A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
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The Right Hon:ble George Lord Pigot, Baron Pigot of Patshul [In the Kingdom of Ireland, President, and Governor, of and for all the Affairs of the United Company of Merchants of England trading to the East Indies, on the Coast of Choromandel, and Orixa, and of the Chingee, and Moratta Countries, &c. &c. &c.]
[Powell] Pinx.t. Scawen [sculp.t.]
[n.d., c.1780.]
Mezzotint. Sheet 465 x 305mm (18¼ x 12"). Trimmed into image, losing parts of signatures and inscription.
A half-length portrait in oval of George Pigot (1719-77), twice President of the East India Company. Having entered the EIC service at 17, he became governor and commander-in-chief of Madras in 1755, defending the city against the French in 1758-9. He resigned in 1763, but took the office again in 1775. After a power struggle he died while under arrest.
CS 1. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 66422] £380.00
[Powell] Pinx.t. Scawen [sculp.t.]
[n.d., c.1780.]
Mezzotint. Sheet 465 x 305mm (18¼ x 12"). Trimmed into image, losing parts of signatures and inscription.
A half-length portrait in oval of George Pigot (1719-77), twice President of the East India Company. Having entered the EIC service at 17, he became governor and commander-in-chief of Madras in 1755, defending the city against the French in 1758-9. He resigned in 1763, but took the office again in 1775. After a power struggle he died while under arrest.
CS 1. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 66422] £380.00
![[Hugh Pigot & Mrs Wentworth] No. XIII. The polite Mrs. W_ntw_h. No. XIV. The pacific Admiral.](jpegs/45516.jpg)
[Hugh Pigot & Mrs Wentworth] No. XIII. The polite Mrs. W_ntw_h. No. XIV. The pacific Admiral.
London. Publish'd June 1: 1785, by A. Hamilton Jun.r Fleet Street.
Engraving. Plate: 110 x 180mm (4¼ x 7"). Creasing. Small margins.
Two bust portraits in ovals of naval officer and M.P. for Bridgnorth, Hugh Pigot (1722-1792) who served in Canada and his mistress Mrs Wentworth with whom Pigot had sent up a country villa. From the 'Histories of the Tête à Tête annexed...' series that appeared in 'Town and Country Magazine', a monthy magazine which featured articles on the scandals and romantic affairs of the nobility.
BM Satire 6824.
[Ref: 45516] £75.00 (£90.00 incl.VAT)
London. Publish'd June 1: 1785, by A. Hamilton Jun.r Fleet Street.
Engraving. Plate: 110 x 180mm (4¼ x 7"). Creasing. Small margins.
Two bust portraits in ovals of naval officer and M.P. for Bridgnorth, Hugh Pigot (1722-1792) who served in Canada and his mistress Mrs Wentworth with whom Pigot had sent up a country villa. From the 'Histories of the Tête à Tête annexed...' series that appeared in 'Town and Country Magazine', a monthy magazine which featured articles on the scandals and romantic affairs of the nobility.
BM Satire 6824.
[Ref: 45516] £75.00 (£90.00 incl.VAT)
![Completely Routed. [&] "A Terrible Catastrophe". "Those behind cried forward. Those in front cried back".](jpegs/29008.jpg)
Completely Routed. [&] "A Terrible Catastrophe". "Those behind cried forward. Those in front cried back".
Stanley Berkley [etched in image]. Painted & Etched by Stanley Berkley. Printed by E. Revel.
London Published Dec.r 8.th 1885 by Sidney Redrup. 175, New Bond Str. New York by Fishel Alder & Schwartz. Copyright Registered
A pair of etchings with very large margins. Plate 235 x 400mm (9¼ x 15¾").
Pigs charging away from viewer; and pigs falling over a make-shift bridge that is collapsing into the stream. Made by Stanley Berkley (1855-1909), English painter of animal, sporting and historical subjects, especially military scences.
[Ref: 29008] £300.00 view all images for this item
Stanley Berkley [etched in image]. Painted & Etched by Stanley Berkley. Printed by E. Revel.
London Published Dec.r 8.th 1885 by Sidney Redrup. 175, New Bond Str. New York by Fishel Alder & Schwartz. Copyright Registered
A pair of etchings with very large margins. Plate 235 x 400mm (9¼ x 15¾").
Pigs charging away from viewer; and pigs falling over a make-shift bridge that is collapsing into the stream. Made by Stanley Berkley (1855-1909), English painter of animal, sporting and historical subjects, especially military scences.
[Ref: 29008] £300.00 view all images for this item
![[Study of Piglets.]](jpegs/9055.jpg)
[Study of Piglets.]
[Etched by Paul Renouard.]
[n.d., 1907.]
Etching. 280 x 225mm, 11 x 9".
Charles Paul Renouard (1845-1924). While at the Ecole des Beaux-Arts in 1875 he and his instructor were hired to decorate the ceiling of the Paris opera house, which was the inspiration for his most well-known series of etchings, Le Nouvel Opéra. He came to London in the 1890s and started work for the 'Graphic' newspaper, sketching theater-goers and performers at the Theater Royal in Drury Lane, and policemen and defendants at one of London’s many police courts.
[Ref: 9055] £130.00 (£156.00 incl.VAT)
[Etched by Paul Renouard.]
[n.d., 1907.]
Etching. 280 x 225mm, 11 x 9".
Charles Paul Renouard (1845-1924). While at the Ecole des Beaux-Arts in 1875 he and his instructor were hired to decorate the ceiling of the Paris opera house, which was the inspiration for his most well-known series of etchings, Le Nouvel Opéra. He came to London in the 1890s and started work for the 'Graphic' newspaper, sketching theater-goers and performers at the Theater Royal in Drury Lane, and policemen and defendants at one of London’s many police courts.
[Ref: 9055] £130.00 (£156.00 incl.VAT)
![[Study of a sow.]](jpegs/9057.jpg)
[Study of a sow.]
[Etched by Paul Renouard.]
[n.d., 1907.]
Etching. 280 x 225mm, 11 x 8¾".
Charles Paul Renouard (1845-1924). While at the Ecole des Beaux-Arts in 1875 he and his instructor were hired to decorate the ceiling of the Paris opera house, which was the inspiration for his most well-known series of etchings, Le Nouvel Opéra. He came to London in the 1890s and started work for the 'Graphic' newspaper, sketching theater-goers and performers at the Theater Royal in Drury Lane, and policemen and defendants at one of London’s many police courts.
[Ref: 9057] £130.00 (£156.00 incl.VAT)
[Etched by Paul Renouard.]
[n.d., 1907.]
Etching. 280 x 225mm, 11 x 8¾".
Charles Paul Renouard (1845-1924). While at the Ecole des Beaux-Arts in 1875 he and his instructor were hired to decorate the ceiling of the Paris opera house, which was the inspiration for his most well-known series of etchings, Le Nouvel Opéra. He came to London in the 1890s and started work for the 'Graphic' newspaper, sketching theater-goers and performers at the Theater Royal in Drury Lane, and policemen and defendants at one of London’s many police courts.
[Ref: 9057] £130.00 (£156.00 incl.VAT)
![[Delivery boy cornered by pigs.]](jpegs/9288.jpg)
[Delivery boy cornered by pigs.]
[Illegible pencil signature.]
[n.d., c.1880.]
Etching on india, blind-stamped 'London Artist Proof. 315 x 400mm.
With a remarque of two sheep.
[Ref: 9288] £240.00 (£288.00 incl.VAT)
[Illegible pencil signature.]
[n.d., c.1880.]
Etching on india, blind-stamped 'London Artist Proof. 315 x 400mm.
With a remarque of two sheep.
[Ref: 9288] £240.00 (£288.00 incl.VAT)
Graphic Illustrations Of Animals, Shewing Their Utility To Man, In Their Services During Life And Uses After Death. The Pig.
Designed and Drawn on Stone by W Hawkins.
London, Published by Thomas Varty, Adelaide Street, Strand. [n.d., c.1850.]
Hand coloured lithograph, sheet 360 x 415mm. 14¼ x 16¼". Vertical centrefold as normal.
A central illustration of a sow and piglets is surrounded by nine vignette scenes depicting the commercial uses and relationship to man of the pig, in life and death (each captioned). Plate to 'Graphic Illustrations Of Animals', illustrated by Benjamin Waterhouse Hawkins (1807 - ?1889), artist and sculptor of natural history subjects. In 1852 he was appointed director of the fossil department at the Crystal Palace, where he worked with Richard Owen on the famous models of dinosaurs and other extinct lifeforms. Numbered 'Pl. 11' upper right.
[Ref: 10528] £240.00 (£288.00 incl.VAT)
Designed and Drawn on Stone by W Hawkins.
London, Published by Thomas Varty, Adelaide Street, Strand. [n.d., c.1850.]
Hand coloured lithograph, sheet 360 x 415mm. 14¼ x 16¼". Vertical centrefold as normal.
A central illustration of a sow and piglets is surrounded by nine vignette scenes depicting the commercial uses and relationship to man of the pig, in life and death (each captioned). Plate to 'Graphic Illustrations Of Animals', illustrated by Benjamin Waterhouse Hawkins (1807 - ?1889), artist and sculptor of natural history subjects. In 1852 he was appointed director of the fossil department at the Crystal Palace, where he worked with Richard Owen on the famous models of dinosaurs and other extinct lifeforms. Numbered 'Pl. 11' upper right.
[Ref: 10528] £240.00 (£288.00 incl.VAT)
![[A sow and three piglets in a sty.]](jpegs/7690.jpg)
[A sow and three piglets in a sty.]
G. Morland [signature facsimile in plate.] I. Whessell Sculpt. 1798 _[scratched letters].
London Published Jany. 1. 1799. by Darling & Thompson, Gt. Newport Street, and T. Simpson St. Paul's Church Yard.
Stipple with soft ground etching, image 285 x 400mm. Trimmed to plate, wide margins outside image.
[Ref: 7690] £80.00 (£96.00 incl.VAT)
G. Morland [signature facsimile in plate.] I. Whessell Sculpt. 1798 _[scratched letters].
London Published Jany. 1. 1799. by Darling & Thompson, Gt. Newport Street, and T. Simpson St. Paul's Church Yard.
Stipple with soft ground etching, image 285 x 400mm. Trimmed to plate, wide margins outside image.
[Ref: 7690] £80.00 (£96.00 incl.VAT)
![Pigs [in pencil lower left].](jpegs/7727.jpg)
Pigs [in pencil lower left].
J. Wilkie [signed in pencil.]
[n.d., c.1930.]
Etching, 190 x 252mm.
An endearing scene of piglets suckling in a sty by James Wilkie (1890 - 1957).
[Ref: 7727] £130.00 (£156.00 incl.VAT)
J. Wilkie [signed in pencil.]
[n.d., c.1930.]
Etching, 190 x 252mm.
An endearing scene of piglets suckling in a sty by James Wilkie (1890 - 1957).
[Ref: 7727] £130.00 (£156.00 incl.VAT)
Graphic Illustrations Of Animals, Shewing Their Utility To Man, In Their Services During Life And Uses After Death. The Pig.
Designed and Drawn on Stone by W Hawkins.
London, Published by Thomas Varty, Adelaide Street, Strand. [n.d., c.1850.]
Hand coloured lithograph, sheet 360 x 415mm. 14¼ x 16¼". Slight staining.
A central illustration of a sow and piglets is surrounded by nine vignette scenes depicting the commercial uses and relationship to man of the pig, in life and death (each captioned). Plate to 'Graphic Illustrations Of Animals', illustrated by Benjamin Waterhouse Hawkins (1807 - ?1889), artist and sculptor of natural history subjects. In 1852 he was appointed director of the fossil department at the Crystal Palace, where he worked with Richard Owen on the famous models of dinosaurs and other extinct lifeforms. Numbered 'Pl. 11' upper right.
[Ref: 48544] £220.00 (£264.00 incl.VAT)
Designed and Drawn on Stone by W Hawkins.
London, Published by Thomas Varty, Adelaide Street, Strand. [n.d., c.1850.]
Hand coloured lithograph, sheet 360 x 415mm. 14¼ x 16¼". Slight staining.
A central illustration of a sow and piglets is surrounded by nine vignette scenes depicting the commercial uses and relationship to man of the pig, in life and death (each captioned). Plate to 'Graphic Illustrations Of Animals', illustrated by Benjamin Waterhouse Hawkins (1807 - ?1889), artist and sculptor of natural history subjects. In 1852 he was appointed director of the fossil department at the Crystal Palace, where he worked with Richard Owen on the famous models of dinosaurs and other extinct lifeforms. Numbered 'Pl. 11' upper right.
[Ref: 48544] £220.00 (£264.00 incl.VAT)
![[Two pigs sleeping]](jpegs/45991.jpg)
[Two pigs sleeping]
[Anon., c.1750]
Etching, platemark 135 x 160mm (5¼ x 6¼") very large margins. Very slight staining.
[Ref: 45991] £130.00 (£156.00 incl.VAT)
[Anon., c.1750]
Etching, platemark 135 x 160mm (5¼ x 6¼") very large margins. Very slight staining.
[Ref: 45991] £130.00 (£156.00 incl.VAT)
Pike Fishing.
H. Alken del.t. I. Clark sculp.t.
London, Published by T. McLean, Jan.y 1. 1820.
Aquatint with fine hand-colour. Plate: 280 x 375mm (11 x 14¾"), with large margins.
A fishing scene showing one man lying on his stomach fishing from the side of the river while a man with a long rod fishes from behind him. From 'The National Sports of Great Britain' by Henry Alken.
[Ref: 46284] £320.00
H. Alken del.t. I. Clark sculp.t.
London, Published by T. McLean, Jan.y 1. 1820.
Aquatint with fine hand-colour. Plate: 280 x 375mm (11 x 14¾"), with large margins.
A fishing scene showing one man lying on his stomach fishing from the side of the river while a man with a long rod fishes from behind him. From 'The National Sports of Great Britain' by Henry Alken.
[Ref: 46284] £320.00
Pike Fishing.
H. Alken del.t I. Clark sculp.t
London, Published by T, Mc.Lean, Jany. 1. 1820.
Hand-coloured aquatint, Arthur Ackermann framed. Visible sheet area 254 x 349mm. 10 x 13¾". Frame 445 x 532mm. 17½ x 21".
Two gentlemen fishing on the river bank next to a tree, one standing holding a rod, with the other lying on his front holding a net poised to catch a pike. Plate 35 from 'National Sports of Great Britain'.
Siltzer: p.70.
[Ref: 25717] £450.00
H. Alken del.t I. Clark sculp.t
London, Published by T, Mc.Lean, Jany. 1. 1820.
Hand-coloured aquatint, Arthur Ackermann framed. Visible sheet area 254 x 349mm. 10 x 13¾". Frame 445 x 532mm. 17½ x 21".
Two gentlemen fishing on the river bank next to a tree, one standing holding a rod, with the other lying on his front holding a net poised to catch a pike. Plate 35 from 'National Sports of Great Britain'.
Siltzer: p.70.
[Ref: 25717] £450.00
F. Pilatre De Rozier. Premier Navigateur Aerien Et Pensionnaire du Roi. Sa gloire, helas! Ne fut qu'un Reve, Don’t la fin prouve avec eclat, Que le moment qui nous eleve, Touche a celui qui nous abat.
Brion del. Chapuy Sculp.
A Paris chez Basset rue St. Jacques [n.d. c.1785].
Etching with sepia aqautint. 155 x 215mm. Light foxing.
Made the first manned free flight in history, accompanied by the Marquis d'Arlandes and died during an attempted crossing of the English Channel when his balloon, a combination hydrogen and hot air balloon, exploded on 15 June 1785. Thus, he and his companion, Pierre Romain, became the first known victims of an air crash. This print was issued shortly afterwards to commemorate his life.
See also [Ref: 66883].
[Ref: 949] £220.00 (£264.00 incl.VAT)
Brion del. Chapuy Sculp.
A Paris chez Basset rue St. Jacques [n.d. c.1785].
Etching with sepia aqautint. 155 x 215mm. Light foxing.
Made the first manned free flight in history, accompanied by the Marquis d'Arlandes and died during an attempted crossing of the English Channel when his balloon, a combination hydrogen and hot air balloon, exploded on 15 June 1785. Thus, he and his companion, Pierre Romain, became the first known victims of an air crash. This print was issued shortly afterwards to commemorate his life.
See also [Ref: 66883].
[Ref: 949] £220.00 (£264.00 incl.VAT)
The Pilgrim.
W. Hamilton R.A. pinx.t. Jos.h Barney sculp.t.
London, March 1 1794; Published by Darling & Thompson, (Printsellers to the Duke & Duchess of York) Great Newport Street and M. Chamberlin No 51 Great Russel Street.
Stipple. 555 x 410mm (22 x 16"), very large margins. Slight paper soiling.
A woman seated at a rustic spring, staff and rosary in her hands, a Cavalier King Charles Spaniel lying at her feet. She wears a hat and short cape decorated with shells.
[Ref: 47934] £260.00 (£312.00 incl.VAT)
W. Hamilton R.A. pinx.t. Jos.h Barney sculp.t.
London, March 1 1794; Published by Darling & Thompson, (Printsellers to the Duke & Duchess of York) Great Newport Street and M. Chamberlin No 51 Great Russel Street.
Stipple. 555 x 410mm (22 x 16"), very large margins. Slight paper soiling.
A woman seated at a rustic spring, staff and rosary in her hands, a Cavalier King Charles Spaniel lying at her feet. She wears a hat and short cape decorated with shells.
[Ref: 47934] £260.00 (£312.00 incl.VAT)
![[9 plates from Pilgrim's Progress]](jpegs/55424.jpg)
[9 plates from Pilgrim's Progress] 2. Christian and Pliable in the Slough of Despond. [&] 3. Christian's second meeting with the Evangelist. [&] 4. Christian's Burden falls off on his arrival at the Cross. [&] 5. Christian recovers his Roll. [&] 6. The Palace Beautiful and Christian in dread of the Lions. [&] 9. Christian passing the Caves of the Giants Pope and Pagan. [&] 10. Christian and Faithful confined in Vanity Fair. [&] 11. Christian and Hopeful escape from Doubting Castle. [&] 12. Christian and Hopeful passing the River.
Printed for & Sold by Carington Bowles, at his Map & Print Warehouse, No 69 St Pauls Church Yard, London. Published as the Act directs, 16 April 1781.
9 etchings [of 12], very rich impressions, some with 18th century watermark. Sheets 175 x 275mm (6¾ c 10¾"). Trimmed to plate.
9 plates of the series 'Twelve prints of John Bunyan's Pilgrim's progress, representing the principal occurrences in Christian's journey'. The missing scenes are: '1. Christian declaring to his family his reasons for going on a pilgrimage'; '7. Christian's fight with Appollyon'; and '8. Christian in the Valley of the Shadow of Death'.
See BM 1935,0522.2.155 to 160 for a set reissued by Bowles & Carver
[Ref: 55424] £550.00 view all images for this item
Printed for & Sold by Carington Bowles, at his Map & Print Warehouse, No 69 St Pauls Church Yard, London. Published as the Act directs, 16 April 1781.
9 etchings [of 12], very rich impressions, some with 18th century watermark. Sheets 175 x 275mm (6¾ c 10¾"). Trimmed to plate.
9 plates of the series 'Twelve prints of John Bunyan's Pilgrim's progress, representing the principal occurrences in Christian's journey'. The missing scenes are: '1. Christian declaring to his family his reasons for going on a pilgrimage'; '7. Christian's fight with Appollyon'; and '8. Christian in the Valley of the Shadow of Death'.
See BM 1935,0522.2.155 to 160 for a set reissued by Bowles & Carver
[Ref: 55424] £550.00 view all images for this item
A Plan of the Road from the City of Destruction to the Cœlestial City. Adapted to the Pilgrim's Progress.
[n.d., c.1800.]
Coloured engraving. 200 x 250mm (8 x 9¾") Splits in folds, edges worn, stained. Repaired.
A road map in three sections, leading from the 'City of Destruction' bottom left, through the 'Valley of Humiliation', 'Valley of the Shadow of Death' & 'Vanity Fair' to the 'Coelestial City' top right.
A variant, engraved by W. Jefferys, was exhibited in Grayson Perry's 'Tomb of the Unknown Craftsman' exhibition, British Museum, 2011 (Museum number 1975,U.1140).
[Ref: 34208] £140.00 (£168.00 incl.VAT)
[n.d., c.1800.]
Coloured engraving. 200 x 250mm (8 x 9¾") Splits in folds, edges worn, stained. Repaired.
A road map in three sections, leading from the 'City of Destruction' bottom left, through the 'Valley of Humiliation', 'Valley of the Shadow of Death' & 'Vanity Fair' to the 'Coelestial City' top right.
A variant, engraved by W. Jefferys, was exhibited in Grayson Perry's 'Tomb of the Unknown Craftsman' exhibition, British Museum, 2011 (Museum number 1975,U.1140).
[Ref: 34208] £140.00 (£168.00 incl.VAT)
Bunyan's Pilgrim's Progress, with Mason's Notes. Plate X. Vanity Fair.
G. Burder inv.t & sculp.t
[n.d. c.1790.]
Rare engraving. Plate 171 x 114mm (6¾ x 4½"). Paper chip to lower right.
A plate from an edition of John Bunyan's "The Pilgrim's Progress".
[Ref: 30024] £50.00 (£60.00 incl.VAT)
G. Burder inv.t & sculp.t
[n.d. c.1790.]
Rare engraving. Plate 171 x 114mm (6¾ x 4½"). Paper chip to lower right.
A plate from an edition of John Bunyan's "The Pilgrim's Progress".
[Ref: 30024] £50.00 (£60.00 incl.VAT)
Christian directed by Evangelist to the Wicket Gate.
J. Hibbert, Bath, Fecit.
Pub: as the Act directs 30th Aug.t. 1796 by S. Hazard, Bath.
Stipple, rare. Printed in brown ink. Sheet size: 170 x 100mm (6¾ x 4"). Trimmed inside platemark. Small spot in centre of image.
'The Pilgrim's Progress' is a Christian allegory written by John Bunyan, published in February, 1678. It is regarded as one of the most significant works of religious English literature, and has been translated into more than 200 languages. In this scene from the first part of the story, the Christain, the protagonist of the allegory, is directed towards the 'Wicket Gate' in the distance by the Evangelist, who points towards a shining light. The Evangelist holds a piece if paper inscribed, 'Fly from the Wrath to come'.
[Ref: 35626] £160.00 (£192.00 incl.VAT)
J. Hibbert, Bath, Fecit.
Pub: as the Act directs 30th Aug.t. 1796 by S. Hazard, Bath.
Stipple, rare. Printed in brown ink. Sheet size: 170 x 100mm (6¾ x 4"). Trimmed inside platemark. Small spot in centre of image.
'The Pilgrim's Progress' is a Christian allegory written by John Bunyan, published in February, 1678. It is regarded as one of the most significant works of religious English literature, and has been translated into more than 200 languages. In this scene from the first part of the story, the Christain, the protagonist of the allegory, is directed towards the 'Wicket Gate' in the distance by the Evangelist, who points towards a shining light. The Evangelist holds a piece if paper inscribed, 'Fly from the Wrath to come'.
[Ref: 35626] £160.00 (£192.00 incl.VAT)
A plan of the Road from the City of Destruction to the Coelestial City adapted to the Pilgrim's Progress.
[n.d., c.1821.]
Engraving. Plate: 260 x 200mm (10¼ x 8"). Small margins. Vertical creases as normal.
An illustration from John Bunyan's 'Pilgrim's Progress' first published in 1678 several editions of the book contained plans of the pilgrim's progress.
[Ref: 44412] £160.00 (£192.00 incl.VAT)
[n.d., c.1821.]
Engraving. Plate: 260 x 200mm (10¼ x 8"). Small margins. Vertical creases as normal.
An illustration from John Bunyan's 'Pilgrim's Progress' first published in 1678 several editions of the book contained plans of the pilgrim's progress.
[Ref: 44412] £160.00 (£192.00 incl.VAT)
![[The Celestial City.]](jpegs/22557.jpg)
[The Celestial City.]
Drawn by J. Martin. Etched by W.R. Smith.
[London: J. Murray, 1830.]
Etching on india paper, unfinished proof, 145 x 225mm. 5¾ x 9". Wide margins a little stained and foxed; one stain encroaching into plate upper left.
Plate to John Bunyan's 'The Pilgrim's Progress... With a life... by Robert Southey ... Illustrated with engravings'. After John Martin (1789 - 1854), history, landscape and biblical painter; his vast and sublime paintings of biblical, religious and literary themes were widely circulated as prints.
Balston p.289. See BL 1113.c.14. C.132.c.1.
[Ref: 22557] £120.00 (£144.00 incl.VAT)
Drawn by J. Martin. Etched by W.R. Smith.
[London: J. Murray, 1830.]
Etching on india paper, unfinished proof, 145 x 225mm. 5¾ x 9". Wide margins a little stained and foxed; one stain encroaching into plate upper left.
Plate to John Bunyan's 'The Pilgrim's Progress... With a life... by Robert Southey ... Illustrated with engravings'. After John Martin (1789 - 1854), history, landscape and biblical painter; his vast and sublime paintings of biblical, religious and literary themes were widely circulated as prints.
Balston p.289. See BL 1113.c.14. C.132.c.1.
[Ref: 22557] £120.00 (£144.00 incl.VAT)
Who would not here the Pilgrim's State approve…
Ph: Mercier Pictor. Principis Pinxit. J.Faber fecit 1736.
Sold by Faber at ye Golden Head in Bloomsbury Square.
Mezzotint. 350 x 250mm. Repairs to margins.
A shepherdess and a pilgrim.
Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 4196] £330.00
Ph: Mercier Pictor. Principis Pinxit. J.Faber fecit 1736.
Sold by Faber at ye Golden Head in Bloomsbury Square.
Mezzotint. 350 x 250mm. Repairs to margins.
A shepherdess and a pilgrim.
Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 4196] £330.00
Pilgrims and the Peas. A brace of sinners for no good,... 1.
Woodward del. Rowlandson sc.
London, Pub. by T. Tegg May 1. 1807 Cheapside.
Hand-coloured etching. Plate: 270 x 210mm (10¾ x 8¼''), with wide margins.
A scene showing two pilgrims. dressed in robes, with rosaries tucked into their belts.
BM Satire 10923.
[Ref: 50786] £220.00 (£264.00 incl.VAT)
Woodward del. Rowlandson sc.
London, Pub. by T. Tegg May 1. 1807 Cheapside.
Hand-coloured etching. Plate: 270 x 210mm (10¾ x 8¼''), with wide margins.
A scene showing two pilgrims. dressed in robes, with rosaries tucked into their belts.
BM Satire 10923.
[Ref: 50786] £220.00 (£264.00 incl.VAT)
The Pilgrim's Castle.
Sketched on the Spot by F.B. Spilsbury & drawn by D.l Orme. Edw.d Orme Excud.t. Merke Aquaforte.
Sold & Published June 4. 1803, by Edw.d Orme, Printseller to His Majesty & the Royal Family, 59, New Bond Street.
Fine hand-coloured aquatint. Plate: 300 x 390mm (12 x 15¼"), with very large margins.
A view of Château Pèlerin near Altit in Israel. The castle was built by the Knights Templar during the fifth crusade. A scene from 'Picturesque Scenery in the Holy Land and Syria'.
Abbey Scenery 383.
[Ref: 46229] £180.00 (£216.00 incl.VAT)
Sketched on the Spot by F.B. Spilsbury & drawn by D.l Orme. Edw.d Orme Excud.t. Merke Aquaforte.
Sold & Published June 4. 1803, by Edw.d Orme, Printseller to His Majesty & the Royal Family, 59, New Bond Street.
Fine hand-coloured aquatint. Plate: 300 x 390mm (12 x 15¼"), with very large margins.
A view of Château Pèlerin near Altit in Israel. The castle was built by the Knights Templar during the fifth crusade. A scene from 'Picturesque Scenery in the Holy Land and Syria'.
Abbey Scenery 383.
[Ref: 46229] £180.00 (£216.00 incl.VAT)
Pillage Des Reitres Pendant les Guerres Civilles des Francois, sous Henry 3 en 1587. Grave s'Apres le Tableau Original de P.pe Wouvermens, de deux pieds cinq pounces de large, sur vingt un pounces de haus qui appartient au graveur. Avec privilege du Roi. 39.e
P.pe Wouwermens pinx. J. Moureay Sculp.
AParis chez Moyreau Graveur du Roi, rue Gallande, vis-a-vis la Chapelle S.t Blaise. 1740.
Engraving, 18th century watermark, plate 360 x 470mm (14¼ x 18½") very large margins. Repaired printer's crease.
Battle scene from War of the Three Henrys (Guerre des trois Henri 1587–1589) the eighth conflict in the series of civil wars in France known as the Wars of Religion. In the surroundings of a village countrymen defend themselves against rogue soldiers, while others flee. Plate 39 from 'Oeuvres de Philippe Wouwermens Hollandois' a series of eighty-nine plates reproducing paintings by Wouwerman, executed between c.1733 and 1762.
[Ref: 56642] £240.00 (£288.00 incl.VAT)
P.pe Wouwermens pinx. J. Moureay Sculp.
AParis chez Moyreau Graveur du Roi, rue Gallande, vis-a-vis la Chapelle S.t Blaise. 1740.
Engraving, 18th century watermark, plate 360 x 470mm (14¼ x 18½") very large margins. Repaired printer's crease.
Battle scene from War of the Three Henrys (Guerre des trois Henri 1587–1589) the eighth conflict in the series of civil wars in France known as the Wars of Religion. In the surroundings of a village countrymen defend themselves against rogue soldiers, while others flee. Plate 39 from 'Oeuvres de Philippe Wouwermens Hollandois' a series of eighty-nine plates reproducing paintings by Wouwerman, executed between c.1733 and 1762.
[Ref: 56642] £240.00 (£288.00 incl.VAT)
A Pillar Committee.
[Anon.]
[Published by Jones and Co., 3, Warwick Square; and J.L. Marks, Piccadilly, 1821]
Etching with hand-colouring, platemark 115 x 195mm (4½ x 7¾"). Small margins.
Plate from 'Real Life in Ireland' by the author and writer on boxing Pierce Egan (1821), unsigned but probably by either Alken, Heath or Williams. Egan (1772-1849). 'Real Life in Ireland' was the sequel to Egan's greatest success, 'Life in London', and like the earlier book focused on contrasts between the misery of low life and the prodigal waste and folly of high life.
Abbey Life 282; for a portrait of Egan see ref. 7901.
[Ref: 41536] £110.00 (£132.00 incl.VAT)
[Anon.]
[Published by Jones and Co., 3, Warwick Square; and J.L. Marks, Piccadilly, 1821]
Etching with hand-colouring, platemark 115 x 195mm (4½ x 7¾"). Small margins.
Plate from 'Real Life in Ireland' by the author and writer on boxing Pierce Egan (1821), unsigned but probably by either Alken, Heath or Williams. Egan (1772-1849). 'Real Life in Ireland' was the sequel to Egan's greatest success, 'Life in London', and like the earlier book focused on contrasts between the misery of low life and the prodigal waste and folly of high life.
Abbey Life 282; for a portrait of Egan see ref. 7901.
[Ref: 41536] £110.00 (£132.00 incl.VAT)
Les Agréments de l'éte.
Gravé par W.m Woollett d'aprèsLe dessein Original de Meme grandeur inventé et dessiné par Jean Pillement.
London, publish'd according to Act of Parliament June 26. 1760
Engraving, sheet 430 x 510mm (17 x 20¼"). Trimmed inside platemark and around text; nicks and tears to edges.
Figures relaxing and boating on a river in a sunny landscape. One of a series of the four seasons, 'Les Amusements du Printemps' engraved (in reverse) after drawings by Jean Pillement between 1757 and 1760, during the French painter and draughtsman's period working in England. Pillement's drawings for all four of the prints are now in the Louvre.
See Maria Gordon-Smith, 'Pillement', pp.69-73; Fagan 32
[Ref: 38963] £260.00 (£312.00 incl.VAT)
Gravé par W.m Woollett d'aprèsLe dessein Original de Meme grandeur inventé et dessiné par Jean Pillement.
London, publish'd according to Act of Parliament June 26. 1760
Engraving, sheet 430 x 510mm (17 x 20¼"). Trimmed inside platemark and around text; nicks and tears to edges.
Figures relaxing and boating on a river in a sunny landscape. One of a series of the four seasons, 'Les Amusements du Printemps' engraved (in reverse) after drawings by Jean Pillement between 1757 and 1760, during the French painter and draughtsman's period working in England. Pillement's drawings for all four of the prints are now in the Louvre.
See Maria Gordon-Smith, 'Pillement', pp.69-73; Fagan 32
[Ref: 38963] £260.00 (£312.00 incl.VAT)
![[Les Agréments de l'éte.]](jpegs/38964.jpg)
[Les Agréments de l'éte.]
[Gravé par W.m Woollett d'aprèsLe dessein Original de Meme grandeur inventé et dessiné par Jean Pillement.]
[London, publish'd according to Act of Parliament June 26. 1760]
Engraving, sheet 400 x 490mm (15¾ x 19¼"). Trimmed and pasted to larger sheet of paper; unfinished proof before letters.
Figures relaxing and boating on a river in a sunny landscape. One of a series of the four seasons, 'Les Amusements du Printemps' engraved (in reverse) after drawings by Jean Pillement between 1757 and 1760, during the French painter and draughtsman's period working in England. Pillement's drawings for all four of the prints are now in the Louvre.
See Maria Gordon-Smith, 'Pillement', pp.69-73; Fagan 32 between I & II. See Ref: 59607
[Ref: 38964] £360.00
[Gravé par W.m Woollett d'aprèsLe dessein Original de Meme grandeur inventé et dessiné par Jean Pillement.]
[London, publish'd according to Act of Parliament June 26. 1760]
Engraving, sheet 400 x 490mm (15¾ x 19¼"). Trimmed and pasted to larger sheet of paper; unfinished proof before letters.
Figures relaxing and boating on a river in a sunny landscape. One of a series of the four seasons, 'Les Amusements du Printemps' engraved (in reverse) after drawings by Jean Pillement between 1757 and 1760, during the French painter and draughtsman's period working in England. Pillement's drawings for all four of the prints are now in the Louvre.
See Maria Gordon-Smith, 'Pillement', pp.69-73; Fagan 32 between I & II. See Ref: 59607
[Ref: 38964] £360.00
Le Fruits de l'Hymen
Gravé par S.F. Ravenet d'après Le dessin Original de Jean Pillement
London, published according to Act of Parliament August 29 1960
Engraving, sheet 440 x 515mm (17¼ x 20¼"). Trimmed inside platemark and around text; folds where previously framed with text concealed.
Family scene illuminated by a dramatic shaft of light. The French painter and draughtsman Jean Pillement (1728-1808), whose Rococo decorative designs were immensely influential, worked in England 1754-1763. During this time his fellow Frenchman Simon Ravenet engraved a series of large engravings, to which this print belongs. It is one of few indoor scenes by Pillement, and like other prints in the series such as 'La Gassette de Londre' (in which a man reads aloud from a newspaper), showed him adapting to popular English domestic subject matter.
See Maria Gordon-Smith, 'Pillement', pp.72-3; for another from the same series see ref. 11601.
[Ref: 38319] £380.00
Gravé par S.F. Ravenet d'après Le dessin Original de Jean Pillement
London, published according to Act of Parliament August 29 1960
Engraving, sheet 440 x 515mm (17¼ x 20¼"). Trimmed inside platemark and around text; folds where previously framed with text concealed.
Family scene illuminated by a dramatic shaft of light. The French painter and draughtsman Jean Pillement (1728-1808), whose Rococo decorative designs were immensely influential, worked in England 1754-1763. During this time his fellow Frenchman Simon Ravenet engraved a series of large engravings, to which this print belongs. It is one of few indoor scenes by Pillement, and like other prints in the series such as 'La Gassette de Londre' (in which a man reads aloud from a newspaper), showed him adapting to popular English domestic subject matter.
See Maria Gordon-Smith, 'Pillement', pp.72-3; for another from the same series see ref. 11601.
[Ref: 38319] £380.00
The Pillory.
J. Chapman sc.
[Published Jan. 1804 by James Cundee, Ivy Lane.]
Stipple. Sheet size: 140 x 85mm (5½ x 3¼"). Trimmed inside plate. Slight staining.
A plate from 'The Criminal Recorder; or, Biographical Sketches of Notorious Public Characters', printed and published by James Cundee, Ivy Lane, London, illustrating the use of the pillory.
[Ref: 38044] £45.00 (£54.00 incl.VAT)
J. Chapman sc.
[Published Jan. 1804 by James Cundee, Ivy Lane.]
Stipple. Sheet size: 140 x 85mm (5½ x 3¼"). Trimmed inside plate. Slight staining.
A plate from 'The Criminal Recorder; or, Biographical Sketches of Notorious Public Characters', printed and published by James Cundee, Ivy Lane, London, illustrating the use of the pillory.
[Ref: 38044] £45.00 (£54.00 incl.VAT)
Extraordinary Effects of Morrisons Vegetable Pills. Grant's Oddities No 1.
CJG [Charles Jameson Grant] Invent et del.
London Pub by J. Kendrick 54 Leicester Squ.e ... 1834.
Rare coloured lithograph. Sheet 295 x 285mm (11½ z 11¼") Slight soiling.
A former cripple claims that after taking the pills his legs regrew overnight, so recommends them to his friend with his legs amputated above the knees. James Morison (1770-1840), not Morrison as here, sold his 'Hygeian Vegetable Universal Medicine' as a would-be cure-all. His success allowed him to open the 'British College of Health', which expunded his theory that ''all maladies arise from impurity of the blood''. His pills, made up of aloes, jalap, gamboges, colocynth, cream of tartar, myrrh, and rhubarb, were merely laxative. The founding editor of The Lancet, Thomas Wakley, spent over a decade trying to discredit Morison’s theories. In 1836 apothecary Robert Salmon was indicted for the manslaughter of John M'Kenzie by administering large quantities of Morison's pills. Grant's Oddities contained another satire, showing a grocer who had taken the pills growing vegetables from his head and limbs.
[Ref: 54512] £260.00 (£312.00 incl.VAT)
CJG [Charles Jameson Grant] Invent et del.
London Pub by J. Kendrick 54 Leicester Squ.e ... 1834.
Rare coloured lithograph. Sheet 295 x 285mm (11½ z 11¼") Slight soiling.
A former cripple claims that after taking the pills his legs regrew overnight, so recommends them to his friend with his legs amputated above the knees. James Morison (1770-1840), not Morrison as here, sold his 'Hygeian Vegetable Universal Medicine' as a would-be cure-all. His success allowed him to open the 'British College of Health', which expunded his theory that ''all maladies arise from impurity of the blood''. His pills, made up of aloes, jalap, gamboges, colocynth, cream of tartar, myrrh, and rhubarb, were merely laxative. The founding editor of The Lancet, Thomas Wakley, spent over a decade trying to discredit Morison’s theories. In 1836 apothecary Robert Salmon was indicted for the manslaughter of John M'Kenzie by administering large quantities of Morison's pills. Grant's Oddities contained another satire, showing a grocer who had taken the pills growing vegetables from his head and limbs.
[Ref: 54512] £260.00 (£312.00 incl.VAT)
The astonishing effects of Paul's Dr. Baillie's Pills. Look at the contrast!
[n.d. c.1839]
Engraving, sheet 50 x 85mm (2 x 3¼"). Trimmed and glued to backing card.
A newspaper advert for aperient pills. In the left image a despondent man sits looking at a long list exclaiming, "Oh! Dear me heres a Doctors bill and I not a bit better for it". Death lurches behind his chair. The right image a chubbier merrier looking man exits a chemists crying out, "Ha! Ha! Cured for a few shillings in a few days." This advert was published in the newspaper, 'The Northern Star' in their 29th June 1839 issue.
[Ref: 58567] £60.00 (£72.00 incl.VAT)
[n.d. c.1839]
Engraving, sheet 50 x 85mm (2 x 3¼"). Trimmed and glued to backing card.
A newspaper advert for aperient pills. In the left image a despondent man sits looking at a long list exclaiming, "Oh! Dear me heres a Doctors bill and I not a bit better for it". Death lurches behind his chair. The right image a chubbier merrier looking man exits a chemists crying out, "Ha! Ha! Cured for a few shillings in a few days." This advert was published in the newspaper, 'The Northern Star' in their 29th June 1839 issue.
[Ref: 58567] £60.00 (£72.00 incl.VAT)
X. Pimble Meer.
P. Sandby Fecit.
Publishd according to Act of Parliament by P. Sandby St. Georges Row Oxford Turnpike Sep.r 1777.
Aquatint with etching, printed in brown. Sheet 240 x 315mm (9½ x 12½"). Trimmed to plate. Very slight stain at corner.
Lake Bala, published in Part III of Sandby's 'Views in Wales', the first series of aquatints published in Britain.
Abbey Scenery: 511.
[Ref: 31545] £240.00 (£288.00 incl.VAT)
P. Sandby Fecit.
Publishd according to Act of Parliament by P. Sandby St. Georges Row Oxford Turnpike Sep.r 1777.
Aquatint with etching, printed in brown. Sheet 240 x 315mm (9½ x 12½"). Trimmed to plate. Very slight stain at corner.
Lake Bala, published in Part III of Sandby's 'Views in Wales', the first series of aquatints published in Britain.
Abbey Scenery: 511.
[Ref: 31545] £240.00 (£288.00 incl.VAT)
![[Pimlico.] The Monster Tea Gardens, 1820.](jpegs/67384.jpg)
[Pimlico.] The Monster Tea Gardens, 1820.
[n.d.]
Ink and grey wash. Sheet 185 x 135mm (7¼ x 5¼").
A view of the Monster Tavern and Tea Gardens in Grosvenor Row, Pimlico.
[Ref: 67384] £90.00 (£108.00 incl.VAT)
[n.d.]
Ink and grey wash. Sheet 185 x 135mm (7¼ x 5¼").
A view of the Monster Tavern and Tea Gardens in Grosvenor Row, Pimlico.
[Ref: 67384] £90.00 (£108.00 incl.VAT)
![[Christopher Pinchbeck the younger] Pinchee, or the Bauble Macaroni.](jpegs/14288.jpg)
[Christopher Pinchbeck the younger] Pinchee, or the Bauble Macaroni.
Pubd accorg to Act Dec.r 29th 1772, by MDarly 39 Strand.
Etching. 170 x 125mm (6¾ x 5").
Christopher Pinchbeck the younger (1709/10 - 1783), clockmaker and inventor, son of the clockmaker of the same name, holding in his right hand a conical vessel. This must be one of his inventions, perhaps his celebrated candlesnuffers. He is described in his patents as ‘toyman and mechanician'. As an anti-Wilkite he was mocked in 'The London Evening Post' in November 1772, which forecast the possible election as President of the Royal Society of ‘no less a person than the noted Pinchbeck, buckle and knickknack maker to the King'. Trades interest. From 'Caricatures, Macaronies & Characters, published by MDarly', in an album of caricatures published by Mary Darly dated January 1776. It seems that her husband Matthew made the plates. Numbered 'V5' upper left and '24' upper right.
BM Satires: 5055.
[Ref: 14288] £190.00 (£228.00 incl.VAT)
Pubd accorg to Act Dec.r 29th 1772, by MDarly 39 Strand.
Etching. 170 x 125mm (6¾ x 5").
Christopher Pinchbeck the younger (1709/10 - 1783), clockmaker and inventor, son of the clockmaker of the same name, holding in his right hand a conical vessel. This must be one of his inventions, perhaps his celebrated candlesnuffers. He is described in his patents as ‘toyman and mechanician'. As an anti-Wilkite he was mocked in 'The London Evening Post' in November 1772, which forecast the possible election as President of the Royal Society of ‘no less a person than the noted Pinchbeck, buckle and knickknack maker to the King'. Trades interest. From 'Caricatures, Macaronies & Characters, published by MDarly', in an album of caricatures published by Mary Darly dated January 1776. It seems that her husband Matthew made the plates. Numbered 'V5' upper left and '24' upper right.
BM Satires: 5055.
[Ref: 14288] £190.00 (£228.00 incl.VAT)
Pinchbeck.
Isaac Whood pinx.t. J. Faber fecit.
[n.d., c.1725.]
Mezzotint. 330 x 225mm (13 x 8¾"). Small repaired tear into margin on left. Printer's crease bottom right in margin.
Christopher Pinchbeck (1670?-1732), maker of clocks and automata, here shown holding an open pocket watch. He also invented 'pinchbeck', an alloy of copper and zinc that resembled gold, which created a new market for costume jewelry. Among his clients was Louis XIV, for whom he made a music clock. In 1717 he advertised a clock at one thousand guineas (appoximately £140,000 today). From 1721 until his death his address was 'at the sign of ‘The Astronomico-Musical Clock' in Fleet Street.
CS 289 i/ii.
[Ref: 57864] £950.00
Isaac Whood pinx.t. J. Faber fecit.
[n.d., c.1725.]
Mezzotint. 330 x 225mm (13 x 8¾"). Small repaired tear into margin on left. Printer's crease bottom right in margin.
Christopher Pinchbeck (1670?-1732), maker of clocks and automata, here shown holding an open pocket watch. He also invented 'pinchbeck', an alloy of copper and zinc that resembled gold, which created a new market for costume jewelry. Among his clients was Louis XIV, for whom he made a music clock. In 1717 he advertised a clock at one thousand guineas (appoximately £140,000 today). From 1721 until his death his address was 'at the sign of ‘The Astronomico-Musical Clock' in Fleet Street.
CS 289 i/ii.
[Ref: 57864] £950.00
![[The family of Robert Edge Pine] A Lady & Children.](jpegs/4662.jpg)
[The family of Robert Edge Pine] A Lady & Children.
R.Pine pinxit. W.Dickinson Excudit.
London, Publish'd July 1st 1780, by Watson & Dickinson No. 158, New Bond Street.
Mezzotint. 505 x 350mm (19¾ x 13¾").
The wife and children of Robert Edge Pine, the painter. He emigrated to America with them in 1782, settling in Philadelphia.
CS: 61. From the Oettingen-Wallerstein Collection, Sotheby's London 1997.
[Ref: 4662] £650.00
R.Pine pinxit. W.Dickinson Excudit.
London, Publish'd July 1st 1780, by Watson & Dickinson No. 158, New Bond Street.
Mezzotint. 505 x 350mm (19¾ x 13¾").
The wife and children of Robert Edge Pine, the painter. He emigrated to America with them in 1782, settling in Philadelphia.
CS: 61. From the Oettingen-Wallerstein Collection, Sotheby's London 1997.
[Ref: 4662] £650.00
![[John Pine] ]M.r Pine.](jpegs/66639.jpg)
[John Pine] ]M.r Pine. Done from an Original Picture Painted by M.R Hogarth in Imitation of Rembrant By J.s M.cArdell.]
[n.d., c.1770].
Mezzotint, false proof. 330 x 225mm (13 x 9"). Narrow margins, crease. Glued onto huge backing sheet on left side.
A half-length portrait of engraver and publisher John Pine (1690-1756) in the style of Rembrandt, hands resting on a walking stick. He is best known for his book illustrating the Spanish Armada tapestries once in the House of Lords; helping prepare the first map of the colony of Georgia; and publishing Rocque's 24-sheet map of London. Pine was a friend of William Hogarth. Besides this portrait (now in the Beaverbrook Art Gallery, Fredericton, New Brunswick), Hogarth also included him as the Fat Friar in his engraving 'The Calais Gate' (1749), which earned him the nickname Friar Pine.
CS: 143, iii of iii. Goodwin 151, iv of iv. O'D 2. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 66639] £380.00
[n.d., c.1770].
Mezzotint, false proof. 330 x 225mm (13 x 9"). Narrow margins, crease. Glued onto huge backing sheet on left side.
A half-length portrait of engraver and publisher John Pine (1690-1756) in the style of Rembrandt, hands resting on a walking stick. He is best known for his book illustrating the Spanish Armada tapestries once in the House of Lords; helping prepare the first map of the colony of Georgia; and publishing Rocque's 24-sheet map of London. Pine was a friend of William Hogarth. Besides this portrait (now in the Beaverbrook Art Gallery, Fredericton, New Brunswick), Hogarth also included him as the Fat Friar in his engraving 'The Calais Gate' (1749), which earned him the nickname Friar Pine.
CS: 143, iii of iii. Goodwin 151, iv of iv. O'D 2. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 66639] £380.00
![[John Pine] M.r Pine.](jpegs/66638.jpg)
[John Pine] M.r Pine. Done from an Original Picture Painted by M.R Hogarth in Imitation of Rembrant By J.s M.cArdell.
Sold at the Golden Head the corner of Southampton Str,t Cov.t Garden. Price 2.s [n.d., c.1750].
Mezzotint, touched with chalk. 330 x 225mm (13 x 9"). Thread margin on left. Glued onto huge backing sheet on left side.
A half-length portrait of engraver and publisher John Pine (1690-1756) in the style of Rembrandt, hands resting on a walking stick. He is best known for his book illustrating the Spanish Armada tapestries once in the House of Lords; helping prepare the first map of the colony of Georgia; and publishing Rocque's 24-sheet map of London. Pine was a friend of William Hogarth. Besides this portrait (now in the Beaverbrook Art Gallery, Fredericton, New Brunswick), Hogarth also included him as the Fat Friar in his engraving 'The Calais Gate' (1749), which earned him the nickname Friar Pine.
CS: 143, ii of v. Goodwin 151, ii of v. O'D 2. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 66638] £380.00
Sold at the Golden Head the corner of Southampton Str,t Cov.t Garden. Price 2.s [n.d., c.1750].
Mezzotint, touched with chalk. 330 x 225mm (13 x 9"). Thread margin on left. Glued onto huge backing sheet on left side.
A half-length portrait of engraver and publisher John Pine (1690-1756) in the style of Rembrandt, hands resting on a walking stick. He is best known for his book illustrating the Spanish Armada tapestries once in the House of Lords; helping prepare the first map of the colony of Georgia; and publishing Rocque's 24-sheet map of London. Pine was a friend of William Hogarth. Besides this portrait (now in the Beaverbrook Art Gallery, Fredericton, New Brunswick), Hogarth also included him as the Fat Friar in his engraving 'The Calais Gate' (1749), which earned him the nickname Friar Pine.
CS: 143, ii of v. Goodwin 151, ii of v. O'D 2. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 66638] £380.00
![[John Pine] M.r Pine.](jpegs/66637.jpg)
[John Pine] M.r Pine.
Hogarth pinx.t. [Engraved by James McArdell?]
London printed for Geo. Pulley at Rembrandt's head, the corner of Bride Court, Fleet Street [n.d., c.1760].
Mezzotint, 355 x 255mm (14 x 10"), with margins. Glued onto huge backing sheet on left side.
A half-length portrait of engraver and publisher John Pine (1690-1756) in the style of Rembrandt, hands resting on a walking stick. He is best known for his book illustrating the Spanish Armada tapestries once in the House of Lords; helping prepare the first map of the colony of Georgia; and publishing Rocque's 24-sheet map of London. Pine was a friend of William Hogarth. Besides this portrait (now in the Beaverbrook Art Gallery, Fredericton, New Brunswick), Hogarth also included him as the Fat Friar in his engraving 'The Calais Gate' (1749), which earned him the nickname Friar Pine. This plate is attributed to McArdell because of the similarity to his oval mezzotint of the same subject.
See CS: McArdell 143; Goodwin (McArdell) 151 (variant); O'D 2. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 66637] £360.00
Hogarth pinx.t. [Engraved by James McArdell?]
London printed for Geo. Pulley at Rembrandt's head, the corner of Bride Court, Fleet Street [n.d., c.1760].
Mezzotint, 355 x 255mm (14 x 10"), with margins. Glued onto huge backing sheet on left side.
A half-length portrait of engraver and publisher John Pine (1690-1756) in the style of Rembrandt, hands resting on a walking stick. He is best known for his book illustrating the Spanish Armada tapestries once in the House of Lords; helping prepare the first map of the colony of Georgia; and publishing Rocque's 24-sheet map of London. Pine was a friend of William Hogarth. Besides this portrait (now in the Beaverbrook Art Gallery, Fredericton, New Brunswick), Hogarth also included him as the Fat Friar in his engraving 'The Calais Gate' (1749), which earned him the nickname Friar Pine. This plate is attributed to McArdell because of the similarity to his oval mezzotint of the same subject.
See CS: McArdell 143; Goodwin (McArdell) 151 (variant); O'D 2. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 66637] £360.00
![[The Pine-Marten. Plate XXVII. (Mustela martes).]](jpegs/30192.jpg)
[The Pine-Marten. Plate XXVII. (Mustela martes).]
W. Kuhnert [facsimile inside image.]
[London. Frederick Warne & Co. & New York.] [1912.]
Chromolithograph. Plate 241 x 171mm (9½ x 6¾").
The European pine martin, native to Northern Europe belonging to the mustelid family, which included mink, otter, badger, wolverine and weasel. From "Animal Portraiture being Fifty Studies", by Wilhelm Kunhert (text by Richard Lydekker). Friedrich Wilhelm Kuhnert (1865-1926), the German painter, author and illustrator who specialised in animal images.
[Ref: 30192] £60.00 (£72.00 incl.VAT)
W. Kuhnert [facsimile inside image.]
[London. Frederick Warne & Co. & New York.] [1912.]
Chromolithograph. Plate 241 x 171mm (9½ x 6¾").
The European pine martin, native to Northern Europe belonging to the mustelid family, which included mink, otter, badger, wolverine and weasel. From "Animal Portraiture being Fifty Studies", by Wilhelm Kunhert (text by Richard Lydekker). Friedrich Wilhelm Kuhnert (1865-1926), the German painter, author and illustrator who specialised in animal images.
[Ref: 30192] £60.00 (£72.00 incl.VAT)
La Lanterna Magica.
Pinelli Fece 1815 Roma.
Engraving. 210 x 295mm (8¼ x 11¾").
A street entertainer with a peep show. Bartolomeo Pinelli (1781-1835) was famous for his depictions of the people of Rome.
[Ref: 4670] £260.00 (£312.00 incl.VAT)
Pinelli Fece 1815 Roma.
Engraving. 210 x 295mm (8¼ x 11¾").
A street entertainer with a peep show. Bartolomeo Pinelli (1781-1835) was famous for his depictions of the people of Rome.
[Ref: 4670] £260.00 (£312.00 incl.VAT)
The Serenade.
Pinelli del. Drawn on Stone by C. Hullmandel.
London. Published by Rodwell & Martin New Bond St. Oct.r 1. 1820 Printed by C. Hullmandel.
Lithograph with hand-colouring, sheet 250 x 290mm (9¾ x 11½").
Five musicians serenade a woman at her window. English lithographed copy of an etching by Bartolomeo Pinelli (1781-1835), Roman artist whose depictions of the people and landscape of Rome were extremely popular. Pinelli adapted the language of Neo-classicism to depict street brawls, puppet shows and other street performers, bestowing upon them an idealised dignity.
[Ref: 41696] £95.00 (£114.00 incl.VAT)
Pinelli del. Drawn on Stone by C. Hullmandel.
London. Published by Rodwell & Martin New Bond St. Oct.r 1. 1820 Printed by C. Hullmandel.
Lithograph with hand-colouring, sheet 250 x 290mm (9¾ x 11½").
Five musicians serenade a woman at her window. English lithographed copy of an etching by Bartolomeo Pinelli (1781-1835), Roman artist whose depictions of the people and landscape of Rome were extremely popular. Pinelli adapted the language of Neo-classicism to depict street brawls, puppet shows and other street performers, bestowing upon them an idealised dignity.
[Ref: 41696] £95.00 (£114.00 incl.VAT)
T.Pingo Engraver.
I. Carwitham fec. 1741.
Mezzotint. 205 x 155mm. Some restoration
Italian medallist (d. 1776) who came to England, appointed engraver to the Royal Mint at the beginning of George II's reign.
CS: 3. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 1180] £260.00 (£312.00 incl.VAT)
I. Carwitham fec. 1741.
Mezzotint. 205 x 155mm. Some restoration
Italian medallist (d. 1776) who came to England, appointed engraver to the Royal Mint at the beginning of George II's reign.
CS: 3. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 1180] £260.00 (£312.00 incl.VAT)
![[Pink and White Terraces] Otukapuarangi.](jpegs/61028.jpg)
[Pink and White Terraces] Otukapuarangi.
C.D. Barraud del. R. Smythson Lith. C.F. Kell Lithographer, Castle S.t Holborn, London E.C.
[London. Sampson Low, Marston, Searle & Rivington. 1877.]
Fine Chromolithograph, trimmed to image and laid sheet printed with title etc as issued. Sheet 435 x 560mm (17 x 22").
The famous Pink and White Terraces, formed by silica deposits, lost in the 1886 eruption of Mount Tarawera. From 'New Zealand Graphic and Descriptive. The Illustrations by C.W. Barraud'. Charles Decimus Barraud (1822-97) emigrated to New Zealand in 1849, opening a pharmacy in Wellington with such success that he opened branches in other towns.
[Ref: 61028] £180.00 (£216.00 incl.VAT)
C.D. Barraud del. R. Smythson Lith. C.F. Kell Lithographer, Castle S.t Holborn, London E.C.
[London. Sampson Low, Marston, Searle & Rivington. 1877.]
Fine Chromolithograph, trimmed to image and laid sheet printed with title etc as issued. Sheet 435 x 560mm (17 x 22").
The famous Pink and White Terraces, formed by silica deposits, lost in the 1886 eruption of Mount Tarawera. From 'New Zealand Graphic and Descriptive. The Illustrations by C.W. Barraud'. Charles Decimus Barraud (1822-97) emigrated to New Zealand in 1849, opening a pharmacy in Wellington with such success that he opened branches in other towns.
[Ref: 61028] £180.00 (£216.00 incl.VAT)
![[Pink and White Terraces] Te Tarata. Roto-Mahana.](jpegs/61029.jpg)
[Pink and White Terraces] Te Tarata. Roto-Mahana.
C.D. Barraud del. T. Picken Lith. C.F. Kell Lithographer, Castle S.t Holborn, London E.C.
[London. Sampson Low, Marston, Searle & Rivington. 1877.]
Chromolithograph, trimmed to image and laid sheet printed with title etc as issued. Sheet 435 x 560mm (17 x 22").
The famous Pink and White Terraces, formed by silica deposits, lost in the 1886 eruption of Mount Tarawera. From 'New Zealand Graphic and Descriptive. The Illustrations by C.W. Barraud'. Charles Decimus Barraud (1822-97) emigrated to New Zealand in 1849, opening a pharmacy in Wellington with such success that he opened branches in other towns.
[Ref: 61029] £180.00 (£216.00 incl.VAT)
C.D. Barraud del. T. Picken Lith. C.F. Kell Lithographer, Castle S.t Holborn, London E.C.
[London. Sampson Low, Marston, Searle & Rivington. 1877.]
Chromolithograph, trimmed to image and laid sheet printed with title etc as issued. Sheet 435 x 560mm (17 x 22").
The famous Pink and White Terraces, formed by silica deposits, lost in the 1886 eruption of Mount Tarawera. From 'New Zealand Graphic and Descriptive. The Illustrations by C.W. Barraud'. Charles Decimus Barraud (1822-97) emigrated to New Zealand in 1849, opening a pharmacy in Wellington with such success that he opened branches in other towns.
[Ref: 61029] £180.00 (£216.00 incl.VAT)
John Pinkerton. Aet XXXVIII. MDCCXCVI.
S. Harding del. Gardiner Sc.
[n.d. c.1796.]
A rare stipple engraving. 180 x 118mm. 7 x 4½". Cut and laid on separate sheet.
John Pinkerton (1758-1826) was a Scottish antiquarian, cartographer, author, numismatist, historian, and early advocate of Germanic racial supremacy theory. Born in Edinburgh, he relocated to London in 1781.
[Ref: 14347] £170.00 (£204.00 incl.VAT)
S. Harding del. Gardiner Sc.
[n.d. c.1796.]
A rare stipple engraving. 180 x 118mm. 7 x 4½". Cut and laid on separate sheet.
John Pinkerton (1758-1826) was a Scottish antiquarian, cartographer, author, numismatist, historian, and early advocate of Germanic racial supremacy theory. Born in Edinburgh, he relocated to London in 1781.
[Ref: 14347] £170.00 (£204.00 incl.VAT)
![[Advert.] Just Published, in Imperial Quarto. A Print of Pinks, Drawn from Five of the Finest Plants, After Gaining the First Prize.](jpegs/51050.jpg)
[Advert.] Just Published, in Imperial Quarto. A Print of Pinks, Drawn from Five of the Finest Plants, After Gaining the First Prize. Drawn and Engraved by R. Havell, Jun.
London: Published by R. Havell, Jun., Printer, 79, Newman Street, Oxford Street.
Scarce letterpress: 180 x 110mm (7 x 4¼'').
An advert for a series of botanical prints.
[Ref: 51050] £130.00 (£156.00 incl.VAT)
London: Published by R. Havell, Jun., Printer, 79, Newman Street, Oxford Street.
Scarce letterpress: 180 x 110mm (7 x 4¼'').
An advert for a series of botanical prints.
[Ref: 51050] £130.00 (£156.00 incl.VAT)
Pinqua.
[n.d. c.1800]
Wood cut, sheet 390 x 230mm (15½ x 9"). Trimmed and glued to backing sheet.
A chinese style wood block print featuring three asian men, with flowing robes and beards. One holds a scroll whose top character translates to 'blessing', and second 'flow'. Pinqua may refer to Yang Pinqua (fl.1747-1795), Chinese name Yang Bingguan but also named Yang Cengong, a well-known porcelain dealer in Canton during the mid-eighteenth century who was appointed a Hong merchant in 1782. He also sold black tea, mostly Bohea to the VOC. This could be a tea label.
[Ref: 59111] £480.00
[n.d. c.1800]
Wood cut, sheet 390 x 230mm (15½ x 9"). Trimmed and glued to backing sheet.
A chinese style wood block print featuring three asian men, with flowing robes and beards. One holds a scroll whose top character translates to 'blessing', and second 'flow'. Pinqua may refer to Yang Pinqua (fl.1747-1795), Chinese name Yang Bingguan but also named Yang Cengong, a well-known porcelain dealer in Canton during the mid-eighteenth century who was appointed a Hong merchant in 1782. He also sold black tea, mostly Bohea to the VOC. This could be a tea label.
[Ref: 59111] £480.00
A Pioneer.
H. Bunbry Esq.r delin.t A. Suntach direx.t
Publish'd December 31.th 1792 by A. Suntach.
Stipple and etching, face in colour. Plate 305 x 197mm. 12 x 7¾". Trimmed to plate top and bottom
A soldier walking with an axe over his right shoulder, wearing a bearskin hat; a dagger attached to his waist, a fur covered pack on his back.
[Ref: 18989] £160.00 (£192.00 incl.VAT)
H. Bunbry Esq.r delin.t A. Suntach direx.t
Publish'd December 31.th 1792 by A. Suntach.
Stipple and etching, face in colour. Plate 305 x 197mm. 12 x 7¾". Trimmed to plate top and bottom
A soldier walking with an axe over his right shoulder, wearing a bearskin hat; a dagger attached to his waist, a fur covered pack on his back.
[Ref: 18989] £160.00 (£192.00 incl.VAT)