A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
Welsh Moutain Ponies.
J. Trasott, Nelson Sq.e
A very rare etching. 260 x 382mm. 10¼ x 15".
Welsh mountain ponies are known for their good nature; their movement is bold and free, and often characteristically fast, especially at the trot. The Welsh Pony is reputed to be trustworthy and to have a good disposition, but is also spirited and enduring. They are known for their stamina and soundness; they generally have even temperaments and friendly personalities. They are usually easily trained, in part due to their high level of intelligence.
[Ref: 20237] £120.00 (£144.00 incl.VAT)
J. Trasott, Nelson Sq.e
A very rare etching. 260 x 382mm. 10¼ x 15".
Welsh mountain ponies are known for their good nature; their movement is bold and free, and often characteristically fast, especially at the trot. The Welsh Pony is reputed to be trustworthy and to have a good disposition, but is also spirited and enduring. They are known for their stamina and soundness; they generally have even temperaments and friendly personalities. They are usually easily trained, in part due to their high level of intelligence.
[Ref: 20237] £120.00 (£144.00 incl.VAT)
Viscount Duncannon.
Painted by Sir Jos.a Reynolds. Engraved by Jos.h Grozer.
Published as the Act directs March 31st 1786 by W.m Austin Draw.g Master & Print Merchant at his Patriotic Print Rooms, No.41 St James's Street.
Fine mezzotint, scratched letter proof, 395 x 280mm (15½ x 11"), on 18th century watermarked paper, with large margins.
Half-length portrait of Frederick Ponsonby (1758-1844), later the 3rd Earl of Bessborough and father of Lady Caroline Lamb.
CS 9, ii of iii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 67621] £380.00
Painted by Sir Jos.a Reynolds. Engraved by Jos.h Grozer.
Published as the Act directs March 31st 1786 by W.m Austin Draw.g Master & Print Merchant at his Patriotic Print Rooms, No.41 St James's Street.
Fine mezzotint, scratched letter proof, 395 x 280mm (15½ x 11"), on 18th century watermarked paper, with large margins.
Half-length portrait of Frederick Ponsonby (1758-1844), later the 3rd Earl of Bessborough and father of Lady Caroline Lamb.
CS 9, ii of iii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 67621] £380.00
![[John William Ponsonby. Lord Duncannon] All That Remains of The Late Woods & Forests or A Man Wot Has Seen Better Days.](jpegs/52763.jpg)
[John William Ponsonby. Lord Duncannon] All That Remains of The Late Woods & Forests or A Man Wot Has Seen Better Days. HB Sketches No.744.
HB [John Doyle.] Printed at 70 St Martins Lane.
Published by T. McLean, 26 Haymaret, Novr. 1842.
Fine coloured lithograph. 405 x 265mm (15¾ x 10½"). Some foxing. Stain top right.
Portrait of Lord Duncannon, wearing a top hat, tailcoat and gloves, standing next to a bollard under a street sign lettered with 'Downing Street', holding a broom. This sketch presents an exceedingly good portrait of the Earl of Besborough, (then Lord Duncannon) who held the office of Chief Commissioner of the Woods and Forests under the administration of Lord Melbourne.
BM Satires: undescribed.
[Ref: 52763] £120.00 (£144.00 incl.VAT)
HB [John Doyle.] Printed at 70 St Martins Lane.
Published by T. McLean, 26 Haymaret, Novr. 1842.
Fine coloured lithograph. 405 x 265mm (15¾ x 10½"). Some foxing. Stain top right.
Portrait of Lord Duncannon, wearing a top hat, tailcoat and gloves, standing next to a bollard under a street sign lettered with 'Downing Street', holding a broom. This sketch presents an exceedingly good portrait of the Earl of Besborough, (then Lord Duncannon) who held the office of Chief Commissioner of the Woods and Forests under the administration of Lord Melbourne.
BM Satires: undescribed.
[Ref: 52763] £120.00 (£144.00 incl.VAT)
Pont Aber Glaslyn, Merionethshire.
J. Warren Esq.r del.t Merke sculp.t
London, Published 14 May 1814, by T. Macdonald, Poets Gallery, 39 Fleet Street.
Coloured aquatint, very rare with large margins, J. Whatman 1826 watermarked paper; platemark 450 x 600mm (17¾ x 23½").
Pont Aberglaslyn, a bridge linking Caernarvonshire and Merionethshire in Wales and a popular location in the age of picturesque tourism. Here one group of figures cross the bridge while two more on the right gather around a fire. A wonderful example of a large coloured aquatint.
[Ref: 29858] £490.00
J. Warren Esq.r del.t Merke sculp.t
London, Published 14 May 1814, by T. Macdonald, Poets Gallery, 39 Fleet Street.
Coloured aquatint, very rare with large margins, J. Whatman 1826 watermarked paper; platemark 450 x 600mm (17¾ x 23½").
Pont Aberglaslyn, a bridge linking Caernarvonshire and Merionethshire in Wales and a popular location in the age of picturesque tourism. Here one group of figures cross the bridge while two more on the right gather around a fire. A wonderful example of a large coloured aquatint.
[Ref: 29858] £490.00
Pont Cysyllte Aqueduct, in the Vale of Llangollen, County of Denbigh.
Drawn on Stone by George Nicholson, Liverpool, from a Drawing by H. Billings, Wrexham, 1827.
Broadside. Lithograph, sheet 260 x 375mm (10½ x 14¾"), with letterpress description of the aqueduct, sheet 160 x 115mm (6¼ x 4½). Lithograph trimmed to printed border, some creasing.
The Pontcysyllte Aqueduct, built by Thomas Telford & William Jessop, opened 1805 and still navigable today.
[Ref: 31709] £240.00 (£288.00 incl.VAT) view all images for this item
Drawn on Stone by George Nicholson, Liverpool, from a Drawing by H. Billings, Wrexham, 1827.
Broadside. Lithograph, sheet 260 x 375mm (10½ x 14¾"), with letterpress description of the aqueduct, sheet 160 x 115mm (6¼ x 4½). Lithograph trimmed to printed border, some creasing.
The Pontcysyllte Aqueduct, built by Thomas Telford & William Jessop, opened 1805 and still navigable today.
[Ref: 31709] £240.00 (£288.00 incl.VAT) view all images for this item
Pont d'Arcole. d'aprés un Croquis fait pendant la Bataille par BD.
Bacler d'Albe ft. Lith de G Engelmann.
[n.d.,.1820-2.]
Lithograph. 275 x 362mm (10¾ x 14¼").
The Battle of the Bridge of Arcole was a strategic battle led by Napoleon Bonaparte against the Austrian army in the November of 1796. The aim was to cut the Austrian's line of retreat, a battle that was won by Napoleon. From 'Souvenirs pittoresques du Général Bacler d'Albe. Tome II, Campagne d'Espagne', a collection of landscapes by Louis Albert Guislain Bacler d'Albe (1761-1824) drawn during the Napoleonic Wars. A soldier, cartographer and painter, Bacler d'Albe was a close companion of Napoléon Bonaparte from Toulon in 1793 until 1815. Napoleon's will tasked him with the education of his son Napoleon II.
[Ref: 17318] £35.00 (£42.00 incl.VAT)
Bacler d'Albe ft. Lith de G Engelmann.
[n.d.,.1820-2.]
Lithograph. 275 x 362mm (10¾ x 14¼").
The Battle of the Bridge of Arcole was a strategic battle led by Napoleon Bonaparte against the Austrian army in the November of 1796. The aim was to cut the Austrian's line of retreat, a battle that was won by Napoleon. From 'Souvenirs pittoresques du Général Bacler d'Albe. Tome II, Campagne d'Espagne', a collection of landscapes by Louis Albert Guislain Bacler d'Albe (1761-1824) drawn during the Napoleonic Wars. A soldier, cartographer and painter, Bacler d'Albe was a close companion of Napoléon Bonaparte from Toulon in 1793 until 1815. Napoleon's will tasked him with the education of his son Napoleon II.
[Ref: 17318] £35.00 (£42.00 incl.VAT)
Le Petit Pont de pierre. Gravé par C. Norton d'aprés le Dessin original de même grandeur inventé et dessiné par Jean Pillement.
C. Norton.
London Publish'd according to Act of Parliament Dec. ye. 26th 1759.
Etching, 18th century watermark. Sheet 335 x 375mm (13¼ x 14¾"). Trimmed within plate.
A view of a ramshackle three-arched bridge in a rural landscape, with a ferryman taking a couple across the river by boat. From a series of three plates, with 'La Petite Montagne' and 'Le Petit Pont de pierre.'.
Gordon Smith p.80, plate 70. From the Airlie collection, Cortachy Castle.
[Ref: 57493] £260.00 (£312.00 incl.VAT)
C. Norton.
London Publish'd according to Act of Parliament Dec. ye. 26th 1759.
Etching, 18th century watermark. Sheet 335 x 375mm (13¼ x 14¾"). Trimmed within plate.
A view of a ramshackle three-arched bridge in a rural landscape, with a ferryman taking a couple across the river by boat. From a series of three plates, with 'La Petite Montagne' and 'Le Petit Pont de pierre.'.
Gordon Smith p.80, plate 70. From the Airlie collection, Cortachy Castle.
[Ref: 57493] £260.00 (£312.00 incl.VAT)
L’Aubreuvoir Paris au Pont Mariey.
Aepere [August-Louis Lepere]
1902.
Etching, 195 x 265mm (7¾ x 10½"), with small margins.
A view of Pont Marie bridge which crosses the Seine in Paris, France.
[Ref: 62601] £90.00 (£108.00 incl.VAT)
Aepere [August-Louis Lepere]
1902.
Etching, 195 x 265mm (7¾ x 10½"), with small margins.
A view of Pont Marie bridge which crosses the Seine in Paris, France.
[Ref: 62601] £90.00 (£108.00 incl.VAT)
No. 12. Pont y Pair over the River Conway above Llanrwst in the County of Denbigh.
P. Sandby Fecit.
Publish'd according to Act of Parliament by P. Sandby St. Georges Row, Sep.r 1st 1776.
Aquatint with etching, printed in brown. Sheet 240 x 315mm (9½ x 12½"). Trimmed to plate.
A view of Pont-y-Pair Bridge over the River Llugwy, published in Part II of Sandby's 'Views in Wales', the first series of aquatints published in Britain.
Abbey Scenery: 511.
[Ref: 31557] £220.00 (£264.00 incl.VAT)
P. Sandby Fecit.
Publish'd according to Act of Parliament by P. Sandby St. Georges Row, Sep.r 1st 1776.
Aquatint with etching, printed in brown. Sheet 240 x 315mm (9½ x 12½"). Trimmed to plate.
A view of Pont-y-Pair Bridge over the River Llugwy, published in Part II of Sandby's 'Views in Wales', the first series of aquatints published in Britain.
Abbey Scenery: 511.
[Ref: 31557] £220.00 (£264.00 incl.VAT)
![Miscellaneous British Scenery. No 2nd Plate 1st. [Pont y- Glen near Corwen North Wales.]](jpegs/52190.jpg)
Miscellaneous British Scenery. No 2nd Plate 1st. [Pont y- Glen near Corwen North Wales.]
Walmesley Pinx.t. R. & D. Havell Sculp.t.
[London: Published April 16 1810 by James Daniell Engraver 480 Strand.]
Rare aquatint, printed in colours and hand-finished. Sheet 455 x 610mm (18 x 24"). Trimmed within plate top and bottom, losing part of title and publication line, some creasing.
An old stone bridge over the cataract of Afon Ceirw, Merionethshire. The bridge was famous, also painted by J.M.W. Turner.
[Ref: 52190] £380.00
Walmesley Pinx.t. R. & D. Havell Sculp.t.
[London: Published April 16 1810 by James Daniell Engraver 480 Strand.]
Rare aquatint, printed in colours and hand-finished. Sheet 455 x 610mm (18 x 24"). Trimmed within plate top and bottom, losing part of title and publication line, some creasing.
An old stone bridge over the cataract of Afon Ceirw, Merionethshire. The bridge was famous, also painted by J.M.W. Turner.
[Ref: 52190] £380.00
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To Robert Watkin Wynne Esq.r M. P. This View of Pont-Newydd over the Ceirw near Corwen. Is with the greatest respect Inscribed by his obedient & obliged Servant. Edw.d Pugh.
From a Drawing by E. Pugh [...] W. Ellis Aquatinta
Published July 20 1794 by E. Pugh 13 Bedford Street Covent Garden
Aquatint, sheet 300 x 355mm (11¾x 14"). Trimmed to platemark.
A fine Welsh landscape with anglers after the miniature painter and topographer Edward Pugh (c.1761-1813).
[Ref: 47630] £190.00 (£228.00 incl.VAT)
From a Drawing by E. Pugh [...] W. Ellis Aquatinta
Published July 20 1794 by E. Pugh 13 Bedford Street Covent Garden
Aquatint, sheet 300 x 355mm (11¾x 14"). Trimmed to platemark.
A fine Welsh landscape with anglers after the miniature painter and topographer Edward Pugh (c.1761-1813).
[Ref: 47630] £190.00 (£228.00 incl.VAT)
Blockhaus construit par les Français sur le haut d'une lour pour défendre le passage de Ponte-Duero.
Bacler d'Albe ft. Lith de G Engelmann.
[Paris, 1820-22.]
Lithograph. 265 x 367mm. 10½ x 14½".
The Duero Bridge in Valladolid. A strategic fort was built by Napoleon in 1812 during the French Revolutionary Wars to defend the passage across the River Duero. Gun fire can be seen from the tower and the opposite side of the bridge, as the French army fight to hold their ground and defend the bridge and passageway. A boat in the foreground has had little success in crossing, with bodies lying on the shoreline. From 'Souvenirs pittoresques du Général Bacler d'Albe. Tome II, Campagne d'Espagne', a collection of landscapes by Louis Albert Guislain Bacler d'Albe (1761-1824) drawn during the Napoleonic Wars. A soldier, cartographer and painter, Bacler d'Albe was a close companion of Napoléon Bonaparte from Toulon in 1793 until 1815. Napoleon's will tasked him with the education of his son Napoleon II.
[Ref: 17319] £60.00 (£72.00 incl.VAT)
Bacler d'Albe ft. Lith de G Engelmann.
[Paris, 1820-22.]
Lithograph. 265 x 367mm. 10½ x 14½".
The Duero Bridge in Valladolid. A strategic fort was built by Napoleon in 1812 during the French Revolutionary Wars to defend the passage across the River Duero. Gun fire can be seen from the tower and the opposite side of the bridge, as the French army fight to hold their ground and defend the bridge and passageway. A boat in the foreground has had little success in crossing, with bodies lying on the shoreline. From 'Souvenirs pittoresques du Général Bacler d'Albe. Tome II, Campagne d'Espagne', a collection of landscapes by Louis Albert Guislain Bacler d'Albe (1761-1824) drawn during the Napoleonic Wars. A soldier, cartographer and painter, Bacler d'Albe was a close companion of Napoléon Bonaparte from Toulon in 1793 until 1815. Napoleon's will tasked him with the education of his son Napoleon II.
[Ref: 17319] £60.00 (£72.00 incl.VAT)
Plan and Survey of Pontefract Race Course in the County of York; including the Rises and Falls: with Notes Referring to an appendix, by Wm. Kemp. To Christopher Wilson Esq.r This Plate being No.3 of a Series of Surveys of the Principal Race Courses in England, is most Respectfully Dedicated by His most obedient and very humble Servant [facsimile signature:] Wm Kemp.
Davies sc. 34 Compton Str. Bruns.k Squ.
London, Published by Sherwood, Jones & Co. Paternoster Row. [n.d. c.1825.]
Hand-coloured engraving, 210 x 280mm ( 8½ x 10¾".). Two vertical folds as published. Trimmed within plate top and bottom.
Pontefract Racecourse, the thoroughbred horse racing venue in West Yorkshire; notable races held here include the Silver Tankard Stakes and the Pontefract Castle Stakes.
See Ref: 41083
[Ref: 58322] £75.00 (£90.00 incl.VAT)
Davies sc. 34 Compton Str. Bruns.k Squ.
London, Published by Sherwood, Jones & Co. Paternoster Row. [n.d. c.1825.]
Hand-coloured engraving, 210 x 280mm ( 8½ x 10¾".). Two vertical folds as published. Trimmed within plate top and bottom.
Pontefract Racecourse, the thoroughbred horse racing venue in West Yorkshire; notable races held here include the Silver Tankard Stakes and the Pontefract Castle Stakes.
See Ref: 41083
[Ref: 58322] £75.00 (£90.00 incl.VAT)
Paulus du Pont. Graveur admirable en taille douce, natif d'Anvers l'an 1603, il a faict son aprentisage chez Lucas Vostermans, et at demeure au pres Mons.r Rubens, ou il a faict quantite de chefs d'oeuvres: aussi pour Mons.r van Dyck, comme on voit par ses oeuvres.
I. Livens pinxit. P. de Iode sculpsit.
I Meyssens exc. [n.d. c.1622.]
Engraving. Plate 162 x 114mm. 6½ x 4½". Glued to backing sheet.
Paulus Pontius (1603-1658) was a well known Flemish engraver. From Cornelis de Bie's "Het gulden cabinet vande edel vry schilder const".
[Ref: 24526] £70.00 (£84.00 incl.VAT)
I. Livens pinxit. P. de Iode sculpsit.
I Meyssens exc. [n.d. c.1622.]
Engraving. Plate 162 x 114mm. 6½ x 4½". Glued to backing sheet.
Paulus Pontius (1603-1658) was a well known Flemish engraver. From Cornelis de Bie's "Het gulden cabinet vande edel vry schilder const".
[Ref: 24526] £70.00 (£84.00 incl.VAT)
![[Paulus Pontius.]](jpegs/36397.jpg)
[Paulus Pontius.]
Ant van Dyck pinx.t. Ja.s Watson fecit.
[Publish'd by Ja.s Watson, N. 16, Craven Buildings, Drury Lane; & Hen.y Parker opposite Birchin Lane, Cornhill.] [n.d., c.1770.]
Mezzotint, scratch letter proof before publisher's line. Sheet 355 x 250mm (14 x 9¾"). Crease across image.
Paulus Pontius (1603-58), Flemish engraver who worked with Rubens and van Dyck in Antwerp.
Ex: The collection of the Hon. C. Lennox-Boyd. CS 119, state i of iii. Goodwin: 47 i of iii.
[Ref: 36397] £160.00 (£192.00 incl.VAT)
Ant van Dyck pinx.t. Ja.s Watson fecit.
[Publish'd by Ja.s Watson, N. 16, Craven Buildings, Drury Lane; & Hen.y Parker opposite Birchin Lane, Cornhill.] [n.d., c.1770.]
Mezzotint, scratch letter proof before publisher's line. Sheet 355 x 250mm (14 x 9¾"). Crease across image.
Paulus Pontius (1603-58), Flemish engraver who worked with Rubens and van Dyck in Antwerp.
Ex: The collection of the Hon. C. Lennox-Boyd. CS 119, state i of iii. Goodwin: 47 i of iii.
[Ref: 36397] £160.00 (£192.00 incl.VAT)
![[Paulus Pontius.]](jpegs/65860.jpg)
[Paulus Pontius.]
Ant van Dyck pinx.t. Ja.s Watson fecit.
[Publish'd by Ja.s Watson, N. 16, Craven Buildings, Drury Lane; & Hen.y Parker opposite Birchin Lane, Cornhill.] [n.d., c.1770.]
Mezzotint, scratch letter rare proof before publication line, inscription area not wholly cleaned. 355 x 255mm (14 x 10"). Slight creasing on bottom left.
Paulus Pontius (1603-58), Flemish engraver who worked with Rubens and van Dyck in Antwerp.
CS 119, state i of iii. Goodwin: 47 i of iii. Ex: The collection of the Hon. C. Lennox-Boyd.
[Ref: 65860] £280.00 (£336.00 incl.VAT)
Ant van Dyck pinx.t. Ja.s Watson fecit.
[Publish'd by Ja.s Watson, N. 16, Craven Buildings, Drury Lane; & Hen.y Parker opposite Birchin Lane, Cornhill.] [n.d., c.1770.]
Mezzotint, scratch letter rare proof before publication line, inscription area not wholly cleaned. 355 x 255mm (14 x 10"). Slight creasing on bottom left.
Paulus Pontius (1603-58), Flemish engraver who worked with Rubens and van Dyck in Antwerp.
CS 119, state i of iii. Goodwin: 47 i of iii. Ex: The collection of the Hon. C. Lennox-Boyd.
[Ref: 65860] £280.00 (£336.00 incl.VAT)
Pontnewydd, near Corwen, Merionethshire.
J. Warren Esq.r del.t Merke sculp.t
London, Publish'd 14 May 1814, by T. Macdonald, Poets Gallery, 39 Fleet Street.
Coloured aquatint, very rare with large margins, J. Whatman watermarked paper; platemark 460 x 605mm (18 x 23¾").
A wonderful example of a large coloured aquatint.
[Ref: 29855] £490.00
J. Warren Esq.r del.t Merke sculp.t
London, Publish'd 14 May 1814, by T. Macdonald, Poets Gallery, 39 Fleet Street.
Coloured aquatint, very rare with large margins, J. Whatman watermarked paper; platemark 460 x 605mm (18 x 23¾").
A wonderful example of a large coloured aquatint.
[Ref: 29855] £490.00
![[Pontypridd Old Bridge] [The Great Bridge of the Taaffe in South Wales.]](jpegs/56688.jpg)
[Pontypridd Old Bridge] [The Great Bridge of the Taaffe in South Wales.]
[Richard Wilson Pinx.t. P.C. Canot Sculp.t.]
[Published July 17th 1775 by John Boydell Engraver in Cheapside London.]
Scarce engraving, proof before all letters. 400 x 540mm (15¾ x 21¼"), with large margins. Uncut.
Pontypridd's 'Old Bridge', built 1756 by William Edwards, at the time the longest single-span bridge in Britain. Still in use as a footbridge, it is Grade I listed. This bridge was Edwards' fourth attempt: the first (1746) had three arches but was swept away by a flood after two years; the second (1748) collapsed during construction; the third fell after only six weeks. The expence of the successive rebuildings left Edwards out-of-pocket, and a subscription was raised to pay his debts. Richard Wilson (1 August 1714 - 15 May 1782) was a Welsh landscape painter, and one of the founder members of the Royal Academy in 1768. The son of a clergyman, Wilson was born in Penegoes, Montgomeryshire. In 1729 he went to London where he began as a portrait painter. From 1750 to 1757 he was in Italy and adopted landscape on the advice of Francesco Zuccarelli. Painting in Italy and afterwards in England, he was the first major British painter to primarily concentrate on landscape. He composed well, but saw and rendered only the general effects of nature thereby creating a personal, ideal style influenced by Claude Lorrain and the Dutch landscape tradition. According to John Ruskin, he 'paints in a manly way,'. His landscapes were acknowledged as influential and many were engraved by the most accomplished artists and engravers. Wilson died in Colomendy, Denbighshire. This very fine proof engraving of Pontypridd Bridge is Wales was engraved by Canot. Canot, Peter Charles 1710-1777, engraver, was a native of France, who came to England in 1740, and remained here till he died. He was a member of the Incorporated Society of Artists in 1766, and was elected an associate engraver of the Royal Academy in 1770, when that degree was first instituted. He exhibited at the Society of Artists, the Free Society, and the Royal Academy.
[Ref: 56688] £580.00
[Richard Wilson Pinx.t. P.C. Canot Sculp.t.]
[Published July 17th 1775 by John Boydell Engraver in Cheapside London.]
Scarce engraving, proof before all letters. 400 x 540mm (15¾ x 21¼"), with large margins. Uncut.
Pontypridd's 'Old Bridge', built 1756 by William Edwards, at the time the longest single-span bridge in Britain. Still in use as a footbridge, it is Grade I listed. This bridge was Edwards' fourth attempt: the first (1746) had three arches but was swept away by a flood after two years; the second (1748) collapsed during construction; the third fell after only six weeks. The expence of the successive rebuildings left Edwards out-of-pocket, and a subscription was raised to pay his debts. Richard Wilson (1 August 1714 - 15 May 1782) was a Welsh landscape painter, and one of the founder members of the Royal Academy in 1768. The son of a clergyman, Wilson was born in Penegoes, Montgomeryshire. In 1729 he went to London where he began as a portrait painter. From 1750 to 1757 he was in Italy and adopted landscape on the advice of Francesco Zuccarelli. Painting in Italy and afterwards in England, he was the first major British painter to primarily concentrate on landscape. He composed well, but saw and rendered only the general effects of nature thereby creating a personal, ideal style influenced by Claude Lorrain and the Dutch landscape tradition. According to John Ruskin, he 'paints in a manly way,'. His landscapes were acknowledged as influential and many were engraved by the most accomplished artists and engravers. Wilson died in Colomendy, Denbighshire. This very fine proof engraving of Pontypridd Bridge is Wales was engraved by Canot. Canot, Peter Charles 1710-1777, engraver, was a native of France, who came to England in 1740, and remained here till he died. He was a member of the Incorporated Society of Artists in 1766, and was elected an associate engraver of the Royal Academy in 1770, when that degree was first instituted. He exhibited at the Society of Artists, the Free Society, and the Royal Academy.
[Ref: 56688] £580.00
![[Poodle] Barbet. Pudel. Uszkàr.](jpegs/29487.jpg)
[Poodle] Barbet. Pudel. Uszkàr. 73.
[n.d. c.1847.]
Lithograph, rare with large margins. 240 x 368mm (9½ x 14½").
A small poodle tied to a post by a stream. From "Panorama der Saeugethiere lithographirt und herausgegeben von H. Reichert".
[Ref: 29487] £140.00 (£168.00 incl.VAT)
[n.d. c.1847.]
Lithograph, rare with large margins. 240 x 368mm (9½ x 14½").
A small poodle tied to a post by a stream. From "Panorama der Saeugethiere lithographirt und herausgegeben von H. Reichert".
[Ref: 29487] £140.00 (£168.00 incl.VAT)
Sit up Papagèno.
Engraved from a Drawing by H. Singleton, in the possession of Sir Tho.s Duke Acland, Bar.t M.P. and most respectfully dedicated to Lady Acland, By her Ladyship's greatly obliged and most obedient humble Servant, J.S.Agar.
London. Published Feb 21st 1825 by I.S.Agar, 59 Stafford Place, Pimlico.
Stipple engraving with roulette. 350 x 385mm. Trimmed to platemark at top and bottom.
Two young children training a poodle to beg. Alarmingly one has a whip.
[Ref: 5544] £220.00 (£264.00 incl.VAT)
Engraved from a Drawing by H. Singleton, in the possession of Sir Tho.s Duke Acland, Bar.t M.P. and most respectfully dedicated to Lady Acland, By her Ladyship's greatly obliged and most obedient humble Servant, J.S.Agar.
London. Published Feb 21st 1825 by I.S.Agar, 59 Stafford Place, Pimlico.
Stipple engraving with roulette. 350 x 385mm. Trimmed to platemark at top and bottom.
Two young children training a poodle to beg. Alarmingly one has a whip.
[Ref: 5544] £220.00 (£264.00 incl.VAT)
Kleiner Pudel. Griffon. Uszkár.
[n.d., c.1830.]
Lithograph. Sheet: 240 x 395mm (9½ x 15½"), with very large margins.
A portrait of a small poodle retrieving.
[Ref: 47738] £80.00 (£96.00 incl.VAT)
[n.d., c.1830.]
Lithograph. Sheet: 240 x 395mm (9½ x 15½"), with very large margins.
A portrait of a small poodle retrieving.
[Ref: 47738] £80.00 (£96.00 incl.VAT)
![[Pair of pencil sketches of a poodle acrobat, acorns and other emblems]](jpegs/60842.jpg)
[Pair of pencil sketches of a poodle acrobat, acorns and other emblems]
[Dobbs]
[n.d., c.1830's]
Pair of pencil sketches on card with embossed borders. Sheets 110 x 155mm (4¼ x 6") & 90 x 130mm (7½ x 5¼"). Mounted together on album paper.
Two scenes of the same poodle, with shaved rear half, jumping through a hoop and carrying a cane.
[Ref: 60842] £260.00 (£312.00 incl.VAT)
[Dobbs]
[n.d., c.1830's]
Pair of pencil sketches on card with embossed borders. Sheets 110 x 155mm (4¼ x 6") & 90 x 130mm (7½ x 5¼"). Mounted together on album paper.
Two scenes of the same poodle, with shaved rear half, jumping through a hoop and carrying a cane.
[Ref: 60842] £260.00 (£312.00 incl.VAT)
The Pool from London Bridge, Morning.
W. Parrott del et lith.
Published by Henry Brooks, 919, Regent Street, Portland Place, and 87, New Bond Street, April 15.th. 1841. Printed by C. Hullmandel.
Lithograph with very large margins. Sheet: 545 x 365mm, (21½ x 14½").
A view of the Thames crowded with steam ships loaded with people, the sun rises in the East. From 'London from the Thames' by William Parrott, one of the most important series of London views of the period.
[Ref: 36746] £480.00
W. Parrott del et lith.
Published by Henry Brooks, 919, Regent Street, Portland Place, and 87, New Bond Street, April 15.th. 1841. Printed by C. Hullmandel.
Lithograph with very large margins. Sheet: 545 x 365mm, (21½ x 14½").
A view of the Thames crowded with steam ships loaded with people, the sun rises in the East. From 'London from the Thames' by William Parrott, one of the most important series of London views of the period.
[Ref: 36746] £480.00
The Pool of Bethesda. Engraved from the Original Picture; Painted by William Hogarth Esqr. on the Stair Case in St. Bartholomew's Hospital. Size of the picture, 13F, 8I bu 20F, 3I in Length. Vol II No.57. St. John Chap: V.
Willm. Hogarth pinxit. John Boydell excudit. Ravenet & Picot sculpserant.
Published Feby. 24th. 1772 by John Boydell Engraver in Cheapside London.
Engraving, paper watermarked. Image plate: 425 x 564mm (16¾ x 22¼"); Publication plate: 58 x 564mm (2¼ x 22¼"); Sheet: 501 x 660mm (19¾ x 26"). Large margins on 3 sides; top margin cut to platemark.
Christ at the pool of Bethesdar healing the lame; an angel descends over the waters.
Ex Collection Duke of Westminster. Paulson: not in.
[Ref: 38193] £220.00 (£264.00 incl.VAT)
Willm. Hogarth pinxit. John Boydell excudit. Ravenet & Picot sculpserant.
Published Feby. 24th. 1772 by John Boydell Engraver in Cheapside London.
Engraving, paper watermarked. Image plate: 425 x 564mm (16¾ x 22¼"); Publication plate: 58 x 564mm (2¼ x 22¼"); Sheet: 501 x 660mm (19¾ x 26"). Large margins on 3 sides; top margin cut to platemark.
Christ at the pool of Bethesdar healing the lame; an angel descends over the waters.
Ex Collection Duke of Westminster. Paulson: not in.
[Ref: 38193] £220.00 (£264.00 incl.VAT)
View of the Independent Chapel, Poole. This print is most respectfully dedicated to the Ministers and Congregationm by their obliged and humble servant, J.R. Justican.
Drawn by Henry Burn. Day & Hague, Lith.rs to the Queen.
[n.d., c.1840.]
Lithograph on chine, very scarce. Printed area 280 x 375mm (11 x 14¾")
Now the Skinner Street United Reformed Church, Minister Rev.d Tim Meachin.
Not in Abbey Scenery.
[Ref: 30906] £260.00 (£312.00 incl.VAT)
Drawn by Henry Burn. Day & Hague, Lith.rs to the Queen.
[n.d., c.1840.]
Lithograph on chine, very scarce. Printed area 280 x 375mm (11 x 14¾")
Now the Skinner Street United Reformed Church, Minister Rev.d Tim Meachin.
Not in Abbey Scenery.
[Ref: 30906] £260.00 (£312.00 incl.VAT)
To the Merchants Shipowners, and Inhabitants of Poole, This View of the Harbour, is most Respectfully inscribed by their obedient Servant, Rich.d And.w Grove.
On Stone by L. Haghe. J.M. Gilbert del.t. Day & Haghe Lith.rs to the King, Gate St. Linc. Inn F.ds.
Pub.d by R.A. Grove, Lymington, Hants May 1833.
Lithograph on india with hand colour, very scarce. India 385 x 545mm (15¼ x 21½"). Laid on new paper.
A superb view of the working boats in Poole Harbour, including a rowing boat with lobster pots.
Not in Abbey Scenery.
[Ref: 30909] £950.00
On Stone by L. Haghe. J.M. Gilbert del.t. Day & Haghe Lith.rs to the King, Gate St. Linc. Inn F.ds.
Pub.d by R.A. Grove, Lymington, Hants May 1833.
Lithograph on india with hand colour, very scarce. India 385 x 545mm (15¼ x 21½"). Laid on new paper.
A superb view of the working boats in Poole Harbour, including a rowing boat with lobster pots.
Not in Abbey Scenery.
[Ref: 30909] £950.00
Poole, Dorsetshire.
Drawn & Engraved by Will.m Daniell.
Published by W. Daniell, Cleveland Street, Fitzroy Square, London, Aug.t 1, 1823.
Aquatint with fine original hand colour. 230 x 300mm (9 x 12"), with large margins.
A view of Poole in Dorset. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 47158] £230.00 (£276.00 incl.VAT)
Drawn & Engraved by Will.m Daniell.
Published by W. Daniell, Cleveland Street, Fitzroy Square, London, Aug.t 1, 1823.
Aquatint with fine original hand colour. 230 x 300mm (9 x 12"), with large margins.
A view of Poole in Dorset. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 47158] £230.00 (£276.00 incl.VAT)
South East View of Brownsea Castle & Island, the Summer Sea of H. Sturt Esq. Built and planted by the present Possessor consisting of about one thosand Acres. 1774
[n.d., c.1796.]
Engraving. 225 x 375mm (8¾ x 14¾"), with large margins. Some staining on right.
View of Brownsea Island in Poole Harbour. Inheriting the castle in 1765, Sir Humphrey Sturt extended the 16th century blockhouse castle to form a Palladian styled, four-storey tower with battlements, and landscaped the island, importing manure to improve the soil. From The History and Antiquities of the County of Dorset' by Hutchins.
[Ref: 58765] £160.00 (£192.00 incl.VAT)
[n.d., c.1796.]
Engraving. 225 x 375mm (8¾ x 14¾"), with large margins. Some staining on right.
View of Brownsea Island in Poole Harbour. Inheriting the castle in 1765, Sir Humphrey Sturt extended the 16th century blockhouse castle to form a Palladian styled, four-storey tower with battlements, and landscaped the island, importing manure to improve the soil. From The History and Antiquities of the County of Dorset' by Hutchins.
[Ref: 58765] £160.00 (£192.00 incl.VAT)
![[Brownsea Castle] View of Branksea Castle & Island, with the Town & Harbour of Poole.](jpegs/30901.jpg)
[Brownsea Castle] View of Branksea Castle & Island, with the Town & Harbour of Poole. (Taken from Parkestone.)
Clay Litho.
[n.d., c.1850.]
Very scarce tinted lithograph. Sheet 275 x 360mm (10¾ x 14¼"). Faint soiling, backed with waxy paper.
View of Brownsea Island in Poole Harbour from Parkstone, from the ridge to the north-east of Poole, looking towards Purbeck.
Not in Abbey Scenery.
[Ref: 30901] £420.00
Clay Litho.
[n.d., c.1850.]
Very scarce tinted lithograph. Sheet 275 x 360mm (10¾ x 14¼"). Faint soiling, backed with waxy paper.
View of Brownsea Island in Poole Harbour from Parkstone, from the ridge to the north-east of Poole, looking towards Purbeck.
Not in Abbey Scenery.
[Ref: 30901] £420.00
Robertus Poole, Doctor Medicinae AEtatis suae 35 An.o Dom: 1743
Aug.s Armstrong pinx. J. Faber fecit.
Mezzotint with large margins, platemark 165 x 100mm (6½ x 4"). Paper tone; crease top right.
Robert Poole (1707/8-52), physician and theological writer. As a physician's pupil at St Thomas's Hospital he published (under a pseudonym) a meticulous description of the hospital, 'A Physical Vade Mecum [...]' (1741). He later travelled widely, studying in France and visiting Gibraltar and the West Indies. This portrait was included in his 'Journal from London to France and Holland, or, the Traveller's Useful Vade Mecum'. Only likeness.
Ex: collection of the late Hon. C. Lennox-Boyd; CS 292 (only state). Wellcome Library no. 7916i.
[Ref: 34108] £260.00 (£312.00 incl.VAT)
Aug.s Armstrong pinx. J. Faber fecit.
Mezzotint with large margins, platemark 165 x 100mm (6½ x 4"). Paper tone; crease top right.
Robert Poole (1707/8-52), physician and theological writer. As a physician's pupil at St Thomas's Hospital he published (under a pseudonym) a meticulous description of the hospital, 'A Physical Vade Mecum [...]' (1741). He later travelled widely, studying in France and visiting Gibraltar and the West Indies. This portrait was included in his 'Journal from London to France and Holland, or, the Traveller's Useful Vade Mecum'. Only likeness.
Ex: collection of the late Hon. C. Lennox-Boyd; CS 292 (only state). Wellcome Library no. 7916i.
[Ref: 34108] £260.00 (£312.00 incl.VAT)
A Perspective View of the Poor House of Edinburgh as it now Stands unfinished.
The Hon.ble John Elphinstone Esq.r Engineer delin.t Parr Sculp.
[n.d. c.1740.]
Engraving, paper watermarked. Plate 210 x 330mm (8¼ x 13").
The Edinburgh Charity Poorhouse in Port Bristo was built in 1739-1743 by Samuel Neilson, mason, and William McVey and James Heriot. It was financed by voluntary subscriptions. Funds for its operation were raised by a variety of means such as a tax on the valued rents of the city, collections at church doors, charitable donations and other contributions including and annual benefit play at one of the city’s theatres. It was a substantial establishment that, in 1777-8, could accommodate 484 adults and 180 children.
[Ref: 30776] £120.00 (£144.00 incl.VAT)
The Hon.ble John Elphinstone Esq.r Engineer delin.t Parr Sculp.
[n.d. c.1740.]
Engraving, paper watermarked. Plate 210 x 330mm (8¼ x 13").
The Edinburgh Charity Poorhouse in Port Bristo was built in 1739-1743 by Samuel Neilson, mason, and William McVey and James Heriot. It was financed by voluntary subscriptions. Funds for its operation were raised by a variety of means such as a tax on the valued rents of the city, collections at church doors, charitable donations and other contributions including and annual benefit play at one of the city’s theatres. It was a substantial establishment that, in 1777-8, could accommodate 484 adults and 180 children.
[Ref: 30776] £120.00 (£144.00 incl.VAT)
The Cryer of Poor Jack.
[after Marcellus Laroon II]
Pub.d Sep.t 16 1813. by R.S. Kirby. 11 London House Yard.
Etching, 200 x 130mm (8 x 5), with margins.
A later version of a print from the 1688, 'The Cryes of the City of London Drawne after the Life.' A street vendor walks to the left, balancing a basket of goods on his head and holding a stick in his right hand. To the right, a woman follows behind, using two walking sticks for support.
[Ref: 65992] £60.00 (£72.00 incl.VAT)
[after Marcellus Laroon II]
Pub.d Sep.t 16 1813. by R.S. Kirby. 11 London House Yard.
Etching, 200 x 130mm (8 x 5), with margins.
A later version of a print from the 1688, 'The Cryes of the City of London Drawne after the Life.' A street vendor walks to the left, balancing a basket of goods on his head and holding a stick in his right hand. To the right, a woman follows behind, using two walking sticks for support.
[Ref: 65992] £60.00 (£72.00 incl.VAT)
Poor Richard's Way to Wealth.
[Anon., c.1840]
Lithograph cut into twenty-five sections, each glued to same backing sheet, total sheet size 690 x 495mm (27 x 19½"). Vignettes arranged in different order from original sheet.
Sheet of vignettes illustrating sayings from 'Poor Richard's Almanack', a yearly almanac published by Benjamin Franklin from 1732 to 1758.
The complete sheet is reproduced in 'The Autobiography of Benjamin Franklin: The Complete Illustrated History' (Voyageur Press, 2017); for another collection of vignettes illustrating 'Poor Richard' s
[Ref: 43832] £85.00 (£102.00 incl.VAT) view all images for this item
[Anon., c.1840]
Lithograph cut into twenty-five sections, each glued to same backing sheet, total sheet size 690 x 495mm (27 x 19½"). Vignettes arranged in different order from original sheet.
Sheet of vignettes illustrating sayings from 'Poor Richard's Almanack', a yearly almanac published by Benjamin Franklin from 1732 to 1758.
The complete sheet is reproduced in 'The Autobiography of Benjamin Franklin: The Complete Illustrated History' (Voyageur Press, 2017); for another collection of vignettes illustrating 'Poor Richard' s
[Ref: 43832] £85.00 (£102.00 incl.VAT) view all images for this item
The Poor Soldier.
[Ch. Ansell del.]
[n.d. c.1820.]
Mezzotint. Plate 395 x 324mm (15½ x 12½").
A soldier introducing a young women to another man in military dress. Her hand is outstretched, yet she nervously plays with her hem and head bowed. Possibly a scene from the popular comic opera 'The Poor Soldier' by John O'Keefe, composed by William Shield c.1782.
Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 14810] £240.00 (£288.00 incl.VAT)
[Ch. Ansell del.]
[n.d. c.1820.]
Mezzotint. Plate 395 x 324mm (15½ x 12½").
A soldier introducing a young women to another man in military dress. Her hand is outstretched, yet she nervously plays with her hem and head bowed. Possibly a scene from the popular comic opera 'The Poor Soldier' by John O'Keefe, composed by William Shield c.1782.
Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 14810] £240.00 (£288.00 incl.VAT)
Poor Will Putty.
Harrild, Printer, 20 Great Eastcheap. [n.d., c.1810.]
Rare coloured etching with letterpress underneath. Sheet 245 x 190mm (9¾ 7½"). Old ink mss numeral top right, some surface soiling. Printer's crease.
A song sheet telling the story of a glazier who marries a frightful scold, sells her to a sailor and finds himself cheated. Robert Harrild established his printing and publishing firm c.1801; his family kept the business going for over a century.
The 'Bodleian Ballads Online' identifies the author of the ballad as Charles Dibdin (1768-1833).
[Ref: 41579] £180.00 (£216.00 incl.VAT)
Harrild, Printer, 20 Great Eastcheap. [n.d., c.1810.]
Rare coloured etching with letterpress underneath. Sheet 245 x 190mm (9¾ 7½"). Old ink mss numeral top right, some surface soiling. Printer's crease.
A song sheet telling the story of a glazier who marries a frightful scold, sells her to a sailor and finds himself cheated. Robert Harrild established his printing and publishing firm c.1801; his family kept the business going for over a century.
The 'Bodleian Ballads Online' identifies the author of the ballad as Charles Dibdin (1768-1833).
[Ref: 41579] £180.00 (£216.00 incl.VAT)
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The Pop Shop!!
London Pub.d by S.W.Fores 41 Piccadilly July, 1826.
Coloured etching, rare. Sheet 135 x 165mm (5¼ x 6¼").
A barman at a shop selling carbonated drinks accidently fires a cork onto a customer's nose. The title also puns 'pop shop' as slang for a pawnbroker's establishment.
[Ref: 33116] £160.00 (£192.00 incl.VAT)
London Pub.d by S.W.Fores 41 Piccadilly July, 1826.
Coloured etching, rare. Sheet 135 x 165mm (5¼ x 6¼").
A barman at a shop selling carbonated drinks accidently fires a cork onto a customer's nose. The title also puns 'pop shop' as slang for a pawnbroker's establishment.
[Ref: 33116] £160.00 (£192.00 incl.VAT)
![[A pope's investiture?]](jpegs/49778.jpg)
[A pope's investiture?]
[n.d., c.1502?].
Woodcut. Sheet 120 x 140mm (4¾ x 5½"), German letterpress on reverse. Trimmed to printed border, laid on album paper.
A note on the backing paper reads 'Jerome Greff 1502' (Hieronymus Greff, 1460-1525), although there is no sign of Greff's usual 'IMF' monogram.
[Ref: 49778] £140.00 (£168.00 incl.VAT)
[n.d., c.1502?].
Woodcut. Sheet 120 x 140mm (4¾ x 5½"), German letterpress on reverse. Trimmed to printed border, laid on album paper.
A note on the backing paper reads 'Jerome Greff 1502' (Hieronymus Greff, 1460-1525), although there is no sign of Greff's usual 'IMF' monogram.
[Ref: 49778] £140.00 (£168.00 incl.VAT)
A View of the late Celebrated Mr Pope's House, fronting the River Thames.
Printed for_Bowles & Carver,_No. 69 St. Pauls Church Yard London.
Engraving, writing in ink verso? Spanish. Plate: 230 x 165mm (9 x 6½"). Paper tone and marking.
A tourist advert view of Alexander Pope's house in Twickenham, situated on the Thames. The house was demolished in 1807.
[Ref: 46439] £140.00 (£168.00 incl.VAT)
Printed for_Bowles & Carver,_No. 69 St. Pauls Church Yard London.
Engraving, writing in ink verso? Spanish. Plate: 230 x 165mm (9 x 6½"). Paper tone and marking.
A tourist advert view of Alexander Pope's house in Twickenham, situated on the Thames. The house was demolished in 1807.
[Ref: 46439] £140.00 (£168.00 incl.VAT)
The Pope's Infernal Machine. Shall it Undermine our National and Religious Liberty?
Gegeëf 10.2.74.
London: Published by E. Appleyard 88 Farringdon St: E.C.
Lithograph. Sheet 280 x 420mm (11 x 16½"). Creases and small tears.
An anti-catholic broadside, specifically attacking the confessional.
[Ref: 51776] £85.00 (£102.00 incl.VAT)
Gegeëf 10.2.74.
London: Published by E. Appleyard 88 Farringdon St: E.C.
Lithograph. Sheet 280 x 420mm (11 x 16½"). Creases and small tears.
An anti-catholic broadside, specifically attacking the confessional.
[Ref: 51776] £85.00 (£102.00 incl.VAT)
Pope's Villa Twickenham.
W.Westall. A.R.A. delt. C.Bentley. sculp.
Published 1828, by R.Ackermanm, 96 Strand, London.
Coloured aquatint. 220 x 280mm.
ABBEY: Scenery 435.
[Ref: 6562] £230.00 (£276.00 incl.VAT)
W.Westall. A.R.A. delt. C.Bentley. sculp.
Published 1828, by R.Ackermanm, 96 Strand, London.
Coloured aquatint. 220 x 280mm.
ABBEY: Scenery 435.
[Ref: 6562] £230.00 (£276.00 incl.VAT)
Alexandre Pope. né a Londres le 6 Juin 1688, mort le 30 may 1744.
Kneller pinxit 1722. Marillier Ornam. del.
Le Beau Graveur de Mgr le Duc de Chartres. [n.d., c.1778.]
Engraving. Sheet: 195 x 120mm (7¾ x 4¾'').
A French portrait of English poet Alexander Pope (1688-1744), set within an oval below which a satyr and cupid play around a plaque.
[Ref: 48657] £65.00 (£78.00 incl.VAT)
Kneller pinxit 1722. Marillier Ornam. del.
Le Beau Graveur de Mgr le Duc de Chartres. [n.d., c.1778.]
Engraving. Sheet: 195 x 120mm (7¾ x 4¾'').
A French portrait of English poet Alexander Pope (1688-1744), set within an oval below which a satyr and cupid play around a plaque.
[Ref: 48657] £65.00 (£78.00 incl.VAT)
Pope.
Sysang sc.
[n.d., c.1750.]
Engraving, rare. Sheet: 145 x 85mm (5¾ x 3¼''). Trimmed.
A profile, bust of English poet Alexander Pope (1688-1744).
[Ref: 48668] £120.00 (£144.00 incl.VAT)
Sysang sc.
[n.d., c.1750.]
Engraving, rare. Sheet: 145 x 85mm (5¾ x 3¼''). Trimmed.
A profile, bust of English poet Alexander Pope (1688-1744).
[Ref: 48668] £120.00 (£144.00 incl.VAT)
Alexander Pope. From the fine Original Bust by Rysbrack, in the Possession of W.m Seward Esq.r.
Drawn by J. Brown. Engraved by M.no Bovi, Pupil to F. Bartolozzi R.A.
London Publish'd by Mrs. Brown, at Mr Middleton's No. 162 Strand, Feb.y 1788.
Stipple. Plate: 360 x 285mm (14 x 11¼''), with large margins. Creasing and marking.
A profile view of a bust of poet and writer Alexander Pope (1688 - 1744).
[Ref: 49045] £95.00 (£114.00 incl.VAT)
Drawn by J. Brown. Engraved by M.no Bovi, Pupil to F. Bartolozzi R.A.
London Publish'd by Mrs. Brown, at Mr Middleton's No. 162 Strand, Feb.y 1788.
Stipple. Plate: 360 x 285mm (14 x 11¼''), with large margins. Creasing and marking.
A profile view of a bust of poet and writer Alexander Pope (1688 - 1744).
[Ref: 49045] £95.00 (£114.00 incl.VAT)
![[Alexander Pope.]](jpegs/49046.jpg)
[Alexander Pope.] [From the fine Original Bust by Rysbrack, in the Possession of W.m Seward Esq.r.]
[Drawn by J. Brown. Engraved by M.no Bovi, Pupil to F. Bartolozzi R.A.]
[London Publish'd by Mrs. Brown, at Mr Middleton's No. 162 Strand, Feb.y 1788.]
Stipple, proof before all letters. Plate: 315 x 240mm (12¼ x 9½''). Laid on album sheet at edges, foxing. Small margins.
A profile view of a bust of poet and writer Alexander Pope (1688 - 1744).
[Ref: 49046] £150.00 (£180.00 incl.VAT)
[Drawn by J. Brown. Engraved by M.no Bovi, Pupil to F. Bartolozzi R.A.]
[London Publish'd by Mrs. Brown, at Mr Middleton's No. 162 Strand, Feb.y 1788.]
Stipple, proof before all letters. Plate: 315 x 240mm (12¼ x 9½''). Laid on album sheet at edges, foxing. Small margins.
A profile view of a bust of poet and writer Alexander Pope (1688 - 1744).
[Ref: 49046] £150.00 (£180.00 incl.VAT)
Mr. Pope.
G. Kneller Bar.t Pinxt 1721. John Faber fecit.
Printed for Tho. Bowles in St. Paul's Church Yard. and Jn.º Bowles & Son at the Black Horse in Cornhill.
Mezzotint. Sheet 330 x 225mm (13 x 8¾"). Trimmed to plate, surface rubbing. Messy.
A head and shoulders profile portrait of Alexander Pope in classical robe and wreath.
Chaloner Smith 293, ii of ii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 67531] £130.00 (£156.00 incl.VAT)
G. Kneller Bar.t Pinxt 1721. John Faber fecit.
Printed for Tho. Bowles in St. Paul's Church Yard. and Jn.º Bowles & Son at the Black Horse in Cornhill.
Mezzotint. Sheet 330 x 225mm (13 x 8¾"). Trimmed to plate, surface rubbing. Messy.
A head and shoulders profile portrait of Alexander Pope in classical robe and wreath.
Chaloner Smith 293, ii of ii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 67531] £130.00 (£156.00 incl.VAT)
Alexander Pope, Poeta Anglus, Ob: A.o 1744 Aetat: 57. Hanc Imaginem ex ipso Archetypo, a Vanlo picto 1742 expressam viro Honorabili Guilmo Murray Solicatori Generali apud quem Deponitur. Humillime D.D.D. Johannes Faber.
[Engraved by John Faber Jnr after Joseph Van Loo.]
Price 2 Shill Sold by J. Faber at the Golden Head in Bloomsbury Square [n.d. c.1750].
Fine mezzotint. 360 x 255mm (14¼ x 10"), with large margins.
Three-quarter portrait of poet and writer Alexander Pope (1688-1744), looking towards the right, with paper in his right hand and his left hand slightly pushing his wig back from his head.
CS 294. ii of ii. Russell ii of iii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 67532] £380.00
[Engraved by John Faber Jnr after Joseph Van Loo.]
Price 2 Shill Sold by J. Faber at the Golden Head in Bloomsbury Square [n.d. c.1750].
Fine mezzotint. 360 x 255mm (14¼ x 10"), with large margins.
Three-quarter portrait of poet and writer Alexander Pope (1688-1744), looking towards the right, with paper in his right hand and his left hand slightly pushing his wig back from his head.
CS 294. ii of ii. Russell ii of iii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 67532] £380.00
![[Pope.]](jpegs/65301.jpg)
[Pope.] OYTOE EKEINOE
LB fc.
[n.d. c.1725]
Very scarce mezzotint with hand colour, sheet 165 x 130mm (6½ x 5"). Trimmed. Taped into mount.
A portrait of Alexander Pope (1688-1744), depicted in a bust, facing left in profile, wearing a laurel crown, and set within an oval frame lettered with greek letters. Jacob Christoph Le Blon (1667-1741) was a painter and engraver from Frankfurt who pioneered the system of three- and four-color printing. He used the RYB color model, which later evolved into the modern CMYK system. Le Blon employed the mezzotint technique to engrave three or four metal plates, each corresponding to a different ink, allowing for prints with a broad spectrum of colors. His innovations laid the groundwork for the development of modern color printing.
Not in CS. New Hollstein 39. Ex: Collection of The Hon. C. Lennox-Boyd. From Christopher Mendez, who states "that this maybe only the second impression recorded".
[Ref: 65301] £690.00
LB fc.
[n.d. c.1725]
Very scarce mezzotint with hand colour, sheet 165 x 130mm (6½ x 5"). Trimmed. Taped into mount.
A portrait of Alexander Pope (1688-1744), depicted in a bust, facing left in profile, wearing a laurel crown, and set within an oval frame lettered with greek letters. Jacob Christoph Le Blon (1667-1741) was a painter and engraver from Frankfurt who pioneered the system of three- and four-color printing. He used the RYB color model, which later evolved into the modern CMYK system. Le Blon employed the mezzotint technique to engrave three or four metal plates, each corresponding to a different ink, allowing for prints with a broad spectrum of colors. His innovations laid the groundwork for the development of modern color printing.
Not in CS. New Hollstein 39. Ex: Collection of The Hon. C. Lennox-Boyd. From Christopher Mendez, who states "that this maybe only the second impression recorded".
[Ref: 65301] £690.00
![[Alexander Pope] [&] M.r Pope.](jpegs/65303.jpg)
[Alexander Pope] [&] M.r Pope.
T. Preston Fecit. [after Sir Godfrey Kneller] [&] [after Jonathan Richardson Senior.]
[n.d. c.1770]
Very scarce double portrait on one sheet, mezzotint and etching 170 x 245mm (6¾ x 9¾"). Small margins.
A double portrait of the poet Alexander Pope (1688-1744), the left mezzotint after is Kneller's (1646-1723) oil painting 'Alexander Pope Profile, Crowned with Ivy.' Bust-length, in left profile, enclosed in an oval frame, adorned with a wreath and chaplet. The right is after Jonathan Richardson Senior's (1667-1745) portrait of Pope head in profile, wearing fur collar. Thomas Preston (fl. 1740-85) engraver. David Alexander states there is no evidence to link him to Captain Thomas Preston who surveyed a 'Chart of ... Scotland' 1744
CS 2. Ex: Collection of the Hon. Christopher Lennox-Boyd. Kneller's painting is in the Yale Center for British Art. David Alexander, 'A biographical dictionary of British and Irish engravers', New Hav
[Ref: 65303] £680.00
T. Preston Fecit. [after Sir Godfrey Kneller] [&] [after Jonathan Richardson Senior.]
[n.d. c.1770]
Very scarce double portrait on one sheet, mezzotint and etching 170 x 245mm (6¾ x 9¾"). Small margins.
A double portrait of the poet Alexander Pope (1688-1744), the left mezzotint after is Kneller's (1646-1723) oil painting 'Alexander Pope Profile, Crowned with Ivy.' Bust-length, in left profile, enclosed in an oval frame, adorned with a wreath and chaplet. The right is after Jonathan Richardson Senior's (1667-1745) portrait of Pope head in profile, wearing fur collar. Thomas Preston (fl. 1740-85) engraver. David Alexander states there is no evidence to link him to Captain Thomas Preston who surveyed a 'Chart of ... Scotland' 1744
CS 2. Ex: Collection of the Hon. Christopher Lennox-Boyd. Kneller's painting is in the Yale Center for British Art. David Alexander, 'A biographical dictionary of British and Irish engravers', New Hav
[Ref: 65303] £680.00
M.r Alexander Pope. Aet.s 28.
G. Kneller S.R.Imp. et Mag. Brit. Baronet.s Pinx. 1716. J. Smith fec. et ex. 1717.
Mezzotint, sheet 345 x 245mm (13½ x 9¾"). Trimmed to plate, glued on album sheet at edges. Repaired tear on right edge. Time stained.
Half length portrait of poet and writer Alexander Pope (1688-1744). Looking towards the right, wearing a cap, coat and open collar, with an open book in his hands and landscape of trees in the background.
CS 203.II of III.
[Ref: 59381] £220.00 (£264.00 incl.VAT)
G. Kneller S.R.Imp. et Mag. Brit. Baronet.s Pinx. 1716. J. Smith fec. et ex. 1717.
Mezzotint, sheet 345 x 245mm (13½ x 9¾"). Trimmed to plate, glued on album sheet at edges. Repaired tear on right edge. Time stained.
Half length portrait of poet and writer Alexander Pope (1688-1744). Looking towards the right, wearing a cap, coat and open collar, with an open book in his hands and landscape of trees in the background.
CS 203.II of III.
[Ref: 59381] £220.00 (£264.00 incl.VAT)
The Muses Crowning the Bust of Pope.
Ang. Kauffman inv.t. P W Tomkins sculp.t Pupil of F. Bartolozzi.
Publish'd as the Act directs 1st of March 1783 by S.Watts Featherstone Buildings Holborn.
Stipple, sheet 160 x 190mm (6¼ x 7½"). Trimmed to plate, glued on album sheet at edges. Slightly foxed.
Three female figures in a park, one of whom holds a crown of laurels to be placed on a bust of the Augustan poet Alexander Pope (1688-1744). The other two read from a volume at right with a lyre resting at the foot of the pedestal.
Alexander 150. See Ref: 39844 for copy.
[Ref: 59384] £160.00 (£192.00 incl.VAT)
Ang. Kauffman inv.t. P W Tomkins sculp.t Pupil of F. Bartolozzi.
Publish'd as the Act directs 1st of March 1783 by S.Watts Featherstone Buildings Holborn.
Stipple, sheet 160 x 190mm (6¼ x 7½"). Trimmed to plate, glued on album sheet at edges. Slightly foxed.
Three female figures in a park, one of whom holds a crown of laurels to be placed on a bust of the Augustan poet Alexander Pope (1688-1744). The other two read from a volume at right with a lyre resting at the foot of the pedestal.
Alexander 150. See Ref: 39844 for copy.
[Ref: 59384] £160.00 (£192.00 incl.VAT)