
[Augsburg, c.1774.]
Scarce large etching. 375 x 630mm (14¾ x 24¾"), with 18th century watermark and very large margins. Slight worming in margins on left. Two stains top left. Otherwise mint.
An untitled scene of the courtyard of a riding school, each filled with horses, dogs and horse trainers, with prospective buyers on a balcony, with a key noting the horse-training techniques being depicted. Painted by Johann Elias Ridinger (1698-1767) and engraved by his son Martin Elias (1730-81).
[Ref: 52901] £750.00
[Riding School.]
à Joh: El: Ridinger inv: et del: Aug: Vindel: 1744. & Mart: El: Ridinger Filio suo æri incisi 1774.
[Augsburg, c.1774.]
Scarce large etching. 375 x 630mm (14¾ x 24¾") with 18th century watermark and large margins. Mint.
An untitled scene, filled with horses, dogs and horse trainers, with prospective buyers on a terrace, with a key noting the horse-training techniques being depicted. Painted by Johann Elias Ridinger (1698-1767) and engraved by his son Martin Elias (1730-81).
[Ref: 52898] £750.00
[Riding School]
à Joh: El: Ridinger inv: et del: Aug: Vindel: 1744. & Mart: El: Ridinger Filio suo æri incisi 1774.
[Augsburg, c.1774.]
Scarce large etching, 18th century watermark. 375 x 630mm (14¾ x 24¾") with wide margins. Slight stain in sky and small wormholes in left edge, otherwise mint.
An untitled scene, filled with horses, dogs and horse trainers, with prospective buyers on a terrace, with a key noting the horse-training techniques being depicted. Painted by Johann Elias Ridinger (1698-1767) and engraved by his son Martin Elias (1730-81).
[Ref: 52899] £750.00
A Riding-House.
M.r Bunbury del. J.s Bretherton f.
Published by J.s Bretherton, 15 Feb.y 1780.
Etching with hand colour. Sheet 410 x 550mm (16¼ x 21¾"), on laid paper watermarked with 'J Whatman' and 'G.R.'. Trimmed within plate, central fold, small repaired tears.
The interior of a riding-school, with caricatured riding master and pupils. BM Satires 5802.
[Ref: 59593] £420.00
[Riding in the Valley.] 5.
TB [monogram lower left: Thomas Barker of Bath.]
[Bath, D. Redman, 1814.]
Pen lithograph. 310 x 240mm. 12¼ x 9½".
A man lying on a rock in the foreground watches as a horse and rider pass-by. Trees stretch far into the valley and countryside beyond. From "Thirty Two Lithographic Impression from Pen Drawings of Landscape Scenery", 1814. Views around Bath, Wales, the Lake District and elsewhere.
[Ref: 23850] £140.00
(£168.00 incl.VAT)
Now My Dear Fanny. [&] Go Along Bob.
Engraved by H. Pyall, from an Original Picture by S.J.E. Jones.
London, Pub. by S. Knight, Sweetings Alley, Cornhill 1827.
Pair of proof colour printed aquatints. Sheet: 250 x 265mm (9¾ x 10½"). Trimmed within plate.
A pair of scenes, one showing a boy galloping along and the second shows a girl riding side saddle.
[Ref: 47862] £320.00
[Military dressage.]
Joh. El. Ridinger inv. del. et exc. Aug. Vind. Martin Elias Ridiger filius aeri incidit.
[Augsburg, n.d., c.1760.]
Engraving. 360 x 560mm (14 x 22"). Nicks in edges of large margins.
A large outdoor scene of a column of cavalrymen acclimatising their horses to army life, with guns fired, bugles blown, drums beaten and flags waved. Underneath erxplanations are given in German and French. Painted by Johann Elias Ridinger (1698-1767), a painter, engraver and publisher famed for his animal and hunting scenes, and engraved by his son Martin (1730-80).
[Ref: 32328] £590.00
[Two sheets showing dressage.]
Joh. El. Ridinger inv. delineavit exc. Aug. Vind.
Martin Elias Ridiger filius aeri incidit [n.d., c.1760.]
Scarce pair of engravings, each c. 360 x 560mm (14 x 22"), with large margins. Faint centre creases; good margins.
Two large sheets showing a total of twenty-one dressage movements, with key in French and German below. One sheet has a hunting context (with hounds), the other is military (with standard, weapons and drum). Engraved and published by the Ridinger family of printmakers.
[Ref: 29425] £1,500.00
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Ioh. Elias Ridinger. Pictor et Scalptor Augustanus solertissimis Naturae Indagiusque in Animalius praeser. Delineatione Æmulator felicissimus natus Ulmae suevorum d.XVI Febr. A. S. MDCXCVIII Ars Artifici Amic.
I. G. Bergmüller invent. I. Iac, Haid ad vivam pinx. fecit et excuit. A.V.
[n.d., c.1750]
Rare mezzotint. 270 x 400mm (10½ x 15¾"). Trimmed to image
Portrait to waist of the German artist and engraver Johann Elias Ridinger (1698-1767). Portrait in an oval supported on an engraved stone, beside which is seated the goddess Diana who holds a bow. The spoils from Diana's hunting, which include a stag, a boar and several birds, lie around the portrait; a hound and a hooded bird of prey are seated alongside. Ridinger holds his palette and brushes, the outline of a stag is propped on an easel behind him. The animals and the woodland scene illustrate Ridinger's talent for depicting animals and their characteristics in their natural environment.
[Ref: 33244] £270.00
(£324.00 incl.VAT)
Ridley, Kent.
[Anon., c.1840]
Very rare lithograph, printed area 135 x 180mm (5¼ x 7"); very large margins. Poorly printed towards top.
Unusual lithograph of Ridley, a hamlet in Kent between Sevenoaks and Chatham. Ex collection of the Late Hon. C. Lennox-Boyd.
[Ref: 40642] £65.00
(£78.00 incl.VAT)
Mark Ridley. Missus ab Elisa Ruthenis quinque per amnos Anglis ni desis te Vocat illa domum Tute mathematicis clarus magnetica calles Paeonias laudes doctus Ubique capis.
Pub. by Wm. Richardson Castle Street Leicester Fields. [n.d. c.1810.]
Engraving. Plate 177 x 133mm. 7 x 5¼". Trimmed.
Dr Mark Ridley (1560-1624) was an English physician. He served as physician to the English merchants in Russia, to the Tsar of Russia; during which he complied a Russian-English, English-Russian Dicitionary. As a mathematician, he also wrote on magnetism. Frontis to "Treatise of Magneticall Bodies, 1613". W: 2493.
[Ref: 20030] £70.00
(£84.00 incl.VAT)
Athanasius Rodulphius. Patritius Florentinus, pro Seren.mo Magno Hetru riae Duce ad Pacis universalis trae tatus 1648. Inquirunt Pacem et Peresquuntur Eam.
Anselmus van Halle pinxit. Petrus de Ioden sculpsit.
Accessit Privilegium Caesareum. Cum privilegio Regum eet Hollandiae Ordinum 1649.
Engraving, with collector's stamp on verso with very large margins. Plate 305 x 196mm (12 x 7¾"). Excellent impression.
Anatasio Ridolfi, a Catholic theologian and secretary of the Grand Duke of Tuscany. He served as Envoy for the Peace of Westphalia. Lugt 1921: [Cabinet Brentano-Birckenstock].
[Ref: 28451] £120.00
(£144.00 incl.VAT)
[Dead Game]
G.F. Riedel, delineav. et sculp
Joh.s Gradmann exc. A.V. [c.1770]
Engraving, platemark 235 x 180mm (9¼ x 7"). Small margins.
Fine and rare rococo engraving from a set by the German painter and engraver Gottlieb Friedrich Riedel (1724-84). Riedel worked as an animal painter at the porcelain factories of Meissen, Frankenthal and Ludwigsburg before establishing a drawing school in Augsburg.
[Ref: 41394] £120.00
(£144.00 incl.VAT)
[Decorative military designs] Tropheen von jetzt gewoehnlicher Ruestung des Soldaten zu Fuss und zu Pferdt.
G.F. Riedel, inv. del. et sculp
in Verlag Joh.s Gradmann zu Augsburg. [c.1770]
Engraving, platemark 235 x 175mm (9¼ x 7"). Small margins.
Rare rococo design from a set by the German painter and engraver Gottlieb Friedrich Riedel (1724-84). Riedel worked as an animal painter at the porcelain factories of Meissen, Frankenthal and Ludwigsburg before establishing a drawing school in Augsburg. This is probably a plate from one of his volumes of decorative porcelain designs to be used by other porcelain painters.
[Ref: 41389] £120.00
(£144.00 incl.VAT)
August Riedel cul Bayreuth... 7 May 1851 in Bayern
Etched by J. Brown from a Sketch by A.H. Phillips.
[n.d. c.1851.]
Etching, very rare. Plate 165 x 132mm. 6½ x 5¼".
August Riedel (1799-1883) was a German painter, and son of the architect Karl Christian Riedel. He attended the Academy of Fine Arts, Munich from 1820, where P. Van Lange was his first professor. Van Lange encouraged him to travel to Italy, and Riedel eventually settled in Rome in 1832. His works were popular and collected by the Bavarian Royal Family and other important buyers.
[Ref: 24794] £70.00
(£84.00 incl.VAT)
Adrian von Riedl. Köngl. Bairl. Obrist und Director des Geograph. topograph. Bureau zu München. Geb. zu München den g: May 1746. Gestorb. daselbst im Februar 1809.
C.A. Schwerdgeburth sc.
[Weimar: n.d., c.1810.]
Stipple with large margins. Plate 140 x 90mm (5½ x 3½").
Adrian von Riedl (1746-1809), a German military surveyor, best known for his 'Reise-Atlas von Baiern' (Road Atlas of Bavaria) , Munich 1796-1805. The portrait was published in 'Allgemeine Geographische Ephemeriden' (Universal Geographical Ephemerides (i.e. encyclopedia)) by Friedrich Bertuch et al.
[Ref: 29611] £80.00
(£96.00 incl.VAT)
[Gen.l Don Raphaele del Riego.]
A. Aglio del. Printed by P. Sinonau.
[n.d. c.1820.]
Rare lithograph, proof before title on india paper. 455 x 340mm (17½ x 13½"). Wear to backing paper.
Rafael del Riego y Nuñez (1784-1823), Spanish general and liberal politician who played a key role in the outbreak of the Spanish Civil War of 1820-3. After Agostino Aglio.
[Ref: 53223] £280.00
(£336.00 incl.VAT)
Gen.l Don Raphaele del Riego.
A. Aglio del. Printed by P. Sinonau.
[n.d. c.1820.]
Rare lithograph. Sheet 445 x 340mm (17½ x 13½"). Horizontal fold at centre, wear to edges.
Rafael del Riego y Nuñez (1784-1823), Spanish general and liberal politician who played a key role in the outbreak of the Spanish Civil War of 1820-3. After Agostino Aglio.
[Ref: 53157] £280.00
(£336.00 incl.VAT)
Il Generale Rafaele de Riego.
Fatto da suoi amici P,G. G.P.R. On Stone by Maenza.
[n.d. c.1820.]
Rare lithograph. 140 x 108mm. 5½ x 4¼". Cut.
Rafael del Riego y Nuñez (1784-1823) was a Spanish general and liberal politician, who played a key role in the outbrakc of the Spanish Civil War of 1820-1823.
[Ref: 15434] £90.00
(£108.00 incl.VAT)
A l'Assassin! Holà! Assassin! Mörder! Mörder!
Peint par F. Marohn. Lith. par Schultz.
Entered according to the Act of Congress in the year 1853 by M. Knoedler, in the clerk's Office of the district Court of the United States for the Southern district of New York.Berlin, Verlag von Goupil & C.ie. Paris & New-York, Publié par Goupil & C.ie. Editeurs. London, E. gambart & C.o.
Lithograph with Goupil stamp on bottom left. Sheet size: 580 x 460mm (23 x 18"). Large margins.
Plate 55 from 'Le Musée des Rieurs'. Interior scene. A woman, standing in a room full of birds and bird cages, clasps her hands in horror at a cat which has caught her bird from a cage. Two neighbours, in their night attire, look on disturbed by the woman's cries. Title in French, English and German. Published in Berlin, Paris, New York and London.
[Ref: 32625] £220.00
(£264.00 incl.VAT)
Un Jour de Carnaval. A Carnival Day / Ein Carnavalstag.
Peint par Guerard / Imprimé par Lemercier a Paris / Lith par Régnier et Bettannier.
Paris_Goupil, Vibert et C.ie Editeurs, Boulevart Montmartre, 15 et rue d'Enghien, 10. / London_E. Gambart & Co. 25 Berners St. Oxford St. [n.d., c.1853].
Hand coloured lithograph. Sheet size: 580 x 470mm (18¼ x 22¾"). Fine hand colouring and large margins.
Plate 23 from 'Le Musée des Rieurs'. An lively interior scene depicting a group of characters in a variety of bright costumes. The figures can be seen drinking, smoking and dancing as a female to the left plays a piano. Goupil's blind stamp, bottom centre. Title in French, English and German below. Published in London and Paris.
[Ref: 32491] £360.00
((Coup Double!..)) ((Caught!..)) / ((Doppelschuss!..))
Peint par Poittevin. Imp par Lemercier a Paris. Lith par Leon Noel.
Paris, Goupil et Vibert Editeurs, 15 Boulevard Montmartre et 10 Rue d'Enghien / London E. Gambart Junin & Co. 25 Berners St. Oxford St. [n.d., c.1853].
Fine hand coloured lithograph. Sheet size: 470 x 580mm (22¾ x 18¼"). Very slight foxing. Large margins.
Plate 14 from 'Le Musée des Rieurs'. A duck shooting scene in which a young couple have been caught behind a tree, trying to hide from prying eyes. A group of three hunters to the right have successfully shot two ducks, seen falling from the sky in the top left corner, beneath which are the couple, trying to keep out of sight. In the centre, a fatherly figure stands smoking a pipe, facing left, with a large rifle under his arm. In front of him, his dog has noticed the man and woman. Goupil's blind stamp, bottom centre. Title in French, English and German below. Published in London and Paris.
[Ref: 32515] £260.00
(£312.00 incl.VAT)
L'Intention Méconnue. The Ill Requited Complaisance / Der Varkannte Eifer.
Peint par Vallet. Lith par Régnier.
Entered according to the Act of Congress in the year 1853 by M. Knoedler, in the clerk's Office of the district Court of the United States for the Southern district of New York.
Hand coloured lithograph. Sheet size: 470 x 580mm (22¾ x 18¼"). Fine hand colouring with large margins.
Plate 60 from 'Le Musée des Rieurs'. An exterior scene depicting a man fending off an approaching gentleman in military uniform with an umbrella, as the woman he is with falls to the ground. A picnic basket hangs from his left arm. Goupil's blind stamp, bottom centre. Title in French, English and German below. Published in Paris, Berlin and New York.
[Ref: 32510] £260.00
(£312.00 incl.VAT)
M.r. Le Curé N'Aime Pas es Os! The Curate Does Not Like Bones! Der herr Pfarrer Liebt Keine Knochen!
Peint par F.d. Marohn. imp. par Lemercier à Paris. Lith par Thielley.
New-York_Goupil, Vibert & Co. 289. Broadway. Paris_ Goupil, Vibert et C.ie. Editeurs, 19. Boulev.t. Montmatre et 12 rue. d'Enghien. London_ E. Gambart & C.o. 25 Berners St. Oxford St. [n.d., c.1850].
Lithograph with Goupil stamp bottom centre. Sheet size 580 x 460mm (18 x 23"). Large margins.
Plate 35 from 'Le Musée des Rieurs'. Interior scene. Two curates sit at a table surrounded by food and wine in a finely decorated room. Empty bottles on floor. A play on how well the clergy live. A maid exits with a terrine and plates. Title in French, English and German. Published in New York, Paris and London.
[Ref: 32607] £320.00
La Curiosité Punie!.. Curiosity Punished!.. Die Bestrafte Neugier!..
Pient par Ducrot. Lith par Jacott.
New York_pub.d by Goupil, Vibert & Co., 289 broadway_Entered according to act of congress. London_ E. Gambert & Co. 25 Berners St. Oxf. St. Paris_ Goupil, Vibert & Cie. éditeurs, Boulevart Montmatre, 15, et rue d'Enghien, 10. Imprimerie Lithographique de Cattier á Paris. [n.d. c.1850].
Lithograph with large margins. 470 x 580mm (22¾ x 18¼ ").
Plate 29 of 'Le Musée des Rieurs'. Church scene. An old man looks aghast after listening in to a woman at confession. Published in Paris, London & New York.
[Ref: 32525] £230.00
(£276.00 incl.VAT)
Fruit of Temptation. Une Razzia. Gelegenheit Macht Diebe!
Peint par Miss Spencer. Lith. par Lafosse.
Entered according to Act of Congress in the year 1857 by M. Knoedler, in the clerk's Office of the district Court of the United States of the Southern District of New-York. Berlin Verlag von Goupil & C.ie. Paris, Publié par Goupil et C.ie. Editeurs 1.er. Mars. 1857. New-York, London, Pub.d. by Goupil & Co.
Lithograph. Sheet size: 460 x 580mm (18 x 23"). Large margins. Slight crease in title.
Plate 65 of 'Le Musée des Rieurs' Interior scene. A mother enters a room in which two children are helping themselves to fruit from a set table, a dog is reaching for a piece of blue cheese on a chair and a cat has its head in a jug of milk. A maid, meanwhile, is fixing her collar in the mirror. Title in English, French and German. Published in Berlin, Paris, New-York and London.
[Ref: 32618] £240.00
(£288.00 incl.VAT)
Le Gallant Mal Venu. The Lover Come Too Early. Der Courmacher Mal a Propos.
Peint par Vallet. Lith par Régnier. Imp. Lemercier
Entered according to the At of Congress in the year 1853 by M. Knoedler, in the clerk's Office of the district Court of the United States for the Southern district of New York. Berlin Verlag von Goupil & C.e. Paris. Publié par Goupil et C.ie. Editeurs. New-York Publ.d. by Goupil & Co.
Fine coloured lithograph. Sheet 580 x 450mm (23 x 17½"). Large margins.
Plate 61 from 'Le Musée des Rieurs', published in London, Paris & New York. A young woman in a bedroom covers herself while an older woman rushes to cover the eyes of a man who has just entered the room. The woman has, in her haste, knocked over a jug of water over the foot of the man.
[Ref: 32492] £320.00
Un jeunne-homme a Marier!.. The last 'Garcon' of the village / Ein heirathsfahiger Jungling!..
Peint par F.d Marohn. Imp par Lemercier a Paris. Lith par Régnier & Bettannier.
Paris_Goupil et C.ie Edit 10 Montmartre et 12 rue d'Enghien / London, E. Gamart & Co. 25 Berners St. Oxf. St. [n.d., c.1853].
Hand coloured lithograph. Sheet size: 470 x 580mm (22¾ x 18¼"). Fine hand colouring and large margins.
Plate 17 from 'Le Musée des Rieurs'. An exterior scene depicting a young man with a rose in his mouth, holding a long reed, walking past five young women in a row, each vying for his attention. A decree from the Senate is pinned to a tree in the background to the right. Goupil's blind stamp, bottom centre. Title in French, English and German below. Published in London and Paris.
[Ref: 32496] £260.00
(£312.00 incl.VAT)
Un Jour D'Abstinence!.. A Fasting Day!.. Ein Fastag!..
Peint par Ducrot. Imp. par Lemercier á Paris. Lith. par Régnier et Bettannier.
Paris_Goupil, Vibert et C.ie. Editeurs, 15 Boulve.t. Montmatre et 10. Rue d'Enghien. London_E. Gambart, Junin & Co. 25 Berners St. Oxford St. [n.d., c.1850].
Lithograph with Goupil stamp bottom centre. Sheet size: 450 x 580mm (18 x 23"). Large margins. Repaired tear in left margin.
Plate 16 from 'Musée des Rieurs'. An interior scene. An old priest attempts to hide a roast chicken under the table after spotting a youth watching him through the window, bottles of wine on table and the floor. Title in French, English and German. Published in Paris and London.
[Ref: 32605] £320.00
Enfoncé!...Les Grenadiers! Grenadiers...You're Done! Grenadier...Du Bist Erwischt!
Peint et lith. par Morlon. Imp Lemercier à Paris.
Entered according to Act of Congress in the year 1851 by W. Schauss in the clerk's Office of the district Court of the United States for the Southern district of New York. New York, Goupil & C.o. 289 Broadway. Paris Goupil et Comp.ie. Editeurs, 19 Boulev.t. Montmatre et 12 rue d'Enghien. London, E. Gambart & C.o. 25 Berners S.t. Oxf S.t.
Lithograph. Sheet size: 580 x 460mm (18 x 23"). Large margins.
Plate 48 from 'Le Musée des Rieurs.' An exterior scene in which a couple of grenadiers are knocked over by a bleeding pig. A third grenadier carries a bale of straw and a torch and a fourth converses with a young woman. The whole scene is watched from a window by a man hiding. French troops on the pillage.Title in French, English and German. Published in New York, Paris and London.
[Ref: 32614] £260.00
(£312.00 incl.VAT)
Ah Qu'y sera beau! How pretty he shall be! / Oo! Wie schon wird er!
Peint par Lenglet / Lithograpié par Jacott.
Entered according to the Act of Congress in the year 1850 by W. Schaus, in the clerk's Office of the district Court of the United States for the Southern district of New York.
Hand coloured lithograph. Sheet size: 580 x 470mm (18¼ x 22¾"). Fine hand colouring and large margins.
Plate 40 from 'Le Musée des Rieurs'. A rustic exterior scene on a farm. A scruffy character sits in some discomfort on a barrel, as he has his hair cut by another man, who looks toward the viewer, smirking. A pig and duck can be seen on the gound surrounding the figures, whilst another pig appears from a grape-vine covered barn in the background. Title in French, English and German below. Published in Paris, London and New York.
[Ref: 32512] £320.00
Hercule filant aux pieds D'Omphale. Hercules spinning at the feet of Omphale / Hercules am spinnrocken.
Paint par Roehn. Imp par Lemercier a Paris. Lith par Schultz.
Paris_Goupil, Vibert et C.ie Editeurs, Boulevart Montmartre, 15 et rue d'Enghien, 10. / London_E. Gambart & Co. 25 Berners St. Oxford St. [n.d., c.1853].
Hand coloured lithograph. Sheet size: 580 x 470mm (18¼ x 22¾"). Fine hand colouring and large margins.
Plate 15 from 'Le Musée des Rieurs'. A representation of Hercules and Omphale. An interior scene in which a man in military attire, sits, gazing into the eyes of a female figure who covers his head with a white cloth. His sword and hat have been placed beneath a table to the right, and a basket of fruit can be seen on the floor on the left. Behind, an open window reveals a landscape of trees and hills in the distance. Goupil's blind stamp, bottom centre. Title in French, English and German below. Published in London and Paris.
[Ref: 32495] £220.00
(£264.00 incl.VAT)
Honni soit qui mal y pense!.. A slippery day! / Wirkung des glatteises!
Peint par Guerard. Imp par emercier a Paris. Lith par Régnier et Bettannier.
Paris, Goupil, Vibert et C.ie Editeurs, 15 Boulevart Montmartre et 7 Rue de Lancry / London, E Gambart, Junin & Co. 25 Berners St. Oxford St. [n.d., c.1853].
Hand coloured lithograph. Sheet size: 470 x 580mm (22¾ x 18¼"). Fine hand colouring and large margins.
Plate 12 from 'Le Musée des Rieurs'. A wintry scene in which a group of figures are slipping and falling on an icy street. As heavy snow falls, so do well dressed men and women, whilst children, both in the foregound and distance, throw snowballs. A flower seller, to the left, has fallen to the ground, as a woman, in the centre, slips and grabs a man's coat, bringing him to the floor as well. Goupil's blind stamp, bottom centre . Title in French, English and German below. Published in London and Paris.
[Ref: 32498] £240.00
(£288.00 incl.VAT)
La Lettre d'Introduction. The Letter of Introduction. Das Emphelungs-Schreiben.
Peint par Verheyden. Imp Lemercier á Paris. Lith par Theilley.
Publié par Goupil & Cie Editeurs.
Coloured lithograph with large margins. Sheet 580 x 470mm (18½ x 22"). Slight foxing.
Plate 53 of 'Le Museé des Rieurs'. An old clergyman (smirking) with a bottle of wine on table next to him, sits in an armchair in his garden reading the letter of introduction of the young woman standing before him. An old woman, who is smirking, turns to look at the young woman whilst a dog sniffs at the handkerchief in her hand.
[Ref: 32523] £290.00
(£348.00 incl.VAT)