A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
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View under the Grand Portico. Philæ.
David Roberts. R.A. L. Haghe Lith.
London, Published F. G. Moon, 20 Threadneedle Street, March 1st, 1847.
Tinted lithograph, printed area 525 x 350mm (20¾ x 13¾"). Torn.
The magnificent bas-relief carving and proportions of the interior of the hypostyle room of the Temple. Philæ was one of the buildings rescued by UNESCO during the building of the Aswan Dam. Published in the monumental folio edition of 'Egypt & Nubia: from drawings made on the spot' by David Roberts (1796 - 1864), lithographed by Louis Haghe.
Abbey Travel 272.
[Ref: 40973] £1,250.00
David Roberts. R.A. L. Haghe Lith.
London, Published F. G. Moon, 20 Threadneedle Street, March 1st, 1847.
Tinted lithograph, printed area 525 x 350mm (20¾ x 13¾"). Torn.
The magnificent bas-relief carving and proportions of the interior of the hypostyle room of the Temple. Philæ was one of the buildings rescued by UNESCO during the building of the Aswan Dam. Published in the monumental folio edition of 'Egypt & Nubia: from drawings made on the spot' by David Roberts (1796 - 1864), lithographed by Louis Haghe.
Abbey Travel 272.
[Ref: 40973] £1,250.00
General View of the Island of Philae, Nubia. Nov.r 18th, 1838.
David Roberts. R.A. L. Haghe Lith.
London, Published F. G. Moon, 20 Threadneedle Street,
Tinted lithograph, printed area 360 x 520mm (14¼ x 20½").
The many different periods of development are shown in this view, including the 4th century BC Kiosk and Oblisk on the far right and a much later gate in the foreground. The whole structure was moved from here to Agilkia Island during the building of the Aswan High Dam in 1970. Published in the monumental folio edition of 'Egypt & Nubia: from drawings made on the spot' by David Roberts (1796 - 1864), lithographed by Louis Haghe.
Abbey Travel 272.
[Ref: 40985] £900.00
David Roberts. R.A. L. Haghe Lith.
London, Published F. G. Moon, 20 Threadneedle Street,
Tinted lithograph, printed area 360 x 520mm (14¼ x 20½").
The many different periods of development are shown in this view, including the 4th century BC Kiosk and Oblisk on the far right and a much later gate in the foreground. The whole structure was moved from here to Agilkia Island during the building of the Aswan High Dam in 1970. Published in the monumental folio edition of 'Egypt & Nubia: from drawings made on the spot' by David Roberts (1796 - 1864), lithographed by Louis Haghe.
Abbey Travel 272.
[Ref: 40985] £900.00
General View of the Island of Philae, Nubia. Nov.r 18th, 1838.
David Roberts. R.A. L. Haghe Lith.
London, Published F. G. Moon, 20 Threadneedle Street,
Tinted lithograph, printed area 360 x 520mm (14¼ x 20½").
The many different periods of development are shown in this view, including the 4th century BC Kiosk and Oblisk on the far right and a much later gate in the foreground. The whole structure was moved from here to Agilkia Island during the building of the Aswan High Dam in 1970. Published in the monumental folio edition of 'Egypt & Nubia: from drawings made on the spot' by David Roberts (1796 - 1864), lithographed by Louis Haghe. This example comes from the library of Sir Richard Hungerford Pollen (1815-81), 3rd Baronet of Redenham, an amateur artist listed as a subscriber to this work. However this is not a hand-coloured subscription plate but is still an early printing, one issued in wrappered parts prior to the bound First Edition.
Abbey Travel 272.
[Ref: 40741] £900.00
David Roberts. R.A. L. Haghe Lith.
London, Published F. G. Moon, 20 Threadneedle Street,
Tinted lithograph, printed area 360 x 520mm (14¼ x 20½").
The many different periods of development are shown in this view, including the 4th century BC Kiosk and Oblisk on the far right and a much later gate in the foreground. The whole structure was moved from here to Agilkia Island during the building of the Aswan High Dam in 1970. Published in the monumental folio edition of 'Egypt & Nubia: from drawings made on the spot' by David Roberts (1796 - 1864), lithographed by Louis Haghe. This example comes from the library of Sir Richard Hungerford Pollen (1815-81), 3rd Baronet of Redenham, an amateur artist listed as a subscriber to this work. However this is not a hand-coloured subscription plate but is still an early printing, one issued in wrappered parts prior to the bound First Edition.
Abbey Travel 272.
[Ref: 40741] £900.00
Philanthropic Society, the Chapel.
Rowlandson & Pugin del.t et sculp.t. J. Bluck aqua.t.
London Pub. 1.st April 1809, at R. Ackermann's Repository of Arts 101 Strand.
Hand-coloured aquatint. Plate: 240 x 285mm (9½ x 11¼") large margins.
An interor view of the chapel of the Royal Philanthropic Society founded in 1788. Published in Ackermann's famous work, the 'Microcosm of London'; the figures were drawn by the famous caricaturist Thomas Rowlandson and the architecture by Augustus Pugin.
Abbey, Scenery: 212.
[Ref: 47225] £75.00 (£90.00 incl.VAT)
Rowlandson & Pugin del.t et sculp.t. J. Bluck aqua.t.
London Pub. 1.st April 1809, at R. Ackermann's Repository of Arts 101 Strand.
Hand-coloured aquatint. Plate: 240 x 285mm (9½ x 11¼") large margins.
An interor view of the chapel of the Royal Philanthropic Society founded in 1788. Published in Ackermann's famous work, the 'Microcosm of London'; the figures were drawn by the famous caricaturist Thomas Rowlandson and the architecture by Augustus Pugin.
Abbey, Scenery: 212.
[Ref: 47225] £75.00 (£90.00 incl.VAT)
![[Philip II of Spain]](jpegs/44031.jpg)
[Philip II of Spain]
[Anon., c.1650]
Engraving, platemark 280 x 190mm (11 x 7½").
Philip II of Spain (1527-98), king of Spain, Portugal, Naples and Sicily, in elaborate decorative frame.
[Ref: 44031] £160.00 (£192.00 incl.VAT)
[Anon., c.1650]
Engraving, platemark 280 x 190mm (11 x 7½").
Philip II of Spain (1527-98), king of Spain, Portugal, Naples and Sicily, in elaborate decorative frame.
[Ref: 44031] £160.00 (£192.00 incl.VAT)
Don toys de requiles: Gouvernadoir de Melane et grand Comandador de Castilles.
[n.d. c.1770.]
Copper engraving, rare, 274 x 184mm. 10¾ x 7¼". Cut, small damage on left.
Philip II (1527-1598) was the King of Spains, Portugal, Naples and Sicily; and whilst married to Mary I, King of England and Ireland. Known as Philip the Prudent, he ruled on the of the world's largest empires spanning across every continent then known to the Europeans. After Philip ascended the Spanish throne in 1556 his royal title, joint with Mary, was: Philip and Mary, by Grace of God King and Queen of England, Spain, France, Jerusalem, both the Sicilies and Ireland, Defenders of the Faith, Archdukes of Austria, Dukes of Burgundy, Milan and Brabant, Counts of Habsburg, Flanders and Tirol. The coat of arms is that of the Duchy of Milan.
[Ref: 15094] £120.00 (£144.00 incl.VAT)
[n.d. c.1770.]
Copper engraving, rare, 274 x 184mm. 10¾ x 7¼". Cut, small damage on left.
Philip II (1527-1598) was the King of Spains, Portugal, Naples and Sicily; and whilst married to Mary I, King of England and Ireland. Known as Philip the Prudent, he ruled on the of the world's largest empires spanning across every continent then known to the Europeans. After Philip ascended the Spanish throne in 1556 his royal title, joint with Mary, was: Philip and Mary, by Grace of God King and Queen of England, Spain, France, Jerusalem, both the Sicilies and Ireland, Defenders of the Faith, Archdukes of Austria, Dukes of Burgundy, Milan and Brabant, Counts of Habsburg, Flanders and Tirol. The coat of arms is that of the Duchy of Milan.
[Ref: 15094] £120.00 (£144.00 incl.VAT)
Philippus III Catholicus Hispaniarum Rex et Indiarum Nouique Orbis Monarcha Potentissimus.
J. Suÿderhoef Sculpsit.
P. Southman Effigiauit et excud. Cum Priuil Sa. Cæ. M. [n.d., c.1645.]
Etching with engraving. Sheet 410 x 280mm (16 x 11"), with 17th century watermark. Trimmed to plate, very slight creasing top left.
Philip III (1578-1621), king of Spain from 1598.
[Ref: 55628] £320.00
J. Suÿderhoef Sculpsit.
P. Southman Effigiauit et excud. Cum Priuil Sa. Cæ. M. [n.d., c.1645.]
Etching with engraving. Sheet 410 x 280mm (16 x 11"), with 17th century watermark. Trimmed to plate, very slight creasing top left.
Philip III (1578-1621), king of Spain from 1598.
[Ref: 55628] £320.00
Philippus IV. Hispaniarum et Indiarum Rex Catholicus.
Wenceslaus Hollar fecit 1652.
Corn. Galle excudit.
Etching, laid on Album sheet; sheet 225 x 160mm (9 x 6¼"). Trimmed inside platemark;
Philip IV (1605-1665), King of Spain and Portugal, wearing embroidered jacket on which hangs the Order of the Golden Fleece. He is remembered for his patronage of artists such as Velazquez, and for ruling Spain during the challenging period of the Thirty Years War (1618-48). Etching by Wenceslaus Hollar (1607-77), Bohemian printmaker who spent most of his career working in England. Hollar's technical skill has ensured that his prints have always been keenly collected, and comprehensive collections of his work are at institutions in London, Berlin and Prague.
Pennington 1482.
[Ref: 40478] £190.00 (£228.00 incl.VAT)
Wenceslaus Hollar fecit 1652.
Corn. Galle excudit.
Etching, laid on Album sheet; sheet 225 x 160mm (9 x 6¼"). Trimmed inside platemark;
Philip IV (1605-1665), King of Spain and Portugal, wearing embroidered jacket on which hangs the Order of the Golden Fleece. He is remembered for his patronage of artists such as Velazquez, and for ruling Spain during the challenging period of the Thirty Years War (1618-48). Etching by Wenceslaus Hollar (1607-77), Bohemian printmaker who spent most of his career working in England. Hollar's technical skill has ensured that his prints have always been keenly collected, and comprehensive collections of his work are at institutions in London, Berlin and Prague.
Pennington 1482.
[Ref: 40478] £190.00 (£228.00 incl.VAT)
Philippus de Vierde, Konink van Spanje, &c. &c. &c.
[Benjamin Picart?]
[n.d., c.1728.]
Engraving. 265 x 185mm (10½ x 7¼"). Trimmed to plate, laid on album paper.
A half-length portrait in oval of Philip IV of Spain (1605-65).
[Ref: 66738] £60.00 (£72.00 incl.VAT)
[Benjamin Picart?]
[n.d., c.1728.]
Engraving. 265 x 185mm (10½ x 7¼"). Trimmed to plate, laid on album paper.
A half-length portrait in oval of Philip IV of Spain (1605-65).
[Ref: 66738] £60.00 (£72.00 incl.VAT)
![[Philip IV of Spain.]](jpegs/22832.jpg)
[Philip IV of Spain.]
Jvandyke Geddes ft.
[n.d. c.1840.]
Etching. Plate 229 x 152mm. 9 x 6".
Portrait of Philip IV of Spain, half-length, three-quarter face to left, bare-headed, in wide open collar. Philip IV (1605-1665) was King of Spain and Portgual. He is remembered for his patronage of the arts, including such artists as Diego Velazquez, and his rule over Spain during the challenging period of the Thirty Years War (1618-48).
Ref: CD 47 VI; Collector's Mark AC: A Charlotte & major HRM Harvard Collection.
[Ref: 22832] £50.00 (£60.00 incl.VAT)
Jvandyke Geddes ft.
[n.d. c.1840.]
Etching. Plate 229 x 152mm. 9 x 6".
Portrait of Philip IV of Spain, half-length, three-quarter face to left, bare-headed, in wide open collar. Philip IV (1605-1665) was King of Spain and Portgual. He is remembered for his patronage of the arts, including such artists as Diego Velazquez, and his rule over Spain during the challenging period of the Thirty Years War (1618-48).
Ref: CD 47 VI; Collector's Mark AC: A Charlotte & major HRM Harvard Collection.
[Ref: 22832] £50.00 (£60.00 incl.VAT)
![[Philip IV of Spain]](jpegs/36802.jpg)
[Philip IV of Spain]
Vandyke. Geddes fc.
Etching with very large margins, platemark 230 x 155mm (8¾ x 6"). 'Printed by E Lumsden' in pencil lower right.
Portrait of Philip IV (1605-1665), king of Spain and Portgual. He is remembered for his patronage of the arts, including such artists as Diego Velazquez, and his rule over Spain during the challenging period of the Thirty Years War (1618-48). Etched after a portrait by van Dyck, by the Scottish painter and etcher Andrew Geddes (1783-1844). The Oxford DNB states that 'as an etcher Geddes ranks higher than as a painter; his plates may be regarded as among the very earliest examples in modern British art of the brilliancy, concentration, and spirited selection of line proper to a ‘painter's-etching’'. This plate was one of ten published by Geddes in 1826.
CD 47.vii; Ex: collection of the Late Hon. C. Lennox-Boyd.
[Ref: 36802] £120.00 (£144.00 incl.VAT)
Vandyke. Geddes fc.
Etching with very large margins, platemark 230 x 155mm (8¾ x 6"). 'Printed by E Lumsden' in pencil lower right.
Portrait of Philip IV (1605-1665), king of Spain and Portgual. He is remembered for his patronage of the arts, including such artists as Diego Velazquez, and his rule over Spain during the challenging period of the Thirty Years War (1618-48). Etched after a portrait by van Dyck, by the Scottish painter and etcher Andrew Geddes (1783-1844). The Oxford DNB states that 'as an etcher Geddes ranks higher than as a painter; his plates may be regarded as among the very earliest examples in modern British art of the brilliancy, concentration, and spirited selection of line proper to a ‘painter's-etching’'. This plate was one of ten published by Geddes in 1826.
CD 47.vii; Ex: collection of the Late Hon. C. Lennox-Boyd.
[Ref: 36802] £120.00 (£144.00 incl.VAT)
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Philippus Valesius Cognomine audax Dux Burgundiae.
[Artist's monogram in the lower right corner.] [Simon van de Passe.]
[n.d. c.1633.] Bit later.
Engraving; no text verso. 190 x 145mm (7½ x 5¾"). Slight creasing.
Portrait of Philip the Bold, Duke of Burgundy, whole-length and slightly turned to left, wearing a fur-lined cloak over an armour and holding a baton in his right hand, his left hand resting on his helmet which sits on a pedestal; a city in background; illustration to Emanuel van Meteren's "Historien der Nederlanden" (Amsterdam, 1633). Philip the Bold, Duke of Burgundy (1342-1404); Son of King Jean II of France (q.v.); given duchy of Burgundy in 1384 in exchange for Touraine; married Margaret of Flanders in 1369; on her father's death in 1382, they inherited Flanders, Brabant, Artois, Limburg, Nevers and Rethel.
[Ref: 52524] £190.00 (£228.00 incl.VAT)
[Artist's monogram in the lower right corner.] [Simon van de Passe.]
[n.d. c.1633.] Bit later.
Engraving; no text verso. 190 x 145mm (7½ x 5¾"). Slight creasing.
Portrait of Philip the Bold, Duke of Burgundy, whole-length and slightly turned to left, wearing a fur-lined cloak over an armour and holding a baton in his right hand, his left hand resting on his helmet which sits on a pedestal; a city in background; illustration to Emanuel van Meteren's "Historien der Nederlanden" (Amsterdam, 1633). Philip the Bold, Duke of Burgundy (1342-1404); Son of King Jean II of France (q.v.); given duchy of Burgundy in 1384 in exchange for Touraine; married Margaret of Flanders in 1369; on her father's death in 1382, they inherited Flanders, Brabant, Artois, Limburg, Nevers and Rethel.
[Ref: 52524] £190.00 (£228.00 incl.VAT)
Philippus dictus V. Rex Hispaniæ et Indiarum Bourbonius Dux d' Anjou.
[n.d., c.1720,]
Engraving, pt 18th century watermark. 185 x 130mm (7¼ x 5¼"), large margins
Philip V of Spain (1683-1746), grandson of Louis XIV of France. Philip's coronation as king of Spain in 1700 raised the spectre of the French and Spainish thrones being united, leading to the War of the Spanish Succession.
[Ref: 66739] £120.00 (£144.00 incl.VAT)
[n.d., c.1720,]
Engraving, pt 18th century watermark. 185 x 130mm (7¼ x 5¼"), large margins
Philip V of Spain (1683-1746), grandson of Louis XIV of France. Philip's coronation as king of Spain in 1700 raised the spectre of the French and Spainish thrones being united, leading to the War of the Spanish Succession.
[Ref: 66739] £120.00 (£144.00 incl.VAT)
![Monseign[neu]r Philippes de France, Duc d'Aniou.](jpegs/13129.jpg)
Monseign[neu]r Philippes de France, Duc d'Aniou.
De L'Armessin Sculp.
A Paris Chez N. de L'Armessin, Rue St. jacq. ala Pome d'Or, Avec Privil du Roy. [n.d., c.1688.]
Engraving, 250 x 165mm. 9¾ x 6½". A fine impression, in near mint condition.
Philip V of Spain (French: Philippe de France; 1683 - 1746), fils de France and Duke of Anjou, as an infant, wearing hat adorned with feather, embroidered jacket and insignia of the order of the Saint-Esprit. Philip was King of Spain from 1700 to 14 January 1724, when he abdicated in favour of his son, Louis I of Spain, and from 31 August 1724 to 1746, assuming the throne again upon his son's death. Philip was the first Bourbon king of Spain. His entire reign of 45 years and 21 days is the longest in Spanish history. In oval frame, coat of arms in the lower part.; brief biography below title. Engraved by Nicolas de Larmessin I (1632 - 1694), from a large series of (at least) 240 portraits.
[Ref: 13129] £130.00 (£156.00 incl.VAT)
De L'Armessin Sculp.
A Paris Chez N. de L'Armessin, Rue St. jacq. ala Pome d'Or, Avec Privil du Roy. [n.d., c.1688.]
Engraving, 250 x 165mm. 9¾ x 6½". A fine impression, in near mint condition.
Philip V of Spain (French: Philippe de France; 1683 - 1746), fils de France and Duke of Anjou, as an infant, wearing hat adorned with feather, embroidered jacket and insignia of the order of the Saint-Esprit. Philip was King of Spain from 1700 to 14 January 1724, when he abdicated in favour of his son, Louis I of Spain, and from 31 August 1724 to 1746, assuming the throne again upon his son's death. Philip was the first Bourbon king of Spain. His entire reign of 45 years and 21 days is the longest in Spanish history. In oval frame, coat of arms in the lower part.; brief biography below title. Engraved by Nicolas de Larmessin I (1632 - 1694), from a large series of (at least) 240 portraits.
[Ref: 13129] £130.00 (£156.00 incl.VAT)
![[Philip V of Spain.] De Wanschape Monarchy of 't Vierde Deel van de Zieltogrende Anjouse Monarch[y]](jpegs/63507.jpg)
[Philip V of Spain.] De Wanschape Monarchy of 't Vierde Deel van de Zieltogrende Anjouse Monarch[y] Nº [4].
[Amsterdam: Abraham Allard, c.1711.]
Etching. Sheet 260 x 185mm (10¼ x 7¼"). Trimmed, into image on left, affecting title, laid on album paper. Cut into image on right.
Philip V of Spain helps a donkey to vomit while a 'Doctor Financier' examines a urine sample. Through the window a demon approaches a sleeping woman. A satire of the state of Spain during the War of the Spanish Succession, 1701-14. From 't Lust-Hof van Momus, Beplant met de voornaamste Gewassen van Mars in Europa'.
Wellcome 17533i.
[Ref: 63507] £120.00 (£144.00 incl.VAT)
[Amsterdam: Abraham Allard, c.1711.]
Etching. Sheet 260 x 185mm (10¼ x 7¼"). Trimmed, into image on left, affecting title, laid on album paper. Cut into image on right.
Philip V of Spain helps a donkey to vomit while a 'Doctor Financier' examines a urine sample. Through the window a demon approaches a sleeping woman. A satire of the state of Spain during the War of the Spanish Succession, 1701-14. From 't Lust-Hof van Momus, Beplant met de voornaamste Gewassen van Mars in Europa'.
Wellcome 17533i.
[Ref: 63507] £120.00 (£144.00 incl.VAT)
Sr. Arthur Philip. Esq.r.
Ermer sc.
[German.] [n.d. c.1810.]
Stipple with large margins. Plate 140 x 95mm (5½ x 3¾").
Admiral Arthur Phillip RN (1738-1814), first Governor of New South Wales, and founder of the settlement which became Sydney. He commanded the 'First Fleet' carrying convicts to Australia, to form part of the proposed British penal colony of New South Wales. Port Philip Bay is named after him. Ermer, after the 1789 engraving by Sherwin after F. Wheatley. From "Allgemeine Geographische Ephemeriden".
Noted by Kivell & Spence as "rare" pg. 250.
[Ref: 29525] £190.00 (£228.00 incl.VAT)
Ermer sc.
[German.] [n.d. c.1810.]
Stipple with large margins. Plate 140 x 95mm (5½ x 3¾").
Admiral Arthur Phillip RN (1738-1814), first Governor of New South Wales, and founder of the settlement which became Sydney. He commanded the 'First Fleet' carrying convicts to Australia, to form part of the proposed British penal colony of New South Wales. Port Philip Bay is named after him. Ermer, after the 1789 engraving by Sherwin after F. Wheatley. From "Allgemeine Geographische Ephemeriden".
Noted by Kivell & Spence as "rare" pg. 250.
[Ref: 29525] £190.00 (£228.00 incl.VAT)
Sr. Arthur Philip. Esqr.
Ermer sc.
[German.] [n.d. c.1810.]
Stipple with large margins. Plate 140 x 95mm (5½ x 3¾").
Admiral Arthur Phillip RN (1738-1814), first Governor of New South Wales, and founder of the settlement which became Sydney. He commanded the 'First Fleet' carrying convicts to Australia, to form part of the proposed British penal colony of New South Wales. Port Philip Bay is named after him. Ermer, after the 1789 engraving by Sherwin after F. Wheatley. From "Allgemeine Geographische Ephemeriden".
Noted by Kivell & Spence as "rare" pg. 250.
[Ref: 36336] £190.00 (£228.00 incl.VAT)
Ermer sc.
[German.] [n.d. c.1810.]
Stipple with large margins. Plate 140 x 95mm (5½ x 3¾").
Admiral Arthur Phillip RN (1738-1814), first Governor of New South Wales, and founder of the settlement which became Sydney. He commanded the 'First Fleet' carrying convicts to Australia, to form part of the proposed British penal colony of New South Wales. Port Philip Bay is named after him. Ermer, after the 1789 engraving by Sherwin after F. Wheatley. From "Allgemeine Geographische Ephemeriden".
Noted by Kivell & Spence as "rare" pg. 250.
[Ref: 36336] £190.00 (£228.00 incl.VAT)
![[Robert Philip] Father Philips confessor to Henrietta Maria, was by many supposed, to influence that bigotted princess...](jpegs/55326.jpg)
[Robert Philip] Father Philips confessor to Henrietta Maria, was by many supposed, to influence that bigotted princess...
[n.d., c.1800.]
Etching. 120 x 80mm (4¾ xx 3¼").
Oval portrait of Robert Phillip (d.1747), Scottish Roman Catholic priest. Ordained in Rome, he returned to Scotland in 1612 and was sentenced to death the following year for conducting Mass. When his sentence was commuted to banishment he moved to France, but coming to England in 1628 to be confessor to Henrietta Maria of France when she married Charles I. In this role he was accused of being a Papal spy, then committed to the Tower of London for refusing to be sworn on the Anglican Bible before a House of Lords committee. He joined the queen in exile in the Hague at the outbreak of the Civil War, never to return.
[Ref: 55326] £70.00 (£84.00 incl.VAT)
[n.d., c.1800.]
Etching. 120 x 80mm (4¾ xx 3¼").
Oval portrait of Robert Phillip (d.1747), Scottish Roman Catholic priest. Ordained in Rome, he returned to Scotland in 1612 and was sentenced to death the following year for conducting Mass. When his sentence was commuted to banishment he moved to France, but coming to England in 1628 to be confessor to Henrietta Maria of France when she married Charles I. In this role he was accused of being a Papal spy, then committed to the Tower of London for refusing to be sworn on the Anglican Bible before a House of Lords committee. He joined the queen in exile in the Hague at the outbreak of the Civil War, never to return.
[Ref: 55326] £70.00 (£84.00 incl.VAT)
Philippa, Queen of Edw.d III, soliciting him for the lives of the six devoted Citizens of Calais, A.D. 1347. Acta Historica Reginarum Angliae. Plate III. Engraved from the Original Drawing, of the same dimensions in the Possession of Mr. V. Green. To Her Royal Highness Princess Augusta Sophia, This Plate is, by Permission, Most Humbly Dedicated, by Her Royal Highness's Most Devoted and Obedient Servant Valentine Green.
Drawn by J. Gerhard Huck, 1785. Engraved by V. Green Mezzotinto Engraver to his Majesty & the Elector Palatine.
Publish'd January 18th, 1788, by V. & R. Green No. 29 Newman Street, Oxford Street, London.
Fine mezzotint, platemark 490 x 625mm (19¼ x 24½"). Slight creasing on left. Uncut, large margins.
Philippa of Hainault, Queen consort of Edward III, soliciting her husband to release the Burghers of Calais. After the successful siege of Calais by Edward III, the city parleyed for surrender. Edward offered to spare the city on the condition that six of its leaders surrendered themselves to him, which they did. However, Philippa persuaded her husband not to execute these citizens, claiming their deaths would be a bad omen. The episode also inspired Rodin's famous sculpture 'The Burghers of Calais', one cast of which stands near the Houses of Parliament in London. Plate three of 'Acta Historicae Reginarum Angliae' by the celebrated mezzotinter Valentine Green (1739-183) from drawings by his former student Johann Gerhard Huck (c.1759-1811), with parallel text in French.
Whitman: 250 II of II; CS: 153.3. Ex Collection of Hon Christopher Lennox-Boyd.
[Ref: 23047] £260.00 (£312.00 incl.VAT)
Drawn by J. Gerhard Huck, 1785. Engraved by V. Green Mezzotinto Engraver to his Majesty & the Elector Palatine.
Publish'd January 18th, 1788, by V. & R. Green No. 29 Newman Street, Oxford Street, London.
Fine mezzotint, platemark 490 x 625mm (19¼ x 24½"). Slight creasing on left. Uncut, large margins.
Philippa of Hainault, Queen consort of Edward III, soliciting her husband to release the Burghers of Calais. After the successful siege of Calais by Edward III, the city parleyed for surrender. Edward offered to spare the city on the condition that six of its leaders surrendered themselves to him, which they did. However, Philippa persuaded her husband not to execute these citizens, claiming their deaths would be a bad omen. The episode also inspired Rodin's famous sculpture 'The Burghers of Calais', one cast of which stands near the Houses of Parliament in London. Plate three of 'Acta Historicae Reginarum Angliae' by the celebrated mezzotinter Valentine Green (1739-183) from drawings by his former student Johann Gerhard Huck (c.1759-1811), with parallel text in French.
Whitman: 250 II of II; CS: 153.3. Ex Collection of Hon Christopher Lennox-Boyd.
[Ref: 23047] £260.00 (£312.00 incl.VAT)
Philippe Ir, Roy d'Espagne,
d'apres Liesrink.
A.D.P.R. A Paris chez Duflos le Jeune rue S. Victor. [n.d. c.1780]
Engraving with strong contemporary colour and a gold leaf line border. 282 x 169mm.
From 'Recueil d'estampes représentant les grades, les rangs et les dignités suivant le costume de toutes les nations existantes' by Pierre Duflos, published 1779-84. The original colour is particularly fine, with gold leaf highlights.
[Ref: 2115] £50.00 (£60.00 incl.VAT)
d'apres Liesrink.
A.D.P.R. A Paris chez Duflos le Jeune rue S. Victor. [n.d. c.1780]
Engraving with strong contemporary colour and a gold leaf line border. 282 x 169mm.
From 'Recueil d'estampes représentant les grades, les rangs et les dignités suivant le costume de toutes les nations existantes' by Pierre Duflos, published 1779-84. The original colour is particularly fine, with gold leaf highlights.
[Ref: 2115] £50.00 (£60.00 incl.VAT)
Marie Philippe. Fille de Chambre du Chevalier Marc-Benefial. Dessine par lui meme, et grave par Matthieu Oesterreich. Tire du Cabinet de S.E. Monsgr:_le Comye de Bruhl.
Cav: M. Benefial Del. Matthieu Oesterreich fecit...1750(?)...[in reverse in design, some inscription illegible.]
[German, c.1750.]
Etching, 320 x 195mm. 12½ x 7¾". Some light foxing; creasing to wide margins. One closed tear just into lower part of plate.
A somewhat grotesque caricature of the chambermaid of Italian painter Marco Benefial (1684 - 1764), after Benefial's own design. She is repairing a hole in a bonnet with needle and thread. Matthias Oesterreich (1716 - 1778) was a Hamburg-born painter and printmaker who etched various series of reproductions of master drawings in the collection of statesman Count Heinrich von Brühl (German, 1700 - 1763), published in Dresden. Numbered '23' upper left, this appears to be from one of those series.
[Ref: 21360] £160.00 (£192.00 incl.VAT)
Cav: M. Benefial Del. Matthieu Oesterreich fecit...1750(?)...[in reverse in design, some inscription illegible.]
[German, c.1750.]
Etching, 320 x 195mm. 12½ x 7¾". Some light foxing; creasing to wide margins. One closed tear just into lower part of plate.
A somewhat grotesque caricature of the chambermaid of Italian painter Marco Benefial (1684 - 1764), after Benefial's own design. She is repairing a hole in a bonnet with needle and thread. Matthias Oesterreich (1716 - 1778) was a Hamburg-born painter and printmaker who etched various series of reproductions of master drawings in the collection of statesman Count Heinrich von Brühl (German, 1700 - 1763), published in Dresden. Numbered '23' upper left, this appears to be from one of those series.
[Ref: 21360] £160.00 (£192.00 incl.VAT)
Ruins of Philippi.
W. Devereux Delt.
Dickinson & Co. Lith. [n.d. c.1850.]
Tinted lithograph. 362 x 533mm. 14¼ x 21".
The ruins of Direkler, Basilica B, at Philippi in eastern Macedonia, established by Philip II in 356 BC and abandoned in the 14th century after the Ottoman conquest.
[Ref: 25690] £230.00 (£276.00 incl.VAT)
W. Devereux Delt.
Dickinson & Co. Lith. [n.d. c.1850.]
Tinted lithograph. 362 x 533mm. 14¼ x 21".
The ruins of Direkler, Basilica B, at Philippi in eastern Macedonia, established by Philip II in 356 BC and abandoned in the 14th century after the Ottoman conquest.
[Ref: 25690] £230.00 (£276.00 incl.VAT)
Plain of Philippi.
Hon. Cap. Devereux Del.
Dickinson & Co. Lith. [n.d. c.1850.]
Tinted lithograph. 362 x 540mm. 14¼ x 21¼".
The great plain of Philippi which lay to the west of the city where Mark Anthony and Octavian confronted the assassins of Caesar, Marcus Junius Brutus and Cassius, at the Battle of Philippi.
[Ref: 25692] £230.00 (£276.00 incl.VAT)
Hon. Cap. Devereux Del.
Dickinson & Co. Lith. [n.d. c.1850.]
Tinted lithograph. 362 x 540mm. 14¼ x 21¼".
The great plain of Philippi which lay to the west of the city where Mark Anthony and Octavian confronted the assassins of Caesar, Marcus Junius Brutus and Cassius, at the Battle of Philippi.
[Ref: 25692] £230.00 (£276.00 incl.VAT)
Plain of Philippi.
Hon. Cap.t Devereux Delt.
Dickinson & Co. Lith. [n.d. c.1850.]
Coloured lithograph. Sheet: 355 x 540mm. 14 x 21¼" very large margins. Paper tone in margins.
The great plain of Philippi which lay to the west of the city where Mark Anthony and Octavian confronted the assassins of Caesar, Marcus Junius Brutus and Cassius, at the Battle of Philippi.
[Ref: 39955] £260.00 (£312.00 incl.VAT)
Hon. Cap.t Devereux Delt.
Dickinson & Co. Lith. [n.d. c.1850.]
Coloured lithograph. Sheet: 355 x 540mm. 14 x 21¼" very large margins. Paper tone in margins.
The great plain of Philippi which lay to the west of the city where Mark Anthony and Octavian confronted the assassins of Caesar, Marcus Junius Brutus and Cassius, at the Battle of Philippi.
[Ref: 39955] £260.00 (£312.00 incl.VAT)
Cochinchine-Philippines. Femmes Cochinchinoises. Togals.
Lauvergne del. Himely sc.
de Sainson Edit. Finot imp. [Paris: Imprimerie Royale, 1833-1835.]
Fine aquatint, printed in colours and hand finished. 285 x 380mm (11¼ x 15") very large margins on 3 sides. Trimmed into plate at top.
Two costume images: women of Cochinchina and men and women of the Philippines. From the 'Atlas Historique' of the 'Voyage autour du monde par les mers de l'Inde et de la Chine de la corvette de sa Majeste La Favorite execute pendant les annees 1830, 1831, 1832 sous le commandement de M. Laplace...' (5 vols). Colour-printed examples are rare.
SP Lohia Collection 5256: ''The coloured version of the 'Album Historique' is a work of extraordinary quality. It ranks among the finest plate books produced in the 19th century, the colouring being o
[Ref: 54667] £390.00
Lauvergne del. Himely sc.
de Sainson Edit. Finot imp. [Paris: Imprimerie Royale, 1833-1835.]
Fine aquatint, printed in colours and hand finished. 285 x 380mm (11¼ x 15") very large margins on 3 sides. Trimmed into plate at top.
Two costume images: women of Cochinchina and men and women of the Philippines. From the 'Atlas Historique' of the 'Voyage autour du monde par les mers de l'Inde et de la Chine de la corvette de sa Majeste La Favorite execute pendant les annees 1830, 1831, 1832 sous le commandement de M. Laplace...' (5 vols). Colour-printed examples are rare.
SP Lohia Collection 5256: ''The coloured version of the 'Album Historique' is a work of extraordinary quality. It ranks among the finest plate books produced in the 19th century, the colouring being o
[Ref: 54667] £390.00
Engagement between the Crew of the Waaksamheyd Transport, & the Natives of an Island near Mindanao.
Cap.t Hunter R.N. inv.t. Greig sculp.t.
Publish'd by Bunney & Gold, 1 Dec. 1801.
Aquatint. Sheet: 145 x 245mm (5¾ x 9¾''). Trimmed.
A view near Mindanao near the Philippines in which a Dutch ship is attacked by local inhabitants.
[Ref: 49939] £140.00 (£168.00 incl.VAT)
Cap.t Hunter R.N. inv.t. Greig sculp.t.
Publish'd by Bunney & Gold, 1 Dec. 1801.
Aquatint. Sheet: 145 x 245mm (5¾ x 9¾''). Trimmed.
A view near Mindanao near the Philippines in which a Dutch ship is attacked by local inhabitants.
[Ref: 49939] £140.00 (£168.00 incl.VAT)
Carte des Isles Philippines. Dressée sur la Carte Espagnole du R.P. Murillo de Velarde. 2.e Feuille.
Par le S.r Bellin Ing.r de la Marine, 1752.
Engraved map with hand colour, Collector's stamp DA, 18th century watermark. 220 x 315mm (8¾ x 12½"), large margins. A little spotting.
French map of the Philippines.
[Ref: 65600] £180.00
Par le S.r Bellin Ing.r de la Marine, 1752.
Engraved map with hand colour, Collector's stamp DA, 18th century watermark. 220 x 315mm (8¾ x 12½"), large margins. A little spotting.
French map of the Philippines.
[Ref: 65600] £180.00
Jvan Philippo Charioteer to the King of Prussia (during the Peninsular War). Sketched from Life at the Pfauen-Insel, near Berlin.
Rev.d T. Kilby, del.t. Printed by T. Skelton.
[n.d., c.1850.]
Rare lithograph on tinted india paper. Printed area 245 x 190mm (9¾ x 7½"), with large margins. Foxing.
The artist, The Reverend Thomas Kilby (1794-1868), is best known for his 'Scenery in the Vicinity of Wakefield', 1843.
[Ref: 63764] £90.00 (£108.00 incl.VAT)
Rev.d T. Kilby, del.t. Printed by T. Skelton.
[n.d., c.1850.]
Rare lithograph on tinted india paper. Printed area 245 x 190mm (9¾ x 7½"), with large margins. Foxing.
The artist, The Reverend Thomas Kilby (1794-1868), is best known for his 'Scenery in the Vicinity of Wakefield', 1843.
[Ref: 63764] £90.00 (£108.00 incl.VAT)
Jvan Philippo Charioteer to the King of Prussia (during the Peninsular War). Sketched from Life at the Pfauen-Insel, near Berlin.
Rev.d T. Kilby, del.t. Printed by T. Skelton.
[n.d., c.1850.]
Lithograph. Printed area 255 x 205mm (10 x 8").
The artist, The Reverend Thomas Kilby (1794-1868), is best known for his 'Scenery in the Vicinity of Wakefield', 1843.
[Ref: 35810] £160.00 (£192.00 incl.VAT)
Rev.d T. Kilby, del.t. Printed by T. Skelton.
[n.d., c.1850.]
Lithograph. Printed area 255 x 205mm (10 x 8").
The artist, The Reverend Thomas Kilby (1794-1868), is best known for his 'Scenery in the Vicinity of Wakefield', 1843.
[Ref: 35810] £160.00 (£192.00 incl.VAT)
Jvan Philippo Charioteer to the King of Prussia (during the Peninsular War). Sketched from Life at the Pfauen-Insel, near Berlin.
Rev.d T. Kilby, del.t. Printed by T. Skelton.
[n.d., c.1850.]
Rare lithograph. Printed area 255 x 205mm (10 x 8").
The artist, The Reverend Thomas Kilby (1794-1868), is best known for his 'Scenery in the Vicinity of Wakefield', 1843.
[Ref: 63363] £160.00 (£192.00 incl.VAT)
Rev.d T. Kilby, del.t. Printed by T. Skelton.
[n.d., c.1850.]
Rare lithograph. Printed area 255 x 205mm (10 x 8").
The artist, The Reverend Thomas Kilby (1794-1868), is best known for his 'Scenery in the Vicinity of Wakefield', 1843.
[Ref: 63363] £160.00 (£192.00 incl.VAT)
John Philips Esq. Obiit II.do Februarii MDCCCXXIV, Ætatis XC.
Joseph Allen Pinx.t 1810. John Horsburgh Sculp.t. Printed by McQueen.
Private Plate.
Stipple on chine collé, very fine impression. 470 x 345mm (18½ x 13½").
John Philips (1734-1824) in his library.
BM: 1915,0216.68.
[Ref: 48441] £110.00 (£132.00 incl.VAT)
Joseph Allen Pinx.t 1810. John Horsburgh Sculp.t. Printed by McQueen.
Private Plate.
Stipple on chine collé, very fine impression. 470 x 345mm (18½ x 13½").
John Philips (1734-1824) in his library.
BM: 1915,0216.68.
[Ref: 48441] £110.00 (£132.00 incl.VAT)
Johannes Philips. Heroici Carminis Ad Antiquitatis imaginem conformati Inter Anglos Author Egregius Uni, in hoc laudis genere, Miltono Secundus Primoq. poene par.
M: V.dr Gucht Sculp.
London Printed for Bernard Lintott at the Cross-Keys between the two Temple Gates in Fleet Street pr.1s.
Engraving. Plate: 365 x 260mm (14¼ x 10¼''). Trimmed to plate.
A portrait of poet John Philips (1676-1709) after a portrait by Godfrey Kneller.
[Ref: 49457] £180.00 (£216.00 incl.VAT)
M: V.dr Gucht Sculp.
London Printed for Bernard Lintott at the Cross-Keys between the two Temple Gates in Fleet Street pr.1s.
Engraving. Plate: 365 x 260mm (14¼ x 10¼''). Trimmed to plate.
A portrait of poet John Philips (1676-1709) after a portrait by Godfrey Kneller.
[Ref: 49457] £180.00 (£216.00 incl.VAT)
Johannes Philips. Heroici Carminis Ad Antiquitatis imaginem conformati Inter Anglos Author Egregius: Uni, in hoc laudis genere, Miltono secundus Primoq[ue] pæne par. ob. 1709 ot 32.
[After G. Kneller] M: V.dr Gucht Sculp.
[n.d. c.1715.]
Very rare engraving, 18th century watermark, sheet 350 x 255mm (13¾ x 10"). Trimmed to image losing publication line, glued on album sheet at edges.
Half-length portrait of poet John Philips (1676-1709), in an oval. Wearing open collar and robe. The portrait was the frontispiece to 'Poems by Mr John Philips, late of Christ-Church, Oxon' (London, 1715).
[Ref: 59382] £280.00 (£336.00 incl.VAT)
[After G. Kneller] M: V.dr Gucht Sculp.
[n.d. c.1715.]
Very rare engraving, 18th century watermark, sheet 350 x 255mm (13¾ x 10"). Trimmed to image losing publication line, glued on album sheet at edges.
Half-length portrait of poet John Philips (1676-1709), in an oval. Wearing open collar and robe. The portrait was the frontispiece to 'Poems by Mr John Philips, late of Christ-Church, Oxon' (London, 1715).
[Ref: 59382] £280.00 (£336.00 incl.VAT)
John Philips Gent: Aged 117. of Thorner near Bramham Park in Yorkshire. Born in Cleveland 1625. Dyed Jan: y.e 4.th 1741/2.
P. Mercier pinx.t. J: Faber fecit.
Price 2.d Sold by Faber at y.e Golden Head Bloomsbury Square. [n.d. c.1735].
Mezzotint, sheet 350 x 250mm (13¾ x 10). Trimmed to plate. Crease in left corner. Stain in right corner where previously glued to album paper.
Three-quarter-length portrait, of centenarian John Philips (1625-1741/42), facing left, right hand on a walking stick and left hand holding gloves on a table. He looks toward the viewer, wearing a plain buttoned coat and a wide-brimmed hat over a dark, shoulder-length wig.
CS 288. Ex Collection of Hon C. Lennox-Boyd.
[Ref: 67742] £180.00 (£216.00 incl.VAT)
P. Mercier pinx.t. J: Faber fecit.
Price 2.d Sold by Faber at y.e Golden Head Bloomsbury Square. [n.d. c.1735].
Mezzotint, sheet 350 x 250mm (13¾ x 10). Trimmed to plate. Crease in left corner. Stain in right corner where previously glued to album paper.
Three-quarter-length portrait, of centenarian John Philips (1625-1741/42), facing left, right hand on a walking stick and left hand holding gloves on a table. He looks toward the viewer, wearing a plain buttoned coat and a wide-brimmed hat over a dark, shoulder-length wig.
CS 288. Ex Collection of Hon C. Lennox-Boyd.
[Ref: 67742] £180.00 (£216.00 incl.VAT)
![[Katherine Philips] Orinda Phillips.](jpegs/65458.jpg)
[Katherine Philips] Orinda Phillips.
I. Beckett fe: exc:
[n.d., c.1685].
Mezzotint. Sheet 235 x 175mm (9¼ x 7"). Trimmed to image on three sides, into plate at bottom, crease, laid on card.
A half-length portrait of Katherine Philips (née Fowler. c.1631-1664), Anglo-Welsh poet, translator, and woman of letters, known as ''The Matchless Orinda''.
CS 84, state ii of ii, 'three known'. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65458] £260.00 (£312.00 incl.VAT)
I. Beckett fe: exc:
[n.d., c.1685].
Mezzotint. Sheet 235 x 175mm (9¼ x 7"). Trimmed to image on three sides, into plate at bottom, crease, laid on card.
A half-length portrait of Katherine Philips (née Fowler. c.1631-1664), Anglo-Welsh poet, translator, and woman of letters, known as ''The Matchless Orinda''.
CS 84, state ii of ii, 'three known'. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65458] £260.00 (£312.00 incl.VAT)
![[Katherine Philips] Orinda Phillips.](jpegs/65460.jpg)
[Katherine Philips] Orinda Phillips.
I. Beckett fe: exc:
[n.d., c.1685].
Mezzotint. Sheet 235 x 175mm (9¼ x 7"). Trimmed to image on three sides, into plate at bottom, laid on card.
A half-length portrait of Katherine Philips (née Fowler. c.1631-1664), Anglo-Welsh poet, translator, and woman of letters, known as ''The Matchless Orinda''.
CS 84, state ii of ii, 'three known'. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65460] £260.00 (£312.00 incl.VAT)
I. Beckett fe: exc:
[n.d., c.1685].
Mezzotint. Sheet 235 x 175mm (9¼ x 7"). Trimmed to image on three sides, into plate at bottom, laid on card.
A half-length portrait of Katherine Philips (née Fowler. c.1631-1664), Anglo-Welsh poet, translator, and woman of letters, known as ''The Matchless Orinda''.
CS 84, state ii of ii, 'three known'. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65460] £260.00 (£312.00 incl.VAT)
Prise de Philipsbourg. 29 Octobre 1688.
peint par Renoux. gravé par Chavane.
Diagraphe et Pantographe-Gavard. [n.d. c.1810.]
Engraving. Plate 241 x 330mm. 9½ x 13".
A view of the Siege of Philipsburg, Germany, in 1688.
[Ref: 18433] £65.00 (£78.00 incl.VAT)
peint par Renoux. gravé par Chavane.
Diagraphe et Pantographe-Gavard. [n.d. c.1810.]
Engraving. Plate 241 x 330mm. 9½ x 13".
A view of the Siege of Philipsburg, Germany, in 1688.
[Ref: 18433] £65.00 (£78.00 incl.VAT)
Philipstown. Imperial Map of South Africa.
Argus Co. Lithographers, Cape Town.
Complied for Field Intelligence Department Cape Town January 1900, made during the Boer War. Copyright Strictly Protected. John T Wood. Wood & Ortlepp, Cape Town and Johannesburg.
Lithographic map inside presentation cloth binding, 8vo: 177 x 109mm (7 x 4¼"). Map 482 x 601mm (19 x 23¾").
A map showing Philipstown, forming part of the Imperial Map of South Africa. The map shows railways, farm boundaries and fences, divisional boundaries, homesteads and cultivated land in the Philipstown area.
[Ref: 30441] £160.00
Argus Co. Lithographers, Cape Town.
Complied for Field Intelligence Department Cape Town January 1900, made during the Boer War. Copyright Strictly Protected. John T Wood. Wood & Ortlepp, Cape Town and Johannesburg.
Lithographic map inside presentation cloth binding, 8vo: 177 x 109mm (7 x 4¼"). Map 482 x 601mm (19 x 23¾").
A map showing Philipstown, forming part of the Imperial Map of South Africa. The map shows railways, farm boundaries and fences, divisional boundaries, homesteads and cultivated land in the Philipstown area.
[Ref: 30441] £160.00
Arthur Phillip Esq. Vice Admiral of the Red Squadron.
Page sc.
Pub. Jan 31 1812 by Joyce Gold, 103, Shoe Lane, Fleet Street, London.
Stipple. On watermarked paper, 'H. Smith 1810.' Sheet size: 220 x 150mm (8¾ x 6"). Trimmed inside plate. Nick to right edge of sheet.
A portrait of Arthur Phillip (1738 -1814), half-length, in an oval, slightly turned to the right, with his hair curled and powdered, in gold-laced naval uniform buttoned to the chest with the lapels turned back, and an epaulette on his shoulder. An illustration to the Naval Chronicle. Phillip was a Royal Navy officer, the first Governor of New South Wales and founder of the British penal colony that later became the city of Sydney, Australia.
Kivell & Spence: Pg 250
[Ref: 37154] £260.00 (£312.00 incl.VAT)
Page sc.
Pub. Jan 31 1812 by Joyce Gold, 103, Shoe Lane, Fleet Street, London.
Stipple. On watermarked paper, 'H. Smith 1810.' Sheet size: 220 x 150mm (8¾ x 6"). Trimmed inside plate. Nick to right edge of sheet.
A portrait of Arthur Phillip (1738 -1814), half-length, in an oval, slightly turned to the right, with his hair curled and powdered, in gold-laced naval uniform buttoned to the chest with the lapels turned back, and an epaulette on his shoulder. An illustration to the Naval Chronicle. Phillip was a Royal Navy officer, the first Governor of New South Wales and founder of the British penal colony that later became the city of Sydney, Australia.
Kivell & Spence: Pg 250
[Ref: 37154] £260.00 (£312.00 incl.VAT)
Arthur Phillip Esq. Vice Admiral of the Red Squadron.
Page sc.
Pub. Jan 31 1812 by Joyce Gold, 103, Shoe Lane, Fleet Street, London.
Stipple. Sheet size: 155 x 120mm (6¼ x 4½"). Cut inside plate.
A portrait of Arthur Phillip (1738 -1814), half-length, in an oval, slightly turned to the right, with his hair curled and powdered, in gold-laced naval uniform buttoned to the chest with the lapels turned back, and an epaulette on his shoulder. An illustration to the Naval Chronicle. Phillip was a Royal Navy officer, the first Governor of New South Wales and founder of the British penal colony that later became the city of Sydney, Australia.
Kivell & Spence: Pg 250
[Ref: 37264] £160.00 (£192.00 incl.VAT)
Page sc.
Pub. Jan 31 1812 by Joyce Gold, 103, Shoe Lane, Fleet Street, London.
Stipple. Sheet size: 155 x 120mm (6¼ x 4½"). Cut inside plate.
A portrait of Arthur Phillip (1738 -1814), half-length, in an oval, slightly turned to the right, with his hair curled and powdered, in gold-laced naval uniform buttoned to the chest with the lapels turned back, and an epaulette on his shoulder. An illustration to the Naval Chronicle. Phillip was a Royal Navy officer, the first Governor of New South Wales and founder of the British penal colony that later became the city of Sydney, Australia.
Kivell & Spence: Pg 250
[Ref: 37264] £160.00 (£192.00 incl.VAT)
Phillipps Studies No. 2. The Family Affairs of Sir Thomas Phillipps
by A.N.L. Munby. Fellow and Librarian, King's College, Cambridge.
Published by the Syndics of the Cambridge University Press 1952.
Book: 8vo (214 x 135mm). Original blue cloth gilt; with printed d/w; pp. xiv + 119, 11 half-tone plates. Tear in head of d/w.
An illustrated narrative that addresses the collector's life except his literary activities and the formation of his library.
[Ref: 10358] £45.00
by A.N.L. Munby. Fellow and Librarian, King's College, Cambridge.
Published by the Syndics of the Cambridge University Press 1952.
Book: 8vo (214 x 135mm). Original blue cloth gilt; with printed d/w; pp. xiv + 119, 11 half-tone plates. Tear in head of d/w.
An illustrated narrative that addresses the collector's life except his literary activities and the formation of his library.
[Ref: 10358] £45.00
Phillipps Studies No. 3. The Formation of The Phillipps Library up to the Year 1840.
by A.N.L. Munby. Fellow and Librarian, King's College, Cambridge.
Published by the Syndics of the Cambridge University Press 1954.
Book: 8vo (214 x 135mm). Original blue cloth gilt; with printed d/w; pp. xii + 177, colour frontis. & 11 half-tone plates. Spine of d/w toned.
This narrative contains a large number of vignettes of collectors and booksellers; it also records Phillipps's literary activities, the rise and progress of the Middle Hill Press, and the crusade which the baronet conducted for the better preservation of the public records.
[Ref: 10359] £45.00
by A.N.L. Munby. Fellow and Librarian, King's College, Cambridge.
Published by the Syndics of the Cambridge University Press 1954.
Book: 8vo (214 x 135mm). Original blue cloth gilt; with printed d/w; pp. xii + 177, colour frontis. & 11 half-tone plates. Spine of d/w toned.
This narrative contains a large number of vignettes of collectors and booksellers; it also records Phillipps's literary activities, the rise and progress of the Middle Hill Press, and the crusade which the baronet conducted for the better preservation of the public records.
[Ref: 10359] £45.00
Phillipps Studies No. 4. The Formation of the Phillipps Library from 1841 to 1872. With an Account of the Phillipps Art Collections by A.E.Popham. Sometime Keeper of Prints and Drawings. The British Museum.
by A.N.L. Munby. Fellow and Librarian, King's College, Cambridge.
Published by the Syndics of the Cambridge University Press 1956.
Book: 8vo (214 x 135mm). Original blue cloth gilt; with printed d/w; pp. xvi + 227, 11 half-tone plates. Spine of d/w toned.
An illustrated narrative that contemplates the history of the formation of the library, covering accessions from 1841 to 1872, the year of the collector's death.
[Ref: 10360] £45.00
by A.N.L. Munby. Fellow and Librarian, King's College, Cambridge.
Published by the Syndics of the Cambridge University Press 1956.
Book: 8vo (214 x 135mm). Original blue cloth gilt; with printed d/w; pp. xvi + 227, 11 half-tone plates. Spine of d/w toned.
An illustrated narrative that contemplates the history of the formation of the library, covering accessions from 1841 to 1872, the year of the collector's death.
[Ref: 10360] £45.00
Phillipps Studies No. 5. The Disposal of The Phillipps Library.
by A.N.L. Munby. Fellow and Librarian, King's College, Cambridge.
Published by the Syndics of the Cambridge University Press 1960.
Book: 8vo (214 x 135mm). Original blue cloth gilt; with printed d/w; pp. xi + 204, 3 half-tone plates. Spine of d/w toned.
In this last volume of the series, Mr Munby tells the story of Sir Thomas Phillipps's attempts to bequeath his library to various bodies and to the nation; and its events to bequest on trust to his daughter. The Library was then broken up and sold in lots; and this sale was one of the most important in bookselling history.
[Ref: 10361] £45.00
by A.N.L. Munby. Fellow and Librarian, King's College, Cambridge.
Published by the Syndics of the Cambridge University Press 1960.
Book: 8vo (214 x 135mm). Original blue cloth gilt; with printed d/w; pp. xi + 204, 3 half-tone plates. Spine of d/w toned.
In this last volume of the series, Mr Munby tells the story of Sir Thomas Phillipps's attempts to bequeath his library to various bodies and to the nation; and its events to bequest on trust to his daughter. The Library was then broken up and sold in lots; and this sale was one of the most important in bookselling history.
[Ref: 10361] £45.00
Miss Phillips as Claudia. In Rienzi. Claud. Me thought a bridal should be merrier: not merrier but happier. Act IV. Scene 4.
Painted from the Life and Drawn on Stone by H. Dawe. Printed by C. Hullmandel.
Published by Mr. Dawe, 6, Bartholomew Place, Kentish Town & C. Bird, 4C, Wigmore St. Cavendish Sqre.
Lithograph on india. Sheet 495 x 343mm. 19½ x 13½".
Possibly Eliza Phillips; famous for her Wagnerian roles.
[Ref: 15717] £220.00 (£264.00 incl.VAT)
Painted from the Life and Drawn on Stone by H. Dawe. Printed by C. Hullmandel.
Published by Mr. Dawe, 6, Bartholomew Place, Kentish Town & C. Bird, 4C, Wigmore St. Cavendish Sqre.
Lithograph on india. Sheet 495 x 343mm. 19½ x 13½".
Possibly Eliza Phillips; famous for her Wagnerian roles.
[Ref: 15717] £220.00 (£264.00 incl.VAT)
Drawing the Retorts at the Great Gas Light Establishment, Brick Lane. Monthly Mag. 350.
W. Read Sculp.t.
London Pub.d by Sir Rich.d Phillips & Co. Feb.y 1. 1821.
Aquatint. Sheet 185 x 220mm (7¼ x 8¾"). Folds as usual, trimmed close.
The dramatic moment when coke was raked out of the ovens. Published in the Monthly Magazine.
[Ref: 63961] £140.00 (£168.00 incl.VAT)
W. Read Sculp.t.
London Pub.d by Sir Rich.d Phillips & Co. Feb.y 1. 1821.
Aquatint. Sheet 185 x 220mm (7¼ x 8¾"). Folds as usual, trimmed close.
The dramatic moment when coke was raked out of the ovens. Published in the Monthly Magazine.
[Ref: 63961] £140.00 (£168.00 incl.VAT)
Drawing the Retorts at the Great Gas Light Establishment, Brick Lane.
W. Read Sculp.t.
London Pub.d by Sir Rich.d Phillips & Co. Feb.y 1. 1821.
Aquatint, printed in colours. Sheet 200 x 240mm (8 x 9½") Folds as normal and damage of edges of paper.
The dramatic moment when coke was raked out of the ovens. Frontispiece for One Thousand Experiments in Chemistry', Colin MacKenzie 1822.
Ex Norman Blackburn Collection.
[Ref: 56698] £220.00 (£264.00 incl.VAT)
W. Read Sculp.t.
London Pub.d by Sir Rich.d Phillips & Co. Feb.y 1. 1821.
Aquatint, printed in colours. Sheet 200 x 240mm (8 x 9½") Folds as normal and damage of edges of paper.
The dramatic moment when coke was raked out of the ovens. Frontispiece for One Thousand Experiments in Chemistry', Colin MacKenzie 1822.
Ex Norman Blackburn Collection.
[Ref: 56698] £220.00 (£264.00 incl.VAT)
Drawing the Retorts at the Great Gas Light Establishment, Brick Lane.
W. Read Sculpt.
London Pubd. by Sir Richd. Phillips & Co. Feby 1. 1821.
Aquatint. 195 x 241mm. 7¾ x 9½". Two vertical creases. Spotting. Small hole top right-hand side. Little tears around the edges. Paper repaired on left-hand side.
The dramatic moment when coke was raked out of the ovens, an image equating factories with hell. Published in the Monthly Magazine.
[Ref: 14260] £120.00 (£144.00 incl.VAT)
W. Read Sculpt.
London Pubd. by Sir Richd. Phillips & Co. Feby 1. 1821.
Aquatint. 195 x 241mm. 7¾ x 9½". Two vertical creases. Spotting. Small hole top right-hand side. Little tears around the edges. Paper repaired on left-hand side.
The dramatic moment when coke was raked out of the ovens, an image equating factories with hell. Published in the Monthly Magazine.
[Ref: 14260] £120.00 (£144.00 incl.VAT)
Drawing the Retorts at the Great Gas Light Establishment, Brick Lane. Monthly Mag. 350.
W. Read Sculp.t.
London Pub.d by Sir Rich.d Phillips & Co. Feb.y 1. 1821.
Aquatint. Sheet 205 x 245mm (8 x 9¾") Folds as usual, staining top right.
The dramatic moment when coke was raked out of the ovens. This was the frontispiece to the February 1821 edition of The Monthly Magazine.
[Ref: 63960] £160.00 (£192.00 incl.VAT)
W. Read Sculp.t.
London Pub.d by Sir Rich.d Phillips & Co. Feb.y 1. 1821.
Aquatint. Sheet 205 x 245mm (8 x 9¾") Folds as usual, staining top right.
The dramatic moment when coke was raked out of the ovens. This was the frontispiece to the February 1821 edition of The Monthly Magazine.
[Ref: 63960] £160.00 (£192.00 incl.VAT)
Charles Phillips Esq.r.
Engraved by S. Watts, from the original Painting by W. Yellowlees.
Published by W. Reynolds, 137 Oxford Street, March 25, 1819.
Engraving, printed on chine collé. Plate: 200 x 155mm (8 x 6''), with very large margins. Foxing in borders.
A portrait of Irish barrister and writer Charles Phillips (1787-1859).
[Ref: 50583] £75.00 (£90.00 incl.VAT)
Engraved by S. Watts, from the original Painting by W. Yellowlees.
Published by W. Reynolds, 137 Oxford Street, March 25, 1819.
Engraving, printed on chine collé. Plate: 200 x 155mm (8 x 6''), with very large margins. Foxing in borders.
A portrait of Irish barrister and writer Charles Phillips (1787-1859).
[Ref: 50583] £75.00 (£90.00 incl.VAT)