A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
Quadrupeds or Little Boneys Last Kick.
[G. Cruikshank fec.t]
[Pub.d Jan.y 1st 1813 by W.N. Jones 5 Newgate Street.
Coloured etching. Sheet 180 x 520mm (7 x 20½"). Trimmed to image, losing title and inscriptions, split in centre fold with toning. Loss on left margin.
Tsar Alexander, as the Russian bear, stands in the centre holding Napoleon suspended in the air by one jack-booted leg, and plying a large birch-rod. Jack Frost, a hideous goblin, tweaks Napoleon's nose. Behind an army of Russian bears drive the French into the 'Sea of Troubles'.
BM Satires 11992, with extensive description.
[Ref: 62474] £190.00 (£228.00 incl.VAT)
[G. Cruikshank fec.t]
[Pub.d Jan.y 1st 1813 by W.N. Jones 5 Newgate Street.
Coloured etching. Sheet 180 x 520mm (7 x 20½"). Trimmed to image, losing title and inscriptions, split in centre fold with toning. Loss on left margin.
Tsar Alexander, as the Russian bear, stands in the centre holding Napoleon suspended in the air by one jack-booted leg, and plying a large birch-rod. Jack Frost, a hideous goblin, tweaks Napoleon's nose. Behind an army of Russian bears drive the French into the 'Sea of Troubles'.
BM Satires 11992, with extensive description.
[Ref: 62474] £190.00 (£228.00 incl.VAT)
Quails. 10th. Plate of the British Feather Game.
Barrenger pinxt. Turner sculpt.
London, Published Sept. 1. 1810, at R.Ackermann's Repository of Arts, 101, Strand.
Mezzotint, 380 x 443mm. Some spotting to image, ink spots to image lower left.
A pair of quail in a landscape. From a series of 14 plates 'British Feather Game' published 1810 - 1812. After the animal painter James Barenger (1780 - 1831). He was the son of J. Barenger, a chaser, who exhibited water-colour drawings of insects at the Royal Academy between the years 1793 and 1799, and died in 1813, and he was on his mother's side a nephew of William Woollett, the eminent engraver. He obtained some celebrity as a painter of racehorses, dogs, deer, and other animals, which he exhibited at the Royal Academy from 1807 to 1831, in which year he died Collector's stamp on verso.
Whitman: 660. Siltzer: pg. 79.
[Ref: 8096] £520.00
Barrenger pinxt. Turner sculpt.
London, Published Sept. 1. 1810, at R.Ackermann's Repository of Arts, 101, Strand.
Mezzotint, 380 x 443mm. Some spotting to image, ink spots to image lower left.
A pair of quail in a landscape. From a series of 14 plates 'British Feather Game' published 1810 - 1812. After the animal painter James Barenger (1780 - 1831). He was the son of J. Barenger, a chaser, who exhibited water-colour drawings of insects at the Royal Academy between the years 1793 and 1799, and died in 1813, and he was on his mother's side a nephew of William Woollett, the eminent engraver. He obtained some celebrity as a painter of racehorses, dogs, deer, and other animals, which he exhibited at the Royal Academy from 1807 to 1831, in which year he died Collector's stamp on verso.
Whitman: 660. Siltzer: pg. 79.
[Ref: 8096] £520.00
The Quaker; A Comic Opera, by Charles Dibdin. Adapted for Theatrical Representation: As Performed at the Theatre Royal, Covent Garden. Regulated from the Prompt-Book. By Permission of the Managers. The Lines distiguished by inverted Commas, are omitted in the Representation.
London: Printed for John Cawthorn, 5, Catherine Street, Strand, Bookseller to Her Royal Highness the Princess of Wales. 1805. Printed by T. Collins, Harvey's Buildings, Strand.
Programme. 8vo. 153 x 100mm. 6 x 4". Nicks and tears, no binding.
Charles Dibdin (1745-1814), British musician, dramatist, novelist, actor and songwriter, born in Southampton, the son of a parish clerk. The Quaker was written in 1775.
[Ref: 14479] £75.00
London: Printed for John Cawthorn, 5, Catherine Street, Strand, Bookseller to Her Royal Highness the Princess of Wales. 1805. Printed by T. Collins, Harvey's Buildings, Strand.
Programme. 8vo. 153 x 100mm. 6 x 4". Nicks and tears, no binding.
Charles Dibdin (1745-1814), British musician, dramatist, novelist, actor and songwriter, born in Southampton, the son of a parish clerk. The Quaker was written in 1775.
[Ref: 14479] £75.00
Rachael of Covent-Garden (the Quaker) See Granger Vol.4 Page 209.
Laroon delt. Benj. Green scut.
Printed for Rt. Wilkinson, 125 Fenchurch Street [n.d., c.1817].
Soft-ground etching, laid paper, 210 x 140mm, 8¼ x 5½". Stain spot above the head, else a decent impression, with full large margins, slight cockling at top.
A young Quaker girl standing with hands clasped at waist, a cloak under her left arm, wearing plain clothes with frilled sleeves and a headscarf. After Marcellus Laroon (1648/1649 or 1653 - 1702), a 19th century copy of the (c.1690) plate for the series 'The Cryes of the City of London Drawne after the Life'.
[Ref: 20967] £95.00 (£114.00 incl.VAT)
Laroon delt. Benj. Green scut.
Printed for Rt. Wilkinson, 125 Fenchurch Street [n.d., c.1817].
Soft-ground etching, laid paper, 210 x 140mm, 8¼ x 5½". Stain spot above the head, else a decent impression, with full large margins, slight cockling at top.
A young Quaker girl standing with hands clasped at waist, a cloak under her left arm, wearing plain clothes with frilled sleeves and a headscarf. After Marcellus Laroon (1648/1649 or 1653 - 1702), a 19th century copy of the (c.1690) plate for the series 'The Cryes of the City of London Drawne after the Life'.
[Ref: 20967] £95.00 (£114.00 incl.VAT)
Frontispiece. A Quaker being in company with a handsome young lady, (one of the sisterhood) who complained of the great heat...
[n.d., c.1830.]
Hand-coloured woodcut. Sheet: 165 x 90mm (6½ x 3½''). Trimmed and laid on album sheet. Tears.
A comic portrait of a Quaker, Ephram Broadbrim, the text below describes his discussion with a young woman about her petticoat.
[Ref: 49064] £95.00 (£114.00 incl.VAT)
[n.d., c.1830.]
Hand-coloured woodcut. Sheet: 165 x 90mm (6½ x 3½''). Trimmed and laid on album sheet. Tears.
A comic portrait of a Quaker, Ephram Broadbrim, the text below describes his discussion with a young woman about her petticoat.
[Ref: 49064] £95.00 (£114.00 incl.VAT)
Merrily Danced the Quaker's Wife... Illustrations of Popular Songs by H.K.No.4.
Published at Tregears Comic Print Shop, 96 Cheapside, London. [n.d., c.1830.]
Hand-coloured lithograph. Sheet: 350 x 280mm (13¾ x 11''). Staining.
A comic scene showing a Quaker couple jumping up and down after being fired at by a man with a rifle.
[Ref: 49080] £110.00 (£132.00 incl.VAT)
Published at Tregears Comic Print Shop, 96 Cheapside, London. [n.d., c.1830.]
Hand-coloured lithograph. Sheet: 350 x 280mm (13¾ x 11''). Staining.
A comic scene showing a Quaker couple jumping up and down after being fired at by a man with a rifle.
[Ref: 49080] £110.00 (£132.00 incl.VAT)
Assemblée des Quaquers à Londres. Assemblée des Quaquers à Amsterdam.
L.F.Dubourg del. P.Tanjé Sculp.
[Amsterdam: J.F. Bernard c.1736.]
Engraving. 340 x 220mm, 13½ x 8¾".
Two views, the interiors of Quakers' meeting houses in London and Amsterdam. The 'unled' format of the service is highlighted in the London view by the speaker being a woman of the balcony. Published in Jean Frederic Bernard's monumental nine-volume "Cérémonies et coutumes religieuses de tous les peuples du monde" (Religious Ceremonies and Customs of All the Peoples of the World), published between 1723-43.
[Ref: 15882] £80.00 (£96.00 incl.VAT)
L.F.Dubourg del. P.Tanjé Sculp.
[Amsterdam: J.F. Bernard c.1736.]
Engraving. 340 x 220mm, 13½ x 8¾".
Two views, the interiors of Quakers' meeting houses in London and Amsterdam. The 'unled' format of the service is highlighted in the London view by the speaker being a woman of the balcony. Published in Jean Frederic Bernard's monumental nine-volume "Cérémonies et coutumes religieuses de tous les peuples du monde" (Religious Ceremonies and Customs of All the Peoples of the World), published between 1723-43.
[Ref: 15882] £80.00 (£96.00 incl.VAT)
The Quakers Meeting.
Hemskirk pinxt. J. Green fecit.
London, Printed for Robt. Sayer No.53 Fleet Street. [n.d., c.1770.]
Mezzotint, image 325 x 250mm,fine, 12¾ x 9¾". Trimmed to plate and glued to album page at corners.
Interior; a woman with a tall hat standing on a half barrel, her hands clasped, surrounded by other Quakers, male and female. After Egbert van Heemskerck I (1645 - 1704), who specialised in genre subjects in the Dutch taste, especially scenes set in taverns, courts and schools. To these he added a genre that he invented, the Quaker painting. In the second half of the seventeenth century Quakers has a dubious reputation as one of the extreme non-conformist sects. They were marked out by their clothes and their strange services, and were subject to civil penalties for refusing to take the oath of allegiance or pay tithes. Their modern respectability came much later. Of the many paintings that Heemskerk made of these outcasts, four were turned into prints, all with the same title, The Quaker's Meeting. A copy in reverse of a c.1685 print by Isaac Beckett.
[Ref: 13347] £280.00 (£336.00 incl.VAT)
Hemskirk pinxt. J. Green fecit.
London, Printed for Robt. Sayer No.53 Fleet Street. [n.d., c.1770.]
Mezzotint, image 325 x 250mm,fine, 12¾ x 9¾". Trimmed to plate and glued to album page at corners.
Interior; a woman with a tall hat standing on a half barrel, her hands clasped, surrounded by other Quakers, male and female. After Egbert van Heemskerck I (1645 - 1704), who specialised in genre subjects in the Dutch taste, especially scenes set in taverns, courts and schools. To these he added a genre that he invented, the Quaker painting. In the second half of the seventeenth century Quakers has a dubious reputation as one of the extreme non-conformist sects. They were marked out by their clothes and their strange services, and were subject to civil penalties for refusing to take the oath of allegiance or pay tithes. Their modern respectability came much later. Of the many paintings that Heemskerk made of these outcasts, four were turned into prints, all with the same title, The Quaker's Meeting. A copy in reverse of a c.1685 print by Isaac Beckett.
[Ref: 13347] £280.00 (£336.00 incl.VAT)
The Spirit Moves!!
I.C. 1817. [Isaac Cruikshank.]
[n.d., c.1817.]
Coloured etching. 255 x 360mm (10 x 14¼"), with wide margins.
A pair of ugly Quakers waltzing, with two other pairs behind.
See BM 13098, smaller and described as a lithograph, attributed to Isaac Robert Cruikshank as well as George.
[Ref: 50702] £220.00 (£264.00 incl.VAT)
I.C. 1817. [Isaac Cruikshank.]
[n.d., c.1817.]
Coloured etching. 255 x 360mm (10 x 14¼"), with wide margins.
A pair of ugly Quakers waltzing, with two other pairs behind.
See BM 13098, smaller and described as a lithograph, attributed to Isaac Robert Cruikshank as well as George.
[Ref: 50702] £220.00 (£264.00 incl.VAT)
![[Quakers] Obediah _ Puzzled.](jpegs/54567.jpg)
[Quakers] Obediah _ Puzzled.
H.H. [Henry Heath].
Pub.d Ap.l 1830. by S. Gan's Southampton St.
Coloured etching. 255 x 365mm (55 x 14¼"). Faded. Trimmed to plate on three sides.
One Quaker expresses disquiet at another's brightly coloured jacket. ''Aminidab, how camest thou by that garment for the vain adornment of thine outward man?''. ''I created it.''. ''Created it friend?''. ''Yea verily - for I said, Let it be made, and it was made!!''.
[Ref: 54567] £120.00 (£144.00 incl.VAT)
H.H. [Henry Heath].
Pub.d Ap.l 1830. by S. Gan's Southampton St.
Coloured etching. 255 x 365mm (55 x 14¼"). Faded. Trimmed to plate on three sides.
One Quaker expresses disquiet at another's brightly coloured jacket. ''Aminidab, how camest thou by that garment for the vain adornment of thine outward man?''. ''I created it.''. ''Created it friend?''. ''Yea verily - for I said, Let it be made, and it was made!!''.
[Ref: 54567] £120.00 (£144.00 incl.VAT)
A Sailor at a Quakers Funeral.
Woodward del. Cruikshanks st.
Pub. T. Tegg, 111 Cheapside [n.d., c.1810.]
Etching with hand colour. 250 x 350mm (9¾ x 13¾"), 'Basted Mill' watermark.
Social satire: a Quaker stands by an open grave in a large walled graveyard, with clasped hands, eyes sanctimoniously turned up. A grave-digger leans on his spade watching him with puzzled distaste. The Quaker: ''Verily the spirit at length beginneth to move me - Alas! there is no happiness on this side of the grave''. A disgruntled sailor who stands opposite him asks: "Why then you Lubber, dont you come on this side?". After George Moutard Woodward (c.1760 - 1809), etched by caricaturist Isaac Cruikshank (1764 - 1811), father of Isaac Robert and George.
BM Satires: 10902.
[Ref: 56286] £180.00 (£216.00 incl.VAT)
Woodward del. Cruikshanks st.
Pub. T. Tegg, 111 Cheapside [n.d., c.1810.]
Etching with hand colour. 250 x 350mm (9¾ x 13¾"), 'Basted Mill' watermark.
Social satire: a Quaker stands by an open grave in a large walled graveyard, with clasped hands, eyes sanctimoniously turned up. A grave-digger leans on his spade watching him with puzzled distaste. The Quaker: ''Verily the spirit at length beginneth to move me - Alas! there is no happiness on this side of the grave''. A disgruntled sailor who stands opposite him asks: "Why then you Lubber, dont you come on this side?". After George Moutard Woodward (c.1760 - 1809), etched by caricaturist Isaac Cruikshank (1764 - 1811), father of Isaac Robert and George.
BM Satires: 10902.
[Ref: 56286] £180.00 (£216.00 incl.VAT)
Quakers Meeting.
Rowlandson & Pugin del.t. et sculp.t. Stadler aqua.t.
London. Pub 1st April, 1809 at R. Ackermann’s Repository of Arts 101, Strand.
Coloured aquatint. 230 x 270mm.
Abbey, Scenery: 212.
[Ref: 5245] £130.00 (£156.00 incl.VAT)
Rowlandson & Pugin del.t. et sculp.t. Stadler aqua.t.
London. Pub 1st April, 1809 at R. Ackermann’s Repository of Arts 101, Strand.
Coloured aquatint. 230 x 270mm.
Abbey, Scenery: 212.
[Ref: 5245] £130.00 (£156.00 incl.VAT)
Quakers Meeting. Plate 64.
Rowlandson & Pugin del.t. et sculp.t. Stadler aqua.t.
London. Pub 1st April, 1809 at R. Ackermann’s Repository of Arts 101, Strand.
Hand coloured aquatint, plate 230 x 280mm (9 x 11"), with large margins.
A meeting taking place in a hall, with gallery. Published in Ackermann's famous work, the 'Microcosm of London', the figures were drawn by the famous caricaturist Thomas Rowlandson and the architecture by Augustus Pugin.
Abbey, Scenery: 212.
[Ref: 62777] £130.00 (£156.00 incl.VAT)
Rowlandson & Pugin del.t. et sculp.t. Stadler aqua.t.
London. Pub 1st April, 1809 at R. Ackermann’s Repository of Arts 101, Strand.
Hand coloured aquatint, plate 230 x 280mm (9 x 11"), with large margins.
A meeting taking place in a hall, with gallery. Published in Ackermann's famous work, the 'Microcosm of London', the figures were drawn by the famous caricaturist Thomas Rowlandson and the architecture by Augustus Pugin.
Abbey, Scenery: 212.
[Ref: 62777] £130.00 (£156.00 incl.VAT)
Predicazione de' Quacheri. Tom. XII
[n.d. c.1744].
Engraving. 185 x 210mm (7¼ x 8¼"). Trimmed on top, right and bottom sides. Vertical creases as issued.
A scene depicting a congregation of Quakers, with a central figure preaching to the meeting. The meeting is largely attended by simply dressed men and women wearing either hats or head coverings, however in the lower left corner is a group of three elaborately dressed people, two women and a man, who seem to be expressing shock. The three clearly aristocratic figures may be illustrating the radical attitude of Quakers, who refused to follow the social traditions expected of the lower echelons of society. For example, in accordance with their view on equality they would not remove headware in the presence of upper classes, as here, nor would they address anyone by their earthly titles, or follow socially accepted forms of address.
[Ref: 54091] £90.00 (£108.00 incl.VAT)
[n.d. c.1744].
Engraving. 185 x 210mm (7¼ x 8¼"). Trimmed on top, right and bottom sides. Vertical creases as issued.
A scene depicting a congregation of Quakers, with a central figure preaching to the meeting. The meeting is largely attended by simply dressed men and women wearing either hats or head coverings, however in the lower left corner is a group of three elaborately dressed people, two women and a man, who seem to be expressing shock. The three clearly aristocratic figures may be illustrating the radical attitude of Quakers, who refused to follow the social traditions expected of the lower echelons of society. For example, in accordance with their view on equality they would not remove headware in the presence of upper classes, as here, nor would they address anyone by their earthly titles, or follow socially accepted forms of address.
[Ref: 54091] £90.00 (£108.00 incl.VAT)
![Quantekong. [Idole des Chinois.]](jpegs/37478.jpg)
Quantekong. [Idole des Chinois.]
[Pieter van der Aa, 1729.]
Engraving. Plate: 160 x 270mm (6¼ x 10½"). Very large margins.
A portrait of Quantekong, a Chinese diety at his writing desk. An illustration from 'La agreable galerie du monde...' published by Pieter van der Aa in 1729.
[Ref: 37478] £240.00 (£288.00 incl.VAT)
[Pieter van der Aa, 1729.]
Engraving. Plate: 160 x 270mm (6¼ x 10½"). Very large margins.
A portrait of Quantekong, a Chinese diety at his writing desk. An illustration from 'La agreable galerie du monde...' published by Pieter van der Aa in 1729.
[Ref: 37478] £240.00 (£288.00 incl.VAT)
Quarantin Harbour.
Lith. by C. de Brocktorff. Malta.
Lithograph, sheet 95 x 165mm (4 x 6½"). 'Malta 1846' in ms.
Marsamxett Harbour, Malta. In the nineteenth century it was commonly known as Quarantine Harbour, perhaps because of the quarantine hospital which briefly occupied nearby Manoel Island. Lithograph by the German/Danish artist resident in Malta, Charles Frederick de Brocktorff (1775-1850)
[Ref: 47421] £75.00 (£90.00 incl.VAT)
Lith. by C. de Brocktorff. Malta.
Lithograph, sheet 95 x 165mm (4 x 6½"). 'Malta 1846' in ms.
Marsamxett Harbour, Malta. In the nineteenth century it was commonly known as Quarantine Harbour, perhaps because of the quarantine hospital which briefly occupied nearby Manoel Island. Lithograph by the German/Danish artist resident in Malta, Charles Frederick de Brocktorff (1775-1850)
[Ref: 47421] £75.00 (£90.00 incl.VAT)
![[Francis Quarles.] What here wee see is but a Graven face, Onely the shaddow of that brittle case Wherein were treasur'd up those Gems, which he hath left behind him to Posterity.](jpegs/24092.jpg)
[Francis Quarles.] What here wee see is but a Graven face, Onely the shaddow of that brittle case Wherein were treasur'd up those Gems, which he hath left behind him to Posterity.
[William Marshall?]
[n.d. c.1650.]
Rare engraving. 126 x 75mm. 5 x 3". Cut.
Portrait of Francis Quarles; half-length with shoulder-length curly hair, moustache and small beard, directed to right glancing towards the viewer, right hand outstretched holding a quill, left at his breast, wearing a dark coat edged with fur and fastened near the neck, a plain collar with a tassell tie; in an oval. Francis Quarles (1592-1644) was an English poet most famous for his Emblem book aptly entitled 'Emblems'. Based on the frontispiece to Quarles' 'Recantation', engraved by William Marshall, according to O'Donoghue.
[Ref: 24092] £120.00 (£144.00 incl.VAT)
[William Marshall?]
[n.d. c.1650.]
Rare engraving. 126 x 75mm. 5 x 3". Cut.
Portrait of Francis Quarles; half-length with shoulder-length curly hair, moustache and small beard, directed to right glancing towards the viewer, right hand outstretched holding a quill, left at his breast, wearing a dark coat edged with fur and fastened near the neck, a plain collar with a tassell tie; in an oval. Francis Quarles (1592-1644) was an English poet most famous for his Emblem book aptly entitled 'Emblems'. Based on the frontispiece to Quarles' 'Recantation', engraved by William Marshall, according to O'Donoghue.
[Ref: 24092] £120.00 (£144.00 incl.VAT)
Francis Quarles.
[n.d., c.1700.]
Engraving. Sheet: 95 x 60mm (3¾ x 2¼''). Trimmed and paper tone.
A half-length portrait of English poet Francis Quarles (1592-1644).
[Ref: 49097] £95.00 (£114.00 incl.VAT)
[n.d., c.1700.]
Engraving. Sheet: 95 x 60mm (3¾ x 2¼''). Trimmed and paper tone.
A half-length portrait of English poet Francis Quarles (1592-1644).
[Ref: 49097] £95.00 (£114.00 incl.VAT)
![The Quarrel [pencil].](jpegs/49251.jpg)
The Quarrel [pencil]. Just Published. Original Etching by Jackson Simpson. (Limited Edition).
Jackson Simpson. [pencil]
[Alfred Bell & Co., c.1930.]
Etching, signed by the artist, monogram blind stamp. 175 x 255mm (7 x 10"), very large margins. In original mount with Bell's printed title label. Mint.
Two crows scrapping in sand dunes Henry Jackson Simpson (1893 - 1963). A Scottish etcher of still life, animals, seascapes and landscape views in and around Aberdeen, he studied in Aberdeen before the First World War. He fought in France with the Northumberland Fusiliers and was awarded the Military Cross for bravery. When the war ended in 1918 he joined the family framing business on Union Street, Aberdeen, and also worked as a consultant for both Sotheby's and Christies.
[Ref: 49251] £160.00 (£192.00 incl.VAT)
Jackson Simpson. [pencil]
[Alfred Bell & Co., c.1930.]
Etching, signed by the artist, monogram blind stamp. 175 x 255mm (7 x 10"), very large margins. In original mount with Bell's printed title label. Mint.
Two crows scrapping in sand dunes Henry Jackson Simpson (1893 - 1963). A Scottish etcher of still life, animals, seascapes and landscape views in and around Aberdeen, he studied in Aberdeen before the First World War. He fought in France with the Northumberland Fusiliers and was awarded the Military Cross for bravery. When the war ended in 1918 he joined the family framing business on Union Street, Aberdeen, and also worked as a consultant for both Sotheby's and Christies.
[Ref: 49251] £160.00 (£192.00 incl.VAT)
The Quarrelsome Boys tricked out of the Birds Best.
Published 12th May 1794, by Laurie & Whittle, 53 Fleet Street, London.
Hand coloured mezzotint with large margins on 3 sides. Platemark: 150 x 110mm (6 x 4¼"). Trimmed to bottom platemark.
An exterior scene depicting two young boys fighting. To the left, a third boy stands watching with a birds nest under his left arm. Behind the figures are posts and rails, and trees.
Ex: collection of the Late Hon. C. Lennox-Boyd.
[Ref: 32827] £160.00 (£192.00 incl.VAT)
Published 12th May 1794, by Laurie & Whittle, 53 Fleet Street, London.
Hand coloured mezzotint with large margins on 3 sides. Platemark: 150 x 110mm (6 x 4¼"). Trimmed to bottom platemark.
An exterior scene depicting two young boys fighting. To the left, a third boy stands watching with a birds nest under his left arm. Behind the figures are posts and rails, and trees.
Ex: collection of the Late Hon. C. Lennox-Boyd.
[Ref: 32827] £160.00 (£192.00 incl.VAT)
Gypsum Quarry at Fauld.
Printed in colors by Hullmandel & Walton
London, John Van Voorst, Paternoster Row.
Chromolithograph, rare; sheet 155 x 250mm (6 x 9¾"). Crease top left.
Gypsum quarry in Fauld, Staffordshire. Fauld Mine now supplies cement rock for the cement industry.
[Ref: 43333] £95.00 (£114.00 incl.VAT)
Printed in colors by Hullmandel & Walton
London, John Van Voorst, Paternoster Row.
Chromolithograph, rare; sheet 155 x 250mm (6 x 9¾"). Crease top left.
Gypsum quarry in Fauld, Staffordshire. Fauld Mine now supplies cement rock for the cement industry.
[Ref: 43333] £95.00 (£114.00 incl.VAT)
Quarry Gill Bridge. In Swinton Park Yorkshire the Seat of W. Danby Esq.r It was commenced in 1811 & finished in 1822.
Drawn by Anne H. Danby. [c.1830]
Lithograph, sheet 215 x 290mm (8½ x 11½"). Rare.
Gothic bridge built to designs by John Foss at Swinton Park near Masham, Yorkshire. Swinton Park remains the seat of the Danby family (one of whom made this print).
[Ref: 43621] £130.00 (£156.00 incl.VAT)
Drawn by Anne H. Danby. [c.1830]
Lithograph, sheet 215 x 290mm (8½ x 11½"). Rare.
Gothic bridge built to designs by John Foss at Swinton Park near Masham, Yorkshire. Swinton Park remains the seat of the Danby family (one of whom made this print).
[Ref: 43621] £130.00 (£156.00 incl.VAT)
The Quarterings belonging to the Right Honourable George Baron Lyttelton To the Right Rev.d Charles Lyttelton Lord Bishop of Carlisle, This Plate Engraved at his Expence, and Given as an Addition to this Work, is most humbly Inscribed By his Lordship's most Humble & Obe.t Servant. Joseph Edmondson. Mowbray Herald.
[c.1740]
Engraving, platemark 425 x 240mm (16¾ x 9½") large margins..
Quarterings belonging to George Lyttelton, first Baron Lyttelton (1709-73), politician and writer.
Provenance: Thomas Pitt 1st Baron Camelford
[Ref: 45277] £160.00 (£192.00 incl.VAT)
[c.1740]
Engraving, platemark 425 x 240mm (16¾ x 9½") large margins..
Quarterings belonging to George Lyttelton, first Baron Lyttelton (1709-73), politician and writer.
Provenance: Thomas Pitt 1st Baron Camelford
[Ref: 45277] £160.00 (£192.00 incl.VAT)
A Quartette in Character.
[Paul Pry] Esq.
Pub May 1829 by T McLean 26 Haymarket sole publisher of P. Prys Original Caricatures.
Hand-coloured etching. 240 x 350mm (9½ x 13¾"). Trimmed
The quartet of mail-coach characters are (l-r): King George IV, his Prime Minister the Duke of Wellington, George's mistress Lady Conyngham, and Home Secretary Robert Peel (a cage of rats in his left hand).
BM Satires: 15746.
[Ref: 54076] £240.00 (£288.00 incl.VAT)
[Paul Pry] Esq.
Pub May 1829 by T McLean 26 Haymarket sole publisher of P. Prys Original Caricatures.
Hand-coloured etching. 240 x 350mm (9½ x 13¾"). Trimmed
The quartet of mail-coach characters are (l-r): King George IV, his Prime Minister the Duke of Wellington, George's mistress Lady Conyngham, and Home Secretary Robert Peel (a cage of rats in his left hand).
BM Satires: 15746.
[Ref: 54076] £240.00 (£288.00 incl.VAT)
A Quartette in Character.
Published by T. Reid, Sermon Place, New Cut. [n.d., c.1829.]
Rare hand-coloured etching. Sheet: 225 x 325mm (9 x 12¾''). Trimmed to printed border.
A group portrait of the Duke of Wellington, Lady Conyngham, George IV and Robert Peel as the characters from William Heath's series 'Parish Characters'. A copy of a satirical print by William Heath.
Copy of BM Satire 15746. Not in BM.
[Ref: 50817] £180.00 (£216.00 incl.VAT)
Published by T. Reid, Sermon Place, New Cut. [n.d., c.1829.]
Rare hand-coloured etching. Sheet: 225 x 325mm (9 x 12¾''). Trimmed to printed border.
A group portrait of the Duke of Wellington, Lady Conyngham, George IV and Robert Peel as the characters from William Heath's series 'Parish Characters'. A copy of a satirical print by William Heath.
Copy of BM Satire 15746. Not in BM.
[Ref: 50817] £180.00 (£216.00 incl.VAT)
A Quartette in Character.
[Paul Pry] Esq.
Pub May 1829 by T McLean 26 Haymarket sole publisher of P. Prys Original Caricatures.
Handcoloured etching. Sheet: 360 x 245mm (14 x 9¾"). Trimmed close to printed border.
The quartet of mail-coach characters are (l-r): King George IV, his Prime Minister the Duke of Wellington, George's mistress Lady Conyngham, and Home Secretary Robert Peel (a cage of rats in his left hand).
BM Satires: 15746.
[Ref: 39169] £220.00 (£264.00 incl.VAT)
[Paul Pry] Esq.
Pub May 1829 by T McLean 26 Haymarket sole publisher of P. Prys Original Caricatures.
Handcoloured etching. Sheet: 360 x 245mm (14 x 9¾"). Trimmed close to printed border.
The quartet of mail-coach characters are (l-r): King George IV, his Prime Minister the Duke of Wellington, George's mistress Lady Conyngham, and Home Secretary Robert Peel (a cage of rats in his left hand).
BM Satires: 15746.
[Ref: 39169] £220.00 (£264.00 incl.VAT)
![9. [A male beggar with a crutch leaning against a tree at right, a woman standing next to him, carrying a child on her back.]](jpegs/66809.jpg)
9. [A male beggar with a crutch leaning against a tree at right, a woman standing next to him, carrying a child on her back.]
PQ [monogram of Pieter Janz. Quast]
[Published by Claes Janz Visscher, 1652.]
Etching, 215 x 165mm (8½ x 6½"). Narrow margins, slight scuffing, small glued tag of paper under image.
A plate from 'Beggars and Peasants' (a set of twenty-six plus title) by Pieter Jansz Quast (c.1605-47), originally published 1638.
[Ref: 66809] £160.00 (£192.00 incl.VAT)
PQ [monogram of Pieter Janz. Quast]
[Published by Claes Janz Visscher, 1652.]
Etching, 215 x 165mm (8½ x 6½"). Narrow margins, slight scuffing, small glued tag of paper under image.
A plate from 'Beggars and Peasants' (a set of twenty-six plus title) by Pieter Jansz Quast (c.1605-47), originally published 1638.
[Ref: 66809] £160.00 (£192.00 incl.VAT)
Les Quatre Mendians. No. 1.
L.F. C.N.
A Paris, chez Bance Ainé, Rue S.t Denis, No 175.
Coloured engraving. 175 x 220mm.
Four beggars, with a violin & cello.
[Ref: 6929] £140.00 (£168.00 incl.VAT)
L.F. C.N.
A Paris, chez Bance Ainé, Rue S.t Denis, No 175.
Coloured engraving. 175 x 220mm.
Four beggars, with a violin & cello.
[Ref: 6929] £140.00 (£168.00 incl.VAT)
Que je suis enchante de vous voir!
W.B. del & scul.
Etching. 175 x 260mm. Trimmed to platemark.
Caricature of a fashionable Frenchman, standing in profile with a long wig, stick and snuff-box, holding his hand to his heart.
BM Satire 4754.
[Ref: 1078] £140.00 (£168.00 incl.VAT)
W.B. del & scul.
Etching. 175 x 260mm. Trimmed to platemark.
Caricature of a fashionable Frenchman, standing in profile with a long wig, stick and snuff-box, holding his hand to his heart.
BM Satire 4754.
[Ref: 1078] £140.00 (£168.00 incl.VAT)
Que je suis enchante de vous voir!
W.B[unbury]. del & scul.
Etching sheet 275 x 195mm (10¾ x 7¾"). Trimmed to platemark at top. Glued to backing sheet. Some light staining
Caricature of a fashionable Frenchman, standing in profile with a long wig, stick and snuff-box, holding his hand to his heart.
BM Satire 4754. See reference 1078.
[Ref: 65656] £180.00 (£216.00 incl.VAT)
W.B[unbury]. del & scul.
Etching sheet 275 x 195mm (10¾ x 7¾"). Trimmed to platemark at top. Glued to backing sheet. Some light staining
Caricature of a fashionable Frenchman, standing in profile with a long wig, stick and snuff-box, holding his hand to his heart.
BM Satire 4754. See reference 1078.
[Ref: 65656] £180.00 (£216.00 incl.VAT)
![[Quebec & Surveillante] The Heroism of Captain Farmer.](jpegs/65795.jpg)
[Quebec & Surveillante] The Heroism of Captain Farmer.
Drawn by R. Smirke. Engraved by T. Tegg.
Published by Henry Fisher, Caxton, London, 1824.
Steel engraving. 290 x 180mm (11½ x 7"), with large margins.
A scene of Captain George Farmer (1732-79) remaining on the burning deck of his ship, HMS Quebec, as some of his crew excape, after battling the French frigate Surveillante. The scene is within a decorative border.
[Ref: 65795] £60.00 (£72.00 incl.VAT)
Drawn by R. Smirke. Engraved by T. Tegg.
Published by Henry Fisher, Caxton, London, 1824.
Steel engraving. 290 x 180mm (11½ x 7"), with large margins.
A scene of Captain George Farmer (1732-79) remaining on the burning deck of his ship, HMS Quebec, as some of his crew excape, after battling the French frigate Surveillante. The scene is within a decorative border.
[Ref: 65795] £60.00 (£72.00 incl.VAT)
City of Quebec, Taken from the Harbour.
R.S.M Bouchette Delt.
Day & Haghe, Lith.rs to the King 17 Gate St. Lin. Inn F.ds.
Rare lithograph. Sheet: 155 x 210mm (6 x 8¼''). Trimmed, vertical crease.
A view of Quebec from the harbour, after a drawing by Joseph Bouchette (1774-1841) who was a landowner and member of the militia who served as Canadian Surveyor-General of British North America.
Abbey 622: Plate 7.
[Ref: 50017] £70.00 (£84.00 incl.VAT)
R.S.M Bouchette Delt.
Day & Haghe, Lith.rs to the King 17 Gate St. Lin. Inn F.ds.
Rare lithograph. Sheet: 155 x 210mm (6 x 8¼''). Trimmed, vertical crease.
A view of Quebec from the harbour, after a drawing by Joseph Bouchette (1774-1841) who was a landowner and member of the militia who served as Canadian Surveyor-General of British North America.
Abbey 622: Plate 7.
[Ref: 50017] £70.00 (£84.00 incl.VAT)
City of Quebec. Taken from the Harbour.
R.S.M. Bouchette del.t. Day & Haghe, Lith.rs to the King, 17 Gate St. Linc. Inn Fds.
[London: Longman, Rees, Orme, Brown, Green & Longman, 1832.]
Coloured lithograph, printed area 160 x 205mm. Paper fault across image.
From Bouchette's 'British Dominions in North America'.
Abbey: Travel, 622.
[Ref: 733] £80.00 (£96.00 incl.VAT)
R.S.M. Bouchette del.t. Day & Haghe, Lith.rs to the King, 17 Gate St. Linc. Inn Fds.
[London: Longman, Rees, Orme, Brown, Green & Longman, 1832.]
Coloured lithograph, printed area 160 x 205mm. Paper fault across image.
From Bouchette's 'British Dominions in North America'.
Abbey: Travel, 622.
[Ref: 733] £80.00 (£96.00 incl.VAT)
Map of the Phosphate Lands in the Provinces of Quebec and Ontario Canada. The Property of the Anglo Canadian Phosphate Co. Ltd. Shewing the Facilities for Transportation to Montreal by Rail and Water.
A.S. Cattell & Co., Eng.
[n.d., c. 1880.]
Lithograph, image area 200 x 360mm. Splits to binding folds.
[Ref: 1184] £130.00
A.S. Cattell & Co., Eng.
[n.d., c. 1880.]
Lithograph, image area 200 x 360mm. Splits to binding folds.
[Ref: 1184] £130.00
Quebec
Pub. & eng.d by J. Newman [ill.]Row, London [c.1836]
Steel engraving, sheet 115 x 165mm (4½ x 6½"). Trimmed.
View of Quebec, Canada, across the Saint Lawrence River.
[Ref: 41650] £45.00 (£54.00 incl.VAT)
Pub. & eng.d by J. Newman [ill.]Row, London [c.1836]
Steel engraving, sheet 115 x 165mm (4½ x 6½"). Trimmed.
View of Quebec, Canada, across the Saint Lawrence River.
[Ref: 41650] £45.00 (£54.00 incl.VAT)
Quebec, Canada
Rock & Co., London [c.1850]
Steel engraving, sheet 120 x 185mm (4¾ x 7½").
View of Quebec from the busy Saint Lawrence river.
[Ref: 46016] £65.00 (£78.00 incl.VAT)
Rock & Co., London [c.1850]
Steel engraving, sheet 120 x 185mm (4¾ x 7½").
View of Quebec from the busy Saint Lawrence river.
[Ref: 46016] £65.00 (£78.00 incl.VAT)
A View of Quebec the Capital of Canada, in North America. Engraved for Millar's New, Complete & Universal System of Geography.
Roberts sculp.
[London: A. Hogg, c.1782.]
Copper engraving, 210 x 310mm. 8¼ x 12¼". Repaired hole to upper right of image.
Prospect of Quebec, Canada; a British warship and other boats on the Saint Lawrence River in foreground. In distinctive decorative border, from George Henry Millar's 'The new and universal System of Geography, being a complete history and description of the whole world. ...' 1782.
[Ref: 16685] £75.00 (£90.00 incl.VAT)
Roberts sculp.
[London: A. Hogg, c.1782.]
Copper engraving, 210 x 310mm. 8¼ x 12¼". Repaired hole to upper right of image.
Prospect of Quebec, Canada; a British warship and other boats on the Saint Lawrence River in foreground. In distinctive decorative border, from George Henry Millar's 'The new and universal System of Geography, being a complete history and description of the whole world. ...' 1782.
[Ref: 16685] £75.00 (£90.00 incl.VAT)
A View of Quebec from the Bason.
F.P. Sc.
[n.d., c.1770.]
Engraving, sheet 160 x 250mm. 6¼ x 9¾". Trace of two vertical folds, as normal. Trimmed within plate.
Quebec in Canada, a British warship and other boats in the foreground. Plate to an 18th century book or magazine.
From the Capper album.
[Ref: 10976] £80.00 (£96.00 incl.VAT)
F.P. Sc.
[n.d., c.1770.]
Engraving, sheet 160 x 250mm. 6¼ x 9¾". Trace of two vertical folds, as normal. Trimmed within plate.
Quebec in Canada, a British warship and other boats in the foreground. Plate to an 18th century book or magazine.
From the Capper album.
[Ref: 10976] £80.00 (£96.00 incl.VAT)
![[To the King's most excellent Majesty, This plate, The Death of General Wolfe.]](jpegs/39487.jpg)
[To the King's most excellent Majesty, This plate, The Death of General Wolfe.]
[Painted by B. West, Historical Painter to His Majesty. Engraved by Theod. Falkerysen.]
[n.d., c.1780.]
Engraving. Proof working impression. Sheet size: 430 x 585mm (17 x 23"). Trimmed to image. Glued to backing sheet with ink borders.
A working proof impression by Theodore Falkeysen of Benjamin West's most celebrated painting, 'The Death of General Wolfe', 1770 (Ottawa, National Gallery of Canada), which represents the death of the British General James Wolfe at the Battle of the Plains of Abraham outside Quebec in 1759 during the Seven Years' War. Despite Wolfe's death, the result of the battle was a decisive British victory. For a completed impression by Falkeysen, see item ref: 39485.
[Ref: 39487] £520.00
[Painted by B. West, Historical Painter to His Majesty. Engraved by Theod. Falkerysen.]
[n.d., c.1780.]
Engraving. Proof working impression. Sheet size: 430 x 585mm (17 x 23"). Trimmed to image. Glued to backing sheet with ink borders.
A working proof impression by Theodore Falkeysen of Benjamin West's most celebrated painting, 'The Death of General Wolfe', 1770 (Ottawa, National Gallery of Canada), which represents the death of the British General James Wolfe at the Battle of the Plains of Abraham outside Quebec in 1759 during the Seven Years' War. Despite Wolfe's death, the result of the battle was a decisive British victory. For a completed impression by Falkeysen, see item ref: 39485.
[Ref: 39487] £520.00
View of Quebec.
Fittler sculp.t.
Published by J. Trsuler Jan.ry. 1 1791.
Engraving. 190 x 130mm (7½ x 5). Trimmed to platemark.
View of Quebec. Illustration from Dr John Trusler's 'The Habitable World Described' (c1788-1806).
[Ref: 32130] £120.00 (£144.00 incl.VAT)
Fittler sculp.t.
Published by J. Trsuler Jan.ry. 1 1791.
Engraving. 190 x 130mm (7½ x 5). Trimmed to platemark.
View of Quebec. Illustration from Dr John Trusler's 'The Habitable World Described' (c1788-1806).
[Ref: 32130] £120.00 (£144.00 incl.VAT)
The Death of General Wolfe at Quebec.
Painted by B. West. Engraved by de Launay.
London Published by Tessari & Co. [n.d., c.1790.]
Stipple and etching with small margins. Platemark: 325 x 400mm (12¾ x 15¾"). Repaired tear in lower margin. Light foxing in margins.
General James Wolfe (1727-59), killed at the moment of his famous victory over the French at Quebec, which delivered Canada into the hands of the British. Wolfe, supported by three grenadiers, succumbs to his fatal wounds, watched by nine other officers and a native American warrior to the left. After Pennsylvanian painter Benjamin West (1738 - 1820). West moved to London in 1763, where he remained, becoming President of the Royal Academy.
[Ref: 35771] £530.00
Painted by B. West. Engraved by de Launay.
London Published by Tessari & Co. [n.d., c.1790.]
Stipple and etching with small margins. Platemark: 325 x 400mm (12¾ x 15¾"). Repaired tear in lower margin. Light foxing in margins.
General James Wolfe (1727-59), killed at the moment of his famous victory over the French at Quebec, which delivered Canada into the hands of the British. Wolfe, supported by three grenadiers, succumbs to his fatal wounds, watched by nine other officers and a native American warrior to the left. After Pennsylvanian painter Benjamin West (1738 - 1820). West moved to London in 1763, where he remained, becoming President of the Royal Academy.
[Ref: 35771] £530.00
A View of Quebec from the Bason. Painted from the Drawing of Hen.y Smith Esq. by Francis Swain.
London Printed for J. Bowles in St. Pauls Church Yard, F. Bakewell & H. Parker, opposite Birchin Lane in Cornhil, Robt. Sayer, at the Golden Buck in Fleet Street [approx. 1770].
Engraving with hand-colouring, sheet 270 x 455mm (10½ x 18"). Trimmed to image and pasted on card with thick black border around edges and text cut out and pasted verso (standard 18th century presentation); damaged.
Large view of Quebec, Canada, with thirty-point key. This print was the basis of several smaller and later views of the city.
For other views of Quebec derived from this see refs. 10976, 25851, etc.
[Ref: 41714] £320.00
London Printed for J. Bowles in St. Pauls Church Yard, F. Bakewell & H. Parker, opposite Birchin Lane in Cornhil, Robt. Sayer, at the Golden Buck in Fleet Street [approx. 1770].
Engraving with hand-colouring, sheet 270 x 455mm (10½ x 18"). Trimmed to image and pasted on card with thick black border around edges and text cut out and pasted verso (standard 18th century presentation); damaged.
Large view of Quebec, Canada, with thirty-point key. This print was the basis of several smaller and later views of the city.
For other views of Quebec derived from this see refs. 10976, 25851, etc.
[Ref: 41714] £320.00
General Wolfe Killed at the Siege of Quebec September 14; 1759. Engraved for Ashburton's History of England.
Published by W. & J. Stratford, No 112 Holborn Hill, Nov.r 17 1792.
Engraving, watermark 1796, good impression. 210 x 310mm (8¼ x 12¼"). Large margins on 3 sides.
From Charles Alfred Ashburton's 'A new and complete history of England, from the first settlement of Brutus... to the year 1793', published complete in 1795.
[Ref: 44618] £95.00 (£114.00 incl.VAT)
Published by W. & J. Stratford, No 112 Holborn Hill, Nov.r 17 1792.
Engraving, watermark 1796, good impression. 210 x 310mm (8¼ x 12¼"). Large margins on 3 sides.
From Charles Alfred Ashburton's 'A new and complete history of England, from the first settlement of Brutus... to the year 1793', published complete in 1795.
[Ref: 44618] £95.00 (£114.00 incl.VAT)
Point St Peter. C.E.
Thomas Pye, Delineator. Roberts & Reinhold, lith. Place d'Armes, Mt.l.
[Montreal: John. Lovell, 1866.]
Tinted lithograph, rare. Sheet 260 x 340mm (10¼ x 13½"). Some spotting, small tear in margin.
A settlement on the Gaspé Peninsula at the mouth the Saint Lawrence River. From Thomas Pye's 'Canadian Scenery: District of Gaspé. Beautifully Illustrated with Tinted Lithographs, from Photographs by the Author'.
[Ref: 33873] £180.00 (£216.00 incl.VAT)
Thomas Pye, Delineator. Roberts & Reinhold, lith. Place d'Armes, Mt.l.
[Montreal: John. Lovell, 1866.]
Tinted lithograph, rare. Sheet 260 x 340mm (10¼ x 13½"). Some spotting, small tear in margin.
A settlement on the Gaspé Peninsula at the mouth the Saint Lawrence River. From Thomas Pye's 'Canadian Scenery: District of Gaspé. Beautifully Illustrated with Tinted Lithographs, from Photographs by the Author'.
[Ref: 33873] £180.00 (£216.00 incl.VAT)
Gaspe Basin, C.E. Pl. 2.
Thomas Pye, Delineator. Roberts & Reinhold, lith. Place d'Armes, Mt.l.
[Montreal: John. Lovell, 1866.]
Tinted lithograph, rare. Sheet 260 x 340mm (10¼ x 13½"). Some spotting & creasing.
View of the harbour at Gaspé at the mouth the Saint Lawrence River, an important cod fishery base. It was herre that Jacques Cartier landed in 1534 and claimed Canada for France. From Thomas Pye's 'Canadian Scenery: District of Gaspé. Beautifully Illustrated with Tinted Lithographs, from Photographs by the Author'.
[Ref: 33871] £180.00 (£216.00 incl.VAT)
Thomas Pye, Delineator. Roberts & Reinhold, lith. Place d'Armes, Mt.l.
[Montreal: John. Lovell, 1866.]
Tinted lithograph, rare. Sheet 260 x 340mm (10¼ x 13½"). Some spotting & creasing.
View of the harbour at Gaspé at the mouth the Saint Lawrence River, an important cod fishery base. It was herre that Jacques Cartier landed in 1534 and claimed Canada for France. From Thomas Pye's 'Canadian Scenery: District of Gaspé. Beautifully Illustrated with Tinted Lithographs, from Photographs by the Author'.
[Ref: 33871] £180.00 (£216.00 incl.VAT)
A View of Quebec from the Bason.
Rooker sculp.
[n.d. c.1780.]
Engraving, with large margins. Plate 178 x 254mm. 7 x 10". Crease through upper left corner of image and sheet.
A British ship in the foreground with other vessels around, and the City of Quebec in the distance.
For a related view see ref. 25851
[Ref: 25853] £75.00 (£90.00 incl.VAT)
Rooker sculp.
[n.d. c.1780.]
Engraving, with large margins. Plate 178 x 254mm. 7 x 10". Crease through upper left corner of image and sheet.
A British ship in the foreground with other vessels around, and the City of Quebec in the distance.
For a related view see ref. 25851
[Ref: 25853] £75.00 (£90.00 incl.VAT)
View of Quebec, The Capital of British America.
W.M. Craig del. T. Dixon sc.
Published by Henry Fisher, Caxton, London, 1825.
Engraving. 210 x 272mm. 8¼ x 10¾". Creasing along lower edge.
A view of Quebec, Canada seen from across the Saint Lawrence River; the fortifications of the city can be seen in the background. A British Naval vessel seen at anchor to the right with men rowing away to shore; three naval officers on the shore in the foreground, one looking through a telescope.
[Ref: 25859] £80.00 (£96.00 incl.VAT)
W.M. Craig del. T. Dixon sc.
Published by Henry Fisher, Caxton, London, 1825.
Engraving. 210 x 272mm. 8¼ x 10¾". Creasing along lower edge.
A view of Quebec, Canada seen from across the Saint Lawrence River; the fortifications of the city can be seen in the background. A British Naval vessel seen at anchor to the right with men rowing away to shore; three naval officers on the shore in the foreground, one looking through a telescope.
[Ref: 25859] £80.00 (£96.00 incl.VAT)
A View of Quebec the Capital of Canada, in North America. Engraved for Millar's New Complete & Universal System of Geograhy.
Roberts sculp.
[London, 1782.]
Engraving, with large margins. Plate 209 x 310mm. 8¼ x 12¼". Hole centre-right.
A British ship in the foreground with other vessels around, and the City of Quebec in the distance. From George H. Millar's "New and Universal System of Geography".
In the Library of Congress; for a related view see ref. 25853.
[Ref: 25851] £75.00 (£90.00 incl.VAT)
Roberts sculp.
[London, 1782.]
Engraving, with large margins. Plate 209 x 310mm. 8¼ x 12¼". Hole centre-right.
A British ship in the foreground with other vessels around, and the City of Quebec in the distance. From George H. Millar's "New and Universal System of Geography".
In the Library of Congress; for a related view see ref. 25853.
[Ref: 25851] £75.00 (£90.00 incl.VAT)
Quebec.
S. Davenport sculp.
London: Published by Thomas Kelly, 17, Paternoster Row [date printed but illegible, c.1850]
Engraving. Plate 145 x 229mm. 5¾ x 9".
Quebec seen with sailing vessels, a dinghy, steamer and larger tall-ships in the foreground on the Saint Lawrence River. Published in Kelly's "New and Universal English Dictionary".
[Ref: 25858] £50.00 (£60.00 incl.VAT)
S. Davenport sculp.
London: Published by Thomas Kelly, 17, Paternoster Row [date printed but illegible, c.1850]
Engraving. Plate 145 x 229mm. 5¾ x 9".
Quebec seen with sailing vessels, a dinghy, steamer and larger tall-ships in the foreground on the Saint Lawrence River. Published in Kelly's "New and Universal English Dictionary".
[Ref: 25858] £50.00 (£60.00 incl.VAT)
![Pasbebiac, C.E., Pl. 2. [and] 3.](jpegs/20901.jpg)
Pasbebiac, C.E., Pl. 2. [and] 3.
Thomas Pye, Delineator. Roberts & Reinhold, lith. Place d'Armes, Mtl.
[Montreal, Canada: J. Lovell, c.1866.]
Two hand coloured lithographs on one sheet (with captions). Sheet 330 x 245mm, 13 x 9¾". Some finger soiling; two nicks to lower margin, else fine.
Paspébiac, on the Gaspé Peninsula on the south shore of the Saint Lawrence River, was founded by Charles Robin, entrepreneur from the Isle of Jersey, in 1767 as Quebec's first cod fishing port. From Thomas Pye's 'Canadian Scenery: district of Gaspe´'.
Library of Congress 01016911. BL 008611742.
[Ref: 20901] £160.00 (£192.00 incl.VAT)
Thomas Pye, Delineator. Roberts & Reinhold, lith. Place d'Armes, Mtl.
[Montreal, Canada: J. Lovell, c.1866.]
Two hand coloured lithographs on one sheet (with captions). Sheet 330 x 245mm, 13 x 9¾". Some finger soiling; two nicks to lower margin, else fine.
Paspébiac, on the Gaspé Peninsula on the south shore of the Saint Lawrence River, was founded by Charles Robin, entrepreneur from the Isle of Jersey, in 1767 as Quebec's first cod fishing port. From Thomas Pye's 'Canadian Scenery: district of Gaspe´'.
Library of Congress 01016911. BL 008611742.
[Ref: 20901] £160.00 (£192.00 incl.VAT)