A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
Orphan Working School. The New Building about to be erected at Haverstock Hill.
Alfred Aingler. Architect. Day & Haghe Lith.rs to the Queen
[n.d., c.1841]
Coloured lithograph, printed area 183 x 247mm. 7¼ x 9¾".
The Orphan Working School, which moved to Haverstock Hill shortly after land was purchased there in 1841. Prior to that it had been based in a purpose-built building on City Road.
For a similar print of the building see ref. 19689.
[Ref: 25878] £90.00 (£108.00 incl.VAT)
Alfred Aingler. Architect. Day & Haghe Lith.rs to the Queen
[n.d., c.1841]
Coloured lithograph, printed area 183 x 247mm. 7¼ x 9¾".
The Orphan Working School, which moved to Haverstock Hill shortly after land was purchased there in 1841. Prior to that it had been based in a purpose-built building on City Road.
For a similar print of the building see ref. 19689.
[Ref: 25878] £90.00 (£108.00 incl.VAT)
Behold two RoseBuds, look on these pure Gems,...And Orphans' Tongues are lisping of her Praise.
By W. Sanford. 12, Gloucester Place, Gloucester Crescent, Regents Park. F. Noyce [in plate lower right.]
Stannard & Dixon, 7, Poland St [n.d., c.1850].
Lithograph, sheet 360 x 260mm. 14¼ x 10½". Repaired tear into inscription.
Two young orphaned children, the older holding a card inscribed 'to the Orphan's Friend'. The younger child holds a hoop and stick. The verse below in two columns seems to be in praise of Queen Victoria and her encouragement of philanthropic schemes to help orphans during the early years of her reign.
[Ref: 10262] £160.00 (£192.00 incl.VAT)
By W. Sanford. 12, Gloucester Place, Gloucester Crescent, Regents Park. F. Noyce [in plate lower right.]
Stannard & Dixon, 7, Poland St [n.d., c.1850].
Lithograph, sheet 360 x 260mm. 14¼ x 10½". Repaired tear into inscription.
Two young orphaned children, the older holding a card inscribed 'to the Orphan's Friend'. The younger child holds a hoop and stick. The verse below in two columns seems to be in praise of Queen Victoria and her encouragement of philanthropic schemes to help orphans during the early years of her reign.
[Ref: 10262] £160.00 (£192.00 incl.VAT)
Orphée.
Ch. Eisen. inv. et f... De Longueil, Sc. 1762.
[n.d., c.1762.]
Engraving. 130 x 85mm (5 x 3¼").
Orpheus, a legendary figure in Greek mythology, chief among poets and musician, standing with his right arm raised, surrounded by prostrated figures.
[Ref: 63226] £70.00 (£84.00 incl.VAT)
Ch. Eisen. inv. et f... De Longueil, Sc. 1762.
[n.d., c.1762.]
Engraving. 130 x 85mm (5 x 3¼").
Orpheus, a legendary figure in Greek mythology, chief among poets and musician, standing with his right arm raised, surrounded by prostrated figures.
[Ref: 63226] £70.00 (£84.00 incl.VAT)
Orphée.
Hondius pinxit. Le Bas direxit.
à Paris chéz Le Bas P.r Graveur du Cabinet du Roi, rue de la Harpe. [n.d., c.1800.]
Engraving. 470 x 310mm (17½ x 12¼"), on wove paper, large margins. Smattering of tiny worm holes.
Orpheus playing a lyre surrounded by animals and birds including camels, horses, elephants, swans and parrots. Originally published c.1760.
[Ref: 45382] £280.00 (£336.00 incl.VAT)
Hondius pinxit. Le Bas direxit.
à Paris chéz Le Bas P.r Graveur du Cabinet du Roi, rue de la Harpe. [n.d., c.1800.]
Engraving. 470 x 310mm (17½ x 12¼"), on wove paper, large margins. Smattering of tiny worm holes.
Orpheus playing a lyre surrounded by animals and birds including camels, horses, elephants, swans and parrots. Originally published c.1760.
[Ref: 45382] £280.00 (£336.00 incl.VAT)
![[Cardinal Scipione Borghese as Orpheus Taming the Beasts.]](jpegs/41495.jpg)
[Cardinal Scipione Borghese as Orpheus Taming the Beasts.] Si'l canto d'Orfeo...
[Gio. Battista Pasqalini.]
In Roma a 4. di Febraio 1622 [but later].
Engraving. Sheet: 530 x 370mm (21 x 14½"), mid-18th century watermark. Damaged and trimmed within plate.
A portrait of the mythological figure Orpheus who was said to be able to tame the animals with his music. The engraving is taken from a 1618 mosiac in the Villa Borghese by the artist Marcello Provenzale (1595-1631) and might have been a portrait of Cardinal Scipione Borghese (1577-1633) himself. Whilst Orpheus is traditionally plays a lyre Borghese is depicted playing the popular violin which had been developed in Italy during the 16th century. Borghese is surrounded by domestic and exotic animals, including a dragon, and birds which he has bewitched with his music.
[Ref: 41495] £480.00
[Gio. Battista Pasqalini.]
In Roma a 4. di Febraio 1622 [but later].
Engraving. Sheet: 530 x 370mm (21 x 14½"), mid-18th century watermark. Damaged and trimmed within plate.
A portrait of the mythological figure Orpheus who was said to be able to tame the animals with his music. The engraving is taken from a 1618 mosiac in the Villa Borghese by the artist Marcello Provenzale (1595-1631) and might have been a portrait of Cardinal Scipione Borghese (1577-1633) himself. Whilst Orpheus is traditionally plays a lyre Borghese is depicted playing the popular violin which had been developed in Italy during the 16th century. Borghese is surrounded by domestic and exotic animals, including a dragon, and birds which he has bewitched with his music.
[Ref: 41495] £480.00
Orpheus. In the Gallery at Houghton.
Castiglione Pinxit. Rich.d Earlom Sculspit.
Published Sep.r 1st 1791 by John Boydell Engraverin Cheapside London.
Fine mezzotint. 285 x 370mm (11¼ x 14½"), with large margins. Slight stain near rabbit.
Various animals, birds and fauns drawn to the sound of Orpheus' playing his pipe in the background.
[Ref: 52209] £280.00 (£336.00 incl.VAT)
Castiglione Pinxit. Rich.d Earlom Sculspit.
Published Sep.r 1st 1791 by John Boydell Engraverin Cheapside London.
Fine mezzotint. 285 x 370mm (11¼ x 14½"), with large margins. Slight stain near rabbit.
Various animals, birds and fauns drawn to the sound of Orpheus' playing his pipe in the background.
[Ref: 52209] £280.00 (£336.00 incl.VAT)
Orpheus And Eurydice.
Pub.d as the Act directs Jany 16 1784 by H Humphrey N° 51 New Bond Street.
Fine coloured etching. 250 x 305mm ( 9¾ x 12"). With small margins.
Orpheus, an elderly fiddler with a wooden leg, is being pushed out of Hades by a demon, while another clutches Eurydice, a shrewish-looking woman, round the waist, dragging her in the opposite direction. In the background are Pluto and Proserpine laughing at the separation and figures undergoing classical torments: Ixion on the wheel; Sisyphus rolling his stone up a mountain; Tantalus standing in a stream; and Prometheus on a mountain attacked by the eagle.
BM Satires 6731.
[Ref: 54336] £360.00
Pub.d as the Act directs Jany 16 1784 by H Humphrey N° 51 New Bond Street.
Fine coloured etching. 250 x 305mm ( 9¾ x 12"). With small margins.
Orpheus, an elderly fiddler with a wooden leg, is being pushed out of Hades by a demon, while another clutches Eurydice, a shrewish-looking woman, round the waist, dragging her in the opposite direction. In the background are Pluto and Proserpine laughing at the separation and figures undergoing classical torments: Ixion on the wheel; Sisyphus rolling his stone up a mountain; Tantalus standing in a stream; and Prometheus on a mountain attacked by the eagle.
BM Satires 6731.
[Ref: 54336] £360.00
Eurydice Hurried Back to the Infernal Regions.
Painted by H Thomson Esq.r R.A. Engraved by W. Ward A.R.A. Engraver to their R.H. the Prince Regent & the Duke of York
[Published June 16, 1815, by the Engraver, 24 Buckingham Place Fitzroy Square.]
Mezzotint. Sheet 555 x 620mm (21¾ x 24½"). Trimmed within plate, laid on card, mark top right. Repaired tear top centre.
Three spirits of the Underworld carry Eurydice away from Orpheus, who watches in horror, hands clasped, his lyre by his side. Below left is Virgil's verse; on the right is Dryden's translation.
Frankau 108. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 67817] £850.00
Painted by H Thomson Esq.r R.A. Engraved by W. Ward A.R.A. Engraver to their R.H. the Prince Regent & the Duke of York
[Published June 16, 1815, by the Engraver, 24 Buckingham Place Fitzroy Square.]
Mezzotint. Sheet 555 x 620mm (21¾ x 24½"). Trimmed within plate, laid on card, mark top right. Repaired tear top centre.
Three spirits of the Underworld carry Eurydice away from Orpheus, who watches in horror, hands clasped, his lyre by his side. Below left is Virgil's verse; on the right is Dryden's translation.
Frankau 108. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 67817] £850.00
The Orrery, made by James Ferguson.
J. Ferguson inv. et deline. G. Child Sculp.t.
[n.d., 1756].
Engraving, sheet Trimmed and glued to backing sheet. Creases where previously folded. Publication line faded.
Frontispiece from 'Astronomy explained upon Sir Isaac Newton’s Principles' 1756. Diagram of James Ferguson's Orrery with key. James Ferguson (1710 – 1776) was a Scottish astronomer, author and itinerant lecturer. He is known as the inventor and improver of astronomical and other scientific apparatus and as a striking instance of self-education.
[Ref: 56983] £65.00 (£78.00 incl.VAT)
J. Ferguson inv. et deline. G. Child Sculp.t.
[n.d., 1756].
Engraving, sheet Trimmed and glued to backing sheet. Creases where previously folded. Publication line faded.
Frontispiece from 'Astronomy explained upon Sir Isaac Newton’s Principles' 1756. Diagram of James Ferguson's Orrery with key. James Ferguson (1710 – 1776) was a Scottish astronomer, author and itinerant lecturer. He is known as the inventor and improver of astronomical and other scientific apparatus and as a striking instance of self-education.
[Ref: 56983] £65.00 (£78.00 incl.VAT)
![[An orrery clock] Sphere Mouvant, Suivant le vèritable Sistême du Monde,](jpegs/68318.jpg)
[An orrery clock] Sphere Mouvant, Suivant le vèritable Sistême du Monde, Exécutée sur les Dessins et Calculs de M.r Castel, Secretaire du Roy, et approuvée de M.rs de l'Académie Royale des Sciences de Paris, Suivant leur Certificat, du 5 Aoust 1766. La hauteur de toute cette Sphère est de 7 pieds et demi.
Salernier Sculp.
[n.d., 1767.]
Scarce engraving. 530 x 300mm (20½ x 11¾"). Repaired tear in inscription area.
An illustration of an orrery clock made in 1763, published in a pamphlet 'Description de la Nouvelle Sphere Mouvant de M.r Castel'. After the clock was sold by Castel's widow in 1773, it passed through the hands of several owners including Baron Mayer Amschel de Rothschild (1818-1874). In 2021 it was sold at Christies, much altered, for £475,000.
[Ref: 68318] £580.00
Salernier Sculp.
[n.d., 1767.]
Scarce engraving. 530 x 300mm (20½ x 11¾"). Repaired tear in inscription area.
An illustration of an orrery clock made in 1763, published in a pamphlet 'Description de la Nouvelle Sphere Mouvant de M.r Castel'. After the clock was sold by Castel's widow in 1773, it passed through the hands of several owners including Baron Mayer Amschel de Rothschild (1818-1874). In 2021 it was sold at Christies, much altered, for £475,000.
[Ref: 68318] £580.00
Orson.
J.Erxleben del.
[n.d. c.1850]
Lithograph. 261 x 219mm.
[Ref: 2346] £60.00 (£72.00 incl.VAT)
J.Erxleben del.
[n.d. c.1850]
Lithograph. 261 x 219mm.
[Ref: 2346] £60.00 (£72.00 incl.VAT)
Orsova_on the Borders of Turkey.
G.Hering del_ J.B.Pyne Lith.
[Published by Thomas McLean, c.1838.]
Lithograph. 480 x 280mm (19 x 11"), with large margins. Edges chipped.
View of the Dunabe River in the city of Orsova in Romania. Or?ova is a port city on the Danube river in southwestern Romania's Mehedin?i County. It is one of four localities in the Banat historical region situated just above the Iron Gates where the Cerna River meets the Danube. Plate 22 from a series of 26 lithographs, titled 'Sketches on the Danube, Hungary and Transylvania' by George Hering. The views illustrate Hering's tour to Hungary and Transylvania in 1835, countries then little known to the English. It is dedicated to Count Szenchenyi, the leading Hungarian light of his day.
Abbey 79.
[Ref: 65295] £120.00 (£144.00 incl.VAT)
G.Hering del_ J.B.Pyne Lith.
[Published by Thomas McLean, c.1838.]
Lithograph. 480 x 280mm (19 x 11"), with large margins. Edges chipped.
View of the Dunabe River in the city of Orsova in Romania. Or?ova is a port city on the Danube river in southwestern Romania's Mehedin?i County. It is one of four localities in the Banat historical region situated just above the Iron Gates where the Cerna River meets the Danube. Plate 22 from a series of 26 lithographs, titled 'Sketches on the Danube, Hungary and Transylvania' by George Hering. The views illustrate Hering's tour to Hungary and Transylvania in 1835, countries then little known to the English. It is dedicated to Count Szenchenyi, the leading Hungarian light of his day.
Abbey 79.
[Ref: 65295] £120.00 (£144.00 incl.VAT)
Abrahamus Ortelius Antuerpianus Cosmographus Natus Ao. MDXXVII
[Engraved by Crispijn de Passe after Adriaen Thomasz Key.]
[Cologne, c.1595.]
Engraving with very large margins. 140 x 100mm (5½ x 4½").
Portrait of Abraham Ortelius (1527-98), the Flemish cartographer and geographer whose 'Theatrum Orbis Terrarum' is regarded as the first modern atlas.
[Ref: 29720] £220.00 (£264.00 incl.VAT)
[Engraved by Crispijn de Passe after Adriaen Thomasz Key.]
[Cologne, c.1595.]
Engraving with very large margins. 140 x 100mm (5½ x 4½").
Portrait of Abraham Ortelius (1527-98), the Flemish cartographer and geographer whose 'Theatrum Orbis Terrarum' is regarded as the first modern atlas.
[Ref: 29720] £220.00 (£264.00 incl.VAT)
Abrahamus Ortelius Cosmographus Regius. Abraham Ortelius.
Esme de Boulonois fecit.
[n.d., c.1695.]
Copper engraving. Platemark: 190 x 135mm. 7½ x 5¼".
Abraham Ortelius (1527-98), Flemish cartographer and geographer. In 1575 he was appointed as geographer to Philip II, King of Spain. An illustration to 'Academia des sciences et des arts', Isaac Bullart, 1695. Text in French below and on reverse, with additonal page of text.
Wellcome: 2188 - not in.
[Ref: 39012] £240.00 (£288.00 incl.VAT)
Esme de Boulonois fecit.
[n.d., c.1695.]
Copper engraving. Platemark: 190 x 135mm. 7½ x 5¼".
Abraham Ortelius (1527-98), Flemish cartographer and geographer. In 1575 he was appointed as geographer to Philip II, King of Spain. An illustration to 'Academia des sciences et des arts', Isaac Bullart, 1695. Text in French below and on reverse, with additonal page of text.
Wellcome: 2188 - not in.
[Ref: 39012] £240.00 (£288.00 incl.VAT)
![[Portrait of Ortelius.]](jpegs/40776.jpg)
[Portrait of Ortelius.]
[Drawn & engraved by Philip Galle.]
[Antwerp, n.d., c.1590.]
Engraving. Plate: 210 x 320mm, (8½ x 12½"); large margins.
Portrait of the famous Dutch cartographer, an oval within a fine strapwork cartouche, published in his own atlas, the 'Theatrum Orbis Terrarum'. The text below reads: 'By looking, Ortelius gave mortal beings the world; by looking at his face, Galleus gave them Ortelius'. Galle engraved many of the maps in the Theatrum.
[Ref: 40776] £330.00
[Drawn & engraved by Philip Galle.]
[Antwerp, n.d., c.1590.]
Engraving. Plate: 210 x 320mm, (8½ x 12½"); large margins.
Portrait of the famous Dutch cartographer, an oval within a fine strapwork cartouche, published in his own atlas, the 'Theatrum Orbis Terrarum'. The text below reads: 'By looking, Ortelius gave mortal beings the world; by looking at his face, Galleus gave them Ortelius'. Galle engraved many of the maps in the Theatrum.
[Ref: 40776] £330.00
Spectandum dedit Ortelius mortalib. Orbem, Orbi spectandum Galleus Ortelium. Papius.
[n.d. c.1600].
Etching. Sheet 330 x 220mm. Damage to corners. Some foxing/staining.
Abraham Ortelius [1527 - 1598] was a cartographer and geographer, generally recognised as the creator of the first modern atlas, the 'Theatrum Orbis Terrarum'. This etching served as a kind of frontispiece to the volume, first issued in 1570, with three Latin editions (besides a Flemish, a French and a German edition) appearing by 1572. Several others were published subsequently, for the atlas continued to be in demand till about 1612.
[Ref: 305] £260.00 (£312.00 incl.VAT)
[n.d. c.1600].
Etching. Sheet 330 x 220mm. Damage to corners. Some foxing/staining.
Abraham Ortelius [1527 - 1598] was a cartographer and geographer, generally recognised as the creator of the first modern atlas, the 'Theatrum Orbis Terrarum'. This etching served as a kind of frontispiece to the volume, first issued in 1570, with three Latin editions (besides a Flemish, a French and a German edition) appearing by 1572. Several others were published subsequently, for the atlas continued to be in demand till about 1612.
[Ref: 305] £260.00 (£312.00 incl.VAT)
Abrahamus Ortelius Cosmographus Regius.
Esme de Boulonois ft.
[n.d., c.1700.]
Copper engraving, 190 x 135mm. 7½ x 5¼".
Abraham Ortelius (1527-98), Flemish cartographer and geographer. In 1575 he was appointed as geographer to Philip II, King of Spain.
[Ref: 11138] £160.00 (£192.00 incl.VAT)
Esme de Boulonois ft.
[n.d., c.1700.]
Copper engraving, 190 x 135mm. 7½ x 5¼".
Abraham Ortelius (1527-98), Flemish cartographer and geographer. In 1575 he was appointed as geographer to Philip II, King of Spain.
[Ref: 11138] £160.00 (£192.00 incl.VAT)
![[Portrait of Ortelius.]](jpegs/61517.jpg)
[Portrait of Ortelius.]
[Drawn & engraved by Philips Galle.]
[Antwerp, n.d., c.1590.]
Engraving with hand colour. 320 x 215mm. (12½ x 8½"), with large margins. Shallow tears in top left hand corner and some creasing confined to margins.
Portrait of the famous Dutch cartographer, an oval within a fine strapwork cartouche, published in posthumous editions of his atlas, the 'Theatrum Orbis Terrarum'. The motto reads: 'By looking, Ortelius gave mortal beings the world; by looking at his face, Galleus gave them Ortelius'. Galle engraved many of the maps in the Theatrum.
[Ref: 61517] £380.00
[Drawn & engraved by Philips Galle.]
[Antwerp, n.d., c.1590.]
Engraving with hand colour. 320 x 215mm. (12½ x 8½"), with large margins. Shallow tears in top left hand corner and some creasing confined to margins.
Portrait of the famous Dutch cartographer, an oval within a fine strapwork cartouche, published in posthumous editions of his atlas, the 'Theatrum Orbis Terrarum'. The motto reads: 'By looking, Ortelius gave mortal beings the world; by looking at his face, Galleus gave them Ortelius'. Galle engraved many of the maps in the Theatrum.
[Ref: 61517] £380.00
Abrahamvs Ortelivs Antverpianvs. Orteli dum proponis Spectantibus Orbem, Quam tua delectant structa theatra bomines! Pulchrum opus est, plaudunt omnes; fed queis tua virtus Nota patet, plaudunt laetis artifici. Ar. Montannus.
[n.d., c. 1572]
Engraving, sheet 220 x 130mm (8¾ x 5¼"). Trimmed and glued to backing sheet.
Portrait of Abraham Ortelius, bust in profile to the left, wearing a ruff and a fur-trimmed coat. With latin text by Benito Arias Montano. From the series irorum Doctorum de Disciplinis benemerentium Effigies XLIIII. Abraham Ortelius (also Ortels, Orthellius, Wortels; 1527 – 1598) was a Brabantian cartographer, geographer, and cosmographer, conventionally recognized as the creator of the first modern atlas, the Theatrum Orbis Terrarum (Theatre of the World). Ortelius is often considered one of the founders of the Netherlandish school of cartography and one of the most notable figures of the school in its golden age
Not in Wellcome: 2188
[Ref: 57152] £160.00 (£192.00 incl.VAT)
[n.d., c. 1572]
Engraving, sheet 220 x 130mm (8¾ x 5¼"). Trimmed and glued to backing sheet.
Portrait of Abraham Ortelius, bust in profile to the left, wearing a ruff and a fur-trimmed coat. With latin text by Benito Arias Montano. From the series irorum Doctorum de Disciplinis benemerentium Effigies XLIIII. Abraham Ortelius (also Ortels, Orthellius, Wortels; 1527 – 1598) was a Brabantian cartographer, geographer, and cosmographer, conventionally recognized as the creator of the first modern atlas, the Theatrum Orbis Terrarum (Theatre of the World). Ortelius is often considered one of the founders of the Netherlandish school of cartography and one of the most notable figures of the school in its golden age
Not in Wellcome: 2188
[Ref: 57152] £160.00 (£192.00 incl.VAT)
Les Malades et Les Médecins.9. L'Orthopédiste. Monsieur ….voici votre fils que grace à mes soins est radicalement gueri de sa déplorable gibbosité …du reste il est dans un état de santé parfaite….trop parfaite même, car au premier abord on pourrait croire qu’il est encore un peu bossu,….mais cela tient uniquement à ce qu’il est trop gras du dos!
Ch. Jacques [facsimile within image.] Imp. d'Aubert & Cie.
Chez Pannier & Cie. Edrs. R. du Croissant, 16. Chez Aubert & Cie. Pl de la Bourse, 23. [n.d. c.1840.]
Lithograph. 359 x 274mm. 14 x 10¾". Small tears. Crease to the left-hand side.
Medical satire. The Dr is claiming that the boy being of perfect health, too perfect even, has the deformation of being hunchback, but not quite: he claims that it is just a bit too much fat on the back!
[Ref: 12927] £120.00 (£144.00 incl.VAT)
Ch. Jacques [facsimile within image.] Imp. d'Aubert & Cie.
Chez Pannier & Cie. Edrs. R. du Croissant, 16. Chez Aubert & Cie. Pl de la Bourse, 23. [n.d. c.1840.]
Lithograph. 359 x 274mm. 14 x 10¾". Small tears. Crease to the left-hand side.
Medical satire. The Dr is claiming that the boy being of perfect health, too perfect even, has the deformation of being hunchback, but not quite: he claims that it is just a bit too much fat on the back!
[Ref: 12927] £120.00 (£144.00 incl.VAT)
The Right Reverend D.r Rich.d Osbaldeston Lord Bishop of Carlisle.
T. Hudson Pinx.t. J.s M.cArdell fec.t.
[n.d., c.1764.]
Mezzotint, 350 x 250mm (13¾ x 9¾"). On 18th century watermarked paper. Small margins.
A three-quarter seated portrait of Richard Osbaldeston (1691-1764), Bishop of Carlisle from 1747 to 1762 and Bishop of London from 1762 to 1764. Thomas Hudson's painting, now in the Royal Albert Memorial Museum & Art Gallery (46/1925/25), is dated 1764.
CS 141, ii of ii; Russell ii of iii; Goodwin 169, ii of iv. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68354] £110.00 (£132.00 incl.VAT)
T. Hudson Pinx.t. J.s M.cArdell fec.t.
[n.d., c.1764.]
Mezzotint, 350 x 250mm (13¾ x 9¾"). On 18th century watermarked paper. Small margins.
A three-quarter seated portrait of Richard Osbaldeston (1691-1764), Bishop of Carlisle from 1747 to 1762 and Bishop of London from 1762 to 1764. Thomas Hudson's painting, now in the Royal Albert Memorial Museum & Art Gallery (46/1925/25), is dated 1764.
CS 141, ii of ii; Russell ii of iii; Goodwin 169, ii of iv. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68354] £110.00 (£132.00 incl.VAT)
William Osborn M.D.
Painted by T. Hardy. Engraved by J. Jones Engraver Extraordinary to His R.H. the Prince of Wales, & Principal Engraver to His R.H. the Duke of York
Published as the Act directs April 2 1791 by J. Jones No 75 Great Portland Street.
Fine mezzotint, platemark 510 x 355mm (20 x 14"), very large margins.
William Osborn (1736-1808), man-midwife. After practicing as a surgeon for some years, he was elected man-midwife to the lying-in hospital in Bloomsbury, London. He set up a private school of midwifery with Thomas Denman, and they taught together from 1770 until they parted company in 1782 (the two were believed to have educated more than 1200 practitioners of midwifery). Osborn also published widely on the subject, and the sheet of paper he holds here is probably intended to represent one of his manuscripts.
CS 58. W.2189.
[Ref: 38369] £360.00
Painted by T. Hardy. Engraved by J. Jones Engraver Extraordinary to His R.H. the Prince of Wales, & Principal Engraver to His R.H. the Duke of York
Published as the Act directs April 2 1791 by J. Jones No 75 Great Portland Street.
Fine mezzotint, platemark 510 x 355mm (20 x 14"), very large margins.
William Osborn (1736-1808), man-midwife. After practicing as a surgeon for some years, he was elected man-midwife to the lying-in hospital in Bloomsbury, London. He set up a private school of midwifery with Thomas Denman, and they taught together from 1770 until they parted company in 1782 (the two were believed to have educated more than 1200 practitioners of midwifery). Osborn also published widely on the subject, and the sheet of paper he holds here is probably intended to represent one of his manuscripts.
CS 58. W.2189.
[Ref: 38369] £360.00
Osborne.
T.G.Dutton del & lith. John B.Day Lith.
London: Published by John B.Day, Savoy Street, Strand, W.C. [c.1876].
Lithograph. Printed area 205 x 280mm.
A paddle-steamer.
[Ref: 2215] £320.00
T.G.Dutton del & lith. John B.Day Lith.
London: Published by John B.Day, Savoy Street, Strand, W.C. [c.1876].
Lithograph. Printed area 205 x 280mm.
A paddle-steamer.
[Ref: 2215] £320.00
![[Untitled portrait.]](jpegs/7151.jpg)
[Untitled portrait.]
Malcolm Osborne. [Signed in pencil.].
Etching. 135 x 225mm.
Malcolm Osborne [1880 - 1963] was born in Frome, Somerset. He studied at Bristol School of Art and the Royal College of Art, London, under Sir Frank Short. When Short retired in 1924 he succeeded him as head of the etching and engraving school. Osborne produced just over a hundred prints, including British and European land and townscapes, but it is for his portraiture that he is most highly regarded.
[Ref: 7151] £160.00 (£192.00 incl.VAT)
Malcolm Osborne. [Signed in pencil.].
Etching. 135 x 225mm.
Malcolm Osborne [1880 - 1963] was born in Frome, Somerset. He studied at Bristol School of Art and the Royal College of Art, London, under Sir Frank Short. When Short retired in 1924 he succeeded him as head of the etching and engraving school. Osborne produced just over a hundred prints, including British and European land and townscapes, but it is for his portraiture that he is most highly regarded.
[Ref: 7151] £160.00 (£192.00 incl.VAT)
Lady Bridgett Osborne. William Henery Lord Osborne. Lady Mary Osborne.
T.Hill pinx. R.Williams fe.
[n.d., c.1690.]
Very rare mezzotint. 340 x 250mm (13½ x 9¾"). Trimmed close to plate and backed onto album paper at corners.
Group portrait of Lady Bridget Williams (fl 1691); Lord William Henry Osborne (1691-1711), and Mary Cochrane (1688-1722), Countess of Dundonald.
CS 43. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65476] £260.00 (£312.00 incl.VAT)
T.Hill pinx. R.Williams fe.
[n.d., c.1690.]
Very rare mezzotint. 340 x 250mm (13½ x 9¾"). Trimmed close to plate and backed onto album paper at corners.
Group portrait of Lady Bridget Williams (fl 1691); Lord William Henry Osborne (1691-1711), and Mary Cochrane (1688-1722), Countess of Dundonald.
CS 43. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65476] £260.00 (£312.00 incl.VAT)
![Lady Bridgett Osborne. William Henery Lord Osborne. Lady Mary Osborne. [Counterproof]](jpegs/65490.jpg)
Lady Bridgett Osborne. William Henery Lord Osborne. Lady Mary Osborne. [Counterproof]
T.Hill pinx. R.Williams fe. [in reverse.]
[n.d., c.1690.]
Very rare counterproof mezzotint. 340 x 250mm (13½ x 9¾"). Very damaged.
Counter proof of group portrait of Lady Bridget Williams (fl 1691); Lord William Henry Osborne (1691-1711), and Mary Cochrane (1688-1722), Countess of Dundonald.
CS 43. i of ii. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65490] £160.00 (£192.00 incl.VAT)
T.Hill pinx. R.Williams fe. [in reverse.]
[n.d., c.1690.]
Very rare counterproof mezzotint. 340 x 250mm (13½ x 9¾"). Very damaged.
Counter proof of group portrait of Lady Bridget Williams (fl 1691); Lord William Henry Osborne (1691-1711), and Mary Cochrane (1688-1722), Countess of Dundonald.
CS 43. i of ii. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65490] £160.00 (£192.00 incl.VAT)
Stationer's Almanack, 1849. Osborne, The Private Property of Her Majesty and Prince Albert.
Thos. Cubitt, Archt. T.A. Prior, Sculpt.
London: J. & W. Robins 57 Tooley Street. Published by Royal Permission [1848].
Steel engraving, headpiece illustration (lacking calendar text), image 205 x 405mm. 8 x 16". Vertical centrefold; slightly soiled.
View of the Royal residence Osborne House on the Isle of Wight. The new Osborne House was built in the style of the Italian Renaissance complete with two pseudo campanile towers between 1845 and 1851. Prince Albert designed the house himself in conjunction with Thomas Cubitt, the London architect and builder whose company also built the main façade of Buckingham Palace. The sale of the Royal Pavilion at Brighton paid for much of the new house's furnishings. The Stationers' Company had published the Stationers' Almanack since 1747, a single-sheet illustrated calendar that recorded significant events of the preceding year.
[Ref: 24617] £140.00 (£168.00 incl.VAT)
Thos. Cubitt, Archt. T.A. Prior, Sculpt.
London: J. & W. Robins 57 Tooley Street. Published by Royal Permission [1848].
Steel engraving, headpiece illustration (lacking calendar text), image 205 x 405mm. 8 x 16". Vertical centrefold; slightly soiled.
View of the Royal residence Osborne House on the Isle of Wight. The new Osborne House was built in the style of the Italian Renaissance complete with two pseudo campanile towers between 1845 and 1851. Prince Albert designed the house himself in conjunction with Thomas Cubitt, the London architect and builder whose company also built the main façade of Buckingham Palace. The sale of the Royal Pavilion at Brighton paid for much of the new house's furnishings. The Stationers' Company had published the Stationers' Almanack since 1747, a single-sheet illustrated calendar that recorded significant events of the preceding year.
[Ref: 24617] £140.00 (£168.00 incl.VAT)
Thomas Osborne. Earl of Danby, Lord high Treasurer of England.
P. Lely Pinxit. A. Blooteling Fec: et Ex:
[n.d. c.1690.]
Fine engraving. Plate 260 x 177mm. 10¼ x 7".
Portrait of Thomas Osborne, Duke of Leeds, bust to left in an oval on pedestal, wearing a wig; third state. Thomas Osborne, 1st Duke of Leeds (1632-1712) was an English statesman, who served in a variety of offices under Kings Charles II and William III of England. He was joint Treasurer of the Royal Navy in 1668 and Lord Treasurer of England in 1673. His success in stabilizing the government's financial position secured him a position as Charles II's chief minister and the title of Earl of Danby in 1674. He played a key role in bringing William and Mary to the throne in 1689, and his influence declined when he was impeached in 1695 for taking a bribe from the East India Company.
[Ref: 24654] £160.00 (£192.00 incl.VAT)
P. Lely Pinxit. A. Blooteling Fec: et Ex:
[n.d. c.1690.]
Fine engraving. Plate 260 x 177mm. 10¼ x 7".
Portrait of Thomas Osborne, Duke of Leeds, bust to left in an oval on pedestal, wearing a wig; third state. Thomas Osborne, 1st Duke of Leeds (1632-1712) was an English statesman, who served in a variety of offices under Kings Charles II and William III of England. He was joint Treasurer of the Royal Navy in 1668 and Lord Treasurer of England in 1673. His success in stabilizing the government's financial position secured him a position as Charles II's chief minister and the title of Earl of Danby in 1674. He played a key role in bringing William and Mary to the throne in 1689, and his influence declined when he was impeached in 1695 for taking a bribe from the East India Company.
[Ref: 24654] £160.00 (£192.00 incl.VAT)
Thomas Osborne. Earl of Danby, Lord high Treasurer of England.
P. Lely Pinxit. A. Blooteling Fec: et Ex:
[n.d. c.1690.]
Fine engraving, with large margins. Plate 255 x 178mm. 10 x 7". Small tear in margin to left.
Thomas Osborne (1631-1712) was 1st Duke of Leeds and a statesman who was created Earl of Danby in 1674. He served as Lord High Treasurer from 1673 to 1679, and strove successfully but unscrupulously to balance the royal finances. He was impeached and imprisoned between 1679 and 1684 following the discovery that his anti-French policy in Parliament was belied by secret pro-French treaties. He later opposed the policies of James II, and was honoured and appointed Lord President of the Council by William III between 1689 and 1699, but then faced another attempted impeachment in 1695 for receiving bribes.
Ex Collection: R. Hobson of Hove. NPG: D29343.
[Ref: 25339] £140.00 (£168.00 incl.VAT)
P. Lely Pinxit. A. Blooteling Fec: et Ex:
[n.d. c.1690.]
Fine engraving, with large margins. Plate 255 x 178mm. 10 x 7". Small tear in margin to left.
Thomas Osborne (1631-1712) was 1st Duke of Leeds and a statesman who was created Earl of Danby in 1674. He served as Lord High Treasurer from 1673 to 1679, and strove successfully but unscrupulously to balance the royal finances. He was impeached and imprisoned between 1679 and 1684 following the discovery that his anti-French policy in Parliament was belied by secret pro-French treaties. He later opposed the policies of James II, and was honoured and appointed Lord President of the Council by William III between 1689 and 1699, but then faced another attempted impeachment in 1695 for receiving bribes.
Ex Collection: R. Hobson of Hove. NPG: D29343.
[Ref: 25339] £140.00 (£168.00 incl.VAT)
![[Thomas Osborne] Charles Edward Stuart.](jpegs/63183.jpg)
[Thomas Osborne] Charles Edward Stuart. Engraved by E. Scriven from an original painting [...] now in the possession of M.r G A WIlliams, Librarian, Cheltenham.
[After Hans Hysing.]
Published Oct.r 1st 1830, by Charles Tilt, Fleet Street, London.
Stipple and etching, on chine collé. 380 x 265mm (15 x 10½"), with large margins. Backing sheet toned.
A full length portrait of a young man in tartan coat and trousers, with broadsword and horn on his belt, a pistol, targe and dirk on the ground. Although the print identifies him as Charles Edward Stuart (1720-88, the 'Young Pretender'), it is in fact Thomas Osborne (1713-89), Earl of Danby, later 4th Duke of Leeds and 3rd Viscount Dunblane. The painting, the property of the 10th Duke of Leeds, was sold at Christies in 2005.
[Ref: 63183] £75.00 (£90.00 incl.VAT)
[After Hans Hysing.]
Published Oct.r 1st 1830, by Charles Tilt, Fleet Street, London.
Stipple and etching, on chine collé. 380 x 265mm (15 x 10½"), with large margins. Backing sheet toned.
A full length portrait of a young man in tartan coat and trousers, with broadsword and horn on his belt, a pistol, targe and dirk on the ground. Although the print identifies him as Charles Edward Stuart (1720-88, the 'Young Pretender'), it is in fact Thomas Osborne (1713-89), Earl of Danby, later 4th Duke of Leeds and 3rd Viscount Dunblane. The painting, the property of the 10th Duke of Leeds, was sold at Christies in 2005.
[Ref: 63183] £75.00 (£90.00 incl.VAT)
Osbourne House I of W.
Sand painting on card. Card: 90 x 125mm (3½ x 5''). Staining.
An image of the royal residence of Osborne House in East Cowes made out of coloured sand.
[Ref: 50234] £95.00 (£114.00 incl.VAT)
Sand painting on card. Card: 90 x 125mm (3½ x 5''). Staining.
An image of the royal residence of Osborne House in East Cowes made out of coloured sand.
[Ref: 50234] £95.00 (£114.00 incl.VAT)
The ducking of John Osbourn & his wife on a charge of Witchcraft.
[London: Alexander Hogg, 1795.]
Engraving. Sheet 185 x 115mm (7¼ x 4¼"). Slightly time stained.
In 1751 John and Ruth Osbourne were seized from a workhouse in Tring and accused of witchcraft. Both were ducked in a pond in Wilstone, but one of the leaders, Thomas Colley, held Ruth down with a stick until she drowned. Colley was convicted of murder and hanged in chains at Gubblecote Cross. From Hogg's 'New and Complete Newgate Calendar'.
[Ref: 53142] £60.00 (£72.00 incl.VAT)
[London: Alexander Hogg, 1795.]
Engraving. Sheet 185 x 115mm (7¼ x 4¼"). Slightly time stained.
In 1751 John and Ruth Osbourne were seized from a workhouse in Tring and accused of witchcraft. Both were ducked in a pond in Wilstone, but one of the leaders, Thomas Colley, held Ruth down with a stick until she drowned. Colley was convicted of murder and hanged in chains at Gubblecote Cross. From Hogg's 'New and Complete Newgate Calendar'.
[Ref: 53142] £60.00 (£72.00 incl.VAT)
Oscillating Marine Engines. 31.
[Reynolds; n.d. c.1860.]
Hand-coloured engraving. 215 x 280mm. 8½ x 11". Fold through centre, as normal.
Oscillating marine engines; they could be used to drive either paddlewheels or propellers. The first patented oscillating engine was built by Joseph Maudslay in 1827, but it was considered to have been perfected by John Penn. From Reynolds' 'Pictorial Atlas of Arts, Sciences, Manufacturers and Machinery'.
Ex Collection: Norman Blackburn.
[Ref: 20639] £60.00 (£72.00 incl.VAT)
[Reynolds; n.d. c.1860.]
Hand-coloured engraving. 215 x 280mm. 8½ x 11". Fold through centre, as normal.
Oscillating marine engines; they could be used to drive either paddlewheels or propellers. The first patented oscillating engine was built by Joseph Maudslay in 1827, but it was considered to have been perfected by John Penn. From Reynolds' 'Pictorial Atlas of Arts, Sciences, Manufacturers and Machinery'.
Ex Collection: Norman Blackburn.
[Ref: 20639] £60.00 (£72.00 incl.VAT)
Osman I Stifter des osmanischen Reiches im Jahre 1300.
[after C. Dubosc]
[German, c.1700.]
Engraving with large margins. 200 x 120mm (8 x 4¾"). Some foxing; attached to backing sheet.
Osman I (1258-1326), the founder of the dynasty that established and ruled the Ottoman Empire. The portrait is taken from a Turkish-school painting. Published in Demetrius Cantemir's 'History of the Growth and Decay of the Othman Empire'.
[Ref: 29848] £75.00 (£90.00 incl.VAT)
[after C. Dubosc]
[German, c.1700.]
Engraving with large margins. 200 x 120mm (8 x 4¾"). Some foxing; attached to backing sheet.
Osman I (1258-1326), the founder of the dynasty that established and ruled the Ottoman Empire. The portrait is taken from a Turkish-school painting. Published in Demetrius Cantemir's 'History of the Growth and Decay of the Othman Empire'.
[Ref: 29848] £75.00 (£90.00 incl.VAT)
Ghazi, Sultan-Osman.
H. Lalaisse del. Lamaire direxit. Pigeot Sc.
[n.d., c.1847.]
Steel engraving. 200 x 120mm (8 x 4¾"). Some foxing.
Osman I (1258-1326), the founder of the dynasty that established and ruled the Ottoman Empire, published in a volume of 'L'Univers'.
[Ref: 29883] £30.00 (£36.00 incl.VAT)
H. Lalaisse del. Lamaire direxit. Pigeot Sc.
[n.d., c.1847.]
Steel engraving. 200 x 120mm (8 x 4¾"). Some foxing.
Osman I (1258-1326), the founder of the dynasty that established and ruled the Ottoman Empire, published in a volume of 'L'Univers'.
[Ref: 29883] £30.00 (£36.00 incl.VAT)
Soltan Hotomannus Turkarum Imperator.
[n.d., c.1650.]
Engraving. 150 x 110mm (6 x 4½") plus woodcut decorative printed border. Glued to backing sheet at corners.
Osman II (1604-22), Sultan of the Ottoman Empire from 1618, aged 14. In 1621 he led the Ottoman army into Poland, but after losing the Battle of Khotyn he was forced to withdraw. He blamed his defeat on the Janissairies: his attempts to curtail their power led to a revolt in which Osman was strangled with a bowstring.
[Ref: 29870] £75.00 (£90.00 incl.VAT)
[n.d., c.1650.]
Engraving. 150 x 110mm (6 x 4½") plus woodcut decorative printed border. Glued to backing sheet at corners.
Osman II (1604-22), Sultan of the Ottoman Empire from 1618, aged 14. In 1621 he led the Ottoman army into Poland, but after losing the Battle of Khotyn he was forced to withdraw. He blamed his defeat on the Janissairies: his attempts to curtail their power led to a revolt in which Osman was strangled with a bowstring.
[Ref: 29870] £75.00 (£90.00 incl.VAT)
![[Sculpture] The Osprey, or Fishing Eagle, taken in Lord Melbourne's Park, at Brocket Hall in Hertfordshire in 1786.](jpegs/59171.jpg)
[Sculpture] The Osprey, or Fishing Eagle, taken in Lord Melbourne's Park, at Brocket Hall in Hertfordshire in 1786. One of the Wings was almost cut off in seizing it: M.rs Damer was present, and caught the Idea in that moment of its rage.
James Roberts del. Portrait Painter to his Royal Highness the Duke of Clarence. John Jones sculp.
Publish'd as the Act directs, June 26, 1790 by James Roberts, Hogarth's Passage, Oxford; and J. Jones, No 75 Great Portland Street, London.
Stipple. Sheet 345 x 250mm (13½ x 9¾"). Trimmed within plate.
An engraving of a sculpture by Mrs Anne Seymour Damer (1749-1828), published in the rare work 'A Series of Engravings from the Works of The Hon. Anne Damer'. She gave this sculpture to Horace Walpole who displayed it at Strawberry Hill. Damer was an honorary exhibitor at the Royal Academy 1784-1818. Walpole described her as a 'female genius'.
[Ref: 59171] £260.00 (£312.00 incl.VAT)
James Roberts del. Portrait Painter to his Royal Highness the Duke of Clarence. John Jones sculp.
Publish'd as the Act directs, June 26, 1790 by James Roberts, Hogarth's Passage, Oxford; and J. Jones, No 75 Great Portland Street, London.
Stipple. Sheet 345 x 250mm (13½ x 9¾"). Trimmed within plate.
An engraving of a sculpture by Mrs Anne Seymour Damer (1749-1828), published in the rare work 'A Series of Engravings from the Works of The Hon. Anne Damer'. She gave this sculpture to Horace Walpole who displayed it at Strawberry Hill. Damer was an honorary exhibitor at the Royal Academy 1784-1818. Walpole described her as a 'female genius'.
[Ref: 59171] £260.00 (£312.00 incl.VAT)
Cutter Yacht ''Osprey,'' 59 Tons, Edward Westby Nunn, Esq. (Owner), Royal St. George's Yacht Club. Winner of Royal Thames Yacht Club £100 Prize, June 25th. 1859... & other Prizes.
Josiah Taylor, Del. Vincent Brooks, Lith.
London, Published April 29th 1863, by J. Taylor, 147 Packington St. Islington, N, and Droosten, Allan & Co. 126, Strand, W.C.
Very fine hand coloured lithograph, sheet 505 x 695mm. 19¾ x 27¼". Repaired tear left margin minor stains to the outer edges of the paper.
The Royal St. George's Yacht Club is still based in Dun Laoghaire (formerly Kingstown) on the south side of Dublin Bay.
NMM: PAH8742.
[Ref: 17900] £1,350.00
Josiah Taylor, Del. Vincent Brooks, Lith.
London, Published April 29th 1863, by J. Taylor, 147 Packington St. Islington, N, and Droosten, Allan & Co. 126, Strand, W.C.
Very fine hand coloured lithograph, sheet 505 x 695mm. 19¾ x 27¼". Repaired tear left margin minor stains to the outer edges of the paper.
The Royal St. George's Yacht Club is still based in Dun Laoghaire (formerly Kingstown) on the south side of Dublin Bay.
NMM: PAH8742.
[Ref: 17900] £1,350.00
Who comes so dark from Ocean's roar like Autumn's shadowy cloud. Ossian
[Anon., c.1800]
Pen and ink with watercolour wash, sheet 190 x 150mm (7½ x 6"). Glued to backing sheet; hole lower right.
Drawing quoting lines of mourning for the dead bard Carthon in the (in)famous Ossian poems, but here decontextualised to accompany the emergence of a black man from the water.
[Ref: 44512] £90.00 (£108.00 incl.VAT)
[Anon., c.1800]
Pen and ink with watercolour wash, sheet 190 x 150mm (7½ x 6"). Glued to backing sheet; hole lower right.
Drawing quoting lines of mourning for the dead bard Carthon in the (in)famous Ossian poems, but here decontextualised to accompany the emergence of a black man from the water.
[Ref: 44512] £90.00 (£108.00 incl.VAT)
A Prospect of Ossington House From the Field on the West Side as it now is, some part haveing beene ruined in the late rebellious warr.
Rich: Hall delin:
W: Hollar sculpsit, 1670. [c.1800?]
Etching, later impression on coarse laid paper, 145 x 270mm. 5¾ x 10½".
Ossington House, Nottinghamshire. Engraved by Wenceslaus Hollar (1607 - 1677)
Pennington: 1053.
[Ref: 13864] £50.00 (£60.00 incl.VAT)
Rich: Hall delin:
W: Hollar sculpsit, 1670. [c.1800?]
Etching, later impression on coarse laid paper, 145 x 270mm. 5¾ x 10½".
Ossington House, Nottinghamshire. Engraved by Wenceslaus Hollar (1607 - 1677)
Pennington: 1053.
[Ref: 13864] £50.00 (£60.00 incl.VAT)
![[Thirteen views of Ossola.]](jpegs/33767.jpg)
[Thirteen views of Ossola.] Veduta della Città di Domodossola presa al Disspora de l Monte Calvario. [&] Cascata del Toce a Formazza. [&] Ponte de Crevola. [&] Varzo. [&] [Santa Maria Maggiore.] [&] Montecrestese e costume. [&] Vila. [&] Re e Santuario. [&] Crodo. [&] Stabilimento dei Bagni Albasini. [&] Piazza Castello. [&] Palazzo della Città. [&] Il Monte Rosa da Macugnaga, e Costumi delle Valle Anzasca.
[Ladner dis. e lit.]
[Turin: Doyen & C.ie, 1854.]
13 tinted lithographs from one sheet, largest image 200 x 310mm (8 x 12½"). Trimmed from one sheet.
Thirteen views of the valley of Ossola in Piedmont, on the border of Italy and Switzerland, originally issued as a single sheet titled 'Vedute e costumi della Città e provincia d'Ossola', arranged as twelve smaller images around a central prospect of Domodossola.
Images not the same scale.
[Ref: 33767] £490.00 view all images for this item
[Ladner dis. e lit.]
[Turin: Doyen & C.ie, 1854.]
13 tinted lithographs from one sheet, largest image 200 x 310mm (8 x 12½"). Trimmed from one sheet.
Thirteen views of the valley of Ossola in Piedmont, on the border of Italy and Switzerland, originally issued as a single sheet titled 'Vedute e costumi della Città e provincia d'Ossola', arranged as twelve smaller images around a central prospect of Domodossola.
Images not the same scale.
[Ref: 33767] £490.00 view all images for this item
Affaire d'Ost Capelle. (Victoires et Conquêtes, Juillet 1793. Tom. 1.er Pag. 194.) Capitaine feu feu sur l'ennemi!
F. Grenier. Lithog.ie de C. Motte rue des Marais.
Au Dépot Général de Lithog.ie rue Jacob N.14.
Lithograph. Printed area: 355 x 300mm (14 x 11¾"), with large margins. Uncut. Small tears in margins.
A print showing the events of the Ost Capelle affair during the Napoleonic Wars. Charles Motte lithographer 1766-1840.
[Ref: 44775] £130.00 (£156.00 incl.VAT)
F. Grenier. Lithog.ie de C. Motte rue des Marais.
Au Dépot Général de Lithog.ie rue Jacob N.14.
Lithograph. Printed area: 355 x 300mm (14 x 11¾"), with large margins. Uncut. Small tears in margins.
A print showing the events of the Ost Capelle affair during the Napoleonic Wars. Charles Motte lithographer 1766-1840.
[Ref: 44775] £130.00 (£156.00 incl.VAT)
![[Dutch drinking scene.]](jpegs/62365.jpg)
[Dutch drinking scene.]
A. ostade [in plate, etched by David Deuchar.]
[n.d., c.1790.]
Etching. Sheet 205 x 260mm (8 x 10¼"). Trimmed within plate.
An interior drink scene. From Duchar's 'A Collection of Etchings after the Most Eminent Masters of the Dutch and Flemish Schools', which has plates dated from 1782-1803.
[Ref: 62365] £160.00 (£192.00 incl.VAT)
A. ostade [in plate, etched by David Deuchar.]
[n.d., c.1790.]
Etching. Sheet 205 x 260mm (8 x 10¼"). Trimmed within plate.
An interior drink scene. From Duchar's 'A Collection of Etchings after the Most Eminent Masters of the Dutch and Flemish Schools', which has plates dated from 1782-1803.
[Ref: 62365] £160.00 (£192.00 incl.VAT)
Adriani van Ostade Pictoris.
A. va ostade del. Efigies. J. Gole exc:cum Privil. ord. Holland.
[n.d., c.1700s.] [But later]
Mezzotint. 230 x 170mm (9 x 6¾"). Laid onto album paper at edges.
Portrait of the painter Adriaen van Ostade (1610 - 1685), a Dutch Golden Age painter of genre works, showing everyday life of ordinary men and women. His head and shoulders, slightly turned to left, wearing a wide brimmed hat; in a lettered oval; after Adriaen van Ostade.
[Ref: 63197] £260.00 (£312.00 incl.VAT)
A. va ostade del. Efigies. J. Gole exc:cum Privil. ord. Holland.
[n.d., c.1700s.] [But later]
Mezzotint. 230 x 170mm (9 x 6¾"). Laid onto album paper at edges.
Portrait of the painter Adriaen van Ostade (1610 - 1685), a Dutch Golden Age painter of genre works, showing everyday life of ordinary men and women. His head and shoulders, slightly turned to left, wearing a wide brimmed hat; in a lettered oval; after Adriaen van Ostade.
[Ref: 63197] £260.00 (£312.00 incl.VAT)
![[Siege of Ostend.]](jpegs/42953.jpg)
[Siege of Ostend.] Die Wunder Glükliche Eroberung der Haupt Vestung Ostende.
Paulus Decker Archit. invent: et delin. Martinus Engelbrecht Sculpsit.
[Cum Gratia et Priv: Sac: Caes: Maj. Ieremias Wolff excudit Aug. Vind.] [n.d., c.1720.]
Engraving. Sheet: 450 x 360mm (17¾ x 14"). Trimmed, part of publication line missing. Vertical crease, not visible from front.
A scene showing the Spanish attack on Ostend in 1604 following a three year long siege during the Eighty Years War, the Spanish eventually took the city and it was destroyed. The scene is framed in a decorative border. A plate from 'Repraesentatio belli ob successionem in Regno Hispanico...' published by Wolff.
[Ref: 42953] £320.00
Paulus Decker Archit. invent: et delin. Martinus Engelbrecht Sculpsit.
[Cum Gratia et Priv: Sac: Caes: Maj. Ieremias Wolff excudit Aug. Vind.] [n.d., c.1720.]
Engraving. Sheet: 450 x 360mm (17¾ x 14"). Trimmed, part of publication line missing. Vertical crease, not visible from front.
A scene showing the Spanish attack on Ostend in 1604 following a three year long siege during the Eighty Years War, the Spanish eventually took the city and it was destroyed. The scene is framed in a decorative border. A plate from 'Repraesentatio belli ob successionem in Regno Hispanico...' published by Wolff.
[Ref: 42953] £320.00
The Siege of Ostend. July 3.d 1706.
A. Benoist inv. C. Du Bosc fe.
Publish'd according to Act of Parliament 1735 [London: Claude du Bosc].
Engraving. 265 x 195mm (10½ x 7¾"), with large margins.
A view of the siege of Ostend, during the War of the Spanish Succession, with officers on horseback overlooking the city. A plate from 'The Military History of the Late Prince Eugene of Savoy, and of the Late John Duke of Marlborough: Including a Particular Description of the Several Battles, Sieges, &c. in which Either or Both Those Generals Commanded'. The scene is surrounded by a decorative frame.
[Ref: 64714] £140.00 (£168.00 incl.VAT)
A. Benoist inv. C. Du Bosc fe.
Publish'd according to Act of Parliament 1735 [London: Claude du Bosc].
Engraving. 265 x 195mm (10½ x 7¾"), with large margins.
A view of the siege of Ostend, during the War of the Spanish Succession, with officers on horseback overlooking the city. A plate from 'The Military History of the Late Prince Eugene of Savoy, and of the Late John Duke of Marlborough: Including a Particular Description of the Several Battles, Sieges, &c. in which Either or Both Those Generals Commanded'. The scene is surrounded by a decorative frame.
[Ref: 64714] £140.00 (£168.00 incl.VAT)
Plan of the Investiture of Ostend Surrenderd, 6 July, 1706.
I. Basire Sculp.
For Mr Tindal's Continuation of Mr Rapin's History of England. [London, James & Paul Knapton, 1751.]
Engraved map. 385 x 480mm (15¼ x 18¾"). Very fine impression with original binding folds, trimmed at top, as issued, some ink offset.
A map of the environs of Ostend during the War of the Spanish Succession, when the allied army under Henry, Count of Nassau, Lord of Overkirk (Ouwerkerk in Dutch) took the town after heavy bombardment. Henry, second cousin and Master of Horse to William III, was one of Marlborough's most trusted generals and was made Field Marshal of the Dutch States Army in 1704. Nicholas Tindal (1687-1774), at one time Chaplain to Greenwich Hospital, first published a translation of Frenchman Paul de Rapin's 'History of England' in 1727, running to thirteen volumes; in 1732 it was enlarged with his own notes and maps. This map was published in 'A summary of Mr Rapin de Thoyras's History of England, and Mr Tindal's Continuation, from the Invasion of Julius Caesar, to the End of the Reign of King George I. Illustrated With Medals, Plans of Battles, Towns, and Sieges', 1751.
[Ref: 28247] £160.00
I. Basire Sculp.
For Mr Tindal's Continuation of Mr Rapin's History of England. [London, James & Paul Knapton, 1751.]
Engraved map. 385 x 480mm (15¼ x 18¾"). Very fine impression with original binding folds, trimmed at top, as issued, some ink offset.
A map of the environs of Ostend during the War of the Spanish Succession, when the allied army under Henry, Count of Nassau, Lord of Overkirk (Ouwerkerk in Dutch) took the town after heavy bombardment. Henry, second cousin and Master of Horse to William III, was one of Marlborough's most trusted generals and was made Field Marshal of the Dutch States Army in 1704. Nicholas Tindal (1687-1774), at one time Chaplain to Greenwich Hospital, first published a translation of Frenchman Paul de Rapin's 'History of England' in 1727, running to thirteen volumes; in 1732 it was enlarged with his own notes and maps. This map was published in 'A summary of Mr Rapin de Thoyras's History of England, and Mr Tindal's Continuation, from the Invasion of Julius Caesar, to the End of the Reign of King George I. Illustrated With Medals, Plans of Battles, Towns, and Sieges', 1751.
[Ref: 28247] £160.00
Chateau et Parc d'Osterley, Appartenant a M.me Child. dans le Comté de Midlessex. No. 9 des Jardine Anglois.
W. Watts del. Guyot sculp.
à Paris chez Guyot Graveur et M.d d’Estampes, rue St. Jacques au Grand Gessner No.9. [n.d. c.1790.]
Coloured aquatint and with etched outline, very fine. 200 x 235mm, 8 x 9¼". Laid on board.
Osterley Park, Isleworth, as remodelled by Robert Adam for the banker Sir Francis Child and his brother and heir Robert Child. After Robert Child's death in 1782 the estate came into the possession of Sarah Anne Child, later Countess of Westmorland, in trust for his granddaughter Sarah Sophia Child Villiers, Countess of Jersey,who also became the principle shareholder of Child's Bank. Published in a series of views of important English gardens.
[Ref: 25760] £360.00
W. Watts del. Guyot sculp.
à Paris chez Guyot Graveur et M.d d’Estampes, rue St. Jacques au Grand Gessner No.9. [n.d. c.1790.]
Coloured aquatint and with etched outline, very fine. 200 x 235mm, 8 x 9¼". Laid on board.
Osterley Park, Isleworth, as remodelled by Robert Adam for the banker Sir Francis Child and his brother and heir Robert Child. After Robert Child's death in 1782 the estate came into the possession of Sarah Anne Child, later Countess of Westmorland, in trust for his granddaughter Sarah Sophia Child Villiers, Countess of Jersey,who also became the principle shareholder of Child's Bank. Published in a series of views of important English gardens.
[Ref: 25760] £360.00
Ferdinand Erzherzog von Oesterreich General der Cavallerie.
Wien bey Artaria & Comp. [n.d., c.1815.]
Stipple. Plate: 280 x 200mm (11 x 8'') very large margins. Mint. Uncut.
A portrait of Ferdinand Karl Joseph von Österreich-Este (1781-1850).
[Ref: 49464] £120.00 (£144.00 incl.VAT)
Wien bey Artaria & Comp. [n.d., c.1815.]
Stipple. Plate: 280 x 200mm (11 x 8'') very large margins. Mint. Uncut.
A portrait of Ferdinand Karl Joseph von Österreich-Este (1781-1850).
[Ref: 49464] £120.00 (£144.00 incl.VAT)
The Ostrich. Varty's Series of Domestic & Wild Animals. No.20.
Drawn from Nature & on Stone by F. Robinson. Day & Haghe lith.rs to the Queen.
London, Published by Thomas Varty. Educational Depository, 31 Strand. [n.d. c.1860.]
Lithograph with large margins. 305 x 438mm. 12 x 17¼".
An ostrich, viewed in profile looking to the left of the picture, with three chicks by her feet.
See V & A: E.272-1901 [coloured lithograph].
[Ref: 25562] £230.00 (£276.00 incl.VAT)
Drawn from Nature & on Stone by F. Robinson. Day & Haghe lith.rs to the Queen.
London, Published by Thomas Varty. Educational Depository, 31 Strand. [n.d. c.1860.]
Lithograph with large margins. 305 x 438mm. 12 x 17¼".
An ostrich, viewed in profile looking to the left of the picture, with three chicks by her feet.
See V & A: E.272-1901 [coloured lithograph].
[Ref: 25562] £230.00 (£276.00 incl.VAT)