Grosvenor Prints

[Otter Hunting - Hard Pressed.]
George Earl 1900.
Paris: Manzi, Joyand, 1900.
Proof photogravure (ltd to 150), signed. 425 x 550mm.
[Ref: 2264] £580.00

[Otterhounds.]
Henry Wilkinson.
Etching signed by the artist. 240 x 350mm (9½ x 13¾"). Limited edition: 15/250.
An etching by artist Henry Wilkinson (1921-2011) who specialised in sporting dogs and scenes.
[Ref: 47916] £170.00 (£204.00 incl.VAT)

[Otterhounds and Border Terriers.]
G.Vernon Stokes. [signed in pencil.]
[n.d. c.1930.]
Coloured etching, 240 x 295mm (9½ x 11½"). Edition: 53/75. Framed. Unexamined out of frame.
Otterhound and Border Terriers on a river. By animal artist George Vernon Stokes (1873-1954).
[Ref: 59748] £280.00 (£336.00 incl.VAT)

[July - Near the Holt]
Maud Earl.
Photographische Gesellschaft - Berlin Photographic Company Berlin, London W, 133 New Bond Street; New York, 14 East 23rd Street. Copyright 1906
Photogravure, 215 x 350mm
Three Otterhounds. July - From the Sportsman Calendar. Maud Alice Earl (1864-1943) was an eminent British-American canine painter. Her works are much enjoyed by dog enthusiasts and also accurately record many breeds. Earl was the born in London, the daughter of artist George Earl and his first wife Alice Beaumont Rawlins. Maud's profession was the continuation of a family tradition. George Earl, an avid sportsman and noted sporting painter, was his daughter's first teacher and had his daughter study the anatomy of her subjects, drawing dog, horse and human skeletons to improve her skill. She later said that her father's instruction had given her ability that set her apart from other dog painters. After her father's tutelage Maud went on to study at Royal Female School of Art (later incorporated into the Central School of Art). Earl became famous during the Victorian Era, a time when women were not expected to make their living at painting. Nevertheless, she developed a select clientele, including Royals amongst her patrons such as Queen Victoria and Queen Alexandra. Although evidently extremely successful in England, Earl felt that the world she knew had been destroyed by World War I and she emigrated to New York City in 1916. By this time her work had received wide international recognition and her popular images were published in a number of books and in print form. The Sportsman's Year featured twelve of Earl's works as engravings. Maud Earl died in New York in 1943 and is buried at Sleepy Hollow Cemetery in Sleepy Hollow, New York.
[Ref: 2266] £280.00 (£336.00 incl.VAT)

Otto Koenig von Griechenland.
[after Joseph Carl Stieler.]
[Germany, c.1835.]
Lithograph. Sheet 310 x 235mm (12¼ x 9¼"). Trimmed and laid on album paper.
Otto, prince of Bavaria (1815-67) became the first modern King of Greece in 1832 under the Convention of London, whereby Greece became a new independent kingdom under the protection of the Great Powers (the United Kingdom, France and the Russian Empire). In 1862 he was deposed, dying in exile in Bavaria in 1867. After a painting celebrating his appointment by Joseph Karl Stieler (1781-1851), now in the Benaki Museum, Athens.
[Ref: 51306] £140.00 (£168.00 incl.VAT)

[Otto I.]
Hanfstaengl ft. 1832. [facsimile under image.] I.M. Epmann.
[n.d. c.1832.]
Lithograph. 495 x 355mm. 19½ x 14". Slight creasing.
Otto (1815-1867), a royal prince of Bavaria who became the first modern King of Greece in 1832 under the Convention of London. From a collection relating to the Greek War of Independence, Otto I and Bavaria.
[Ref: 27798] £340.00

La Grande Sultane.
I.Gole fe: et: ex: Amstelodami. Cum Privil: Ord: Holl: et West-frisiæ.
[n.d., c.1690.]
Mezzotint. 245 x 180mm. Small worm hole, old tape in left margin.
[Ref: 2760] £220.00 (£264.00 incl.VAT)

Military Pasha & Attendant. Tartar (Government Messenger).
Capt.n W. H. Parker, Del.t.
[n.d., c.1855.]
Rare tinted lithographs. Sheet: 420 x 285mm (16¾ x 11¼'').
Two portraits of figures in the Crimea after drawings by Captain W. H. Parker done during the Crimean War.
[Ref: 48531] £230.00 (£276.00 incl.VAT)

Map of the Ottoman Empire The Black Sea and the Frontiers of Russia and Persia by James Wyld. Geographer to the Queen & H.R.H. Prince Albert. Charing Cross East. London.
London. Published by Ja.s Wyld, Geographer to the Queen & H.R.H. Prince Albert, Charing Cross East, (next door to the Post Office) & 2 Royal Exchange. November 9t. 1853.
Hand-coloured engraving. 520 x 692mm. 20½ x 27¼". Folded.
A map of the Ottoman Empire to include parts of Southern Russia, Asia and Europe. The dates seen in Russia refer to the year the Russians acquired control of those areas. Also included are insets of the port of Odessa, the harbour of Sebastopol, the port of Batoum, the Dardanelles and Bosphorus. Published to illustrate the Russo-Turkish borders at the beginning of the Crimean War.
[Ref: 26903] £220.00

The Turkish Empire.
P. Kærius Cælavit.
[London, William Humble, c.1646.]
Engraved map with an English text on verso. Coloured. 85 x 125mm, 3¼ x 5". Repair in margin, slight time staining.
Map of the Turkish Empire, showing Italy, the Black Sea, a mis-shapen Caspian, Arabia, Egypt and eastern Libya. It was engraved by Pieter van den Keere and used in the minature version of John Speed's atlas, earning the map the nickname of 'miniature Speed'.
[Ref: 25966] £120.00

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L'union fait la force. Régénération de L'Empire Ottoman. Verdu au profit de l' emancipation 1 Franc.
Lith. Thierry Freres, Cité Bergere, 1, A Paris. [n.d., c.1830].
Lithograph, very scarce & interesting. Sheet size: 550 x 355m. (21½ x 14"). Tear into text on right.
A scene in which five figures are seen holding a flag, topped with an Ottoman symbol, inscribed with 'Droit Egaux', translated as 'Equal Rights'. The figures are standing by a river, with a landscape of buildings in the background. Underneath the title is a list of four principles for the state to abide by. Titles in five different languages inscribed underneath image.
[Ref: 30005] £450.00

[A Woman from the Levant.]
[n.d., c.1820?]
Watercolour. Sheet: 170 x 120mm (6¾ x 4¾''). Creasing.
A portrait of a young woman in the costume of the Ottoman Empire.
[Ref: 48065] £95.00 (£114.00 incl.VAT)

[Set of 12 from Karabia tou Agonos]
A. Roux ewoinoe 1810, A. E. Kpiefns avleypaye. Avu. Kogebivas exapafe 1938.
12 etchings printed in colour, 205 x 300mm (8 x 11½"), with large margins. With 10 accompanying text leaves. Taped into mount.
Etchings after Antoine Roux (1765-1835) by Lykourgos Kogevinas (1887-1940). From the series 'Karabia tou Agonos' (Ships of the Race) published in 1938 by Fokas G. Dimitris. Limited edition of 180 copies. A scarce suite of plates depicting ships from the Greek Revolution of 1821.
[Ref: 60712] £1,800.00 view all images for this item

[An Ottoman governor and the Patriarch of Babylon.]
[Drawn and lithographed by Jules Laurens.]
[Published by Pierre-Bertrand, Paris, n.d., c.1859.]
Lithograph, proof before letters, image 430 x 322mm.
Joseph Auguste Jules Laurens travelled with the geographer Xavier Hommaire de Hell on a scientific journey to Turkey and Persia, making over a thousand drawings of the sites, costumes and people he encountered. After Hommaire died of cholera in 1848 Laurens sent his notes back to his widow in Paris who completed a full account of their travels, 'Voyage en Turquie et en Perse, exe´cute´ par ordre du Gouvernement Francais pendant les anne´es 1846, 1847 et 1848', containing many lithographs by Laurens.
[Ref: 7706] £230.00 (£276.00 incl.VAT)

One of the Grand Signior's Foot Guards. Engrav'd from the Collection of the Rt. Honble. Lord Baltimore.
Franco. Smith pinx. W. Byrne sculp.
Publd. accg. to Act of Parlt. Jany. 30, 1769.
Engraving, 265 x 195mm. 10½ x 7¾". Trimmed to plate. Stain spots.
A guard of the Turkish Sultan, armed with bow and arrows. After Francis Smith (fl.1760s) painter, apparently born in Naples, where he painted topographical views for the tourist trade. He accompanied Frederick Calvert, 6th Baron Baltimore (1731 - 1771, named in inscription) to the Levant 1763-4, then exhibited in London 1768-73. From a series of Ottoman costume plates and portraits, numbered 'Tav. XV' upper right.
for a better impression of this print see ref. 30115
[Ref: 11695] £140.00 (£168.00 incl.VAT)

[Turkish military officer?]
N.d. gem. in Constantinopel v. H. Kretschmer Lith. v. F. Jentzen
Druck. v. L. Zöllner in Berlin. Verlag u. Eigenthum d.C.G. Lüderitz'schen Kunst Verlagshandlung in Berlin
Rare lithograph, printed area 38 x 28cm. 15 x 11". Repaired tears in margins.
After Hermann Kretschmer (1811 Anklam- 1890 Berlin), and artist 'conspicuous for his choice of Oriental subjects'.
Michael Bryan, 'Bryan's Dictionary of Painters'.
[Ref: 14665] £140.00 (£168.00 incl.VAT)

[Ottoman warrior on horseback with sword brandished.]
J.s Whitefoord [below image]. Drawn & lith. by James Whitefoord at Addiscombe 15th Dec. 1825 [ms]
Lithograph, very rare; sheet 260x 210mm (10¼ x 8¼"). Glued to album sheet with another print verso.
Amateur lithograph by a military officer, probably based on his own experiences of service in Asia.
For another lithograph by Whitefoord showing the 'attack of a Burmese stockade' see ref. 6598.
[Ref: 35497] £120.00 (£144.00 incl.VAT)

Thomas Otway.
P. Lely Pinx.
Printed for Thos. Bowles next the Chapter House in St. Pauls Church Yard, & Ino Bowles at ye Black Horse in Cornhil London [n.d., c.1685].
Mezzotint, 350 x 255mm. 13¾ x 10". Trimmed roughly to plate and laid on backing.
Thomas Otway (1652 - 1685), dramatist. After Sir Peter Lely (1618 - 1680). According to a manuscript note on an impression in the British Museum, this may be by William Faithorne the Younger.
BM: 1950,0520.132. Chaloner Smith: 95, II (Engraver not ascertained: Class I).
[Ref: 9726] £230.00 (£276.00 incl.VAT)

View of Oudanulla, as it appeared before the Attack in 1763. Chunargur from the West, as it appeared after the Siege in 1764.
Published according to Act of Parliament by J. Rennell, Dec.r 14th 1780.
Rare engraving. 255 x 440mm (10 x 17¼"). Large margins. Bit dusty.
Two views on one plate, depicting forts on the Ganges attacked by the British during their consolidation of Bengal in the 1760s. It was first published in the second edition of James Rennell's 'Bengal Atlas', one of the landmarks of cartography.
[Ref: 37071] £240.00 (£288.00 incl.VAT)

Prise de la Ville d'Oudenarde le 5 Juillet l'an 1582 Tom III pag 334
[Anon., c.1680]
Engraving, platemark 130 x 165mm (5 x 6½"). Large margins; creases as normal.
During the Reformation, the town of Oudenaarde (now in Belgium) was Protestant and sided with Ghent against Charles V, the Holy Roman Emperor. Charles' son Alexander Farnese subsequently laid siege to a number of Flemish towns, including Oudenaarde which was taken by the Counter-Reformation in 1582, as shown here.
[Ref: 38547] £50.00 (£60.00 incl.VAT)

[Battle of Oudenarde.] Sieg beÿ Oudenarde A.o 1708.
S.P. Rugendas del. Abraham Drentwett Ornamet: del. Ioh: August: Corvinus Sculpsit.
Cum Gratia et Privileg: Sac: Caes: Maj. Ieremias Wolff excudit Aug. Vind. [n.d., c.1720.]
Engraving. Sheet: 390 x 425mm (15¼ x 16¾"). Trimmed to image. Some light staining. Creasing hardly visible from front.
A battle scene showing the Battle of Oudenarde which took place on 11th July 1708 between Great Britain, the Dutch Republic, the Holy Roman Empire who were allied against the French during the War of Spanish Succession. The scene in framed in a highly decorative border with a battle plan depicted at the top. A plate from 'Repraesentatio belli ob successionem in Regno Hispanico...' published by Wolff.
[Ref: 42527] £280.00 (£336.00 incl.VAT)

The Battle of Oudenarde in the Year MDCCIV.
A. Benoist inv. Cl. Du Bosc fecit.
Publish'd by Cl. Du Bosc, September ye 22 1735, according to Act of Parliament.
Engraving. 265 x 195mm (10½ x 7¾"), with large margins.
A scene in the War of the Spanish Succession (1701-14), with a cavalry skirmish before a view of the battle lines. A plate from 'The Military History of the Late Prince Eugene of Savoy, and of the Late John Duke of Marlborough: Including a Particular Description of the Several Battles, Sieges, &c. in which Either or Both Those Generals Commanded'. The scene is surrounded by a decorative frame.
[Ref: 64719] £160.00 (£192.00 incl.VAT)

[Oudenarde] The Passage of the Scheld.
A. Benoist del. Cl. Du Bosc fecit.
Publish'd according to Act of Parliament. 1735 [by Claude du Bosc].
Engraving, 18th century watermark; 260 x 190mm (10¼ x 7½"), with large margins.
A scene in the War of the Spanish Succession (1701-14). When the French army was marching to besiege the Allied city of Oudenarde, pontoon bridge were erected across the Scheldt river, allowing 80,000 Allied soldiers to cross, surprising the French at the Battle of Oudenarde, 11th July 1708. Marlborough and Eugene are depicted on horseback watching the crossing. A plate from 'The Military History of the Late Prince Eugene of Savoy, and of the Late John Duke of Marlborough: Including a Particular Description of the Several Battles, Sieges, &c. in which Either or Both Those Generals Commanded'. The scene is surrounded by a decorative frame.
[Ref: 64724] £140.00 (£168.00 incl.VAT)

N.C. Oudinot, Duc de Reggio, Marechal et Pair de France, Commandeur de l'Ordre Royal et Militaire de St. Louis, Grand Cordon de la Legion d'Honneur, Commandeur de l'Ordre de St. Henry de Saxe &,Major Général de la Garde Royale, Ministre d'Etat, Commandant en Chef de la Garde Nat.ale de Paris. Dédié à la Garde Nationale de Paris.
Peint d’après nature par Robert, le Fevre. Desiné par H. Laurent. Gravé par Forster. Déposé au Bureau des Estampes.
A Paris, chez P. Audouin Graveur Ordinaire du Roi, Rue du Mont Blanc, No.16. [n.d. c.1800.]
Engraving. 393 x 248mm. 15½ x 9¾". Trimmed and laid on separate sheet.
Nicolas Charles Oudinot, 1st Comte Oudinot, 1st Duc de Reggio (1767-1847) was a Marshal of France. At the outbreak of the French Revolution, Oudinot's military career took-off and he rose through the ranks, and in 1800 after great success at the Battle of Monzambano was presented with the sword of honour by Napoleon. He was made Inspector-General of the infantry, and, on establishment of the empire, given the Grand Cross of the Legion d’Honneur. It was not until 1809, after his display of brilliant courage at the Battle of Wagram, that he was promoted to the rank of Marshal of France. His later career was not as successful however he was not disgraced and on Napoleon’s abdication he rallied to the new government and was made a Peer of France by the Bourbon Restoration.
Ex Norman Blackburn Collection.
[Ref: 18707] £130.00 (£156.00 incl.VAT)

Gulielmus Oughtred Anglus ex Academia Cantabrigienfi An.o Aetat. 73. 1646.
[After Wenceslaus Hollar] [F. S. sculp]
[n.d., c.1657]
Engraving, image 155 x 95mm (6 x 3¾"). Trimmed losing printmakers' inscription. Glued to backing sheet.
Half length portrait of William Oughtred wearing a skull-cap, collar and gown, and holding book. Crudely made after an etching by Hollar. Frontis to: "Clavis Mathematicae" 1667. William Oughtred (also Owtred, Uhtred, etc 1574 - 1660) was an English mathematician and Anglican clergyman. He is credited with creating the slide rule in 1622, which allowed for direct multiplication and division, with introducing "x" to signify mulplification, and the abbreviations "sin" and "cos" for sine and cosine.
[Ref: 57147] £160.00 (£192.00 incl.VAT)

Oulton Retreat, near Stone, Staffordshire. Conducted by Samuel G. Bakewell M.D.
E. Lucas Sc.t Birmingham.
[n.d. c.1838.]
Engraving. 120 x 152mm. 4¾ x 6".
Oulton Retreat was a residence well adapted for the accomodation and recovery of mental patients. Dr Bakewll resided in the Establishment and devoted his whole time to the well-being of his patients.
[Ref: 18388] £110.00 (£132.00 incl.VAT)

Western Entrance, Oundle Church.
Drawn from Nature & on Stone by B. Rudge, Bedford. Madeley, lith, 3 Wellington St. Strand.
Published by Richard Todd, Bookseller, Oundle. [n.d. c.1841.]
Rare lithograph. Sheet 275 x 365mm (10¾ x 14½") very large margins.
A view of the churchyard, cemetery and western entrance to St Peter's parish church. From a collection of "Lithographic views of Oundle and Fotheringhay".
[Ref: 51670] £130.00 (£156.00 incl.VAT)

Our Grandmother's Courtship. What a lucky dog were you Grandpapa! Frederick Locker.
[n.d. c.1880]
Proof steel engraving, 290 x 230mm (11½ x 9").
A young couple embrace next to a highly decorated wall and fireplace. With a line from Frederick Locker-Lampson's (1821–1895) poem, 'To my Grandmother.'
[Ref: 62273] £120.00 (£144.00 incl.VAT)

The Ouse Burn Viaduct, in the Line of the Newcastle, North-Shields and Tynemouth Railway, Jonh [sic] and Benjamin Green, Architects and Engineers 1838.
T.M. Richardson Sen.r del & lithog.r. A Ducôtés Lithog.y 70 St Martins Lane London.
London, Published by T. McLean, 26, Haymarket, & F. Loraine, Grey St, Newcastle upon Tyne [n.d., c.1838].
Tinted lithograph with hand colour, on card, as issued. Sheet 345 x 475mm (13½ x 18¾).
A railway viaduct, built 1838 with five laminated timber arches. These were replaced with iron on 1867, when the bridge was widened to four tracks. The Ouseburn Viaduct is now listed Grade II*.
[Ref: 56684] £480.00

Sir William Ouseley.
Engraved by H.R. Cook, for the European Magazine, from an original Painting by S. Drummond A.R.A.
London Published 1.st July 1811, by J. Asperne, Cornhill.
Stipple. Plate 165 x 113mm. 6½ x 4½". Some glue residue along right-hand edge, outside the plate.
Sir William Ouseley (1769-1842) was a British Orientalist. In 1810 he accompanied his brother, Sir Gore Ouseley, as Secretary to Persia, and continued his studies in Persian literature, which he started when in Paris in 1787.
See Ref: 19052 for his brother.
[Ref: 19053] £50.00 (£60.00 incl.VAT)

Out! So don't fatigue yourself - I beg Sir?
[Robert Seymour]
[Henry Bohn] [n.d. c.1878]
Lithograph, sheet 165 x 155mm (6½ x 6¼").
A man stumps the wicket, making the remark to a sweating larger man in tartan trousers. Cricketing caricature by Robert Seymour, published in 'Seymour's Humorous Sketches,' by Henry Bohn in 1878.
[Ref: 62965] £70.00 (£84.00 incl.VAT)

Out of Work.
Drawn from Nature and on Stone by the Rev.d T. Kilby Printed by T. H. Skelton, Southampton.
[n.d., c.1850.]
Rare lithograph on tinted india paper; 250 x 205mm (9¾ x 8"), very large margins.
A three quarter length portrait of a glum-looking man
[Ref: 63766] £95.00 (£114.00 incl.VAT)

Out of Work.
Drawn from Nature and on Stone by the Rev.d T. Kilby Printed by T. H. Skelton, Southampton.
Southampton, [n.d. after 1820]
Rare lithograph on india paper; 250 x 205mm (9¾ x 8"). Slightly messy.
A three quarter length portrait of a gaunt looking man, right inclined.
[Ref: 54118] £130.00 (£156.00 incl.VAT)

Out of Work.
Drawn from Nature and on Stone by the Rev.d T. Kilby. Printed by T.H. Skelton, Southampton.
[n.d., c.1850.]
Tinted lithograph on india with very large margins. Printed area 255 x 205mm (10 x 8"). Foxing in borders.
A man in a smock, arms folded. The Reverend Thomas Kilby (1794-1868) is best known for his 'Scenery in the Vicinity of Wakefield', 1843.
[Ref: 35811] £130.00 (£156.00 incl.VAT)

[Fete?]
le Pautre j.
a Paris chez N Langlois [n.d., c.1680s.] Avec privil[ege].
Engraving with early colour, thin watermarked laid paper; 165 x 235mm. 6½ x 9¼". Good margins.
A group of men eating at a table in a garden are entertained by dancers and music from a fiddler (right) and trumpet player (seated in foreground, far left). Numbered '2' lower right; from one of the albums of festivities published by Nicolas Langlois (1640 - 1703) .
[Ref: 23276] £120.00 (£144.00 incl.VAT)

The Last Outinian Lecture for this season, (Which will contain History of the Society.) Mr. Richardson, Who was recently at Weymouth, with a view to read these fashionable Lectures, which have now several Years retained, and still retain, their attraction in the Metropolis, has been unable to defer a return to Town, which unexpected business compelled. For this reason, and because of the attendance at some of his late Lectures here has been unequal to what he is accustomed to meet with, a superior Member of the Society has resolved to volunteer his Services, in hopes of preventing loss and inconvenience from a visit to this distant place. In consequence this Gentleman proposes to shew the style of these Lectures by reading at least One, which he will do at the Crown Inn, Weymouth, On Saturday next, the 1st of December, As soon as possible after 2 o'clock in the Afternoon.
[November 29th 1821.]
Broadside, 310 x 235mm. 12¼ x 9¼". Very scarce. Trimmed and laid on album sheet.
From a the Archives of Captain William John Cole, R.N, based in Lechlade, Gloucestershire. A handbill for the Outinian Society promoting a forthcoming lecture. Part of the handbill is missing, which explained how tickets for the lecture were to be obtained, is missing. The Outinian Society was founded by John Penn (1760-1834), a grandson of William Penn. The purpose of the society was to encourage young men and women to marry.
Records of the Origin and Proceedings of the Outinian Society, p.190
[Ref: 11313] £130.00 (£156.00 incl.VAT)

The Portico, Spring Gardens. N.o 10 New Street, (the only Po[rt]ico) belonging to J: Penn Esq.r; with the Compay assembled, as it appears during the delivery of the [O]utinian Lectures, every Saturday throughout the Season.
Printed by C: Hullmandel.
[London: W. Nicol, late Bulmer & Co., Cleveland Row, St. James, 1822]
Lithograph, sheet 160 x 200mm (6¼ x 8"). Paper toned. Abrasion in title.
Frontispiece to the Records and Proceedings of the Outinian Society. A view of the home of John Penn (1760–1834), grandson of William Penn, the founder of Pennsylvania. A fashionable crowd is lined up outside the house to attend a lecture by the Outinian Society. Originally named the 'Matrimonial Society', the group was founded by John Penn in 1817 with the aim of improving the domestic lives of married individuals. Its creation followed the publication of Penn's poem Marriage in the Monthly Magazine during the summer of 1815. According to the inscription, the Outinian Society held lectures "every Saturday throughout the [summer] season" of 1818. Although the society was composed of men, "marriageable ladies" were invited to attend these lectures, where they had the chance to meet and socialize with bachelors over tea. Additional lectures were held at Penn's Stoke Park estate and on tour across the country, until the society dissolved in 1825.
[Ref: 66311] £260.00 (£312.00 incl.VAT)

Outrages Maliçieux et Punissable fait aux Coeffures - Elégante du 3e Étages.
[n.d., c.1780.]
Engraving. 265 x 170mm (10½ x 6¾"), with very large margins.
An elegantly-dressed couple, both with dressed hair swept high, encountering obstacles: the woman tangles her coiffeur on laundry hung from a first floor window; the man catches his on a man's umbrella.
[Ref: 32647] £240.00 (£288.00 incl.VAT)

Joseph Outram Esq. Died 14th of June 1802, Aged 36. His upright principle thro_life, benevolent disposition, & real goodness of Heart, will long endear his memory, to those who enjoy'd the pleasure of his Acquaintance.
Painted by S Drummond. Engraved by I R Smith Engraver to his HRH. the Prince of Wales.
[n.d. c.1790]
Mezzotint. 354 x 249mm.
Joseph Outram (1766-1802), Diplomat and oriental scholar.
CS: 125; D'D: 380; F: 262 II
[Ref: 1905] £140.00 (£168.00 incl.VAT)

[Outskirts of a Wood.]
Ker.
[n.d. c.1812.]
Soft-ground etching. 145 x 202mm (5¾ x 8"). Cut.
View of the outskirts of a wood, which is seen on the right; hill in the background. (Charles) Henry Bellenden Ker (1780-1871), a lawyer active in the Boundary Commission just before the Reform Act of 1852 and amateur artist. As a young man he was patron to William Blake but Blake had to take legal steps to get paid.
Ex. Collection of the Hon.Christopher Lennox-Boyd.
[Ref: 34821] £60.00 (£72.00 incl.VAT)

International Cricket Match, at Kennington Oval.
William Mackenzie, London, Edinburgh & Glasgow. [n.d., c.1880].
Lithograph. Sheet size: 240 x 310mm (9½ x 12¼").
A plate from William Mackenzie's 'British Field Sports', c.1880. A view from the crown during an international cricket match, being played at the Oval cricket ground in Kennington, London. The Oval has been the home ground of Surrey County Cricket Club since it was built in 1845. It was the first ground in England to host international Test cricket, in September 1880. The final Test match of the English season is traditionally played there. William Mackenzie, of Ludgate Hill, Edinburgh and Dublin, was a well-known publisher of books in the 1870s. His best-known publication was probably County Seats of 'The Noblemen and Gentlemen of Great Britain and Ireland'.
[Ref: 33553] £280.00 (£336.00 incl.VAT)

International Cricket Match, at Kennington Oval.
[n.d., c.1880]. William Mackenzie, London, Edinburgh & Glasgow.
Lithograph. Sheet size: 240 x 205mm (9½ x 8").
A plate from William Mackenzie's 'British Field Sports', c.1880. A view from the crown during an international cricket match, being played at the Oval cricket ground in Kennington, London. The Oval has been the home ground of Surrey County Cricket Club since it was built in 1845. It was the first ground in England to host international Test cricket, in September 1880. The final Test match of the English season is traditionally played there.
[Ref: 67322] £260.00 (£312.00 incl.VAT)

La Félicité Villageoise, Gravé d'après le Dessin de Freudeberg, Par Delignon. [&] La Gaieté Conjugale. Gravé d'après le Dessin de Freudeberg, Par de Launay.
Dessiné par S. Freudeberg. Gravé sous la Direction de N. De Launay, par J.L Délignon, son Eleve. [&] Dessiné par S. Freudeberg. Gravé par N. De Launay
à Paris chez De Launay Rue et Porte St Jacques No 112.
Pair of etchings; later issue. 330 x 365mm (13 x 14¼"). Extremely large margins.
Two oval scenes of domestic romance after Swiss artist Sigmund Freudenberger.
[Ref: 38227] £180.00 (£216.00 incl.VAT) view all images for this item

[A Foot-ball Match].
W. H. Overend.
[n.d., c.1910].
Photographic print, very scarce. Size: 240 x 400mm. (9½ x 15¾"). Glued to sheet.
A photographic print of the late Victorian monochrome photogravure by Goupil & Co entitled 'A Football Match, Association Game', after the original painting by W. H.Overend and L .P. Smythe. This print shows the action from the 1890 F.A. Cup final between Blackburn Rovers and Sheffield Wednesday. Blackburn Rovers defeated Sheffield Wednesday 6-1, the second widest winning margin in Cup final history.
[Ref: 31811] £850.00

Friedr: Overbeck. geboren zu Lubeck 1789.
Carl Kuchler fec. L. Sebbers.
Published by Hering & Remington, Gallery of German Art, 137, Regent S.t. London. [n.d., c.1840.]
Lithograph on chine collé. Publisher blindstamp. Printed area: 270 x 200mm (10½ x 8"), with very large margins. Foxing.
A portrait of German painter and member of the Nazarene movement Johann Friedrick Overbeck (1789-1869).
Provenance: Edge Hall Library, Cheshire
[Ref: 47362] £75.00 (£90.00 incl.VAT)

The Lively Portraiture of Sir Thomas Overbury Ætatis suce 32.
for Ric: Baldwin.
Engraving. Pt 17th century watermark; Plate: 80 x 140mm (7 x 5½"). Tears in margins and paper tone.
A portrait of Sir Thomas Overbury (1581-1613) who died in the Tower under suspicious circumstances. Following Overbury's death rumours of foul play started to circulate. As it had been James I who had imprisoned Overbury an inquiry and trial were called. Friend of Overbury and former favourite of the King, Robert Cecil and his wife, along with four accomplices were found guilty of murder and sentenced to death though Cecil and his wife were eventually pardoned.
[Ref: 41554] £140.00 (£168.00 incl.VAT)

The Lively Portraicture of Sir Thomas Overbury. A mans' best fortune or his worst's a wife: Yet I, that knew not mariage peace nor strife, Live by a good, by a bad one lost my life. A wife like her I writ, man scarfe can wed: Of a false friend like mine, man scarfe hath read.
SP [Simon van de Passe] fe.
[n.d., first published c.1616, this impression later]
Engraving, with large margins, rare. Plate 120 x 70mm. 4¾ x 2¾".
Portrait of Sir Thomas Overbury (1571-1613), courtier and author, aged 32, half-length, with lace ruff, in an oval. The image is taken from a portrait in oils attributed to Marcus Gheeraerts (Oxford, Bodleian Library). Overbury was close to Robert Carr, Earl of Somerset, and when the possibility of a marriage between Carr and Frances Howard arose, Overbury made clear his opposition to the match. Having acquired a reputation as a troublemaker Overbury was offered an ambassadorship overseas to remove him from court, which he declined against the king's wishes. As a result he was imprisoned in the Tower, where he died some months later. It has been thought, although not conclusively proven, that Frances Howard attempted to have him poisoned.
Ex Collection: R. Hobson of Hove.
[Ref: 25492] £160.00 (£192.00 incl.VAT)

The Lively Portraicture of Sir Thomas Overbury. A mans' best fortune or his worst's a wife: Yet I, that knew not mariage peace nor strife, Live by a good, by a bad one lost my life. A wife like her I writ, man scarfe can wed: Of a false friend like mine, man scarfe hath read.
SP [Simon van de Passe] fe.
Laur: Lisle excud. [n.d. c.1616]
Engraving. 120 x 70mm. 4¾ x 2¾". Cut.
Portrait of Sir Thomas Overbury (1571-1613), courtier and author, aged 32, half-length, with lace ruff, in an oval. The image is taken from a portrait in oils attributed to Marcus Gheeraerts (Oxford, Bodleian Library) and was entered in the Stationers' Register by Laurence Lisle in 1616. Overbury was close to Robert Carr, Earl of Somerset, and when Carr the possibility of a marriage between Carr and Frances Howard arose, Overbury made clear his opposition to the match. Having acquired a reputation as a troublemaker Overbury was offered an ambassadorship overseas to remove him from court, which he declined against the king's wishes. As a result he was imprisoned in the Tower, where he died some months later. It has been thought, although not conclusively proven, that Frances Howard attempted to have him poisoned.
Ex Collection: R. Hobson of Hove.
[Ref: 25494] £120.00 (£144.00 incl.VAT)

[Sir Thomas Overbury.] A mans' best fortune or his worsts a wife: Yes I, that know nor marriage peace nor strife [...]
[n.d., c.1690.] Ric:Baldwin.
Rare engraving. 135 x 75mm (5¼ x 3"). Trimmed and backed onto album paper. Small margins.
Portrait of Sir Thomas Overbury (1581 - 1613), English poet and essayist, also known for being the victim of a murder which led to a scandalous trial. His poem, 'A Wife' (also referred to as The Wife), depicts the virtues that a young man should demand of a woman.
[Ref: 67029] £180.00 (£216.00 incl.VAT)

Overschie.
Paul van Liender del. et fec.
[Dutch, probably Amsterdam, n.d., c.1770s.]
Etching, laid paper, 190 x 280mm. 7½ x 11". Trace of vertical crease through right side of plate; else a fine impression, with full margins. Uncut.
Overschie was a village in The Netherlands, and is now a neighbourhood of Rotterdam. In the foreground a ferry crosses the river, carrying a horse and three figures. By Paulus van Liender (1731 - 1797); this print was also published in Paris by Pierre François Basan, but this appears to be an Amsterdam issue. "Unlike many Dutch artists of the 1700s who remained attached to a style they developed at the outset of their career, Paulus van Liender's art continually evolved. His earliest works were traditional topographic views but by the 1780s he was producing distinctive forest interiors. " Getty.
See Rijksmuseum RP-P-1885-A-8752.
[Ref: 22706] £130.00 (£156.00 incl.VAT)

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