Grosvenor Prints

[Rembrandt] Lingenieux Merlin Anglois.
[after Rembrandt.]
[Balthasar Moncornet, c.1660.]
Etching. 145 x 110mm (5¾ x 4¼"), with large margins.
Rembrandt's laughing self-portrait.
[Ref: 53159] £250.00 (£300.00 incl.VAT)

[The Tribute Money.]
Rembrandt Pinx.t. Js.McArdell fecit.
[n.d., c.1750.] From the Original in the Collection of John Blackwood Esq.r.
Fine mezzotint. 500 x 405mm (19¾ x 16"). Small margins
A scene depicting Christ standing to left in outer courts of the Temple amongst priests and scribes, indicating coin held by a chief priest in front of Him.
Goodwin 215 Charington 118. Ex Oettinger-Wallenstein collection Sotheby's
[Ref: 67102] £420.00

A Catalogue of the Mezzotints after, or said to be after, Rembrandt.
compiled by John Charrington Hon. Keeper of the Prints at the Fitzwilliam Museum.
Cambridge, Printed at the University Press 1923.
A scarce book: 4to (216 x 177mm), green cloth gilt; pp. xv + 157. Binding scuffed and rubbed, ink stamps on endpapers & title.
[Ref: 10339] £240.00

[The Tribute Money.]
Rembrandt Pinx.t. Js.McArdell fecit.
[n.d., c.1750.] From the Original in the Collection of John Blackwood Esq.r.
Mezzotint. 500 x 405mm (19¾ x 16"), large margins
A scene depicting Christ standing to left in outer courts of the Temple amongst priests and scribes, indicating coin held by a chief priest in front of Him.
Goodwin 215 IV of IV. Charington 118. Ex Oettinger-Wallenstein collection Sotheby's
[Ref: 67103] £320.00

[A Young Man at a Curtain.] From the Original Picture, Painted by Rembrandt; In the Collection of the Right Honourable the Earl of Lincoln.
Rembrandt Pinxit. Wm. Pether fecit.
J.Boydell Excudit 1767.
Mezzotint. 505 x 355mm (20 x 14"). Foxing.
A half-length portrait of a young man, looking to the front. He wears a velvet cap and a jewelled chain, in his right hand he holds a roll of paper and his left hand holds back a curtain.
Charrington 128. Ex: Collection of The Hon. Christopher Lennox-Boyd & Oettingen-Wallerstein.
[Ref: 65591] £460.00

[Rembrandt as an Officer of State.] From the Original Picture Painted by Rembrandt, In the Collection of the Right Hon.ble the Earl of Besborough to whom this plate is most humbly Dedicated, by His Lordship's most Obliged and most Obedient Humble Servant._ J.Boydell.
Rembrandt Pinxt. Wm Pether fecit.
Published according to Act of Parliament, by J.Boydell Engraver in Cheapside, Nov.r. 1st 1764.
Mezzotint. 505 x 355mm (20 x 14"). Small margins.
Portrait of Rembrandt, looking slightly to the left. He wears a hat with a black fetaher in the front and a white feather on the brim. His right arm leans on a piller and he holds a large sword.
CS 38. Charrington 125 iii of iii. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65589] £480.00

A Catalogue Raisonné of The Works of the Most Eminent Dutch, Flemish, and French Painters; In which is included a short Biographical Notice of the Artists, with a copious description of Their Principal Pictures; A Statement of the Prices at which such pictures have been sold at public sales on the Continent and in England; A Reference to the Galleries and Private Collections, in which a large portion are at present; and the names of the Artists by whom the they have been Engraved; To which is added, A Brief Notice of the Scholars & Imitators of the Great Masters of the Above Schools:
By John Smith, Dealer in Pictures. Part the Seventh.
London: Published by Smith and Son, 137, New Bond Street. MDCCCXXXVI [1836].
Small 4to (260 x 171mm. 10¼ x 6¾".), red cloth covers. Covers slighty torn with spine lost; binding broken.
This particular volume focuses on the life and works of Rembrandt van Rhyn (1606-1669) the Dutch painter and etcher, one of the greatest painters and printmakers in European art history and the most important in Dutch history.
[Ref: 22112] £60.00

Rembrandt as an Etcher: A Study of the Artist at Work. Second edition.
Christopher White.
New Haven & London: Yale University Press, 1999.
4to, red cloth gilt & illus. d/w; pp. xii + 284, 359 illustrations.
A thorough examination of Rembrandt's etchings.
See Ref: 59906 & 59908
[Ref: 59760] £60.00

[Rembrandt's Mill.]
[Rembrandt Pinxt. Engraved by S.W.Reynolds.]
[n.d, c.1820.]
Mezzotint. Unfiinished Proof. 400 x 340mm (15¾ x 13½"), large margins. Some foxing.
An unfinished proof depicting a windmill in the centre, with a river on the right.
Charrington 153, pre i of ii. Whitman 435. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65579] £260.00 (£312.00 incl.VAT)

[Rembrandt's Mill.] From the Original Picture.
Rembrandt Pinxt. Reynolds sculps.t.
Published by S.W.Reynolds Bayswater December 10 1822.
Mezzotint. 400 x 340mm (15¾ x 13½"). Top right margin split. Some faint foxing and creasing in upper right margin close to plate.
A scene depicting a windmill in the centre, with a river on the right. In the foreground to the left is a man in a boat and on the right on a woman and child are walking.
Charrington 153 i of ii. Whitman 435. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65580] £260.00 (£312.00 incl.VAT)

Rembrandt's Marriage.
Rembrandt pinxt. S.W.Reynolds sculpt.
London Published & Sold June 4, 1811 by Edw.d Orme Printseller to the King Engraver & Publisher Bond Street corner of Brook Street.
Mezzotint. 520 x 400mm (20½ x 15¾"), large margins. Some faint foxing in along right edge of plate.
A scene depicting a man, kneeling and holding his right hand out to a girl who stands. A Priest in a turban stands behind them holding out his right hand.
Charrington 152 only state. W433. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65582] £360.00

Rembrandt. Painted by Himself. Drawn and Engraved by Charles Townley Member of the Royal Academy of Painting in Florence. From the Original Portrait in the Medici Collection.
Born in the Year 1606. Died in the Year 1674.
Published as the Act directs, June 30, 1777, by Jean Marc Pascal Berlin.
Mezzotint. Plate 420 x 291mm (16½ x 11½"). Slight crease.
Rembrandt (1606-1669) the Dutch painter and etcher, considered one of the greatest painters and printmakers in European art history and the most important in Dutch history. The 1669 self-portrait by Rembrandt is in the Galleria degli Uffizi, Florence.
Charrintong 170: ii/ii. CS: 23, ii/ii.
[Ref: 29520] £180.00 (£216.00 incl.VAT)

Rembrandts - Sister. [or Aged Lady.] Done from a Picture of Rembrandts in Mr. Vernons Possession.
Rembrandt pinxt. C.Phillips fect.
[n.d., c.1760.]
Rare mezzotint on india paper. 215 x 160mm (8½ x 6¼"). Backed onto album paper at corners. Trimmed into bottom of plate. Crease across upper image. Small margins on 3 sides.
Portrait of Rembrandt's sister or an old lady, glancing towards the viewer, her hands in a large muff, wearing a dark veil and cloak and a white shawl crossed over her breast.
CS 8. Charrington 129 ii of ii. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65590] £260.00 (£312.00 incl.VAT)

Rembrandt's head by himself, Copyed from the Original Painting now in the Collection of his Grace the Duke of Argyle.__
by Thomas Worlidge Painter in Bath.
[n.d., c.1760]
Etching, platemark 215 x 160mm (8½ x 6¼"). Thread margins; good impression; Collector's stamp of C. Kemeys-Tynte (L.2444) lower right.
Supposed self-portrait by Rembrandt, as copied by Thomas Worlidge Senior (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Posthumous impression after Worlidge's widow Mary issued new impressions in 1767 with the number '72' added top right to correspond with the catalogue of his prints she produced. From the collection of colonel and MP C. Kemeys-Tynte of Halswell Park, Bridgwater (1779-1860).
State ii/iii; W72; D190; Ex collection of the Late Hon. C. Lennox-Boyd.
[Ref: 32866] £180.00 (£216.00 incl.VAT)

Rembrandt's head by himself, Copyed from the Original Painting now in the Collection of his Grace the Duke of Argyle.__
by Thomas Worlidge Painter in Bath.
[n.d., c.1760]
Etching, platemark 215 x 160mm (8½ x 6¼"). Small margins; staining.
Supposed self-portrait by Rembrandt, as copied by Thomas Worlidge Senior (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Later impression postdating the 1767 catalogue of Worlidge's prints produced by his widow Mary.
State iii/iii; W72; D190; Ex collection of the Late Hon. C. Lennox-Boyd.
[Ref: 32884] £120.00 (£144.00 incl.VAT)

Rembrandt's head by himself, Copyed from the Original Painting now in the Collection of his Grace the Duke of Argyle.__
by Thomas Worlidge Painter in Bath.
[n.d., c.1760]
Etching, platemark 215 x 160mm (8½ x 6¼"). Thread margins; staining; wove paper.
Supposed self-portrait by Rembrandt, as copied by Thomas Worlidge Senior (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Later impression postdating the 1767 catalogue of Worlidge's prints produced by his widow Mary.
State iii/iii; W72; D190; Ex collection of the Late Hon. C. Lennox-Boyd.
[Ref: 32885] £60.00 (£72.00 incl.VAT)

[Rembrandt's Head.]
[Thomas Worlidge, 1758]
Etching, platemark 80 x 65mm (3 x 2½"). Unfinished proof; good impression; large margins.
Portrait study by Thomas Worlidge Senior (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. In her catalogue of Worlidge prints, his widow Mary listed this plate as 'Rembrandt's head'.
State i/iv; W111; D189.
[Ref: 32916] £320.00

[Rembrandt's Head.]
Thos Worlidge 1758.
Etching, platemark 80 x 65mm (3 x 2½"). Good impression; large margins.
Portrait study by Thomas Worlidge Senior (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Lifetime impression before Worlidge's widow Mary issued new impressions in 1767 with the number '111' added upper left to correspond with the catalogue of his prints she produced (in which she listed this print as 'Rembrandt's Head').
State ii/iv; W111; D189.
[Ref: 32917] £250.00 (£300.00 incl.VAT)

[Rembrandt's Head.]
Thos Worlidge 1758.
Etching, platemark 80 x 65mm (3 x 2½"). Good impression; trimmed on platemark; stain at top.
Portrait study by Thomas Worlidge Senior (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Lifetime impression before Worlidge's widow Mary issued new impressions in 1767 with the number '111' added upper left to correspond with the catalogue of his prints she produced (in which she listed this print as 'Rembrandt's Head').
State ii/iv; W111; D189.
[Ref: 32918] £200.00 (£240.00 incl.VAT)

[Rembrandt's Head.]
Thos Worlidge 1758.
Etching, platemark 80 x 65mm (3 x 2½"). Very large margins; uncut; cream laid paper.
Portrait study by Thomas Worlidge Senior (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Posthumous impression after Worlidge's widow Mary issued new impressions in 1767 with the number '111' added upper left to correspond with the catalogue of his prints she produced (in which she listed this print as 'Rembrandt's Head').
State iii/iv; W111; D189.
[Ref: 32919] £140.00 (£168.00 incl.VAT)

[Rembrandt's Head]
Thos Worlidge 1758.
Etching, platemark 80 x 65mm (3 x 2½"). Large margins; good impression; white wove paper.
Portrait study by Thomas Worlidge Senior (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Later impression after engraved catalogue number erased from upper right. This print was listed as 'Rembrandt's head' in Mary Worlidge's 1767 Worlidge catalogue.
State iv/iv; W111; D189; Ex collection of the Late Hon. C. Lennox-Boyd.
[Ref: 32920] £220.00 (£264.00 incl.VAT)

[Rembrandt Holding a Short Sword in a Sheath.] After the Original Picture, painted by Rembrandt, In the Collection of Henry Isaac Esq.r. No 9.
Rembrandt Pinx.t J.G.Haid fecit.
Published by J.Boydell, Engraver in Cheapside, 1765.
Mezzotint. 505 x 355mm (20 x 14"). Small margins.
Portrait of Rembrandt Harmenszoon van Rijn (1606 - 1669), Dutch Golden Age painter, printmaker, and draughtsman. He wears a cap, a cloak and holds the handle of a sword which rest on his left arm.
Charrington 72 iii of iii. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65697] £420.00

[Jan Six.]
[Rembrandt pinxt. R.Houston Fecit.]
[n.d., c.1761.]
Mezzotint proof, 325 x 250mm (12¾ x 10"), Collector's Mark on verso. Some time-staining, foxing and creases. Trimmed, publication space missing. Small margins on 3 sides.
Full-length portrait of a Jan Six (1618-1700), art collector, magistrate and mayor of Amsterdam in 1691, with long curly hair leaning against a window sill reading a book.
Charrington 88 i of ii? Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65733] £240.00 (£288.00 incl.VAT)

[Jan Six.]
[Rembrandt pinxt. R.Houston Fecit.]
[n.d., c.1761.]
Fine mezzotint, proof before all letters. 350 x 250mm (13¾ x 10"). Some time-staining.
Full-length portrait of a Jan Six (1618-1700), art collector, magistrate and mayor of Amsterdam in 1691, with long curly hair leaning against a window sill reading a book.
Charrington 88 i of ii. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65734] £380.00

[Rembrandt as an Officer of State.]
Rembrandt Pinxt. Jn Boydell Ex. Wm Pether fecit.
1764.
Mezzotint before the Arms. 505 x 355mm (20 x 14"). Trimmed close to plate.
Portrait of Rembrandt, looking slightly to the left. He wears a hat with a black feather in the front and a white feather on the brim. His right arm leans on a pillar and he holds a large sword.
Ch 125. ii of iii. CS28. Ex: Collection of The Hon. Christopher Lennox-Boyd and Collector's Mark
[Ref: 65575] £480.00

Rembrant du-Reyn Pittore e Intagliatore in Rame.
Gio. Dom. Campiglia del e fec. [after a Rembrandt seld-portrait]
[n.d., c.1756.]
Engraving. 255 x 175mm (10 x 6¾"), with large margins.
A self portrait of Rembrandt, from Gori's 'Musaeum Florentinum', part of which was a series of the artists' self-portraits in the Uffizi. The engraver, Giovanni Domenico Campiglia (1692-1768) was appointed first director of the Calcografia in Rome in 1738.
[Ref: 58858] £160.00 (£192.00 incl.VAT)

[Rembrandt van Ryn.]
[Rembrandt van Ryn, Pinx.t. 1632. PVB [Pieter van Bleeck] 1747.]
Mezzotint, proof before letters, 350 x 255mm (13¾ x 10"), on 18th century watermarked paper. Trimmed into plate at bottom, thread margins elsewhere. Bit messy.
A half-length portrait in oval of a man wearing a gold chain. The lettered state claims it is a self-portrait of Rembrandt, but the BM states it is of the circle of Rembrandt and not of the artist, which is disputed by the São Paulo Museum of Art, who hold the painting.
CS 9, i of ii. See BM 1902,1011.6005. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 67624] £180.00 (£216.00 incl.VAT)

[Young Man in a Gorget and Cap]
[Rembrandt?]
[n.d., c.1800.]
Etching. 155 x 125mm (6¼ x 5"), large margins
From an oil in the Uffizi Gallery, possibly begun by Rembrandt but finished by another hand.
[Ref: 63701] £95.00 (£114.00 incl.VAT)

[A young man in a hat.] Du Cabinet de Monsieur le Comte de Kamcke.
[Etched by Georg Friedrich Schmidt after Rembrandt.]
[n.d., c.1760.]
Etching. Sheet 200 x 165mm (8 x 6½"). Trimmed within plate. Laid on Album sheet at corners.
[Ref: 63702] £130.00 (£156.00 incl.VAT)

[Man praying.] In the Collection of Ja: Harris Esq.r.
Rembrandt inv.t. J. Tobin s. 1774.
Etching. 175 x 150mm (7 x 6"), large margins. Paper toned, nick in left edge.
A bald-headed man praying in a bedroom.
[Ref: 63703] £95.00 (£114.00 incl.VAT)

[Portrait of an old man.]
Rembrandt pinx. H. Tischbein Jun. f.
[n.d., c.1780.]
Etching. 100 x 70mm (4 x 2¾").
[Ref: 63704] £95.00 (£114.00 incl.VAT)

[Rembrandt Self-portrait]
T Worlidge
[date illegible, c.1755]
Etching, platemark 125 x 100mm (5 x 4"). Trimmed on platemark; good impression on cream laid paper; slight paper tone and crease.
Etching by Thomas Worlidge (1700-66) based on part of a Rembrandt etching showing the artist and his wife Saskia (White + Boon 19). Worlidge, known as 'the English Rembrandt', was a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married.
W13; Ex collection of the Late Hon. C. Lennox-Boyd. For a copy see ref. 33032.
[Ref: 33033] £110.00 (£132.00 incl.VAT)

[Rembrandt Self-portrait]
T Worlidge
[date illegible, c.1755]
Etching, platemark 125 x 100mm (5 x 4"). Trimmed on platemark top and bottom; good impression on laid paper; glued to old backing sheet with slight glue staining.
Etching by Thomas Worlidge (1700-66) based on part of a Rembrandt etching showing the artist and his wife Saskia (White + Boon 19). Worlidge, known as 'the English Rembrandt', was a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married.
W13; Ex collection of the Late Hon. C. Lennox-Boyd. For a copy see ref. 33032.
[Ref: 33034] £90.00 (£108.00 incl.VAT)

Rembrandt-van-Rhyn Painter & Engraver, Natus 1606, Obijt 1674.
B.R. f. 1752
Etching, platemark 155 x 100mm (6 x 4") very large margins.
Portrait of Rembrandt, copied from Rembrandt's 1636 self-portrait etching with Saskia. While the initials suggest it was not made by Thomas Worlidge, 'the English Rembrandt' who copied many Rembrandt compositions and imitated his etching style, this print has much in common with those which Worlidge was making at the same time and may well have some connection to him.
[Ref: 39848] £130.00 (£156.00 incl.VAT)

The Viscount Downe Collection of Rembrandt Etchings. Part II.
[Sotheby & Co.][1972.]
4to, original cloth gilt; pp. 135, profusely illustrated.
An auction catalogue of the collection of Rembrandt etchings formed by the 10th Viscount Downe (1903-1965) and sold by Sotheby & Co.
See Ref: 59906
[Ref: 59908] £60.00

The Viscount Downe Collection of Rembrandt Etchings. Part II.
[Sotheby & Co.][1972.]
4to, original cloth gilt; pp. 135, profusely illustrated.
An auction catalogue of the collection of Rembrandt etchings formed by the 10th Viscount Downe (1903-1965) and sold by Sotheby & Co. Includes a loose results list.
See Ref: 59908
[Ref: 59906] £80.00 view all images for this item

[An old man with flat cap.] Agli Dilitanti che ano il Sapere senza preguidizio Questa e dedicata.
Rembrandt 1646. WBaillie f. 1765.
Etching with drypoint, printed in brown, 18th century watermark. 290 x 240mm (11½ x 9½").
An old man with a white beard, facing the viewer. Engraved by Captain William Baillie (1723-1810), who retired from the army in 1761 and devoted himself to printmaking and dealing. He specialised in imitating old-master drawings and prints, using a variety of printmaking techniques.
Charington 25. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68464] £160.00 (£192.00 incl.VAT)

[Head after Rembrandt]
T.W. [Thomas Worlidge]
[n.d., c.1760]
Etching, sheet 80 x 65mm (3 x 2½"). Fine impression; trimmed on platemark; 'J.B.' (for John Barnard) verso; mark on right.
Portrait study by Thomas Worlidge Senior (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Lifetime impression before Worlidge's widow Mary issued new impressions in 1767 with the number '99' added top right to correspond with the catalogue of his prints she produced (in her catalogue this print is listed as 'head after Rembrandt'). From the Collection of John Barnard (1709-84), print-collector and one of the foremost connoisseurs of his day.
State i/iii; W99; D160.
[Ref: 32900] £280.00 (£336.00 incl.VAT)

[Head after Rembrandt]
T.W. [Thomas Worlidge]
[n.d., c.1760]
Etching, sheet 75 x 65mm (2¾ x 2½"). Fine impression; trimmed inside platemark; glued to backing sheet; glue stains at corners.
Portrait study by Thomas Worlidge Senior (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Lifetime impression before Worlidge's widow Mary issued new impressions in 1767 with the number '99' added top right to correspond with the catalogue of his prints she produced (in her catalogue this print is listed as 'head after Rembrandt').
State i/iii; W99; D160; Ex collection of the Late Hon. C. Lennox-Boyd.
[Ref: 32901] £140.00 (£168.00 incl.VAT)

[Head after Rembrandt]
T.W. [Thomas Worlidge]
[n.d., c.1760]
Etching, platemark 80 x 65mm (3 x 2½"). Fine impression; small margins; light foxing.
Portrait study by Thomas Worlidge Senior (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Lifetime impression before Worlidge's widow Mary issued new impressions in 1767 with the number '99' added top right to correspond with the catalogue of his prints she produced (in her catalogue this print is listed as 'head after Rembrandt').
State i/iii; W99; D160.
[Ref: 32902] £280.00 (£336.00 incl.VAT)

[Head after Rembrandt] [2 in right corner]
T.W. [Thomas Worlidge]
[n.d., c.1760]
Etching, platemark 80 x 65mm (3 x 2½"). Trimmed on platemark
Portrait study by Thomas Worlidge Senior (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Lifetime impression before Worlidge's widow Mary issued new impressions in 1767 with the number '99' added top right to correspond with the catalogue of his prints she produced (in her catalogue this print is listed as 'head after Rembrandt').
State ii/iii; W99; D160.
[Ref: 32903] £180.00 (£216.00 incl.VAT)

[Head after Rembrandt]
T.W. [Thomas Worlidge]
[n.d., c.1760]
Etching, platemark 80 x 65mm (3 x 2½"). Very large margins; on cream laid paper.
Portrait study by Thomas Worlidge Senior (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Posthumous impression after Worlidge's widow Mary issued new impressions in 1767 with the number '99' & '2' added top right to correspond with the catalogue of his prints she produced (in her catalogue this print is listed as 'head after Rembrandt').
State iii/iii; W99; D160.
[Ref: 32904] £120.00 (£144.00 incl.VAT)

[Village]
Rembrandt. N. Strixner del.
[Munich: J. Stuntz, 1811-1816.]
Tinted lithograph. Sheet 250 x 390mm (9¾ x 15¼"), large margins.
An early tinted lithograph, showing a village after an etching by Rembrandt. From 'Les Oeuvres lithographiques. Contenant un choix de dessins d'après les grands maîtres de toutes les écoles, tiré des Musées de sa Majesté le Roi de Bavière.'
[Ref: 60952] £130.00 (£156.00 incl.VAT)

[Paysage]
Rembrandt. N. Strixner del.
[Munich: J. Stuntz, 1811-1816.]
Tinted lithograph. Sheet 290 x 410mm (11½ x 16"), large margins.
An early tinted lithograph, showing a town surrounded by windmills, with two men angling. From 'Les Oeuvres lithographiques. Contenant un choix de dessins d'après les grands maîtres de toutes les écoles, tiré des Musées de sa Majesté le Roi de Bavière.'
[Ref: 60953] £130.00 (£156.00 incl.VAT)

[Portrait of a Man.]
[Done From an Original Picture Painted by Rembrandt, by B. Richards.]
[Printed for Jn.º Spilsbury, Engraver, & Map & Print Seller, in Russel Court, Covet Garden, Sep.r 5th 1766.]
Mezzotint, proof before letters. Sheet 330 x 225mm (13 x 8¾"), on 18th century watermarked paper. Trimmed close to plate. Crease across lower right of image. Slight loss top right corner.
A half-length portrait of a man looking to the front, wearing a large hat and a wide white collar with tassels under.
Charrington 155 i of ii. CS 52 i of ii. Ex Collection of the Hon. Christopher Lennox-Boyd.
[Ref: 65672] £360.00

[Portrait of a Man.]
Done from an Original Picture Painted by Rembrandt, by B. Richards.
Printed for Jn.º Spilsbury, Engraver, & Map & Print Seller, in Russel Court, Covet Garden, Sepr 5th 1766.
Mezzotint. 330 x 225mm (13 x 8¾"), with 18th century watermark. Trimmed close to plate. Small tear into lower left image.
A half-length portrait of a man looking to the front, wearing a large hat and a wide white collar with tassels under.
Charrington 155 ii of ii. CS 52 ii of ii. Ex Collection of the Hon. Christopher Lennox-Boyd.
[Ref: 65676] £280.00 (£336.00 incl.VAT)

[Portrait of a Man.]
Done from an Original Picture Painted by Rembrandt, by B. Richards.
Printed for Jn.º Spilsbury, Engraver, & Map & Print Seller, in Russel Court, Covet Garden, Sepr 5th 1766.
Mezzotint, fine impression, 330 x 225mm (13 x 8¾"), on 18th century watermarked paper. Trimmed into plate at bottom.
A half-length portrait of a man looking to the front, wearing a large hat and a wide white collar with tassels under.
Charrington 155 ii of ii. CS 52 ii of ii. Ex Collection of the Hon. Christopher Lennox-Boyd.
[Ref: 67623] £220.00 (£264.00 incl.VAT)

Etch'd from an original Painting of Rembrandt, now in the Collection of Mr Hudson of Great Queen Street.
By T: Worlidge Portrait Painter, in the Piazza Covent Garden [c.1757-8]
Etching, platemark 195 x 140mm (7¾ x 5½"), with thread margins.
Unidentified portrait supposedly after Rembrandt, showing sitter in his study. Thomas Worlidge (1700-66) specialised in etchings either copied from, or in the style of Rembrandt.
Ex: Collection Hon. C. Lennox-Boyd.
[Ref: 55261] £160.00 (£192.00 incl.VAT)

Etch'd from an original Painting of Rembrandt, now in the Collection of Mr Hudson of Great Queen Street
By T: Worlidge Portrait Painter, in the Piazza Covent Garden
Etching, platemark 195 x 145mm (7¾ x 5¾"). Trimmed on platemark; very good impression; on cream laid paper.
Man in a gown and cap, seated in his study by Thomas Worlidge (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. The print claims to be after Rembrandt but this may not be the case.
State i/ii; D131.
[Ref: 33055] £220.00 (£264.00 incl.VAT)

Etch'd from an original Painting of Rembrandt, now in the Collection of Mr Hudson of Great Queen Street
By T: Worlidge Portrait Painter, in the Piazza Covent Garden
Etching, platemark 195 x 145mm (7¾ x 5¾"). Thread margins; good impression on cream laid paper.
Man in a gown and cap, seated in his study by Thomas Worlidge (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. The print claims to be after Rembrandt but this may not be the case.
State i/ii; D131.
[Ref: 33056] £220.00 (£264.00 incl.VAT)

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