A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
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Veduta del Battistreo di Pisa. View of the Baptistry of Pisa.
A Livorno presso Gio. Batta. Guerrazzi Via Ferdinanda, No.90 Anno 1826.
Engraving. Plate: 410 x 570mm, (16 x 22½"); very large margins. Slight spotting. Rare in good condition.
A view of the Baptistry of St John in Pisa, built between 1152 and 1363, with various figures and animals standing by the doors.
[Ref: 40955] £420.00
A Livorno presso Gio. Batta. Guerrazzi Via Ferdinanda, No.90 Anno 1826.
Engraving. Plate: 410 x 570mm, (16 x 22½"); very large margins. Slight spotting. Rare in good condition.
A view of the Baptistry of St John in Pisa, built between 1152 and 1363, with various figures and animals standing by the doors.
[Ref: 40955] £420.00
Veduta della Famosa Cattedrale di Pisa. View of the Famous Cathedral of Pisa.
A Livorno presso Gio. Batta. Guerrazzi Via Ferdinanda No. 90 Anno 1826.
Engraving. Plate: 580 x 430mm, (22¾ x 17"); large margins. Messy margins. Slight foxing.
A large fine view of the Cathedral in Pisa with the leaning tower behind. Several groups of figures, including musicians, Ottomans and a man with a camel.
[Ref: 40948] £480.00
A Livorno presso Gio. Batta. Guerrazzi Via Ferdinanda No. 90 Anno 1826.
Engraving. Plate: 580 x 430mm, (22¾ x 17"); large margins. Messy margins. Slight foxing.
A large fine view of the Cathedral in Pisa with the leaning tower behind. Several groups of figures, including musicians, Ottomans and a man with a camel.
[Ref: 40948] £480.00
Aloysius Pisani electus procurator D. Marci. Anno. M[D]CLXXXXII.
[V.M. Coronelli. Venice 1692.]
Engraving; frontispiece; 502 x 330mm. 19¾ x 13". Excised letter D from date; trimmed on right.
Portrait engraving of Aloysius Pisani from 'Isolario dell'Atlante Vento'. Pisani was Doge of Venice between 1734 and 1741.
[Ref: 25909] £140.00 (£168.00 incl.VAT)
[V.M. Coronelli. Venice 1692.]
Engraving; frontispiece; 502 x 330mm. 19¾ x 13". Excised letter D from date; trimmed on right.
Portrait engraving of Aloysius Pisani from 'Isolario dell'Atlante Vento'. Pisani was Doge of Venice between 1734 and 1741.
[Ref: 25909] £140.00 (£168.00 incl.VAT)
Flying Bridge on the Po.
Cooper Willyams delt. I.C. Stadler sculp.
London, Pub. by I. White, Fleet Street, 1801.
Sepia aquatint, 185 x 240mm. 7¼ x 9½". Large margins.
Travellers crossing the Po river in northern Italy. After Cooper Willyams (1762 - 1816), for his 'A Voyage up the Mediterranean in His Majesty’s Ship the Swiftsure, one of the squadron under the command of Rear-Admiral Sir Horatio Nelson, K.B. ... with a description of the battle of the Nile on the first of August 1798' (1802). Willyams served as chaplain of the Swiftsure. He was present at the Battle of the Nile and according to DNB his is 'the first, the most particular, and the most authentic account of the battle'.
See BL 210.i.5. Abbey Travel 196, 36.
[Ref: 22168] £95.00 (£114.00 incl.VAT)
Cooper Willyams delt. I.C. Stadler sculp.
London, Pub. by I. White, Fleet Street, 1801.
Sepia aquatint, 185 x 240mm. 7¼ x 9½". Large margins.
Travellers crossing the Po river in northern Italy. After Cooper Willyams (1762 - 1816), for his 'A Voyage up the Mediterranean in His Majesty’s Ship the Swiftsure, one of the squadron under the command of Rear-Admiral Sir Horatio Nelson, K.B. ... with a description of the battle of the Nile on the first of August 1798' (1802). Willyams served as chaplain of the Swiftsure. He was present at the Battle of the Nile and according to DNB his is 'the first, the most particular, and the most authentic account of the battle'.
See BL 210.i.5. Abbey Travel 196, 36.
[Ref: 22168] £95.00 (£114.00 incl.VAT)
A View on the River Po in Italy. From the Original Picture by Claude le Lorrain In the Collection of the Right Honourable Lord Trevor [...]
Claude le Lorrain Pinx.t. James Mason Sculp.t.
Published Jan. 1.st 1769 by J. Boydell Engraver in Cheapside, London.
Engraving, sheet 475 x 640mm (18¾ x 25¼"). Small margins on 3 sides. Trimmed inside platemark top edge; good impression.
River landscape with figures loading boats, while chairs and cases nearby show that a picnic or concert has taken place, or is about to. From John Boydell's huge and influential series of engravings made from 'The Most Capital Paintings in England'. The source painting is here attributed to Claude Lorraine, although that attribution has been doubted by Marcel Röthlisberger: 'the incoherent distribution of the still-life motifs in the foreground - which may be due to the figure painter - is foreign to Claude; among the genre motifs, some, like the lute and the barrels, are frequent in his early work, others, like the pots with flowers and the chairs, never appear in Claude. (..) The picture may be by Claude, around 1629/31; or one of the numerous fakes of the 1630's of which Baldinucci speaks (...); or from the circle of Tassi, i.e. earlier than the above-mentioned works by Claude. It is unlikely that in 1638 Claude would imitate so closely a work of a predecessor. Until more is known about the circle of Tassi and the beginnings of Claude, the problem seems insoluble.'
[Ref: 39679] £360.00
Claude le Lorrain Pinx.t. James Mason Sculp.t.
Published Jan. 1.st 1769 by J. Boydell Engraver in Cheapside, London.
Engraving, sheet 475 x 640mm (18¾ x 25¼"). Small margins on 3 sides. Trimmed inside platemark top edge; good impression.
River landscape with figures loading boats, while chairs and cases nearby show that a picnic or concert has taken place, or is about to. From John Boydell's huge and influential series of engravings made from 'The Most Capital Paintings in England'. The source painting is here attributed to Claude Lorraine, although that attribution has been doubted by Marcel Röthlisberger: 'the incoherent distribution of the still-life motifs in the foreground - which may be due to the figure painter - is foreign to Claude; among the genre motifs, some, like the lute and the barrels, are frequent in his early work, others, like the pots with flowers and the chairs, never appear in Claude. (..) The picture may be by Claude, around 1629/31; or one of the numerous fakes of the 1630's of which Baldinucci speaks (...); or from the circle of Tassi, i.e. earlier than the above-mentioned works by Claude. It is unlikely that in 1638 Claude would imitate so closely a work of a predecessor. Until more is known about the circle of Tassi and the beginnings of Claude, the problem seems insoluble.'
[Ref: 39679] £360.00
The Soldiers Quarters at Pompeii. Pl.1.
Drawn & Etched by G. Townley Esq.r Engraved by F. Whessell, Oxford.
London Pub. Feb.1. 1818 by Mess.rs Carpenter & Son Old Bond Street.
Mezzotint and etching printed in brown ink, very scarce and fine. Plate 209 x 255mm (8¼ x 10"). Laid on album scrap. Slight foxing.
View of the remains of Pompeii, showing an area with rows of pillars on three sides, to the right, people walking along a road beside it in the centre, and a series of rooms to left; with three goats and fallen masonry in the right foreground, mountains, trees and a lake in the background. Plate 1 of a series etched by the collector George Townley, who may have been inspired by JMW Turner's 'Liber Studiorum' with which this series bears several similarities.
[Ref: 29465] £220.00 (£264.00 incl.VAT)
Drawn & Etched by G. Townley Esq.r Engraved by F. Whessell, Oxford.
London Pub. Feb.1. 1818 by Mess.rs Carpenter & Son Old Bond Street.
Mezzotint and etching printed in brown ink, very scarce and fine. Plate 209 x 255mm (8¼ x 10"). Laid on album scrap. Slight foxing.
View of the remains of Pompeii, showing an area with rows of pillars on three sides, to the right, people walking along a road beside it in the centre, and a series of rooms to left; with three goats and fallen masonry in the right foreground, mountains, trees and a lake in the background. Plate 1 of a series etched by the collector George Townley, who may have been inspired by JMW Turner's 'Liber Studiorum' with which this series bears several similarities.
[Ref: 29465] £220.00 (£264.00 incl.VAT)
Facchini Napolotani.
L. A. Ledoux.
[1834]
Hand-coloured lithograph. Sheet: 345 x 275mm (13½ x 10¾") large margins. Light foxing.
A scene in which a group of Italian porters stand in conversation, one is shown napping in a basket.
[Ref: 44729] £95.00 (£114.00 incl.VAT)
L. A. Ledoux.
[1834]
Hand-coloured lithograph. Sheet: 345 x 275mm (13½ x 10¾") large margins. Light foxing.
A scene in which a group of Italian porters stand in conversation, one is shown napping in a basket.
[Ref: 44729] £95.00 (£114.00 incl.VAT)
Vue du Fort fe Porto Ferrajo et de la Maison du Gouverneur.
Peint par Copley Fielding, d'après l'esquisse de M.r le C.tr de Forbin. Gravé par Thalès Fielding.
[n.d., c.1815.]
Aquatint, printed on india. Sheet: 250 x 310mm (9¾ x 12"). Damaged. Some cockling in title area.
A view of Fort Stella and the lighthouse in the town of Portoferraio on the Island of Elba. Napoleon took up residence in the Villa Mulini, located near the fort, during his exile on Elba.
[Ref: 46770] £130.00 (£156.00 incl.VAT)
Peint par Copley Fielding, d'après l'esquisse de M.r le C.tr de Forbin. Gravé par Thalès Fielding.
[n.d., c.1815.]
Aquatint, printed on india. Sheet: 250 x 310mm (9¾ x 12"). Damaged. Some cockling in title area.
A view of Fort Stella and the lighthouse in the town of Portoferraio on the Island of Elba. Napoleon took up residence in the Villa Mulini, located near the fort, during his exile on Elba.
[Ref: 46770] £130.00 (£156.00 incl.VAT)
Porto Ferajo.
Engraved by J. Luffman for Mr Serres, Little Sea Torch. Published June 1801.
Engraving with fine hand colour. Printed area 130 x 165mm, 5¼ x 6½".
A chart of the environs of Portoferraio on Elba, published while England was at war with Revolutionary France. From Serres's scarce marine pilot, 'The Little Sea Torch', an acknowledged English edition of Bougard's 'Le Petit Flambeau de la Mer', although extensively revised by Serres.
Abbey Life: 344.
[Ref: 13674] £170.00
Engraved by J. Luffman for Mr Serres, Little Sea Torch. Published June 1801.
Engraving with fine hand colour. Printed area 130 x 165mm, 5¼ x 6½".
A chart of the environs of Portoferraio on Elba, published while England was at war with Revolutionary France. From Serres's scarce marine pilot, 'The Little Sea Torch', an acknowledged English edition of Bougard's 'Le Petit Flambeau de la Mer', although extensively revised by Serres.
Abbey Life: 344.
[Ref: 13674] £170.00
![[Peasant Women Portofino.]](jpegs/6226.jpg)
[Peasant Women Portofino.]
Signed in pencil by S. Tushingham.
Limited to 75 n.d.
Etching 385 x 245mm.
[Ref: 6226] £90.00 (£108.00 incl.VAT)
Signed in pencil by S. Tushingham.
Limited to 75 n.d.
Etching 385 x 245mm.
[Ref: 6226] £90.00 (£108.00 incl.VAT)
Vue d'une partie de la Coste de Pausilipe, prise du dessus de la Grotte de Pouzzoles en alland au Tombeau de Vergile. Dessinée d'après Nature par Robert peintre [de Roy.]
Gravé a l'Eau-forte par Weisbrod. Terminé par le [Roy].
[Paris: Clousier, 1781-6.]
Engraving with etching, 18th century watermark. 250 x 375mm (9¾ x 14¾") very large margins Tear with loss in top margin. Two areas of inscription scratched out.
A view of Posillipo, a rocky outcrop on the edge of Naples. From Jean Claude Richard Saint Non's monumental 'Voyage pittoresque ou description des royaumes de Naples et de Sicile'. In the spirit of French republicanism, any mention of the king has been erased, even the name of the engraver, Julien Le Roy.
From the Airlie collection, Cortachy Castle.
[Ref: 57525] £220.00 (£264.00 incl.VAT)
Gravé a l'Eau-forte par Weisbrod. Terminé par le [Roy].
[Paris: Clousier, 1781-6.]
Engraving with etching, 18th century watermark. 250 x 375mm (9¾ x 14¾") very large margins Tear with loss in top margin. Two areas of inscription scratched out.
A view of Posillipo, a rocky outcrop on the edge of Naples. From Jean Claude Richard Saint Non's monumental 'Voyage pittoresque ou description des royaumes de Naples et de Sicile'. In the spirit of French republicanism, any mention of the king has been erased, even the name of the engraver, Julien Le Roy.
From the Airlie collection, Cortachy Castle.
[Ref: 57525] £220.00 (£264.00 incl.VAT)
Avanzi del Tempio di Giove Seraphide a Pozzuoli.
Ph: Hackert pinx, 1789. Vinc. Aloja sculp. Giorgio Hackert direx.
Si vende a Napoli da Giorgio Hackert Incisore di S. M. Con Privilegio.
Etching. Fine. Plate: 560 x 410mm (22 x 16"). Some marking in margins.
A view of the Roman macellum, or market place, of Pozzuoli. Excavations of the site we ordered in 1750 by King Charles of Naples and the site was wrongly thought to be a temple to Serapis after excavators discovered a statue of the diety at the site. The image shows the three recognisable marble columns and figures inspecting the achitectural fragments.
[Ref: 40275] £360.00
Ph: Hackert pinx, 1789. Vinc. Aloja sculp. Giorgio Hackert direx.
Si vende a Napoli da Giorgio Hackert Incisore di S. M. Con Privilegio.
Etching. Fine. Plate: 560 x 410mm (22 x 16"). Some marking in margins.
A view of the Roman macellum, or market place, of Pozzuoli. Excavations of the site we ordered in 1750 by King Charles of Naples and the site was wrongly thought to be a temple to Serapis after excavators discovered a statue of the diety at the site. The image shows the three recognisable marble columns and figures inspecting the achitectural fragments.
[Ref: 40275] £360.00
![[Pozzuoli.]](jpegs/18829.jpg)
[Pozzuoli.]
J.C. Parker [in signature lower left.]
[n.d. c.1840.]
Watercolour. 177 x 247mm. 7 x 9¾".
A view of Pozzuoli, in the Italian region of Campania.
[Ref: 18829] £100.00 (£120.00 incl.VAT)
J.C. Parker [in signature lower left.]
[n.d. c.1840.]
Watercolour. 177 x 247mm. 7 x 9¾".
A view of Pozzuoli, in the Italian region of Campania.
[Ref: 18829] £100.00 (£120.00 incl.VAT)
![[Pozzuoli.] Pozzuolo.](jpegs/33783.jpg)
[Pozzuoli.] Pozzuolo.
[Rome: Giovanni Generoso Salomoni, c.1761.]
Engraving. 125 x 180mm (5 x 7"). Narrow margins.
A view of the bay of Pozzuoli in Campania, known to the Romans as Puteoli (where Caligula built a two-mile floating bridge to defy an astrologer's prediction that he had 'no more chance of becoming Emperor than of riding a horse across the Gulf of Baiae'). Published in Francesco Scotto's 'Itinerario d'Italia'.
[Ref: 33783] £80.00 (£96.00 incl.VAT)
[Rome: Giovanni Generoso Salomoni, c.1761.]
Engraving. 125 x 180mm (5 x 7"). Narrow margins.
A view of the bay of Pozzuoli in Campania, known to the Romans as Puteoli (where Caligula built a two-mile floating bridge to defy an astrologer's prediction that he had 'no more chance of becoming Emperor than of riding a horse across the Gulf of Baiae'). Published in Francesco Scotto's 'Itinerario d'Italia'.
[Ref: 33783] £80.00 (£96.00 incl.VAT)
Cumes. La porte heureuse. Cuma. L'Arco felice.
Dessiné d'après nature par Ph. Benoist. Imp par Lemercier à Paris. Lith. par J.Jacottet Fig. par Bayot.
Paris. Bullas éditeur, 18 rue Tiquetonne et (Mon. Aumont) François Delarue, Succ. 10 rue J.J.Rousseau.
Tinted lithograph. Sheet: 320 x 460mm (12½ x 18"), with very large margins. Slight foxing.
A view of the Arco Felice, near the Italian town of Pozzuoli and was the original gate to the ancient site of Cumae or Cuma.
[Ref: 41866] £230.00 (£276.00 incl.VAT)
Dessiné d'après nature par Ph. Benoist. Imp par Lemercier à Paris. Lith. par J.Jacottet Fig. par Bayot.
Paris. Bullas éditeur, 18 rue Tiquetonne et (Mon. Aumont) François Delarue, Succ. 10 rue J.J.Rousseau.
Tinted lithograph. Sheet: 320 x 460mm (12½ x 18"), with very large margins. Slight foxing.
A view of the Arco Felice, near the Italian town of Pozzuoli and was the original gate to the ancient site of Cumae or Cuma.
[Ref: 41866] £230.00 (£276.00 incl.VAT)
Fancy Ball Dress. No. 1. Ragusa.
L. M. Delt. in plate [Leon Mansion].
Published by W. Spooner, 259. Regent St.t Deposé a Paris. Printed by Engelmann & Co. [n.d. c.1831-32]
Fine coloured lithograph. 347 x 247mm. 13¾ x 9¾".
Regional Costume Studies from Fancy Ball Dresses. This a representation of the costume of Ragusa, Sicily. A lady wearing a sleeve-less jacket in green with gold borders and frills; her white tunic dress underneath with gold stripes and billowing arms. She holds a basket of flowers under her left arm.
V&A No: E.21127-1957 See: Ref: 17087
[Ref: 22872] £140.00 (£168.00 incl.VAT)
L. M. Delt. in plate [Leon Mansion].
Published by W. Spooner, 259. Regent St.t Deposé a Paris. Printed by Engelmann & Co. [n.d. c.1831-32]
Fine coloured lithograph. 347 x 247mm. 13¾ x 9¾".
Regional Costume Studies from Fancy Ball Dresses. This a representation of the costume of Ragusa, Sicily. A lady wearing a sleeve-less jacket in green with gold borders and frills; her white tunic dress underneath with gold stripes and billowing arms. She holds a basket of flowers under her left arm.
V&A No: E.21127-1957 See: Ref: 17087
[Ref: 22872] £140.00 (£168.00 incl.VAT)
The Shrine of the Saline, Rapallo.
Claude H. Rowbotham. [signed in pencil.]
Etching. Plate: 100 x 70mm (4 x 2¾''), very large margins. Mint.
The view of a shrine in the Italian town of Rapallo, near Genoa. An etching by Claude Hamilton Rowbotham (1864-1949) who created a new single plate coloured etching process.
[Ref: 49337] £35.00 (£42.00 incl.VAT)
Claude H. Rowbotham. [signed in pencil.]
Etching. Plate: 100 x 70mm (4 x 2¾''), very large margins. Mint.
The view of a shrine in the Italian town of Rapallo, near Genoa. An etching by Claude Hamilton Rowbotham (1864-1949) who created a new single plate coloured etching process.
[Ref: 49337] £35.00 (£42.00 incl.VAT)
![[Zuagli, Bay of Rapallo (Italy).]](jpegs/49340.jpg)
[Zuagli, Bay of Rapallo (Italy).]
Claude H. Rowbotham. [signed in pencil.]
Etching. Edition strictly limited to 100 signed artists proofs. In original mount. Plate: 115 x 150mm (4½ x 6'') very large margins. Marking.
A view of the Bay of Rapallo. An etching by Claude Hamilton Rowbotham (1864-1949) who created a new single plate coloured etching process.
[Ref: 49340] £80.00 (£96.00 incl.VAT)
Claude H. Rowbotham. [signed in pencil.]
Etching. Edition strictly limited to 100 signed artists proofs. In original mount. Plate: 115 x 150mm (4½ x 6'') very large margins. Marking.
A view of the Bay of Rapallo. An etching by Claude Hamilton Rowbotham (1864-1949) who created a new single plate coloured etching process.
[Ref: 49340] £80.00 (£96.00 incl.VAT)
The Sepulchre of King Theodorick near Ravenna, the Roof of one Stone 38 Feet in Diameter about 12 Feet Thick, Erected A.D. 530.
Clerisau Pinxt. P. Sandby Fecit.
Publish'd as the Act directs by P. Sandby S.t Georges Row, Oxford Turnpike March 1778.
Rare aquatint, scarce in good condition, printed in sepia. 340 x 495mm (13½ 19½), with large margins.
The Mausoleum of Theodoric, built in 520 AD by Theodoric the Great, king of the Ostrogoths. who ruled Italy from 493 to 526 AD. Charles Louis Clérisseau (1721-1820), went to Rome in 1749 working for Robert Adam as a draughtsman during the architect's tour of Italy (1755-63). Many of the illustrations in Adam's 'Ruins of the Palace of the Emperor Diocletian at Spalatro' (1764) were drawn by Clérisseau, without attribution. Paul Sandby etched this plate as a pair to the 'Triumphal Arch of Constantine at Fano', one of several aquatints he did after Grand Tourists.
[Ref: 59960] £680.00
Clerisau Pinxt. P. Sandby Fecit.
Publish'd as the Act directs by P. Sandby S.t Georges Row, Oxford Turnpike March 1778.
Rare aquatint, scarce in good condition, printed in sepia. 340 x 495mm (13½ 19½), with large margins.
The Mausoleum of Theodoric, built in 520 AD by Theodoric the Great, king of the Ostrogoths. who ruled Italy from 493 to 526 AD. Charles Louis Clérisseau (1721-1820), went to Rome in 1749 working for Robert Adam as a draughtsman during the architect's tour of Italy (1755-63). Many of the illustrations in Adam's 'Ruins of the Palace of the Emperor Diocletian at Spalatro' (1764) were drawn by Clérisseau, without attribution. Paul Sandby etched this plate as a pair to the 'Triumphal Arch of Constantine at Fano', one of several aquatints he did after Grand Tourists.
[Ref: 59960] £680.00
F. philippus Aravenna. Ord. Min. Con. Tertiarius Laicus Humls Paulo Goraccio Tertiario C.s S.i Sepulcri Raphael.S.In.F.D.D.
Gio:Incomo Raffe formis Roma alla Pace.
[n.d. c.1601.]
Etching. Plate 178 x 120mm. 7 x 4¾".
St Filippo of Ravenna, standing holding a basket and leaning forward, speaking the words 'Laudato Sempre sia Il nome di Gesue di Maria'. Philip of Ravenna, was a Friar of the third order of the Franciscans.
[Ref: 24842] £45.00 (£54.00 incl.VAT)
Gio:Incomo Raffe formis Roma alla Pace.
[n.d. c.1601.]
Etching. Plate 178 x 120mm. 7 x 4¾".
St Filippo of Ravenna, standing holding a basket and leaning forward, speaking the words 'Laudato Sempre sia Il nome di Gesue di Maria'. Philip of Ravenna, was a Friar of the third order of the Franciscans.
[Ref: 24842] £45.00 (£54.00 incl.VAT)
Sepoloro a Falerium citta Etrusca ditrutta.
C. Reinhart fc. Roma 1796.
1769.
Etching. Fine. Platemark: 375 x 285mm (14¾ x 11¼"); very large margins.
A plate from Johann Christian Reinhart's (1761 - 1847) 'Collection of Picturesque Views of Italy.', depicting the tomb at Falerium, a Ruined Etruscan City, with a shepherd herding goats in the foreground to the left.
[Ref: 39506] £230.00 (£276.00 incl.VAT)
C. Reinhart fc. Roma 1796.
1769.
Etching. Fine. Platemark: 375 x 285mm (14¾ x 11¼"); very large margins.
A plate from Johann Christian Reinhart's (1761 - 1847) 'Collection of Picturesque Views of Italy.', depicting the tomb at Falerium, a Ruined Etruscan City, with a shepherd herding goats in the foreground to the left.
[Ref: 39506] £230.00 (£276.00 incl.VAT)
Athanasius Rodulphius. Patritius Florentinus, pro Seren.mo Magno Hetru riae Duce ad Pacis universalis trae tatus 1648. Inquirunt Pacem et Peresquuntur Eam.
Anselmus van Halle pinxit. Petrus de Ioden sculpsit.
Accessit Privilegium Caesareum. Cum privilegio Regum eet Hollandiae Ordinum 1649.
Engraving, with collector's stamp on verso with very large margins. Plate 305 x 196mm (12 x 7¾"). Excellent impression.
Anatasio Ridolfi, a Catholic theologian and secretary of the Grand Duke of Tuscany. He served as Envoy for the Peace of Westphalia.
Lugt 1921: [Cabinet Brentano-Birckenstock].
[Ref: 28451] £120.00 (£144.00 incl.VAT)
Anselmus van Halle pinxit. Petrus de Ioden sculpsit.
Accessit Privilegium Caesareum. Cum privilegio Regum eet Hollandiae Ordinum 1649.
Engraving, with collector's stamp on verso with very large margins. Plate 305 x 196mm (12 x 7¾"). Excellent impression.
Anatasio Ridolfi, a Catholic theologian and secretary of the Grand Duke of Tuscany. He served as Envoy for the Peace of Westphalia.
Lugt 1921: [Cabinet Brentano-Birckenstock].
[Ref: 28451] £120.00 (£144.00 incl.VAT)
Rocca Giovine Généralement Supposée l'ancien Fanun Vacunae [...]
Peint à Gouache par J. Ph. Hackert 1780 Gravé à l'eau forte par B.A. Duncker et terminé par G. Eichler
Engraving, platemark: 380 x 470mm. (15 x 18¼"), with very large margins. Some creasing. Repaired tear in top margin.
View in the small rural village of Roccagiovine in the countryside outside Rome. It is now part of the Monti Lucretili natural park. One of a series of landscapes of the Roman countryside after gouaches by Philipp Hackert (1737 - 1807), painter and etcher. Born in Prenzlau north of Berlin, he came to Italy in 1768, settling in Rome where he joined a German group of artists also including Anton Raphael Mengs and the art historian Johann Joachim Winckelmann. In 1786 he settled in Naples as court painter to Ferdinand IV.
Provenance: Torridon House Lovelace/King Family.
[Ref: 39574] £260.00 (£312.00 incl.VAT)
Peint à Gouache par J. Ph. Hackert 1780 Gravé à l'eau forte par B.A. Duncker et terminé par G. Eichler
Engraving, platemark: 380 x 470mm. (15 x 18¼"), with very large margins. Some creasing. Repaired tear in top margin.
View in the small rural village of Roccagiovine in the countryside outside Rome. It is now part of the Monti Lucretili natural park. One of a series of landscapes of the Roman countryside after gouaches by Philipp Hackert (1737 - 1807), painter and etcher. Born in Prenzlau north of Berlin, he came to Italy in 1768, settling in Rome where he joined a German group of artists also including Anton Raphael Mengs and the art historian Johann Joachim Winckelmann. In 1786 he settled in Naples as court painter to Ferdinand IV.
Provenance: Torridon House Lovelace/King Family.
[Ref: 39574] £260.00 (£312.00 incl.VAT)
Paolo Rolli.
[n.d. c.1700].
Mezzotint engraving. 270 x 207mm. One prominent spot of foxing just to left of image.
Paolo Rolli was illustrious among the authors of Italian songs in the late 17th century. He was a member of the Academy of Arcadia, a literary academy founded in Rome during 1690.
[Ref: 348] £120.00 (£144.00 incl.VAT)
[n.d. c.1700].
Mezzotint engraving. 270 x 207mm. One prominent spot of foxing just to left of image.
Paolo Rolli was illustrious among the authors of Italian songs in the late 17th century. He was a member of the Academy of Arcadia, a literary academy founded in Rome during 1690.
[Ref: 348] £120.00 (£144.00 incl.VAT)
![[Palazzo Montecitorio]](jpegs/24268.jpg)
[Palazzo Montecitorio] Delineatio Palatii ad Innocentio XI in Monte Cita Torio Extructi.
Hieron. Frezza incidit.
[Italian, n.d., c.1720.]
Double-page folding etching on laid paper, 230 x 355mm. 9 x 14". Wide margins.
View of the principal facade of the palace completed 1694–1697 by Pope Innocent XII in the Piazza Montecitorio, Rome; the building houses the Italian Chamber of Deputies. Groups of figures to foreground. From an unidentified folio, numbered 'pag. 627' upper left.
[Ref: 24268] £180.00 (£216.00 incl.VAT)
Hieron. Frezza incidit.
[Italian, n.d., c.1720.]
Double-page folding etching on laid paper, 230 x 355mm. 9 x 14". Wide margins.
View of the principal facade of the palace completed 1694–1697 by Pope Innocent XII in the Piazza Montecitorio, Rome; the building houses the Italian Chamber of Deputies. Groups of figures to foreground. From an unidentified folio, numbered 'pag. 627' upper left.
[Ref: 24268] £180.00 (£216.00 incl.VAT)
A View of S.t Martins Church, Also of the Arch of Septimus Severus, through which the Roman Generals marched... Vue L'Eglise de S.t Martin avec l'Arche de Septimus Severus... 6.
Piranesi delin.t. Bowles Sculp.
Printed for Robert Wilkinson 58 Cornhill & Bowles & Carver, 69 St. Paul's Church Yard. [n.d. c.1800]
Engraving with hand colouring, plate 275 x 425mm (10¾ x 16¾"). Framed, size 480 x 630mm (19 x 24¾"). Some light staining. Tear near top on right going into the sky. Unexamined out of frame.
A view of the Arch of Septimus Severus in the Roman Forum, still half-buried. To the left is the Colonna di Foca (Phocas); to the right is the Chiesa Santi Luca e Martina martiri.
[Ref: 61280] £280.00 (£336.00 incl.VAT)
Piranesi delin.t. Bowles Sculp.
Printed for Robert Wilkinson 58 Cornhill & Bowles & Carver, 69 St. Paul's Church Yard. [n.d. c.1800]
Engraving with hand colouring, plate 275 x 425mm (10¾ x 16¾"). Framed, size 480 x 630mm (19 x 24¾"). Some light staining. Tear near top on right going into the sky. Unexamined out of frame.
A view of the Arch of Septimus Severus in the Roman Forum, still half-buried. To the left is the Colonna di Foca (Phocas); to the right is the Chiesa Santi Luca e Martina martiri.
[Ref: 61280] £280.00 (£336.00 incl.VAT)
The Quirinal, or Palace of the Pope on Mount cavallo at Rome. / Le Quirinal, ou Palais du Pape sur le Montagne Cavallo a Rome. 10.
G. Falda Delin. Parr Sculp.
Printed for Robert Wilkinson in Cornhil & Bowles & Carver, 69 St. Paul's Church Yard, London [n.d. c. 1800]
Framed engraving with fine hand colouring, plate 275 x 425mm (10¾ x 16¾"). Frame size 480 x 630mm (19 x 24¾"). Unexamined out of frame.
This palace was built by Gregory XIII in 1574 as a summer residence, which serves today as the residence of Italy's president.
[Ref: 61272] £280.00 (£336.00 incl.VAT)
G. Falda Delin. Parr Sculp.
Printed for Robert Wilkinson in Cornhil & Bowles & Carver, 69 St. Paul's Church Yard, London [n.d. c. 1800]
Framed engraving with fine hand colouring, plate 275 x 425mm (10¾ x 16¾"). Frame size 480 x 630mm (19 x 24¾"). Unexamined out of frame.
This palace was built by Gregory XIII in 1574 as a summer residence, which serves today as the residence of Italy's president.
[Ref: 61272] £280.00 (£336.00 incl.VAT)
![[A Muleteer on the Via Appia.]](jpegs/47578.jpg)
[A Muleteer on the Via Appia.]
Both fc.
[n.d., c.1655.]
Etching. Plate: 200 x 275mm (8 x 10¾"). Trimmed.
A view on the Via Appia showing a man watering his mules at the river. From a series 'Views of Rome and its Environs' by Jan Both.
[Ref: 47578] £230.00 (£276.00 incl.VAT)
Both fc.
[n.d., c.1655.]
Etching. Plate: 200 x 275mm (8 x 10¾"). Trimmed.
A view on the Via Appia showing a man watering his mules at the river. From a series 'Views of Rome and its Environs' by Jan Both.
[Ref: 47578] £230.00 (£276.00 incl.VAT)
![[The Marian column in Piazza Santa Maria Maggiore] Colonna già dentro l'atico tempio della Pace di Vespasiano nel foro Boario,](jpegs/57522.jpg)
[The Marian column in Piazza Santa Maria Maggiore] Colonna già dentro l'atico tempio della Pace di Vespasiano nel foro Boario, et dalle sue rovion fatta condurre d Paolo V. su la piazza S.ta Maria Maggiore.
[n.d., c.1700.]
Engraving. 210 x 145mm (8¼ x 5¾").
A classical column topped with a statue of the Virgin Mary and Jesus, in the Piazza di Santa Maria Maggiore, Rome. The inscription states the column was originally part of the Temple of Peace built in Forum Boarum; however modern accounts describe it as the only surviving column from the nave of the Basilica of Maxentius and Constantine, which was destroyed by an earthquake in 1349. It was brought to its current location by Pope Paul V in 1614, where it was placed on a base created by the great Baroque architect Carlo Maderno (1556-1629) .
[Ref: 57522] £140.00 (£168.00 incl.VAT)
[n.d., c.1700.]
Engraving. 210 x 145mm (8¼ x 5¾").
A classical column topped with a statue of the Virgin Mary and Jesus, in the Piazza di Santa Maria Maggiore, Rome. The inscription states the column was originally part of the Temple of Peace built in Forum Boarum; however modern accounts describe it as the only surviving column from the nave of the Basilica of Maxentius and Constantine, which was destroyed by an earthquake in 1349. It was brought to its current location by Pope Paul V in 1614, where it was placed on a base created by the great Baroque architect Carlo Maderno (1556-1629) .
[Ref: 57522] £140.00 (£168.00 incl.VAT)
Scene Italienne et Vue du Vatican prise de la Villa-Borghese.
Dejuinne 1823.
Lith de Engelmann.
Fine lithograph on india paper, sheet 285 x 210mm. 11¼ x 8¼". Margins trimmed.
A man serenading woman with a guitar in the gardens of the Villa Borghese, Rome; a prospect of the city and St Peter's Basilica, Vatican City, in the distance. The Villa Borghese Pinciana was built by the architect Flaminio Ponzio (1560 - 1613) at the edge of Rome. The Galleria Borghese art collection now occupies the site. After François-Louis Dejuinne (1786-1844 ).
[Ref: 21656] £160.00 (£192.00 incl.VAT)
Dejuinne 1823.
Lith de Engelmann.
Fine lithograph on india paper, sheet 285 x 210mm. 11¼ x 8¼". Margins trimmed.
A man serenading woman with a guitar in the gardens of the Villa Borghese, Rome; a prospect of the city and St Peter's Basilica, Vatican City, in the distance. The Villa Borghese Pinciana was built by the architect Flaminio Ponzio (1560 - 1613) at the edge of Rome. The Galleria Borghese art collection now occupies the site. After François-Louis Dejuinne (1786-1844 ).
[Ref: 21656] £160.00 (£192.00 incl.VAT)
![[The Ælian Bridge and Castle of St. Angelo, with part of the City of Rome.]](jpegs/58225.jpg)
[The Ælian Bridge and Castle of St. Angelo, with part of the City of Rome.]
[London, Carington Bowles?, c.1760.]
Engraving with very fine hand colour. Sheet 265 x 420mm (10½ x 16½"). Trimmed close to image, losing title, small tears, laid on album paper.
A general view of Rome, looking up the Tiber past the Ponte Sant'Angelo and Castel Sant'Angelo (the Mausoleum of Hadrian) to the dome of St Peter's Basilica in the distance.
[Ref: 58225] £260.00 (£312.00 incl.VAT)
[London, Carington Bowles?, c.1760.]
Engraving with very fine hand colour. Sheet 265 x 420mm (10½ x 16½"). Trimmed close to image, losing title, small tears, laid on album paper.
A general view of Rome, looking up the Tiber past the Ponte Sant'Angelo and Castel Sant'Angelo (the Mausoleum of Hadrian) to the dome of St Peter's Basilica in the distance.
[Ref: 58225] £260.00 (£312.00 incl.VAT)
Rome. Place d'Espagne. Roma. Piazza di Spagna.
Dessiné d'après nature par Ph. Benoist. Imp par Lemercier à Paris. Lith par. Bachelier.
Paris. Bullas éditeur, 18 rue Tiquetonne et (Mon. Aumont) François Delarue, Succ. 10 rue J.J.Rousseau.
Tinted lithograph. Sheet: 460 x 320mm (18 x 12½"), with very large margins.
A view of the Spanish Steps looking towards the church of Trinita dei Monte at the top from the Piazza di Spagna. The Fontana della Barcaccia is depicted in the foreground to the right.
[Ref: 41872] £240.00 (£288.00 incl.VAT)
Dessiné d'après nature par Ph. Benoist. Imp par Lemercier à Paris. Lith par. Bachelier.
Paris. Bullas éditeur, 18 rue Tiquetonne et (Mon. Aumont) François Delarue, Succ. 10 rue J.J.Rousseau.
Tinted lithograph. Sheet: 460 x 320mm (18 x 12½"), with very large margins.
A view of the Spanish Steps looking towards the church of Trinita dei Monte at the top from the Piazza di Spagna. The Fontana della Barcaccia is depicted in the foreground to the right.
[Ref: 41872] £240.00 (£288.00 incl.VAT)
Distant view of Rome from Tivoli. From a picture in the posession of Frederick Perkins Esq. Gems of Art _ Plate 12.
Painted by Gaspar Poussin [Gaspard Dughet]. Engraved in Steel by S.W. Reynolds, Engraver to the King.
[London. Published Dec 1. 1823: by W.B. Cooke, 9 Soho Square.]
Mezzotint on steel. 210 x 275mm (8¼ x 10¾), with very large margins Some spotting.
Engraving after a painting by Gaspar Dughet (1615-75), who often used the name of his brother-in-law and teacher, Nicolas Poussin. Along with Claude Lorrain, Dughet was one of the landscape painters whose works were best-known to British audiences in the 18th century. His landscapes, disseminated through prints such as this, were highly influential on the nascent English landscape school. From 'Gems of Art: Forming a Choice Collection Engraved from Pictures of Acknowledged Excellence, Beauty, & Variety, Painted by Esteemed Masters of All Ages and Countries'.
Whitman 428a, but this state, with different plate number and lacking the publication line, not listed.
[Ref: 46349] £50.00 (£60.00 incl.VAT)
Painted by Gaspar Poussin [Gaspard Dughet]. Engraved in Steel by S.W. Reynolds, Engraver to the King.
[London. Published Dec 1. 1823: by W.B. Cooke, 9 Soho Square.]
Mezzotint on steel. 210 x 275mm (8¼ x 10¾), with very large margins Some spotting.
Engraving after a painting by Gaspar Dughet (1615-75), who often used the name of his brother-in-law and teacher, Nicolas Poussin. Along with Claude Lorrain, Dughet was one of the landscape painters whose works were best-known to British audiences in the 18th century. His landscapes, disseminated through prints such as this, were highly influential on the nascent English landscape school. From 'Gems of Art: Forming a Choice Collection Engraved from Pictures of Acknowledged Excellence, Beauty, & Variety, Painted by Esteemed Masters of All Ages and Countries'.
Whitman 428a, but this state, with different plate number and lacking the publication line, not listed.
[Ref: 46349] £50.00 (£60.00 incl.VAT)
![The Forum Trasni or Trajan's Square. Partly taken from ancient Medals [...]](jpegs/60655.jpg)
The Forum Trasni or Trajan's Square. Partly taken from ancient Medals [...] M.
Parr Sculp.
Printed for John Bowles at the Black Horse in Cornhill 1741.
Engraving. 165 x 245mm (6½ x 9¾"), with large margins.
A reconstruction of the forum, with Trajan's Column. From a series of classical views.
[Ref: 60655] £95.00 (£114.00 incl.VAT)
Parr Sculp.
Printed for John Bowles at the Black Horse in Cornhill 1741.
Engraving. 165 x 245mm (6½ x 9¾"), with large margins.
A reconstruction of the forum, with Trajan's Column. From a series of classical views.
[Ref: 60655] £95.00 (£114.00 incl.VAT)
![[Arcus Argentariorum] Arch of the Goldsmiths.](jpegs/61199.jpg)
[Arcus Argentariorum] Arch of the Goldsmiths.
H. Abbott del.t et sculp.t. Aquatinted by W. Havell & Son's.
Printed for Baldwin, Cradock & Joy, Oct.r 1. 1820.
Fine aquatint, printed in sepia. 345 x 470mm (13½ x 18½"), with large margins, watermarked 'J Whatman 1820'. With a sheet of letterpress description. Uncut. Holes in top margin where previously bound.
The Arcus Argentariorum (Arch of the Money-Changers), probably a monumental gate where the vicus Jugarius entered the Forum Boarium. Published in the Subscription Edition of Henry Abbot's 'Antiquities of Rome; comprising Twenty-Four Select Views of its Principal Ruins... Made in the Year 1818'.
Abbey Travel 179.
[Ref: 61199] £320.00
H. Abbott del.t et sculp.t. Aquatinted by W. Havell & Son's.
Printed for Baldwin, Cradock & Joy, Oct.r 1. 1820.
Fine aquatint, printed in sepia. 345 x 470mm (13½ x 18½"), with large margins, watermarked 'J Whatman 1820'. With a sheet of letterpress description. Uncut. Holes in top margin where previously bound.
The Arcus Argentariorum (Arch of the Money-Changers), probably a monumental gate where the vicus Jugarius entered the Forum Boarium. Published in the Subscription Edition of Henry Abbot's 'Antiquities of Rome; comprising Twenty-Four Select Views of its Principal Ruins... Made in the Year 1818'.
Abbey Travel 179.
[Ref: 61199] £320.00
Chiesa Di Santa Maria In Via Lata Su La Via Del'Corso. Fatta Da N.S. Papa Alesandro VII.
Gio Batta Falda di. et f.
Per Gio. Iacomo Rossi in Roma alla Pace co P. del S.P. [n.d., c.1680.]
Etching, 170 x 285mm. 6¾ x 11¼".
The Santa Maria church and other buildings on the Via del Corso, Rome; figures and a horseman. Key either side of title. Published by Giovanni Giacomo de' Rossi (1627 - 1691), for 'Il Nuovo Teatro di Roma Moderna', a series of views in Rome. The engraver is Giovanni Battista Falda (1643 - 1678).
[Ref: 13434] £120.00 (£144.00 incl.VAT)
Gio Batta Falda di. et f.
Per Gio. Iacomo Rossi in Roma alla Pace co P. del S.P. [n.d., c.1680.]
Etching, 170 x 285mm. 6¾ x 11¼".
The Santa Maria church and other buildings on the Via del Corso, Rome; figures and a horseman. Key either side of title. Published by Giovanni Giacomo de' Rossi (1627 - 1691), for 'Il Nuovo Teatro di Roma Moderna', a series of views in Rome. The engraver is Giovanni Battista Falda (1643 - 1678).
[Ref: 13434] £120.00 (£144.00 incl.VAT)
Rome. Le Capitole. Roma. Il Campidoglio.
Dessiné d'après nature par Ph. Benoist. Imp par Lemercier à Paris. Lith par. Bachelier.
Paris. Bullas éditeur, 18 rue Tiquetonne et (Mon. Aumont) François Delarue, succ. rue J.J.Rousseau 10.
Tinted lithograph. Sheet: 460 x 320mm (18 x 12½"), with very large margins.
A view of the Capitoline Hill as seen from the Via del Teatro di Marcello, in which the church of Santa Maria in Aracoeli, the Palazzo Senatore can be seen, the Piazza del Campidoglio located at the top of the steps was deisgned by Michelangelo between 1536-1546.
[Ref: 41871] £220.00 (£264.00 incl.VAT)
Dessiné d'après nature par Ph. Benoist. Imp par Lemercier à Paris. Lith par. Bachelier.
Paris. Bullas éditeur, 18 rue Tiquetonne et (Mon. Aumont) François Delarue, succ. rue J.J.Rousseau 10.
Tinted lithograph. Sheet: 460 x 320mm (18 x 12½"), with very large margins.
A view of the Capitoline Hill as seen from the Via del Teatro di Marcello, in which the church of Santa Maria in Aracoeli, the Palazzo Senatore can be seen, the Piazza del Campidoglio located at the top of the steps was deisgned by Michelangelo between 1536-1546.
[Ref: 41871] £220.00 (£264.00 incl.VAT)
![Li Moccoletti [in pencil].](jpegs/21084.jpg)
Li Moccoletti [in pencil].
[n.d., c.1830.]
Aquatint with fine hand colour, heightened with gum arabic. 205 x 285mm, 8¼ x 11¼". Margins creased.
'Li Moccolati' (i.e. stumps of candles), in which everyone tried to put out overyone else's candles, marked the end of the Roman carnival and the beginning of Lent. It was held in la Corso and the surrounding streets.
[Ref: 21084] £220.00 (£264.00 incl.VAT)
[n.d., c.1830.]
Aquatint with fine hand colour, heightened with gum arabic. 205 x 285mm, 8¼ x 11¼". Margins creased.
'Li Moccolati' (i.e. stumps of candles), in which everyone tried to put out overyone else's candles, marked the end of the Roman carnival and the beginning of Lent. It was held in la Corso and the surrounding streets.
[Ref: 21084] £220.00 (£264.00 incl.VAT)
The Forum from the Pillar of Phocus.
H. Abbott del.t et sculp.t. Aquatinted by D. Havell.
Printed for Baldwin, Cradock & Joy, June 1. 1820.
Fine aquatint, printed in sepia. 340 x 475mm (13¼ x 18¾"), with large margins, watermarked 'J Whatman 1820'. With a sheet of letterpress description. Uncut. Holes in top margin where previously bound.
A view of the Roman Forum with (left to right) the Pillar of Phocus (an Eastern Roman Emperor), the Temple of Saturn and the Temple of Vespasian and Titus. Behind is the Tabularium, the official records office of ancient Rome. Published in the Subscription Edition of Henry Abbot's 'Antiquities of Rome; comprising Twenty-Four Select Views of its Principal Ruins... Made in the Year 1818'.
Abbey Travel 179.
[Ref: 61215] £280.00 (£336.00 incl.VAT)
H. Abbott del.t et sculp.t. Aquatinted by D. Havell.
Printed for Baldwin, Cradock & Joy, June 1. 1820.
Fine aquatint, printed in sepia. 340 x 475mm (13¼ x 18¾"), with large margins, watermarked 'J Whatman 1820'. With a sheet of letterpress description. Uncut. Holes in top margin where previously bound.
A view of the Roman Forum with (left to right) the Pillar of Phocus (an Eastern Roman Emperor), the Temple of Saturn and the Temple of Vespasian and Titus. Behind is the Tabularium, the official records office of ancient Rome. Published in the Subscription Edition of Henry Abbot's 'Antiquities of Rome; comprising Twenty-Four Select Views of its Principal Ruins... Made in the Year 1818'.
Abbey Travel 179.
[Ref: 61215] £280.00 (£336.00 incl.VAT)
Arch of Janus.
H. Abbott del.t et sculp.t. Aquatinted by J. Gleadah.
Printed for Baldwin, Cradock & Joy, Oct.r 1. 1820.
Fine aquatint, printed in sepia. 345 x 475mm (13½ x 18¾"), with large margins, watermarked 'J Whatman 1820'. With a sheet of letterpress description. Uncut. Holes in top margin where previously bound.
The Arch of Janus, a tetrapylon triumphal arch of the edge of the Forum Boarium. Published in the Subscription Edition of Henry Abbot's 'Antiquities of Rome; comprising Twenty-Four Select Views of its Principal Ruins... Made in the Year 1818'.
Abbey Travel 179.
[Ref: 61200] £320.00
H. Abbott del.t et sculp.t. Aquatinted by J. Gleadah.
Printed for Baldwin, Cradock & Joy, Oct.r 1. 1820.
Fine aquatint, printed in sepia. 345 x 475mm (13½ x 18¾"), with large margins, watermarked 'J Whatman 1820'. With a sheet of letterpress description. Uncut. Holes in top margin where previously bound.
The Arch of Janus, a tetrapylon triumphal arch of the edge of the Forum Boarium. Published in the Subscription Edition of Henry Abbot's 'Antiquities of Rome; comprising Twenty-Four Select Views of its Principal Ruins... Made in the Year 1818'.
Abbey Travel 179.
[Ref: 61200] £320.00
The Pyramid of Caius Cestius.
H. Abbott del.t et sculp.t. Aquatinted by R. Reeve.
Printed for Baldwin, Cradock & Joy, Nov.r 1. 1820.
Fine aquatint, printed in sepia. 470 x 345mm (18½ x 13½), with large margins, watermarked 'J Whatman 1820'. With a sheet of letterpress description. Small smudges in unprinted area of plate on left. Uncut. Holes in right margin where previously bound.
The tomb of magistrate Gaius Cestius Epulo, built c. 15BC and incorporated into the Aurelian Walls between 271 and 275. Published in the Subscription Edition of Henry Abbot's 'Antiquities of Rome; comprising Twenty-Four Select Views of its Principal Ruins... Made in the Year 1818'.
Abbey Travel 179.
[Ref: 61201] £360.00
H. Abbott del.t et sculp.t. Aquatinted by R. Reeve.
Printed for Baldwin, Cradock & Joy, Nov.r 1. 1820.
Fine aquatint, printed in sepia. 470 x 345mm (18½ x 13½), with large margins, watermarked 'J Whatman 1820'. With a sheet of letterpress description. Small smudges in unprinted area of plate on left. Uncut. Holes in right margin where previously bound.
The tomb of magistrate Gaius Cestius Epulo, built c. 15BC and incorporated into the Aurelian Walls between 271 and 275. Published in the Subscription Edition of Henry Abbot's 'Antiquities of Rome; comprising Twenty-Four Select Views of its Principal Ruins... Made in the Year 1818'.
Abbey Travel 179.
[Ref: 61201] £360.00
Chiesa Di Santa Anastasia Alle Radici Del' Palatino Verso Il Velabro. Architettura del' Cau. Gio. Lorenzo Bernini.
Gio Batta Falda dis. et fece.
Per Gio. Iacomo Rossi in Roma alla Pace co priv' del S.Pont. [n.d., c.1680.]
Etching, 170 x 290mm. 6¾ x 11½". Creasing through the image.
The church of Santa Anastasia, Piazza di Santa Anastasia, Rome; figures and horses outside. Key below title. Published by Giovanni Giacomo de' Rossi (1627 - 1691), for 'Il Nuovo Teatro di Roma Moderna', a series of views in Rome. The engraver is Giovanni Battista Falda (1643 - 1678).
[Ref: 13435] £120.00 (£144.00 incl.VAT)
Gio Batta Falda dis. et fece.
Per Gio. Iacomo Rossi in Roma alla Pace co priv' del S.Pont. [n.d., c.1680.]
Etching, 170 x 290mm. 6¾ x 11½". Creasing through the image.
The church of Santa Anastasia, Piazza di Santa Anastasia, Rome; figures and horses outside. Key below title. Published by Giovanni Giacomo de' Rossi (1627 - 1691), for 'Il Nuovo Teatro di Roma Moderna', a series of views in Rome. The engraver is Giovanni Battista Falda (1643 - 1678).
[Ref: 13435] £120.00 (£144.00 incl.VAT)
Chiesa Di Santa Bibiana Sul' Monte Esquilino. Architettura del' Caure. Gio. Lorenzo Bernino.
Gio Batta Falda dis. et fece.
Per Gio. Iacomo Rossi in Roma alla Pace co Priv' del S.Pont. [n.d., c.1680.]
Etching, 170 x 290mm. 6¾ x 11½".
The church of Santa Bibiana in the Esquilino district of Rome; figures outside. Santa Bibiana, Viviana, or also called Vibiana (b. 347, Rome) was a virgin and martyr. Published by Giovanni Giacomo de' Rossi (1627 - 1691), for 'Il Nuovo Teatro di Roma Moderna', a series of views in Rome. The engraver is Giovanni Battista Falda (1643 - 1678).
[Ref: 13437] £120.00 (£144.00 incl.VAT)
Gio Batta Falda dis. et fece.
Per Gio. Iacomo Rossi in Roma alla Pace co Priv' del S.Pont. [n.d., c.1680.]
Etching, 170 x 290mm. 6¾ x 11½".
The church of Santa Bibiana in the Esquilino district of Rome; figures outside. Santa Bibiana, Viviana, or also called Vibiana (b. 347, Rome) was a virgin and martyr. Published by Giovanni Giacomo de' Rossi (1627 - 1691), for 'Il Nuovo Teatro di Roma Moderna', a series of views in Rome. The engraver is Giovanni Battista Falda (1643 - 1678).
[Ref: 13437] £120.00 (£144.00 incl.VAT)
Ruins of Ancient Rome. Ruines de l'Ancienne Rome.
G.P. Pannini Pinxt. Austin Sculp.
Printed for Carington Bowles No.69 in St. Pauls Church Yard. __Robt. Sayer opposite Fetter Lane, Fleetstreet, & ___Robert Wilkinson __ in Cornhill [n.d., c.1780].
Coloured etching. 280 x 385mm (11 x 15¼").
The principal monuments in this scene are captioned below the image, including Trajan's Pillar, Arch of Constantine, and the Basilica of Antoninus. After Italian painter Giovanni Paolo Pannini (1691 - 1765). Inscribed '3.' upper right.
[Ref: 7967] £190.00 (£228.00 incl.VAT)
G.P. Pannini Pinxt. Austin Sculp.
Printed for Carington Bowles No.69 in St. Pauls Church Yard. __Robt. Sayer opposite Fetter Lane, Fleetstreet, & ___Robert Wilkinson __ in Cornhill [n.d., c.1780].
Coloured etching. 280 x 385mm (11 x 15¼").
The principal monuments in this scene are captioned below the image, including Trajan's Pillar, Arch of Constantine, and the Basilica of Antoninus. After Italian painter Giovanni Paolo Pannini (1691 - 1765). Inscribed '3.' upper right.
[Ref: 7967] £190.00 (£228.00 incl.VAT)
Vestigie delle Terme Diocletiane.
Piranesi F.
[n.d. c.1745.]
Etching. 131 x 185mm (5¼ x 11¼"). Trimmed.
The Baths of Diocletian were the largest and most sumptuous of imperial and ancient Rome.
[Ref: 20390] £160.00 (£192.00 incl.VAT)
Piranesi F.
[n.d. c.1745.]
Etching. 131 x 185mm (5¼ x 11¼"). Trimmed.
The Baths of Diocletian were the largest and most sumptuous of imperial and ancient Rome.
[Ref: 20390] £160.00 (£192.00 incl.VAT)
Prospetto dell' Arco Trionfale fatto inalzare dalla Nobilta Romana su la Piazza del Popolo in occasione dell' ingresso in Roma li 3 Luglio 1800 Di N. Sig. PP. Pio VII.
Benedetto Piernicoli Capitno. Ingegnere inv. et dis. Pietro Ruga e Midi Pietro inc.
[Italy, c.1810.]
Engraving, image 210 x 440mm.
The reception in Rome of Pope Pius VII (1742 - 1823), born Count Barnaba Niccolò Maria Luigi Chiaramonti, Pope from March 14, 1800 to August 20, 1823.
[Ref: 12609] £320.00
Benedetto Piernicoli Capitno. Ingegnere inv. et dis. Pietro Ruga e Midi Pietro inc.
[Italy, c.1810.]
Engraving, image 210 x 440mm.
The reception in Rome of Pope Pius VII (1742 - 1823), born Count Barnaba Niccolò Maria Luigi Chiaramonti, Pope from March 14, 1800 to August 20, 1823.
[Ref: 12609] £320.00
![[Temple of Venus & Roma] Temple of the Sun & Moon.](jpegs/61202.jpg)
[Temple of Venus & Roma] Temple of the Sun & Moon.
H. Abbott del.t et sculp.t. Aquatinted by J. Gleadah.
Printed for the Author, March 1. 1820.
Fine aquatint, printed in sepia. 335 x 455mm (13¼ x 18"), with large margins, watermarked 'J Whatman 1820'. With a sheet of letterpress description. Uncut. Holes in top margin where previously bound.
The ruins of the Temple of Venus & Roma, showing its coffered vaulted ceiling. Behind is the church of St Maria Nuova. Published in the Subscription Edition of Henry Abbot's 'Antiquities of Rome; comprising Twenty-Four Select Views of its Principal Ruins... Made in the Year 1818'.
Abbey Travel 179.
[Ref: 61202] £320.00
H. Abbott del.t et sculp.t. Aquatinted by J. Gleadah.
Printed for the Author, March 1. 1820.
Fine aquatint, printed in sepia. 335 x 455mm (13¼ x 18"), with large margins, watermarked 'J Whatman 1820'. With a sheet of letterpress description. Uncut. Holes in top margin where previously bound.
The ruins of the Temple of Venus & Roma, showing its coffered vaulted ceiling. Behind is the church of St Maria Nuova. Published in the Subscription Edition of Henry Abbot's 'Antiquities of Rome; comprising Twenty-Four Select Views of its Principal Ruins... Made in the Year 1818'.
Abbey Travel 179.
[Ref: 61202] £320.00
Frontespizio della Istoria Romana incisa all'acqua Forte, da Bartolomeo Pinelli Romano 1818. In mezzo alle rovine del Foro, Roma mi apparve nella sua maestrosa dignità, e grandezza.
Pinelli inv. e inc.
[Rome, 1819.]
Etching. 315 x 425mm (12½ x 16¾"), with large margins.
The artist, Bartolomeo Pinelli (1781-1835), stands in the Roman Forum, with a figure of Rome holding a shield decorated with Romulus and Remus sucking the she-wolf. This was the frontispiece to Pinelli's series of 100 plates illustrating the the history of Republican Rome, as told in Charles Rollin's 'Istoria Romana'.
[Ref: 62145] £180.00 (£216.00 incl.VAT)
Pinelli inv. e inc.
[Rome, 1819.]
Etching. 315 x 425mm (12½ x 16¾"), with large margins.
The artist, Bartolomeo Pinelli (1781-1835), stands in the Roman Forum, with a figure of Rome holding a shield decorated with Romulus and Remus sucking the she-wolf. This was the frontispiece to Pinelli's series of 100 plates illustrating the the history of Republican Rome, as told in Charles Rollin's 'Istoria Romana'.
[Ref: 62145] £180.00 (£216.00 incl.VAT)
The Quirinal, or Palace of the Pope on Mount cavallo at Rome. / Le Quirinal, ou Palais du Pape sur le Montagne Cavallo a Rome.
G. Falda Delin. Parr Sculp.
Printed for Robert Wilkinson in Cornhil & Bowles & Carver, 69 St. Paul's Church Yard, London [n.d. c. 1821 Whatman Watermark,]
Engraving with fine hand colouring, 280 x 430mm Trimmed to platemark
This palace was built by Gregory XIII in 1574 as a summer residence, which serves today as the residence of Italy's president.
[Ref: 2390] £260.00 (£312.00 incl.VAT)
G. Falda Delin. Parr Sculp.
Printed for Robert Wilkinson in Cornhil & Bowles & Carver, 69 St. Paul's Church Yard, London [n.d. c. 1821 Whatman Watermark,]
Engraving with fine hand colouring, 280 x 430mm Trimmed to platemark
This palace was built by Gregory XIII in 1574 as a summer residence, which serves today as the residence of Italy's president.
[Ref: 2390] £260.00 (£312.00 incl.VAT)
![[The Colonnace of the Forum of Nerva] The Temple of Pallas.](jpegs/61208.jpg)
[The Colonnace of the Forum of Nerva] The Temple of Pallas.
H. Abbott del.t et sculp.t. Aquatinted by J. Gleadah.
Printed for Baldwin, Cradock & Joy, August 1. 1820.
Fine aquatint, printed in sepia. 345 x 470mm (13½ x 18½"), with large margins. With a sheet of letterpress description, stained. Uncut. Holes in top margin where previously bound.
The remaining part of the Colonnace, an arcade that ran around the Forum of Nerva. Published in the Subscription Edition of Henry Abbot's 'Antiquities of Rome; comprising Twenty-Four Select Views of its Principal Ruins... Made in the Year 1818'.
Abbey Travel 179.
[Ref: 61208] £280.00 (£336.00 incl.VAT)
H. Abbott del.t et sculp.t. Aquatinted by J. Gleadah.
Printed for Baldwin, Cradock & Joy, August 1. 1820.
Fine aquatint, printed in sepia. 345 x 470mm (13½ x 18½"), with large margins. With a sheet of letterpress description, stained. Uncut. Holes in top margin where previously bound.
The remaining part of the Colonnace, an arcade that ran around the Forum of Nerva. Published in the Subscription Edition of Henry Abbot's 'Antiquities of Rome; comprising Twenty-Four Select Views of its Principal Ruins... Made in the Year 1818'.
Abbey Travel 179.
[Ref: 61208] £280.00 (£336.00 incl.VAT)