A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
Odds & Ends No.6. Certificate, Certificate, the Devil, wot do you think that we are a couple of Bang-krups.
London Printed & Published by T. Dawson. 54 Leicester Square. June 25 1835.
Hand coloured lithograph. Rare. Sheet size: 310 x 215mm (12¼ x 8½"), with large margins. Slight stained.
One of the caricatures is smoking a cigar.
[Ref: 39292] £95.00 (£114.00 incl.VAT)
London Printed & Published by T. Dawson. 54 Leicester Square. June 25 1835.
Hand coloured lithograph. Rare. Sheet size: 310 x 215mm (12¼ x 8½"), with large margins. Slight stained.
One of the caricatures is smoking a cigar.
[Ref: 39292] £95.00 (£114.00 incl.VAT)
Odds & Ends for Feburary 1816. Mrs Wright Doing Wrong _ !!!!!! Buscuit & Gingerbread or the Rival Bakers. A. Kean Manoeuvre to ''Pay Old Debts'' -or- ''Drury is it's self again''!!!. A peep into the Punch room at the Pavilion, or the gouty adonis. Parson B_ & the Butchers, or a Probationary Sermon at the Christ Church Newgate St.
G. Cruikshank fec.t.
Pub.d Feb.y 1816 by M Jones Newgate St.
Coloured etching, watermark Turkey Mill; Sheet 220 x 510mm (8¾ x 20"). Folded, as issued, repair to fold.
Five satires on one sheet, published in the 'Scourge'. The largest scene shows Edmund Kean, dressed as Richard III, raising money for the Drury Lane Theatre by scaring the customers. Top left is a scene of John Braham (an actor) eloping with Mrs. Wright, deserting Nancy Storace (who had lived with him as his wife for many years). Top right is the Prince Regent, who was laid up at the Brighton Pavilion with gout.
See BM Satires 12714 for an extesnive description.
[Ref: 54410] £180.00 (£216.00 incl.VAT)
G. Cruikshank fec.t.
Pub.d Feb.y 1816 by M Jones Newgate St.
Coloured etching, watermark Turkey Mill; Sheet 220 x 510mm (8¾ x 20"). Folded, as issued, repair to fold.
Five satires on one sheet, published in the 'Scourge'. The largest scene shows Edmund Kean, dressed as Richard III, raising money for the Drury Lane Theatre by scaring the customers. Top left is a scene of John Braham (an actor) eloping with Mrs. Wright, deserting Nancy Storace (who had lived with him as his wife for many years). Top right is the Prince Regent, who was laid up at the Brighton Pavilion with gout.
See BM Satires 12714 for an extesnive description.
[Ref: 54410] £180.00 (£216.00 incl.VAT)
In Red Jasper. In the possession of his Higness the Duke of Odescalchi [parallel text in Italian, Latin and French]
WMatthews sc. [c.1800]
Stipple engraving, platemark 60 x 70mm (2¼ x 2¾") very large margins.
Representation of a curious cameo in jasperware, showing three conjoined heads (one of which is an elephant) from the collection of the duke of Odescalchi.
[Ref: 44492] £65.00 (£78.00 incl.VAT)
WMatthews sc. [c.1800]
Stipple engraving, platemark 60 x 70mm (2¼ x 2¾") very large margins.
Representation of a curious cameo in jasperware, showing three conjoined heads (one of which is an elephant) from the collection of the duke of Odescalchi.
[Ref: 44492] £65.00 (£78.00 incl.VAT)
M. Odilon Barrot.
Painted by Camille Sebere. Lith.d by C. Couzens.
Published by T. Mc.Lean 26, Haymarket. M & N. Hanhart lith. Printers. [n.d. c.1850.]
Lithograph, rare. 520 x 413mm (20½ x 16¼").
Camille Hyacinthe Odilon Barrot (1791-1873), was a French politician who was briefly head of the council of ministers under Prince Louis Napoleon in 1848-49, serving as the 27th Prime Minister of France.
[Ref: 34632] £160.00 (£192.00 incl.VAT)
Painted by Camille Sebere. Lith.d by C. Couzens.
Published by T. Mc.Lean 26, Haymarket. M & N. Hanhart lith. Printers. [n.d. c.1850.]
Lithograph, rare. 520 x 413mm (20½ x 16¼").
Camille Hyacinthe Odilon Barrot (1791-1873), was a French politician who was briefly head of the council of ministers under Prince Louis Napoleon in 1848-49, serving as the 27th Prime Minister of France.
[Ref: 34632] £160.00 (£192.00 incl.VAT)
Minerva assisting Ulysses in the destruction of the Suitors. The dreadful agis blazes in their eye; Amaz'd they see, they tremble, and they fly. Odyssey, Book XXII.
Painted by H.y Fuseli R.A. Engraved by L. Schiavonetti.
[London: F. I. Du Roveray, 1806.]
Engraving. 260 x 171mm (10¼ x 6¾"). Trimmed within plate.
Minerva appears to help Odysseus kill off the suitors who are trying to marry Penelope and take over his beloved Ithaca. An illustration from Pope's translation of Homer's 'Odyssey', telling the story of the epic 10-year journey home of Odysseus (or Ulysses in Roman myths) after the fall of Troy.
Weinglass: 242.
[Ref: 31294] £45.00 (£54.00 incl.VAT)
Painted by H.y Fuseli R.A. Engraved by L. Schiavonetti.
[London: F. I. Du Roveray, 1806.]
Engraving. 260 x 171mm (10¼ x 6¾"). Trimmed within plate.
Minerva appears to help Odysseus kill off the suitors who are trying to marry Penelope and take over his beloved Ithaca. An illustration from Pope's translation of Homer's 'Odyssey', telling the story of the epic 10-year journey home of Odysseus (or Ulysses in Roman myths) after the fall of Troy.
Weinglass: 242.
[Ref: 31294] £45.00 (£54.00 incl.VAT)
Ulysses in the Island of Circe. From an Original Picture in the possession of Geo. Bowles Esq.r to whom this plate is respectfully inscribed, by his obliged & obedient Servant, James Daniell.
Angelica Kauffman R.A. Pinx.t. W. Bond Sculp.t.
London Published June 29, 1809 by James Daniell, Engraver, 480, Strand.
A large stipple. 550 x 655mm (21¾ x 25½"), with very large margins on 3 sides. Spotting in margins, bottom margin worn.
The Greek hero Odysseus enjoying the pleasures of life on Aeaea. It was published as a pair with ''Ulysses discovers Achilles disguised as a Virgin among the Daughters of King Lycomedes''.
[Ref: 47704] £550.00
Angelica Kauffman R.A. Pinx.t. W. Bond Sculp.t.
London Published June 29, 1809 by James Daniell, Engraver, 480, Strand.
A large stipple. 550 x 655mm (21¾ x 25½"), with very large margins on 3 sides. Spotting in margins, bottom margin worn.
The Greek hero Odysseus enjoying the pleasures of life on Aeaea. It was published as a pair with ''Ulysses discovers Achilles disguised as a Virgin among the Daughters of King Lycomedes''.
[Ref: 47704] £550.00
Penelope weeping over the bow of Ulysses. Across her knees she laid the well-known bow, And pensive say, and tears began to flow. Odyssey, Book XXI.
Painted by H.y Fuseli R.A. Engraved by R.H. Cromek.
[London. c.1820.]
Engraving. 260 x 171mm (10¼ x 6¾"). Cut, slight foxing.
Penelope receives Odysseus's bow and begins to weep, fearing that he is now dead. Homer's Odyssey, the Greek epic poem, as a sequel to the Illiad. The poem mainly centres on the Greek hero Odysseus, known as Ulysses in Roman myths, and his journey home after the fall of Troy. It takes him ten years to reach Ithaca after the ten-year Trojan War.
Weinglass: 241
[Ref: 31293] £45.00 (£54.00 incl.VAT)
Painted by H.y Fuseli R.A. Engraved by R.H. Cromek.
[London. c.1820.]
Engraving. 260 x 171mm (10¼ x 6¾"). Cut, slight foxing.
Penelope receives Odysseus's bow and begins to weep, fearing that he is now dead. Homer's Odyssey, the Greek epic poem, as a sequel to the Illiad. The poem mainly centres on the Greek hero Odysseus, known as Ulysses in Roman myths, and his journey home after the fall of Troy. It takes him ten years to reach Ithaca after the ten-year Trojan War.
Weinglass: 241
[Ref: 31293] £45.00 (£54.00 incl.VAT)
The Shade of Ajax indignantly refusing to commincate with Ulysses. While yet I speak, the shade disdains to stay, In silence turns, and sullen stalks away. Odyssey, Book XI.
Painted by H.y Fuseli R.A. Engraved by Isaac Taylor.
[London. c.1820.]
Engraving. 260 x 171mm (10¼ x 6¾"). Cut.
Odysseus tells the Phaeacians about going to the Underworld to hear the prophesy of Tiresias. When in the Underworld he tried to talk with the shade of Ajax, but it refuses. Homer's Odyssey, the Greek epic poem, as a sequel to the Illiad. The poem mainly centres on the Greek hero Odysseus, known as Ulysses in Roman myths, and his journey home after the fall of Troy. It takes him ten years to reach Ithaca after the ten-year Trojan War.
Weinglass: 239
[Ref: 31295] £45.00 (£54.00 incl.VAT)
Painted by H.y Fuseli R.A. Engraved by Isaac Taylor.
[London. c.1820.]
Engraving. 260 x 171mm (10¼ x 6¾"). Cut.
Odysseus tells the Phaeacians about going to the Underworld to hear the prophesy of Tiresias. When in the Underworld he tried to talk with the shade of Ajax, but it refuses. Homer's Odyssey, the Greek epic poem, as a sequel to the Illiad. The poem mainly centres on the Greek hero Odysseus, known as Ulysses in Roman myths, and his journey home after the fall of Troy. It takes him ten years to reach Ithaca after the ten-year Trojan War.
Weinglass: 239
[Ref: 31295] £45.00 (£54.00 incl.VAT)
![[Woman with Riding Whip.]](jpegs/65876.jpg)
[Woman with Riding Whip.] In her love darting Eyes awakes the Fires, Immortal Gifts! to kindle soft desires._ From limb to limb an Majestick sheds, And the pure Ivory o'er her Bosom spreads.[...]
Jos.Vanhaecken pinx. Alex.Vanhaeken fe.
[n.d., c.1740.] Sold by Alex Vanhaeken at the Golden Head in Little Russel Street, the Northside of St.George's Church Bloomsbury.
Mezzotint, 18th century watermark, on verso in pencil "Mrs Byron" 455 x 300mm (18 x 12"). Small repaired tears in margins and top right corner. Small margins.
Portrait of a woman wearing riding dress, standing in front of a tree and brambles. She is pointing to her right with a whip hanging from the wrist. Lettered below the image are ten lines of verse from Pope's translation of Homer's Odyssey.
Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65876] £480.00
Jos.Vanhaecken pinx. Alex.Vanhaeken fe.
[n.d., c.1740.] Sold by Alex Vanhaeken at the Golden Head in Little Russel Street, the Northside of St.George's Church Bloomsbury.
Mezzotint, 18th century watermark, on verso in pencil "Mrs Byron" 455 x 300mm (18 x 12"). Small repaired tears in margins and top right corner. Small margins.
Portrait of a woman wearing riding dress, standing in front of a tree and brambles. She is pointing to her right with a whip hanging from the wrist. Lettered below the image are ten lines of verse from Pope's translation of Homer's Odyssey.
Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65876] £480.00
![Sixtus Oelhafen in Schöllenbach [...]](jpegs/41986.jpg)
Sixtus Oelhafen in Schöllenbach [...]
[After Albrecht Dürer, n.d., c.1670]
Engraving, sheet 195 x 120mm (7½ x 4¾"). Trimmed.
Portrait of Sixtus Ölhafen von Schöllenbach, after a 1503 painting by Albrecht Dürer (1471-1528) of Nuremburg, artist, printmaker and theorist, still considered by many scholars to be the greatest of all German artists.
[Ref: 41986] £80.00 (£96.00 incl.VAT)
[After Albrecht Dürer, n.d., c.1670]
Engraving, sheet 195 x 120mm (7½ x 4¾"). Trimmed.
Portrait of Sixtus Ölhafen von Schöllenbach, after a 1503 painting by Albrecht Dürer (1471-1528) of Nuremburg, artist, printmaker and theorist, still considered by many scholars to be the greatest of all German artists.
[Ref: 41986] £80.00 (£96.00 incl.VAT)
![[An officer.]](jpegs/51964.jpg)
[An officer.]
Collet inv.t et del. T. Cook sculp.
[London, Robert Sayer, c.1770?]
Etching. Sheet 200 x 135mm (8 x 5¼"). Trimmed within plate, losing publisher's inscription.
An officer, sword at hip, leaning on a cane. From the series 'Six Whole Length Figures, cloathed in Modern Taste...'.
[Ref: 51964] £65.00 (£78.00 incl.VAT)
Collet inv.t et del. T. Cook sculp.
[London, Robert Sayer, c.1770?]
Etching. Sheet 200 x 135mm (8 x 5¼"). Trimmed within plate, losing publisher's inscription.
An officer, sword at hip, leaning on a cane. From the series 'Six Whole Length Figures, cloathed in Modern Taste...'.
[Ref: 51964] £65.00 (£78.00 incl.VAT)
![[Portrait of a man]](jpegs/45709.jpg)
[Portrait of a man]
[Anon., c.1800]
Watercolour, sheet 145 x 110mm (5¾ x 4¼"). Damaged.
A man wearing an large elaborate medal.
[Ref: 45709] £130.00 (£156.00 incl.VAT)
[Anon., c.1800]
Watercolour, sheet 145 x 110mm (5¾ x 4¼"). Damaged.
A man wearing an large elaborate medal.
[Ref: 45709] £130.00 (£156.00 incl.VAT)
Officiers Prussiene.
Dessine par C. Vernet. Grave par Debucourt.
à Paris, chez Ch. Bance, Rue J. J. Rousseau No.10. [n.d., 1815.]
Etching and aquatint in fine original hand colour, second state, before plate number. 345 x 255mm, 13½ x 10". A fine impression, with full margins.
Two Prussian officers; the one at right wearing a helmet and saluting the one standing on the left. From the series 'Collection de costumes dessinés d'après nature...' after Carle Vernet (1758 - 1836). The plates were issued first separately, then in parts (livraisons) containing six numbered plates, one part issued yearly from 1814 to 1824. Published by Bance in Paris and by Bossange-Masson, 14 Great Marlborough Street, London (his imprint is not on these or on the BM impressions).
Ogilby Trust: 933, II, 2. See BNF: FRBNF36586529.
[Ref: 19513] £180.00 (£216.00 incl.VAT)
Dessine par C. Vernet. Grave par Debucourt.
à Paris, chez Ch. Bance, Rue J. J. Rousseau No.10. [n.d., 1815.]
Etching and aquatint in fine original hand colour, second state, before plate number. 345 x 255mm, 13½ x 10". A fine impression, with full margins.
Two Prussian officers; the one at right wearing a helmet and saluting the one standing on the left. From the series 'Collection de costumes dessinés d'après nature...' after Carle Vernet (1758 - 1836). The plates were issued first separately, then in parts (livraisons) containing six numbered plates, one part issued yearly from 1814 to 1824. Published by Bance in Paris and by Bossange-Masson, 14 Great Marlborough Street, London (his imprint is not on these or on the BM impressions).
Ogilby Trust: 933, II, 2. See BNF: FRBNF36586529.
[Ref: 19513] £180.00 (£216.00 incl.VAT)
![[Plate7:] l'Officieux Valet.](jpegs/22997.jpg)
[Plate7:] l'Officieux Valet.
Mondon le Fils Invenit. A. Aveline Sculpsit.
[Avec Privilege du Roy, 1736.]
Copper engraving. Paper watermarked. Plate 235 x 184mm. 9¼ x 7¼". Large margins, uncut.
A Rococo design with pots, pans, vegetables, and a broom. Two figures to the left; in background, lady pouring wine, a cat dangling next to a hanging bird, another cat hidden looking up. From a series of forty-two ornament prints, divided into six sets of seven plates each; this plates belongs to the third set.
[Ref: 22997] £140.00 (£168.00 incl.VAT)
Mondon le Fils Invenit. A. Aveline Sculpsit.
[Avec Privilege du Roy, 1736.]
Copper engraving. Paper watermarked. Plate 235 x 184mm. 9¼ x 7¼". Large margins, uncut.
A Rococo design with pots, pans, vegetables, and a broom. Two figures to the left; in background, lady pouring wine, a cat dangling next to a hanging bird, another cat hidden looking up. From a series of forty-two ornament prints, divided into six sets of seven plates each; this plates belongs to the third set.
[Ref: 22997] £140.00 (£168.00 incl.VAT)
![[The roads of England.]](jpegs/45305.jpg)
[The roads of England.]
[n.d., c.1675.]
Engraving. 60 x 190mm (2½ x 7½"), set in text. Trimmed from a larger sheet.
A chapter heading from John Ogilby's 'Britannia', Europe's first atlas of road maps, first published in 1675. It shows two tritons holding up the Royal Arms and carrying banners illustrating the roads around London and York.
[Ref: 45305] £45.00 (£54.00 incl.VAT)
[n.d., c.1675.]
Engraving. 60 x 190mm (2½ x 7½"), set in text. Trimmed from a larger sheet.
A chapter heading from John Ogilby's 'Britannia', Europe's first atlas of road maps, first published in 1675. It shows two tritons holding up the Royal Arms and carrying banners illustrating the roads around London and York.
[Ref: 45305] £45.00 (£54.00 incl.VAT)
Iohannes Ogilvius.
P. Lilly Pinxit. P. Lombart Sculpsit. Londini.
[n.d. c.1670.]
Copper engraving, 17th century watermark, 330 x 240mm (13 x 9¼"). Trimmed close to plate. Slight foxing mainly outside of printed image.
John Ogilby (1600-1676), a multi-talented Scotsman. Starting his life with an early apprenticeship to a dancing master, he went on to become a successful publisher, cartographer and translator, with his crowning achievement being his 'Britannia', the first printed road atlas.
NPG: D5387.
[Ref: 63738] £320.00
P. Lilly Pinxit. P. Lombart Sculpsit. Londini.
[n.d. c.1670.]
Copper engraving, 17th century watermark, 330 x 240mm (13 x 9¼"). Trimmed close to plate. Slight foxing mainly outside of printed image.
John Ogilby (1600-1676), a multi-talented Scotsman. Starting his life with an early apprenticeship to a dancing master, he went on to become a successful publisher, cartographer and translator, with his crowning achievement being his 'Britannia', the first printed road atlas.
NPG: D5387.
[Ref: 63738] £320.00
Johannes Ogilvius.
P. Lilly Pinxit. Guil. Faithorne Sculp.
[n.d., c.1654.]
Fine engraving. Sheet 290 x 200mm (11½ x 8"). Trimmed within plate, slight damage in two corners, mounted in album paper at sides.
John Ogilby (1600-1676), a multi-talented Scot. From an early apprenticeship to a dancing master, he became a translator of classsics and then a successful publisher, with his crowning achievement being his 'Britannia', Europe's first atlas of roadmaps. This portrait was used as frontispiece to his 'Works of Publius Virgilius Maro', 1654.
[Ref: 61562] £360.00
P. Lilly Pinxit. Guil. Faithorne Sculp.
[n.d., c.1654.]
Fine engraving. Sheet 290 x 200mm (11½ x 8"). Trimmed within plate, slight damage in two corners, mounted in album paper at sides.
John Ogilby (1600-1676), a multi-talented Scot. From an early apprenticeship to a dancing master, he became a translator of classsics and then a successful publisher, with his crowning achievement being his 'Britannia', Europe's first atlas of roadmaps. This portrait was used as frontispiece to his 'Works of Publius Virgilius Maro', 1654.
[Ref: 61562] £360.00
![[John Charles Ogilby-Grant, 7th Earl] [The Earl of Seafield, Laird of Grant, & His Son, Viscount ReidHaven.]](jpegs/67738.jpg)
[John Charles Ogilby-Grant, 7th Earl] [The Earl of Seafield, Laird of Grant, & His Son, Viscount ReidHaven.]
[Painted by Francis Grant, R.A. Engraved by G. Raphael Ward.]
[London, Published by G.R. Ward, 38, Fitzroy Square, W.] [n.d., c.1860.]
Mixed-method engraving, proof before letters. Sheet 660 x 425mm (22 x 16¾"). Unidentified collector's stamp ''I F P'' on reverse. Nicks and tears in edges.
Full-length portraits of John Charles Ogilby-Grant (1815-81) and his son Ian (1851-84), in Scottish dress with kilts and sporrans, the father with sword and dagger.
Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 67738] £320.00
[Painted by Francis Grant, R.A. Engraved by G. Raphael Ward.]
[London, Published by G.R. Ward, 38, Fitzroy Square, W.] [n.d., c.1860.]
Mixed-method engraving, proof before letters. Sheet 660 x 425mm (22 x 16¾"). Unidentified collector's stamp ''I F P'' on reverse. Nicks and tears in edges.
Full-length portraits of John Charles Ogilby-Grant (1815-81) and his son Ian (1851-84), in Scottish dress with kilts and sporrans, the father with sword and dagger.
Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 67738] £320.00
![[Ian Ogilvie-Grant] The Right Hon..ble Viscount Reidhaven, Master of Grant.](jpegs/66131.jpg)
[Ian Ogilvie-Grant] The Right Hon..ble Viscount Reidhaven, Master of Grant. From a Painting by Sir Francis Grant P.R.A. Presented to his Lordship on attaining Majority, by Clansmen of Grant and Tenants on the Estate of Strathspey. 7th October 1872.
Painted by Sir Francis Grant, P.R.A. Engraved by James Faed. Printed by McQueen.
Rare mezzotint on chine collé. 695 x 455mm (27½ x 18"). Trimmed into plate on left.
Full length portrait of Ian Charles Ogilvie-Grant (1851-1884), aged 21, wearing Scottish dress with a gun belt, a bagpiper behind. In 1881 he became the 8th Earl of Seafield.
Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 66131] £360.00
Painted by Sir Francis Grant, P.R.A. Engraved by James Faed. Printed by McQueen.
Rare mezzotint on chine collé. 695 x 455mm (27½ x 18"). Trimmed into plate on left.
Full length portrait of Ian Charles Ogilvie-Grant (1851-1884), aged 21, wearing Scottish dress with a gun belt, a bagpiper behind. In 1881 he became the 8th Earl of Seafield.
Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 66131] £360.00
![[Georg Benedict Ogilvy]. Georg Benedict Baron de Ogilvÿ, Sr. Czaar, Maj. General Feld Marschal.](jpegs/57755.jpg)
[Georg Benedict Ogilvy]. Georg Benedict Baron de Ogilvÿ, Sr. Czaar, Maj. General Feld Marschal.
[n.d., c.1722.]
Engraving. Sheet 140 x 85mm (5½ x 3¼"). Trimmed and mounted on a mismatched contemporary sheet with a decorative engraved architectural surround, total printed area 310 x 205mm (12¼ x 8").
Decorative portrait of Georg Benedict Ogilvy (1644-1710), in wig and armour. A great-grandson of James Ogilvy, 5th Lord Ogilvy of Airlie of the Scottish clan Ogilvy, he served in the armies of Austria, Russia, Poland & Saxony. In 1704 he was second in command of the Russians at the Siege of Narva (under Peter the Great). He then entered the service of Augustus II the Strong, becoming a field marshal of Saxony in 1706. He died at the Siege of Danzig in 1710.
[Ref: 57755] £230.00 (£276.00 incl.VAT)
[n.d., c.1722.]
Engraving. Sheet 140 x 85mm (5½ x 3¼"). Trimmed and mounted on a mismatched contemporary sheet with a decorative engraved architectural surround, total printed area 310 x 205mm (12¼ x 8").
Decorative portrait of Georg Benedict Ogilvy (1644-1710), in wig and armour. A great-grandson of James Ogilvy, 5th Lord Ogilvy of Airlie of the Scottish clan Ogilvy, he served in the armies of Austria, Russia, Poland & Saxony. In 1704 he was second in command of the Russians at the Siege of Narva (under Peter the Great). He then entered the service of Augustus II the Strong, becoming a field marshal of Saxony in 1706. He died at the Siege of Danzig in 1710.
[Ref: 57755] £230.00 (£276.00 incl.VAT)
James Earl of Seafield Viscount of Redhaven, Lord Oglivie of Deskford & Cullen &c. Lord High Chancellor of the king[dom] of Scotland [...]
[G. Kneller] S.R. Imp. et Angl. Eques Aur. Pinx. J. Smith fec. 17[04]
Mezzotint portrait within engraved frame. Sheet 450 x 305mm (17¾ x 12"). Trimmed into image on three sides, into plate at bottom, with loss of text in title, Kneller's name weakly inked, creased, stains in inscription area.
A half-length portrait in oval of James Ogilvy (1664-1730), 4th Earl of Findlater and 1st Earl of Seafield, wearing embroidered robe, lace cravat and long, full wig.
CS 228, state iii of iii.
[Ref: 66079] £230.00 (£276.00 incl.VAT)
[G. Kneller] S.R. Imp. et Angl. Eques Aur. Pinx. J. Smith fec. 17[04]
Mezzotint portrait within engraved frame. Sheet 450 x 305mm (17¾ x 12"). Trimmed into image on three sides, into plate at bottom, with loss of text in title, Kneller's name weakly inked, creased, stains in inscription area.
A half-length portrait in oval of James Ogilvy (1664-1730), 4th Earl of Findlater and 1st Earl of Seafield, wearing embroidered robe, lace cravat and long, full wig.
CS 228, state iii of iii.
[Ref: 66079] £230.00 (£276.00 incl.VAT)
The Honble: Sr: Chaloner Ogle Rear Admiral of the Bleu, He commanded the division which Attackt & took the Forts Chamba St. Iago, & St. Phillip, at Carthagena.
G. Hicks Pinx. Rob. Tims Fecet, But J. Faber.
[n.d. c.1740]
Altered plate. A rare and fine mezzotint. 351 x 249mm. Cut to the platemark.
Sir Chaloner Ogle (1681-1750) was an Admiral of the Fleet in the British navy. He was of the Kirkley Hall branch of the prominent Northumbrian Ogle family of Northumberland. In 1721 he commanded HMS Swallow leading the fleet in action off the West African coast. In 1722 he defeated the pirate fleet of Bartholomew Roberts, for which success he was awarded a knighthood. He was the only British naval officer to be honoured specifically for his actions against pirates. He also profited financially, taking gold dust from two of Roberts' ships, the Royal Fortune and Ranger. His crew did not receive their share until Ogle was reluctantly forced to give it to them by the legal system, three years later. Captain Chaloner Ogle claimed to have missed out on the treasure which the pirates had left on their third ship, the Little Ranger, when they sailed to their last engagement with the Swallow. By the time Ogle and his men arrived to take the treasure in the Little Ranger it had gone, with Captain Hill of the merchant ship Neptune, who had been trading with the pirates. Several weeks after the defeat of Bartholomew Roberts, however, Captain Ogle and Captain Hill had both sailed across the Atlantic and were in Port Royal at the same time. Even if this is assumed to be a coincidence, it seems nearly inconceivable that Captain Ogle, who was already swindling his own crew, would not have then confronted Captain Hill, who in theory Ogle could easily have had hanged for trading with pirates. It therefore seems likely that the larger part of Bartholomew Robert's treasure ended up in the hands of Captain Ogle, and some part in the hands of Captain Hill. In 1741 as Rear Admiral of the Blue he led the British attack on three forts at Cartagena, Colombia during a disastrous campaign in the War of Jenkins' Ear. In 1742 he was accused of an alleged assault upon Edward Trelawny, Governor of Jamaica but his career survived and he was appointed Admiral of the White and in 1747 Admiral of the Fleet.
C.S. 216 III of III. Not in Parker. In the NMM. From the Collection of Viscount Hood.
[Ref: 12438] £320.00
G. Hicks Pinx. Rob. Tims Fecet, But J. Faber.
[n.d. c.1740]
Altered plate. A rare and fine mezzotint. 351 x 249mm. Cut to the platemark.
Sir Chaloner Ogle (1681-1750) was an Admiral of the Fleet in the British navy. He was of the Kirkley Hall branch of the prominent Northumbrian Ogle family of Northumberland. In 1721 he commanded HMS Swallow leading the fleet in action off the West African coast. In 1722 he defeated the pirate fleet of Bartholomew Roberts, for which success he was awarded a knighthood. He was the only British naval officer to be honoured specifically for his actions against pirates. He also profited financially, taking gold dust from two of Roberts' ships, the Royal Fortune and Ranger. His crew did not receive their share until Ogle was reluctantly forced to give it to them by the legal system, three years later. Captain Chaloner Ogle claimed to have missed out on the treasure which the pirates had left on their third ship, the Little Ranger, when they sailed to their last engagement with the Swallow. By the time Ogle and his men arrived to take the treasure in the Little Ranger it had gone, with Captain Hill of the merchant ship Neptune, who had been trading with the pirates. Several weeks after the defeat of Bartholomew Roberts, however, Captain Ogle and Captain Hill had both sailed across the Atlantic and were in Port Royal at the same time. Even if this is assumed to be a coincidence, it seems nearly inconceivable that Captain Ogle, who was already swindling his own crew, would not have then confronted Captain Hill, who in theory Ogle could easily have had hanged for trading with pirates. It therefore seems likely that the larger part of Bartholomew Robert's treasure ended up in the hands of Captain Ogle, and some part in the hands of Captain Hill. In 1741 as Rear Admiral of the Blue he led the British attack on three forts at Cartagena, Colombia during a disastrous campaign in the War of Jenkins' Ear. In 1742 he was accused of an alleged assault upon Edward Trelawny, Governor of Jamaica but his career survived and he was appointed Admiral of the White and in 1747 Admiral of the Fleet.
C.S. 216 III of III. Not in Parker. In the NMM. From the Collection of Viscount Hood.
[Ref: 12438] £320.00
Gen.l. Oglethorpe, aged 102.
Etched by T.P..tt. Sketched at Dr. Johnson's Sale Hune 30. 1785.
[n.d.c.1814.] Published by C.G.Dyer. Soho.
Very rare etching, J. Whatman 1814 watermark. Sheet 220 x 135mm (8¾ x 5¼").
Full-length portrait of General James Oglethorpe (1696-1786) turned to his left, reading. General Oglethorpe was a British Army officer, Tory politician and colonial administrator best known for founding the Province of Georgia in British North America. As a social reformer, he hoped to resettle Britain's "worthy poor" in the New World, initially focusing on those in debtors' prisons. This is in reverse to the image in the BM.
[Ref: 64068] £260.00 (£312.00 incl.VAT)
Etched by T.P..tt. Sketched at Dr. Johnson's Sale Hune 30. 1785.
[n.d.c.1814.] Published by C.G.Dyer. Soho.
Very rare etching, J. Whatman 1814 watermark. Sheet 220 x 135mm (8¾ x 5¼").
Full-length portrait of General James Oglethorpe (1696-1786) turned to his left, reading. General Oglethorpe was a British Army officer, Tory politician and colonial administrator best known for founding the Province of Georgia in British North America. As a social reformer, he hoped to resettle Britain's "worthy poor" in the New World, initially focusing on those in debtors' prisons. This is in reverse to the image in the BM.
[Ref: 64068] £260.00 (£312.00 incl.VAT)
James Oglethorpe.
[after Samuel Ireland.]
[n.d., c.1850.]
Etching. Sheet 240 x 165mm (9½ x 6½"). Foxing.
Sketched portrait of James Edward Oglethorpe (1696 - 1785), general, philanthropist, and colonist of Georgia, as sketched at Dr. Johnson's sale.
[Ref: 45649] £45.00 (£54.00 incl.VAT)
[after Samuel Ireland.]
[n.d., c.1850.]
Etching. Sheet 240 x 165mm (9½ x 6½"). Foxing.
Sketched portrait of James Edward Oglethorpe (1696 - 1785), general, philanthropist, and colonist of Georgia, as sketched at Dr. Johnson's sale.
[Ref: 45649] £45.00 (£54.00 incl.VAT)
![[General Oglethorpe.]](jpegs/31199.jpg)
[General Oglethorpe.]
Publish'd as the Act Directs J.y 13.th 1781. C.B: Jun.r [Charles Bretherton.]
Ethcing with large margins. Plate 100 x 89mm (4 x 3½"). Crease.
Caricatured head of Oglethrope; he has an enormous nose and projecting jaw, giving the appearance of extreme old age; he wears a short bushy wig. James Edward Oglethorpe (1696-1785) the British general, Member of Parliament, philanthropist, and founder of the colony of Georgia. As a social reformer, he hoped to resettle Britain's poor, especially those in debtor's prisons, in the New World.
BM Satires: 5880.
[Ref: 31199] £140.00 (£168.00 incl.VAT)
Publish'd as the Act Directs J.y 13.th 1781. C.B: Jun.r [Charles Bretherton.]
Ethcing with large margins. Plate 100 x 89mm (4 x 3½"). Crease.
Caricatured head of Oglethrope; he has an enormous nose and projecting jaw, giving the appearance of extreme old age; he wears a short bushy wig. James Edward Oglethorpe (1696-1785) the British general, Member of Parliament, philanthropist, and founder of the colony of Georgia. As a social reformer, he hoped to resettle Britain's poor, especially those in debtor's prisons, in the New World.
BM Satires: 5880.
[Ref: 31199] £140.00 (£168.00 incl.VAT)
General James Oglethorpe. Died 30th June 1785 Aged 102 said to be the oldest General in Europe_Sketch'd from Life at the sale of Dr Johnsons books Feb.y 18th, 1785 where the Gen.l was reading a book he had purchas'd without spectacles_In 1706 he had an ensigns comission in the Guards & remember'd to have shot snipe in Conduit mead where Conduit Street now stands.
S. Ireland del.t et fecit.
[n.d., c.1800.]
Etching. Plate: 160 x 215mm (6¼ x 8½"), with very large margins.
A portrait of General Oglethorpe (1696-1785), member of Parliament, officer, and founder of the colony of Georgia, sitting on a stool reading a book.
[Ref: 41349] £260.00 (£312.00 incl.VAT)
S. Ireland del.t et fecit.
[n.d., c.1800.]
Etching. Plate: 160 x 215mm (6¼ x 8½"), with very large margins.
A portrait of General Oglethorpe (1696-1785), member of Parliament, officer, and founder of the colony of Georgia, sitting on a stool reading a book.
[Ref: 41349] £260.00 (£312.00 incl.VAT)
General James Oglethorpe. Died 30th June 1785 Aged 102 said to be the oldest General in Europe_Sketch'd from Life at the sale of Dr Johnsons books Feb.y 18th, 1785 where the Gen.l was reading a book he had purchas'd without spectacles_In 1706 he had an ensigns comission in the Guards & remember'd to have shot snipe in Conduit mead where Conduit Street now stands.
S. Ireland del.t et fecit.
Publishd Sept.r 9. 1785 by I. Cary, No. 188, Strand.
Etching. Plate: 160 x 215mm (6¼ x 8½"). Creasing in lower right corner.
A portrait of General Oglethorpe (1696-1785), member of Parliament, officer, and founder of the colony of Georgia, sitting on a stool reading a book.
[Ref: 45521] £260.00 (£312.00 incl.VAT)
S. Ireland del.t et fecit.
Publishd Sept.r 9. 1785 by I. Cary, No. 188, Strand.
Etching. Plate: 160 x 215mm (6¼ x 8½"). Creasing in lower right corner.
A portrait of General Oglethorpe (1696-1785), member of Parliament, officer, and founder of the colony of Georgia, sitting on a stool reading a book.
[Ref: 45521] £260.00 (£312.00 incl.VAT)
O Dear What Can the Matter Be, / Dear Dear What Shall I Do. / Nobody Coming to Marry Me. / Nobody Coming to Woo. / The Old Song.
W.m Nicolas fecit.
London Dean & Co. Threadneedle Street [n.d., c.1840].
Mezzotint with fine hand colour. 190 x 160mm (7½ x 6¼"), large margins With album paper pasted to edges.
A pretty young woman resting her head in one hand on a window sill.
[Ref: 56334] £95.00 (£114.00 incl.VAT)
W.m Nicolas fecit.
London Dean & Co. Threadneedle Street [n.d., c.1840].
Mezzotint with fine hand colour. 190 x 160mm (7½ x 6¼"), large margins With album paper pasted to edges.
A pretty young woman resting her head in one hand on a window sill.
[Ref: 56334] £95.00 (£114.00 incl.VAT)
Oh! Che Gusto!
Sicardy del. Copia sculp.
à Paris chez l'Auteur.
Stipple. Sheet 445 x 320mm. Some wear to edges.
Engraved by Copia after the miniaturist Louis Marie Sicard of Avignon.
[Ref: 7013] £480.00
Sicardy del. Copia sculp.
à Paris chez l'Auteur.
Stipple. Sheet 445 x 320mm. Some wear to edges.
Engraved by Copia after the miniaturist Louis Marie Sicard of Avignon.
[Ref: 7013] £480.00
![[Seven maps of Ohio harbour surveys.]](jpegs/26831.jpg)
[Seven maps of Ohio harbour surveys.] Sketch of Huron Harbor [&] Ashtabula Harbor Ohio [&] Conneaut Harbor Ohio [&] From Captain Stansbury's Survey of the Harbor of Cleveland, Ohio 1853; Sketch of the Harbour of Black River [&] Grand River Harbor Ohio 1854 [&] Survey of the Harbor of Cleveland Ohio...
Wagner & McGuigan, Lith Phila. [&] D. Chillas Lith 50 So. 3rd St. Philad.a.
[n.d, c.1854.]
Seven lithographic maps. Largest 450 x 615mm, 17¾ x 24¾". All with blind stamp of the Manchester Free Library. A few splits to folds, paper toning.
Surveys for a report on the condition of harbours in Ohio, prepared for the 33rd Congess of the United States.
[Ref: 26831] £300.00 view all images for this item
Wagner & McGuigan, Lith Phila. [&] D. Chillas Lith 50 So. 3rd St. Philad.a.
[n.d, c.1854.]
Seven lithographic maps. Largest 450 x 615mm, 17¾ x 24¾". All with blind stamp of the Manchester Free Library. A few splits to folds, paper toning.
Surveys for a report on the condition of harbours in Ohio, prepared for the 33rd Congess of the United States.
[Ref: 26831] £300.00 view all images for this item
![Crossing the Oho-E-Ga-Wa. [Province Suraga.]](jpegs/18878.jpg)
Crossing the Oho-E-Ga-Wa. [Province Suraga.]
T. Sinclairs lith. Phil.a
[1856.]
Chromolithograph. 286 x 437mm. 11¼ x 17¼". Vertical fold as published.
Nobles being carried over the water on litters, and in one case on a man's shoulders. Matthew Calbraith Perry (1794-1858) led a US government expedition designed to open up trade with Japan, which had been in self-imposed isolation for almost 200 years. The United States wanted to increase their trade routes in the western Pacific. They also wanted a coaling station for the new steam-powered ships of the US Navy. From the "Narrative of the Expedition of an American Squadron to the China Seas and Japan, Performed in the Years 1852, 1853, and 1854, Under the Command of Commodore M.C. Perry, United States Navy, by order of the Government of the United States, at his request, and under his supervision", by Francis L. Hawks.
Library of Congress [book]: 01004228. See Ref 18877
[Ref: 18878] £110.00 (£132.00 incl.VAT)
T. Sinclairs lith. Phil.a
[1856.]
Chromolithograph. 286 x 437mm. 11¼ x 17¼". Vertical fold as published.
Nobles being carried over the water on litters, and in one case on a man's shoulders. Matthew Calbraith Perry (1794-1858) led a US government expedition designed to open up trade with Japan, which had been in self-imposed isolation for almost 200 years. The United States wanted to increase their trade routes in the western Pacific. They also wanted a coaling station for the new steam-powered ships of the US Navy. From the "Narrative of the Expedition of an American Squadron to the China Seas and Japan, Performed in the Years 1852, 1853, and 1854, Under the Command of Commodore M.C. Perry, United States Navy, by order of the Government of the United States, at his request, and under his supervision", by Francis L. Hawks.
Library of Congress [book]: 01004228. See Ref 18877
[Ref: 18878] £110.00 (£132.00 incl.VAT)
Der Oelschlager.
[Nuremberg: Johann Christoph Weigel. 1699.]
Engraving. Plate: 85 x 135mm (3¼ x 5¼"). Large margins.
A scene in which a man pours olive oil into a barrel while a woman next to him looks on, in the background a horse turns a large press. An illustration from 'Etwas für Alle...' by Abraham à Santa Clara (1644-1709).
[Ref: 38896] £95.00 (£114.00 incl.VAT)
[Nuremberg: Johann Christoph Weigel. 1699.]
Engraving. Plate: 85 x 135mm (3¼ x 5¼"). Large margins.
A scene in which a man pours olive oil into a barrel while a woman next to him looks on, in the background a horse turns a large press. An illustration from 'Etwas für Alle...' by Abraham à Santa Clara (1644-1709).
[Ref: 38896] £95.00 (£114.00 incl.VAT)
The Oil Press.
[n.d., 1763.]
Engraving. Sheet 170 x 195mm (6¾ x 7¾"), with a letterpress sheet with key. Original folds, slight offset from text.
An illustration of a press for olive oil. From 'Spectacle de la Nature: or, Nature Display'd. Being Discourses On such Particulars of Natural History As were thought most proper to Excite the Curiosity, and Form the Minds of Youth'.
[Ref: 60857] £65.00 (£78.00 incl.VAT)
[n.d., 1763.]
Engraving. Sheet 170 x 195mm (6¾ x 7¾"), with a letterpress sheet with key. Original folds, slight offset from text.
An illustration of a press for olive oil. From 'Spectacle de la Nature: or, Nature Display'd. Being Discourses On such Particulars of Natural History As were thought most proper to Excite the Curiosity, and Form the Minds of Youth'.
[Ref: 60857] £65.00 (£78.00 incl.VAT)
![[Okinawa] Garden of the Temple at Lechew.](jpegs/55494.jpg)
[Okinawa] Garden of the Temple at Lechew. Alceste's Voyage.
Lieut. Dwarris delin. J. Clark Sculp.
Published by J. Murray, London, 1817.
Coloured aquatint. Sheet 135 x 190mm (5¼ x 7½"). Trimmed within plate.
A garden on Okinawa, with British sailors carrying casks to a storeroom, during a six-week stay there. From 'Narrative of a voyage in His Majesty's late ship Alceste', an account of Lord Amherst's diplomatic mission to China in 1817. On the return journey the Alceste hit a reef in the Java Sea and was wrecked, after which the crew had to cope with Malay Dyak pirates who burned the ship and surrounded their camp.
Abbey Travel 559.
[Ref: 55494] £120.00 (£144.00 incl.VAT)
Lieut. Dwarris delin. J. Clark Sculp.
Published by J. Murray, London, 1817.
Coloured aquatint. Sheet 135 x 190mm (5¼ x 7½"). Trimmed within plate.
A garden on Okinawa, with British sailors carrying casks to a storeroom, during a six-week stay there. From 'Narrative of a voyage in His Majesty's late ship Alceste', an account of Lord Amherst's diplomatic mission to China in 1817. On the return journey the Alceste hit a reef in the Java Sea and was wrecked, after which the crew had to cope with Malay Dyak pirates who burned the ship and surrounded their camp.
Abbey Travel 559.
[Ref: 55494] £120.00 (£144.00 incl.VAT)
![[Old and Young Man]](jpegs/65916.jpg)
[Old and Young Man]
[after David Teniers] VB.
[n.d. c.1680]
Mezzotint, 18th century watermark; 155 x 130mm (6¼ x 5¼"), with very large margins.
An old man holding a sharp stake looks at a younger man over his shoulder who holds a small cauldron. Engraved and published by Jan van der Bruggen (c.1648-90) after David Teniers the younger (1610-90).
[Ref: 65916] £120.00 (£144.00 incl.VAT)
[after David Teniers] VB.
[n.d. c.1680]
Mezzotint, 18th century watermark; 155 x 130mm (6¼ x 5¼"), with very large margins.
An old man holding a sharp stake looks at a younger man over his shoulder who holds a small cauldron. Engraved and published by Jan van der Bruggen (c.1648-90) after David Teniers the younger (1610-90).
[Ref: 65916] £120.00 (£144.00 incl.VAT)
The Whole Proceedings On the King's Commission of the Peace, Oyer and Terminer, and Goal Delivery for the City of London, and also, The Goal Delivery for the County of Middlesex, Held at Justice-Hall, in the Old Bailey, On Wednesday, the 9th of January, 1805, and following Days, Being the Second Session in the Mayorality of the Right Honourable Peter Perchard, Lord Mayor of the City of London. Taken in Short-Hand by Ramsey and Blanchard. [& Third Session, 20th February, & Fourth Session, 24th April]
London: printed and Published, By Authority of the Corporation of the City of London, by W. Wilson, St. Peter's-Hill, Little Knight-Rider-Street, Doctors' Commons. 1805.
Quarto (260 x 195mm, 10¼ x 7¾"), original boards; pp. 72-140, 157-310, incomplete, edges uncut. Ex-libris label on front pastedown; spine taped.
Transcripts of criminal cases, including that of Samuel Nunn (case 211) who was sentenced to be transported for seven years for stealing 3 shillings worth of indigo; and William Field (case 254) sentenced to death for counterfeiting sixpences. Important reference for transportation to Australia.
[Ref: 60683] £680.00 view all images for this item
London: printed and Published, By Authority of the Corporation of the City of London, by W. Wilson, St. Peter's-Hill, Little Knight-Rider-Street, Doctors' Commons. 1805.
Quarto (260 x 195mm, 10¼ x 7¾"), original boards; pp. 72-140, 157-310, incomplete, edges uncut. Ex-libris label on front pastedown; spine taped.
Transcripts of criminal cases, including that of Samuel Nunn (case 211) who was sentenced to be transported for seven years for stealing 3 shillings worth of indigo; and William Field (case 254) sentenced to death for counterfeiting sixpences. Important reference for transportation to Australia.
[Ref: 60683] £680.00 view all images for this item
![[The Old Sessions House, Old Bailey.]](jpegs/61986.jpg)
[The Old Sessions House, Old Bailey.]
[n.d., c.1700.]
Fine etching. Sheet 210 x 340mm (8¼ x 13½"). Trimmed into image, laid on album paper.
A rare etched view of the Sessions House, built in 1674, after the Great Fire destroyed the earlier building in 1666. The front was left open to the weather to prevent the spread of disease (closed in 1734).
[Ref: 61986] £290.00 (£348.00 incl.VAT)
[n.d., c.1700.]
Fine etching. Sheet 210 x 340mm (8¼ x 13½"). Trimmed into image, laid on album paper.
A rare etched view of the Sessions House, built in 1674, after the Great Fire destroyed the earlier building in 1666. The front was left open to the weather to prevent the spread of disease (closed in 1734).
[Ref: 61986] £290.00 (£348.00 incl.VAT)
Old Bailey.
Rowlandson & Pugin delt. et sculpt. Stadler aquat.
London Pub. 1st. March 1809, at R. Ackermann’s Repository of Arts 101 Strand.
Hand coloured aquatint on J. Whatman paper watermarked 1808. Platemark: 240 x 285mm (9½ x 11¼"). Trimmed to plate at top but large margins on other the three sides.
An interior view of the Old Bailey, London. The court at Old Bailey held sessions eight times a year. It heard the most serious crimes commited in the city of London and Middlesex. In this image a witness is being cross-examined in one of these sessions. The court has been demolished and the present court building dates from 1907. Published in Ackermann's famous work, the 'Microcosm of London', the figures were drawn by the famous caricaturist Thomas Rowlandson and the architecture by Augustus Pugin.
Abbey, Scenery: 212.
[Ref: 58325] £260.00 (£312.00 incl.VAT)
Rowlandson & Pugin delt. et sculpt. Stadler aquat.
London Pub. 1st. March 1809, at R. Ackermann’s Repository of Arts 101 Strand.
Hand coloured aquatint on J. Whatman paper watermarked 1808. Platemark: 240 x 285mm (9½ x 11¼"). Trimmed to plate at top but large margins on other the three sides.
An interior view of the Old Bailey, London. The court at Old Bailey held sessions eight times a year. It heard the most serious crimes commited in the city of London and Middlesex. In this image a witness is being cross-examined in one of these sessions. The court has been demolished and the present court building dates from 1907. Published in Ackermann's famous work, the 'Microcosm of London', the figures were drawn by the famous caricaturist Thomas Rowlandson and the architecture by Augustus Pugin.
Abbey, Scenery: 212.
[Ref: 58325] £260.00 (£312.00 incl.VAT)
![Bullerfield [Butterfield?] Swearing a Witness at the Old Bailey.](jpegs/62535.jpg)
Bullerfield [Butterfield?] Swearing a Witness at the Old Bailey.
[John Nixon.]
Pub Jany 1st 1796 by E & S Harding Pall Mall.
Stipple with etching. Sheet 150 x 220mm (6 x 8¾"). Trimmed close to image, corners snipped.
A satirical scene at the Central Criminal Court, with a clerk in wig and gown holding a bible for a witness.
Guildhall: q9820443. Not in BM.
[Ref: 62535] £140.00 (£168.00 incl.VAT)
[John Nixon.]
Pub Jany 1st 1796 by E & S Harding Pall Mall.
Stipple with etching. Sheet 150 x 220mm (6 x 8¾"). Trimmed close to image, corners snipped.
A satirical scene at the Central Criminal Court, with a clerk in wig and gown holding a bible for a witness.
Guildhall: q9820443. Not in BM.
[Ref: 62535] £140.00 (£168.00 incl.VAT)
![[Old Bond Street.]](jpegs/62481.jpg)
[Old Bond Street.]
Sydney R. Jones.
[1928.]
Drypoint etching, signed by the artist in pencil. 315 x 225mm (12½ x 9").
A view of Old Bond Street looking towards Piccadilly, with several recognisable business signs including fine art dealers Agnew's. Sydney Robert Fleming Jones (1881-1961) was a notable watercolourist and etcher, particularly of architectural views; he also wrote several books on the English countryside and provided illustrations for several publications including The Times, Illustrated London News and The Studio.
[Ref: 62481] £260.00 (£312.00 incl.VAT)
Sydney R. Jones.
[1928.]
Drypoint etching, signed by the artist in pencil. 315 x 225mm (12½ x 9").
A view of Old Bond Street looking towards Piccadilly, with several recognisable business signs including fine art dealers Agnew's. Sydney Robert Fleming Jones (1881-1961) was a notable watercolourist and etcher, particularly of architectural views; he also wrote several books on the English countryside and provided illustrations for several publications including The Times, Illustrated London News and The Studio.
[Ref: 62481] £260.00 (£312.00 incl.VAT)
![[The Old Bridge.]](jpegs/41733.jpg)
[The Old Bridge.]
W.O.J.N. [Wijnand Otto Jan Nieuwenkamp].
[n.d., c.1903.]
Woodcut. Printed area 175 x 315mm (7 x 12½").
An ancient bridge over a river, possibly in Mechelen, Belgium. Nieuwenkamp's 'Brücke in Mecheln' has a similar window structure. Nieuwenkamp (1874-1950) was the first European artist to visit Bali. It is probable that this view was drawn from his houseboat, 'De Zwerver' (The Wanderer), in which he toured Europe, holding exhibitions on board.
[Ref: 41733] £140.00 (£168.00 incl.VAT)
W.O.J.N. [Wijnand Otto Jan Nieuwenkamp].
[n.d., c.1903.]
Woodcut. Printed area 175 x 315mm (7 x 12½").
An ancient bridge over a river, possibly in Mechelen, Belgium. Nieuwenkamp's 'Brücke in Mecheln' has a similar window structure. Nieuwenkamp (1874-1950) was the first European artist to visit Bali. It is probable that this view was drawn from his houseboat, 'De Zwerver' (The Wanderer), in which he toured Europe, holding exhibitions on board.
[Ref: 41733] £140.00 (£168.00 incl.VAT)
![[Chelsea Bridge.]](jpegs/9234.jpg)
[Chelsea Bridge.]
Ernest H. G. Cox [pencil signature.]
[n.d c.1910.]
Etching. Plate 171 x 246mm. 6¾" x 9¾".
A view of Old Chelsea Bridge with the various power stations and factories which stood where Battersea Power station now stands today. The bridge, originally called Victoria Bridge was opened as a toll bridge to the newly created Battersea Park, however, the bridge was not structually sound and the old Chelsea Bridge was demolised in the 1930s and the new bridge which still stands today was built.
See Ref: 39834
[Ref: 9234] £130.00 (£156.00 incl.VAT)
Ernest H. G. Cox [pencil signature.]
[n.d c.1910.]
Etching. Plate 171 x 246mm. 6¾" x 9¾".
A view of Old Chelsea Bridge with the various power stations and factories which stood where Battersea Power station now stands today. The bridge, originally called Victoria Bridge was opened as a toll bridge to the newly created Battersea Park, however, the bridge was not structually sound and the old Chelsea Bridge was demolised in the 1930s and the new bridge which still stands today was built.
See Ref: 39834
[Ref: 9234] £130.00 (£156.00 incl.VAT)
The College; - Windermere.
L. Aspland Del.t W. Banks. sc. Edin.r
Rare engraving, sheet 105 x 130mm (4¼ x 5¼"). Cut within plate mark and glued to backing sheet.
A school yard scene depicting boys playing cricket. The school appears to be what is known as the Old College, Windermere built for the Rev Addison by Abraham Pattinson who opened it as St. Mary's College in September 1853. In 1855 the college was bought by Benjamin Irving and George Hale Puckle of Nine Oaks. They became joint headmasters and renamed the establishment.
[Ref: 56003] £95.00 (£114.00 incl.VAT)
L. Aspland Del.t W. Banks. sc. Edin.r
Rare engraving, sheet 105 x 130mm (4¼ x 5¼"). Cut within plate mark and glued to backing sheet.
A school yard scene depicting boys playing cricket. The school appears to be what is known as the Old College, Windermere built for the Rev Addison by Abraham Pattinson who opened it as St. Mary's College in September 1853. In 1855 the college was bought by Benjamin Irving and George Hale Puckle of Nine Oaks. They became joint headmasters and renamed the establishment.
[Ref: 56003] £95.00 (£114.00 incl.VAT)
The Old Complaint! ''Time are horrid bad.''
[nd. c.1830.]
Lithograph with fine hand colour. Sheet 235 x 275mm (9¼ x 10¾"). Trimmed close to the image.
A man, spectacles resting on his forehead, stands above a table with an empty cashbox, accounts ledger and bills.
[Ref: 51417] £140.00 (£168.00 incl.VAT)
[nd. c.1830.]
Lithograph with fine hand colour. Sheet 235 x 275mm (9¼ x 10¾"). Trimmed close to the image.
A man, spectacles resting on his forehead, stands above a table with an empty cashbox, accounts ledger and bills.
[Ref: 51417] £140.00 (£168.00 incl.VAT)
![The Old Curiosity Shop London [pencil].](jpegs/49244.jpg)
The Old Curiosity Shop London [pencil]. ''London'' (The Old Curiosity Shop). Original Etching Printed in Colours by the Artist R. Herdman-Smith, A.R.W.A. Edition Strictly Limited to 75 Signed Artist's Proofs.
R. Herdman-Smith. A.R.W.A. [signed in pencil.]
Etching, printed in colour. 150 x 215mm (6 x 8½") very large margins. In original mount with publisher's printed title label. Mint.
The sixteenth century building at 13–14 Portsmouth Street, Westminster, by the London School of Economics, supposedly the inspiration for Charles Dickens' novel. Robert Herdman-Smith (1879-1945) was born in Liverpool and exhibited at the Royal Academy and Paris Salon. He taught at the Wellington Technical School, New Zealand, from 1902, later returning to England.
[Ref: 49244] £75.00 (£90.00 incl.VAT)
R. Herdman-Smith. A.R.W.A. [signed in pencil.]
Etching, printed in colour. 150 x 215mm (6 x 8½") very large margins. In original mount with publisher's printed title label. Mint.
The sixteenth century building at 13–14 Portsmouth Street, Westminster, by the London School of Economics, supposedly the inspiration for Charles Dickens' novel. Robert Herdman-Smith (1879-1945) was born in Liverpool and exhibited at the Royal Academy and Paris Salon. He taught at the Wellington Technical School, New Zealand, from 1902, later returning to England.
[Ref: 49244] £75.00 (£90.00 incl.VAT)
New way to pay old debts.
M.E. Esq.r del. G. Hunt sculp.
Pub.d by Tho.s M.cLean, 26 Haymarket 1825.
Hand-coloured aquatint. Plate: 195 x 200mm (7¾ x 8''), with very large margins.
A comic scene in which a man is greeted in the street by a doctor who requests payment for looking after the man's wife to which the man replies with a humourous retort.
Hickman: p.46
[Ref: 48551] £140.00 (£168.00 incl.VAT)
M.E. Esq.r del. G. Hunt sculp.
Pub.d by Tho.s M.cLean, 26 Haymarket 1825.
Hand-coloured aquatint. Plate: 195 x 200mm (7¾ x 8''), with very large margins.
A comic scene in which a man is greeted in the street by a doctor who requests payment for looking after the man's wife to which the man replies with a humourous retort.
Hickman: p.46
[Ref: 48551] £140.00 (£168.00 incl.VAT)
A View of the Old England just arriv'd from a Cruize round the Globe.
[1762.]
Engraving. Plate: 120 x 150mm (4¾ x 6"), large margins. Holes and foxing in plate.
A political satire commenting on the negotiations for the Treaty of Paris signed in September 1783 and peace with France. The scene shows the arrival of a ship full of figures, the Duke of Cumberland stands on the quaterdeck with a drawn sword adressing the figures on board. Pitt and the Duke of York stand behind Cumberland. On the shore Lord Bute and the Duc de Nivernois and some counsellors sit on a large box. This print is an illustration to "The British Antidote to Caledonian Poison".
A reduced and reversed copy of BM Satire 3920.
[Ref: 45490] £110.00 (£132.00 incl.VAT)
[1762.]
Engraving. Plate: 120 x 150mm (4¾ x 6"), large margins. Holes and foxing in plate.
A political satire commenting on the negotiations for the Treaty of Paris signed in September 1783 and peace with France. The scene shows the arrival of a ship full of figures, the Duke of Cumberland stands on the quaterdeck with a drawn sword adressing the figures on board. Pitt and the Duke of York stand behind Cumberland. On the shore Lord Bute and the Duc de Nivernois and some counsellors sit on a large box. This print is an illustration to "The British Antidote to Caledonian Poison".
A reduced and reversed copy of BM Satire 3920.
[Ref: 45490] £110.00 (£132.00 incl.VAT)
Old English Colour-Prints.
Text by Malcolm C. Salaman (Author of 'The Old Engravers of England') Edited by Charles Holme.
MCMIX Offices of 'The Studio' London, Paris and New York. [1909.]
Folio with cloth cover, gilt title on frotn and on spine. Cover rubbed.
A history of eighteenth century colour prints with forty colour illustrations.
[Ref: 21996] £60.00
Text by Malcolm C. Salaman (Author of 'The Old Engravers of England') Edited by Charles Holme.
MCMIX Offices of 'The Studio' London, Paris and New York. [1909.]
Folio with cloth cover, gilt title on frotn and on spine. Cover rubbed.
A history of eighteenth century colour prints with forty colour illustrations.
[Ref: 21996] £60.00
![[''She thought the judging would never end''.]](jpegs/47832.jpg)
[''She thought the judging would never end''.]
C.M.H. V.S.
[n.d., c.1944.]
Drawing. Sheet: 205 x 185mm (8 x 7¼"). On board with pencil annotations.
A scene showing a young girl showing her Old English Sheepdog in a dog show. An original illustration by illustrator and author Cynthia Harnett (1893-1981) and animal artist George Vernon Stokes (1873-1954), for Muriel Denison's 'Happy Tramp: the Story of a Little Girl and Her Old English Sheep Dog', 1944. After her father is wounded as a soldier in World War II and her mother is killed by in a German air raid Biddie and her Old English Sheepdog are evacuated to America where her father has found work as a kennel man for a wealthy New York dog breeder.
[Ref: 47832] £220.00 (£264.00 incl.VAT)
C.M.H. V.S.
[n.d., c.1944.]
Drawing. Sheet: 205 x 185mm (8 x 7¼"). On board with pencil annotations.
A scene showing a young girl showing her Old English Sheepdog in a dog show. An original illustration by illustrator and author Cynthia Harnett (1893-1981) and animal artist George Vernon Stokes (1873-1954), for Muriel Denison's 'Happy Tramp: the Story of a Little Girl and Her Old English Sheep Dog', 1944. After her father is wounded as a soldier in World War II and her mother is killed by in a German air raid Biddie and her Old English Sheepdog are evacuated to America where her father has found work as a kennel man for a wealthy New York dog breeder.
[Ref: 47832] £220.00 (£264.00 incl.VAT)
![[The Old English Squire] Buys an Historical Picture. St. Anthony Preaching to the Fishes.](jpegs/58413.jpg)
[The Old English Squire] Buys an Historical Picture. St. Anthony Preaching to the Fishes. Zooks! I ne'er understood that fishes could hear,/ But tis painted so lively the fact seems quite clear.
Published May 1821, by Tho.s Mc.Lean, Hay Market.
Fine hand coloured aquatint, pt Whatman watermark 160 x 225mm (6¼ x 8¾"), very large margins.
A bearded figure dressed as a monk on the sea shore addressing an audience of rather grotesque sea creatures. A satire referencing St Antony of Padua (1195 - 1231), of whom it is said that fish rose out of the water to hear him preach. From 'The Old English Squire. A jovial gay fox hunter, bold, frank and free: a poem in ten cantos by John Careless, Esq'.
[Ref: 58413] £75.00 (£90.00 incl.VAT)
Published May 1821, by Tho.s Mc.Lean, Hay Market.
Fine hand coloured aquatint, pt Whatman watermark 160 x 225mm (6¼ x 8¾"), very large margins.
A bearded figure dressed as a monk on the sea shore addressing an audience of rather grotesque sea creatures. A satire referencing St Antony of Padua (1195 - 1231), of whom it is said that fish rose out of the water to hear him preach. From 'The Old English Squire. A jovial gay fox hunter, bold, frank and free: a poem in ten cantos by John Careless, Esq'.
[Ref: 58413] £75.00 (£90.00 incl.VAT)