A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
![[Cavalry Charge.]](jpegs/36701.jpg)
[Cavalry Charge.]
[Conrad Gessner, 1801.]
Pen lithograph, sheet 230 x 315mm (9 x 12½"). Good impression; pinhole top centre.
Pen lithograph, probably taken from 'Specimens of Polyautography', the first set of artist's lithographs ever published (by Philipp André in 1803). The new medium allowed artists to draw directly onto a prepared stone, allowing artists to make prints which arguably resembled drawings more than any earlier printmaking technique. Unlike many printmaking techniques, lithography required no special training as artists could work directly onto the plate and leave specialist printers to actually make the prints. For this reason many painters who were not trained printmakers (such as Géricault and Delacroix) produced lithographs. Made by Conrad Gessner (1764-1826), Swiss artist working in England 1796-1804.
Ex: collection of the late Hon. C. Lennox-Boyd.
[Ref: 36701] £450.00
[Conrad Gessner, 1801.]
Pen lithograph, sheet 230 x 315mm (9 x 12½"). Good impression; pinhole top centre.
Pen lithograph, probably taken from 'Specimens of Polyautography', the first set of artist's lithographs ever published (by Philipp André in 1803). The new medium allowed artists to draw directly onto a prepared stone, allowing artists to make prints which arguably resembled drawings more than any earlier printmaking technique. Unlike many printmaking techniques, lithography required no special training as artists could work directly onto the plate and leave specialist printers to actually make the prints. For this reason many painters who were not trained printmakers (such as Géricault and Delacroix) produced lithographs. Made by Conrad Gessner (1764-1826), Swiss artist working in England 1796-1804.
Ex: collection of the late Hon. C. Lennox-Boyd.
[Ref: 36701] £450.00
![[Landscape with old trees by water.]](jpegs/36937.jpg)
[Landscape with old trees by water.]
[by Henry Richard Greville, c.1804.]
Pen lithograph, sheet 305 x 220mm (12 x 8¾"). Trimmed.
Early lithograph by Henry Richard Greville, Lord Brooke, 3rd Earl of Warwick (1779-1853) and included in the first portfolio of artists' lithographs, 'Specimens of Polyauthography'. The new medium allowed artists to draw directly onto a prepared stone, allowing artists to make prints which arguably resembled drawings more than any earlier printmaking technique. Unlike many printmaking techniques, lithography required no special training as artists could work directly onto the plate and leave specialist printers to actually make the prints. For this reason many artists who were not trained printmakers (such as Géricault and Delacroix) often worked in lithography.
Ex: collection of the Late Hon. C. Lennox-Boyd.
[Ref: 36937] £260.00 (£312.00 incl.VAT)
[by Henry Richard Greville, c.1804.]
Pen lithograph, sheet 305 x 220mm (12 x 8¾"). Trimmed.
Early lithograph by Henry Richard Greville, Lord Brooke, 3rd Earl of Warwick (1779-1853) and included in the first portfolio of artists' lithographs, 'Specimens of Polyauthography'. The new medium allowed artists to draw directly onto a prepared stone, allowing artists to make prints which arguably resembled drawings more than any earlier printmaking technique. Unlike many printmaking techniques, lithography required no special training as artists could work directly onto the plate and leave specialist printers to actually make the prints. For this reason many artists who were not trained printmakers (such as Géricault and Delacroix) often worked in lithography.
Ex: collection of the Late Hon. C. Lennox-Boyd.
[Ref: 36937] £260.00 (£312.00 incl.VAT)
![[Landscape with old trees by water.]](jpegs/36938.jpg)
[Landscape with old trees by water.]
[by Henry Richard Greville, c.1804]
Pen lithograph, very rare; sheet 305 x 220mm (12 x 8¾"). Fine impression; very slight hole. Trimmed.
Early lithograph by Henry Richard Greville, Lord Brooke, 3rd Earl of Warwick (1779-1853) and included in the first portfolio of artists' lithographs, 'Specimens of Polyauthography'. The new medium allowed artists to draw directly onto a prepared stone, allowing artists to make prints which arguably resembled drawings more than any earlier printmaking technique. Unlike many printmaking techniques, lithography required no special training as artists could work directly onto the plate and leave specialist printers to actually make the prints. For this reason many artists who were not trained printmakers (such as Géricault and Delacroix) often worked in lithography.
Ex: collection of the Late Hon. C. Lennox-Boyd.
[Ref: 36938] £260.00 (£312.00 incl.VAT)
[by Henry Richard Greville, c.1804]
Pen lithograph, very rare; sheet 305 x 220mm (12 x 8¾"). Fine impression; very slight hole. Trimmed.
Early lithograph by Henry Richard Greville, Lord Brooke, 3rd Earl of Warwick (1779-1853) and included in the first portfolio of artists' lithographs, 'Specimens of Polyauthography'. The new medium allowed artists to draw directly onto a prepared stone, allowing artists to make prints which arguably resembled drawings more than any earlier printmaking technique. Unlike many printmaking techniques, lithography required no special training as artists could work directly onto the plate and leave specialist printers to actually make the prints. For this reason many artists who were not trained printmakers (such as Géricault and Delacroix) often worked in lithography.
Ex: collection of the Late Hon. C. Lennox-Boyd.
[Ref: 36938] £260.00 (£312.00 incl.VAT)
![[Apollo as a winged warrior.]](jpegs/36934.jpg)
[Apollo as a winged warrior.]
C Heath del.
Pen lithograph, rare & trimmed; sheet 320 x 235mm (12½ x 9¼"). Vertical crease; nicks to edges.
Early lithograph by Charles Heath (1785-1830), landscape and figure engraver. A precocious talent and part of a family of printmakers, Heath was early to experiment with new techniques. He exhibited lithographs such as this at Somerset House from 1802 to 1806, and this print was included in the 1806 edition of the first portfolio of artists' lithographs, 'Specimens of Polyauthography' (first edition published by Philipp André in 1803). The new medium allowed artists to draw directly onto a prepared stone, allowing artists to make prints which arguably resembled drawings more than any earlier printmaking technique. Unlike many printmaking techniques, lithography required no special training as artists could work directly onto the plate and leave specialist printers to actually make the prints. For this reason many artists who were not trained printmakers (such as Géricault and Delacroix) often worked in lithography.
Ex: collection of the Late Hon. C. Lennox-Boyd
[Ref: 36934] £260.00 (£312.00 incl.VAT)
C Heath del.
Pen lithograph, rare & trimmed; sheet 320 x 235mm (12½ x 9¼"). Vertical crease; nicks to edges.
Early lithograph by Charles Heath (1785-1830), landscape and figure engraver. A precocious talent and part of a family of printmakers, Heath was early to experiment with new techniques. He exhibited lithographs such as this at Somerset House from 1802 to 1806, and this print was included in the 1806 edition of the first portfolio of artists' lithographs, 'Specimens of Polyauthography' (first edition published by Philipp André in 1803). The new medium allowed artists to draw directly onto a prepared stone, allowing artists to make prints which arguably resembled drawings more than any earlier printmaking technique. Unlike many printmaking techniques, lithography required no special training as artists could work directly onto the plate and leave specialist printers to actually make the prints. For this reason many artists who were not trained printmakers (such as Géricault and Delacroix) often worked in lithography.
Ex: collection of the Late Hon. C. Lennox-Boyd
[Ref: 36934] £260.00 (£312.00 incl.VAT)
![[Rural landscape with horse and cart]](jpegs/36942.jpg)
[Rural landscape with horse and cart]
F.J. Man[skirsch del.]
Pen lithograph, sheet 220 x 300mm (8¾ x 11¾"). Glued to thick card; trimmed inside image on right; paper tone and damage upper left. Damaged.
Early lithograph by Franz Joseph Manskirsch (1768-1830), who spent most of his career in London before moving to Danzig, Poland by 1822. This lithograph was included in the 1806 edition of the first portfolio of artists' lithographs, 'Specimens of Polyauthography'. The new medium allowed artists to draw directly onto a prepared stone, allowing artists to make prints which arguably resembled drawings more than any earlier printmaking technique. Unlike many printmaking techniques, lithography required no special training as artists could work directly onto the plate and leave specialist printers to actually make the prints. For this reason many artists who were not trained printmakers (such as Géricault and Delacroix) often worked in lithography.
Ex: collection of the Late Hon. C. Lennox-Boyd.
[Ref: 36942] £130.00 (£156.00 incl.VAT)
F.J. Man[skirsch del.]
Pen lithograph, sheet 220 x 300mm (8¾ x 11¾"). Glued to thick card; trimmed inside image on right; paper tone and damage upper left. Damaged.
Early lithograph by Franz Joseph Manskirsch (1768-1830), who spent most of his career in London before moving to Danzig, Poland by 1822. This lithograph was included in the 1806 edition of the first portfolio of artists' lithographs, 'Specimens of Polyauthography'. The new medium allowed artists to draw directly onto a prepared stone, allowing artists to make prints which arguably resembled drawings more than any earlier printmaking technique. Unlike many printmaking techniques, lithography required no special training as artists could work directly onto the plate and leave specialist printers to actually make the prints. For this reason many artists who were not trained printmakers (such as Géricault and Delacroix) often worked in lithography.
Ex: collection of the Late Hon. C. Lennox-Boyd.
[Ref: 36942] £130.00 (£156.00 incl.VAT)
![[Oriental man reading a large book]](jpegs/36943.jpg)
[Oriental man reading a large book]
[by Henry Singleton, 1803]
Pen lithograph, sheet 225 x 315mm (8¾ x 12½"). Very damaged; losses.
Early lithograph by Henry Singleton (1766-1839), painter. A professional portrait painter from the age of sixteen, Singleton was commissioned by Benjamin West to paint a large group portrait of the Royal Academicians in 1796, but Singleton never became an academician himself. He was known for his history paintings initially, but later moved into decorative and pastoral subject matter, often designed with a view to engraving. This print, a rare excursion into printmaking for Singleton, was included in the 1806 edition of the first portfolio of artists' lithographs, 'Specimens of Polyauthography'. The new medium allowed artists to draw directly onto a prepared stone, allowing artists to make prints which arguably resembled drawings more than any earlier printmaking technique. Unlike many printmaking techniques, lithography required no special training as artists could work directly onto the plate and leave specialist printers to actually make the prints. For this reason many artists who were not trained printmakers (such as Géricault and Delacroix) often worked in lithography.
Ex: collection of the Late Hon. C. Lennox-Boyd.
[Ref: 36943] £90.00 (£108.00 incl.VAT)
[by Henry Singleton, 1803]
Pen lithograph, sheet 225 x 315mm (8¾ x 12½"). Very damaged; losses.
Early lithograph by Henry Singleton (1766-1839), painter. A professional portrait painter from the age of sixteen, Singleton was commissioned by Benjamin West to paint a large group portrait of the Royal Academicians in 1796, but Singleton never became an academician himself. He was known for his history paintings initially, but later moved into decorative and pastoral subject matter, often designed with a view to engraving. This print, a rare excursion into printmaking for Singleton, was included in the 1806 edition of the first portfolio of artists' lithographs, 'Specimens of Polyauthography'. The new medium allowed artists to draw directly onto a prepared stone, allowing artists to make prints which arguably resembled drawings more than any earlier printmaking technique. Unlike many printmaking techniques, lithography required no special training as artists could work directly onto the plate and leave specialist printers to actually make the prints. For this reason many artists who were not trained printmakers (such as Géricault and Delacroix) often worked in lithography.
Ex: collection of the Late Hon. C. Lennox-Boyd.
[Ref: 36943] £90.00 (£108.00 incl.VAT)
![[The Angel]](jpegs/36698.jpg)
[The Angel] [He is not here: for he is risen. &c.]
B. West 1801.
[first published 1803]
Pen lithograph, sheet 315 x 225mm (12½ x 9"). Glued to backing sheet; trimmed, losing text below image. Unidentified collector's stamp verso.
Text from Matthew 28:6, in which the angel of the resurrection directs women looking for the crucified Jesus to 'see the place where He was lying'. A landmark in the history of lithography, this original print by Benjamin West has been described as 'the first lithograph of artistic merit ever done in any country' (Felix Man). It was published as one of the twelve pen lithographs from 'Specimens of Polyautography', the first set of artist's lithographs ever published (by Philipp André in 1803). The new medium allowed artists to draw directly onto a prepared stone, allowing artists to make prints which arguably resembled drawings more than any earlier printmaking technique. Unlike many printmaking techniques, lithography required no special training as artists could work directly onto the plate and leave specialist printers to actually make the prints. For this reason many painters who were not trained printmakers (such as Géricault and Delacroix) produced lithographs. West (1738-1820) was an Anglo-American painter of historical scenes around and after the time of the American War of Independence. He was the second president of the Royal Academy in London, serving from 1792 to 1805 and again from 1806 until his death.
Ex: collection of the late Hon. C. Lennox-Boyd; Man, '150 Years of Artists' Lithographs', cat. 1.
[Ref: 36698] £2,200.00 view all images for this item
B. West 1801.
[first published 1803]
Pen lithograph, sheet 315 x 225mm (12½ x 9"). Glued to backing sheet; trimmed, losing text below image. Unidentified collector's stamp verso.
Text from Matthew 28:6, in which the angel of the resurrection directs women looking for the crucified Jesus to 'see the place where He was lying'. A landmark in the history of lithography, this original print by Benjamin West has been described as 'the first lithograph of artistic merit ever done in any country' (Felix Man). It was published as one of the twelve pen lithographs from 'Specimens of Polyautography', the first set of artist's lithographs ever published (by Philipp André in 1803). The new medium allowed artists to draw directly onto a prepared stone, allowing artists to make prints which arguably resembled drawings more than any earlier printmaking technique. Unlike many printmaking techniques, lithography required no special training as artists could work directly onto the plate and leave specialist printers to actually make the prints. For this reason many painters who were not trained printmakers (such as Géricault and Delacroix) produced lithographs. West (1738-1820) was an Anglo-American painter of historical scenes around and after the time of the American War of Independence. He was the second president of the Royal Academy in London, serving from 1792 to 1805 and again from 1806 until his death.
Ex: collection of the late Hon. C. Lennox-Boyd; Man, '150 Years of Artists' Lithographs', cat. 1.
[Ref: 36698] £2,200.00 view all images for this item
Polynesia.
Drawn under the direction of Mr. Pinkerton by L. Hebert. Neele sculp.t. 352 Strand.
London: published Jan.r 1st 1813, by Cadell & Davies, Strand & Longman, Hurst, Rees, Orme, & Brown, Paternoster Row.
Engraved with original colour. Printed ares 530 x 700mm (21 x 27½") Edges brittle, with chips and tears. Fold in center as normal.
A detailed map of the South Pacific, covering the north east Coast of Australia, the Mariana Islands, the Marquesas and Hawaii.
[Ref: 52895] £360.00
Drawn under the direction of Mr. Pinkerton by L. Hebert. Neele sculp.t. 352 Strand.
London: published Jan.r 1st 1813, by Cadell & Davies, Strand & Longman, Hurst, Rees, Orme, & Brown, Paternoster Row.
Engraved with original colour. Printed ares 530 x 700mm (21 x 27½") Edges brittle, with chips and tears. Fold in center as normal.
A detailed map of the South Pacific, covering the north east Coast of Australia, the Mariana Islands, the Marquesas and Hawaii.
[Ref: 52895] £360.00
Ein Tatuirter Nukahiwer. Habitans de Nakahiwa tatoué. No.27.
Lith. von Honegger.
[Schinz, c.1845.]
Lithograph. 355 x 266mm (14 x 10½"). Foxing
A tattooed man of Nuku Hiva, French Polynesia. From Heinrich Rudolf Schinz's "Naturgeschichte und Abbildungen des Menschen".
[Ref: 53512] £75.00 (£90.00 incl.VAT)
Lith. von Honegger.
[Schinz, c.1845.]
Lithograph. 355 x 266mm (14 x 10½"). Foxing
A tattooed man of Nuku Hiva, French Polynesia. From Heinrich Rudolf Schinz's "Naturgeschichte und Abbildungen des Menschen".
[Ref: 53512] £75.00 (£90.00 incl.VAT)
Eglise des Missionnaires protestants à Huaheiné. (Iles de la Société). Voyage de la frigate Vénus. Atlas Pittoresque.
Moerenhout del. Lith. Thierry frères. Lith. par Bichebois.
[n.d., c.1841.]
Lithograph, printed on chine collé. Printed area: 210 x 275mm (8¼ x 11''), with very large margins.
A view of Huahine, one of the Society Islands in French Polynesia from the sea. A plate from 'Atlas Pittoresque of du Petit-Thouars' Voyage Autour du Monde sur La Fregate La Venus'.
[Ref: 50934] £230.00 (£276.00 incl.VAT)
Moerenhout del. Lith. Thierry frères. Lith. par Bichebois.
[n.d., c.1841.]
Lithograph, printed on chine collé. Printed area: 210 x 275mm (8¼ x 11''), with very large margins.
A view of Huahine, one of the Society Islands in French Polynesia from the sea. A plate from 'Atlas Pittoresque of du Petit-Thouars' Voyage Autour du Monde sur La Fregate La Venus'.
[Ref: 50934] £230.00 (£276.00 incl.VAT)
Vue de l'Eglise et de la baie de Huaheiné. (Iles de la Société). Voyage de la frigate Vénus. Atlas Pittoresque.
Moerenhout del.t. Lith. Thierry frères, Paris. Lith. par Sabatier.
[n.d., c.1841.]
Lithograph, printed on chine collé. Printed area: 210 x 275mm (8¼ x 11''), with very large margins.
A view of Huahine, one of the Society Islands in French Polynesia looking out to the bay. A plate from 'Atlas Pittoresque of du Petit-Thouars' Voyage Autour du Monde sur La Fregate La Venus'.
[Ref: 50935] £230.00 (£276.00 incl.VAT)
Moerenhout del.t. Lith. Thierry frères, Paris. Lith. par Sabatier.
[n.d., c.1841.]
Lithograph, printed on chine collé. Printed area: 210 x 275mm (8¼ x 11''), with very large margins.
A view of Huahine, one of the Society Islands in French Polynesia looking out to the bay. A plate from 'Atlas Pittoresque of du Petit-Thouars' Voyage Autour du Monde sur La Fregate La Venus'.
[Ref: 50935] £230.00 (£276.00 incl.VAT)
Vue de la baie de Huaheiné. (Illes de la Societé.). Voyage de la frigate Vénus. Atlas Pittoresque.
Moerenhout del.t. Lith. Thierry frères. Sebatier Lith.
[n.d., c.1841.]
Lithograph, printed on chine collé. Printed area: 210 x 275mm (8¼ x 11''), with large margins.
A view of the bay of Huahine, one of the Society Islands in French Polynesia. A plate from 'Atlas Pittoresque of du Petit-Thouars' Voyage Autour du Monde sur La Fregate La Venus'.
[Ref: 50936] £230.00 (£276.00 incl.VAT)
Moerenhout del.t. Lith. Thierry frères. Sebatier Lith.
[n.d., c.1841.]
Lithograph, printed on chine collé. Printed area: 210 x 275mm (8¼ x 11''), with large margins.
A view of the bay of Huahine, one of the Society Islands in French Polynesia. A plate from 'Atlas Pittoresque of du Petit-Thouars' Voyage Autour du Monde sur La Fregate La Venus'.
[Ref: 50936] £230.00 (£276.00 incl.VAT)
Vue d'unw Vallée à Huaheiné. (Illes de la Societé.). Voyage de la frigate Vénus. Atlas Pittoresque.
Moerenhout del. Lith. Thierry frères. Sebatier Lith.
[n.d., c.1841.]
Lithograph, printed on chine collé. Printed area: 210 x 275mm (8¼ x 11''), with very large margins.
A view of a valley and bay in Huahine, one of the Society Islands in French Polynesia. A plate from 'Atlas Pittoresque of du Petit-Thouars' Voyage Autour du Monde sur La Fregate La Venus'.
[Ref: 50939] £190.00 (£228.00 incl.VAT)
Moerenhout del. Lith. Thierry frères. Sebatier Lith.
[n.d., c.1841.]
Lithograph, printed on chine collé. Printed area: 210 x 275mm (8¼ x 11''), with very large margins.
A view of a valley and bay in Huahine, one of the Society Islands in French Polynesia. A plate from 'Atlas Pittoresque of du Petit-Thouars' Voyage Autour du Monde sur La Fregate La Venus'.
[Ref: 50939] £190.00 (£228.00 incl.VAT)
Panorama de la baie de Papéiti (ile d'O-Taiti), pris du mouillage de la Vénus (1.re Feuille).
Ménard del.t. Lith. de Thierry frères.
Tinted lithograph. Sheet: 360 x 550mm (14 x 21¾''), with large margins.
A view of the Tahiti in French Polynesia. A plate from 'Atlas Pittoresque of du Petit-Thouars' Voyage Autour du Monde sur La Fregate La Venus'.
[Ref: 50942] £140.00 (£168.00 incl.VAT)
Ménard del.t. Lith. de Thierry frères.
Tinted lithograph. Sheet: 360 x 550mm (14 x 21¾''), with large margins.
A view of the Tahiti in French Polynesia. A plate from 'Atlas Pittoresque of du Petit-Thouars' Voyage Autour du Monde sur La Fregate La Venus'.
[Ref: 50942] £140.00 (£168.00 incl.VAT)
Native of Nukahiwa.
Drawn and Etched by J. A. Atkinson.
[n.d., c.1805].
Hand coloured aquatint and etching, rare. Sheet size: 180 x 118mm (7¼ x 4½"). Cut to image and around title.
A tattooed Polynesian man, drawn and etched by J. A. Atkinson. Nukahiwa is now called Nuku Hiva, and is the largest of the Iles Marquises (Marquesas Islands), in French Polynesia. Ivan Fedorovich Kruzenshtern (1770-1846) arrived there in May 1804 and traded with it's inhabitants. Kruzenshtern was a German who commanded the first Russian circumnavigation of the world. This is the frontispiece from volume one of his ‘Voyage around the world, in the years 1803, 1804, 1805 & 1806’.
Abbey Travel 1.
[Ref: 32408] £130.00 (£156.00 incl.VAT)
Drawn and Etched by J. A. Atkinson.
[n.d., c.1805].
Hand coloured aquatint and etching, rare. Sheet size: 180 x 118mm (7¼ x 4½"). Cut to image and around title.
A tattooed Polynesian man, drawn and etched by J. A. Atkinson. Nukahiwa is now called Nuku Hiva, and is the largest of the Iles Marquises (Marquesas Islands), in French Polynesia. Ivan Fedorovich Kruzenshtern (1770-1846) arrived there in May 1804 and traded with it's inhabitants. Kruzenshtern was a German who commanded the first Russian circumnavigation of the world. This is the frontispiece from volume one of his ‘Voyage around the world, in the years 1803, 1804, 1805 & 1806’.
Abbey Travel 1.
[Ref: 32408] £130.00 (£156.00 incl.VAT)
![[Galatea]](jpegs/28321.jpg)
[Galatea] [Galat. 'Ah taci, Acide amato,/ Taci...' La Galatea, Parte Prima]
[G.B. Cipriani inv.- F. Bartolozzi sculps. 1783]
Engraving printed in brown ink. Sheet 215 x 175mm (8½ x 6¾"). Trimmed inside platemark.
Polyphemus seated on a rock, playing a pan flute. Below, Acis and Galatea embracing each other on a beach; the sea behind them. One of three vignettes engraved by Bartolozzi for the 'Opere' of Pietro Metastasio.
Calabi & De Vesme: 1747.ii
[Ref: 28321] £160.00 (£192.00 incl.VAT)
[G.B. Cipriani inv.- F. Bartolozzi sculps. 1783]
Engraving printed in brown ink. Sheet 215 x 175mm (8½ x 6¾"). Trimmed inside platemark.
Polyphemus seated on a rock, playing a pan flute. Below, Acis and Galatea embracing each other on a beach; the sea behind them. One of three vignettes engraved by Bartolozzi for the 'Opere' of Pietro Metastasio.
Calabi & De Vesme: 1747.ii
[Ref: 28321] £160.00 (£192.00 incl.VAT)
Royal Polytechnic Institution. Great Hall.
Printed & Published at G.J. Cox's Litho. Establishment Royal Polytechnic Institution 309, Regent S.t London.
A rare lithograph. Printed area: 200 x 145mm (8 x 5¾") large margins.
A view in the Great Hall of the Royal Polytechnic Instituition on Regent Street. The Royal Polytechnic was the first polytechnic institution in Britain and is now the University of Westminster.
[Ref: 46305] £80.00 (£96.00 incl.VAT)
Printed & Published at G.J. Cox's Litho. Establishment Royal Polytechnic Institution 309, Regent S.t London.
A rare lithograph. Printed area: 200 x 145mm (8 x 5¾") large margins.
A view in the Great Hall of the Royal Polytechnic Instituition on Regent Street. The Royal Polytechnic was the first polytechnic institution in Britain and is now the University of Westminster.
[Ref: 46305] £80.00 (£96.00 incl.VAT)
Pomarre ceding Matavai to the English.
CJW (?) sc.
[published 1805]
Engraving, rare, sheet 105 x 160mm (4¼ x 6¼"). Trimmed inside platemark.
Pomare I of Tahiti ceding Matavai to the English Missionaries who had arrived in Tahiti to attempt to convert the population to Christianity. Plate from William and James Wilson's 'First Missionary Voyage to the South-Sea Islands, Performed in the Years 1796, 1797, and 1798, in the ship Duff, Commanded by Captain James Wilson, Under the Direction of the Missionary Society'.
[Ref: 31849] £180.00 (£216.00 incl.VAT)
CJW (?) sc.
[published 1805]
Engraving, rare, sheet 105 x 160mm (4¼ x 6¼"). Trimmed inside platemark.
Pomare I of Tahiti ceding Matavai to the English Missionaries who had arrived in Tahiti to attempt to convert the population to Christianity. Plate from William and James Wilson's 'First Missionary Voyage to the South-Sea Islands, Performed in the Years 1796, 1797, and 1798, in the ship Duff, Commanded by Captain James Wilson, Under the Direction of the Missionary Society'.
[Ref: 31849] £180.00 (£216.00 incl.VAT)
A Map of Pomerania and Brandenburg with the Frontiers of Poland.
J.Cary sculp.
Published Aug.t 3 1782 by I.Fielding No 23 Pater-noster Row.
Engraving. 200 x 260mm, 8 x 10¼". Folded, some toning.
Northern Poland, with Gdansk. At the time of publication these areas were part of Germany. From the 'Complete Geographical Dictionary' by John Seally.
[Ref: 13227] £65.00
J.Cary sculp.
Published Aug.t 3 1782 by I.Fielding No 23 Pater-noster Row.
Engraving. 200 x 260mm, 8 x 10¼". Folded, some toning.
Northern Poland, with Gdansk. At the time of publication these areas were part of Germany. From the 'Complete Geographical Dictionary' by John Seally.
[Ref: 13227] £65.00
Chein de Pomeramie.
Werner pinxt et Lith .
Lith de Cide Lust.
Coloured lithograph. 220 x 180mm [lithographed area], 520x 330mm [sheet].
[Ref: 6510] £160.00 (£192.00 incl.VAT)
Werner pinxt et Lith .
Lith de Cide Lust.
Coloured lithograph. 220 x 180mm [lithographed area], 520x 330mm [sheet].
[Ref: 6510] £160.00 (£192.00 incl.VAT)
Qui Vive? Whom Are You For.
Delacroix lith. Ronner neckiny. Lith. Becquet fr. R. des Noyers, 37, a Paris.
Paris, Marchand, edit. Rue de Saintonge, 64. [n.d., c.1850.]
Lithograph, sheet 450 x 315mm. 17¾ x 12½". Surface soiling.
A rabbit looking down from its cage at an excited Pomeranian dog.
[Ref: 19428] £130.00 (£156.00 incl.VAT)
Delacroix lith. Ronner neckiny. Lith. Becquet fr. R. des Noyers, 37, a Paris.
Paris, Marchand, edit. Rue de Saintonge, 64. [n.d., c.1850.]
Lithograph, sheet 450 x 315mm. 17¾ x 12½". Surface soiling.
A rabbit looking down from its cage at an excited Pomeranian dog.
[Ref: 19428] £130.00 (£156.00 incl.VAT)
Pomeranians of the 20th Century.
Arthur Wardle 1904 [signed and dated in plate.]
Published by Art Engraving Department, Spratt's Patent Limited, London, E.C.3 1924.
Large photogravure on india paper, printed in colours. 525 x 710mm. 20¾ x 28". A fine impression with wide margins. Mint.
Six Pomeranian dogs, each animal named above and below the image, posed on stone steps in a garden. Arthur Wardle (British, 1864 -1949) was a prolific and very talented late nineteenth century artist who created an extraordinary body of work, yet surprisingly little has been written about him. Known by some as a painter of big game and wildlife, he is for dog lovers one of the pre-eminent painters of pure bred dogs that England has produced.
[Ref: 23445] £480.00
Arthur Wardle 1904 [signed and dated in plate.]
Published by Art Engraving Department, Spratt's Patent Limited, London, E.C.3 1924.
Large photogravure on india paper, printed in colours. 525 x 710mm. 20¾ x 28". A fine impression with wide margins. Mint.
Six Pomeranian dogs, each animal named above and below the image, posed on stone steps in a garden. Arthur Wardle (British, 1864 -1949) was a prolific and very talented late nineteenth century artist who created an extraordinary body of work, yet surprisingly little has been written about him. Known by some as a painter of big game and wildlife, he is for dog lovers one of the pre-eminent painters of pure bred dogs that England has produced.
[Ref: 23445] £480.00
The Reverend Mr. Samuel Pomfret Minister of ye Gospel. Obijt January 11.th 1721 in the 71st Year of his Age.
[n.d. c.1721.]
Very scarce mezzotint. Plate 268 x 197mm. 10½ x 7¾". Trimmed close to plate, small crease to upper right corner.
Samuel Pomfret (1650-1722) was a nonconformist and Presbyterian minister.
CS: 82, iii.
[Ref: 24381] £140.00 (£168.00 incl.VAT)
[n.d. c.1721.]
Very scarce mezzotint. Plate 268 x 197mm. 10½ x 7¾". Trimmed close to plate, small crease to upper right corner.
Samuel Pomfret (1650-1722) was a nonconformist and Presbyterian minister.
CS: 82, iii.
[Ref: 24381] £140.00 (£168.00 incl.VAT)
![[Cicero.] De Mamore Pomfret, apud Oxons.](jpegs/24749.jpg)
[Cicero.] De Mamore Pomfret, apud Oxons.
Drawn & Engrav'd by J.K. Sherwin Engraver to His Majesty & His Royal Highness the Prince of Wales.
[London: Richard Bentley, 1866.]
Engraving, with large margins. Plate 323 x 260mm. 12¾ x 10¼". Slight crease on left.
A statue of Cicero (106BC-43BC), the Roman orator who was made consul in 63 BC. Standing here holding a scroll in his left hand at waist level and another object is his right. Published in John Timbs's "Club Life of London; with anecdotes of the clubs, coffee houses, and taverns of the metropolis, during thr 17th, 18th, and 19th centuries". One of the ancient Greek and Roman statues from the collection of the Countess of Pomfret in 1755. The statues formerly belonged to the Earl of Arundel before later being passed to the University of Oxford.
[Ref: 24749] £160.00 (£192.00 incl.VAT)
Drawn & Engrav'd by J.K. Sherwin Engraver to His Majesty & His Royal Highness the Prince of Wales.
[London: Richard Bentley, 1866.]
Engraving, with large margins. Plate 323 x 260mm. 12¾ x 10¼". Slight crease on left.
A statue of Cicero (106BC-43BC), the Roman orator who was made consul in 63 BC. Standing here holding a scroll in his left hand at waist level and another object is his right. Published in John Timbs's "Club Life of London; with anecdotes of the clubs, coffee houses, and taverns of the metropolis, during thr 17th, 18th, and 19th centuries". One of the ancient Greek and Roman statues from the collection of the Countess of Pomfret in 1755. The statues formerly belonged to the Earl of Arundel before later being passed to the University of Oxford.
[Ref: 24749] £160.00 (£192.00 incl.VAT)
![[Pomona.]](jpegs/29288.jpg)
[Pomona.]
Painted by J.E. Millais, R.A. Engraved by S. Cousins, R.A. [also signed in pencil by both.]
London, Published Oct. 2.nd 1882 by Arthur Tooth & Sons, 5 & 6 Haymarket, S.W. & The Fine Art Society, New Bond Street. Copyright Registered. Entered according to Act of Congress in the Year 1882 by Mess.rs Knoedler & Co. in the Office of the Librarian of Congress at Washington.
Mixed method on chine collé. Signed in pencil by artist and engraver, Printseller's Association stamp. Plate 540 x 400mm (21¼ x 15¾"). Mint.
A little girl standing in profile beside an apple barrow, holding an apple in one hand, gathering her apron in the other, turning her head to look slightly towards the viewer, in an orchard.
Whitman: 220.
[Ref: 29288] £280.00 (£336.00 incl.VAT)
Painted by J.E. Millais, R.A. Engraved by S. Cousins, R.A. [also signed in pencil by both.]
London, Published Oct. 2.nd 1882 by Arthur Tooth & Sons, 5 & 6 Haymarket, S.W. & The Fine Art Society, New Bond Street. Copyright Registered. Entered according to Act of Congress in the Year 1882 by Mess.rs Knoedler & Co. in the Office of the Librarian of Congress at Washington.
Mixed method on chine collé. Signed in pencil by artist and engraver, Printseller's Association stamp. Plate 540 x 400mm (21¼ x 15¾"). Mint.
A little girl standing in profile beside an apple barrow, holding an apple in one hand, gathering her apron in the other, turning her head to look slightly towards the viewer, in an orchard.
Whitman: 220.
[Ref: 29288] £280.00 (£336.00 incl.VAT)
Madame La Marquise de Pompadour.
Queverdo del. Le Beau Sculp.
[Paris, c.1780.]
Etching, sheet 160 x 105mm. 6¼ x 4¼". Trimmed within plate.
Jeanne-Antoinette Poisson, Marquise de Pompadour, also known as Madame de Pompadour (1721 - 1764), bust-length to front within ornamental oval frame. She was the official maîtresse-en-titre (mistress) of Louis XV from 1745 to 1750.
[Ref: 14042] £65.00 (£78.00 incl.VAT)
Queverdo del. Le Beau Sculp.
[Paris, c.1780.]
Etching, sheet 160 x 105mm. 6¼ x 4¼". Trimmed within plate.
Jeanne-Antoinette Poisson, Marquise de Pompadour, also known as Madame de Pompadour (1721 - 1764), bust-length to front within ornamental oval frame. She was the official maîtresse-en-titre (mistress) of Louis XV from 1745 to 1750.
[Ref: 14042] £65.00 (£78.00 incl.VAT)
Pompei. Maison de Diomede.
Dessine d'apres nature et lith par Ph Benoist. Imp Lemercier a Paris.
[c.1850.] Paris, Bulla Editeur 18, rue Tiquetonne et (Mon.Aumont) Francois Delarue, Succ rue JJ Rousseau, 10.
Coloured lithograph. Sheet 375 x 290mm (14¾ x 11½").
A view of the Villa of Diomedes, an ancient Roman villa near Pompeii, Italy. The villa is located just outside the city walls of Pompei, at the Via dei Sepolcri to the Gate of Herculaneum. It was excavated by Francesco La Vega from 1771 to 1774 and named after Marcus Arrius Diomedes, whose grave is opposite the entrance to the villa, though it is not clear that it was his villa
[Ref: 66692] £90.00 (£108.00 incl.VAT)
Dessine d'apres nature et lith par Ph Benoist. Imp Lemercier a Paris.
[c.1850.] Paris, Bulla Editeur 18, rue Tiquetonne et (Mon.Aumont) Francois Delarue, Succ rue JJ Rousseau, 10.
Coloured lithograph. Sheet 375 x 290mm (14¾ x 11½").
A view of the Villa of Diomedes, an ancient Roman villa near Pompeii, Italy. The villa is located just outside the city walls of Pompei, at the Via dei Sepolcri to the Gate of Herculaneum. It was excavated by Francesco La Vega from 1771 to 1774 and named after Marcus Arrius Diomedes, whose grave is opposite the entrance to the villa, though it is not clear that it was his villa
[Ref: 66692] £90.00 (£108.00 incl.VAT)
The Soldiers Quarters at Pompeii. Pl.1.
Drawn & Etched by G. Townley Esq.r Engraved by F. Whessell, Oxford.
London Pub. Feb.1. 1818 by Mess.rs Carpenter & Son Old Bond Street.
Mezzotint and etching printed in brown ink, very scarce and fine. Plate 209 x 255mm (8¼ x 10"). Laid on album scrap. Slight foxing.
View of the remains of Pompeii, showing an area with rows of pillars on three sides, to the right, people walking along a road beside it in the centre, and a series of rooms to left; with three goats and fallen masonry in the right foreground, mountains, trees and a lake in the background. Plate 1 of a series etched by the collector George Townley, who may have been inspired by JMW Turner's 'Liber Studiorum' with which this series bears several similarities.
[Ref: 29465] £220.00 (£264.00 incl.VAT)
Drawn & Etched by G. Townley Esq.r Engraved by F. Whessell, Oxford.
London Pub. Feb.1. 1818 by Mess.rs Carpenter & Son Old Bond Street.
Mezzotint and etching printed in brown ink, very scarce and fine. Plate 209 x 255mm (8¼ x 10"). Laid on album scrap. Slight foxing.
View of the remains of Pompeii, showing an area with rows of pillars on three sides, to the right, people walking along a road beside it in the centre, and a series of rooms to left; with three goats and fallen masonry in the right foreground, mountains, trees and a lake in the background. Plate 1 of a series etched by the collector George Townley, who may have been inspired by JMW Turner's 'Liber Studiorum' with which this series bears several similarities.
[Ref: 29465] £220.00 (£264.00 incl.VAT)
Pompey the Little.
Printed and Sold by Carington Bowles, No 69 in St Pauls Church Yard, London. [n.d., c.1785.]
Engraving with original hand colour, rare. Sheet 165 x 245mm (6¾ x 9½"). Trimmed within plate, laid on album paper.
A small spaniel, the main character in Francis Coventry's hugely-successful satirical novel, 'The History of Pompey the Little; or, The Life and Adventures of a Lap-Dog', first published 1751. Pompey, born in Bologna ('a place famous for lap-dogs and sausages') describes society as he passes from owner to owner, exchanged for sexual favours, a gold watch and a pint of porter. Many of the human characters are thinly-veiled versions of society figures. The last edition was published in 1924.
[Ref: 32952] £220.00 (£264.00 incl.VAT)
Printed and Sold by Carington Bowles, No 69 in St Pauls Church Yard, London. [n.d., c.1785.]
Engraving with original hand colour, rare. Sheet 165 x 245mm (6¾ x 9½"). Trimmed within plate, laid on album paper.
A small spaniel, the main character in Francis Coventry's hugely-successful satirical novel, 'The History of Pompey the Little; or, The Life and Adventures of a Lap-Dog', first published 1751. Pompey, born in Bologna ('a place famous for lap-dogs and sausages') describes society as he passes from owner to owner, exchanged for sexual favours, a gold watch and a pint of porter. Many of the human characters are thinly-veiled versions of society figures. The last edition was published in 1924.
[Ref: 32952] £220.00 (£264.00 incl.VAT)
![[Pierre Poncet maître des requêtes et conseiller d’état.]](jpegs/50069.jpg)
[Pierre Poncet maître des requêtes et conseiller d’état.]
Joan L'enfant ad vivum faciebat 1658.
Engraving. Sheet 335 x 250mm (13¼ x 9¾"). Trimmed into image.
Portrait of magistrate and politician Pierre Poncet (1600-1681). Advocate at the Parliament 1619, maître des requêtes (Master of Requests) in 1642, councillor of state and member of the Royal council of finances 1673. Drawn and engraved by Jean Lenfant (1615-74), who would make preliminary studies in pastel.
[Ref: 50069] £80.00 (£96.00 incl.VAT)
Joan L'enfant ad vivum faciebat 1658.
Engraving. Sheet 335 x 250mm (13¼ x 9¾"). Trimmed into image.
Portrait of magistrate and politician Pierre Poncet (1600-1681). Advocate at the Parliament 1619, maître des requêtes (Master of Requests) in 1642, councillor of state and member of the Royal council of finances 1673. Drawn and engraved by Jean Lenfant (1615-74), who would make preliminary studies in pastel.
[Ref: 50069] £80.00 (£96.00 incl.VAT)
![[Ducks on a pond.]](jpegs/53083.jpg)
[Ducks on a pond.]
D. Teniers Pinx.t. H. Houston fecit.
Printed for Jn.o Bowles and Son at the Black Horse in Cornhill. [n.d., c.1765.]
Fine & rare mezzotint. 355 x 250mm (14 x 9¾") with narrow margins.
A rustic scene, with ducks and ducklings, a kingfisher, with rabbits on the bank. It was engraved by Richard Houston after David Teniers the Younger. Houston absconded for debt in 1762; perhaps the 'H' in the inscription is to disguise the attribution.
[Ref: 53083] £380.00
D. Teniers Pinx.t. H. Houston fecit.
Printed for Jn.o Bowles and Son at the Black Horse in Cornhill. [n.d., c.1765.]
Fine & rare mezzotint. 355 x 250mm (14 x 9¾") with narrow margins.
A rustic scene, with ducks and ducklings, a kingfisher, with rabbits on the bank. It was engraved by Richard Houston after David Teniers the Younger. Houston absconded for debt in 1762; perhaps the 'H' in the inscription is to disguise the attribution.
[Ref: 53083] £380.00
Arthur Pond Painter.
Seipse fe 1787.
[n.d., c.1820.]
Etching. 180 x 125mm (7 x 5") very large margins. Faint spotting.
A postumous re-issue of the half-length self-portrait by Arthur Pond (c.1705-58),
[Ref: 41247] £60.00 (£72.00 incl.VAT)
Seipse fe 1787.
[n.d., c.1820.]
Etching. 180 x 125mm (7 x 5") very large margins. Faint spotting.
A postumous re-issue of the half-length self-portrait by Arthur Pond (c.1705-58),
[Ref: 41247] £60.00 (£72.00 incl.VAT)
Mr: Pond.
Thos. Parkinson pinxt. Benjm. Smith sculpt.
Pub: April 10 1787, by Benjm. Smith No.27, Great Pultney Street.
Stipple engraving with aquatint in sepia, sheet 225 x 175mm. Trimmed to plate and glued at corners onto a backing sheet for album. Stain lower left corner.
John Pond, son of John Pond of Newmarket and nephew of the painter and engraver Arthur Pond (1701 - 1758). A fine impression.
NPG: D8563. BM. Vol III, pg.486.
[Ref: 7376] £120.00 (£144.00 incl.VAT)
Thos. Parkinson pinxt. Benjm. Smith sculpt.
Pub: April 10 1787, by Benjm. Smith No.27, Great Pultney Street.
Stipple engraving with aquatint in sepia, sheet 225 x 175mm. Trimmed to plate and glued at corners onto a backing sheet for album. Stain lower left corner.
John Pond, son of John Pond of Newmarket and nephew of the painter and engraver Arthur Pond (1701 - 1758). A fine impression.
NPG: D8563. BM. Vol III, pg.486.
[Ref: 7376] £120.00 (£144.00 incl.VAT)
Bramin's Tomb, near the Road to Pondicherry.
J. Wathen del.t. J. Clark direx.t.
London Published by Black, Parry & Co, and Nichols & Co, 1814.
Hand coloured aquatint, image 140 x 215mm. 5½ x 8½".
From James Wathen's 'Journal of a voyage, in 1811 and 1812, to Madras and China, returning by the Cape of Good Hope and St. Helena' 1814.
Abbey Travel 517.
[Ref: 38993] £80.00 (£96.00 incl.VAT)
J. Wathen del.t. J. Clark direx.t.
London Published by Black, Parry & Co, and Nichols & Co, 1814.
Hand coloured aquatint, image 140 x 215mm. 5½ x 8½".
From James Wathen's 'Journal of a voyage, in 1811 and 1812, to Madras and China, returning by the Cape of Good Hope and St. Helena' 1814.
Abbey Travel 517.
[Ref: 38993] £80.00 (£96.00 incl.VAT)
Pondicherry attack'd by the British Fleet under Admiral Boscowen.
[n.d., c.1750.]
Engraving. Plate: 225 x 370mm (9 x 14½''). Thread margins.
A battle scene showing Admiral Boscowen's attack and seige of the French settlement at Pondicherry during the Anglo-French Wars.
[Ref: 50891] £260.00 (£312.00 incl.VAT)
[n.d., c.1750.]
Engraving. Plate: 225 x 370mm (9 x 14½''). Thread margins.
A battle scene showing Admiral Boscowen's attack and seige of the French settlement at Pondicherry during the Anglo-French Wars.
[Ref: 50891] £260.00 (£312.00 incl.VAT)
Une Mosquée aux Environs de Pondichéry. (Inde).
Dessiné par Lauvergne. Imp. Lemercier, Bernadet et C.ie. Lith. par Tudot.
Arthus Bertrand éditeur. London. Ackermann et C.o 96 Strand. [n.d., c.1840.]
Lithograph, printed on chine collé. Printed area: 230 x 345mm (9 x 13½"), with very large margins. Foxing in margins.
A view of a mosque in the area in India called Pondicherry. Plate 97 from Auguste Nicholas Vaillant's 'Voyage autour du Monde [...] 1836 et 1837[...] sur la Bonite' published in Paris and London between 1840-52’, after an original drawing by B. Lauvergne.
[Ref: 47162] £160.00 (£192.00 incl.VAT)
Dessiné par Lauvergne. Imp. Lemercier, Bernadet et C.ie. Lith. par Tudot.
Arthus Bertrand éditeur. London. Ackermann et C.o 96 Strand. [n.d., c.1840.]
Lithograph, printed on chine collé. Printed area: 230 x 345mm (9 x 13½"), with very large margins. Foxing in margins.
A view of a mosque in the area in India called Pondicherry. Plate 97 from Auguste Nicholas Vaillant's 'Voyage autour du Monde [...] 1836 et 1837[...] sur la Bonite' published in Paris and London between 1840-52’, after an original drawing by B. Lauvergne.
[Ref: 47162] £160.00 (£192.00 incl.VAT)
Les Chars Sacrés a Pondichéry. Inde.
Lauvergne del. Imp. par Lemercier. Tirpenne lith.
Arthus Bertrand éditeur. London. Ackermann et C.o 96 Strand. [n.d., c.1840.]
Lithograph, printed on chine collé. Printed area: 230 x 345mm (9 x 13½"), with very large margins. Foxing in margins.
A view of sacred constructions in Pondicherry. Plate 96 from Auguste Nicholas Vaillant's 'Voyage autour du Monde [...] 1836 et 1837[...] sur la Bonite' published in Paris and London between 1840-52’, after an original drawing by B. Lauvergne.
[Ref: 47163] £140.00 (£168.00 incl.VAT)
Lauvergne del. Imp. par Lemercier. Tirpenne lith.
Arthus Bertrand éditeur. London. Ackermann et C.o 96 Strand. [n.d., c.1840.]
Lithograph, printed on chine collé. Printed area: 230 x 345mm (9 x 13½"), with very large margins. Foxing in margins.
A view of sacred constructions in Pondicherry. Plate 96 from Auguste Nicholas Vaillant's 'Voyage autour du Monde [...] 1836 et 1837[...] sur la Bonite' published in Paris and London between 1840-52’, after an original drawing by B. Lauvergne.
[Ref: 47163] £140.00 (£168.00 incl.VAT)
Vue de Pondichéry.
Dessiné par Lauvergne. Imp. Lemercier. Lith. par Tirpenne et Lauvergne.
Arthus Bertrand éditeur. London. Ackermann et C.o 96 Strand. [n.d., c.1840.]
Lithograph, printed on chine collé. Printed area: 230 x 345mm (9 x 13½"), with very large margins. Foxing in margins.
A view of Pondicherry from the sea. Plate 95 from Auguste Nicholas Vaillant's 'Voyage autour du Monde [...] 1836 et 1837[...] sur la Bonite' published in Paris and London between 1840-52’, after an original drawing by B. Lauvergne.
[Ref: 47164] £230.00 (£276.00 incl.VAT)
Dessiné par Lauvergne. Imp. Lemercier. Lith. par Tirpenne et Lauvergne.
Arthus Bertrand éditeur. London. Ackermann et C.o 96 Strand. [n.d., c.1840.]
Lithograph, printed on chine collé. Printed area: 230 x 345mm (9 x 13½"), with very large margins. Foxing in margins.
A view of Pondicherry from the sea. Plate 95 from Auguste Nicholas Vaillant's 'Voyage autour du Monde [...] 1836 et 1837[...] sur la Bonite' published in Paris and London between 1840-52’, after an original drawing by B. Lauvergne.
[Ref: 47164] £230.00 (£276.00 incl.VAT)
Bulletin Commercial et Prix-Courant.
Publiés par la Chambre de Commerse de Pondichéry (Quatrième année. - No 91. - 5 aout 1868).
4pp. letterpress. 350 x 220mm, 13¾ x 8¾". Some wear.
A trade newspaper, listing the prices of commodities, published in the Indian city of Pondicherry, then a French colony. The city remained French until 1954, seven years after Indian indpependence from Britain.
[Ref: 19596] £160.00 (£192.00 incl.VAT) view all images for this item
Publiés par la Chambre de Commerse de Pondichéry (Quatrième année. - No 91. - 5 aout 1868).
4pp. letterpress. 350 x 220mm, 13¾ x 8¾". Some wear.
A trade newspaper, listing the prices of commodities, published in the Indian city of Pondicherry, then a French colony. The city remained French until 1954, seven years after Indian indpependence from Britain.
[Ref: 19596] £160.00 (£192.00 incl.VAT) view all images for this item
![[Pongok Island] Fort Maxwell.](jpegs/55495.jpg)
[Pongok Island] Fort Maxwell.
J. McLeod delin. J. Clark Sculp.
Published by J. Murray, London, 1818.
Coloured aquatint. Sheet 135 x 190mm (5¼ x 7½"). Trimmed within plate.
A stockade set up by British sailors marooned on Pongok Island, named after the ship's captain. From 'Voyage of His Majesty's late ship Alceste', an account of Lord Amherst's diplomatic mission to China in 1817. On the return journey the Alceste hit a reef in the Java Sea and was wrecked, after which the crew had to cope with Malay Dyak pirates who burned the ship and surrounded their camp. This plate did not appear in the first edition of 1817.
Abbey Travel 559.
[Ref: 55495] £120.00 (£144.00 incl.VAT)
J. McLeod delin. J. Clark Sculp.
Published by J. Murray, London, 1818.
Coloured aquatint. Sheet 135 x 190mm (5¼ x 7½"). Trimmed within plate.
A stockade set up by British sailors marooned on Pongok Island, named after the ship's captain. From 'Voyage of His Majesty's late ship Alceste', an account of Lord Amherst's diplomatic mission to China in 1817. On the return journey the Alceste hit a reef in the Java Sea and was wrecked, after which the crew had to cope with Malay Dyak pirates who burned the ship and surrounded their camp. This plate did not appear in the first edition of 1817.
Abbey Travel 559.
[Ref: 55495] £120.00 (£144.00 incl.VAT)
Joseph Poniatowski. Général en chef des troupes polonaises dans les Terres Russiennes [...] (De la Coll.on de L. Chodzko)
Antoine Brodowski pinx. James Hopwood sc.
P. Dien impr. [Paris, n.d., c. 1840.]
Stipple engraving on steel. Sheet 270 x 185mm, 10½ x 7¼".
Prince Josef Poniatowski (1763-1813), nephew of the last king of Poland, Stanislaw August Poniatowski, a general who became one of Napoleon's marshals, killed at the Battle of Leipzig. A portrait from the collection of Leonard Chodzko (1800-71), a Polish historian active in the November Uprising of 1830 and the Great Emigration that followed it.
[Ref: 21249] £70.00 (£84.00 incl.VAT)
Antoine Brodowski pinx. James Hopwood sc.
P. Dien impr. [Paris, n.d., c. 1840.]
Stipple engraving on steel. Sheet 270 x 185mm, 10½ x 7¼".
Prince Josef Poniatowski (1763-1813), nephew of the last king of Poland, Stanislaw August Poniatowski, a general who became one of Napoleon's marshals, killed at the Battle of Leipzig. A portrait from the collection of Leonard Chodzko (1800-71), a Polish historian active in the November Uprising of 1830 and the Great Emigration that followed it.
[Ref: 21249] £70.00 (£84.00 incl.VAT)
![[Josef] Poniatowski.](jpegs/57743.jpg)
[Josef] Poniatowski.
JH [?].
[n.d., c. 1840.]
Rare lithograph on chine collé. 120 x 100mm (4¾ x 4"), very large margins. Spotting on backing paper, ink collector's stamp on reverse.
Head and shoulders portrait of Prince Josef Poniatowski (1763-1813), nephew of the last king of Poland, Stanislaw August Poniatowski. After the Partitions of Poland he fought for Napoleon, who he considered most likely to reunite his country. As one of Napoleon's marshals, he died at the Battle of Leipzig.
[Ref: 57743] £95.00 (£114.00 incl.VAT)
JH [?].
[n.d., c. 1840.]
Rare lithograph on chine collé. 120 x 100mm (4¾ x 4"), very large margins. Spotting on backing paper, ink collector's stamp on reverse.
Head and shoulders portrait of Prince Josef Poniatowski (1763-1813), nephew of the last king of Poland, Stanislaw August Poniatowski. After the Partitions of Poland he fought for Napoleon, who he considered most likely to reunite his country. As one of Napoleon's marshals, he died at the Battle of Leipzig.
[Ref: 57743] £95.00 (£114.00 incl.VAT)
Poniatowski (Joseph Antoine, Prince). 16 Octobre 1813 Marechal de France † 1813.
Peint par Vachelet. Grave par Contenau.
[Paris, c.1840.]
Steel engraving. Sheet 260 x 175mm (10¼ x 7"). Trimmed, glue stains on left edge.
Full length portrait in uniform of Prince Josef Poniatowski (1763-1813), nephew of the last king of Poland, Stanislaw August Poniatowski. After the Partitions of Poland he fought for Napoleon, who he considered most likely to reunite his country. During the four-day Battle of Leipzig he was promoted to Marshal of the French Army, but was killed covering the French retreat. From the 'Gallerie Historique de Versailles'.
[Ref: 57744] £50.00 (£60.00 incl.VAT)
Peint par Vachelet. Grave par Contenau.
[Paris, c.1840.]
Steel engraving. Sheet 260 x 175mm (10¼ x 7"). Trimmed, glue stains on left edge.
Full length portrait in uniform of Prince Josef Poniatowski (1763-1813), nephew of the last king of Poland, Stanislaw August Poniatowski. After the Partitions of Poland he fought for Napoleon, who he considered most likely to reunite his country. During the four-day Battle of Leipzig he was promoted to Marshal of the French Army, but was killed covering the French retreat. From the 'Gallerie Historique de Versailles'.
[Ref: 57744] £50.00 (£60.00 incl.VAT)
Fürst Poniatowsky Kais: Franz: Reichs = Marschall sucht nach der Schlacht bey Leipzig den 19t Oct: 1813 mit 3 Wunden durch ineri kühnen Sprung in die Elster such zu retten und findet seinen Tod.
C. Seipp f.
[German, c.1820.]
Etching. Sheet 195 x 275mm (7¼ x 10¾"). Trimmed within plate, stitch holes in left edge.
The death of Prince Josef Poniatowski (1763-1813), drowned in the Elster river covering the French retreat at the end of the Battle of Leipzig. The nephew of the last king of Poland, Poniatowski fought for Napoleon, who he considered most likely to reunite his country after the imfamous Partitions. Earlier in the four-day Battle of Leipzig he had been promoted to Marshal of the French Army.
[Ref: 57746] £130.00 (£156.00 incl.VAT)
C. Seipp f.
[German, c.1820.]
Etching. Sheet 195 x 275mm (7¼ x 10¾"). Trimmed within plate, stitch holes in left edge.
The death of Prince Josef Poniatowski (1763-1813), drowned in the Elster river covering the French retreat at the end of the Battle of Leipzig. The nephew of the last king of Poland, Poniatowski fought for Napoleon, who he considered most likely to reunite his country after the imfamous Partitions. Earlier in the four-day Battle of Leipzig he had been promoted to Marshal of the French Army.
[Ref: 57746] £130.00 (£156.00 incl.VAT)
Joseph Fürst von Poniatowsky.
Berlin. Stahlstich v. L. Linsen. 1840.
Steel engraving. Sheet 200 x 115mm (8 x 4½"). Trimmed within plate.
Half length portrait in uniform of Prince Josef Poniatowski (1763-1813), nephew of the last king of Poland, Stanislaw August Poniatowski. After the Partitions of Poland he fought for Napoleon, who he considered most likely to reunite his country. During the four-day Battle of Leipzig he was promoted to Marshal of the French Army, but was killed covering the French retreat.
[Ref: 57747] £50.00 (£60.00 incl.VAT)
Berlin. Stahlstich v. L. Linsen. 1840.
Steel engraving. Sheet 200 x 115mm (8 x 4½"). Trimmed within plate.
Half length portrait in uniform of Prince Josef Poniatowski (1763-1813), nephew of the last king of Poland, Stanislaw August Poniatowski. After the Partitions of Poland he fought for Napoleon, who he considered most likely to reunite his country. During the four-day Battle of Leipzig he was promoted to Marshal of the French Army, but was killed covering the French retreat.
[Ref: 57747] £50.00 (£60.00 incl.VAT)
![[Stanislaus Augustus Poniatowski. King of Poland.]](jpegs/34388.jpg)
[Stanislaus Augustus Poniatowski. King of Poland.]
Le Brun pinx.t D. Orme sc.t.
[n.d., c.1792.]
Stipple, rare. Sheet size: 127 x 100mm (5 x 4"). Trimmed inside platemark. Laid on backing sheet.
A half length portrait of Stanislaus August Poniatowski (1732 - 1798), inclined slightly to left, with powdered hair, fur coat with a star of the White Eagle, and a white ruffle. In an oval. Poniatowski was the last King and Grand Duke of the Polish–Lithuanian Commonwealth (1764–95) and was recognised as a great patron of the arts and sciences and a supporter of progressive reforms. Arriving at the Russian imperial court in Saint Petersburg in 1755, he became romantically involved with the twenty-six-year-old Catherine Alexeievna (the future Empress Catherine the Great). With her support, in 1764 he was elected king of Poland. Against expectations, he attempted to reform and strengthen the ailing Commonwealth. His efforts were met with external opposition from Prussia, Russia and Austria, all interested in keeping the Commonwealth weak. The reforms were overthrown following a succession of wars which led to the Partitions of Poland, marking the end of the Commonwealth. Stripped of all meaningful power, Poniatowski abdicated in November 1795 and spent the last years of his life in semi-captivity in Saint Petersburg.
[Ref: 34388] £120.00 (£144.00 incl.VAT)
Le Brun pinx.t D. Orme sc.t.
[n.d., c.1792.]
Stipple, rare. Sheet size: 127 x 100mm (5 x 4"). Trimmed inside platemark. Laid on backing sheet.
A half length portrait of Stanislaus August Poniatowski (1732 - 1798), inclined slightly to left, with powdered hair, fur coat with a star of the White Eagle, and a white ruffle. In an oval. Poniatowski was the last King and Grand Duke of the Polish–Lithuanian Commonwealth (1764–95) and was recognised as a great patron of the arts and sciences and a supporter of progressive reforms. Arriving at the Russian imperial court in Saint Petersburg in 1755, he became romantically involved with the twenty-six-year-old Catherine Alexeievna (the future Empress Catherine the Great). With her support, in 1764 he was elected king of Poland. Against expectations, he attempted to reform and strengthen the ailing Commonwealth. His efforts were met with external opposition from Prussia, Russia and Austria, all interested in keeping the Commonwealth weak. The reforms were overthrown following a succession of wars which led to the Partitions of Poland, marking the end of the Commonwealth. Stripped of all meaningful power, Poniatowski abdicated in November 1795 and spent the last years of his life in semi-captivity in Saint Petersburg.
[Ref: 34388] £120.00 (£144.00 incl.VAT)
Stanislaus Poniatovski. Palatinus Masoviae.
Sysang sc:
[n.d. c.1740.]
Engraving. Owl collectors mark on verso; unidentified. Plate 151 x 95mm. 6 x 3¾". Paper loss top left-hand corner. Cut to image down right-hand edge, paper added to make up margin.
Count Stanislaw Poniatowski (1676-1762) was a Polish-Lithuanian noble, and Knight of the Order of the White Eagle from 1726. Amongst military titles including Grand Treasurer of the Lithuanian Army, he was in 1731 made viovode of the Masovian Voivodeship. He was father to the future King Stanislaw August Poniatowski (1732-1798), the last King and Grand Duke of the Polish-Lithuanian Commonwealth.
[Ref: 17760] £95.00 (£114.00 incl.VAT)
Sysang sc:
[n.d. c.1740.]
Engraving. Owl collectors mark on verso; unidentified. Plate 151 x 95mm. 6 x 3¾". Paper loss top left-hand corner. Cut to image down right-hand edge, paper added to make up margin.
Count Stanislaw Poniatowski (1676-1762) was a Polish-Lithuanian noble, and Knight of the Order of the White Eagle from 1726. Amongst military titles including Grand Treasurer of the Lithuanian Army, he was in 1731 made viovode of the Masovian Voivodeship. He was father to the future King Stanislaw August Poniatowski (1732-1798), the last King and Grand Duke of the Polish-Lithuanian Commonwealth.
[Ref: 17760] £95.00 (£114.00 incl.VAT)
Stanislas Poniatowski. Colonel des gardes du Roi Stanislas 1er Leszczynski; Général des armées Suedoises; Palatin de Mazovic et Castellan de Krakovie [...] (De la Coll.on de L. Chodzko)
Joseph Peska del. James Hopwood sc.
P. Dien impr. [Paris, n.d., c. 1840.]
Stipple engraving on steel. Sheet 270 x 185mm, 10½ x 7¼".
Count Stanislaw Poniatowski (1676-1762), a general in both the Swedish and Lithuanian armies, father of the last king of Poland. A portrait from the collection of Leonard Chodzko (1800-71), a Polish historian active in the November Uprising of 1830 and the Great Emigration that followed it.
[Ref: 21246] £65.00 (£78.00 incl.VAT)
Joseph Peska del. James Hopwood sc.
P. Dien impr. [Paris, n.d., c. 1840.]
Stipple engraving on steel. Sheet 270 x 185mm, 10½ x 7¼".
Count Stanislaw Poniatowski (1676-1762), a general in both the Swedish and Lithuanian armies, father of the last king of Poland. A portrait from the collection of Leonard Chodzko (1800-71), a Polish historian active in the November Uprising of 1830 and the Great Emigration that followed it.
[Ref: 21246] £65.00 (£78.00 incl.VAT)
Welsh Moutain Ponies.
J. Trasott, Nelson Sq.e
A very rare etching. 260 x 382mm. 10¼ x 15".
Welsh mountain ponies are known for their good nature; their movement is bold and free, and often characteristically fast, especially at the trot. The Welsh Pony is reputed to be trustworthy and to have a good disposition, but is also spirited and enduring. They are known for their stamina and soundness; they generally have even temperaments and friendly personalities. They are usually easily trained, in part due to their high level of intelligence.
[Ref: 20237] £120.00 (£144.00 incl.VAT)
J. Trasott, Nelson Sq.e
A very rare etching. 260 x 382mm. 10¼ x 15".
Welsh mountain ponies are known for their good nature; their movement is bold and free, and often characteristically fast, especially at the trot. The Welsh Pony is reputed to be trustworthy and to have a good disposition, but is also spirited and enduring. They are known for their stamina and soundness; they generally have even temperaments and friendly personalities. They are usually easily trained, in part due to their high level of intelligence.
[Ref: 20237] £120.00 (£144.00 incl.VAT)
Viscount Duncannon.
Painted by Sir Jos.a Reynolds. Engraved by Jos.h Grozer.
Published as the Act directs March 31st 1786 by W.m Austin Draw.g Master & Print Merchant at his Patriotic Print Rooms, No.41 St James's Street.
Fine mezzotint, scratched letter proof, 395 x 280mm (15½ x 11"), on 18th century watermarked paper, with large margins.
Half-length portrait of Frederick Ponsonby (1758-1844), later the 3rd Earl of Bessborough and father of Lady Caroline Lamb.
CS 9, ii of iii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 67621] £380.00
Painted by Sir Jos.a Reynolds. Engraved by Jos.h Grozer.
Published as the Act directs March 31st 1786 by W.m Austin Draw.g Master & Print Merchant at his Patriotic Print Rooms, No.41 St James's Street.
Fine mezzotint, scratched letter proof, 395 x 280mm (15½ x 11"), on 18th century watermarked paper, with large margins.
Half-length portrait of Frederick Ponsonby (1758-1844), later the 3rd Earl of Bessborough and father of Lady Caroline Lamb.
CS 9, ii of iii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 67621] £380.00