A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
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Daniel O'Connell on his 68th Birthday 1843.
Published by T. McLean, 26, Haymarket, Dec. 1843.
A rare tinted lithograph. Sheet: 315 x 220mm (12½ x 8¾'') very large margins.
A seated portrait of Daniel O'Connell (1775 - 1847). Known as 'The Liberator', or 'The Emancipator', O'Connell was an Irish political leader in the first half of the nineteenth century. He campaigned for Catholic Emancipation - the right for Catholics to sit in the Westminster Parliament, denied for over 100 years - and Repeal of the Union between Ireland and Great Britain.
[Ref: 48772] £160.00 (£192.00 incl.VAT)
Published by T. McLean, 26, Haymarket, Dec. 1843.
A rare tinted lithograph. Sheet: 315 x 220mm (12½ x 8¾'') very large margins.
A seated portrait of Daniel O'Connell (1775 - 1847). Known as 'The Liberator', or 'The Emancipator', O'Connell was an Irish political leader in the first half of the nineteenth century. He campaigned for Catholic Emancipation - the right for Catholics to sit in the Westminster Parliament, denied for over 100 years - and Repeal of the Union between Ireland and Great Britain.
[Ref: 48772] £160.00 (£192.00 incl.VAT)
![[Daniel O'Connell] A Fancy Sketch Shewing a select speciment of the Cross-Palpable.](jpegs/50111.jpg)
[Daniel O'Connell] A Fancy Sketch Shewing a select speciment of the Cross-Palpable.
H.B. [John Doyle.]
Published by Thos. McLean 26 Haymarket August 11th 1834.
Lithograph. Sheet: 285 x 410mm (11¼ x 16''). Staining on left.
A political satire showing political opponents Daniel O'Connell and Lord Althorp engaged in a boxing match, other politicians watch and cheer on the fight while John Bull holds the watch. A commentary on O'Connell and Lord Althorp's positions on the Irish Tithe Bill.
[Ref: 50111] £90.00 (£108.00 incl.VAT)
H.B. [John Doyle.]
Published by Thos. McLean 26 Haymarket August 11th 1834.
Lithograph. Sheet: 285 x 410mm (11¼ x 16''). Staining on left.
A political satire showing political opponents Daniel O'Connell and Lord Althorp engaged in a boxing match, other politicians watch and cheer on the fight while John Bull holds the watch. A commentary on O'Connell and Lord Althorp's positions on the Irish Tithe Bill.
[Ref: 50111] £90.00 (£108.00 incl.VAT)
![[Daniel O'Connell] Caged at Last.](jpegs/63651.jpg)
[Daniel O'Connell] Caged at Last.
H.B [John Doyle]. Printed by W. Kohler.
London: W. Spooner, 377 Strand [n.d., 1843].
Rare lithograph. Sheet 260 x 370mm (10¼ x 14½"). Trimmed within printed borders, some foxing.
Daniel O'Connell and his associates stand at the bars of a prison window weeping. Above the window is written 'Cease to do Evil and Learn to do Well'; under the sill is a rent box. In 1843 he spent three months in Griffith Barracks, Dublin (known as Richmond Bridewell) for conspiracy before being released on appeal.
[Ref: 63651] £180.00 (£216.00 incl.VAT)
H.B [John Doyle]. Printed by W. Kohler.
London: W. Spooner, 377 Strand [n.d., 1843].
Rare lithograph. Sheet 260 x 370mm (10¼ x 14½"). Trimmed within printed borders, some foxing.
Daniel O'Connell and his associates stand at the bars of a prison window weeping. Above the window is written 'Cease to do Evil and Learn to do Well'; under the sill is a rent box. In 1843 he spent three months in Griffith Barracks, Dublin (known as Richmond Bridewell) for conspiracy before being released on appeal.
[Ref: 63651] £180.00 (£216.00 incl.VAT)
![[Daniel O'Connell.]](jpegs/7646.jpg)
[Daniel O'Connell.]
[Painted And Engraved By R.M. Hodgetts.]
[London, published by S. Hollyer.]
Mixed method engraving, proof before all letters, 434 x 342mm. Damage to paper extremities, tear from right into plate but not image.
A strong proof impression of this handsome portrait of Daniel O'Connell (1775 - 1847). Known as 'The Liberator', or 'The Emancipator', he was an Irish political leader in the first half of the nineteenth century. He campaigned for Catholic Emancipation - the right for Catholics to sit in the Westminster Parliament, denied for over 100 years - and Repeal of the Union between Ireland and Great Britain.
[Ref: 7646] £450.00
[Painted And Engraved By R.M. Hodgetts.]
[London, published by S. Hollyer.]
Mixed method engraving, proof before all letters, 434 x 342mm. Damage to paper extremities, tear from right into plate but not image.
A strong proof impression of this handsome portrait of Daniel O'Connell (1775 - 1847). Known as 'The Liberator', or 'The Emancipator', he was an Irish political leader in the first half of the nineteenth century. He campaigned for Catholic Emancipation - the right for Catholics to sit in the Westminster Parliament, denied for over 100 years - and Repeal of the Union between Ireland and Great Britain.
[Ref: 7646] £450.00
![Daniel O'Connell [signature facsimile].](jpegs/7643.jpg)
Daniel O'Connell [signature facsimile].
Painted And Engraved By R.M. Hodgetts.
London: Published December 1st. 1843, For The Proprietor, By S. Hollyer, 89. Chancery lane.
Proof mixed method engraving on india laid paper, 434 x 342mm. Foxing, largely to margins outside india.
A good impression of this handsome portrait of Daniel O'Connell (1775 - 1847). Known as 'The Liberator', or 'The Emancipator', he was an Irish political leader in the first half of the nineteenth century. He campaigned for Catholic Emancipation - the right for Catholics to sit in the Westminster Parliament, denied for over 100 years - and Repeal of the Union between Ireland and Great Britain.
[Ref: 7643] £450.00
Painted And Engraved By R.M. Hodgetts.
London: Published December 1st. 1843, For The Proprietor, By S. Hollyer, 89. Chancery lane.
Proof mixed method engraving on india laid paper, 434 x 342mm. Foxing, largely to margins outside india.
A good impression of this handsome portrait of Daniel O'Connell (1775 - 1847). Known as 'The Liberator', or 'The Emancipator', he was an Irish political leader in the first half of the nineteenth century. He campaigned for Catholic Emancipation - the right for Catholics to sit in the Westminster Parliament, denied for over 100 years - and Repeal of the Union between Ireland and Great Britain.
[Ref: 7643] £450.00
![[Daniel O'Connell] Conspirators; or Imprisonment As It Is And Imprisonment As It Was.](jpegs/63650.jpg)
[Daniel O'Connell] Conspirators; or Imprisonment As It Is And Imprisonment As It Was.
[John Doyle]
[n.d., c.1843.]
Scarce lithograph. Sheet 250 x 370mm (9¾ x 14½"). Trimmed within printed borders, title excised and pasted at top of image.
Two contrasting scenes of imprisonment in Ireland. On the left an obese Daniel O'Connell lifts a wine glass in 'Richmond Pleasure Grounds', a 'Rent' box at his feet; on the right an unkept man sits shackled in Kilmainham Gaol, a jug of water and a loaf beside him. In 1843 O'Connell spent three months in Griffith Barracks, Dublin (known as Richmond Bridwell, for conspiracy before being released. Kilmainham Gaol in Dublin, opened 1796, was notorious for the poor, overcrowded conditions. It is now a museum.
[Ref: 63650] £180.00 (£216.00 incl.VAT)
[John Doyle]
[n.d., c.1843.]
Scarce lithograph. Sheet 250 x 370mm (9¾ x 14½"). Trimmed within printed borders, title excised and pasted at top of image.
Two contrasting scenes of imprisonment in Ireland. On the left an obese Daniel O'Connell lifts a wine glass in 'Richmond Pleasure Grounds', a 'Rent' box at his feet; on the right an unkept man sits shackled in Kilmainham Gaol, a jug of water and a loaf beside him. In 1843 O'Connell spent three months in Griffith Barracks, Dublin (known as Richmond Bridwell, for conspiracy before being released. Kilmainham Gaol in Dublin, opened 1796, was notorious for the poor, overcrowded conditions. It is now a museum.
[Ref: 63650] £180.00 (£216.00 incl.VAT)
Daniel O'Connell, Esqr. Member of Parliament for the County of Clare.
I. Dadley delt. et Sculpt.
London, Published 1843, for the Proprietor by Jucks & Son, 111, Newgate Street.
Engraving, sheet 320 x 420mm. 12½ x 16½". Trimmed to plate.
Bust in profile of Daniel O'Connell (1775 - 1847) in an oval frame surmounted by a bay leaf crown. Known as 'The Liberator', or 'The Emancipator', O'Connell was an Irish political leader in the first half of the nineteenth century. He campaigned for Catholic Emancipation - the right for Catholics to sit in the Westminster Parliament, denied for over 100 years - and Repeal of the Union between Ireland and Great Britain. A rare portrait.
[Ref: 13795] £190.00 (£228.00 incl.VAT)
I. Dadley delt. et Sculpt.
London, Published 1843, for the Proprietor by Jucks & Son, 111, Newgate Street.
Engraving, sheet 320 x 420mm. 12½ x 16½". Trimmed to plate.
Bust in profile of Daniel O'Connell (1775 - 1847) in an oval frame surmounted by a bay leaf crown. Known as 'The Liberator', or 'The Emancipator', O'Connell was an Irish political leader in the first half of the nineteenth century. He campaigned for Catholic Emancipation - the right for Catholics to sit in the Westminster Parliament, denied for over 100 years - and Repeal of the Union between Ireland and Great Britain. A rare portrait.
[Ref: 13795] £190.00 (£228.00 incl.VAT)
This Portrait of Daniel O Connell. Esq.r is with respect dedicated to J. W. Fulton Esq.r the sincere friend of Mr. O Connell and Civil & Religious Liberty by his obliged servant Tho.s McLean.
Painted by J. Gubbins. Engraved by J. P. Quilley.
London Published July 7th. 1829, by Tho.s McLean, 26, Haymarket.
Proof mezzotint. Sheet size: 375 x 285mm. (14¾ x 11¼"). Trimmed inside platemark.
Portrait of Daniel O'Connell (1775 - 1847), with a dedication to J. W. Fulton inscribed underneath, including a coat of arms and facsimile signature. Often referred to as 'The Liberator', or 'The Emancipator', O' Connell was an Irish political leader in the first half of the 19th century. He campaigned for Catholic Emancipation, including the right for Catholics to sit in the Westminster Parliament, denied for over 100 years, and the repeal of the Act of Union which combined Great Britain and Ireland.
[Ref: 31704] £230.00 (£276.00 incl.VAT)
Painted by J. Gubbins. Engraved by J. P. Quilley.
London Published July 7th. 1829, by Tho.s McLean, 26, Haymarket.
Proof mezzotint. Sheet size: 375 x 285mm. (14¾ x 11¼"). Trimmed inside platemark.
Portrait of Daniel O'Connell (1775 - 1847), with a dedication to J. W. Fulton inscribed underneath, including a coat of arms and facsimile signature. Often referred to as 'The Liberator', or 'The Emancipator', O' Connell was an Irish political leader in the first half of the 19th century. He campaigned for Catholic Emancipation, including the right for Catholics to sit in the Westminster Parliament, denied for over 100 years, and the repeal of the Act of Union which combined Great Britain and Ireland.
[Ref: 31704] £230.00 (£276.00 incl.VAT)
Daniel O'Connell, also correct likenesses of the Duke of Wellington, the Rt. Hon. Thomas Berry Cusack Smith, Attorney-General for Ireland, Her Majesty Queen Victoria, Mr Richard Wilson Greene, Solicitor-General for Ireland, Sir Robert Peel.
Drawn from Life & on Stone by R. Evan Sly, 40 Upper Seymour St. Euston Sq.
London published March 1844 by T. Houlston, 154 Strand, & R. Evan Sly, 40 Upper Seymour St. Euston Sq.
Lithograph, printed area 295 x 230mm (11½ x 9").
Very scarce Puzzle print. Daniel O'Connell (1775 - 1847), Irish nationalist leader known as 'The Liberator', or 'The Emancipator'. O'Connell campaigned for Catholic Emancipation - the right for Catholics to sit in the Westminster Parliament, denied for over 100 years - and Repeal of the Union between Ireland and Great Britain. In addition to his status as the quinessential Irish national champion, O'Connell was a key figure in the emergence of European democracy (he commanded great attention on the continent during his lifetime) and was an advocate for the socially disadvantaged, including Jews, black slaves and Australian Aborigines. During the repeal campaign O'Connell was arrested on a charge of conspiracy and this portrait was published during the period he spent in England between his trial and sentencing to a year's imprisonment).Puzzle print with profile portraits of various contemporary celebrities including Queen Victoria and the duke of Wellington concealed in the floral frame.
[Ref: 38948] £360.00
Drawn from Life & on Stone by R. Evan Sly, 40 Upper Seymour St. Euston Sq.
London published March 1844 by T. Houlston, 154 Strand, & R. Evan Sly, 40 Upper Seymour St. Euston Sq.
Lithograph, printed area 295 x 230mm (11½ x 9").
Very scarce Puzzle print. Daniel O'Connell (1775 - 1847), Irish nationalist leader known as 'The Liberator', or 'The Emancipator'. O'Connell campaigned for Catholic Emancipation - the right for Catholics to sit in the Westminster Parliament, denied for over 100 years - and Repeal of the Union between Ireland and Great Britain. In addition to his status as the quinessential Irish national champion, O'Connell was a key figure in the emergence of European democracy (he commanded great attention on the continent during his lifetime) and was an advocate for the socially disadvantaged, including Jews, black slaves and Australian Aborigines. During the repeal campaign O'Connell was arrested on a charge of conspiracy and this portrait was published during the period he spent in England between his trial and sentencing to a year's imprisonment).Puzzle print with profile portraits of various contemporary celebrities including Queen Victoria and the duke of Wellington concealed in the floral frame.
[Ref: 38948] £360.00
Feeding the Animals - Change of Diet! HB Sketches No 573.
H.B. [John Doyle.] A. Ducôte's Lithog.s 70 St Martin's Lane.
Published by T. McLean, 26, Haymarket, 12th Feb.y 1839.
Lithograph. Sheet 270 x 350mm (10¾ x 13¾"). Trimmed to printed border.
A satire on the political debate on the Corn Laws, with Daniel O'Connell (1775-1847) as Isaac A. Van Amburgh (1808-65, an American who developed the first trained wild animal act in modern times) feeding various big cats with the faces of politicians including Palmerston, Normanby, Lansdowne, Holland, Melbourne, Russell, Charles Poulett Thomson and Thomas Spring Rice. Outside the cage Queen Victoria looks on. John Doyle (1797-1868), worked under the pseudonym 'HB' from 1827, usually issuing one satire a month during parliamentary seasons. Doyle preserved his anonymity as 'H.B.' until 1843, when he revealed himself to Sir Robert Peel in a letter justifying his motives and principles as a cartoonist.
[Ref: 51583] £95.00 (£114.00 incl.VAT)
H.B. [John Doyle.] A. Ducôte's Lithog.s 70 St Martin's Lane.
Published by T. McLean, 26, Haymarket, 12th Feb.y 1839.
Lithograph. Sheet 270 x 350mm (10¾ x 13¾"). Trimmed to printed border.
A satire on the political debate on the Corn Laws, with Daniel O'Connell (1775-1847) as Isaac A. Van Amburgh (1808-65, an American who developed the first trained wild animal act in modern times) feeding various big cats with the faces of politicians including Palmerston, Normanby, Lansdowne, Holland, Melbourne, Russell, Charles Poulett Thomson and Thomas Spring Rice. Outside the cage Queen Victoria looks on. John Doyle (1797-1868), worked under the pseudonym 'HB' from 1827, usually issuing one satire a month during parliamentary seasons. Doyle preserved his anonymity as 'H.B.' until 1843, when he revealed himself to Sir Robert Peel in a letter justifying his motives and principles as a cartoonist.
[Ref: 51583] £95.00 (£114.00 incl.VAT)
Daniel O'Connell, Esqre. M.P.
Drawn by J. Stewart. Engraved by H. Robinson.
[British, n.d., c.1840.]
Stipple and engraving on india laid paper, image 235 x 180mm. 9¼ x 7". Margins slightly trimmed.
Portrait of Daniel O'Connell (1775 - 1847); seated, holding scroll in right hand. Known as 'The Liberator', or 'The Emancipator', O'Connell was an Irish political leader in the first half of the nineteenth century. He campaigned for Catholic Emancipation - the right for Catholics to sit in the Westminster Parliament, denied for over 100 years - and Repeal of the Union between Ireland and Great Britain.
[Ref: 21698] £65.00 (£78.00 incl.VAT)
Drawn by J. Stewart. Engraved by H. Robinson.
[British, n.d., c.1840.]
Stipple and engraving on india laid paper, image 235 x 180mm. 9¼ x 7". Margins slightly trimmed.
Portrait of Daniel O'Connell (1775 - 1847); seated, holding scroll in right hand. Known as 'The Liberator', or 'The Emancipator', O'Connell was an Irish political leader in the first half of the nineteenth century. He campaigned for Catholic Emancipation - the right for Catholics to sit in the Westminster Parliament, denied for over 100 years - and Repeal of the Union between Ireland and Great Britain.
[Ref: 21698] £65.00 (£78.00 incl.VAT)
He stoops to Conquer. Dedicated to the Queen.
Printed by L.M. Lefevre, Newman Street,
London. Published by J. McCormick [n.d, c.1837].
Lithograph. Sheet 410 x 280mm (16 x 11"). Repaired tears on bottom right margin.
Daniel O'Connell kneels to kiss the hand of Queen Victoria on her succession to the throne, with the Duke of Wellington on the left. Unusually for an Irish nationalist, O'Connell had a fondness for Queen Victoria, believing that the young Queen would help bring justice to Ireland.
[Ref: 48140] £230.00 (£276.00 incl.VAT)
Printed by L.M. Lefevre, Newman Street,
London. Published by J. McCormick [n.d, c.1837].
Lithograph. Sheet 410 x 280mm (16 x 11"). Repaired tears on bottom right margin.
Daniel O'Connell kneels to kiss the hand of Queen Victoria on her succession to the throne, with the Duke of Wellington on the left. Unusually for an Irish nationalist, O'Connell had a fondness for Queen Victoria, believing that the young Queen would help bring justice to Ireland.
[Ref: 48140] £230.00 (£276.00 incl.VAT)
O'Connell. La Mode. 5 Juillet 1843.
J. Platier [signed on stone.] Lith Rigo fs. et Cie. r. richer, 7.
[Paris, 1843.]
Lithograph, sheet 320 x 245mm. 12½ x 9¾". Horizontal centre fold, splitting at right. Handling creases.
Daniel O'Connell (1775 – 1847) in heroic pose in a windswept (Irish?) landscape, surrounded by his followers. Known as 'The Liberator', or 'The Emancipator', he was an Irish political leader in the first half of the nineteenth century. He campaigned for Catholic Emancipation - the right for Catholics to sit in the Westminster Parliament, denied for over 100 years - and Repeal of the Union between Ireland and Great Britain. Published in the Paris periodical 'La Mode'.
[Ref: 24441] £160.00 (£192.00 incl.VAT)
J. Platier [signed on stone.] Lith Rigo fs. et Cie. r. richer, 7.
[Paris, 1843.]
Lithograph, sheet 320 x 245mm. 12½ x 9¾". Horizontal centre fold, splitting at right. Handling creases.
Daniel O'Connell (1775 – 1847) in heroic pose in a windswept (Irish?) landscape, surrounded by his followers. Known as 'The Liberator', or 'The Emancipator', he was an Irish political leader in the first half of the nineteenth century. He campaigned for Catholic Emancipation - the right for Catholics to sit in the Westminster Parliament, denied for over 100 years - and Repeal of the Union between Ireland and Great Britain. Published in the Paris periodical 'La Mode'.
[Ref: 24441] £160.00 (£192.00 incl.VAT)
![[Daniel O'Connell] Alarming Comet of 1835.](jpegs/45736.jpg)
[Daniel O'Connell] Alarming Comet of 1835. HB Sketches No105.
[John Doyle.] A Ducote's Lithography St Martins Lane.
Published by T. Mc.Lean 26, Haymarket 10.th Aug.t 1835.
Coloured lithograph. 286 x 420mm (11¼ x 16½"), with large margins. Tear just entering printed border lower right.
Halley's comet of 1835 with the head of Daniel O'Connell, and heads of other men its tail, flying from Ireland towards England.
BM Satires: undescribed.
[Ref: 45736] £130.00 (£156.00 incl.VAT)
[John Doyle.] A Ducote's Lithography St Martins Lane.
Published by T. Mc.Lean 26, Haymarket 10.th Aug.t 1835.
Coloured lithograph. 286 x 420mm (11¼ x 16½"), with large margins. Tear just entering printed border lower right.
Halley's comet of 1835 with the head of Daniel O'Connell, and heads of other men its tail, flying from Ireland towards England.
BM Satires: undescribed.
[Ref: 45736] £130.00 (£156.00 incl.VAT)
![[Daniel O'Connell] Alarming Comet of 1835.](jpegs/62491.jpg)
[Daniel O'Connell] Alarming Comet of 1835. HB Sketches No105.
[John Doyle.] A Ducote's Lithography St Martins Lane.
Published by T. Mc.Lean 26, Haymarket 10.th Aug.t 1835.
Lithograph. Sheet 260 x 360mm (10¼ x 14¼"). Trimmed close to printed border.
Halley's Comet of 1835 with the head of Daniel O'Connell, and heads of other men its tail, flying from Ireland towards England.
See reference 45736 for coloured version.
[Ref: 62491] £160.00 (£192.00 incl.VAT)
[John Doyle.] A Ducote's Lithography St Martins Lane.
Published by T. Mc.Lean 26, Haymarket 10.th Aug.t 1835.
Lithograph. Sheet 260 x 360mm (10¼ x 14¼"). Trimmed close to printed border.
Halley's Comet of 1835 with the head of Daniel O'Connell, and heads of other men its tail, flying from Ireland towards England.
See reference 45736 for coloured version.
[Ref: 62491] £160.00 (£192.00 incl.VAT)
Arthur OConner. From an Original Drawing by a French Artist.
T.W. Huffam.
[n.d., c.1840.]
Mezzotint. 230 x 130mm (9 x 5¼")
A portrait of Arthur O'Connor (1763-1852), an illustration from Richard Madden's 'The United Irishmen, Their Lives and Times'.
Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 66389] £130.00 (£156.00 incl.VAT)
T.W. Huffam.
[n.d., c.1840.]
Mezzotint. 230 x 130mm (9 x 5¼")
A portrait of Arthur O'Connor (1763-1852), an illustration from Richard Madden's 'The United Irishmen, Their Lives and Times'.
Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 66389] £130.00 (£156.00 incl.VAT)
Ô’Connor Cier-rige Head of the Race, and Ô’Connor, chief of the prostrated people of his nation. Soumis pas Vaincus.
W. Bond Sculp.
London, Printed for Sir Richard Phillips, & Co. [n.d. c.1822.]
Stipple. 222 x 140mm. 8¾ x 5½". Trimmed.
Robert O'Connor (1762-1834) was an Irish nationalist. He studied as a lawyer and was called to the English bar in 1784. He more than once suffered imprisonment for being involved in the revolutionary designs of the United Irishmen, and was consigned to Fort George in Scotland. This, the frontispiece to his 1822 publication "Chronicles of Eri, being the History of the Gael, Sciot Iber, or Irish People; translated from the Original Manuscripts in the Phoenician Dialect of the Scythian Language".
[Ref: 26425] £90.00 (£108.00 incl.VAT)
W. Bond Sculp.
London, Printed for Sir Richard Phillips, & Co. [n.d. c.1822.]
Stipple. 222 x 140mm. 8¾ x 5½". Trimmed.
Robert O'Connor (1762-1834) was an Irish nationalist. He studied as a lawyer and was called to the English bar in 1784. He more than once suffered imprisonment for being involved in the revolutionary designs of the United Irishmen, and was consigned to Fort George in Scotland. This, the frontispiece to his 1822 publication "Chronicles of Eri, being the History of the Gael, Sciot Iber, or Irish People; translated from the Original Manuscripts in the Phoenician Dialect of the Scythian Language".
[Ref: 26425] £90.00 (£108.00 incl.VAT)
Kane O'Hara Esq.r. Author of Midas &c.
E. Dorrell f.t.
Publish'd Nov.r 1st 1802, by W.m Richardson, York House, 31, Strand.
Rare etching. 140 x 120mm (5½ x 4¾"). Narrow margin on left.
Kane O'Hara (c.1711-82), Irish composer and playwright. In 1774 he established a theatre in Dublin called Mr. Punch's Patagonian Theatre, producing puppet show versions of operas and burlettas, which transferred to London in 1776.
[Ref: 52645] £130.00 (£156.00 incl.VAT)
E. Dorrell f.t.
Publish'd Nov.r 1st 1802, by W.m Richardson, York House, 31, Strand.
Rare etching. 140 x 120mm (5½ x 4¾"). Narrow margin on left.
Kane O'Hara (c.1711-82), Irish composer and playwright. In 1774 he established a theatre in Dublin called Mr. Punch's Patagonian Theatre, producing puppet show versions of operas and burlettas, which transferred to London in 1776.
[Ref: 52645] £130.00 (£156.00 incl.VAT)
![[O'Higgins.]](jpegs/64965.jpg)
[O'Higgins.]
[C. Turner sculp.t.]
[London, Published 1828 by Longman & Co.]
Scarce mezzotint, proof before letters. 230 x 140mm (9 x 5½"). Large margins soiled and creased.
Half-length portrait of Chilean independence leader Bernardo O'Higgins Riquelme (1778-1842), in dress uniform, hand under his arm. The plate was later used as the frontispiece of vol II. of John Miller's 'Memoirs of General Miller in the Service of the Republic of Peru'.
Whitman 408. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 64965] £360.00
[C. Turner sculp.t.]
[London, Published 1828 by Longman & Co.]
Scarce mezzotint, proof before letters. 230 x 140mm (9 x 5½"). Large margins soiled and creased.
Half-length portrait of Chilean independence leader Bernardo O'Higgins Riquelme (1778-1842), in dress uniform, hand under his arm. The plate was later used as the frontispiece of vol II. of John Miller's 'Memoirs of General Miller in the Service of the Republic of Peru'.
Whitman 408. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 64965] £360.00
![[Dennis O'Kelly, ] A Late Unfortunate Adventure at York.](jpegs/63503.jpg)
[Dennis O'Kelly, ] A Late Unfortunate Adventure at York.
[London Magazine, 1770.]
Engraving. 110 x 175mm (4¼ x 7"). Stains, tear in top margin.
Dennis O'Kelly stands in the middle of a bedroom, being threatened by a man with a poker. O'Kelly tries to bribe a woman who has fallen back in a faint. A satire on an incident at the York Races, when O'Kelly attempted to force himself on a 'Miss Swinbourne'. She received a payment of £500 and a public apology. O'Kelly (1725–1787) was an Irish conman who had been in Fleet debtor's prison in 1763. There he met prostitute Charlotte Hayes, forming a partnership in which he would frequent London's coffee-houses seeking out clients to introduce to Hayes. They were so successful that within a few years he could buy the racehorse 'Eclipse' (whose portrait is on the wall here), ancestor of an estimated 95% of all contemporary thoroughbreds. Racing interest.
BM Satires 4406.
[Ref: 63503] £90.00 (£108.00 incl.VAT)
[London Magazine, 1770.]
Engraving. 110 x 175mm (4¼ x 7"). Stains, tear in top margin.
Dennis O'Kelly stands in the middle of a bedroom, being threatened by a man with a poker. O'Kelly tries to bribe a woman who has fallen back in a faint. A satire on an incident at the York Races, when O'Kelly attempted to force himself on a 'Miss Swinbourne'. She received a payment of £500 and a public apology. O'Kelly (1725–1787) was an Irish conman who had been in Fleet debtor's prison in 1763. There he met prostitute Charlotte Hayes, forming a partnership in which he would frequent London's coffee-houses seeking out clients to introduce to Hayes. They were so successful that within a few years he could buy the racehorse 'Eclipse' (whose portrait is on the wall here), ancestor of an estimated 95% of all contemporary thoroughbreds. Racing interest.
BM Satires 4406.
[Ref: 63503] £90.00 (£108.00 incl.VAT)
Dr. O'Meara.
Engraved by Hopwood, from a sketch by Rowlandson.
[30 March, 1809.]
A rare engraving. 134 x 84mm. 5¼ x 3¼".
Dr. O'Meara, an Irish gentleman & clergyman.
Grego:vol.II.pg.181.
[Ref: 13015] £65.00 (£78.00 incl.VAT)
Engraved by Hopwood, from a sketch by Rowlandson.
[30 March, 1809.]
A rare engraving. 134 x 84mm. 5¼ x 3¼".
Dr. O'Meara, an Irish gentleman & clergyman.
Grego:vol.II.pg.181.
[Ref: 13015] £65.00 (£78.00 incl.VAT)
![[Roger O'Moloy.]](jpegs/48665.jpg)
[Roger O'Moloy.]
B. de Champaigne ad vivam delibat. N. de Plate Montaigne Scul.bat 1665.
Engraving, rare. Sheet: 300 x 200mm (11¾ x 8''). Trimmed.
A portrait of Roger O'Moloy (1590-1670), an Irish priest who was professor of philosophy at the college de Beauvais in Paris.
[Ref: 48665] £130.00 (£156.00 incl.VAT)
B. de Champaigne ad vivam delibat. N. de Plate Montaigne Scul.bat 1665.
Engraving, rare. Sheet: 300 x 200mm (11¾ x 8''). Trimmed.
A portrait of Roger O'Moloy (1590-1670), an Irish priest who was professor of philosophy at the college de Beauvais in Paris.
[Ref: 48665] £130.00 (£156.00 incl.VAT)
![Capt. Montagu O'Reilly Rn. [In pencil underneath the image.]](jpegs/18909.jpg)
Capt. Montagu O'Reilly Rn. [In pencil underneath the image.]
[n.d. c.1856]
Photograph. 318 x 285mm. 12½ x 11¼".
Montagu Frederic O'Reilly (b.1822), watercolourist and naval officer. He entered the Royal Naval College in 1835 and exactly two years later he joined HMS Pelorus as a volunteer; based in Australian waters in 1838-39, he started his watercolour collection at sea. In 1845 he was promoted to Lieutenant on Lily on the West Coast of Africa, before being transferred in 1847 to Bellerophon. It was in 1855 when the Seagull, one the Royal Navy Russian 'Crimean' war gunboats, was commanded by the newly promoted Lieutenant Commander Montagu Frederic O'Reilly, as suggested by the slip on the table "Fortifications of Sebastopol".
Not in Kivell & Spence.
[Ref: 18909] £280.00 (£336.00 incl.VAT)
[n.d. c.1856]
Photograph. 318 x 285mm. 12½ x 11¼".
Montagu Frederic O'Reilly (b.1822), watercolourist and naval officer. He entered the Royal Naval College in 1835 and exactly two years later he joined HMS Pelorus as a volunteer; based in Australian waters in 1838-39, he started his watercolour collection at sea. In 1845 he was promoted to Lieutenant on Lily on the West Coast of Africa, before being transferred in 1847 to Bellerophon. It was in 1855 when the Seagull, one the Royal Navy Russian 'Crimean' war gunboats, was commanded by the newly promoted Lieutenant Commander Montagu Frederic O'Reilly, as suggested by the slip on the table "Fortifications of Sebastopol".
Not in Kivell & Spence.
[Ref: 18909] £280.00 (£336.00 incl.VAT)
O-Hya-Wa-Nim-Ce-Kee, or the Yellow Thunder, A Chippeway Chief._
Painted by J. O. Lewis at the treaty of Fond du Lac 1826. T. Barincoy [on Stone]. Lehman & Duval Lithrs.
[Philadelphia, Published July 1835.]
Coloured lithograph. Sheet size approx 270 x 490mm.
From the rare folio edition of the 'Aboriginal Portfolio', with original hand colouring.
[Ref: 3884] £320.00
Painted by J. O. Lewis at the treaty of Fond du Lac 1826. T. Barincoy [on Stone]. Lehman & Duval Lithrs.
[Philadelphia, Published July 1835.]
Coloured lithograph. Sheet size approx 270 x 490mm.
From the rare folio edition of the 'Aboriginal Portfolio', with original hand colouring.
[Ref: 3884] £320.00
The Oak in Penshurst Park. Under which Sir Philip Sydney is said to have composed his Arcadia.
WB del Nov. 16th 1809.
Aquatint with engraving. 325 x 255mm (12¾ x 10"), with large margins top and bottom. Trimmed to plate at sides.
A blasted oak with a door-size entrance into its trunk, cows grazing. Underneath is a ten-line verse praising the oak, signed 'F.D.C'. In 1977 Blackwell’s Antiquarian Department suggested that the artist was William Blake; an article in 'Blake: An Illustrated Quarterly' (1979) discusses the possibility and discounts it on stylistic grounds, although suggests the author of the verse was Frances Dorothy Cartwright (1780-1863).
https://bq.blakearchive.org/13.3.bentley
[Ref: 60248] £360.00
WB del Nov. 16th 1809.
Aquatint with engraving. 325 x 255mm (12¾ x 10"), with large margins top and bottom. Trimmed to plate at sides.
A blasted oak with a door-size entrance into its trunk, cows grazing. Underneath is a ten-line verse praising the oak, signed 'F.D.C'. In 1977 Blackwell’s Antiquarian Department suggested that the artist was William Blake; an article in 'Blake: An Illustrated Quarterly' (1979) discusses the possibility and discounts it on stylistic grounds, although suggests the author of the verse was Frances Dorothy Cartwright (1780-1863).
https://bq.blakearchive.org/13.3.bentley
[Ref: 60248] £360.00
The Wallace Oak.
J.G. Strutt 1825.
[n.d., c.1826.]
Etching, printed on chine collé. 380 x 310mm (15 x 12¼"), large margins.
A portrait of a massive oak at Port Glasgow, to which Scottish independence leader William Wallace was said to have been chained in 1305 by the English. From the expanded edition of 'Sylva Britannica, or portraits of Forest trees, distinguished for their antiquity, magnitude or beauty' by Jacob George Strutt (1784-1867).
[Ref: 59993] £190.00 (£228.00 incl.VAT)
J.G. Strutt 1825.
[n.d., c.1826.]
Etching, printed on chine collé. 380 x 310mm (15 x 12¼"), large margins.
A portrait of a massive oak at Port Glasgow, to which Scottish independence leader William Wallace was said to have been chained in 1305 by the English. From the expanded edition of 'Sylva Britannica, or portraits of Forest trees, distinguished for their antiquity, magnitude or beauty' by Jacob George Strutt (1784-1867).
[Ref: 59993] £190.00 (£228.00 incl.VAT)
Oak, near Bisham, Berks.
W.m Delamotte 1805? Drawn & Etched by W.m De la Motte.
Pub.d as the Act directs by W.m De la Motte G.t Marlow Jan.ry 1806.
Rare soft ground etching. Sheet 495 x 370mm (19½ x 14½"). Trimmed within plate top and left; remains of album paper on reverse.
A country lane, with a foraging donkey in the foreground. William Delamotte (1775-1863), painter and drawing-master at the Royal Military College at Sandhurst.
Roger Baynton-Williams: Art of the Printmaker, Plate 90.
[Ref: 55243] £180.00 (£216.00 incl.VAT)
W.m Delamotte 1805? Drawn & Etched by W.m De la Motte.
Pub.d as the Act directs by W.m De la Motte G.t Marlow Jan.ry 1806.
Rare soft ground etching. Sheet 495 x 370mm (19½ x 14½"). Trimmed within plate top and left; remains of album paper on reverse.
A country lane, with a foraging donkey in the foreground. William Delamotte (1775-1863), painter and drawing-master at the Royal Military College at Sandhurst.
Roger Baynton-Williams: Art of the Printmaker, Plate 90.
[Ref: 55243] £180.00 (£216.00 incl.VAT)
Oak Hill School, Conducted ny J.H. Garvin, A.M.
On Stone by A. Picken. Day & Haghe Lith.rs to the King.
[n.d., 1836.]
Lithograph. Sheet 110 x 170mm (4 x 6¾").
View of Oak Hill School, Isle of Man, with a game of cricket being played. An advert puts the charges as 21 guineas for under 11s, 25 for 11-14, and 30 for above 14. ''The above terms include not only instruction in the practical mathematics and all the branches necessary to qualify either for the Military or Naval Colleges, the Universities or Public Offices, but also washing and extras, stationary excepted. Separate beds are provided.'' The school did not last long: Garvin had left the island by 1840. Rare cricket item. From 'Six Days' Tour through the Isle of Man', believed to have been written by the architect John Welch.
[Ref: 53080] £130.00 (£156.00 incl.VAT)
On Stone by A. Picken. Day & Haghe Lith.rs to the King.
[n.d., 1836.]
Lithograph. Sheet 110 x 170mm (4 x 6¾").
View of Oak Hill School, Isle of Man, with a game of cricket being played. An advert puts the charges as 21 guineas for under 11s, 25 for 11-14, and 30 for above 14. ''The above terms include not only instruction in the practical mathematics and all the branches necessary to qualify either for the Military or Naval Colleges, the Universities or Public Offices, but also washing and extras, stationary excepted. Separate beds are provided.'' The school did not last long: Garvin had left the island by 1840. Rare cricket item. From 'Six Days' Tour through the Isle of Man', believed to have been written by the architect John Welch.
[Ref: 53080] £130.00 (£156.00 incl.VAT)
Sir Charles Oakeley, Bar.t, Governor of Madras 1790 - 1794.
Painted in 1816 by T. Barber. Engraved by S.W. Reynolds.
[c.1820.]
Mezzotint. 345 x 260mm (13½ x 10¼"), with large margins. Presentation copy inscribed 'A Present from Sir Charles & obtained by the kindness of the Rev.d W.m Gorsuch Rowland. 1820.' in lower margin.
Sir Charles Oakeley (1751-1826), first Baronet, appointed governor of Madras in 1790. After Thomas Barber (c.1790 - 1843), pupil of Sir Thomas Lawrence. William Gorsuch Rowland (1770-1851) was Methodist minister at St. Mary’s, Shrewsbury from 1828 until his death.
Whitman: 219.
[Ref: 66083] £320.00
Painted in 1816 by T. Barber. Engraved by S.W. Reynolds.
[c.1820.]
Mezzotint. 345 x 260mm (13½ x 10¼"), with large margins. Presentation copy inscribed 'A Present from Sir Charles & obtained by the kindness of the Rev.d W.m Gorsuch Rowland. 1820.' in lower margin.
Sir Charles Oakeley (1751-1826), first Baronet, appointed governor of Madras in 1790. After Thomas Barber (c.1790 - 1843), pupil of Sir Thomas Lawrence. William Gorsuch Rowland (1770-1851) was Methodist minister at St. Mary’s, Shrewsbury from 1828 until his death.
Whitman: 219.
[Ref: 66083] £320.00
Sir Charles Oakeley, Bar.t, Governor of Madras 1790 - 1794.
Painted in 1816 by T. Barber. Engraved by S.W. Reynolds.
[c.1820.]
Mezzotint. 345 x 260mm (13½ x 10¼"). Small margins.
Sir Charles Oakeley (1751-1826), first Baronet, appointed governor of Madras in 1790. After Thomas Barber (1768/71 - 1843), pupil of Sir Thomas Lawrence.
Whitman: 219.
[Ref: 58105] £260.00 (£312.00 incl.VAT)
Painted in 1816 by T. Barber. Engraved by S.W. Reynolds.
[c.1820.]
Mezzotint. 345 x 260mm (13½ x 10¼"). Small margins.
Sir Charles Oakeley (1751-1826), first Baronet, appointed governor of Madras in 1790. After Thomas Barber (1768/71 - 1843), pupil of Sir Thomas Lawrence.
Whitman: 219.
[Ref: 58105] £260.00 (£312.00 incl.VAT)
![[The Oasis at Daybreak.]](jpegs/28871.jpg)
[The Oasis at Daybreak.]
E.J. Detmold [signed in pencil.]
[n.d. c.1900.]
Drypoint with pencil signature, with large margins. Plate 182 x 395mm (7¼ x 15½"). Slight ink loss top left; paper tone.
Two figures and laden camels with coconut palms beyond, by Edward Julius Detmold (1883-1957), twin brother to Charles Maurice Detmold (1883-1908). The pair were among the artists associated with the Golden Age of Illustration. They worked together making sketches at the Zoological Gardens and exhibited together from the age of fourteen. He became one of the best Edwardian animal illustrators, known for his subtle placement of animals within their natural environment. Edward expressed artistic versatility and published a number of books of fine fantasy drawings in the 1920s; they portrayed a vivid imagination and he utilised warm colouring, which suited the period. The Jungle Book (1908) was to be the last substantial commission that the brothers worked on - due to the death of Charles in that same year. The extraordinary success of their illustrations to accompany Kipling's classic tale, however, firmly established the reputation for Edward and the following year, a suite of illustrations prepared to Aesop's tales were published in The Fables of Aesop (1909).
[Ref: 28871] £220.00 (£264.00 incl.VAT)
E.J. Detmold [signed in pencil.]
[n.d. c.1900.]
Drypoint with pencil signature, with large margins. Plate 182 x 395mm (7¼ x 15½"). Slight ink loss top left; paper tone.
Two figures and laden camels with coconut palms beyond, by Edward Julius Detmold (1883-1957), twin brother to Charles Maurice Detmold (1883-1908). The pair were among the artists associated with the Golden Age of Illustration. They worked together making sketches at the Zoological Gardens and exhibited together from the age of fourteen. He became one of the best Edwardian animal illustrators, known for his subtle placement of animals within their natural environment. Edward expressed artistic versatility and published a number of books of fine fantasy drawings in the 1920s; they portrayed a vivid imagination and he utilised warm colouring, which suited the period. The Jungle Book (1908) was to be the last substantial commission that the brothers worked on - due to the death of Charles in that same year. The extraordinary success of their illustrations to accompany Kipling's classic tale, however, firmly established the reputation for Edward and the following year, a suite of illustrations prepared to Aesop's tales were published in The Fables of Aesop (1909).
[Ref: 28871] £220.00 (£264.00 incl.VAT)
Richard Oastler, 12 Coffee Gallery, Fleet Prison Dec. 9 1840
Madeley lith. 5 Wellington St. Strand
Lithograph, rare, sheet 230 x 150mm (9 x 6"). Trimmed. Bit messy.
Richard Oastler (1789 - 1861), factory reformer. Oastler was famously 'awakened' in 1830 to the cruelties routinely practiced in English textile mills, and throughout the 1830s was an infuential advocate of factory reform, his oratorical skills earned him the sobriquet 'The factory king'. His paternalistic view of society meant that Oastler, the quintessential Tory radical, abhorred the idea of strikes, trade unions and universal suffrage. Eventually, in 1838, Thomas Thornhill, the squire of Fixby who employed Oastler as a steward on his estate, turned against Oastler, dismissing him and initiating legal proceedings against him. Unable to repay debts to Thornhill which he had accumulated, Oastler was committed to the Fleet prison for three and a half years (the date on this print is the date his sentence began). As this portrait suggests, Oastler kept busy in prison editing a weekly newspaper, and continued to edit a magazine after his release, but these had little influence. It was not as a writer but as a presence and speaker that Oastler was most influential.
[Ref: 41659] £140.00 (£168.00 incl.VAT)
Madeley lith. 5 Wellington St. Strand
Lithograph, rare, sheet 230 x 150mm (9 x 6"). Trimmed. Bit messy.
Richard Oastler (1789 - 1861), factory reformer. Oastler was famously 'awakened' in 1830 to the cruelties routinely practiced in English textile mills, and throughout the 1830s was an infuential advocate of factory reform, his oratorical skills earned him the sobriquet 'The factory king'. His paternalistic view of society meant that Oastler, the quintessential Tory radical, abhorred the idea of strikes, trade unions and universal suffrage. Eventually, in 1838, Thomas Thornhill, the squire of Fixby who employed Oastler as a steward on his estate, turned against Oastler, dismissing him and initiating legal proceedings against him. Unable to repay debts to Thornhill which he had accumulated, Oastler was committed to the Fleet prison for three and a half years (the date on this print is the date his sentence began). As this portrait suggests, Oastler kept busy in prison editing a weekly newspaper, and continued to edit a magazine after his release, but these had little influence. It was not as a writer but as a presence and speaker that Oastler was most influential.
[Ref: 41659] £140.00 (£168.00 incl.VAT)
![Richard Oastler [signature facsimile.]](jpegs/7998.jpg)
Richard Oastler [signature facsimile.]
Painted By B. Garside. Engraved By J. Posselwhite.
[n.d., c.1841.]
Stipple and line engraving. 430 x 330mm (17 x 13").
Richard Oastler (1789 - 1861), reformer. 'The factory king', Oastler was a Tory radical who turned factory reform into a compelling national issue. His paternalistic view of society meant that he abhorred the idea of universal suffrage. However, he was a hero without parallel within northern radicalism and his inclusion symbolically incorporated him into the Chartist movement.
NP: 7845.
[Ref: 7998] £330.00
Painted By B. Garside. Engraved By J. Posselwhite.
[n.d., c.1841.]
Stipple and line engraving. 430 x 330mm (17 x 13").
Richard Oastler (1789 - 1861), reformer. 'The factory king', Oastler was a Tory radical who turned factory reform into a compelling national issue. His paternalistic view of society meant that he abhorred the idea of universal suffrage. However, he was a hero without parallel within northern radicalism and his inclusion symbolically incorporated him into the Chartist movement.
NP: 7845.
[Ref: 7998] £330.00
![Richard Oastler [facsimile signature].](jpegs/8478.jpg)
Richard Oastler [facsimile signature]. London Dispatch Office Catherine Street Strand.
[n.d. c.1840]
Stipple engraving. 223 x 146mm. 8¾" x 5¾".
Richard Oastler (20 December 1789 - 22 August 1861) was an English labour reformer and abolitionist. He fought for the rights of working children in the Factory Act of 1847, and was also a prominent leader of the Factory reform and anti-Poor Law movement.
[Ref: 8478] £90.00 (£108.00 incl.VAT)
[n.d. c.1840]
Stipple engraving. 223 x 146mm. 8¾" x 5¾".
Richard Oastler (20 December 1789 - 22 August 1861) was an English labour reformer and abolitionist. He fought for the rights of working children in the Factory Act of 1847, and was also a prominent leader of the Factory reform and anti-Poor Law movement.
[Ref: 8478] £90.00 (£108.00 incl.VAT)
![Richard Oastler [signature facsimile.]](jpegs/61551.jpg)
Richard Oastler [signature facsimile.]
Painted By B. Garside. Engraved By J. Posselwhite.
[n.d., 1840.]
Stipple and line engraving. Sheet 430 x 285mm (17 x 11¼"). Trimmed within plate, surface scuffing.
A seated portrait of Richard Oastler (1789-1861), with two books, 'White Slavery' and 'Marcus'. Ostler was Tory Radical known as 'The factory king' for his attempts to limit the factory working day to ten hours, writing a letter to the Leeds Mercury in 1830 titled ‘Yorkshire Slavery'. He was also an abolitionist, but opposed Catholic Emancipation and Parliamentary Reform. Commissioned by Irish Chartist Feargus O’Connor (1796-1855), this engraving was distributed with copies of the Northern Star, 12 December 1840.
See Ref: 7998.
[Ref: 61551] £180.00 (£216.00 incl.VAT)
Painted By B. Garside. Engraved By J. Posselwhite.
[n.d., 1840.]
Stipple and line engraving. Sheet 430 x 285mm (17 x 11¼"). Trimmed within plate, surface scuffing.
A seated portrait of Richard Oastler (1789-1861), with two books, 'White Slavery' and 'Marcus'. Ostler was Tory Radical known as 'The factory king' for his attempts to limit the factory working day to ten hours, writing a letter to the Leeds Mercury in 1830 titled ‘Yorkshire Slavery'. He was also an abolitionist, but opposed Catholic Emancipation and Parliamentary Reform. Commissioned by Irish Chartist Feargus O’Connor (1796-1855), this engraving was distributed with copies of the Northern Star, 12 December 1840.
See Ref: 7998.
[Ref: 61551] £180.00 (£216.00 incl.VAT)
![[Titus Oates [?]] [16 top right]](jpegs/32746.jpg)
[Titus Oates [?]] [16 top right]
T Worlidge Fecit 1751.
Etching, 130 x 100mm (5 x 4"). Fine impression; small margins; top right missing.
Portrait supposedly representing Titus Oates, best known as an informer against Catholics, although quite different to other portraits of him. Oates was expelled from the navy for homosexual practices and the DNB notes that 'early writers were repelled as much by his homosexuality as by his personality'. Etched by Thomas Worlidge (1700-66), the 'English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Lifetime impression.
State ii/iv; W16; D176; Not in O'D or NPG under Oates
[Ref: 32746] £80.00 (£96.00 incl.VAT)
T Worlidge Fecit 1751.
Etching, 130 x 100mm (5 x 4"). Fine impression; small margins; top right missing.
Portrait supposedly representing Titus Oates, best known as an informer against Catholics, although quite different to other portraits of him. Oates was expelled from the navy for homosexual practices and the DNB notes that 'early writers were repelled as much by his homosexuality as by his personality'. Etched by Thomas Worlidge (1700-66), the 'English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Lifetime impression.
State ii/iv; W16; D176; Not in O'D or NPG under Oates
[Ref: 32746] £80.00 (£96.00 incl.VAT)
![[Titus Oates [?]] [16 top right & left]](jpegs/32747.jpg)
[Titus Oates [?]] [16 top right & left]
T Worlidge Fecit 1751.
Etching, 125 x 100mm (5 x 4"). Trimmed on platemark.
Portrait supposedly representing Titus Oates, best known as an informer against Catholics, although quite different to other portraits of him. Oates was expelled from the navy for homosexual practices and the DNB notes that 'early writers were repelled as much by his homosexuality as by his personality'. Etched by Thomas Worlidge (1700-66), the 'English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Lifetime impression.
State iii/iv; W16; D176; Not in O'D or NPG under Oates
[Ref: 32747] £80.00 (£96.00 incl.VAT)
T Worlidge Fecit 1751.
Etching, 125 x 100mm (5 x 4"). Trimmed on platemark.
Portrait supposedly representing Titus Oates, best known as an informer against Catholics, although quite different to other portraits of him. Oates was expelled from the navy for homosexual practices and the DNB notes that 'early writers were repelled as much by his homosexuality as by his personality'. Etched by Thomas Worlidge (1700-66), the 'English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Lifetime impression.
State iii/iv; W16; D176; Not in O'D or NPG under Oates
[Ref: 32747] £80.00 (£96.00 incl.VAT)
Titus Oates Anagramma Testis Ovat. This is the true Originall taken from the Life done for Hen: Brome and Ric: Chiswell: All others are Counterfeit.
R. White ad vivum delin et sculp.
[n.d., c.1679.]
Engraving. Sheet size: 240 x 150mm (9½ x 6"). Trimmed to image. Glued to album sheet at corners.
A portrait of English perjurer Titus Oates (1649 - 1705), half length in an oval frame on a pedestal, wearing wig, bands, and robe. This portrait is from a broadside entitled 'A poem upon Mt Tytus Oates, the first discoverer of the late Popish Plot', published by Henry Brome and Richard Chiswell (1679). Oates was said to have fabricated the "Popish Plot", a supposed Catholic conspiracy to kill King Charles II.
[Ref: 33846] £140.00 (£168.00 incl.VAT)
R. White ad vivum delin et sculp.
[n.d., c.1679.]
Engraving. Sheet size: 240 x 150mm (9½ x 6"). Trimmed to image. Glued to album sheet at corners.
A portrait of English perjurer Titus Oates (1649 - 1705), half length in an oval frame on a pedestal, wearing wig, bands, and robe. This portrait is from a broadside entitled 'A poem upon Mt Tytus Oates, the first discoverer of the late Popish Plot', published by Henry Brome and Richard Chiswell (1679). Oates was said to have fabricated the "Popish Plot", a supposed Catholic conspiracy to kill King Charles II.
[Ref: 33846] £140.00 (£168.00 incl.VAT)
Titus Oates D.D. the first discoverer of the Plott.
[?David Loggan]
[n.d. c.1680.]
Engraving, sheet 225 x 140mm (8¾ x 5½"). Trimmed and glued to backing sheet at edges.
Titus Oates (1649-1705), perjurer who fabricated the 'Popish Plot', a supposed Catholic conspiracy to kill King Charles II and incite an insurrection. He began his career as an Anglican priest, but converted to Catholicism in 1677. This secured his admission to Jesuit college at St Omer, and this gave plausibility to his story about a Catholic plot. Oates swore his testimony to Sir Edmund Berry Godfrey in September 1678, and it was Godfrey's murder a few weeks later (a death that has never been explained) that overnight turned the plot in the public mind from allegation to certainty. Oates managed to retain a central role in the unfolding affair by continually inventing new accusations. In 1684, in the flood of the Tory reaction, he was prosecuted for perjury, and in 1685 sentenced to the pillory and public flogging. The Glorious Revolution saved him; he was pardoned, given a pension and married a wealthy widow.
For similar image in reverse see ref. 25272.
[Ref: 42609] £190.00 (£228.00 incl.VAT)
[?David Loggan]
[n.d. c.1680.]
Engraving, sheet 225 x 140mm (8¾ x 5½"). Trimmed and glued to backing sheet at edges.
Titus Oates (1649-1705), perjurer who fabricated the 'Popish Plot', a supposed Catholic conspiracy to kill King Charles II and incite an insurrection. He began his career as an Anglican priest, but converted to Catholicism in 1677. This secured his admission to Jesuit college at St Omer, and this gave plausibility to his story about a Catholic plot. Oates swore his testimony to Sir Edmund Berry Godfrey in September 1678, and it was Godfrey's murder a few weeks later (a death that has never been explained) that overnight turned the plot in the public mind from allegation to certainty. Oates managed to retain a central role in the unfolding affair by continually inventing new accusations. In 1684, in the flood of the Tory reaction, he was prosecuted for perjury, and in 1685 sentenced to the pillory and public flogging. The Glorious Revolution saved him; he was pardoned, given a pension and married a wealthy widow.
For similar image in reverse see ref. 25272.
[Ref: 42609] £190.00 (£228.00 incl.VAT)
Titus Oates. D.D. Anagrama Tetis Ouat.
Tho: Hauker pinxit. R. Tompson excudit.
[n.d., c.1680.]
Mezzotint. Sheet: 345 x 255mm (13½ x 10"). Trimmed within plate, creased.
A portrait of Titus Oates in an oval. Titus Oates (1649-1705) was an English perjurer who fabricated the 'Popish Plot', a supposed Catholic conspiracy to kill King Charles II. He began his career as an Anglican priest, but converted to Catholicism in 1677. This secured his admission to Jesuit college at St Omer, and this gave him enough information to give his story about a Catholic plot to murder Charles some plausibility. Oates swore his testimony to Sir Edmund Berry Godfrey in September 1678, and it was Godfrey's murder a few weeks later (a death that has never been explained) that overnight turned the plot in the public mind from allegation to certainty. Oates managed to retain a central role in the unfolding affair by continually inventing new accusations. In 1684, in the flood of the Tory reaction, he was prosecuted for perjury, and in 1685 sentenced to the pillory and public flogging. The Glorious Revolution saved him; he was pardoned, given a pension and married a wealthy widow.
CS: 32
[Ref: 43041] £230.00 (£276.00 incl.VAT)
Tho: Hauker pinxit. R. Tompson excudit.
[n.d., c.1680.]
Mezzotint. Sheet: 345 x 255mm (13½ x 10"). Trimmed within plate, creased.
A portrait of Titus Oates in an oval. Titus Oates (1649-1705) was an English perjurer who fabricated the 'Popish Plot', a supposed Catholic conspiracy to kill King Charles II. He began his career as an Anglican priest, but converted to Catholicism in 1677. This secured his admission to Jesuit college at St Omer, and this gave him enough information to give his story about a Catholic plot to murder Charles some plausibility. Oates swore his testimony to Sir Edmund Berry Godfrey in September 1678, and it was Godfrey's murder a few weeks later (a death that has never been explained) that overnight turned the plot in the public mind from allegation to certainty. Oates managed to retain a central role in the unfolding affair by continually inventing new accusations. In 1684, in the flood of the Tory reaction, he was prosecuted for perjury, and in 1685 sentenced to the pillory and public flogging. The Glorious Revolution saved him; he was pardoned, given a pension and married a wealthy widow.
CS: 32
[Ref: 43041] £230.00 (£276.00 incl.VAT)
![[Titus Oates [?]]](jpegs/32745.jpg)
[Titus Oates [?]]
T Worlidge Fecit 1751
Etching, 125 x 100mm (5 x 4"). Fine impression; trimmed inside platemark.
Portrait supposedly representing Titus Oates, best known as an informer against Catholics, although quite different to other portraits of him. Oates was expelled from the navy for homosexual practices and the DNB notes that 'early writers were repelled as much by his homosexuality as by his personality'. Etched by Thomas Worlidge (1700-66), the 'English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Lifetime impression.
State i/iv; W16; D176; Not in O'D or NPG under Oates
[Ref: 32745] £220.00 (£264.00 incl.VAT)
T Worlidge Fecit 1751
Etching, 125 x 100mm (5 x 4"). Fine impression; trimmed inside platemark.
Portrait supposedly representing Titus Oates, best known as an informer against Catholics, although quite different to other portraits of him. Oates was expelled from the navy for homosexual practices and the DNB notes that 'early writers were repelled as much by his homosexuality as by his personality'. Etched by Thomas Worlidge (1700-66), the 'English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Lifetime impression.
State i/iv; W16; D176; Not in O'D or NPG under Oates
[Ref: 32745] £220.00 (£264.00 incl.VAT)
Titus Oates. Anagramma Testis Ovat.
This is the true Original taken from the Life. done for Hen: Brome and Ric: Chiswell [therefore] All others are Counterfeit. [n.d. c.1679.]
Engraving, printed on both sides. 235 x 157mm. 9¼ x 6¼". Trimmed, crease, damaged.
Curiousity. Portrait of Titus Oates, half length in an oval frame on a pedestal, wearing wig, bands, and robe. From a broadside entitled 'A poem upon Mt Tytus Oates, the first discoverer of the late Popish Plot', published by Henry Brome and Richard Chiswell (1679). Titus Oates (1649-1705) was an English perjurer who fabricated the 'Popish Plot', a supposed Catholic conspiracy to kill King Charles II. He began his career as an Anglican priest, but converted to Catholicism in 1677. This secured his admission to Jesuit college at St Omer, and this gave him enough information to give his story about a Catholic plot to murder Charles some plausibility. Oates swore his testimony to Sir Edmund Berry Godfrey in September 1678, and it was Godfrey's murder a few weeks later (a death that has never been explained) that overnight turned the plot in the public mind from allegation to certainty. Oates managed to retain a central role in the unfolding affair by continually inventing new accusations. In 1684, in the flood of the Tory reaction, he was prosecuted for perjury, and in 1685 sentenced to the pillory and public flogging. The Glorious Revolution saved him; he was pardoned, given a pension and married a wealthy widow.
Ex Collection: R. Hobson of Hove.
[Ref: 25273] £160.00 (£192.00 incl.VAT)
This is the true Original taken from the Life. done for Hen: Brome and Ric: Chiswell [therefore] All others are Counterfeit. [n.d. c.1679.]
Engraving, printed on both sides. 235 x 157mm. 9¼ x 6¼". Trimmed, crease, damaged.
Curiousity. Portrait of Titus Oates, half length in an oval frame on a pedestal, wearing wig, bands, and robe. From a broadside entitled 'A poem upon Mt Tytus Oates, the first discoverer of the late Popish Plot', published by Henry Brome and Richard Chiswell (1679). Titus Oates (1649-1705) was an English perjurer who fabricated the 'Popish Plot', a supposed Catholic conspiracy to kill King Charles II. He began his career as an Anglican priest, but converted to Catholicism in 1677. This secured his admission to Jesuit college at St Omer, and this gave him enough information to give his story about a Catholic plot to murder Charles some plausibility. Oates swore his testimony to Sir Edmund Berry Godfrey in September 1678, and it was Godfrey's murder a few weeks later (a death that has never been explained) that overnight turned the plot in the public mind from allegation to certainty. Oates managed to retain a central role in the unfolding affair by continually inventing new accusations. In 1684, in the flood of the Tory reaction, he was prosecuted for perjury, and in 1685 sentenced to the pillory and public flogging. The Glorious Revolution saved him; he was pardoned, given a pension and married a wealthy widow.
Ex Collection: R. Hobson of Hove.
[Ref: 25273] £160.00 (£192.00 incl.VAT)
Titus Oates D.D. the first discoverer of the Plott.
[Loggan is tentatively suggested as engraver by O'Donoghue.]
[n.d. c.1680.]
Engraving. 247 x 159mm. 9¾ x 6¼". Paper watermarked.
Portrait of Titus Oates, half length in an oval frame on a pedestal, wearing wig, bands, and robe. Titus Oates (1649-1705) was an English perjurer who fabricated the 'Popish Plot', a supposed Catholic conspiracy to kill King Charles II. He began his career as an Anglican priest, but converted to Catholicism in 1677. This secured his admission to Jesuit college at St Omer, and this gave him enough information to give his story about a Catholic plot to murder Charles some plausibility. Oates swore his testimony to Sir Edmund Berry Godfrey in September 1678, and it was Godfrey's murder a few weeks later (a death that has never been explained) that overnight turned the plot in the public mind from allegation to certainty. Oates managed to retain a central role in the unfolding affair by continually inventing new accusations. In 1684, in the flood of the Tory reaction, he was prosecuted for perjury, and in 1685 sentenced to the pillory and public flogging. The Glorious Revolution saved him; he was pardoned, given a pension and married a wealthy widow.
Ex Collection: R. Hobson of Hove.
[Ref: 25272] £120.00 (£144.00 incl.VAT)
[Loggan is tentatively suggested as engraver by O'Donoghue.]
[n.d. c.1680.]
Engraving. 247 x 159mm. 9¾ x 6¼". Paper watermarked.
Portrait of Titus Oates, half length in an oval frame on a pedestal, wearing wig, bands, and robe. Titus Oates (1649-1705) was an English perjurer who fabricated the 'Popish Plot', a supposed Catholic conspiracy to kill King Charles II. He began his career as an Anglican priest, but converted to Catholicism in 1677. This secured his admission to Jesuit college at St Omer, and this gave him enough information to give his story about a Catholic plot to murder Charles some plausibility. Oates swore his testimony to Sir Edmund Berry Godfrey in September 1678, and it was Godfrey's murder a few weeks later (a death that has never been explained) that overnight turned the plot in the public mind from allegation to certainty. Oates managed to retain a central role in the unfolding affair by continually inventing new accusations. In 1684, in the flood of the Tory reaction, he was prosecuted for perjury, and in 1685 sentenced to the pillory and public flogging. The Glorious Revolution saved him; he was pardoned, given a pension and married a wealthy widow.
Ex Collection: R. Hobson of Hove.
[Ref: 25272] £120.00 (£144.00 incl.VAT)
Titus Oates, from a rare Print.
Publishd March 25 1810 by W.m Richardson Jun.r York House Strand.
Engraving. Plate: 205 x 135mm (8 x 5¼''). Foxing. Small margins.
A portrait of a man in pillory. Titus Oates (1649-1705) was an English perjurer who fabricated the 'Popish Plot', a supposed Catholic conspiracy to kill King Charles II. He began his career as an Anglican priest, but converted to Catholicism in 1677. This secured his admission to Jesuit college at St Omer, and this gave him enough information to give his story about a Catholic plot to murder Charles some plausibility. Oates swore his testimony to Sir Edmund Berry Godfrey in September 1678, and it was Godfrey's murder a few weeks later (a death that has never been explained) that overnight turned the plot in the public mind from allegation to certainty. Oates managed to retain a central role in the unfolding affair by continually inventing new accusations. In 1684, in the flood of the Tory reaction, he was prosecuted for perjury, and in 1685 sentenced to the pillory and public flogging. The Glorious Revolution saved him; he was pardoned, given a pension and married a wealthy widow.
[Ref: 49031] £45.00 (£54.00 incl.VAT)
Publishd March 25 1810 by W.m Richardson Jun.r York House Strand.
Engraving. Plate: 205 x 135mm (8 x 5¼''). Foxing. Small margins.
A portrait of a man in pillory. Titus Oates (1649-1705) was an English perjurer who fabricated the 'Popish Plot', a supposed Catholic conspiracy to kill King Charles II. He began his career as an Anglican priest, but converted to Catholicism in 1677. This secured his admission to Jesuit college at St Omer, and this gave him enough information to give his story about a Catholic plot to murder Charles some plausibility. Oates swore his testimony to Sir Edmund Berry Godfrey in September 1678, and it was Godfrey's murder a few weeks later (a death that has never been explained) that overnight turned the plot in the public mind from allegation to certainty. Oates managed to retain a central role in the unfolding affair by continually inventing new accusations. In 1684, in the flood of the Tory reaction, he was prosecuted for perjury, and in 1685 sentenced to the pillory and public flogging. The Glorious Revolution saved him; he was pardoned, given a pension and married a wealthy widow.
[Ref: 49031] £45.00 (£54.00 incl.VAT)
Titus Oates. D.D. Anagrama Tetis Ouat.
Tho: Hauker pinxit. R. Tompson excudit.
[n.d., c.1680.]
Mezzotint, 345 x 255mm (13½ x 10"). Thread margins. Margins reinforced. Creasing in top. Foxing in title area.
A portrait of Titus Oates in an oval. Titus Oates (1649-1705) was an English perjurer who fabricated the 'Popish Plot', a supposed Catholic conspiracy to kill King Charles II. He began his career as an Anglican priest, but converted to Catholicism in 1677. This secured his admission to Jesuit college at St Omer, and this gave him enough information to give his story about a Catholic plot to murder Charles some plausibility. Oates swore his testimony to Sir Edmund Berry Godfrey in September 1678, and it was Godfrey's murder a few weeks later (a death that has never been explained) that overnight turned the plot in the public mind from allegation to certainty. Oates managed to retain a central role in the unfolding affair by continually inventing new accusations. In 1684, in the flood of the Tory reaction, he was prosecuted for perjury, and in 1685 sentenced to the pillory and public flogging. The Glorious Revolution saved him; he was pardoned, given a pension and married a wealthy widow.
CS32. Blackett-Ord T56. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65081] £280.00 (£336.00 incl.VAT)
Tho: Hauker pinxit. R. Tompson excudit.
[n.d., c.1680.]
Mezzotint, 345 x 255mm (13½ x 10"). Thread margins. Margins reinforced. Creasing in top. Foxing in title area.
A portrait of Titus Oates in an oval. Titus Oates (1649-1705) was an English perjurer who fabricated the 'Popish Plot', a supposed Catholic conspiracy to kill King Charles II. He began his career as an Anglican priest, but converted to Catholicism in 1677. This secured his admission to Jesuit college at St Omer, and this gave him enough information to give his story about a Catholic plot to murder Charles some plausibility. Oates swore his testimony to Sir Edmund Berry Godfrey in September 1678, and it was Godfrey's murder a few weeks later (a death that has never been explained) that overnight turned the plot in the public mind from allegation to certainty. Oates managed to retain a central role in the unfolding affair by continually inventing new accusations. In 1684, in the flood of the Tory reaction, he was prosecuted for perjury, and in 1685 sentenced to the pillory and public flogging. The Glorious Revolution saved him; he was pardoned, given a pension and married a wealthy widow.
CS32. Blackett-Ord T56. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65081] £280.00 (£336.00 incl.VAT)
Titus Oates.
[Engraved c.1680, this impression later.]
Mezzotint. Sheet 140 x 85mm (5½ x 3¼") Trimmed to plate, mounted in album paper.
A portrait Titus Oates (1649-1705), wearing square cap, coat and holding gloves. Oates fabricated the 'Popish Plot', a supposed Catholic conspiracy to kill King Charles II.
See BM for proof impression. 1902,1011.6905.
[Ref: 62412] £130.00 (£156.00 incl.VAT)
[Engraved c.1680, this impression later.]
Mezzotint. Sheet 140 x 85mm (5½ x 3¼") Trimmed to plate, mounted in album paper.
A portrait Titus Oates (1649-1705), wearing square cap, coat and holding gloves. Oates fabricated the 'Popish Plot', a supposed Catholic conspiracy to kill King Charles II.
See BM for proof impression. 1902,1011.6905.
[Ref: 62412] £130.00 (£156.00 incl.VAT)
![[Oatlands] A Plan of the Garden & House of the R.t Honourable y.e Earl of Lincoln at Weybridge in the County of Surry.](jpegs/55116.jpg)
[Oatlands] A Plan of the Garden & House of the R.t Honourable y.e Earl of Lincoln at Weybridge in the County of Surry. Part of the Park.
Survey'd and Engrav'd by B. Rocque. 1737.
Publish'd According to the Act of Parliament 1737.
Line engraving. 465 x 640mm (18¼ x 25¼"), with 18th century watermark Trimmed. Centre fold crease. Light stain in bottom left corner. Crease in bottom right corner.
A plan of the house and gardens of the Earl of Lincoln (1720-1794), with a view of the front of the house. Included is a scale of 330 feet and a key. The estate, formerly a royal palace, situated in the non civil parish of Oatlands, passed to Henry Clinton, the seventh Earl of Lincoln, 1716. From ''Vitruvius Brittanicus, Volume the Fourth. Being A Collection of Plans, Elevations, and Perspective Views, of` the Royal Palaces, Noblemen, and Gentlemens Seats, In Great Britain, Not Exhibited in any Collection of this nature hitherto published. Design'd By J. Badeslade and J. Rocque, &c. And Engraven by the Best Hands.
[Ref: 55116] £650.00
Survey'd and Engrav'd by B. Rocque. 1737.
Publish'd According to the Act of Parliament 1737.
Line engraving. 465 x 640mm (18¼ x 25¼"), with 18th century watermark Trimmed. Centre fold crease. Light stain in bottom left corner. Crease in bottom right corner.
A plan of the house and gardens of the Earl of Lincoln (1720-1794), with a view of the front of the house. Included is a scale of 330 feet and a key. The estate, formerly a royal palace, situated in the non civil parish of Oatlands, passed to Henry Clinton, the seventh Earl of Lincoln, 1716. From ''Vitruvius Brittanicus, Volume the Fourth. Being A Collection of Plans, Elevations, and Perspective Views, of` the Royal Palaces, Noblemen, and Gentlemens Seats, In Great Britain, Not Exhibited in any Collection of this nature hitherto published. Design'd By J. Badeslade and J. Rocque, &c. And Engraven by the Best Hands.
[Ref: 55116] £650.00
Oban.
A. Maclure Del. Maclure & MacDonald Lith.
[n.d., 1850.]
Tinted lithograph. Sheet 135 x 220mm (5¼ x 8¾").
A view of the harbour at Oban. Probably from one of 'Maclure & Macdonald's Illustrated Guides' of the Highlands and Islands, published for tourists.
Not in Abbey.
[Ref: 66727] £70.00 (£84.00 incl.VAT)
A. Maclure Del. Maclure & MacDonald Lith.
[n.d., 1850.]
Tinted lithograph. Sheet 135 x 220mm (5¼ x 8¾").
A view of the harbour at Oban. Probably from one of 'Maclure & Macdonald's Illustrated Guides' of the Highlands and Islands, published for tourists.
Not in Abbey.
[Ref: 66727] £70.00 (£84.00 incl.VAT)
Sketch of the Obelisk, Proposed by Mr. Railton, to the Memory of, the Late Admiral Sir Harry Neale, Bart. 1840.
Day & Haghe Lithrs. to the Queen. [c.1840.]
Lithograph on india paper laid to publisher's sheet with printed title; with letterpress explanation sheet, scarce. Folio, 385 x 235mm, 15¼ x 9¼". Slightly soiled; some nicks to extremities; generally good.
Architect William Railton's (d. 1877) design for a memorial obelisk to Sir Harry Burrard Neale, 2nd Bt (1765 - 1840), naval officer and politician. The text sheet explains that the model is the Great Obelisk at Thebes, Egypt, which he visited in 1824 - 25, and gives general dimensions. Railton's best known work is the Nelson memorial in Trafalgar Square, London (referred to in the text), his design for which was accepted after two competitions in 1839, and carried out in spite of strong opposition; the column itself was completed in 1843. A handsome obelisk was indeed erected to Neale's memory on Mount Pleasant, opposite the town of Lymington, Hampshire, of which he was lord of the manor, and which he had represented in parliament for forty years.
[Ref: 16972] £190.00 (£228.00 incl.VAT) view all images for this item
Day & Haghe Lithrs. to the Queen. [c.1840.]
Lithograph on india paper laid to publisher's sheet with printed title; with letterpress explanation sheet, scarce. Folio, 385 x 235mm, 15¼ x 9¼". Slightly soiled; some nicks to extremities; generally good.
Architect William Railton's (d. 1877) design for a memorial obelisk to Sir Harry Burrard Neale, 2nd Bt (1765 - 1840), naval officer and politician. The text sheet explains that the model is the Great Obelisk at Thebes, Egypt, which he visited in 1824 - 25, and gives general dimensions. Railton's best known work is the Nelson memorial in Trafalgar Square, London (referred to in the text), his design for which was accepted after two competitions in 1839, and carried out in spite of strong opposition; the column itself was completed in 1843. A handsome obelisk was indeed erected to Neale's memory on Mount Pleasant, opposite the town of Lymington, Hampshire, of which he was lord of the manor, and which he had represented in parliament for forty years.
[Ref: 16972] £190.00 (£228.00 incl.VAT) view all images for this item
London Vaccine Institution. Founded under the Mayoralty of Sir James Shaw, Baronet, M.P. Vice President. On The Recommendation of the Board Of Managers Founded on the Report of the Medical Council the London Vaccine Institution Receives Francis Cole Esqr. Surgeon &c. into the Number of its Honorary Members London 28th June 1822....[etc.]
Jas. Geo. Oben delineavit J. Dadley sculpsit.
Corresponding Actuary & Sub-Treasurer Andw. Johnstone, No. 52, Burr Street, Tower Hill, London.
Diploma of membership, signed and dated and completed in ink, etching and engraving, 376 x 324mm. Light spotting, mostly outside image.
The London Vaccine Institution was founded in 1806 by members of the Royal Jennerian Society, which was established in 1803 following Edward Jenner’s (1749-1823) successful experiments in the 1790s, to give vaccinations on a wide scale. Vaccination is the procedure of introducing dead or inactivated disease-causing microorganisms into the body in order to promote the production of antibodies in the body, providing immunity against the disease. The first successful vaccination was carried out by Jenner in 1798, against smallpox. A highly decorative diploma by James George Oben (1779 - 1819), a strong impression on paper watermarked 'J. Whatman 1819'.
For a similar diploma for 1833 see BM: 1868,1212.652.
[Ref: 7944] £180.00 (£216.00 incl.VAT)
Jas. Geo. Oben delineavit J. Dadley sculpsit.
Corresponding Actuary & Sub-Treasurer Andw. Johnstone, No. 52, Burr Street, Tower Hill, London.
Diploma of membership, signed and dated and completed in ink, etching and engraving, 376 x 324mm. Light spotting, mostly outside image.
The London Vaccine Institution was founded in 1806 by members of the Royal Jennerian Society, which was established in 1803 following Edward Jenner’s (1749-1823) successful experiments in the 1790s, to give vaccinations on a wide scale. Vaccination is the procedure of introducing dead or inactivated disease-causing microorganisms into the body in order to promote the production of antibodies in the body, providing immunity against the disease. The first successful vaccination was carried out by Jenner in 1798, against smallpox. A highly decorative diploma by James George Oben (1779 - 1819), a strong impression on paper watermarked 'J. Whatman 1819'.
For a similar diploma for 1833 see BM: 1868,1212.652.
[Ref: 7944] £180.00 (£216.00 incl.VAT)