A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
![[The Sick Child]](jpegs/35913.jpg)
[The Sick Child] ["Hush my babe be still and slumber / Holy angels guard thy bed"]
Rich.d Redgrave. Etch Club [1844]
Etching on india, very large margins; platemark 185 x 135mm (7¼ x 5¼"). Proof before additional text added. Crease upper left margin.
One of few etchings by painter and arts administrator Richard Redgrave (1804-88), in which an angel looks over an unwell child (in the final state it was accompanied by verse by Redgrave). In 1837 Redgrave was a founding member of the Etching Club, under whose auspices this print was published in 1844. Kathryn Moore Heleniak (DNB) writes that: 'it was in the 1840s that Redgrave produced his most memorable paintings, 'lessons of philanthropic appeal on behalf of the oppressed and miserable', and this print, like many of his works in this period, draws attention to the perils and trials facing humanity. In later years Redgrave painted less and became an influential arts educator and administrator, working with museums, international exhibitions, writing books and becoming surveyor of the queen's pictures.
[Ref: 35913] £75.00 (£90.00 incl.VAT)
Rich.d Redgrave. Etch Club [1844]
Etching on india, very large margins; platemark 185 x 135mm (7¼ x 5¼"). Proof before additional text added. Crease upper left margin.
One of few etchings by painter and arts administrator Richard Redgrave (1804-88), in which an angel looks over an unwell child (in the final state it was accompanied by verse by Redgrave). In 1837 Redgrave was a founding member of the Etching Club, under whose auspices this print was published in 1844. Kathryn Moore Heleniak (DNB) writes that: 'it was in the 1840s that Redgrave produced his most memorable paintings, 'lessons of philanthropic appeal on behalf of the oppressed and miserable', and this print, like many of his works in this period, draws attention to the perils and trials facing humanity. In later years Redgrave painted less and became an influential arts educator and administrator, working with museums, international exhibitions, writing books and becoming surveyor of the queen's pictures.
[Ref: 35913] £75.00 (£90.00 incl.VAT)
H. Redouté.
Dutertre.
[n.d. c.1811.]
Engraving and etching, rare. Plate 115 x 102mm (4½ x 4").
Henri Joseph Redouté (1766-1852) the painter who was a member of the Committee on Science and the Arts during Napoleon's Egyptian Campaign (1798-1799). From a series of prints portraying the members of Napoleon's campaign in Egypt.
[Ref: 31237] £90.00 (£108.00 incl.VAT)
Dutertre.
[n.d. c.1811.]
Engraving and etching, rare. Plate 115 x 102mm (4½ x 4").
Henri Joseph Redouté (1766-1852) the painter who was a member of the Committee on Science and the Arts during Napoleon's Egyptian Campaign (1798-1799). From a series of prints portraying the members of Napoleon's campaign in Egypt.
[Ref: 31237] £90.00 (£108.00 incl.VAT)
P.J. Redouté, Peintre de Fleurs.
Gerard Pinx.t. C.S. Pradier sculp.t 1811.
Engraved with stippled face, with very large margins. 265 x 195mm (10½ x 7¾"). Slight crease across upper title area.
A finely-executed portrait of Pierre Joseph Redouté (1759-1840), Belgian painter and botanist, known for his watercolours of roses, lilies and other flowers at Malmaison. He published over 2,100 plates depicting over 1,800 different species, many never illustrated before.
[Ref: 32653] £240.00 (£288.00 incl.VAT)
Gerard Pinx.t. C.S. Pradier sculp.t 1811.
Engraved with stippled face, with very large margins. 265 x 195mm (10½ x 7¾"). Slight crease across upper title area.
A finely-executed portrait of Pierre Joseph Redouté (1759-1840), Belgian painter and botanist, known for his watercolours of roses, lilies and other flowers at Malmaison. He published over 2,100 plates depicting over 1,800 different species, many never illustrated before.
[Ref: 32653] £240.00 (£288.00 incl.VAT)
Redouté ne en 1759, mort en 1840.
Dessine par M.lle Godefroy. Lith par Ferogio.
Imp.Auguste Bry, rue du Bac, No. 134.
Lithograph. 493 x 324mm.
Pierre Joseph Redouté (1759-1840), Belgian painter and botanist, known for his watercolours of roses, lilies and other flowers at Malmaison. He published over 2,100 plates depicting over 1,800 different species, many never illustrated before.
[Ref: 4804] £160.00 (£192.00 incl.VAT)
Dessine par M.lle Godefroy. Lith par Ferogio.
Imp.Auguste Bry, rue du Bac, No. 134.
Lithograph. 493 x 324mm.
Pierre Joseph Redouté (1759-1840), Belgian painter and botanist, known for his watercolours of roses, lilies and other flowers at Malmaison. He published over 2,100 plates depicting over 1,800 different species, many never illustrated before.
[Ref: 4804] £160.00 (£192.00 incl.VAT)
Representation of the gallant attack made by the Rinaldo , Capt.n Anderson, and the Redpole, Capt.n C. Campbell, on a Division of the Enemy's flotilla, in Boulogne Bay Sept.r 3.rd 1811.
From a Sketch by W.A. Armstrong, Master of the Rinaldo. Engraved by Sutherland.
Pub.d by Pyall & Stroud , 19 Hanway Street, Oxford Street.
Rare hand-coloured aquatint. Sheet: 175 x 245mm (7 x 9½''). Slight staining in margins. Trimmed.
A naval battle scene showing HMS Redpole and HMS Rinaldo attacking the French fleet off the coast of France.
[Ref: 49944] £140.00 (£168.00 incl.VAT)
From a Sketch by W.A. Armstrong, Master of the Rinaldo. Engraved by Sutherland.
Pub.d by Pyall & Stroud , 19 Hanway Street, Oxford Street.
Rare hand-coloured aquatint. Sheet: 175 x 245mm (7 x 9½''). Slight staining in margins. Trimmed.
A naval battle scene showing HMS Redpole and HMS Rinaldo attacking the French fleet off the coast of France.
[Ref: 49944] £140.00 (£168.00 incl.VAT)
W. & J. Reed. Turning Lathes of modern English Workmanship, suitable for Gentlemen, Amateurs or others who follow Mechanical Pursuits. Also a small Superb Steam Engine applicable to a Saw Mill or for Pumping water, a Saw Frame on Brunel's principle for Cutting veneers, and other pieces of Mechanism on sale at No 229 English Back Line.
Lithog by J.Reed, 1824. No 1.
Lith. chez A.Lange.
Lithograph. Printed area. This very unusual print has the title in Russian, English and French. 265 x 330mm. Spotting in margins
Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 4805] £450.00
Lithog by J.Reed, 1824. No 1.
Lith. chez A.Lange.
Lithograph. Printed area. This very unusual print has the title in Russian, English and French. 265 x 330mm. Spotting in margins
Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 4805] £450.00
General Reed, Member of the Congress.
Drawn from the Life by Du Simetiere in Philadelphia. B. Reading sculp. [faint scratched letters underneath image].
Publish'd May 10th 1783 by Wm. Richardson 174 Strand.
Etching with stipple engraving. Sheet 153 x 135mm. Trimmed to plate.
Joseph Reed [1741 - 1785], American Revolutionary political leader and army officer. He studied law, was admitted (1763) to the bar, and then went to London to study at the Middle Temple. After returning (1765) to practice law in Trenton, he took an active part in pre-Revolutionary affairs. After settling (1770) in Philadelphia Reed became a member of the committee of correspondence (1774) and president of the Pennsylvania provincial congress (1775). In the war he served as military secretary to George Washington and as adjutant general and took part in a number of battles. He served in the Continental Congress (1777-78). As president (1778-81) of the supreme executive council of Pennsylvania he abolished slavery in Pennsylvania and caused (1778) Benedict Arnold to be prosecuted on charges of corrupt practices. He was a trustee and founder of the University of the State of Pennsylvania (later the University of Pennsylvania). Plate IV from 'American Legislators', Pierre Eugene du Simitiere opened a Natural history Museum in Philidelphia in 1782. his portraits of notable Americans and presidents are highly regarded.
See Library of Congress: 146.
[Ref: 1912] £160.00 (£192.00 incl.VAT)
Drawn from the Life by Du Simetiere in Philadelphia. B. Reading sculp. [faint scratched letters underneath image].
Publish'd May 10th 1783 by Wm. Richardson 174 Strand.
Etching with stipple engraving. Sheet 153 x 135mm. Trimmed to plate.
Joseph Reed [1741 - 1785], American Revolutionary political leader and army officer. He studied law, was admitted (1763) to the bar, and then went to London to study at the Middle Temple. After returning (1765) to practice law in Trenton, he took an active part in pre-Revolutionary affairs. After settling (1770) in Philadelphia Reed became a member of the committee of correspondence (1774) and president of the Pennsylvania provincial congress (1775). In the war he served as military secretary to George Washington and as adjutant general and took part in a number of battles. He served in the Continental Congress (1777-78). As president (1778-81) of the supreme executive council of Pennsylvania he abolished slavery in Pennsylvania and caused (1778) Benedict Arnold to be prosecuted on charges of corrupt practices. He was a trustee and founder of the University of the State of Pennsylvania (later the University of Pennsylvania). Plate IV from 'American Legislators', Pierre Eugene du Simitiere opened a Natural history Museum in Philidelphia in 1782. his portraits of notable Americans and presidents are highly regarded.
See Library of Congress: 146.
[Ref: 1912] £160.00 (£192.00 incl.VAT)
"Hornie" Or The Reel Of O'Bogie. N.o 2.
AR [within text]. Nichol lithog.
Edinburgh Published by J. Cullen, Drummond Street. [n.d., c.1840.]
Rare hand-coloured lithograph sheet 275 x 407mm (11 x 16"). Slight creasing. Missing bits of paper. Small tear in left.
People dance with the devil. A slightly older looking man exclaims, " There's foursome reels and threesome reels "That muk' us a' right vogie, "But I prefer the twasome fling "Wi' a bonnie lass in Bogie." The devil replies "Whyles rangin' like a roarin' lion "For prey, a'holes an' corners byin', "Whyles on the strong-winged tempest flyin' Tirtin' the Kirks!!!". The devil clasps hands with a woman who holds another mans hand who says, "In spite of all their Interdicts Which fortell our overthrow We will turn up and wheel about And jump Jim Crow!" In front of him is a placard, 'Last Performance for the benefit of Church & State,' and a newspaper 'Non-Intrusion.' A three-man band plays on stage; a bell ringer, violinist and flautist beneath a canopy, 'These eminent performers will be fonnd of great use on the ocasion.' Next to them the pope peeks out of a curtain and pulls a face.
[Ref: 62037] £190.00 (£228.00 incl.VAT)
AR [within text]. Nichol lithog.
Edinburgh Published by J. Cullen, Drummond Street. [n.d., c.1840.]
Rare hand-coloured lithograph sheet 275 x 407mm (11 x 16"). Slight creasing. Missing bits of paper. Small tear in left.
People dance with the devil. A slightly older looking man exclaims, " There's foursome reels and threesome reels "That muk' us a' right vogie, "But I prefer the twasome fling "Wi' a bonnie lass in Bogie." The devil replies "Whyles rangin' like a roarin' lion "For prey, a'holes an' corners byin', "Whyles on the strong-winged tempest flyin' Tirtin' the Kirks!!!". The devil clasps hands with a woman who holds another mans hand who says, "In spite of all their Interdicts Which fortell our overthrow We will turn up and wheel about And jump Jim Crow!" In front of him is a placard, 'Last Performance for the benefit of Church & State,' and a newspaper 'Non-Intrusion.' A three-man band plays on stage; a bell ringer, violinist and flautist beneath a canopy, 'These eminent performers will be fonnd of great use on the ocasion.' Next to them the pope peeks out of a curtain and pulls a face.
[Ref: 62037] £190.00 (£228.00 incl.VAT)
![Lovell Reeve [facsimile signature].](jpegs/51183.jpg)
Lovell Reeve [facsimile signature].
T.H. Maguire.
M. & N. Hanhard Imp. [n.d., 1851.]
Lithograph on india. Printed area 350 x 240mm (13¾ x 9½").
Lovell Augustus Reeve (1814-65) , conchologist and publisher, author of 'Conchologia Systematica' (2 vols. London, 1841–2).
Wellcome 2460.
[Ref: 51183] £140.00 (£168.00 incl.VAT)
T.H. Maguire.
M. & N. Hanhard Imp. [n.d., 1851.]
Lithograph on india. Printed area 350 x 240mm (13¾ x 9½").
Lovell Augustus Reeve (1814-65) , conchologist and publisher, author of 'Conchologia Systematica' (2 vols. London, 1841–2).
Wellcome 2460.
[Ref: 51183] £140.00 (£168.00 incl.VAT)
![[Nude with hands on head]](jpegs/40176.jpg)
[Nude with hands on head]
H:C T.R. del et fecit 1751.
Rare etching, 200 x 145mm (8 x 5¾"), with very large margins.
Etching by amateur printmaker and Fellow of the Royal Society, Sir Thomas Reeves (c.1744-88, fl.).
[Ref: 40176] £120.00 (£144.00 incl.VAT)
H:C T.R. del et fecit 1751.
Rare etching, 200 x 145mm (8 x 5¾"), with very large margins.
Etching by amateur printmaker and Fellow of the Royal Society, Sir Thomas Reeves (c.1744-88, fl.).
[Ref: 40176] £120.00 (£144.00 incl.VAT)
John Reeves Esq.r. This Print is Respectfully Inscribed to the Committees of the Associations, at the Crown & Anchor & the S.t Albans Taverns & the other Loyal & Constitutional Association in Great Brittain, by their most Obedient & very Humble Servant, T. Hardy.
Painted & Engraved by T. Hardy.
London Published as the Act directs 4 Decem.r 1793, by T. Hardy N.º 4 Great Marlborough Street.
Rare mezzotint. 490 x 340mm (19¼ x 13½"). Some creasing, tear and slight loss of print in title.
Three-quarter seated portait of conservative activist John Reeves (1752-1829), wearing a dark suit, frilled cravat and powdered hair. Having served two terms as Chief Justice of Newfoundland and Labrador, he returned to England where he founded the 'Association for Preserving Liberty and Property against Republicans and Levellers' at the Crown and Anchor Tavern in 1792.
CS 7, ii of ii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 66522] £280.00 (£336.00 incl.VAT)
Painted & Engraved by T. Hardy.
London Published as the Act directs 4 Decem.r 1793, by T. Hardy N.º 4 Great Marlborough Street.
Rare mezzotint. 490 x 340mm (19¼ x 13½"). Some creasing, tear and slight loss of print in title.
Three-quarter seated portait of conservative activist John Reeves (1752-1829), wearing a dark suit, frilled cravat and powdered hair. Having served two terms as Chief Justice of Newfoundland and Labrador, he returned to England where he founded the 'Association for Preserving Liberty and Property against Republicans and Levellers' at the Crown and Anchor Tavern in 1792.
CS 7, ii of ii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 66522] £280.00 (£336.00 incl.VAT)
Refin'd Taste. Eternal Infamy, that Wretch Confound, / Who Planted first this Vice on English Ground. / A Crime that Spite of Sense and Nature reigns. / and Poisons Genial Love & Manhood Stains. Vid. Rod. Random.
R.St.G.M. Inv.t. [Richard St George Mansergh.]
[n.d, c.1780.]
Etching, 180 x 255mm (7 x 10").
A scene from Tobias Smollett's 'Adventures of Roderick Random': a civilian eyeing up a soldier through a glass. A large beauty spot on the soldier's cheek covers a pockmark from veneral disease. Numbered 'V.2' upper left and '6' upper right. The plate was originally published by Mary Darley, but was later issued by Robert Sayer and Laurie & Whittle.
BM Satires: 5173. See Ref: 51697 for coloured image.
[Ref: 55383] £220.00 (£264.00 incl.VAT)
R.St.G.M. Inv.t. [Richard St George Mansergh.]
[n.d, c.1780.]
Etching, 180 x 255mm (7 x 10").
A scene from Tobias Smollett's 'Adventures of Roderick Random': a civilian eyeing up a soldier through a glass. A large beauty spot on the soldier's cheek covers a pockmark from veneral disease. Numbered 'V.2' upper left and '6' upper right. The plate was originally published by Mary Darley, but was later issued by Robert Sayer and Laurie & Whittle.
BM Satires: 5173. See Ref: 51697 for coloured image.
[Ref: 55383] £220.00 (£264.00 incl.VAT)
To Ladies, Curious in the Preservation of Muslins, Lawns, Laces, & c. S. Estcourt, Inventor of the Refined Indian Blue, entreats the attention of such Ladies as may not have experienced its effect, in beautifying, not only for present use, but also preserving when lain for years, the finer articles of the above description... W. Smith, Sole Agent to the Factory, 45, King, Street, Snow-hill.
[n.d., c.1825.]
Letterpress with wood-engraved border. Sheet 65 x 125mm (2½ x 5").
An advert for an indigo dye, placed by wholesaler W. Smith. An advert with similar wording appeared in 'Kaleidoscope, Or, Literary and Scientific Mirror' in 1825.
[Ref: 42352] £110.00 (£132.00 incl.VAT)
[n.d., c.1825.]
Letterpress with wood-engraved border. Sheet 65 x 125mm (2½ x 5").
An advert for an indigo dye, placed by wholesaler W. Smith. An advert with similar wording appeared in 'Kaleidoscope, Or, Literary and Scientific Mirror' in 1825.
[Ref: 42352] £110.00 (£132.00 incl.VAT)
Reflection. Not one immoral, one corrupted thought.
London, Publish'd 15th March 1787 by Rob.t Sayer, 53 Fleet Street.
Mezzotint, 355 x 255mm. A few small tears to margin. Publication line partly patched in with mss.
[Ref: 5400] £280.00 (£336.00 incl.VAT)
London, Publish'd 15th March 1787 by Rob.t Sayer, 53 Fleet Street.
Mezzotint, 355 x 255mm. A few small tears to margin. Publication line partly patched in with mss.
[Ref: 5400] £280.00 (£336.00 incl.VAT)
Reflections on Matrimony. The Honey Moon, and Afterwards.
Drawn and Engraved by Theodore Lane.
[n.d., c.1825.]
Scarce hand-coloured aquatint. Sheet: 425 x 320mm (16¾ x 12¾''). Damage in edges, trimmed.
A satirical print showing a man in the centre of the image surrounded by thoughts about marriage, from falling in love to drunkenness, adultery and life in prison. The whole scene is surrounded by ouroboros, an ancient symbol of a snake eating his own tail representing eternity.
[Ref: 51077] £480.00
Drawn and Engraved by Theodore Lane.
[n.d., c.1825.]
Scarce hand-coloured aquatint. Sheet: 425 x 320mm (16¾ x 12¾''). Damage in edges, trimmed.
A satirical print showing a man in the centre of the image surrounded by thoughts about marriage, from falling in love to drunkenness, adultery and life in prison. The whole scene is surrounded by ouroboros, an ancient symbol of a snake eating his own tail representing eternity.
[Ref: 51077] £480.00
Reform Advised. Reform Begun. Reform Compleat.
[Thomas Rowlandson.]
Published as the Act directs Jan.y 8.th 1793 by Ino. Brown No.2 Adelphi.
Etching. Sheet: 415 x 275mm (16¼ x 10¾''). Trimmed within plate, staining.
A satirical print in three scenes, in the first scene John Bull sits comfortably with a table full of food next to him, three ragged and hungry French revolutionaries put forward the idea of reform and taunt Bull. The second scene shows a ragged, peg-legged John Bull complaining to the three revolutionaries who brandish clubs; the final scene shows the three Frenchmen overpowering John Bull. A commentary on Grey's advocating reform in light of the French Revolution.
BM Satire 8289.
[Ref: 50965] £260.00 (£312.00 incl.VAT)
[Thomas Rowlandson.]
Published as the Act directs Jan.y 8.th 1793 by Ino. Brown No.2 Adelphi.
Etching. Sheet: 415 x 275mm (16¼ x 10¾''). Trimmed within plate, staining.
A satirical print in three scenes, in the first scene John Bull sits comfortably with a table full of food next to him, three ragged and hungry French revolutionaries put forward the idea of reform and taunt Bull. The second scene shows a ragged, peg-legged John Bull complaining to the three revolutionaries who brandish clubs; the final scene shows the three Frenchmen overpowering John Bull. A commentary on Grey's advocating reform in light of the French Revolution.
BM Satire 8289.
[Ref: 50965] £260.00 (£312.00 incl.VAT)
The Spirit of the King at the Standard of Reform. In this Print may be traced a full length Figure of the King & Profiles of Lord's Brougham & Gray.
E. Lake lith: 5, Sherbourn Lane, Lombard St.
[n.d., c.1830.]
Lithograph. Sheet size: 155 x 220mm (6¼ x 8½").
A very rare and unusual reverse silhouette 'shadow portrait' of Grey and Lord Brougham & the King in profile, to the right, looking out to sea.
See Ref: 35779.
[Ref: 58224] £180.00 (£216.00 incl.VAT)
E. Lake lith: 5, Sherbourn Lane, Lombard St.
[n.d., c.1830.]
Lithograph. Sheet size: 155 x 220mm (6¼ x 8½").
A very rare and unusual reverse silhouette 'shadow portrait' of Grey and Lord Brougham & the King in profile, to the right, looking out to sea.
See Ref: 35779.
[Ref: 58224] £180.00 (£216.00 incl.VAT)
A Plan for General Reform, Respectfully submitted to the attention of Members of Parliament, During the Summer Reccess.
Woodward Del. Rowlandson Scul.
[London Pub.d August 29, 1809] by Tho.s Tegg, No 111 Cheapside.
Coloured etching. 250 x 345mm (9¾ x 13½"), watermarked 'Willmott 1819'. Publication line partially scratched out.
Seven men and a woman arranged in two rows, each with a statement, for example 'I certainly shall drink two bottles less' and 'In Hot Weather what use is there for a coat, it is downright Extravagence'. A satire on attempts to reform Parliament.
Not in BM.
[Ref: 52696] £260.00 (£312.00 incl.VAT)
Woodward Del. Rowlandson Scul.
[London Pub.d August 29, 1809] by Tho.s Tegg, No 111 Cheapside.
Coloured etching. 250 x 345mm (9¾ x 13½"), watermarked 'Willmott 1819'. Publication line partially scratched out.
Seven men and a woman arranged in two rows, each with a statement, for example 'I certainly shall drink two bottles less' and 'In Hot Weather what use is there for a coat, it is downright Extravagence'. A satire on attempts to reform Parliament.
Not in BM.
[Ref: 52696] £260.00 (£312.00 incl.VAT)
A view of the Interior of the Temporary Pavilion. 100 feet by 60. Erected inn the Square Barnstable, by the Friends of Reform; in which upwards of 1000, dined October 30.th 1837. Proof.
R. Sharland del.t. G. Child lith.
Published at M.rs Wildman's Repository, Barnstable.
Proof lithograph on chine collé, with printed backing paper. Sheet 230 x 270mm (9 x 14½"). Some soiling, ownership label on reverse.
A rare, locally-published illustration of the dinner in progress.
[Ref: 62787] £95.00 (£114.00 incl.VAT)
R. Sharland del.t. G. Child lith.
Published at M.rs Wildman's Repository, Barnstable.
Proof lithograph on chine collé, with printed backing paper. Sheet 230 x 270mm (9 x 14½"). Some soiling, ownership label on reverse.
A rare, locally-published illustration of the dinner in progress.
[Ref: 62787] £95.00 (£114.00 incl.VAT)
The Spirit of the King at the Standard of Reform. In this Print may be traced a full length Figure of the King & Profiles of Lord's Brougham & Gray.
E. Lake lith: 5, Sherbourn Lane, Lombard St.
[n.d., c.1830.]
Lithograph. Sheet size: 155 x 220mm (6¼ x 8½").
A very rare and unusual reverse silhouette 'shadow portrait' of Grey and Lord Brougham & the King in profile, to the right, looking out to sea.
[Ref: 35779] £180.00 (£216.00 incl.VAT)
E. Lake lith: 5, Sherbourn Lane, Lombard St.
[n.d., c.1830.]
Lithograph. Sheet size: 155 x 220mm (6¼ x 8½").
A very rare and unusual reverse silhouette 'shadow portrait' of Grey and Lord Brougham & the King in profile, to the right, looking out to sea.
[Ref: 35779] £180.00 (£216.00 incl.VAT)
Reform. A National Anthem, to be sung by the Frome Political Union, On Tuesday, May 15th, 1832. "Lo! we answer! see we come!/ Quick at Freedom's holy call;/ We come! we come! we come! we come!/ To do the glorious work of all;/ And hark! we raise from sea to sea,/ The sacred watchword Liberty.// God is our guide! from field from wave,/ From plough, from anvil, and from loom,/ We come, our country's rights to save,/ And speak a tyrant's faction's doom;/ And hark! we raise from sea to sea,/ The sacred watchword Liberty.// "God is our guide! no swords we draw,/ We kindle not war's battle fires' By union, justice, reason, law,/ We claim the birthright of our sires,/ We raise the watchword Liberty,/ We will, we will, we will be free!"
Tuck, printer, Frome
Letterpress, 225 x 140mm. 8¾ x 5½". Laid on album sheet.
From the Archives of Captain William John Cole, R.N, based in Lechlade, Gloucestershire. A handbill with an anthem to be sung by the Political Union of Frome, Somerset. Frome was one of the new boroughs created by the Great Reform Act which finally received the Royal Assent in June 1832. Prior to this, Frome was one of the larger towns in England without Parliamentary representation. The Great Reform Act granted seats in the House of Commons to towns with large populations that had emerged during the Industrial Revolution, while removing seats for areas with very small populations.
[Ref: 11317] £130.00 (£156.00 incl.VAT)
Tuck, printer, Frome
Letterpress, 225 x 140mm. 8¾ x 5½". Laid on album sheet.
From the Archives of Captain William John Cole, R.N, based in Lechlade, Gloucestershire. A handbill with an anthem to be sung by the Political Union of Frome, Somerset. Frome was one of the new boroughs created by the Great Reform Act which finally received the Royal Assent in June 1832. Prior to this, Frome was one of the larger towns in England without Parliamentary representation. The Great Reform Act granted seats in the House of Commons to towns with large populations that had emerged during the Industrial Revolution, while removing seats for areas with very small populations.
[Ref: 11317] £130.00 (£156.00 incl.VAT)
The Reform Bill. (Given, with The News on Sunday, April 24, 1831.) An Accurate List of the Anti-Reformers, Borough-Holders, and Borough Nominees, who on Tuesday, April 19th, 1831, Voted in Favour of General Gascoyne's Motion, and Against the Reform Bill. [...] An Accurate List of the Friends of Reform, who on Tuesday, April 19th, 1831, Voted Against General Gascoyne's Motion.
London: Printed and published by Thomas Adderley Phipps, 25, Brydges-street, Covent-garden.
Letterpress broadside. Sheet 395 x 330mm (15½ x 13"). Creases, wear to edges.
A rare broadsheet, listing the returns of a parliamentary motion moved by Lieutenant-General Isaac Gascoyne (c.1763-1841) in an attempt to block the reform of Parliament. Gascoyne entered Parliament in 1796 and in his time as MP opposed the abolition of both the Slave Trade & bull-baiting and Catholic Emancipation. In 1812 he was able to identify the assassin of Spencer Perceval, shot in the House of Commons. When this motion carried, the Government dissolved Parliament and called a General Election, hoping to destroy the anti-reform majority. It worked: Gascoyne lost his seat and the Reform Act passed in 1832.
[Ref: 34260] £160.00 (£192.00 incl.VAT)
London: Printed and published by Thomas Adderley Phipps, 25, Brydges-street, Covent-garden.
Letterpress broadside. Sheet 395 x 330mm (15½ x 13"). Creases, wear to edges.
A rare broadsheet, listing the returns of a parliamentary motion moved by Lieutenant-General Isaac Gascoyne (c.1763-1841) in an attempt to block the reform of Parliament. Gascoyne entered Parliament in 1796 and in his time as MP opposed the abolition of both the Slave Trade & bull-baiting and Catholic Emancipation. In 1812 he was able to identify the assassin of Spencer Perceval, shot in the House of Commons. When this motion carried, the Government dissolved Parliament and called a General Election, hoping to destroy the anti-reform majority. It worked: Gascoyne lost his seat and the Reform Act passed in 1832.
[Ref: 34260] £160.00 (£192.00 incl.VAT)
![[The Reform Act] Reform.](jpegs/66224.jpg)
[The Reform Act] Reform. Presented with the Weekly Dispatch, 1st Janury, 1832.
T. Watson. W.Clerk lith 41 Dean St Soho.
[1832.]
Lithograph. Printed area 195 x 150mm (7¾ x 6"). Inscription weakly inked.
Britannia stands with her lion beside her, holding a huge flag with a pennant inscribed 'Reform', with the profiles of William IV, Brougham, Grey, Russell, and Burdett in the folds. On the left a ship, the 'Reform', is under full sail; the 'Anti-Reform' sinks. A puzzle print with hidden profile heads.
BM Satires 16924.
[Ref: 66224] £240.00 (£288.00 incl.VAT)
T. Watson. W.Clerk lith 41 Dean St Soho.
[1832.]
Lithograph. Printed area 195 x 150mm (7¾ x 6"). Inscription weakly inked.
Britannia stands with her lion beside her, holding a huge flag with a pennant inscribed 'Reform', with the profiles of William IV, Brougham, Grey, Russell, and Burdett in the folds. On the left a ship, the 'Reform', is under full sail; the 'Anti-Reform' sinks. A puzzle print with hidden profile heads.
BM Satires 16924.
[Ref: 66224] £240.00 (£288.00 incl.VAT)
Unsaleable Goods Brought to a New Market.
London Pub.d by O. Hodgson, 10 Cloth Fair [n.d., c.1832.]
Coloured lithograph. Sheet 210 x 270mm (8¼ x 10½"). Trimmed to printed border. Publication line weakly printed.
A street seller calling 'Here! My Boroughs, buy my Bouroughs'. His donkey's basket is filled with title deeds, priced at 2½ per pound. A satire on Rotten Boroughs and the Reform Act.
[Ref: 31458] £160.00 (£192.00 incl.VAT)
London Pub.d by O. Hodgson, 10 Cloth Fair [n.d., c.1832.]
Coloured lithograph. Sheet 210 x 270mm (8¼ x 10½"). Trimmed to printed border. Publication line weakly printed.
A street seller calling 'Here! My Boroughs, buy my Bouroughs'. His donkey's basket is filled with title deeds, priced at 2½ per pound. A satire on Rotten Boroughs and the Reform Act.
[Ref: 31458] £160.00 (£192.00 incl.VAT)
The New State Light.
London Pub.d by O. Hodgson, 10 Cloth Fair and 118 Fleet St [n.d., c.1832].
Coloured lithograph. Sheet 230 x 310mm (9 x 12¼") Trimmed to printed border.
A candle with the king's crown as a holder provides the light of 'Reform'. Around the candle are four figures, including Wellington in uniform, trying to blow it out.
[Ref: 31459] £180.00 (£216.00 incl.VAT)
London Pub.d by O. Hodgson, 10 Cloth Fair and 118 Fleet St [n.d., c.1832].
Coloured lithograph. Sheet 230 x 310mm (9 x 12¼") Trimmed to printed border.
A candle with the king's crown as a holder provides the light of 'Reform'. Around the candle are four figures, including Wellington in uniform, trying to blow it out.
[Ref: 31459] £180.00 (£216.00 incl.VAT)
Reform at Home & The Church in an Uproar.
[n.d., c.1830.] Bit later.
Etching. Sheet 255 x 210mm (10 x 8¼"). Trimmed within plate at sides, affecting key text, a line of the key weakly inked. Some pencil mss annotations.
Caricature portraits of a group of men gathered in a church, with a key of what 14 are saying, including '1. I never put my hand in the public purse'. The pencil mss gives clues to the identifies of the men.
[Ref: 54444] £140.00 (£168.00 incl.VAT)
[n.d., c.1830.] Bit later.
Etching. Sheet 255 x 210mm (10 x 8¼"). Trimmed within plate at sides, affecting key text, a line of the key weakly inked. Some pencil mss annotations.
Caricature portraits of a group of men gathered in a church, with a key of what 14 are saying, including '1. I never put my hand in the public purse'. The pencil mss gives clues to the identifies of the men.
[Ref: 54444] £140.00 (£168.00 incl.VAT)
The Reform Bill receiving The King's Assent by Royal Commission. Proof.
Engraved by Will.m Walker & Sam.l W. Reynolds from a picture taken on the spot by the late S.am.l W. Reynolds Esq.re when the Assent was declared. _ The Portraits from Original and Authentic Sketches.
William Walker Excudit, June 1836, No 64 Margaret Street, Cavandish Square London, & 22, London Street, Edinburgh.
Mezzotint on india, proof. 850 x 605mm (33½ x 24½"). Laid on board. India slightly trimmed at bottom, losing part of secondary publication line.
The House of Lords on 7th June 1832, during the passing of The Great Reform Act, with distinct portraits of the notable characters. In the inscription area are the facsimile signatures of William IV (although he was not present), Grey, Holland, Durham, Brougham, Landsdowne and Wellesley.
[Ref: 27837] £520.00
Engraved by Will.m Walker & Sam.l W. Reynolds from a picture taken on the spot by the late S.am.l W. Reynolds Esq.re when the Assent was declared. _ The Portraits from Original and Authentic Sketches.
William Walker Excudit, June 1836, No 64 Margaret Street, Cavandish Square London, & 22, London Street, Edinburgh.
Mezzotint on india, proof. 850 x 605mm (33½ x 24½"). Laid on board. India slightly trimmed at bottom, losing part of secondary publication line.
The House of Lords on 7th June 1832, during the passing of The Great Reform Act, with distinct portraits of the notable characters. In the inscription area are the facsimile signatures of William IV (although he was not present), Grey, Holland, Durham, Brougham, Landsdowne and Wellesley.
[Ref: 27837] £520.00
![[Designed for a transparency exhibited at No. 14 Catherine Street, Strand, On Occasion of the General Illuminations to Celebrate the Passing of the Reform Bill,-1832.]](jpegs/42053.jpg)
[Designed for a transparency exhibited at No. 14 Catherine Street, Strand, On Occasion of the General Illuminations to Celebrate the Passing of the Reform Bill,-1832.]
[Eng.d Printed and Publ.d for the Proprietor by E. Jones 126 Long Acre London.]
Engraving. Proof before letters. Extremely rare unfinished plate before aquating. Plate: 320 x 500mm (12½ x 19¾"), with large margins. Repaired tears and creases.
An allegorical scene featuring the major political figures involved with the passing of the Reform Bill. The image is split into two halves with King William IV seated in the centre holding a scroll which on the completed print reads 'Reform Bill passed June 7th'. Supporters of the bill are shown on the left under the eye of knowledge on the far left is Lord Cleveland, then Bougham in a wig and gown, Lord Cleveland, Russell, Whig Prime Minster Charles Grey and Althorp. On the right are the opposers, stood under a large skeleton Wellington in his uniform is shown on the left pointing a breaking sword at the king, then Lyndhurst and Bishop Philpotts whose mitre is falling off. The Reform bill changed the criterea for having the vote, it also enfanchised the ever growing industrial cities of Leeds and Manchester and got rid of rotten boroughs. M. Dorothy George notes that no general illumination was held and that the ratepayer at 14 Catherine Street at the time was a billiard table maker.
BM Satire 17182.
[Ref: 42053] £480.00
[Eng.d Printed and Publ.d for the Proprietor by E. Jones 126 Long Acre London.]
Engraving. Proof before letters. Extremely rare unfinished plate before aquating. Plate: 320 x 500mm (12½ x 19¾"), with large margins. Repaired tears and creases.
An allegorical scene featuring the major political figures involved with the passing of the Reform Bill. The image is split into two halves with King William IV seated in the centre holding a scroll which on the completed print reads 'Reform Bill passed June 7th'. Supporters of the bill are shown on the left under the eye of knowledge on the far left is Lord Cleveland, then Bougham in a wig and gown, Lord Cleveland, Russell, Whig Prime Minster Charles Grey and Althorp. On the right are the opposers, stood under a large skeleton Wellington in his uniform is shown on the left pointing a breaking sword at the king, then Lyndhurst and Bishop Philpotts whose mitre is falling off. The Reform bill changed the criterea for having the vote, it also enfanchised the ever growing industrial cities of Leeds and Manchester and got rid of rotten boroughs. M. Dorothy George notes that no general illumination was held and that the ratepayer at 14 Catherine Street at the time was a billiard table maker.
BM Satire 17182.
[Ref: 42053] £480.00
The Spirit of Reform. The King. His Ministers. & The People.
[Published by Gabriel Shire Tregear, 1831]
Lithograph, rare, sheet 205 x 265mm (8 x 10½").
In front of a tree, a gentleman holding a banner, a sailor to his right, a lawyer holding a document to his left and a guardsman in highland dress far left. Windsor castle in background. Head of the King William IV in trees.
[Ref: 43943] £120.00 (£144.00 incl.VAT)
[Published by Gabriel Shire Tregear, 1831]
Lithograph, rare, sheet 205 x 265mm (8 x 10½").
In front of a tree, a gentleman holding a banner, a sailor to his right, a lawyer holding a document to his left and a guardsman in highland dress far left. Windsor castle in background. Head of the King William IV in trees.
[Ref: 43943] £120.00 (£144.00 incl.VAT)
The First Reformers Presenting their Famous Protest, at the Diet of Spires, on 19.th April 1529. The Picture presents Authentic Portraits taken from Albert Durer, Titian, Holbein, Lucas Cranach. &c.
G. Cattermole, Pinx.t. W. Walker, Sc.
[London: Hering & Remington, c.1843.]
Stipple on chine collé. 215 x 290mm (9¾ x 11½"). Lacking printed backing sheet, mounted on album sheet.
A keyplate to George Cattermole's picture of the Diet of Speyer of 1529, with the delegates numbered (key on the backing sheet, not present). The diet's rejection of further reform of the church led a group of delegates to protest, coining the name 'Protestant'.
See BM 1872,0413.333 for the plate with key.
[Ref: 63231] £85.00 (£102.00 incl.VAT)
G. Cattermole, Pinx.t. W. Walker, Sc.
[London: Hering & Remington, c.1843.]
Stipple on chine collé. 215 x 290mm (9¾ x 11½"). Lacking printed backing sheet, mounted on album sheet.
A keyplate to George Cattermole's picture of the Diet of Speyer of 1529, with the delegates numbered (key on the backing sheet, not present). The diet's rejection of further reform of the church led a group of delegates to protest, coining the name 'Protestant'.
See BM 1872,0413.333 for the plate with key.
[Ref: 63231] £85.00 (£102.00 incl.VAT)
The Lives of the Reformers, Both Englishmen and Foreigners. comprehending the General History of the reformation; From its Beginning, in 1360, by Dr. John Wickliffe, To its Establishment, in 166, under Queen Elizabeth. With an Introduction; wherein The Reformation is amply vindicated, and its Necessity filly shewn, from the Degeneracy of the Clergy, and the Tyranny of the Popes. By Mr. Rolt. The Whole embellished with the Heads of the Reformers, Elegantly done in Mezzotinto, by Mr Houston. [In ink on Fontis "Thos. Norris"].
London: Printed for E. Bakewell and H. Parker, opposite Birchin-Lane, Cornhill; J. Robinson, in Ludgate-Street; and T. Pote in Fleet-Street. MDCLIX [1759].
Folio, large paper copy, later full calf and marbled endpapers; pp (xiv)+202; 21 fine mezzotint portraits, as called for. Front board detached, inner hinge of back board taped.
Richard Rolt (1724-70) also wrote poems and librettos: his 'Almena, an English Opera', with music by Thomas Arne, successfully produced at Drury Lane Theatre in 1764. The plates were actually engraved by John Faber senior c.1715; they were eventually acquired by the Bakewells, who had them retouched by Richard Houston, who substituted his own name.
CS: Faber snr 58.
[Ref: 57456] £1,850.00 view all images for this item
London: Printed for E. Bakewell and H. Parker, opposite Birchin-Lane, Cornhill; J. Robinson, in Ludgate-Street; and T. Pote in Fleet-Street. MDCLIX [1759].
Folio, large paper copy, later full calf and marbled endpapers; pp (xiv)+202; 21 fine mezzotint portraits, as called for. Front board detached, inner hinge of back board taped.
Richard Rolt (1724-70) also wrote poems and librettos: his 'Almena, an English Opera', with music by Thomas Arne, successfully produced at Drury Lane Theatre in 1764. The plates were actually engraved by John Faber senior c.1715; they were eventually acquired by the Bakewells, who had them retouched by Richard Houston, who substituted his own name.
CS: Faber snr 58.
[Ref: 57456] £1,850.00 view all images for this item
Quartier de Rafraichissement. Grave s'Apres le Tableau Original de P.pe Wouvermens, de deux pieds de large sur dix huit pouces de baut. Qui est au Cabinet de M.r de Ravanne Grand Maitre des Eaux & Forest d'Orleans. Et ci devant du Cabinet de M.e La Comt.sse De Verrue. 28.e
P.pe Wouwermens pinx. J. Moureay Sculp.
AParis chez Moyreau Graveur du Roi, rue Gallande, vis-a-vis la Chapelle S.t Blaise. 1737. Avec privilege du Roi.
Engraving, 18th century watermark, plate 360 x 470mm (14¼ x 18½") very large margins. Repaired creases.
Scene at an encampment of the refreshment tents with armored and uniformed men on horseback drinking. Plate 28 from 'Oeuvres de Philippe Wouwermens Hollandois' a series of eighty-nine plates reproducing paintings by Wouwerman, executed between c.1733 and 1762.
[Ref: 56643] £240.00 (£288.00 incl.VAT)
P.pe Wouwermens pinx. J. Moureay Sculp.
AParis chez Moyreau Graveur du Roi, rue Gallande, vis-a-vis la Chapelle S.t Blaise. 1737. Avec privilege du Roi.
Engraving, 18th century watermark, plate 360 x 470mm (14¼ x 18½") very large margins. Repaired creases.
Scene at an encampment of the refreshment tents with armored and uniformed men on horseback drinking. Plate 28 from 'Oeuvres de Philippe Wouwermens Hollandois' a series of eighty-nine plates reproducing paintings by Wouwerman, executed between c.1733 and 1762.
[Ref: 56643] £240.00 (£288.00 incl.VAT)
The Refusal. Engraved after an Original Picture of Mr John Collett, in the Possession of Mr. Bradford.
J. Collett pinxit. J. Goldar sculpsit.
Published by T.Bradford, No.132 Fleet Street, London: 1st Feb.y 1768, as the Act Directs.
Engraving. 335 x 370mm (13¼ x 14½"), with large margins. Repaired tear bottom right.
An oval interior scene, within a window in a stone wall, with a young man sitting with his arms folded, looking at a prostitute who leans across the round table in front of him, on which are empty glasses and a bottle of wine, putting one arm on his shoulder persuasively. An elderly woman can be seen standing behind her on the left, drinking from a punch bowl.
BM Satires 4256.
[Ref: 61439] £190.00 (£228.00 incl.VAT)
J. Collett pinxit. J. Goldar sculpsit.
Published by T.Bradford, No.132 Fleet Street, London: 1st Feb.y 1768, as the Act Directs.
Engraving. 335 x 370mm (13¼ x 14½"), with large margins. Repaired tear bottom right.
An oval interior scene, within a window in a stone wall, with a young man sitting with his arms folded, looking at a prostitute who leans across the round table in front of him, on which are empty glasses and a bottle of wine, putting one arm on his shoulder persuasively. An elderly woman can be seen standing behind her on the left, drinking from a punch bowl.
BM Satires 4256.
[Ref: 61439] £190.00 (£228.00 incl.VAT)
The Refusal. From an Original Picture of Mr. John Collett in the Possesion of Mr. Sayer. 402
J. Collett Pinx.t. Phi. Daw Fecit.
London, Printed for Rob.t Sayer No.53 in Fleet Street, as the Act directs 25 Feb.y. 1774.
Mezzotint with large margins, very fine impression. 'CLB' collector's stamp on verso. Platemark: 250 x 350mm (9¾ x 13¾").
An interior scene with a young man sitting with his arms folded, looking at a woman who leans across the round table in front of him, on which are empty glasses and a bottle of wine, putting one arm on his shoulder persuasively. An elderly woman can be seen standing behind her on the left, drinking from a punch bowl. There is an open door behind her.
Ex collection of Christopher Lennox-Boyd.
[Ref: 36884] £370.00
J. Collett Pinx.t. Phi. Daw Fecit.
London, Printed for Rob.t Sayer No.53 in Fleet Street, as the Act directs 25 Feb.y. 1774.
Mezzotint with large margins, very fine impression. 'CLB' collector's stamp on verso. Platemark: 250 x 350mm (9¾ x 13¾").
An interior scene with a young man sitting with his arms folded, looking at a woman who leans across the round table in front of him, on which are empty glasses and a bottle of wine, putting one arm on his shoulder persuasively. An elderly woman can be seen standing behind her on the left, drinking from a punch bowl. There is an open door behind her.
Ex collection of Christopher Lennox-Boyd.
[Ref: 36884] £370.00
Regatta = Ball at Ranelagh XXIII June MDCCLXXV.
G.B. Cipriani inv. F. Bartolozzi sculp. 1775.
[London, c.1775.]
Etching, very fine impression. Image 195 x 225mm (7¾ x 8¾"), with large margins.
A ticket for the Regatta Ball held at the Ranelagh Rotunda in Ranelagh Gardens, Chelsea, on 23rd June 1775. Old Father Thames stands at the front of a conch shell on the river holding forth three medals from Britannia; Abundance and a putto with shield behind, Triton and Siren in water, two naked children rowing boats far left. The Rotunda on far bank to left background. Ranelagh Gardens, adjoining Wren's Pensioner's Hospital, became popular as a place to escape the city and take in the cleaner air in Chelsea. Balls, concerts, dinners and of course gossip were shared here almost daily. It quickly exceeded Vauxhall in popularity, but it's popularity waned until the season of 1804 when the fashionable set abandoned it entirely. After Giovanni Battista Cipriani (1727 - 1785).
De Vesme 1969, iii/iii.
[Ref: 51270] £320.00
G.B. Cipriani inv. F. Bartolozzi sculp. 1775.
[London, c.1775.]
Etching, very fine impression. Image 195 x 225mm (7¾ x 8¾"), with large margins.
A ticket for the Regatta Ball held at the Ranelagh Rotunda in Ranelagh Gardens, Chelsea, on 23rd June 1775. Old Father Thames stands at the front of a conch shell on the river holding forth three medals from Britannia; Abundance and a putto with shield behind, Triton and Siren in water, two naked children rowing boats far left. The Rotunda on far bank to left background. Ranelagh Gardens, adjoining Wren's Pensioner's Hospital, became popular as a place to escape the city and take in the cleaner air in Chelsea. Balls, concerts, dinners and of course gossip were shared here almost daily. It quickly exceeded Vauxhall in popularity, but it's popularity waned until the season of 1804 when the fashionable set abandoned it entirely. After Giovanni Battista Cipriani (1727 - 1785).
De Vesme 1969, iii/iii.
[Ref: 51270] £320.00
![[Act of the Parliament of Scotland making James, Earl of Arran, regent for Mary, Queen of Scots, 1542.]](jpegs/37755.jpg)
[Act of the Parliament of Scotland making James, Earl of Arran, regent for Mary, Queen of Scots, 1542.]
Engraved by W. & D. Lizars, Edinburgh.
[n.d., c.1814.]
Engraving with hand colour. Sheet 665 x 915mm (26¼ x 36"). Watermarked 'J Whatman & W Balston 1814'. Splits on folds.
A facsimile of 'Acta Parl. Mariæ M.D.XLII. App. I. P. 593', by which James Hamilton (c. 1516-75), 2nd Earl of Arran, was made regent for the infant Mary, Queen of Scots, who had been only six days old at her accession. At the time he was second-in-line to the throne. The document is written in Latin and English, and has 18 wax seals remaining of the nobles who witnessed it. William Home Lizars published a number of such facsimiles of important Scottish documents circa 1815.
[Ref: 37755] £280.00 (£336.00 incl.VAT)
Engraved by W. & D. Lizars, Edinburgh.
[n.d., c.1814.]
Engraving with hand colour. Sheet 665 x 915mm (26¼ x 36"). Watermarked 'J Whatman & W Balston 1814'. Splits on folds.
A facsimile of 'Acta Parl. Mariæ M.D.XLII. App. I. P. 593', by which James Hamilton (c. 1516-75), 2nd Earl of Arran, was made regent for the infant Mary, Queen of Scots, who had been only six days old at her accession. At the time he was second-in-line to the throne. The document is written in Latin and English, and has 18 wax seals remaining of the nobles who witnessed it. William Home Lizars published a number of such facsimiles of important Scottish documents circa 1815.
[Ref: 37755] £280.00 (£336.00 incl.VAT)
Regency Theatre.
Drawn & Engraved by Daniel Havell.
London, Published by J. Taylor, High Holborn 1826.
Etching and aquatint, rare, 145 x 225mm. 5¾ x 9". A fine impression, with full margins. Crease through upper right margin.
The theatre and adjoining buildings on Tottenham Street, Tottenham Court Road, London. Numbered 'Plate XI' upper right. From Edward Wedlake Brayley's 'Historical and Descriptive Accounts of the Theatres of London ... Illustrated with a view of each theatre ... drawn and engraved by the late Daniel Havell' (1826)
Abbey 227, 11. BL Cup.402.i.8.
[Ref: 21620] £140.00 (£168.00 incl.VAT)
Drawn & Engraved by Daniel Havell.
London, Published by J. Taylor, High Holborn 1826.
Etching and aquatint, rare, 145 x 225mm. 5¾ x 9". A fine impression, with full margins. Crease through upper right margin.
The theatre and adjoining buildings on Tottenham Street, Tottenham Court Road, London. Numbered 'Plate XI' upper right. From Edward Wedlake Brayley's 'Historical and Descriptive Accounts of the Theatres of London ... Illustrated with a view of each theatre ... drawn and engraved by the late Daniel Havell' (1826)
Abbey 227, 11. BL Cup.402.i.8.
[Ref: 21620] £140.00 (£168.00 incl.VAT)
Regent Street Looking Towards the Duke of York's Column.
T.S. Boys Del et Lithog. [Printed by Charles Hullmandel.]
[London, T.S. Boys, 1842.]
Colour tinted lithograph. Framed. Printed area: 420 x 320mm (16½ x 12½"). Unexamined out of frame.
A view looking south from Regent Street, across Piccadilly Circus to the Duke of York's Column. Published in Thomas Shotter Boys's 'Original Views of London As It Is' .
Abbey 240.
[Ref: 42668] £380.00
T.S. Boys Del et Lithog. [Printed by Charles Hullmandel.]
[London, T.S. Boys, 1842.]
Colour tinted lithograph. Framed. Printed area: 420 x 320mm (16½ x 12½"). Unexamined out of frame.
A view looking south from Regent Street, across Piccadilly Circus to the Duke of York's Column. Published in Thomas Shotter Boys's 'Original Views of London As It Is' .
Abbey 240.
[Ref: 42668] £380.00
![View of the Quadrant, Regent Street. [&] The New Street looking towards the Quadrant. [&] Regent Street, looking towards the Quadrant.](jpegs/26477.jpg)
View of the Quadrant, Regent Street. [&] The New Street looking towards the Quadrant. [&] Regent Street, looking towards the Quadrant.
[Middle image:] No.84 of R: Ackermann's Repository of Art &c. Pubd. Dec.r 1.1822.
Three coloured aquatints. 146 x 222mm. 5¾ x 8¾".
View of the quadrant at Regent Street showing a street scene and views along Regent Street looking towards the quadrant. At first it was called New Street, becoming a dividing line between Soho, which had become less respectable, and the fashionable squares and streets of Mayfair to the West. It was later named Regent Street, after the Prince Regent , later George IV.
Collage: n/a [&] p7509155 [&] p7509758.
[Ref: 26477] £180.00 (£216.00 incl.VAT) view all images for this item
[Middle image:] No.84 of R: Ackermann's Repository of Art &c. Pubd. Dec.r 1.1822.
Three coloured aquatints. 146 x 222mm. 5¾ x 8¾".
View of the quadrant at Regent Street showing a street scene and views along Regent Street looking towards the quadrant. At first it was called New Street, becoming a dividing line between Soho, which had become less respectable, and the fashionable squares and streets of Mayfair to the West. It was later named Regent Street, after the Prince Regent , later George IV.
Collage: n/a [&] p7509155 [&] p7509758.
[Ref: 26477] £180.00 (£216.00 incl.VAT) view all images for this item
The Quadrant, Regent Street.
T. H. Shepherd del.t. J. Bluck sculp.t
London, Pub.d May 1. 1822. at Ackermann's Repository of Arts, 101 Strand.
Colour printed aquatint with some fine hand colour; Sheet: 410 x 540mm (16 x 21¼"). Trimmed to platemark.
A view of Regent Street from Piccadilly Circus in which a group of cavalrymen process as other carriages and figures make their way across the street.
[Ref: 43566] £800.00
T. H. Shepherd del.t. J. Bluck sculp.t
London, Pub.d May 1. 1822. at Ackermann's Repository of Arts, 101 Strand.
Colour printed aquatint with some fine hand colour; Sheet: 410 x 540mm (16 x 21¼"). Trimmed to platemark.
A view of Regent Street from Piccadilly Circus in which a group of cavalrymen process as other carriages and figures make their way across the street.
[Ref: 43566] £800.00
Regent Street Looking Towards the Duke of York's Column.
T.S. Boys Del et Lithog. [Printed by Charles Hullmandel.]
[London, T.S. Boys, 1842.]
Tinted lithograph with hand colour. Printed area: 420 x 320mm (16½ x 12½").
A view looking south from Regent Street, across Piccadilly Circus to the Duke of York's Column. Published in Thomas Shotter Boys's 'Original Views of London As It Is' .
Abbey 240.
[Ref: 58237] £380.00
T.S. Boys Del et Lithog. [Printed by Charles Hullmandel.]
[London, T.S. Boys, 1842.]
Tinted lithograph with hand colour. Printed area: 420 x 320mm (16½ x 12½").
A view looking south from Regent Street, across Piccadilly Circus to the Duke of York's Column. Published in Thomas Shotter Boys's 'Original Views of London As It Is' .
Abbey 240.
[Ref: 58237] £380.00
Ackermann's Series, No.10. View of Regent Street. Drawing Room Day.
Drawn by G.S. Shepherd_T. Picken. lith. Day & Son, Lith.rs to the Queen.
Scarce hand-coloured lithograph. Sheet: 285 x 365mm (11¼ x 14¼''). Repaired tear in right edge.
A view of Regent Street showing the Ackermann Gallery with prints displayed in the window, a crowd gathers on the pavement to watch the cavalry ride up the street.
[Ref: 48773] £240.00 (£288.00 incl.VAT)
Drawn by G.S. Shepherd_T. Picken. lith. Day & Son, Lith.rs to the Queen.
Scarce hand-coloured lithograph. Sheet: 285 x 365mm (11¼ x 14¼''). Repaired tear in right edge.
A view of Regent Street showing the Ackermann Gallery with prints displayed in the window, a crowd gathers on the pavement to watch the cavalry ride up the street.
[Ref: 48773] £240.00 (£288.00 incl.VAT)
Regent Street, looking towards the Quadrant.
T.S.Boys Del et Lithog. [Printed by Charles Hullmandel.]
[London, T.S. Boys, 1843.]
Tinted lithograph with hand-colour. Sheet: 370 x 540mm (14½ x 21¼").
A view down Regent Street, looking south, from Princes Street. On the left is the "Late Bourne and Son / The Russian and Canadian Fur Co". The streets busy with pedestrians and a small sandwich boy on the left carries a poster reading "Vote for [erased]". Published for Thomas Shotter Boys' 'London As It Is".
Abbey: 240.
[Ref: 47058] £350.00
T.S.Boys Del et Lithog. [Printed by Charles Hullmandel.]
[London, T.S. Boys, 1843.]
Tinted lithograph with hand-colour. Sheet: 370 x 540mm (14½ x 21¼").
A view down Regent Street, looking south, from Princes Street. On the left is the "Late Bourne and Son / The Russian and Canadian Fur Co". The streets busy with pedestrians and a small sandwich boy on the left carries a poster reading "Vote for [erased]". Published for Thomas Shotter Boys' 'London As It Is".
Abbey: 240.
[Ref: 47058] £350.00
The Quadrant, Regent Street.
T. H. Shepherd del.t. J. Bluck sculp.t.
London, Pub.d May 1. 1822. at Ackermann's Repository of Arts, 101 Strand.
Colour printed aquatint with fine hand colour. Framed, visible area 390 x 495mm (15¼ x 19½"). Unexamined out of frame.
A view of Regent Street from Piccadilly Circus, with the colonades protecting shoppers. A column of cavalry rides dowards Piccadilly. After Thomas Hosmer Shepherd (1793-1864), for Ackermann's 'Views of London', a series of 18 large aquatints published 1811-22.
[Ref: 57367] £1,250.00
T. H. Shepherd del.t. J. Bluck sculp.t.
London, Pub.d May 1. 1822. at Ackermann's Repository of Arts, 101 Strand.
Colour printed aquatint with fine hand colour. Framed, visible area 390 x 495mm (15¼ x 19½"). Unexamined out of frame.
A view of Regent Street from Piccadilly Circus, with the colonades protecting shoppers. A column of cavalry rides dowards Piccadilly. After Thomas Hosmer Shepherd (1793-1864), for Ackermann's 'Views of London', a series of 18 large aquatints published 1811-22.
[Ref: 57367] £1,250.00
Humours of Life in London or the Regents Birth Day.
[Anon. c.1810]
Etching with hand-colouring, sheet 190 x 240mm (7½ x 9½"). Trimmed around image and title.
Four vignettes of disorder taking place in London on the birthday of the Prince Regent (the future George IV).
[Ref: 43844] £65.00 (£78.00 incl.VAT)
[Anon. c.1810]
Etching with hand-colouring, sheet 190 x 240mm (7½ x 9½"). Trimmed around image and title.
Four vignettes of disorder taking place in London on the birthday of the Prince Regent (the future George IV).
[Ref: 43844] £65.00 (£78.00 incl.VAT)
Regent's Park.
Painted by James Ward. Engraved by H.J. Shrimshire.
Published 1904, by Macmillan & Co. St. Martin's Ln. W.C.
Mezzotint. 306 x 444mm. 12 x 17½". Small crease to the bottom left-hand corner of the image.
Until the leases expired in 1811 the area of Regents Park was farmland, most famously Willan's Farm, mentioned in William Blake's epic poem 'Jerusalem'.
[Ref: 14304] £240.00 (£288.00 incl.VAT)
Painted by James Ward. Engraved by H.J. Shrimshire.
Published 1904, by Macmillan & Co. St. Martin's Ln. W.C.
Mezzotint. 306 x 444mm. 12 x 17½". Small crease to the bottom left-hand corner of the image.
Until the leases expired in 1811 the area of Regents Park was farmland, most famously Willan's Farm, mentioned in William Blake's epic poem 'Jerusalem'.
[Ref: 14304] £240.00 (£288.00 incl.VAT)
Near the Regent's Park.
G. Harley Lithog: Printed by Rawney & Forster.
London. Published by J. Dickinson, 114 New Bond Street, March, 1822.
Lithograph with fine hand colour. Sheet 230 x 345mm (9 x 13½"). Stitch holes on left edge.
A view of a rustic house and pond. Regent's Park was created on land used by tenant farmers, including 'Willans Farm', mentioned in William Blake's epic poem 'Jerusalem'.
[Ref: 67089] £80.00 (£96.00 incl.VAT)
G. Harley Lithog: Printed by Rawney & Forster.
London. Published by J. Dickinson, 114 New Bond Street, March, 1822.
Lithograph with fine hand colour. Sheet 230 x 345mm (9 x 13½"). Stitch holes on left edge.
A view of a rustic house and pond. Regent's Park was created on land used by tenant farmers, including 'Willans Farm', mentioned in William Blake's epic poem 'Jerusalem'.
[Ref: 67089] £80.00 (£96.00 incl.VAT)
![[The Boys' Home for the Training and Maintenance of Destitute Boys not Convicted of Crime] Room in the Boys' Home, Regent's Park Road.](jpegs/67092.jpg)
[The Boys' Home for the Training and Maintenance of Destitute Boys not Convicted of Crime] Room in the Boys' Home, Regent's Park Road. In Memory of Seymour Sydney Hyde sixth Earl of Harrington... MDCCCLXX.
Tho.s Bellamy, Arch.t. Vincent Brooks, Day & Son, Lith.
[c.1870.]
Scarce tinted lithograph. Sheet 420 x 335mm (16½ x 13¼"), large margins Tears in edges taped.
A school room with an arched, timbered ceiling, paid for by the Countess of Harrington. The Boys' Home was founded by George William Bell and Ebenezer Rayment in 1858 at 44 Euston Road, but moved to 115-119 Regent's Park Road in 1865, when the original property was bought for use by the Midland Railway. Over the next sixty years about a thousand ‘destitute boys’ were lodged, clothed, fed and educated in trades including carpentry, brushmaking, tailoring and shoemaking.
[Ref: 67092] £120.00 (£144.00 incl.VAT)
Tho.s Bellamy, Arch.t. Vincent Brooks, Day & Son, Lith.
[c.1870.]
Scarce tinted lithograph. Sheet 420 x 335mm (16½ x 13¼"), large margins Tears in edges taped.
A school room with an arched, timbered ceiling, paid for by the Countess of Harrington. The Boys' Home was founded by George William Bell and Ebenezer Rayment in 1858 at 44 Euston Road, but moved to 115-119 Regent's Park Road in 1865, when the original property was bought for use by the Midland Railway. Over the next sixty years about a thousand ‘destitute boys’ were lodged, clothed, fed and educated in trades including carpentry, brushmaking, tailoring and shoemaking.
[Ref: 67092] £120.00 (£144.00 incl.VAT)
Gardens of the Zoological Society. The Clock-Tower.
Drawn from Nature and on Stone by F.W. Hulme in Hullmandel & Walton's New Process.
[n.d., 1848.]
Rare tinted lithograph with some hand colour. Printed area 280 x 200mm (11 x 8"), with large margins. Small tears in edges of margin.
A view of the Clock Tower of Regent's Park Zoo, with the copper cupola added in 1844. Although not shown here, the building was used to house llamas and camels at the time.
[Ref: 67088] £280.00 (£336.00 incl.VAT)
Drawn from Nature and on Stone by F.W. Hulme in Hullmandel & Walton's New Process.
[n.d., 1848.]
Rare tinted lithograph with some hand colour. Printed area 280 x 200mm (11 x 8"), with large margins. Small tears in edges of margin.
A view of the Clock Tower of Regent's Park Zoo, with the copper cupola added in 1844. Although not shown here, the building was used to house llamas and camels at the time.
[Ref: 67088] £280.00 (£336.00 incl.VAT)
Entrance Terrace Looking towards the Bear's Pit. Zoological Gardens, Regent's Park. Southern Portion.
Drawn on Stone by James Hakewill. Printed by C. Hullmandel.
[1831.]
Scarce coloured lithograph. Printed area 205 x 300mm (8 x 11¾"), large margins
A view of promenaders at Regent's Park Zoo, with a bear perched on a pole being baited. Behind is Cumberland Terrace. The first plate of ''A Series of Ten Views in the Southern Portion of the Gardens of the Zoological Society in Regent’s Park, laid out from the Designs of Decimus Burton Esq.r''.
See Ref: 67093
[Ref: 67091] £280.00 (£336.00 incl.VAT)
Drawn on Stone by James Hakewill. Printed by C. Hullmandel.
[1831.]
Scarce coloured lithograph. Printed area 205 x 300mm (8 x 11¾"), large margins
A view of promenaders at Regent's Park Zoo, with a bear perched on a pole being baited. Behind is Cumberland Terrace. The first plate of ''A Series of Ten Views in the Southern Portion of the Gardens of the Zoological Society in Regent’s Park, laid out from the Designs of Decimus Burton Esq.r''.
See Ref: 67093
[Ref: 67091] £280.00 (£336.00 incl.VAT)