Grosvenor Prints

Etch'd from an original Painting of Rembrandt, now in the Collection of Mr Hudson of Great Queen Street. 313
By T: Worlidge Portrait Painter, in the Piazza Covent Garden.
Etching, platemark 195 x 145mm (7¾ x 5¾"). Very large margins; good impression on cream laid paper.
Man in a gown and cap, seated in his study by Thomas Worlidge (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. The print claims to be after Rembrandt but this may not be the case.
State ii/ii; D131.
[Ref: 33057] £160.00 (£192.00 incl.VAT)

[Portrait of a Man.]
[Rembrandt Van Ryn, Pinx.t 1632.] [Peter van Bleek 1747.]
[n.d. c.1747.]
A very scare mezzotint, proof before all letters. Plate 311 x 254mm (12¼ x 10"). Spotting.
Portrait of a man after Rembrandt; this was formerly identified as a self-portrait of Rembrandt. After a painting attributed to Circle of Rembrandt in the Museu de Arte de Sao Paolo Assis Chateaubriand, Sao Paolo.
CS: 9. Russell: 9; Charrington: 32
[Ref: 30873] £580.00

't Orgineele Schildery is in de Collectie van Heer Ketelar.
Rembrandt pinx. P. Louw fec.
AParis ches Basan. [n.d. c. 1770]
Mezzotint. 310 x 210mm (12¼ x 8¼"), 18th century watermark. Tipped into album sheet at sides. Creased.
Head and shoulders portrait of a bearded man wearing a turban.
Charrington 101 II of II.
[Ref: 61596] £240.00 (£288.00 incl.VAT)

't Orgineele Schildery is in de Collectie van Heer Ketelar.
Rembrandt pinx. P. Louw fec.
te Amsterdam by P. Fouquet Junior [n.d. c. 1760]
Rare mezzotint. 315 x 215mm (12¼ x 8¼"). Thread margins.
Head and shoulders portrait of a bearded man wearing a turban.
Charrington 101 i of ii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 66468] £280.00 (£336.00 incl.VAT)

[Grey-haired old man.]
Rembrandt Pinx.t. Rich. Houston Fecit.
London Printed for Rob.t Sayer at the Golden Buck in Fleet Street [n.d., c.1780]
Mezzotint. 120 x 100mm (4¾ x 4"), with very large margins. Mint.
Charrington 84.
[Ref: 51768] £160.00 (£192.00 incl.VAT)

Rembrandt Painted by Himself Drawn and Engraved by Charles Townley Member of the Royal Academy of Painting in Florence. From the Original Portrait in the Medici Collection. Born in the Year 1606. / Died in the Year 1674.
Published as the Act directs June 30, 1777, and to be had of C. Townley No, 7, New Bond Street [rubbed, so faint].
Mezzotint, with publication address partially erased before it was altered to Pascal's. Image 355 x 290mm, 14 x 11½". Lacking lower margin; the three others tatty and chipped, some senting and a few tiny inkspots on the face.
Rembrandt Harmenszoon van Rijn (1606 - 1669), Dutch painter and etcher; after the 1669 self-portrait in the Uffizi, Florence. Head and shoulders with tufts of hair showing around the ears, directed slightly to right but looking at the viewer, wearing a fur-trimmed cloak and beret, a medal on a ribbon around his neck, traces of a moustache and beard. Engraving after the 1669 self-portrait by Rembrandt in the Galleria degli Uffizi, Florence, inv.no.1871 (Bredius 60).
Chaloner Smith 23, undescribed state (between I and II); Charrington: 170 I of II.
[Ref: 22219] £220.00 (£264.00 incl.VAT)

[Woman in a Hat]
Rembrandt Pinx.t. Rich. Houston Fecit
London Printed for Rob.t Sayer at the Golden Buck in Fleet Street [n.d., c.1780]
Mezzotint with very large margins, platemark 120 x 100mm (4¾ x 4").
Woman in a hat, probably by a pupil of .Rembrandt.
Charrington 91; Not in Bredius Rembrandt catalogue raisonne. Ex: collection of the Late Hon. C. Lennox-Boyd.
[Ref: 32362] £160.00 (£192.00 incl.VAT)

Rembrandt's Etchings. An Essay and a Catalogue With some Notes on the Drawings, with thirty-four plates illustrating the drawings & a complete series of reproductions (330) of the etchings. In two volumes. Vol. I The Text
by Arthuer M. Hind.
Methuen and Co. Ltd. 36 Essex Street W.C. London. First Published in 1912.
Book: 4to (249 x 177mm). Cloth binding with stamped title and embossed patterning on the spine. pp. ix-xi + 185. With 34 b/w illustrations. 1 vol only. Binding slightly worn and a few little tears. Some sporadic spotting on the first few pages.
A compilation of biographical notes, a chronological catalogue and illustrations on the etchings by Rembrandt.
[Ref: 10156] £220.00

[Rembrand't father?]
[Remb: pinx: J:Stolker Fecit.
[n.d., c.1750.]
Mezzotint, proof before all letters. 285 x 205mm (11¼ x 8"), very large margins. Collector's stamp of Fritz Reiss on reverse.
A man wearing a plumed hat and gourget, a large earring in his left ear.
Charrington: state i of ii, before letters in image.
[Ref: 45201] £230.00 (£276.00 incl.VAT)

Rembrandt's Father. Done from an Original Painting by Rembrandt belonging to Will.m Baillie Esq.r.
Jn.o Greenwood fecit.
Published by J. Boydell Engraver in Cheapside, Jan.ry 1764 [but later].
Mezzotint, 350 x 250mm (13¾ x 10), with large margins. Slight staining. Repaired tear left margin.
Head and shoulders of a bearded man with a wide-brimmed hat, then thought to be after Rembrandt.
CS 9. Charrington 60.
[Ref: 61593] £180.00 (£216.00 incl.VAT)

Rembrandt's Father. Done from an Original Painting by Rembrandt belonging to Will.m Baillie Esq.r.
[Rembrandt pinx.] Jn.º Greenwood fecit.
Published by J.Boydell Engraver in Cheapside Jan.ry 1764.
Fine mezzotint, 18th century mezzotint. 355 x 250mm (14 x 10"). Trimmed to plate at bottom.
Head and shoulders of a bearded man with a wide-brimmed hat.
CS 9 ii of ii. Charrington 60 ii of ii. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 67625] £280.00 (£336.00 incl.VAT)

[Rembrandt's Father.]
[Rembrandt pinx. Jn.º Greenwood fecit.]
[n.d., c.1760.]
Mezzotint Proof before letters. 355 x 250mm (14 x 10"). Some foxing and creasing. Trimmed close to plate.
Head and shoulders of a bearded man with a wide-brimmed hat.
Charrington 60 i of ii. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65739] £320.00

Rembrandt's Father. Done from an Original Painting by Rembrandt belonging to Will.m Baillie Esq.r.
[Rembrandt pinx.] Jn.º Greenwood fecit.
Published by J.Boydell Engraver in Cheapside Jan.ry 1764.
Fine mezzotint. 355 x 250mm (14 x 10"). Backed onto album paper. Faint creasing. Small margins.
Head and shoulders of a bearded man with a wide-brimmed hat.
CS 9 ii of ii. Charrington 60 ii of ii. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65749] £360.00

Rembrandt's Father.
Printed for Tho.s Bowles in S.t Pauls Church Yard, and John Bowles & Son, at the Black Horse in Cornhill. [n.d. c.1760]
Scarce and very fine mezzotint, 18th century watermark; 355 x 260mm (14 x 10¼"). Small margins.
So-called Rembrandt's father; portrait of an unidentified elderly man seated in an arm-chair, resting his left hand on the rest, the other holding a stick, wearing a high cap and a coat.
CS pg 1743 132. Charrington 12. Charrington had not seen a complete impression.
[Ref: 61594] £360.00

Rembrandt's Frame Maker. Done from an Original Picture in the Collection of his Grace the Duke of Ancaster; to whom this plate is most humbly Inscrib'd by his Grace's, most dutiful & Obedt Servt.
Rembrandt pinxt. Dixon fecit.
Publish'd According to Act July 7 1769 by J.Wesson in Litchfield Street St.Anns Soho.
Mezzotint. 505 x 355mm (20 x 14"), large margins.
Portrait of Herman Doomer or Hermann Dommers (1595 - 1650), Dutch Golden Age furniture and frame-maker.
Charrington 44 ii of ii. Ex: Collection of the Hon. Christopher Lennox-Boyd.
[Ref: 65816] £480.00

Rembrandt's Mistress.
Rembrandt Pinx.t J.G.Haid fecit.
Published according to Act of Parliament, Oct.1, 1767 by Henry Parker, at No.82, in Cornhill London.
Mezzotint. 505 x 355mm (20 x 14"), with large margins on 3 sides. Faint creasing.
A portrait of 'Rembrandt's Mistress'. A young woman sits, her left hand on the arm of a chair and her right holding a letter. Her long hair flows over her shoulder, to the left is a mirror with a jewellery case in front of it.
Charrington 73 ii of ii. CS 8. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65699] £420.00

Rembrandt's Mistress. From a celebrated Picture as large as the Life mnetioned particularly in the Life of Rembrandt. In the possesion of the Right Hon.b;e Lord Viscount Maynard.
Rembrandt pinx.t. R: Cooper del.t & sculp.t.
Publish'd as the Act directs June 30.th 1781. by Richard Cooper N.o 24 Edward Street Cav.sh Square.
Fine mezzotint, 18th century watermark; 330 x 225mm (13 x 8¾"), with large margins. Reapired tear top left margin. Some foxing.
A woman sits up in bed pulling back a curtain. After Rembrandt's painting 'A Woman in Bed' which currently resides in the Scottish National Gallery. It is widely agreed that the model for this painting was Rembrandt's partner Hendrickje Stoffels (1626-63). However the Scottish National Gallery think this is not a portrait of her but the subject is of the Old Testament Apocryphal Book of Tobit, and this is Tobias' wife Sarah on their wedding night cheering him on to defeat the demon Asmodeus.
Charrington 39 II of II.
[Ref: 61595] £360.00

[Rembrandt's Mistress.] From a celebrated Picture as large as Life mentioned particularly in the Life of Rembrandt. In the possesion of the Right Hon.b;e Lord Viscount Maynard.
Rembrandt pinx.t. R: Cooper del.t & sculp.t.
[Publish'd as the Act directs June 30.th 1781. by Richard Cooper N.o 24 Edward Street Cav.sh Square.]
Mezzotint, scratched letter proof before title, 18th century watermark. 300 x 230mm (11¾ x 9). Thread margins on three sides, trimmed into plate at bottom, affecting inscriptions.
A woman sits up in bed pulling back a curtain. After Rembrandt's painting 'A Woman in Bed' which currently resides in the Scottish National Gallery, said to be illustrating the Old Testament Apocryphal Book of Tobit, with Tobias' wife Sarah waiting for him to defeat the demon Asmodeus on their wedding night. The model is believed to be Rembrandt's partner Hendrickje Stoffels (1626-63).
Charrington 39, i of ii.
[Ref: 62734] £260.00 (£312.00 incl.VAT)

[Rembrandt's Mother.]
Rembrandt Pinx.t J.G.Haid fecit.
[J. Boydell exct. n.d., c.1764.]
Mezzotint, 18th century watermark. 505 x 355mm (20 x 14"). Creasing in upper left corner. Very faint foxing. Small margins.
A portrait of 'Rembrandt's Mother'. An elderly woman seated, she leans to the left and trims her finger nails with a pair of scissors.
Charrington 74 ii of iii. C.S. 9. Ex: Collection of The Hon. Christopher Lennox-Boyd. Ex Morrison Collection.
[Ref: 65698] £420.00

Rembrandt's Mother. Done by Ja.s McArdell from a Capital Picture of Rembrandt in ye Collection of Mr Edward Scarlett Optician to his Majesty.
[Rembrandt pinxit. J.McArdell sculp.]
[n.d., c.1760.] Sold at the Golden Head Covent Garden.
Fine hand-coloured mezzotint, 355 x 250mm (14 x 9¾"), very large margins, on 18th century watermarked paper. Faint foxing and creasing.
Portrait of an old woman wearing a large cloak, reading a book.
CS 150. Goodwin 118. Charrington 108 iii of iii. Ex: Collection of the Hon. Christopher Lennox-Boyd.
[Ref: 65810] £380.00

Rembrandt's Mother. Done by Ja.s McArdell from a Capital Picture of Rembrandt in ye Collection of Mr Edward Scarlett Optician to his Majesty.
[Rembrandt pinxit. J.McArdell sculp.]
[n.d., c.1760.] Sold at the Golden Head Covent Garden.
Mezzotint. 355 x 250mm (14 x 9¾"). Small margins.
Portrait of an old woman wearing a large cloak, reading a book.
CS 150. Goodwin. 118. Charrington 108 iii of iii. Ex: Collection of the Hon. Christopher Lennox-Boyd.
[Ref: 65811] £280.00 (£336.00 incl.VAT)

[Rembrandt's Mother.]
Rembrandt pinxt. Ja.s McArdell fecit.
[n.d., c.1760.]
Fine mezzotint proof before title, 355 x 250mm (14 x 9¾"), with large margins, on 18th century watermarked paper. Damage to upper centre of publication space below image and on lower right in image. Small lower margin.
Portrait of an old woman wearing a large cloak, reading a book.
CS 150. Goodwin 118. Charrington 108 ii of iii. Ex: Collection of the Hon. Christopher Lennox-Boyd.
[Ref: 65812] £90.00 (£108.00 incl.VAT)

[Rembrandt's Mother.]
[Rembrandt pinx.t. R.Houston fecit.]
[n.d., c.1750.]
Mezzotint with large margins. Proof before letters impression. Platemark: 350 x 250mm (13¾ x 9¾").
A portrait of 'Rembrandt's Mother', after Rembrandt. An elderly woman plucking fowl, sitting whole-length to the left plucking a large fowl on her lap. For a lettered impression, see item ref: 36819.
Ex collection of Christopher Lennox-Boyd. Chaloner Smith: 148. I. Charrington: 85 I of II.
[Ref: 36820] £330.00

[Rembrandt's Mother.]
[Rembrandt pinx.t. R.Houston fecit.]
[n.d., c.1750.]
Mezzotint with small margins. Proof before letters. Collector's blind stamp, 'G' in lower right corner. Platemark: 350 x 250mm (13¾ x 9¾"). Cut to platemark at bottom.
A portrait of 'Rembrandt's Mother', after Rembrandt. An elderly woman plucking fowl, sitting whole-length to the left plucking a large fowl on her lap. For a lettered impression, see item ref: 36819.
Ex collection of Christopher Lennox-Boyd. Chaloner Smith: 148. I. Charrington: 85 I of II.
[Ref: 36821] £260.00 (£312.00 incl.VAT)

Rembrandt's Peasant Girl.From the Original Picture in the Collection of the late Noel Desenfnas Esq.
Rembrandt Pinxt. W. Say Sculpt.
London, Published Jany. 27. 1814, by T Macdonald 39 Fleet Street.
Mezzotint printed in colour. 348 x 470mm 15 x 18½inches. Trimmed inside plate in elaborate gilt frame with with an F. B. Daniell label on reverse, the frame has some damage on lower moulding. Unexamined out of frame
The painting now hangs in the Dulwich Picture Gallery with the title "Girl at a Window". This particular engraving from the Estate of Mrs. Olive Pearsonof Brook House, Norton Wiltshire.
[Ref: 11765] £850.00

Rembrandt's Night Piece.
Printed for Carington Bowles, at No. 69 in St. Pauls Church Yard, London. [n.d. c.1780]
Mezzotint with small margins. 110 x150mm (4½ x 6").
A man leads a woman through the street at night, lighting the way with a lamp.
Ex: Collection of the Hon. Christopher Lennox-Boyd. BM 1979,U.1192.
[Ref: 32413] £140.00 (£168.00 incl.VAT)

Remembrance.
F. Corbaux. W.H. Mote.
[n.d. c.1840.]
Stipple. 260 x 203mm. 10¼ x 8".
A woman seated loosely holding a guitar, looks contemplating towards to the ground. Marie Françoise Catherine Doetger "Fanny" Corbaux (1812–1883) was a British painter and biblical commentator. She was also the inventor of kalsomine (calcimine), whitewash with added zinc oxide.
[Ref: 22646] £45.00 (£54.00 incl.VAT)

Sir Thomas and Lady Remmington of Lund, in the East Riding of the County of York, Knt, Dame Hannah his Wife, Daughter of Sir William Gee of Bishop Burton, Knt. & their Issue. From an Original Picture in the Possession of the Family, painted 1647.
M.P. delint. G. Halfpenny fecit.
[n.d., c.1800.]
Etching in brown ink, sheet 275 x 395mm. 10¾ x 15½". Trimmed within plate. Vertical centre fold tearing at lower extremity.
A portrait of Sir Thomas and Lady Remmington of Lund, Yorkshire, with their 20 children, five of whom evidently died in childhood. The skull in the bottom left foreground presumably indicates an additional late fetal death or stillbirth.
[Ref: 9493] £260.00 (£312.00 incl.VAT)

Vue de la Bataille pres le Tage en Portugal. under - Vue perspective de la Bataille Remportée par les Troupes Espagnoles et Francoises aux ordres de Mr. le Comte D'Aranda sur le Portugais apres laquelle le Comte D'Aranda S'est emparé de la Place de Salvatierra ain se que de Chateau de Segura se le Tage ou il Laissé une partie de ses Troupes Cette Ville a Capitulé le seize September 1762.
A Paris chex Basset rue S. Jacques a St. Genevieve. No. 21 top right.
[between 1762 and 1770] Trimmed to plate with edges scuffed, formerly laid on an old board residue on reverse.
Vue D'Optique - The Spanish invasion of Portugal, between 9 May and 24 November 1762, was the principal military campaign of the Spanish-Portuguese War, 1761-1763, which in turn was part of the larger Seven Years' War. It initially involved the armies of Spain and Portugal, before the French and British intervened in the conflict on the side of their respective allies. This view shows the Portugese engaged by the Spanish and French troops at the River Tagus near Segura and Salvaterra.
[Ref: 14130] £180.00 (£216.00 incl.VAT)

Celeberrimorum Vivorum, Qui De Re Nummaria Scripsere, Verae Effigies.
[Engraved by Anthony van Zijlvelt.]
[n.d., c.1670.]
Engraving. Sheet: 300 x 170mm (11¾ x 6¾'').
A group portrait of various Renaissance thinkers which are identified by a key below.
[Ref: 49067] £160.00 (£192.00 incl.VAT)

[Le Renard Anglais.] Livre D'Animaux par Jean Baptiste Oudri Peintre du Roy.
J.B. Oudri inv. Huquier Sculp.
A Paris chés Huquier rue des Mathurins à côté de celle de Sorbonne.
Rare Etching. 299 x 235mm. 11¾ x 9". Some creasing.
Dogs barking at fox hanging from a tree; a vulture hovers nearby.
[Ref: 19387] £75.00 (£90.00 incl.VAT)

Rencomb Park. To Sir Will.m Guise_Bar.t Member of Parliament for the County of Gloucester this plate is Inscribed by hhis most Obliged humble servant J: Rudder.
Drawn and Engraved by T. Bonnor.
Publish'd as the Act directs Decem.r 1.st 1779.
Engraving. Platemark: 320 x 390mm (12½ x 15¼"). Very large margins; folds as normal. Repaired tear in lower margin.
The estate of Sir Francis Henry Goldsmid (1808-78), 2nd Baronet. Goldsmid, a Jewish banker and M.P., bought Rendcomb Park Estate in 1863, demolishing the 17th century house and had a new one built, designed by Philip Charles Hardwick and constructed by Thomas Cubitt. For an auction catalogue for the sale of the estate, see item ref: 37997.
[Ref: 38066] £140.00 (£168.00 incl.VAT)

[James Meadows Rendel, F.R.S.]
[Painted by G.Opie, engraved by Samuel Bellin.]
[Henry Graves & Co, 1866.]
Mezzotint on india, proof before letters, Printsellers' Association blindstamp. Plate 518 x 411mm. 20½ x 16¼". Scarce, bit dirty, with large margins.
James Meadows Rendel (1799-1856), civil engineer. Rendel was employed by Thomas Telford before setting up his own business in Plymouth. His greatest enterprises were the harbours at Holyhead (1845), Portland (1847) and St. Peter Port, Guernsey (1850). He was President of the Institution of Civil Engineers, 1852-3. In 1831 he introduced a new system of crossing rivers by means of chain ferries worked by steam, and in 1832 he constructed a floating bridge on this principle, crossing the Dart at Dartmouth. Between 1832 and 1834 similar floating bridges were erected at Torpoint and Saltash across the Tamar, which greatly facilitated the intercourse between Devon and Cornwall.
PSA: AP.25. BL.25.
[Ref: 22531] £280.00 (£336.00 incl.VAT)

[A Rendevous, Vicenza]
W.Russell Flint [Ink signature]
xxxv [Ink edition number]
Drypoint, 1929, state v of v, edition of 75. 245 x 170mm.
Wright: 19.
[Ref: 2511] £420.00

[Audace Heureuse du Capitaine Rene. (3rd February 1793)] [The French captain receives the surrender of an Austrian general, who proffers his sword to the victor.]
[French, Deroy? 1796 - 1805.]
Etching and aquatint with descriptive letterpress sheet, 150 x 210mm. 6 x 8¼".
From a series of propaganda prints publicising the heroic exploits of French soldiers of the Revolutionary army; probably 'Les Fastes du Peuple français, ou tableaux raisonnés de toutes les actions héroïques et civiques du soldat et du citoyen français' by Jacques Grasset Saint-Sauveur.
See BNF: FRBNF40253477.
[Ref: 15817] £90.00 (£108.00 incl.VAT) view all images for this item

Ardgowan, Renfrewshire.
Drawn & Engraved by Will.m Daniell.
Published by Messrs. Longman & Co., Paternoster Row & W. Daniell, 9 Cleveland Street, Fitzroy Square, London, Jany. 1. 1817.
Aquatint with fine original hand colour. 230 x 300mm (9 x 12"). Large margins, uncut.
Ardgowan House, designed by Hugh Cairncross and built 1797-1801. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 36284] £160.00 (£192.00 incl.VAT)

Guido Rhenus. Excelloit en granded ordonances, d'un esprit abondant: ses inventions sont assez cognues par les estampes, qu'on voit de sa main faictes, en eau fort. le iour de sa nativite, a ete, a Boloigne 1574; et mourut en l'an 1642.
Guid. Rhenus pinxit.
I. Meyssens fecit et excudit. [n.d. c.1655.]
Engraving. Plate 165 x 114mm. 6½ x 4½". Glued to backing sheet.
Guido Reni (1575-1642) was an Italian painter of high-Baroque style. He worked all over Italy from Bologna to the Vatican in Rome, and into Spain and Germany. From Cornelis de Bie's "Het gulden cabinet vande edel vry schilder const".
[Ref: 24523] £80.00 (£96.00 incl.VAT)

Johann Herrmann Rennebaum 21 Jahr alt Avothecter Boursche. Apothecter Boursche. Johann Jobst Rennebaum 19 Jahr alt. Kauffmans bourche.
[Berlin, 1730.]
Rare engraving. Sheet 185 x 145mm (7¼ x 5¾"). Trimmed within plate. Bit messy.
The brothers Johann Herrmann and Johann Jobst Rennebaum, in prison for the murder of Daniel Müller. On the floor is a pistol and a splinter of wood that broke out of the stock found at the crime scene. On August 12, 1727, they were publicly 'broken on the wheel' in front of thousands of spectators. From 'Stich aus der Druckschrift Umständliche… Relation von der an … Daniel Müller … vorgegangenen grausamen Mordthat und Beraubung'.
[Ref: 62091] £140.00 (£168.00 incl.VAT)

[Major James Rennell F.R.S.]
[Drawn by Scott. Engraved by A. Cardon.]
[London. Published as the Act directs, February 1799.]
Stipple, proof before letters. Sheet 205 x 115mm (8 x 6¼"). Trimmed to plate.
Major James Rennell (1742-1830), regarded as the Father of both Indian Cartography (for his survey of Bengal for the East India Company) and Oceanography (for his study of ocean currents). He compiled a map for the account of Mungo Park's first expedition to the Niger River that started the myth of the 'Mountains of Kong'.
[Ref: 57015] £160.00 (£192.00 incl.VAT)

La France de nos jours. No. 53 Vue du Thèatre, A Rennes.
Asselineau del.t et lith. Imp. Destouches, rue Paradis P.re 28.
Paris, F. Sinnett, Editeur, Passage Colbert. [n.d., c.1845.]
Chromolithograph. Sheet: 310 x 445mm (12 x 17½'').
A view of the theatre in Rennes.
[Ref: 49602] £130.00 (£156.00 incl.VAT)

Charles Rennett. Convicted at the Old Bailey of May 28th 1819 of Child Stealing.
Published by R. Ackermann June 1st 1819.
Rare lithograph. Sheet 290 x 205mm (11½ x 8") very large margins. Slight soiling.
By sweet-talking a nursery-servant, Rennett kidnapped the three-year-old son of his first cousin, who had inherited an estate that Rennett felt should have been his. He absconded to Germany, where he was apprehended and brought back to England. Found guilty, Rennett was sentenced to seven years' transportation to Australia.
53141 See 53521 for a portrait of the victim.
[Ref: 53141] £160.00 (£192.00 incl.VAT)

[Country cottage, with homecoming labourer carrying an axe]
[Anon. after J Renton, c.1820]
Pen lithograph, very scarce; verso in ink F.W. Half Penny July 25th, 1818; sheet 215 x 310mm (8½ x 12¼"). Glued to backing sheet; internal tears lower right. Slight hole where previously folded.
Copy of an 1809 lithograph by J. Renton (1799-1841, fl.). According to Michael Campbell, Renton is unknown as a printmaker apart from two early polyautographs, 'however, he was an active and successful painter of portraits, figurative subjects and landscapes'. Campbell also suggests the Lake District as a likely location for this image, given that he often exhibited views of the area.
Ex: collection of the Late Hon. C. Lennox-Boyd.
[Ref: 36949] £220.00 (£264.00 incl.VAT)

[Plate 5:] Le repas Champêtre.
Mondon le fils In. A. Aveline Sculp.
[Avec Privilege du Roy, 1736.]
Copper engraving, paper watermarked. Plate 229 x 178mm. 9 x 7". Large margins, uncut.
The country meal; a picnic laid out on a Rococo design, a man and woman eating and drinking wine. From a series of forty-two ornament prints, divided into six sets of seven plates each; this plates belongs to the sixth set.
[Ref: 23002] £160.00 (£192.00 incl.VAT)

Repentance.
[n.d., c.1790.]
Stipple. Proof before letters. Plate: 290 x 220mm (11½ x 8¾''). Trimmed within plate on lower edge. Slight hole in bottom of image.
A scene showing a young well-dressed woman walking down a country road crying.
[Ref: 49325] £110.00 (£132.00 incl.VAT)

Repentance & Submission. Ah! Desdemona, away, away, away.
Design'd by Edw.d Penny R.A.
London, Pub.d May 1. 1796, by G.T. Stubbs, at the Turf Gallery, Conduit Street, & No.97 High Street, Marylebone.
Hand-coloured stipple, printed in colour. 241 x 177mm. 9½ x 7". Trimmed, slight loss on left.
A young couple in a room; the wife on her knees submitting and begging with her husband who is having none of it and gestures her to leave.
[Ref: 27311] £140.00 (£168.00 incl.VAT)

Le Repos.
Le Prince 1771.
Se vend à Paris chéz l'auteur, Cour du Vieux Louvre.
Aquatint with etching, printed in sepia. 450 x 350mm (17¾ x 13¾"), with small margins. Damp stains in left margin.
A young girl sleeps in a makeshift bed in a barn, leaving a basket of eggs to fall over and break. Her aged peasant parents look on in disgust.
[Ref: 52972] £280.00 (£336.00 incl.VAT)

Repos du Chasseur. Tiré du Cabinet de Monsieur Prousteau Capitaine des Gardes de la Ville.
A. Gryef pinx. le Vasseur Sculp.
A Paris chez Beauvarlet rue St. Jacques au Temple du Gout. [n.d. c.1770.]
Copper Engraving. Plate 274 x 209mm. 10¾ x 8¼".
Rest during the hunt; a boy seated by a tree with his two dogs and his killings behind him, consisting of a hare, wood pigeon and two other foul. His satchel slung across his chest and his rifle on his lap. In the backgroud can be seen a shepherd with three sheep. An Italianesque landscape.
[Ref: 17987] £120.00 (£144.00 incl.VAT)

Le Repose.
Peint par Gaspard Netscher. Dessiné par Beaudouin. Gravé par C.E. Gaucher, des acad.ie R.le et Soc.té de Londre, Rouen &c.
Imp. Chardon ainé, à Paris [n.d., c.1830].
Engraving with etching. 270 x 225mm (10¾ x 9"), very large margins.
Interior of a rich bedroom with a naked woman asleep on a canopied bed, a jug on a side-table. First published c.1808, the title also had 'De la Galerie de S.A.S. Monseigneur le Duc d'Orléans. A.P.D.R.'
[Ref: 59646] £180.00 (£216.00 incl.VAT)

Repose.
J.H. Clark Del. M. Dubourg Sculp.t.
Published & Sold October 1st 1813, by Edw.d Orme, Bond Street, London.
Fine hand-coloured aquatint, very large margins. Platemark: 180 x 230mm (7¼ x 9¼").
Plate 10 from 'The Field Sports &c. &c. of the Native Inhabitants of New South Wales', published by Edward Orme, London, 1813, the first book devoted solely to the Aboriginal people of Australia. This scene depicts an Aboriginal settlement, with a number of men and women lying under small, tent-like shelters, by a fire, who have been woken by a figure returning from a hunt. The figure holds a spear and is greeted by a dog rushing towards him. After John Heaviside Clark, later known as "Waterloo Clark" for his depictions of Wellington's triumph in 1815.
NGV ref: 1999.400.10.
[Ref: 32075] £220.00 (£264.00 incl.VAT)

Reposo.
[I.H. Mortimer.]
Publish'd Dec.r 8, 1778 by I Mortimer.
Etching. 300 x 197mm (11¾ x 7¾").
A bearded man in a turban sitting back in thought on a step beneath a tree, his head resting on his hand, looking to right. From a series of "Fifteen etchings dedicated to Sir Joshua Reynolds".
[Ref: 28032] £120.00 (£144.00 incl.VAT)

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