A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
Extra Duty_or, The Priest taking proper Care of his Legacy.
Printed for Carington Bowles, No.69 in St. Pauls Church Yard, London. Publish'd as the Act directs. [n.d., c.1780.]
Mezzotint. 18th century watermark; Plate: 150 x 110mm (6 x 4¼'').
A sccene in a bedroom, a priest holds a crucifix over a woman lying in her deathbed while her husband cries facing away from the scene. Behind them three other monks empty a cupboard into sacks and take them away.
BM Satire 3783 (reduced version).
[Ref: 48834] £130.00 (£156.00 incl.VAT)
Printed for Carington Bowles, No.69 in St. Pauls Church Yard, London. Publish'd as the Act directs. [n.d., c.1780.]
Mezzotint. 18th century watermark; Plate: 150 x 110mm (6 x 4¼'').
A sccene in a bedroom, a priest holds a crucifix over a woman lying in her deathbed while her husband cries facing away from the scene. Behind them three other monks empty a cupboard into sacks and take them away.
BM Satire 3783 (reduced version).
[Ref: 48834] £130.00 (£156.00 incl.VAT)
Prim-Roses.
[n.d., c.1835.]
Lithograph with hand-colour. Sheet: 285 x 200mm (11¼ x 8").
Two young women stand in a garden, one holds a book and the other some primroses.
[Ref: 43799] £45.00 (£54.00 incl.VAT)
[n.d., c.1835.]
Lithograph with hand-colour. Sheet: 285 x 200mm (11¼ x 8").
Two young women stand in a garden, one holds a book and the other some primroses.
[Ref: 43799] £45.00 (£54.00 incl.VAT)
To Vice Admiral, The Right Honourable Sir George Cockburn. G. C. B. & M.P. This Plate Representing an Action with the Spanish Slave Ship Frigate "Velos Passahera," captured by boarding by H.M. Ship Primrose, Commander Will.m Broughton, off Whydah, Bight of Benin the 6.th September. 1830.
Engraved by E. Duncan. Painted by W. J. Huggins. Marine Painter to His Majesty and Published by him Sept.r 1.st 1831 at 105 Leadenhall Street, London.
Fine & rare aquatint, printed in colours and hand finished. J. Whatman, Turkey Mill 1830 watermark; Sheet 485 x 635mm (19 x 25"), large margins. Trimmed to plate at top.
Stern view of small British ship, HMS Primrose, alongside large Spanish slave frigate, Veloz Passagera; with smoke from the cannons and the British crew pouring onto Spanish foredeck. A small wooden life boat is drifting in the foreground. The capture of the Spanish slaver with a cargo of 555 slaves actually took place on the 7th September 1830 not the 6th as stated in the print's inscription. In the hand to hand conflict which followed, Edward Harris Butterfield again signalised himself, and, when Broughton had been badly hurt, succeeded to the command. The enemy did not surrender until she had lost 46 killed and 20 wounded, and caused a loss to the British of 3 killed and 13 wounded. After marine painter William John Huggins (1781 - 1845), who began his working life as a seaman with the East India Company. He exhibited at the Royal Academy and was given royal patronage for his work.
[Ref: 61514] £850.00
Engraved by E. Duncan. Painted by W. J. Huggins. Marine Painter to His Majesty and Published by him Sept.r 1.st 1831 at 105 Leadenhall Street, London.
Fine & rare aquatint, printed in colours and hand finished. J. Whatman, Turkey Mill 1830 watermark; Sheet 485 x 635mm (19 x 25"), large margins. Trimmed to plate at top.
Stern view of small British ship, HMS Primrose, alongside large Spanish slave frigate, Veloz Passagera; with smoke from the cannons and the British crew pouring onto Spanish foredeck. A small wooden life boat is drifting in the foreground. The capture of the Spanish slaver with a cargo of 555 slaves actually took place on the 7th September 1830 not the 6th as stated in the print's inscription. In the hand to hand conflict which followed, Edward Harris Butterfield again signalised himself, and, when Broughton had been badly hurt, succeeded to the command. The enemy did not surrender until she had lost 46 killed and 20 wounded, and caused a loss to the British of 3 killed and 13 wounded. After marine painter William John Huggins (1781 - 1845), who began his working life as a seaman with the East India Company. He exhibited at the Royal Academy and was given royal patronage for his work.
[Ref: 61514] £850.00
Primrose and Foal. A Brood Mare, late the Property of His Grace The Duke of Grafton. See Stud Book. Price 8s.
James Ward, R.A. Pinx.t et Del. Printed by C. Hullmandel.
London, Pub.d by R. Ackermann, Strand T. Clay, Ludgate Hill, & J. Dickinson, New Bond St.t 1825.
Hand-coloured lithograph, watermark J. Whatman 1825; Sheet: 385 x 480mm (15¼ x 19''). Slight repair top left corner off image.
An attractive scene in a stable showing a mother and her foal.
[Ref: 48593] £650.00
James Ward, R.A. Pinx.t et Del. Printed by C. Hullmandel.
London, Pub.d by R. Ackermann, Strand T. Clay, Ludgate Hill, & J. Dickinson, New Bond St.t 1825.
Hand-coloured lithograph, watermark J. Whatman 1825; Sheet: 385 x 480mm (15¼ x 19''). Slight repair top left corner off image.
An attractive scene in a stable showing a mother and her foal.
[Ref: 48593] £650.00
Pastimes of Primrose Hill. [Attic Miscellany].
Drawn by Cruikshanks. Etch.d by Barlow.
Published as the Act directs by W. Locke Sept.r 1.st 1791.
Etching, sheet 185 x 270mm (7¼ x 10¾"). Trimmed within plate losing text at top. Glued to backing sheet. Crease as normal. Foxed.
Illustration to the 'Attic Miscellany'. A scene on Primrose Hill featuring a bald man pulling a pram full of kids up the hill while a lady pats sweat from his bald head. At the top of the hill, a man uses a telescope to scan the view, while a seated woman fans herself and accepts a card from a gentleman who is standing next to her. Two more figures are lying in the left foreground with picnic baskets, and a man is puffing on a pipe. In the background is a view of London with St. Paul's Cathedral in the distance.
Not in BM satires. BM number 1927,1126.1.23.26.
[Ref: 61961] £130.00 (£156.00 incl.VAT)
Drawn by Cruikshanks. Etch.d by Barlow.
Published as the Act directs by W. Locke Sept.r 1.st 1791.
Etching, sheet 185 x 270mm (7¼ x 10¾"). Trimmed within plate losing text at top. Glued to backing sheet. Crease as normal. Foxed.
Illustration to the 'Attic Miscellany'. A scene on Primrose Hill featuring a bald man pulling a pram full of kids up the hill while a lady pats sweat from his bald head. At the top of the hill, a man uses a telescope to scan the view, while a seated woman fans herself and accepts a card from a gentleman who is standing next to her. Two more figures are lying in the left foreground with picnic baskets, and a man is puffing on a pipe. In the background is a view of London with St. Paul's Cathedral in the distance.
Not in BM satires. BM number 1927,1126.1.23.26.
[Ref: 61961] £130.00 (£156.00 incl.VAT)
April 24. Sunday Afternoon, Primrose Tavern, Chalk Farm.
Percy Cruishank del.
[n.d., 1854.]
Lithograph. Sheet 250 x 690mm (9¾ x 27¼"). Splits in binding folds.
A satirical scene of the exterior of the Primrose Tavern (now 75 Regents Park Road), with various entertainments including swinging gondolas, a rifle range and a set of scales for weighing people. The pub, known for its rough clientele, closed in 1853, becoming a dairy. From the series 'Sunday Scenes in London and the Suburbs'. Percy Cruikshank (b.1817, active to 1880) was the son of Isaac Robert Cruikshank.
[Ref: 62293] £160.00 (£192.00 incl.VAT)
Percy Cruishank del.
[n.d., 1854.]
Lithograph. Sheet 250 x 690mm (9¾ x 27¼"). Splits in binding folds.
A satirical scene of the exterior of the Primrose Tavern (now 75 Regents Park Road), with various entertainments including swinging gondolas, a rifle range and a set of scales for weighing people. The pub, known for its rough clientele, closed in 1853, becoming a dairy. From the series 'Sunday Scenes in London and the Suburbs'. Percy Cruikshank (b.1817, active to 1880) was the son of Isaac Robert Cruikshank.
[Ref: 62293] £160.00 (£192.00 incl.VAT)
![[Albert Primrose, Lord Dalmeny.]''In his father's steps''.](jpegs/50042.jpg)
[Albert Primrose, Lord Dalmeny.]''In his father's steps''. Vanity Fair. Sept.r 22.d 1904
Vincent Brooks, Day & Son Ltd. lith.
Chromolithograph. Sheet: 380 x 250mm (15 x 9¾'').
A portrait of Albert Primrose, Lord Dalmeny (1882-1974) who played cricket for Middlesex and Surrey counties. Supplement to the magazine Vanity Fair. The Cricketers of Vanity Fair.
[Ref: 50042] £80.00 (£96.00 incl.VAT)
Vincent Brooks, Day & Son Ltd. lith.
Chromolithograph. Sheet: 380 x 250mm (15 x 9¾'').
A portrait of Albert Primrose, Lord Dalmeny (1882-1974) who played cricket for Middlesex and Surrey counties. Supplement to the magazine Vanity Fair. The Cricketers of Vanity Fair.
[Ref: 50042] £80.00 (£96.00 incl.VAT)
![[Archibald Primrose.]](jpegs/10486.jpg)
[Archibald Primrose.]
I Riley pinx: P. Vandrebanc sculp.
[n.d., c.1685.]
Engraving, 305 x 210mm. 12 x 8¼". Lightly foxed.
Portrait of Archibald Primrose, first Earl of Rosebery (1661 - 1723). He was one of the commissioners for the union of Scotland with England, and after its accomplishment was chosen a Scottish representative peer in 1707, 1708, 1710, and 1713. After portrait painter John Riley (1646 - 1691). Above oval is inscribed the motto: 'Fide Et Fiducia'.
BM: pg. 612.
[Ref: 10486] £180.00 (£216.00 incl.VAT)
I Riley pinx: P. Vandrebanc sculp.
[n.d., c.1685.]
Engraving, 305 x 210mm. 12 x 8¼". Lightly foxed.
Portrait of Archibald Primrose, first Earl of Rosebery (1661 - 1723). He was one of the commissioners for the union of Scotland with England, and after its accomplishment was chosen a Scottish representative peer in 1707, 1708, 1710, and 1713. After portrait painter John Riley (1646 - 1691). Above oval is inscribed the motto: 'Fide Et Fiducia'.
BM: pg. 612.
[Ref: 10486] £180.00 (£216.00 incl.VAT)
![[Primroses in a blue vase.]](jpegs/62641.jpg)
[Primroses in a blue vase.]
Hall Thorpe [pencil signature.]
Published by Hall Thorpe, London, Copyright USA 1922.
Woodcut, printed in colours, signed by the artist. Sheet 270 x 230mm (10¾ x 9"), large margins. Mount stain.
A brightly-coloured bowl of cowslips, printed in colours by John Hall Thorpe (1874-1947), an Australian artist whose woodcuts heavily influenced wallpaper design.
[Ref: 62641] £160.00 (£192.00 incl.VAT)
Hall Thorpe [pencil signature.]
Published by Hall Thorpe, London, Copyright USA 1922.
Woodcut, printed in colours, signed by the artist. Sheet 270 x 230mm (10¾ x 9"), large margins. Mount stain.
A brightly-coloured bowl of cowslips, printed in colours by John Hall Thorpe (1874-1947), an Australian artist whose woodcuts heavily influenced wallpaper design.
[Ref: 62641] £160.00 (£192.00 incl.VAT)
![["Eddie"]](jpegs/63686.jpg)
["Eddie"]
Hay [W.B. Hayes] [Vincent Brooks, Day & Son, Lith.]
[Vanity Fair. Oct.r 13 1888]
Chromolithograph proof, with text, sheet 405 x 275mm (16 x 10¾").
Full length caricature portrait of Prince Albert Victor Christian Edward, Duke of Clarence and Avondale (1864-92), in miltary uniform.
[Ref: 63686] £70.00 (£84.00 incl.VAT)
Hay [W.B. Hayes] [Vincent Brooks, Day & Son, Lith.]
[Vanity Fair. Oct.r 13 1888]
Chromolithograph proof, with text, sheet 405 x 275mm (16 x 10¾").
Full length caricature portrait of Prince Albert Victor Christian Edward, Duke of Clarence and Avondale (1864-92), in miltary uniform.
[Ref: 63686] £70.00 (£84.00 incl.VAT)
![[Revenue Cutter Prince George] To His Royal Highness Prince George of Cumberland, K.G.](jpegs/67203.jpg)
[Revenue Cutter Prince George] To His Royal Highness Prince George of Cumberland, K.G. This Plate Representing H.M. Revenue Cutter Prince George of 72 Tons, John Roach Commander, on her Voyage from London to Sydney, New South Wales, off the Island of St. Pauls, encountering a tremendous Hurricane, Is with the Royal Highness's Permission most Respectfully Dedicated by his Obliged and Humble Servant, James Roach.
Painted by W.J. Huggins, Marine Painter to His Majesty. Engraved by C. Rosenberg.
And Published for him May 1836 by F.S. Crawley, 105 & 106, Leadenhall St.t London.
Aquatint, printed on chine collé. 410 x 530mm (16 x 21"). Backing sheet chipped and time-stained.
A ship floundering in high seas, forked lightning behind. Île Saint-Paul is in the southern Indian Ocean, half way between the Cape of Good Hope and Australia.
[Ref: 67203] £420.00
Painted by W.J. Huggins, Marine Painter to His Majesty. Engraved by C. Rosenberg.
And Published for him May 1836 by F.S. Crawley, 105 & 106, Leadenhall St.t London.
Aquatint, printed on chine collé. 410 x 530mm (16 x 21"). Backing sheet chipped and time-stained.
A ship floundering in high seas, forked lightning behind. Île Saint-Paul is in the southern Indian Ocean, half way between the Cape of Good Hope and Australia.
[Ref: 67203] £420.00
Prince of Wales Frigate, on the Serpentine.
Le Bihan del.t. Printed by Standidge & Co., Old Jewry.
London Published July 15th, 1851, by Ackermann & Co., 96, Strand.
Very rare coloured lithograph. 315 x 220mm (12½ x 8¾").
Coloured lithograph view of the Prince of Wales Frigate, on the Serpentine in Hyde Park, London.
[Ref: 63166] £180.00 (£216.00 incl.VAT)
Le Bihan del.t. Printed by Standidge & Co., Old Jewry.
London Published July 15th, 1851, by Ackermann & Co., 96, Strand.
Very rare coloured lithograph. 315 x 220mm (12½ x 8¾").
Coloured lithograph view of the Prince of Wales Frigate, on the Serpentine in Hyde Park, London.
[Ref: 63166] £180.00 (£216.00 incl.VAT)
The Prince of Wales, East Indiaman, (1350 Tons.) To Richard Green, Esq.r of Blackwall, this print is by permission respectfully dedicated by his obedient Servant, Thomas Dutton.
T.G. Dutton, del. & lith. Day & Haghe Lithers. To The Queen.
London. Foster, Fenchurch St. Plymouth Fry, Portsmouth, Hinton.
Tinted lithograph, printed area 350 x 410mm. Crack to paper in title area. Laid on restoraton paper.
The 'Prince of Wales' was one of Green's large 'Blackwall frigate' Indiamen, built by them at Blackwall in 1842, and specially fitted for carrying troops to the East.
NMM: PAH9324.
[Ref: 2217] £620.00
T.G. Dutton, del. & lith. Day & Haghe Lithers. To The Queen.
London. Foster, Fenchurch St. Plymouth Fry, Portsmouth, Hinton.
Tinted lithograph, printed area 350 x 410mm. Crack to paper in title area. Laid on restoraton paper.
The 'Prince of Wales' was one of Green's large 'Blackwall frigate' Indiamen, built by them at Blackwall in 1842, and specially fitted for carrying troops to the East.
NMM: PAH9324.
[Ref: 2217] £620.00
The Prince of Wales's own Alphabet.
Griffiths patent [c.1846]
Title and twenty-six lithographic illustrations, scarce, each approx. 80 x 95mm (3 x 3¾"). Glued to three album sheets, with ms. identifying owner 'Emily Marten Westwood 1846'
Complete set of illustrations, seemingly published to capitalize on interest in the Prince of Wales, eldest son of Queen Victoria and Prince Albert, and future Edward VII.
[Ref: 47627] £180.00 (£216.00 incl.VAT) view all images for this item
Griffiths patent [c.1846]
Title and twenty-six lithographic illustrations, scarce, each approx. 80 x 95mm (3 x 3¾"). Glued to three album sheets, with ms. identifying owner 'Emily Marten Westwood 1846'
Complete set of illustrations, seemingly published to capitalize on interest in the Prince of Wales, eldest son of Queen Victoria and Prince Albert, and future Edward VII.
[Ref: 47627] £180.00 (£216.00 incl.VAT) view all images for this item
![[The Reverend John Prince.]](jpegs/33120.jpg)
[The Reverend John Prince.]
[Painted by Sir Will.m Beechey R.A. Portrait Painter to Her Majesty. Engraved by Will.m Skelton.]
[Published Feb.y 1st 1817, by W. Skelton, 1 Stafford Place, Pimlico.]
Engraving, proof before letters with very large margins. 335 x 395mm (13¼ x 15¾"). Some spotting.
John Prince (1753-1833), chaplain of the Magdalen Hospital and vicar of Enford, Wiltshire. Established in 1758 in St George's Fields, Magdalen Hospital was a charity organization for the rehabilitation of 'fallen women', originally prostitutes but later expanded to include 'soiled' women. The institution spread world-wide, but the original altruism changed, becoming more punitive: by the 20th century Ireland's 'Magdalen Laundries' were renowned for the brutality of the regime.
[Ref: 33120] £140.00 (£168.00 incl.VAT)
[Painted by Sir Will.m Beechey R.A. Portrait Painter to Her Majesty. Engraved by Will.m Skelton.]
[Published Feb.y 1st 1817, by W. Skelton, 1 Stafford Place, Pimlico.]
Engraving, proof before letters with very large margins. 335 x 395mm (13¼ x 15¾"). Some spotting.
John Prince (1753-1833), chaplain of the Magdalen Hospital and vicar of Enford, Wiltshire. Established in 1758 in St George's Fields, Magdalen Hospital was a charity organization for the rehabilitation of 'fallen women', originally prostitutes but later expanded to include 'soiled' women. The institution spread world-wide, but the original altruism changed, becoming more punitive: by the 20th century Ireland's 'Magdalen Laundries' were renowned for the brutality of the regime.
[Ref: 33120] £140.00 (£168.00 incl.VAT)
The Reverend John Prince. Subs.r Proof.
Painted by Sir Will.m Beechey R.A. Portrait Painter to Her Majesty. Engraved by Will.m Skelton.
Published Feb.y 1st 1817, by W. Skelton, 1 Stafford Place, Pimlico.
Engraving, subscriber's proof on india, very large margins. 335 x 395mm (13¼ x 15¾").
John Prince (1753-1833), chaplain of the Magdalen Hospital and vicar of Enford, Wiltshire. Established in 1758 in St George's Fields, Magdalen Hospital was a charity organization for the rehabilitation of 'fallen women', originally prostitutes but later expanded to include 'soiled' women. The institution spread world-wide, but the original altruism changed, becoming more punitive: by the 20th century Ireland's 'Magdalen Laundries' were renowned for the brutality of the regime.
[Ref: 33121] £140.00 (£168.00 incl.VAT)
Painted by Sir Will.m Beechey R.A. Portrait Painter to Her Majesty. Engraved by Will.m Skelton.
Published Feb.y 1st 1817, by W. Skelton, 1 Stafford Place, Pimlico.
Engraving, subscriber's proof on india, very large margins. 335 x 395mm (13¼ x 15¾").
John Prince (1753-1833), chaplain of the Magdalen Hospital and vicar of Enford, Wiltshire. Established in 1758 in St George's Fields, Magdalen Hospital was a charity organization for the rehabilitation of 'fallen women', originally prostitutes but later expanded to include 'soiled' women. The institution spread world-wide, but the original altruism changed, becoming more punitive: by the 20th century Ireland's 'Magdalen Laundries' were renowned for the brutality of the regime.
[Ref: 33121] £140.00 (£168.00 incl.VAT)
Princes Bridge, Melbourne, Opened Novr. 15th. 1850.
Ham Bros. Engr. Melbourne.
[n.d. c.1850.]
Engraving. 120 x 204mm. 4¾ x 8".
This is the second bridge to have been built on this site. The first was built in 1844, and the current bridge in 1888. This bridge of 1850 is a single span sandstone bridge designed by David Lennox (1788-187), who also worked on Telford's Menai Suspension Bridge.
[Ref: 15695] £140.00 (£168.00 incl.VAT)
Ham Bros. Engr. Melbourne.
[n.d. c.1850.]
Engraving. 120 x 204mm. 4¾ x 8".
This is the second bridge to have been built on this site. The first was built in 1844, and the current bridge in 1888. This bridge of 1850 is a single span sandstone bridge designed by David Lennox (1788-187), who also worked on Telford's Menai Suspension Bridge.
[Ref: 15695] £140.00 (£168.00 incl.VAT)
Her Royal Highness, the Princess Charlotte of Saxe-Coburg &c. &c. &c. Proof.
Painted by Geo. Dawe, Esq. R.A. October 1817. and Engraved with Permission of Her Royal Highness by Will.m Say.
London Published Dec. 1. 1817. by M.r Dawe. 22 Newman Street.
Mezzotint, sheet 365 x 250mm (14½ x 9¾"). Trimmed within plate.
Half-length portrait of Princess Charlotte of Wales (1796-1817) in an oval. She wears a headband with flowers in her hair and an elegant curtain is behind her. Charlotte Augusta married Prince Leopold of Saxe-Coburg (1824 –84) in c.1816 and died the following year in childbirth.
[Ref: 63054] £160.00 (£192.00 incl.VAT)
Painted by Geo. Dawe, Esq. R.A. October 1817. and Engraved with Permission of Her Royal Highness by Will.m Say.
London Published Dec. 1. 1817. by M.r Dawe. 22 Newman Street.
Mezzotint, sheet 365 x 250mm (14½ x 9¾"). Trimmed within plate.
Half-length portrait of Princess Charlotte of Wales (1796-1817) in an oval. She wears a headband with flowers in her hair and an elegant curtain is behind her. Charlotte Augusta married Prince Leopold of Saxe-Coburg (1824 –84) in c.1816 and died the following year in childbirth.
[Ref: 63054] £160.00 (£192.00 incl.VAT)
![[Clock Tower, Princeton]](jpegs/40134.jpg)
[Clock Tower, Princeton]
E. Parsons.
[n.d., c.1927.]
Etching. Limited edition of 6. Platemark: 230 x 175mm (9"x7") very large margins.
A view of the clock tower at Princeton.
[Ref: 40134] £95.00 (£114.00 incl.VAT)
E. Parsons.
[n.d., c.1927.]
Etching. Limited edition of 6. Platemark: 230 x 175mm (9"x7") very large margins.
A view of the clock tower at Princeton.
[Ref: 40134] £95.00 (£114.00 incl.VAT)
![[Clock Tower, Princeton.]](jpegs/40132.jpg)
[Clock Tower, Princeton.]
[E. Parsons.]
19/2/27 [in pencil].
Etching. Limited edition of 6. Platemark: 230 x 175mm (9"x7") very large margins.
A view of the clock tower and entrance arch at Princeton, now the Blair and Buyers Residence Halls for students.
[Ref: 40132] £95.00 (£114.00 incl.VAT)
[E. Parsons.]
19/2/27 [in pencil].
Etching. Limited edition of 6. Platemark: 230 x 175mm (9"x7") very large margins.
A view of the clock tower and entrance arch at Princeton, now the Blair and Buyers Residence Halls for students.
[Ref: 40132] £95.00 (£114.00 incl.VAT)
![[Clock Tower, Princeton]](jpegs/40133.jpg)
[Clock Tower, Princeton]
E. Parsons.
19/2/27 [in pencil].
Etching. Limited edition of 6. Platemark: 230 x 175mm (9"x7") very large margins.
A view of the clock tower at Princeton.
[Ref: 40133] £95.00 (£114.00 incl.VAT)
E. Parsons.
19/2/27 [in pencil].
Etching. Limited edition of 6. Platemark: 230 x 175mm (9"x7") very large margins.
A view of the clock tower at Princeton.
[Ref: 40133] £95.00 (£114.00 incl.VAT)
The Principal Merchants & Traders assembled at the Merchant Seaman's Office to sign ye Address.
Engraved for the Oxford Magazine.
[1769.]
Engraving. 115 x 175mm (4½ x 7"), with large margins.
A group of merchants gather to sign an address to George III, their characters represented by a butcher, who says ''I Shall stick my knife in the Magna Charta, & cut up the carcase of the Bill of Rights''. Another says ''D-mn his swivel eyes'', a reference to John Wilkes who was currently in prison.
BM Satires 4277.
[Ref: 54382] £130.00 (£156.00 incl.VAT)
Engraved for the Oxford Magazine.
[1769.]
Engraving. 115 x 175mm (4½ x 7"), with large margins.
A group of merchants gather to sign an address to George III, their characters represented by a butcher, who says ''I Shall stick my knife in the Magna Charta, & cut up the carcase of the Bill of Rights''. Another says ''D-mn his swivel eyes'', a reference to John Wilkes who was currently in prison.
BM Satires 4277.
[Ref: 54382] £130.00 (£156.00 incl.VAT)
The Principal Merchants & Traders assembled at the Merchant Seaman's Office to sign ye Address. Engraved for the Oxford Magazine.
[1769.]
Engraving. 115 x 175mm (4½ x 7").
A group of merchants gather to sign an address to George III, their characters represented by a butcher, who says ''I Shall stick my knife in the Magna Charta, & cut up the carcase of the Bill of Rights''. Another says ''D-mn his swivel eyes'', a reference to John Wilkes who was currently in prison.
BM Satires 4277.
[Ref: 59967] £130.00 (£156.00 incl.VAT)
[1769.]
Engraving. 115 x 175mm (4½ x 7").
A group of merchants gather to sign an address to George III, their characters represented by a butcher, who says ''I Shall stick my knife in the Magna Charta, & cut up the carcase of the Bill of Rights''. Another says ''D-mn his swivel eyes'', a reference to John Wilkes who was currently in prison.
BM Satires 4277.
[Ref: 59967] £130.00 (£156.00 incl.VAT)
The Innocent. Beaute Innocente. 17.
[Alex.r Cozens inv. Fra.s Bartolozzi Sculp.]
[Publish'd April 10. 1777, by Alex.r Cozens, Leicester Street, Leicester Fields, London.]
Very rare, 1st state, engraving 470 x 325mm (18½ x 12¾") very large margins. Publication line so rubbed practically illegible. Slight mount stain. Crease upper and lower left corners. Right margin trimmed going into plate mark.
A plate from the book 'Principles of Beauty, Relative to the Human Head,' By Alexander Cozens, 'London: Printed by James Dixwell, No. 148, in St. Martin's Lane, near Charing Cross. M. DCC. LXXVIII'.
De Vesme: 2056
[Ref: 60609] £160.00 (£192.00 incl.VAT)
[Alex.r Cozens inv. Fra.s Bartolozzi Sculp.]
[Publish'd April 10. 1777, by Alex.r Cozens, Leicester Street, Leicester Fields, London.]
Very rare, 1st state, engraving 470 x 325mm (18½ x 12¾") very large margins. Publication line so rubbed practically illegible. Slight mount stain. Crease upper and lower left corners. Right margin trimmed going into plate mark.
A plate from the book 'Principles of Beauty, Relative to the Human Head,' By Alexander Cozens, 'London: Printed by James Dixwell, No. 148, in St. Martin's Lane, near Charing Cross. M. DCC. LXXVIII'.
De Vesme: 2056
[Ref: 60609] £160.00 (£192.00 incl.VAT)
"Mairie" The Arawa Beauty.
[Thomas Pringle, c.1905]
Permanent Carbonette photo, sheet 185 x 235mm (7¼ x 9¼"). Mounted on backing sheet; tear to top edge.
Image taken inside the Te Rauru meeting house, Whakarewarewa, New Zealand. One of a set of thirteen images by Thomas Pringle (1858-1931) of Maori people. Other copies of the image can be found in the British Museum and US National Anthropological Archives (who list this image as being created by "New Zealand Gov't Tourist & Publicity Dept").
[Ref: 43192] £85.00 (£102.00 incl.VAT)
[Thomas Pringle, c.1905]
Permanent Carbonette photo, sheet 185 x 235mm (7¼ x 9¼"). Mounted on backing sheet; tear to top edge.
Image taken inside the Te Rauru meeting house, Whakarewarewa, New Zealand. One of a set of thirteen images by Thomas Pringle (1858-1931) of Maori people. Other copies of the image can be found in the British Museum and US National Anthropological Archives (who list this image as being created by "New Zealand Gov't Tourist & Publicity Dept").
[Ref: 43192] £85.00 (£102.00 incl.VAT)
A Pretty Maori
[Thomas Pringle, c.1905]
Permanent Carbonette photo, sheet 185 x 235mm (7¼ x 9¼"). Mounted on backing sheet.
Portrait of Mairie (see ref. 43192) wearing kahu kiwi (kiwi feather cloak); hei tiki (neck pendant); with albatross feather in hair. Backdrop of tukutuku panels (of woven reeds) and poupou (carved house panels). Image taken inside the Te Rauru meeting house, Whakarewarewa, New Zealand. One of a set of thirteen images by Thomas Pringle (1858-1931) of Maori people. Other copies of the image can be found in the British Museum and US National Anthropological Archives (who list this image as being created by "New Zealand Gov't Tourist & Publicity Dept").
[Ref: 43201] £85.00 (£102.00 incl.VAT)
[Thomas Pringle, c.1905]
Permanent Carbonette photo, sheet 185 x 235mm (7¼ x 9¼"). Mounted on backing sheet.
Portrait of Mairie (see ref. 43192) wearing kahu kiwi (kiwi feather cloak); hei tiki (neck pendant); with albatross feather in hair. Backdrop of tukutuku panels (of woven reeds) and poupou (carved house panels). Image taken inside the Te Rauru meeting house, Whakarewarewa, New Zealand. One of a set of thirteen images by Thomas Pringle (1858-1931) of Maori people. Other copies of the image can be found in the British Museum and US National Anthropological Archives (who list this image as being created by "New Zealand Gov't Tourist & Publicity Dept").
[Ref: 43201] £85.00 (£102.00 incl.VAT)
Te Hongi (Rubbing Noses).
[Thomas Pringle, c.1905]
Permanent Carbonette photo, sheet 185 x 235mm (7¼ x 9¼"). Mounted on backing sheet.
Portrait of two Maori women holding hands and pressing noses (hongi); with albatross feathers in hair, wearing korowai (tag cloaks); one with brooch in hair; in front of a marae (meeting house). The way the two women in the photo are greeting one another is called Te Hongi or rubbing noses. One of a set of thirteen images by Thomas Pringle (1858-1931) of Maori people. Other copies of the image can be found in the British Museum and US National Anthropological Archives (who list this image as being created by "New Zealand Gov't Tourist & Publicity Dept").
[Ref: 43202] £85.00 (£102.00 incl.VAT)
[Thomas Pringle, c.1905]
Permanent Carbonette photo, sheet 185 x 235mm (7¼ x 9¼"). Mounted on backing sheet.
Portrait of two Maori women holding hands and pressing noses (hongi); with albatross feathers in hair, wearing korowai (tag cloaks); one with brooch in hair; in front of a marae (meeting house). The way the two women in the photo are greeting one another is called Te Hongi or rubbing noses. One of a set of thirteen images by Thomas Pringle (1858-1931) of Maori people. Other copies of the image can be found in the British Museum and US National Anthropological Archives (who list this image as being created by "New Zealand Gov't Tourist & Publicity Dept").
[Ref: 43202] £85.00 (£102.00 incl.VAT)
Onehe Ra! (Departed Days.)
[Thomas Pringle, c.1905]
Permanent Carbonette photo, sheet 185 x 235mm (7¼ x 9¼"). Mounted on backing sheet.
Portrait of seated Maori woman, with facial moko (tattoo); wearing western-style dress, blanket and korowai (tag cloak); in front of a house. One of a set of thirteen images by Thomas Pringle (1858-1931) of Maori people. Other copies of the image can be found in the British Museum and US National Anthropological Archives (who list this image as being created by "New Zealand Gov't Tourist & Publicity Dept").
[Ref: 43203] £85.00 (£102.00 incl.VAT)
[Thomas Pringle, c.1905]
Permanent Carbonette photo, sheet 185 x 235mm (7¼ x 9¼"). Mounted on backing sheet.
Portrait of seated Maori woman, with facial moko (tattoo); wearing western-style dress, blanket and korowai (tag cloak); in front of a house. One of a set of thirteen images by Thomas Pringle (1858-1931) of Maori people. Other copies of the image can be found in the British Museum and US National Anthropological Archives (who list this image as being created by "New Zealand Gov't Tourist & Publicity Dept").
[Ref: 43203] £85.00 (£102.00 incl.VAT)
Maori Woman weaving Taniko
[Thomas Pringle, c.1905]
Permanent Carbonette photo, sheet 185 x 235mm (7¼ x 9¼"). Mounted on backing sheet; nicks to edges.
In the negative for this image there is a man in Western style clothing seated in the doorway of the house, this has been blacked out in this image (British Museum cataloguing). One of a set of thirteen images by Thomas Pringle (1858-1931) of Maori people. Other copies of the image can be found in the British Museum and US National Anthropological Archives (who list this image as being created by "New Zealand Gov't Tourist & Publicity Dept").
[Ref: 43193] £85.00 (£102.00 incl.VAT)
[Thomas Pringle, c.1905]
Permanent Carbonette photo, sheet 185 x 235mm (7¼ x 9¼"). Mounted on backing sheet; nicks to edges.
In the negative for this image there is a man in Western style clothing seated in the doorway of the house, this has been blacked out in this image (British Museum cataloguing). One of a set of thirteen images by Thomas Pringle (1858-1931) of Maori people. Other copies of the image can be found in the British Museum and US National Anthropological Archives (who list this image as being created by "New Zealand Gov't Tourist & Publicity Dept").
[Ref: 43193] £85.00 (£102.00 incl.VAT)
A Whakarewarewa Beauty.
[Thomas Pringle, c.1905]
Permanent Carbonette photo, sheet 235 x 185mm (9¼ x 7¼"). Mounted on backing sheet; nicks to edges.
Maori woman with huia feather in hair, wearing a kahu kiwi (kiwi feather cloak); with white feather border, hei tiki (neck pendant); holding a patu or mere (short club); with canoe prow behind. Backdrop of tukutuku panels (of woven reeds); poupou (carved house panels); and rafters decorated with kowhaiwhai patterns. Image taken inside the Te Rauru meeting house, Whakarewarewa, New Zealand. One of a set of thirteen images by Thomas Pringle (1858-1931) of Maori people. Other copies of the image can be found in the British Museum and US National Anthropological Archives (who list this image as being created by "New Zealand Gov't Tourist & Publicity Dept").
[Ref: 43194] £85.00 (£102.00 incl.VAT)
[Thomas Pringle, c.1905]
Permanent Carbonette photo, sheet 235 x 185mm (9¼ x 7¼"). Mounted on backing sheet; nicks to edges.
Maori woman with huia feather in hair, wearing a kahu kiwi (kiwi feather cloak); with white feather border, hei tiki (neck pendant); holding a patu or mere (short club); with canoe prow behind. Backdrop of tukutuku panels (of woven reeds); poupou (carved house panels); and rafters decorated with kowhaiwhai patterns. Image taken inside the Te Rauru meeting house, Whakarewarewa, New Zealand. One of a set of thirteen images by Thomas Pringle (1858-1931) of Maori people. Other copies of the image can be found in the British Museum and US National Anthropological Archives (who list this image as being created by "New Zealand Gov't Tourist & Publicity Dept").
[Ref: 43194] £85.00 (£102.00 incl.VAT)
"Poi" dancer, Whakarewarewa.
[Thomas Pringle, c.1905]
Permanent Carbonette photo, sheet 185 x 235mm (7¼ x 9¼"). Mounted on backing sheet; nicks to edges.
Maori woman wearing a korowai (tag cloak); leaning on a poupou (carved house panel); holding two poi (balls on woven cords); backdrop of tukutuku panels (of woven reeds); and poupou (carved house panels). Image taken inside the Te Rauru meeting house, Whakarewarewa, New Zealand. One of a set of thirteen images by Thomas Pringle (1858-1931) of Maori people. Other copies of the image can be found in the British Museum and US National Anthropological Archives (who list this image as being created by "New Zealand Gov't Tourist & Publicity Dept").
[Ref: 43195] £85.00 (£102.00 incl.VAT)
[Thomas Pringle, c.1905]
Permanent Carbonette photo, sheet 185 x 235mm (7¼ x 9¼"). Mounted on backing sheet; nicks to edges.
Maori woman wearing a korowai (tag cloak); leaning on a poupou (carved house panel); holding two poi (balls on woven cords); backdrop of tukutuku panels (of woven reeds); and poupou (carved house panels). Image taken inside the Te Rauru meeting house, Whakarewarewa, New Zealand. One of a set of thirteen images by Thomas Pringle (1858-1931) of Maori people. Other copies of the image can be found in the British Museum and US National Anthropological Archives (who list this image as being created by "New Zealand Gov't Tourist & Publicity Dept").
[Ref: 43195] £85.00 (£102.00 incl.VAT)
Maori Girls, Whakarewarewa.
[Thomas Pringle, c.1905]
Permanent Carbonette photo, sheet 185 x 235mm (7¼ x 9¼"). Mounted on backing sheet; nicks to edges.
Portrait of two Maori women, one standing wearing a korowai (tag cloak), holding a hoe (canoe paddle), with shell inlay. The other girl is Mairie (see ref. 43192) seated wearing western-style blouse and blanket; backdrop of tukutuku panels (of woven reeds); and poupou (carved house panels); with shell inlay. Image taken inside the Te Rauru meeting house, Whakarewarewa, New Zealand. One of a set of thirteen images by Thomas Pringle (1858-1931) of Maori people. Other copies of the image can be found in the British Museum and US National Anthropological Archives (who list this image as being created by "New Zealand Gov't Tourist & Publicity Dept").
[Ref: 43196] £85.00 (£102.00 incl.VAT)
[Thomas Pringle, c.1905]
Permanent Carbonette photo, sheet 185 x 235mm (7¼ x 9¼"). Mounted on backing sheet; nicks to edges.
Portrait of two Maori women, one standing wearing a korowai (tag cloak), holding a hoe (canoe paddle), with shell inlay. The other girl is Mairie (see ref. 43192) seated wearing western-style blouse and blanket; backdrop of tukutuku panels (of woven reeds); and poupou (carved house panels); with shell inlay. Image taken inside the Te Rauru meeting house, Whakarewarewa, New Zealand. One of a set of thirteen images by Thomas Pringle (1858-1931) of Maori people. Other copies of the image can be found in the British Museum and US National Anthropological Archives (who list this image as being created by "New Zealand Gov't Tourist & Publicity Dept").
[Ref: 43196] £85.00 (£102.00 incl.VAT)
Kapai Te Torori.
[Thomas Pringle, c.1905]
Permanent Carbonette photo, sheet 185 x 235mm (7¼ x 9¼"). Mounted on backing sheet.
Portrait taken in Whakarewarewa, New Zealand, of Maori woman with facial moko (tattoo), seated in front of house, holding pipe, wearing western-style dress and blanket. The phrase Kapai Te Torori means puffing up a storm. Torori is also the word for Maori tobacco. One of a set of thirteen images by Thomas Pringle (1858-1931) of Maori people. Other copies of the image can be found in the British Museum and US National Anthropological Archives (who list this image as being created by "New Zealand Gov't Tourist & Publicity Dept").
[Ref: 43198] £85.00 (£102.00 incl.VAT)
[Thomas Pringle, c.1905]
Permanent Carbonette photo, sheet 185 x 235mm (7¼ x 9¼"). Mounted on backing sheet.
Portrait taken in Whakarewarewa, New Zealand, of Maori woman with facial moko (tattoo), seated in front of house, holding pipe, wearing western-style dress and blanket. The phrase Kapai Te Torori means puffing up a storm. Torori is also the word for Maori tobacco. One of a set of thirteen images by Thomas Pringle (1858-1931) of Maori people. Other copies of the image can be found in the British Museum and US National Anthropological Archives (who list this image as being created by "New Zealand Gov't Tourist & Publicity Dept").
[Ref: 43198] £85.00 (£102.00 incl.VAT)
Maori women.
[Thomas Pringle, c.1905]
Permanent Carbonette photo, sheet 235 x 185mm (9¼ x 7¼"). Mounted on backing sheet.
Portrait of two Maori women; one seated, with facial moko (tattoo); wearing a korowai (tag cloak); with huia feather in hair; one standing wearing a piupiu (skirt); around her shoulders and waist, holding a hoe (canoe paddle); with taiaha (ceremonial and fighting staff); with hair attachment in background; backdrop of tukutuku panels (of woven reeds); and poupou (carved house panels). Image taken inside the Te Rauru meeting house, Whakarewarewa, New Zealand. One of a set of thirteen images by Thomas Pringle (1858-1931) of Maori people. Other copies of the image can be found in the British Museum and US National Anthropological Archives (who list this image as being created by "New Zealand Gov't Tourist & Publicity Dept").
[Ref: 43199] £85.00 (£102.00 incl.VAT)
[Thomas Pringle, c.1905]
Permanent Carbonette photo, sheet 235 x 185mm (9¼ x 7¼"). Mounted on backing sheet.
Portrait of two Maori women; one seated, with facial moko (tattoo); wearing a korowai (tag cloak); with huia feather in hair; one standing wearing a piupiu (skirt); around her shoulders and waist, holding a hoe (canoe paddle); with taiaha (ceremonial and fighting staff); with hair attachment in background; backdrop of tukutuku panels (of woven reeds); and poupou (carved house panels). Image taken inside the Te Rauru meeting house, Whakarewarewa, New Zealand. One of a set of thirteen images by Thomas Pringle (1858-1931) of Maori people. Other copies of the image can be found in the British Museum and US National Anthropological Archives (who list this image as being created by "New Zealand Gov't Tourist & Publicity Dept").
[Ref: 43199] £85.00 (£102.00 incl.VAT)
A Tribal Belle
[Thomas Pringle, c.1905]
Permanent Carbonette photo, sheet 185 x 235mm (7¼ x 9¼"). Mounted on backing sheet.
Portrait of Maori girl, seated, wearing a korowai (tag cloak); holding a hoe (canoe paddle); backdrop of tukutuku panels (of woven reeds); and poupou (carved house panels). Image taken inside the Te Rauru meeting house, Whakarewarewa, New Zealand. One of a set of thirteen images by Thomas Pringle (1858-1931) of Maori people. Other copies of the image can be found in the British Museum and US National Anthropological Archives (who list this image as being created by "New Zealand Gov't Tourist & Publicity Dept").
[Ref: 43200] £85.00 (£102.00 incl.VAT)
[Thomas Pringle, c.1905]
Permanent Carbonette photo, sheet 185 x 235mm (7¼ x 9¼"). Mounted on backing sheet.
Portrait of Maori girl, seated, wearing a korowai (tag cloak); holding a hoe (canoe paddle); backdrop of tukutuku panels (of woven reeds); and poupou (carved house panels). Image taken inside the Te Rauru meeting house, Whakarewarewa, New Zealand. One of a set of thirteen images by Thomas Pringle (1858-1931) of Maori people. Other copies of the image can be found in the British Museum and US National Anthropological Archives (who list this image as being created by "New Zealand Gov't Tourist & Publicity Dept").
[Ref: 43200] £85.00 (£102.00 incl.VAT)
This Plate Representing The Review of the Queen's Own Regiment of Yeomanry Cavalry, on Kempsey - Ham is most respectfully Inscribed to Col. The Honble. R. H. Clive, and the Officers of the Corps. By their obedient Servant. W. I. Pringle.
Painted by W. I. Pringle. Engraved by H. Papprill.
London Published April 20th 1839 for the Proprietor by Ackermann & Co. 96 Strand.
Coloured aquatint. 480 x 680mm. Time stained.
Kempsey's history begins with a Roman presence, shown by Roman gold. Kempsey is named after a Saxon chief called 'Kemys'. It is described in The Domesday Book and was visited by Royalty. The village was involved in the Civil War, has ghosts, was a centre for illegal hallucinogenic tobacco growing, and has been the scene of a duel, a beheading, social revolution and robbery by highwayman Dick Turpin. Kempsey residents have gone all over the world, including on the Mayflower and to Kempsey, Australia.
[Ref: 4734] £520.00
Painted by W. I. Pringle. Engraved by H. Papprill.
London Published April 20th 1839 for the Proprietor by Ackermann & Co. 96 Strand.
Coloured aquatint. 480 x 680mm. Time stained.
Kempsey's history begins with a Roman presence, shown by Roman gold. Kempsey is named after a Saxon chief called 'Kemys'. It is described in The Domesday Book and was visited by Royalty. The village was involved in the Civil War, has ghosts, was a centre for illegal hallucinogenic tobacco growing, and has been the scene of a duel, a beheading, social revolution and robbery by highwayman Dick Turpin. Kempsey residents have gone all over the world, including on the Mayflower and to Kempsey, Australia.
[Ref: 4734] £520.00
Rear Adm.l Pringle. From the original Picture in the Possession of Francis Stephen Esq.r.
Stuart pinx.t. Orme Jun.r sculp.
Sold & Published March 25, 1797, by Orme Jun.r, 25 Conduit Street, London.
Stipple, printed in colours and hand-finished. Uncut. 180 x 125m (7 x 5"). Crease in very large margins.
Head & shoulders portrait of Thomas Pringle, a Royal Navy officer who served during the American War of Independence and the French Revolutionary & Napoleonic Wars, once described by Nelson as 'my particular friend, and a man of great honour'. He died in Edinburgh in 1803.
Pringle is amongst those portrayed in the large print commemorating the Glorious 1st of June [1794], for which see ref. 5572
[Ref: 31989] £130.00 (£156.00 incl.VAT)
Stuart pinx.t. Orme Jun.r sculp.
Sold & Published March 25, 1797, by Orme Jun.r, 25 Conduit Street, London.
Stipple, printed in colours and hand-finished. Uncut. 180 x 125m (7 x 5"). Crease in very large margins.
Head & shoulders portrait of Thomas Pringle, a Royal Navy officer who served during the American War of Independence and the French Revolutionary & Napoleonic Wars, once described by Nelson as 'my particular friend, and a man of great honour'. He died in Edinburgh in 1803.
Pringle is amongst those portrayed in the large print commemorating the Glorious 1st of June [1794], for which see ref. 5572
[Ref: 31989] £130.00 (£156.00 incl.VAT)
Alte und Moderne Original-Graphik. Engravings, Etchings, etc. by the Old and Modern Masters. N.o XXIV.
1927.
8vo, illustrated soft covers; pp. 52 + XXVIII, profusely illustrated. Flyleaf missing.
A German catalogue of prints by Old and Modern Masters.
[Ref: 59799] £20.00
1927.
8vo, illustrated soft covers; pp. 52 + XXVIII, profusely illustrated. Flyleaf missing.
A German catalogue of prints by Old and Modern Masters.
[Ref: 59799] £20.00
Print Collecting.
Bryan Allen.
First published in Great Britain 1970 by Frederick Muller Ltd., Fleet Street, London, E.C.4.
Book: 8vo (209 x 160mm). Original green cloth with illus d/w. Dust jacket torn and worn.
An illustrated reference guide on the different types of print, different categories, favourite genre of prints, what is collectable, the practicalities behind publications, forgeries, purchasing: where and who, the care of prints and further investigation into prints.
[Ref: 10222] £25.00
Bryan Allen.
First published in Great Britain 1970 by Frederick Muller Ltd., Fleet Street, London, E.C.4.
Book: 8vo (209 x 160mm). Original green cloth with illus d/w. Dust jacket torn and worn.
An illustrated reference guide on the different types of print, different categories, favourite genre of prints, what is collectable, the practicalities behind publications, forgeries, purchasing: where and who, the care of prints and further investigation into prints.
[Ref: 10222] £25.00
The Print Collector
by Muriel Clayton, M.A. Assistant in the Department of Engraving, Illustration and Design, Victoria and Albert Museum.
Herbert Jenkins Limited. 3 York Street, St. James's London S.W.1. First Printing 1929.
8vo (215 x 137mm), green cloth lettered in black; pp. 282 + (6)(ads), with half-tone plates. Binding worn.
An illustrated reference book and narrative providing information on various methods and techniques of print making.
[Ref: 10219] £30.00
by Muriel Clayton, M.A. Assistant in the Department of Engraving, Illustration and Design, Victoria and Albert Museum.
Herbert Jenkins Limited. 3 York Street, St. James's London S.W.1. First Printing 1929.
8vo (215 x 137mm), green cloth lettered in black; pp. 282 + (6)(ads), with half-tone plates. Binding worn.
An illustrated reference book and narrative providing information on various methods and techniques of print making.
[Ref: 10219] £30.00
Un amateur d'Estampes Looking at Old Engravings!
Par G. Léonnec.
Eros, Aout 1916
Chromolithograph, printed area 340 x 205mm (13½ x 8").
A print connoisseur caught in a private moment- dressed in women's lingerie and examining an eighteenth century erotic print! Scarce & interesting item.
[Ref: 43772] £320.00
Par G. Léonnec.
Eros, Aout 1916
Chromolithograph, printed area 340 x 205mm (13½ x 8").
A print connoisseur caught in a private moment- dressed in women's lingerie and examining an eighteenth century erotic print! Scarce & interesting item.
[Ref: 43772] £320.00
The Print Collector's Quarterly. Vol. 16, No. 4.
Edited by Campbell Dodgson, C.B.E.
October, 1929. J. M. Dent & Sons, Ltd. 10-13 Bedford Street, London, W.C.2.
8vo, soft covers; complete, pp. liv + 304-395, profusely illustrated. Publisher presentation stamp on the back. Small tears on cover edges.
A quarterly periodical containing artists catalogues and articles dedicated to prints. Including 'The 'Bizarie' of Giovanbatista Braccelli' by Kenneth Clark; 'Robert Austin Etcher and Engraver' by Campbell Dodgson; 'An Etching by Marcus Gheeraerts' by A.E. Popham; 'Old Leicestershire Hunting Prints' by F.C. Daniell and E.D. Cuming; 'Modern American Etching' by Carl Zigrosser.
[Ref: 59858] £60.00
Edited by Campbell Dodgson, C.B.E.
October, 1929. J. M. Dent & Sons, Ltd. 10-13 Bedford Street, London, W.C.2.
8vo, soft covers; complete, pp. liv + 304-395, profusely illustrated. Publisher presentation stamp on the back. Small tears on cover edges.
A quarterly periodical containing artists catalogues and articles dedicated to prints. Including 'The 'Bizarie' of Giovanbatista Braccelli' by Kenneth Clark; 'Robert Austin Etcher and Engraver' by Campbell Dodgson; 'An Etching by Marcus Gheeraerts' by A.E. Popham; 'Old Leicestershire Hunting Prints' by F.C. Daniell and E.D. Cuming; 'Modern American Etching' by Carl Zigrosser.
[Ref: 59858] £60.00
The Print-Collector's Quarterly. Vol. 3, No. 2.
Edited by Fitzroy Carrington.
Museum of Fine Arts. Boston, Massachusetts. April, 1913.
8vo, soft covers; complete, pp. xliv + 118-240, profusely illustrated. Distressed binding, front cover and first page disbound, back cover missing and contents.
A quarterly periodical containing artists catalogues and articles dedicated to prints. Including 'Willem Jacobsz. Delff (1580-1638) and His Father-in-Law' by Louis R. Metcalfe; 'Contemporary Lithography in Germany' by Martin Birnbaum; 'Charles-François Daubigny Painter and Etcher' by Robert J. Wickenden; 'The Etched Work of Samuel Palmer' by Martin Hardie.
[Ref: 59797] £50.00
Edited by Fitzroy Carrington.
Museum of Fine Arts. Boston, Massachusetts. April, 1913.
8vo, soft covers; complete, pp. xliv + 118-240, profusely illustrated. Distressed binding, front cover and first page disbound, back cover missing and contents.
A quarterly periodical containing artists catalogues and articles dedicated to prints. Including 'Willem Jacobsz. Delff (1580-1638) and His Father-in-Law' by Louis R. Metcalfe; 'Contemporary Lithography in Germany' by Martin Birnbaum; 'Charles-François Daubigny Painter and Etcher' by Robert J. Wickenden; 'The Etched Work of Samuel Palmer' by Martin Hardie.
[Ref: 59797] £50.00
The Print Collector's Quarterly. Vol. 16, No. 3.
Edited by Campbell Dodgson, C.B.E.
July, 1929. J. M. Dent & Sons, Ltd. 10-13 Bedford Street, London, W.C.2.
8vo, soft covers; complete, pp. xlviii + 200-301, profusely illustrated. Publisher presentation stamp. Small tears on cover edges, nick on spine.
A quarterly periodical containing artists catalogues and articles dedicated to prints. Including 'The Masters M Z' by Max Lehrs; 'A Dictionary of Scottish Engravers of the Eighteenth Century' by George H. Bushnell; 'Etchings of Margaret of Austria by Hogenberg and Van Orley' by A. E. Popham; 'The Etchings of Charles S. Cheston' by James Laver.
[Ref: 59859] £60.00
Edited by Campbell Dodgson, C.B.E.
July, 1929. J. M. Dent & Sons, Ltd. 10-13 Bedford Street, London, W.C.2.
8vo, soft covers; complete, pp. xlviii + 200-301, profusely illustrated. Publisher presentation stamp. Small tears on cover edges, nick on spine.
A quarterly periodical containing artists catalogues and articles dedicated to prints. Including 'The Masters M Z' by Max Lehrs; 'A Dictionary of Scottish Engravers of the Eighteenth Century' by George H. Bushnell; 'Etchings of Margaret of Austria by Hogenberg and Van Orley' by A. E. Popham; 'The Etchings of Charles S. Cheston' by James Laver.
[Ref: 59859] £60.00
The Print Collector's Quarterly. Vol. 13, No. 4.
Edited by Campbell Dodgson, C.B.E.
December, 1926. J. M. Dent & Sons, Ltd. 10-13 Bedford Street, London, W.C.2.
8vo, soft covers; complete, pp. liv + 298-375, profusely illustrated. Small tears and creases on cover edges and spine.
A quarterly periodical containing artists catalogues and articles dedicated to prints. Including 'Ploos, Van Amstel' by Arthur Edwin Bye; 'The Etchings of Donald Shaw Maclaughlan' by James Laver; 'Engraved Maps of the xvith and xviith Centuries' by Major Thomas Sutton; 'List of Plates by Francis Dood' by Randolph Schwabe.
[Ref: 59867] £60.00
Edited by Campbell Dodgson, C.B.E.
December, 1926. J. M. Dent & Sons, Ltd. 10-13 Bedford Street, London, W.C.2.
8vo, soft covers; complete, pp. liv + 298-375, profusely illustrated. Small tears and creases on cover edges and spine.
A quarterly periodical containing artists catalogues and articles dedicated to prints. Including 'Ploos, Van Amstel' by Arthur Edwin Bye; 'The Etchings of Donald Shaw Maclaughlan' by James Laver; 'Engraved Maps of the xvith and xviith Centuries' by Major Thomas Sutton; 'List of Plates by Francis Dood' by Randolph Schwabe.
[Ref: 59867] £60.00
The Print Collector's Quarterly. Vol. 18, No. 3.
Edited by Campbell Dodgson, C.B.E.
July, 1931. J. M. Dent & Sons, Ltd. 10-13 Bedford Street, London, W.C.2.
8vo, soft covers; complete, pp. lii + 198-296, profusely illustrated. Small tears on cover edges.
A quarterly periodical containing artists catalogues and articles dedicated to prints. Including 'The Wood-Engravings of T. Sturge Moore' by Cecil French; 'Some Prints of teh Romantic Ballet' by Cyril W. Beaumont; 'Eugène Béjot' by Roger Marx; 'Additions to the Catalogue of Augustus John, R.A.' by Campbell Dodgson; 'A Supplementary Dictionary of Scottish Engravers' by George H. Bushnell.
[Ref: 59868] £60.00
Edited by Campbell Dodgson, C.B.E.
July, 1931. J. M. Dent & Sons, Ltd. 10-13 Bedford Street, London, W.C.2.
8vo, soft covers; complete, pp. lii + 198-296, profusely illustrated. Small tears on cover edges.
A quarterly periodical containing artists catalogues and articles dedicated to prints. Including 'The Wood-Engravings of T. Sturge Moore' by Cecil French; 'Some Prints of teh Romantic Ballet' by Cyril W. Beaumont; 'Eugène Béjot' by Roger Marx; 'Additions to the Catalogue of Augustus John, R.A.' by Campbell Dodgson; 'A Supplementary Dictionary of Scottish Engravers' by George H. Bushnell.
[Ref: 59868] £60.00
The Print Collector's Quarterly. Vol. 16, No. 2.
Edited by Campbell Dodgson, C.B.E.
April, 1929. J. M. Dent & Sons, Ltd. 10-13 Bedford Street, London, W.C.2.
8vo, soft covers; complete, pp. liv + 102-198, profusely illustrated. Small tears on cover edges.
A quarterly periodical containing artists catalogues and articles dedicated to prints. Including 'Engravings after Andrew Geddes' by Kenneth Sanderson; 'The 'Macabre' in Two Centuries' by Campbell Dodgson; 'Engraving by Sculptors in France' by Claude Roger-Marx; 'Turner's 'Southern Coast'' by A.J. Finberg; 'Gertrude Hermes and Blair Hughes-Stanton' by John Gould Fletcher.
[Ref: 59864] £60.00
Edited by Campbell Dodgson, C.B.E.
April, 1929. J. M. Dent & Sons, Ltd. 10-13 Bedford Street, London, W.C.2.
8vo, soft covers; complete, pp. liv + 102-198, profusely illustrated. Small tears on cover edges.
A quarterly periodical containing artists catalogues and articles dedicated to prints. Including 'Engravings after Andrew Geddes' by Kenneth Sanderson; 'The 'Macabre' in Two Centuries' by Campbell Dodgson; 'Engraving by Sculptors in France' by Claude Roger-Marx; 'Turner's 'Southern Coast'' by A.J. Finberg; 'Gertrude Hermes and Blair Hughes-Stanton' by John Gould Fletcher.
[Ref: 59864] £60.00
The Print-Collector's Quarterly. Vol. 11, No. 2.
Edited by Campbell Dodgson, C.B.E.
April, 1924. J. M. Dent & Sons, Ltd. 10-13 Bedford Street, London, W.C.2. American Agent: E. Weyhe, 794 Lexington Avenue, New York.
8vo, soft covers; complete, pp. xxxii + 125-252, profusely illustrated. Foxed. Small tears on cover edges and spine.
A quarterly periodical containing artists catalogues and articles dedicated to prints. Including 'The Etchings of Giulio Carpioni' by Augusto Calabi; 'George John Pinwell' by Harold Hartley; 'The Wood Engravings of Clemence Housman' by James Guthrie; 'Modern Lithography' by F. Ernest Jackson; 'The Woodcuts of John J. A. Murphy' by John Gould Fletcher.
[Ref: 59865] £60.00
Edited by Campbell Dodgson, C.B.E.
April, 1924. J. M. Dent & Sons, Ltd. 10-13 Bedford Street, London, W.C.2. American Agent: E. Weyhe, 794 Lexington Avenue, New York.
8vo, soft covers; complete, pp. xxxii + 125-252, profusely illustrated. Foxed. Small tears on cover edges and spine.
A quarterly periodical containing artists catalogues and articles dedicated to prints. Including 'The Etchings of Giulio Carpioni' by Augusto Calabi; 'George John Pinwell' by Harold Hartley; 'The Wood Engravings of Clemence Housman' by James Guthrie; 'Modern Lithography' by F. Ernest Jackson; 'The Woodcuts of John J. A. Murphy' by John Gould Fletcher.
[Ref: 59865] £60.00
The Print Collector's Quarterly. Vol. 14, No. 4.
Edited by Campbell Dodgson, C.B.E.
October, 1927. J. M. Dent & Sons, Ltd. 10-13 Bedford Street, London, W.C.2.
8vo, soft covers; complete, pp. li + 297-392, profusely illustrated. Small tears on cover edges.
A quarterly periodical containing artists catalogues and articles dedicated to prints. Including 'The Navy in Caricature' by Commander Charles N. Robinson, R.N.; 'The Etchings of Theodore Roussel' by Campbell Dodgson; 'The Prints of David Allan' by W.G. Blaikie Murdoch; 'The Etchings of Henry Stuart Brown' by R.A. Walker.
[Ref: 59883] £60.00
Edited by Campbell Dodgson, C.B.E.
October, 1927. J. M. Dent & Sons, Ltd. 10-13 Bedford Street, London, W.C.2.
8vo, soft covers; complete, pp. li + 297-392, profusely illustrated. Small tears on cover edges.
A quarterly periodical containing artists catalogues and articles dedicated to prints. Including 'The Navy in Caricature' by Commander Charles N. Robinson, R.N.; 'The Etchings of Theodore Roussel' by Campbell Dodgson; 'The Prints of David Allan' by W.G. Blaikie Murdoch; 'The Etchings of Henry Stuart Brown' by R.A. Walker.
[Ref: 59883] £60.00
![[The Print Collector's Quarterly.]](jpegs/59898.jpg)
[The Print Collector's Quarterly.] [Vol. 10, No. 2.]
[Edited by Campbell Dodgson, C.B.E.]
[April, 1923. J. M. Dent & Sons, Ltd. 10-13 Bedford Street, London, W.C.2. American Agent: E. Weyhe, 710 Lexington Avenue, New York.]
8vo; complete, pp. xxxviii + 123-220, profusely illustrated. Cover missing, distressed binding.
A quarterly periodical containing artists catalogues and articles dedicated to prints. Including 'Arthur Boyd Houghton-II' by Edmund J. Sullivan; 'The Master F V B' by Max Lehrs; 'Hans Burgkmair the Elder as an Illustrator of Books' by Hans Rupé; 'The Etched Work of Carl Larsson' by E.L. Allhusen.
[Ref: 59898] £60.00
[Edited by Campbell Dodgson, C.B.E.]
[April, 1923. J. M. Dent & Sons, Ltd. 10-13 Bedford Street, London, W.C.2. American Agent: E. Weyhe, 710 Lexington Avenue, New York.]
8vo; complete, pp. xxxviii + 123-220, profusely illustrated. Cover missing, distressed binding.
A quarterly periodical containing artists catalogues and articles dedicated to prints. Including 'Arthur Boyd Houghton-II' by Edmund J. Sullivan; 'The Master F V B' by Max Lehrs; 'Hans Burgkmair the Elder as an Illustrator of Books' by Hans Rupé; 'The Etched Work of Carl Larsson' by E.L. Allhusen.
[Ref: 59898] £60.00