Grosvenor Prints

The Battle of Rosbach, in Saxony, fought on the 5th of November 1757, between the Prussian Army, commanded by the King, and the combined Army of Imperialists and French, commanded by the Prince of Saxe Hilburghausen and the Prince of Soubise. His Prussian Majesty marched against the comfined Army on the 27th of October, and the two Armies met near the Village of Rosbach, between Mersebury and Freyburg, on the 5th November, The combined Army consisted of 60,000 men and the Pussians were only 25,000. The Prussians gained the rising Grounds, and began the Attack about half an Hour after Two in the Afternoon. The Prussian Cavalry soon entirely routed that of the Enemy whose Infantry was then attacked and defeated by that of the Purssians. The Battle lasted about an Hour and half, and the combined Army fled on all sides before five, The Fugitives were favoured by the Night, which gave them an Opportunity of retiring towards Freyburg, and afterwards over the Unstrut to Erfert, where they were pursued till the 9th The combined Army had 3000 Men killed on the Field of Battle, and upwards of 6000 were taken Prisoners, amoung whom were 8 French generals and 250 Officers of Different Ranks: they also lost 63 Cannon, 15 Standards, 7 Paiof Colours, and 300 Baggage Waggons. The Prussians had only 100 Men killed, and 300 wounded.~Posterity will scarce credit this Victory, whereby Savony was continued in the Possession of his Prussian Majesty, who then marched into Silesia and defeated Prince Charles of Lorrain at Neumark, on the 5th of December, which gave the King the entire Possession of Silesia. References. A The King of Prussia, B the Prussian Army, C The Prussian Cavalry, D Rosbach, E The combined Army of Austrians & French, F Prince of Soubise, G Prince of Saxe Hillurghausen, H The Flight of the French & Austrians.
Printed for Robt. Sayer at the Golden Buck in Fleet Street, Hen. Parker & Eliz. Bakewell opposite Birchin Lane in Cornhill, John Bowles & Son, at the Black Horse in Cornhill, T. Bowles in st. Pauls Church Yard, & Thos. Jefferys at Charing Cross.
Engraving 475 x 350mm.
The Battle of Rossbach (November 5, 1757) took place during the Seven Years' War (1756 - 1763) near the village of Rossbach, then in Prussian Saxony. Frederick the Great defeated the allied armies of France and the Holy Roman/Austrian Empire. This battle is considered one of his greatest masterpieces due to his element of complete surprise and destroying an enemy army with negligible casualties.
[Ref: 5381] £420.00

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Attack of the S Fermo By Garibaldi. 33.
Carlo Bossoli, del.t _ T. Picken, lith. Day & Son, Lith.rs to the Queen.
Publsihed by Day & Son, Lithographers to the Queen.
Lithograph, sheet 195 x 280mm (7¾ x 11).
A view of the Hunters of the Alps', led by Giuseppe Maria Garibaldi (1807–1882), attack on the church of San Fermo where the Austrian force were taking up a defensive position during the Battle of San Fermo (27 May 1859) during the Second Italian War of Independence. Garibaldi's troops fire at the church within the cover of trees, creating gun smoke. Carlo Bossoli (1815-84) made his name with his paintings of the Crimea, made 1828-43, which became fashionable when the Crimean War started in 1854.
[Ref: 56582] £85.00 (£102.00 incl.VAT)

Sequel to the Battle of Temple Bar.
[n.d. c.1769.]
Engraving. Sheet: 130 x 210mm (5 x 8¼''). Bit messy. Small margins.
A follow on from the riot that began at temple bar; numerous merchants, bankers, and others, set out from the City, to present an address, opposing Wilkes, to the King at St James's, but on arriving they were confronted by a threatening mob who closed the gates by force, and thus prevented the deputation from proceeding. Some more determined opponents to Wilkes managed to get through to the Palace and present their address, but not without difficulty and it was with this that the palace had to call out the troops.
BM Satires: 4281.
[Ref: 48420] £75.00 (£90.00 incl.VAT)

Nelson's Victory; _ or _ Good-news operating upon Loyal-Feelings.
[after James Gillray.]
[n.d., c.1798.]
Etching. 175 x 230mm (7 x 9"). Trimmed into plate, folded as issued, some soiling.
The reactions of senior members of the Whig Opposition to the news of Nelson's victory at Abukir (the Battle of the Nile), 1798; Burdett, Jekyll, Lansdowne, Bedford, Erskine, Norfolk, Tierney, Sheridan & Fox, who is hanging himself, leaving a note 'Farewell to the Whig Club'. A copy of the Gillray satire published by Hannah Humphrey.
BM Satires 9248a.
[Ref: 54331] £130.00 (£156.00 incl.VAT)

Battle of the Nile. Representing the situation of the two Fleets, previous to the blowing up of the L'Orient, on the Night of Aug.1. 1798.
Whitcomb Pinx.t. Hellyer Sculp.t.
London, Published Jan.y 1 1806 by R. Bowyer, Historic Gallery Pall Mall.
Coloured aquatint. Sheet 475 x 715mm (18¾ x 28"). Trimmed inside platemark, repairs, few creases.
The Battle of the Nile (or Aboukir Bay), fought between the British and French navies on the Mediterranean Coast off Egypt from 1-3 August 1798, which resulted in a decisive victory for the British under the command of Lord Nelson. This print shows the decisive moment when the French flagship 'Orient' (in the centre of the image) caught fire. The British, observing this, directed their cannon fire into the blaze, spreading the flames and preventing French efforts to extinguish the fire. The other ships seen here, both French and British, then moved away from the 'Orient' in anticipation of the huge explosion which took place once the fire reached the ship's magazines.
Not in Parker.
[Ref: 54259] £420.00

A Squadron under Sail to form a Line of Battle / Battle of the Nile 1798.
T. Burford fecit.
[Printed for Rob. Sayer Fleet Street]
Mezzotint with etching on wove paper, platemark 250 x 350mm (9¾ x 13¾"). Small margins.
Reissued print (originally made c.1760-1770) given a new title to capitalise on current affairs. The printmaker Thomas Burford (b.1710, d. in or after 1776), who was most likely dead by the time of the battle, had made a set of four naval prints in addition to the hunting scenes for which he was best known. At the time of the Battle of the Nile they were all republished (this print, the second in the set, originally bore just the first part of the title with parallel text in French).
Ex: Collection of the Late Hon. C. Lennox-Boyd; for earlier state see ref. 37203
[Ref: 37200] £220.00 (£264.00 incl.VAT)

A Squadron at Anchor preparing to Sail / Battle of the Nile 1798.
T. Burford fecit.
Printed for Rob. Sayer Fleet Street
Mezzotint with etching on wove paper, platemark 250 x 350mm (9¾ x 13¾"). Small margins.
Reissued print (originally made c.1760-1770) given a new title to capitalise on current affairs. The printmaker Thomas Burford (b.1710, d. in or after 1776), who was most likely dead by the time of the battle, had made a set of four naval prints in addition to the hunting scenes for which he was best known. At the time of the Battle of the Nile they were all republished (this print, the first in the set, originally bore just the first part of the title, along with parallel text in French).
Ex: Collection of the Late Hon. C. Lennox-Boyd
[Ref: 37201] £220.00 (£264.00 incl.VAT)

A Squadron under Sail to form a Line of Battle. Escadre sous Voile pour se mettre en Ligne 2.
T. Burford fecit.
[first impression c.1760-70, this impression c.1790]
Mezzotint with etching on laid paper, platemark 250 x 350mm (9¾ x 13¾"). Very large margins
Reissued print (originally made c.1760-1770), with etched outline added to the worn mezzotint ground to help disinguish the forms. The original printmaker Thomas Burford (b.1710, d. in or after 1776) was most likely dead by the time this impression was printed. This plate was originally the second plate (see number lower left) in a set of four prints on the stages of a naval battle. Following the Battle of the Nile in 1798 the titles of the prints were changed to capitalise on interest in the event.
For later impression with 'Battle of the Nile' title see ref. 37200. Ex: Collection of the Late Hon. C. Lennox-Boyd.
[Ref: 37203] £250.00 (£300.00 incl.VAT)

A Close Engagement. Combat Bord a Bord 3.
T. Burford fecit.
[first impression c.1760-70, this impression c.1790]
Mezzotint with etching on laid paper, platemark 250 x 350mm (9¾ x 13¾"). Very large margins
Reissued print (originally made c.1760-1770), with etched outline added to the worn mezzotint ground to help disinguish the forms. The original printmaker Thomas Burford (b.1710, d. in or after 1776) was most likely dead by the time this impression was printed. This plate was originally the third plate (see number lower left) in a set of four prints on the stages of a naval battle. Following the Battle of the Nile in 1798 the titles of the prints were changed to capitalise on interest in the event.
Ex: Collection of the Late Hon. C. Lennox-Boyd.
[Ref: 37204] £250.00 (£300.00 incl.VAT)

The Enemy's strikeing their Flags / Battle of the Nile 1798
T. Burford del. fecit.
[Printed for Rob. Sayer Fleet Street]
Mezzotint with etching on wove paper, platemark 250 x 350mm (9¾ x 13¾"). Small margins.
Reissued print (originally made c.1760-1770) given a new title to capitalise on current affairs. The original mezzotint ground was very worn by this point and etched outlines were added to help make the forms recognisable. The printmaker Thomas Burford (b.1710, d. in or after 1776), who was most likely dead by the time of the battle, had made a set of four naval prints in addition to the hunting scenes for which he was best known. At the time of the Battle of the Nile they were all republished (this print, the fourth in the set, originally bore just the first part of the title, along with parallel text in French).
Ex: Collection of the Late Hon. C. Lennox-Boyd
[Ref: 37202] £220.00 (£264.00 incl.VAT)

Napoleon Defeating the Mamelukes, at the Battle of the Pyramids, near Cairo.
Engrav'd by Mr George Cruikshank from the Design of Swebach, originally Published at Paris, and dedicated to the Grand Army.
Published October 1 1823 by John Cumberland, No 19, Ludgate Hill.
Coloured aquatint, J. Whatman, Turkey Mill 1827 watermark. Sheet 215 x 295mm (8½ x 11½"). Folded twice as issued, trimmed close to image, small split taped, album paper stuck over left edge.
In the Battle of the Pyramids (or Battle of Embabeh), 21st July 1798, Napoleon destroyed the Ottoman armies of Egypt, using a new tactic, the Divisional Square, to counter the Mameluck cavalry attacks. From W.H. Ireland's 'Life of Napoleon Bonaparte', 1828.
Tooley 278.
[Ref: 54170] £65.00 (£78.00 incl.VAT)

[Battle Scene]
IDG in et ex [c.1620]
Etching, sheet 165 x 220mm (6½ x 8½"). Trimmed and glued to backing sheet; glue stains at corners.
Battle scene, probably by Jacques de Gheyn II (1565-1629).
[Ref: 47775] £85.00 (£102.00 incl.VAT)

Battle Schools.
H.E. Kendall, Jun.r FSA. Arch.t 33, Brunswick Square.
Day & Son Lith.rs to the Queen. [n.d. c.1850.]
A rare lithograph. 286 x 420mm. 11¼ x 16½".
Henry Edward Kendall junior (1805-85) was a pupil of his father of the same name, who designed hospitals and workhouses and lived to be 98. Before the son went into independent practice, the two worked together and both were founder-members of what became the RIBA. He designed some large country houses, including one for the exiled Empress Eugénie at Farnborough, Hampshire, as well as parsonages, schools (on which he produced a book of designs) and churches. Among these was the chapel of the County Lunatic Asylum, later St Francis Mental Hospital, near Haywards Heath. He was District Surveyor for Hampstead from 1844 and in his final years was assisted by his nephew, Frederick Mew.
[Ref: 20681] £65.00 (£78.00 incl.VAT)

[Baucis and Philemon Entertaining Jupiter and Mercury.]
Rembrandt pinxt. Tho.Watson fecit.
Publish'd March 1st 1772 for S.Hooper, at No. 25 Ludgate Hill, W.Shropshire, New Bond Street, & T.Watson, No.8 Broad Street.
Mezzotint proof before title, 530 x 455mm (21 x 18"). Slight time-staining. Backed on album paper at edges. Thread margins.
Interior of a cottage, behind the table sits Jupiter and on his left sits Mercury. In the left of the image are Baucis and Philemon, the former with a live goose.
Charrington 182 ii of iii. Le Blanc 45. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65766] £380.00

The true Effigies of Bricius Bauderon D.r. of Physick Aetatis suae 78. [You see his Shadow and his outwards Looks...]
[n.d., c.1657.]
Engraving. 130 x 85mm (5 x 3¼"). Trimmed into plate and backed onto album paper. Small mark on lower right.
Portrait of French physician Brice Bauderon, half-length, turned to right, looking towards the viewer, holding a flower in his left hand. Bauderon was born in Paray-le-Monial in Charolais in 1540 and died in Mâcon in 1623. He was the father of Gratien Bauderon (1583-1615).
[Ref: 64136] £65.00 (£78.00 incl.VAT)

[Le Couche De La Mariée.]
[Peint à la Gouasse par P.A. Baudouin. Gravé à l'Eau-f.te par J.M. Moreau le J.ne et terminé par J.B. Simonet.]
[AParis chés Moreau le jeune rue de la Harpe vis à vis Mr. le Bas [n.d., c.1770.]
Engraving, proof before all letters, 18th century watermark. 470 x 330mm (18½ x 13"). Narrow margins.
'The Wedding Night' shows a very sleepy woman helped into bed by her new husband and servants. Engraved by Jean Michel Moreau (1741-1814), after a gouache painting by Pierre Antoine Baudouin (1723-69). The coat of arms of Christian IV, Count Palatine of Zweibrücken, to whom the print is dedicated, is engraved below the image.
L & D 186, state ii.
[Ref: 63355] £380.00

[Fort at Agra.][In pencil beneath image.]
[Marius Bauer.][Monogram in pencil.]
Etching. Plate: 175 x 105mm, (7 x 4¼"). Very large margins. Uncut.
A view of the Agra Fort in India. Marius A. J. Bauer (1867-1932) was a Dutch etcher whose work, influenced by his travels in the Orient, inspired his British contempories to explore the East.
Wisselingh: 98
[Ref: 37852] £140.00 (£168.00 incl.VAT)

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[Aladdin.][In pencil beneath image.]
[Marius Bauer.][Monogram in pencil.]
Etching. Plate: 170 x 140mm, (6¾ x 5½"). Very large margins. Uncut.
A scene in which a lavishly dressed man, with his hands tied behind his back is led by chains by mounted horsemen. To the side of the images figures flee from the oncoming soldiers. Marius A. J. Bauer (1867-1932) was a Dutch etcher whose work, influenced by his travels in the Orient, inspired his British contempories to explore the East.
Wisselingh: 85
[Ref: 37850] £140.00 (£168.00 incl.VAT)

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[A Colonnade.][In pencil beneath image.]
[Marius Bauer.][Monogram in pencil beneath image.]
Etching. Plate: 150 x 115mm, (6 x 4½"). Very large margins. Uncut.
An interior view of a large room with a colonnade, a figure sits on a camel while others rest against the columns. Marius A. J. Bauer (1867-1932) was a Dutch etcher whose work, influenced by his travels in the Orient, inspired his British contempories to explore the East.
Wisselingh: 63
[Ref: 37843] £90.00 (£108.00 incl.VAT)

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[A Festival.][In pencil beneath image.]
[Marius Bauer.][Monogram in pencil.]
Etching. Plate: 135 x 165mm, (5¼ x 6½"). Very large margins. Uncut.
A scene depicting a crowd celebrating, several figures crowd around a performing monkey while others shout and dance. Marius A. J. Bauer (1867-1932) was a Dutch etcher whose work, influenced by his travels in the Orient, inspired his British contempories to explore the East.
Wisselingh: 96
[Ref: 37847] £160.00 (£192.00 incl.VAT)

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[Funeral at Cairo.][In pencil beneath image.]
[Marius Bauer.][Monogram in pencil.]
Etching. Plate: 285 x 225mm, (11¼ x 9"). Very large margins. Uncut.
A funeral procession in which figures chant and march before a coffin and a woman rides on a donkey. Marius A. J. Bauer (1867-1932) was a Dutch etcher whose work, influenced by his travels in the Orient, inspired his British contempories to explore the East.
Wisselingh: 133
[Ref: 37848] £120.00 (£144.00 incl.VAT)

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[A Gate.][In pencil beneath image.]
[Marius Bauer.][Monogram in pencil.]
Etching. Plate: 135 x 100mm, (5¼ x 4"). Very large margins. Uncut.
Two figures stand before a large gate. Marius A. J. Bauer (1867-1932) was a Dutch etcher whose work, influenced by his travels in the Orient, inspired his British contempories to explore the East.
Wisselingh: 20
[Ref: 37854] £110.00 (£132.00 incl.VAT)

[Bachi Hareem.][Title in pencil beneath image.]
[Marius Bauer.][Monogram in pencil.]
Etching. Plate: 290 x 230mm (11½ x 9"). Very large margins. Uncut.
A view of a garden in Bakhchysarai., in the Crimean Peninsula, with a high wall in which a group of women by a fountain. Part of the residence of the Tartar Khans can be seen behind the wall. Marius A. J. Bauer (1867-1932) was a Dutch etcher whose work, influenced by his travels in the Orient, inspired his British contempories to explore the East.
Wisselingh: 136
[Ref: 37842] £180.00 (£216.00 incl.VAT)

[At the Lomei.][In pencil beneath image.]
[Marius Bauer.][Monogram in pencil.]
[n.d., c.1920.]
Etching. Plate: 125 x 180mm (5 x 7"). Very large margins. Uncut.
An exterior scene in which a dismounted horseman leads his horse to water. Marius A. J. Bauer (1867-1932) was a Dutch etcher whose work, influenced by his travels in the Orient, inspired his British contempories to explore the East.
Wisselingh: 66
[Ref: 37845] £160.00 (£192.00 incl.VAT)

[The Magic Door.][In pencil beneath image.]
[Marius Bauer.][Monogram in pencil.]
Etching. 1 of 100 signed proofs. Plate: 140 x 170mm, (5½ x 6¾). Very large margins. Uncut.
An interior scene in which two elaborately dressed figures approach a large, ornate door guarded by a figure with a torch. Marius A. J. Bauer (1867-1932) was a Dutch etcher whose work, influenced by his travels in the Orient, inspired his British contempories to explore the East. Bauer was influenced by 'La Jeunesse Inaltérable et la Vie Eternelle' a French translation of Romanian folklore.
Wisselingh: 37
[Ref: 37844] £160.00 (£192.00 incl.VAT)

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[Leaving the Mosque.][In pencil beneath image.]
[Marius Bauer.][Monogram in pencil.]
Etching. Plate: 150 x 130mm, (6 x 5"). With large margins. Uncut.
A view of figures on the steps of a mosque. Marius A. J. Bauer (1867-1932) was a Dutch etcher whose work, influenced by his travels in the Orient, inspired his British contempories to explore the East.
Wisselingh: 61
[Ref: 37851] £110.00 (£132.00 incl.VAT)

Unfortunately this item is either sold or reserved. If you are interested in similar items and cannot find what you're looking for on our website, please consider filling in our interests form. If you register, we can also send you items that match your interests when the website is updated.

[Indian Mountains.] [In pencil beneath image.]
[Marius Bauer.] [Monogram in pencil beneath image.]
[n.d., c.1920.]
Etching. Plate: 175 x 110mm (7 x 4¼"), very large margins.
A large landscape with mountains towering above a band of figures riding on horses and camels with spears and lances. Marius A. J. Bauer (1867-1932) was a Dutch etcher whose work, influenced by his travels in the Orient, inspired his British contempories to explore the East.
Wisselingh: 74
[Ref: 37840] £140.00 (£168.00 incl.VAT)

[Temple Walls.][In pencil beneath image.]
[Marius Bauer.][Monogram in pencil.]
Etching. Plate: 110 x 70mm, (4¼ x 2¾"). Very large margins. Uncut.
A view of the steps leading up to a temple in Palitana in India, a figure mounts the steps and a figure holds a horse. Marius A. J. Bauer (1867-1932) was a Dutch etcher whose work, influenced by his travels in the Orient, inspired his British contempories to explore the East.
Wisselingh: 29
[Ref: 37846] £110.00 (£132.00 incl.VAT)

[Queen of Sheba.][In pencil below image.]
[Marius Bauer.][Monogram in pencil.]
Etching. 39 of Limited edition of 100. Plate: 180 x 135mm (7 x 5¼".) Very large margins. Uncut.
A biblical scene showing the Queen of Sheba arriving at King Soloman's palace, the Queen of Sheba, on hearing of Soloman's great wisdom decided to visit him in order to see if the stories were true. Marius A. J. Bauer (1867-1932) was a Dutch etcher whose work, influenced by his travels in the Orient, inspired his British contempories to explore the East.
Wisselingh: 111
[Ref: 37881] £140.00 (£168.00 incl.VAT)

Unfortunately this item is either sold or reserved. If you are interested in similar items and cannot find what you're looking for on our website, please consider filling in our interests form. If you register, we can also send you items that match your interests when the website is updated.

[Church in Moscow.][In pencil beneath image.]
[Marius Bauer.][Monogram in pencil.]
Etching. Plate: 150 x 200mm (6 x 8"). Very large margins. Uncut.
A view of St Vasily's Cathedreal in Red Square, Moscow. Marius A. J. Bauer (1867-1932) was a Dutch etcher whose work, influenced by his travels in the Orient, inspired his British contempories to explore the East.
Wisselingh: 47
[Ref: 37853] £220.00 (£264.00 incl.VAT)

[A Vizir.][In pencil beneath image.]
[Marius Bauer.][Monogram in pencil.]
Etching. Plate: 175 x 135mm, (7 x 5¼"). Very large margins. Uncut.
Scene in a market depicting a crowd of people bowing as a mounted Vizir rides through the crowd. Marius A. J. Bauer (1867-1932) was a Dutch etcher whose work, influenced by his travels in the Orient, inspired his British contempories to explore the East.
Wisselingh: 35
[Ref: 37849] £140.00 (£168.00 incl.VAT)

Johann Martinus Baumler.
W.P. Kilian sc.
[Augsburg, Germany, c.1708.]
Etching, sheet 195 x 160mm. 7¾ x 6¼". Trimmed within plate.
Johann Martin Baumler, Austrian clergyman, right hand resting on top of skull on table; in ornate frame. Engraved by Wolfgang Kilian (1581 - 1662).
Austrian museum and collector's stamps to verso. National Library of Austria: 8145126.
[Ref: 14051] £75.00 (£90.00 incl.VAT)

Baumont____Cricket-field____looking towards the Beeches.
Painted by F.P. Barraud & A. H.Wardlow, Etched by W.A.Cox.
London Published March 18th 1892 by Messrs Dickinson & Foster Publishers to The Queen, 114 New Bond Street, W. Copyright Registered.
Etching. 670 x 430mm. Trimmed to plate. tiny pin hole in lower margin.
After Francis Philip Barraud (1824-1900).
[Ref: 521] £320.00

[Cavalry engagement]
[Etching by Johann Wilhelm Baur, c.1634-5]
Etching, 102 x 140mm (4 x 5½").
An engagement of cavalry with three troops firing pistols. One of a series of fourteen 'Capricci di varie battaglie' by Johann Wilhelm Baur (1607-42). Born in Strasbourg, Baur subsequently worked in Rome and Vienna.
[Ref: 23806] £140.00 (£168.00 incl.VAT)

Jeune Fille de Tegernsée, district du Tyrol. Cost. de div. Pays. No.13
Lanté delt. Gatine Sculpt.
[n.d. c.1827.]
Hand-coloured engraving. Plate 298 x 210mm. 11¾ x 8¼".
A young girl from Tegernsee, a spa town in Bavaria, Germany, which is abot 20km from Tyrol, Austria. See from behind, sporting long leg warmer-stockings with ruffles.
[Ref: 16207] £50.00 (£60.00 incl.VAT)

K. Haupt u. Residenz Stadt München.
Bey Hermann und Barth. [Munich, c.1830.]
Tinted lithograph. Sheet 190 x 270mm (7½ x 10½"). Trimmed close to image.
A prospect of Munich, from 'Malerische Topographie des Königreichs Bayern' (Scenic topography of the Kingdom of Bavaria).
[Ref: 39278] £120.00 (£144.00 incl.VAT)

Glyptothek.
München bey Hermann und Barth. [c.1830.]
Tinted lithograph. Sheet 190 x 225mm (7½ x 9"). Trimmed close to image.
The Glyptothek, designed by Leo von Klenze for King Ludwig I to house his collection of Greek and Roman sculptures. It is now a museum. From 'Malerische Topographie des Königreichs Bayern' (Scenic topography of the Kingdom of Bavaria).
[Ref: 39283] £95.00 (£114.00 incl.VAT)

Neuhauser-und Kauffinger-Strasse.
München bei Hermann und Barth. [c.1830.]
Tinted lithograph. Sheet 265 x 160mm (10½ x 6¼"). Trimmed close to image, worm holes filled.
Neuhauser Strasse and Kaufingerstrasse, two of the oldest streets in Munich and now important shopping areas. From 'Malerische Topographie des Königreichs Bayern' (Scenic topography of the Kingdom of Bavaria).
[Ref: 39284] £95.00 (£114.00 incl.VAT)

Die K. Residenz von der N.O. Seite.
München bey Hermann und Barth. [c.1830.]
Tinted lithograph. Sheet 195 x 225mm (7¾ x 9"). Trimmed close to image.
The Munich Residenz, a palace of the regal Wittelsbach family. From 'Malerische Topographie des Königreichs Bayern' (Scenic topography of the Kingdom of Bavaria).
[Ref: 39281] £90.00 (£108.00 incl.VAT)

Die Magdalenen-Kapelle im Garten des königlichen Irust-Schloss Nÿmphenburg.
München bey Hermann und Barth. [c.1830.]
Tinted lithograph. Sheet 195 x 225mm (7¾ x 9"). Trimmed close to image, worm holes, area of image skinned.
The Magdalenenklause, a faux-ruined hermitage in the gardens of The Nymphenburg Palace, Munich, the main summer residences of the regal Wittelsbach family. It was built 1725-8 as a retreat for Elector Max Emanuel. From 'Malerische Topographie des Königreichs Bayern' (Scenic topography of the Kingdom of Bavaria).
[Ref: 39280] £45.00 (£54.00 incl.VAT)

Schleissheim.
München bey Hermann und Barth. [c.1830.]
Tinted lithograph. Sheet 195 x 225mm (7¾ x 9"). Trimmed close to image.
The New Schleissheim Palace, one of three palaces in a grand baroque park in Oberschleißheim, now a suburb of Munich, one of the summer residences of the regal Wittelsbach family. From 'Malerische Topographie des Königreichs Bayern' (Scenic topography of the Kingdom of Bavaria).
[Ref: 39279] £95.00 (£114.00 incl.VAT)

College John of St. Peter's Westminster.
From a painting by J. Hayes in the possesion of A.R. Sutherland M.D.
[n.d., c.1830.]
Stipple and etching with very large margins. Platemark: 305 x 250mm (12 x 9¾").
A half length portrait of John Bavin, more commonly known as 'College John', standing directed slightly to the left, facing the viewer. A figure in academic dress can be seen on the steps of the collge entrance in the background to the left. Bavin was a porter at St Peter's, Westminster whose responsibilities would have varied from controlling entrance to the college, to maintenance and repairs. The Royal College of St. Peter in Westminster, better known as Westminster School, is one of the original nine British public schools (the so-called 'Clarendon Schools') as defined by the Public Schools Act of 1868. After British portrait-painter John Hayes (1786 - 1866)
[Ref: 34501] £130.00 (£156.00 incl.VAT)

[The Crown, Bawtry.]
Gerald M. Burn. [signed in pencil.]
[n.d., c.1920.][Alfred Bell & Co.]
Etching. Publisher's blind stamp in mount. Plate: 65 x 110mm (2½ x 4¼'') very large margins. Mint.
A view of an inn in Bawtry in Yorkshire.
[Ref: 49377] £50.00 (£60.00 incl.VAT)

[Australia: News from Home.] [&] [News from Australia.]
[Designed by H.S. Melville, and Engraved, Printed and Published by George Baxter, Patentee, 11, & 12, Northampton Square, Jan.y 31, 1853.] [&] [Published May 10th, 1854, by G. Baxter, Proprietor and Patentee, London.]
Pair of Baxter prints. Sheets c.110 x 150mm (4¼ x 6"). Trimmed to image as normal.
Two famous scenes of the British settlement of Australia. In 'News from Home' three European hunters sit in a ramshackle cabin with two Aboriginies, surrounded by dogs. One reads a letter from home, another is opening a letter and the third reads newspaper with a report about the 1851 Great Exhibition. On a perch is a cockatoo. In 'News from Australia' an old cobbler and his wife (in the UK) listen whilst their daughter reads a letter, in which was enclosed a £100 note, probably earned in the Gold Rush. A poster pinned to the wall reads 'Emigration to Australia the Ship Hope'.
[Ref: 60481] £290.00 (£348.00 incl.VAT)

The Picture Printer of the Nineteenth Century. George Baxter 1804-1867
by C. T. Courtney Lewis Author of "George Baxter (Colour Printer), His Life and Work A Manual for Collectors"
London. Sampson Low, Marston & Company, Ld. 1911.
Book: 4to (229 x 164mm). pp. vii-xxvi + 363. Profusely illustrated with b/w and colour images. Cloth binding with title stamped onto spine in gilt. Ex Libris Southport Public Library. Binding a little worn.
An illustrated narrative of the life and works of George Baxter.
[Ref: 10436] £100.00

George Baxter (Colour Printer) His Life and Work. A Manual for Collectors
by C.T.Courtney Lewis
London. Sampson Low, Marston & Company, Ld. 1908.
Book: 8vo (195 x 132mm). Cloth binding gilt title area stamped into spine and frontcover. Gilt top edge. pp. vii-xviii + 275 profusely illustrated with b/w images. Binding worn and torn, pulling away from text. Some sporadic foxing.
An illustrated narrative of the life and work of George Baxter. A comprehensive and detailed guide to his artistic development.
[Ref: 10446] £95.00

The Late Mr John Baxter of the City of Chichester. The following is copied from his Tomb. In Memory of John Baxter who departed this Life the 18th May 1827 Aged 72 Years [...] Published at the request of his Friends & dedicated to the Corporation of the City of Chichester by their Obedient Servant The Publisher.
From a Painting by Hewson in 1812.
Sold by Ja.s Lewis Chichester and the Booksellers 1828.
Stipple and line engraving. 345 x 260mm (13½ x 10¼") very large margins.
A memorial to John Baxter (1755 - 1827), a Calvinist corn merchant, city beadle and town crier, and his wife Mary (née Mann, 1758-1822)
[Ref: 57543] £230.00 (£276.00 incl.VAT)

Lorberblatertramer. Vendeur de feuilles de laurier. [Bay leaf seller.]
Gezeichnet v. C. Brand Prof. Gestochen v. Frid. Brand.
[n.d., 1810.]
Etching, sheet 335 x 245mm. 13¼ x 9¾". Trimmed within plate.
Plate to a set of 'Cries of Vienna', after Christian Hilfgott Brand (1694 - 1756), who seems to have been a drawing master at the Vienna Academy. Engraved by Friedrich August Brand (1735 - 1806), son of Christian, brother of Johann Christian Brand, and by 1783 himself a professor at the Vienna Academy.
[Ref: 11582] £170.00 (£204.00 incl.VAT)

Draught of the Bay of Bulls between the Town of Rotta and Fort St. Catherine; Inder the Command of his Grace the Duke of Ormond; with the disposition of the Frifates where were ordered to stand in by the Shore, to favor the Landing; as also the situation of the Ground and Bay, with that of the Enemy's Batteries & Troops.
Eng.d for Harrisons edition of Rapin. [n.d., c.1785.]
Engraving. 375 x 395mm.
An unsuccessful attack by an Anglo-Dutch fleet on Cadiz in May 1702, under Sir George Rooke. From a 'continuation' of 'Rapin's History Of England', first published 1724 in Dutch, with the first English edition published by Mathew Tindal in the 1740s.
[Ref: 4777] £130.00

Bay of Tongue.
Drawn & Engraved by Will.m Daniell.
Published by Mess.rs Longman, & Co. Paternoster Row, & W. Daniell, 9 Cleveland St. Fitzroy Square, London. May, 1, 1820.
Aquatint with fine original hand colour. On watermarked paper, 'J. Whatman, 1819'. 230 x 300mm (9 x 12"). Mint, with large margins, uncut.
A view of the Bay of Tongue, located in northwest Highland, Scotland, in the western part of the former county of Sutherland. A number of figures can be seen on the shore of the bay, with a mountainous landscape in the distance. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 36070] £180.00 (£216.00 incl.VAT)

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