Grosvenor Prints

[Numbers.] See Pierot or Lun A Figure of One...
[n.d., c.1840.]
Rare hand-coloured woodcut. Sheet: 165 x 270mm (6½ x 10½''). Trimmed, some repaired tears.
A series of vignettes showing numbers 0-9 formed by a pierot in various poses, child's education sheet.
[Ref: 51037] £160.00 (£192.00 incl.VAT)

View from Nuneham towards Oxford.
J. Farington R.A. delt. J. C. Stadler Sculpt.
Pub. June 1, 1793, by J. & J. Boydell, Shakespeare Gallery, Pall Mall, & No. 90, Cheapside.
Sepia aquatint. 320 x 220mm.
From the 'History of the River Thames'.
Abbey: 432.
[Ref: 2415] £140.00 (£168.00 incl.VAT)

Nuovo Atlante Portatile Compilato per Istruzione della Gioventu, Disegnato sopra le migliori Carte moderne ed inciso da Gio. Valerio Pasquali in Venezia l'anno MDCCCX
G.V. Pasquali sculp.
Si vende da Teodoro Viero in Merceria vicino all'Orologlio Prezzo lire d'Italia non miniato. [1810.]
Etching, platemark 185 x 220mm (7¼ x 8½"). Stained.
Frontispiece to an Italian atlas, with decorative border comprised of cartographical instruments.
[Ref: 42480] £140.00 (£168.00 incl.VAT)

Nurnberg.
[Engraved by Frans Hogenberg.]
[Cologne, c.1575.]
Engraved map. 385 x 495mm (15¼ x 19½"). Repaired splits in top and bottom of centre fold.
A view of Nuremberg published in Braun & Hogenberg's 'Civitatis Orbis' Terrarum', an atlas of over 500 city maps published in six parts between 1572 and 1617. This place is unusual for the large number of illustrations of the wealthy residents of the city in the foreground. On the reverse is a short description of the city written by George Braun.
[Ref: 45357] £280.00

Dame De Nuremberg en habit de ceremonie.
Tire de S.tien Muller.
A.D.P.R. A Paris chez Duflos rue St. Victor. [n.d. c.1780]
Engraving with strong contemporary colour and a gold leaf line border. 278 x 166mm.
From 'Recueil d'estampes représentant les grades, les rangs et les dignités suivant le costume de toutes les nations existantes' by Pierre Duflos, published 1779-84. The original colour is particularly fine, with gold leaf highlights.
[Ref: 2101] £60.00 (£72.00 incl.VAT)

Church of St. Sebald_Nuremberg [on stone].
L. Haghe [signed on stone.]
[London: T. McLean, 1850.]
Tinted lithograph, image 385 x 280mm. 15¼ x 11".
Paupers gathered at the entrance to St. Sebaldus Church, a medieval church in Nuremberg, southern Germany. Dedicated to Sebaldus, an 8th century hermit and missionary and patron saint of the city, it is located at the Albrecht-Dürer-Platz, in front of the old city hall. It has been a Lutheran parish church since the Reformation. By Louis Haghe (1806-1885) for the Third Series (of 3) of his 'Sketches in Belgium and Germany' (1840-50).
Abbey Travel 41, 22.
[Ref: 26814] £80.00 (£96.00 incl.VAT)

Sacrament House in the Church of St. Laurent, Nuremberg [on stone].
[L. Haghe.]
[London: Hodgson & Graves, 1840.]
Sepia-tinted lithograph heightened in white, image 390 x 275mm. 15¼ x 10¾".
Magnificent gothic stone carvings in St. Lorenz, a medieval church in Nuremberg, southern Germany, dedicated to Saint Lawrence. It was badly damaged during the Second World War and later rebuilt By Louis Haghe (1806-1885) for the First Series (of 3) of his 'Sketches in Belgium and Germany' (1840-50).
Abbey Travel 35, 22.
[Ref: 26811] £95.00 (£114.00 incl.VAT)

Nurnberg, een oude en beroemde stadt in Duitschlant, yermaert door hare schoone gebouwen, en Koophandel. [/] Norenberga, urbs nobilissima, totius quali Germaniae centrum, adificiis et mercimoniis praestans.
Pet Schenck Amst: C.P.
[n.d., c.1702].
Engraving with very large margins. Platemark: 270 x 215mm. (10½ x 8½"). Occasional foxing.
A panoramic view of the town of Nuremberg. Spires of typical Bavarian architecture can be seen along the horizon in the distance; cattle are grazing on some land whilst figures walking, and on horse-back, pass through a trail in the centre of the scene. Several figures on horse -back are in the foreground, looking out towards the view of the town. Plate to Schenk's 'Hecatompolis' (1702), which included one hundred profile views of cities throughout the world.
[Ref: 28430] £250.00 (£300.00 incl.VAT)

Nurnberg.
C. Scharff del. J. S. Leitner fec.
Hoeres Weigilu Senioris excudit. [n.d. c.1740]
Rare engraving, 510 x 235mm (20 x 9¼"), on laid watermarked paper. Crease in centre where previously folded, reinforced with tape. Tears just going into image repaired with tape. Creases. Trimmed to margin left and right.
A panoramic view of the town of Nuremberg, with German key underneath. Publisher is the heirs of Weigel, presumably Christoph; the firm of Christoph Weigel was continued after his death by his widow, together with his daughter Barbara Sibylla and her second huband, Martin Tyroff whom she married in 1729. After the widow's death Tyrhoof carried on the firm using the term 'Cristoph Weigels Erben.'
[Ref: 67025] £360.00

Shrine of the Three Kings, in the Cathedral, Cologne [on stone].
[L. Haghe.]
[London: Hodgson & Graves, 1840.]
Sepia-tinted lithograph, image 395 x 285mm. 15½ x 11¼".
Prayers inside Cologne Cathedral, Cologne, Germany. It is the seat of the Archbishop of Cologne and the administration of the Archdiocese of Cologne. It is a renowned monument of German Catholicism and Gothic architecture and is now a World Heritage Site. Cologne Cathedral was completed in August 1880, after over 600 years of construction, it was started in1248. By Louis Haghe (1806-1885) for the First Series (of 3) of his 'Sketches in Belgium and Germany' (1840-50).
Abbey Travel 35, 21.
[Ref: 26812] £120.00 (£144.00 incl.VAT)

[Nuremberg flood of 1784] Der durch Nürnberg, fliesende Pegniz Flus, wie selbiger im Jahr 1784. von 27. bis 28. Februar...
Nach der Natur gezeschen et und gestochen von J.L. Stahl Norb. 1784.
Zu finden beÿ E.C. Grattenaur in Nürnberg [n.d., c.1784].
Rare etching. Sheet 265 x 465mm (10 ½ x 18¼"). Trimmed to plate, creased, with some wear.
In Feburary 1784 the Pegnitz River flooded the city of Nuremberg, sweeping away houses. It was caused by the eruption of the Iclandic volcano Laki, not only spewing out basalt lava but also belching clouds of hydrofluoric acid and sulfur dioxide compounds into the air. The resulting clouds caused a mini ice-age, causing heavy snow falls and hail large enough to kill cattle in Europe and the Mississippi to freeze at New Orleans. The thaw of the extra snow in the spring caused floods throughout Europe. This view of the devastation was drawn by the engraver Johann Ludwig Stahl (1759-1818) who witnessed the catastrophe.
Ex collection of Christopher Lennox Boyd.
[Ref: 56677] £280.00 (£336.00 incl.VAT)

Nürnberg: Prospecten. Vûes de Nuremberg. Gezeichnet und in Kupfer gebracht von Johann Adam Delsenbach.
Zu finder in der Wirsingisschen Kunsthandlung in Nürnberg. [n.d. c.1740.]
Engraving. Plate 223 x 324mm (8¾ x 12¾"). Very fine.
Title page to a series of views on Nuremburg. An architectural cartouche with the escutcheon, including a view of Nuremberg and inscription: Tegit umbra minoris. Allegory of the river to the left and various nymphs to the right; at the bottom designs and instruments for painting and geometry.
[Ref: 31226] £160.00 (£192.00 incl.VAT)

[Rudolf Nureyev and Ballerina.]
[Ilse Voigt.] [signed in pencil.]
[n.d., c.1970.]
Etching. Manche XVII 8/100. Plate: 300 x 390mm (12 x 15¼"), with wide margins.
Portrait of Rudolf Nureyev (1938-1993) and a ballerina by Dutch artist Ilse Voigt (1905-1997). Nureyev, one of the most celebrated dancers of the Twentieth century, through his artistic skill and expressive style gave new importance to male roles. A sensation in Soviet Russia, Nureyev travelled to Europe with the Kirov Ballet in 1961. However due to his mixing with Europeans during his stay he was persuaded to return to Russia while the rest of the dancers went on to London, however sensing a trap, Nureyev defected to the West after approaching French police at Le Bourget Airport.
[Ref: 36415] £140.00 (£168.00 incl.VAT) view all images for this item

Nurmahal, uxer Schach Selim, Supremi Mogol.
[anon., c.1710]
Etching, platemark 285 x 170mm (11¼ x 6¾"). Small margins.
Scene in Nurmahal, or Noor Mahal, a city in the Jalandhar district in the state of Punjab, India. Plate from 'Principum et Illustrium quorundam Virorum qui in Europa alibique Terrarum, quà Fama, quà Eruditione célèbres fuerunt, verae Imagines' published by Pieter van der Aa in Leyden.
[Ref: 37016] £130.00 (£156.00 incl.VAT)

Nurse and Child. From the Original Picture of the same size Painted by Bartolameo Schielone. In the Collection of his Grace the Duke of Devonshire. Vol II No.33.
Schiedone Pinxit. Victor Marie Picot Sculp.t.
J. Boydell. Published July 1.st 1768.
Engraving. Platemark: 210 x 190mm (8¼ x 7½"). Very large margins.
A woman, seen half-length and holding a nude infant, who is turning towards the viewer. Within circle and ornamental frame. A coat-of-arms with stag charges is below within the title area, flanked by cherubs and stags, with the motto: "Cavendo Tutus'. After Amorosi's painting, then in the collection of Duke of Devonshire (1748 - 1811). From the series 'The Most Capital Paintings in England', Boydell's first major initiative as a pioneering publisher of fine engravings.
Ex Collection Duke of Westminster.
[Ref: 38254] £160.00 (£192.00 incl.VAT)

Nurse and Child. Drawn by E. Edwards from ye Original Picture of ye same size, painted by Sebast.s. Bourdon, the Orig.l Drawing in ye Possess.n of R. Sayer.
Rob.t Lowrie fecit. R. Sayer Excudit.
London, Printed for Rob.t Sayer, N.º 53 Fleet Street as the Act directs, 2 Jan.y 1772.]
Mezzotint. 385 x 280mm (15¼ x 11"). Narrow margins, creased in centre.
A portrait of a nurse cleaning an infant with a cloth, set within an oval stone frame.
Ex: collections of Oettingen-Wallerstein & the Hon. Christopher Lennox-Boyd.
[Ref: 66405] £180.00 (£216.00 incl.VAT)

Nurse and Child. [Drawn by E. Edwards from ye Original Picture of ye same size, painted by Sebasts. Bourdon, the Orig. Drawing in ye Possessn. of R. Sayer.]
Rob.t Lowrie fecit. [after Sébastien Bourdon]. R. Sayer Excudit.
[London, Printed for Rob.t Sayer, No. 53 Fleet Street as the Act directs, 2 Jan.y 1772.]
Mezzotint, sheet 375 x 300mm (14¾ x 11¾"). Trimmed losing second half of title and publication line and glued to a backing sheet.
A nurse wearing a turban lifting a child from cushions, cleans the infant with a cloth it as it looks back over left shoulder and puts its arm around the nurse's neck. Scene within an oval stone frame.
[Ref: 61598] £260.00 (£312.00 incl.VAT)

[Nursery Scene.]
[after William Redmore Bigg?]
London, Pub.d Dec.r 24. 1794, by J. Thane, Spur Street, Leicester Square.
Stipple, unfinished proof. 280 x 200mm (11 x 8") very large margins.
A nurse with two small children, one reading from a book. A pencil annotation ascribes this to Bigg but we have been unable to trace a finished example.
Ex: Collection of the Hon. Christopher Lennox-Boyd.
[Ref: 44292] £65.00 (£78.00 incl.VAT)

[Nurseryman] Bo.t of John Slater, Nurseryman, Seedsman, Florist & c. Near the Talbot Inn Malton. [Dec] 18[52]
Engraved billhead with vignette, filled with ink mss. Bill to M. Fowles Esq.; Sheet 310 x 160mm (12¼ x 6¼").
Slater died 8th January 1852, aged 57.
[Ref: 39243] £180.00 (£216.00 incl.VAT)

The true Effigies of Nathaniell Nye, Mathematician.
GP Harding 1801 [after Wenceslaus Hollar[
Pen and ink and grey wash, sheet 130 x 100mm (5 x 4").
Portrait in oval of Nathaniel Nye (baptised 1624, Birmingham - after 1647), English mathematician, astronomer, cartographer and gunner. Nye developed an interest in guns (Birmingham's principal trade during the English Civil War) and he is recorded as testing a Birmingham cannon in 1643 and experimenting with a saker cannon in the Deritend area in 1645. From 1645 he was the master gunner to the Parliamentarian garrison at Evesham and in 1646 he successfully directed the artillery at the Siege of Worcester, detailing his experiences and in his 1647 book The Art of Gunnery. Inscribed 'Aetatis suae 20 Ao. 1644' in image; ink-ruled rectangular outer border. A copy of the etching by Wenceslaus Hollar (1607 - 1677), by George Perfect Harding (1781 - 1853), portrait painter, copyist and antiquary.
See NPG D27916.
[Ref: 22220] £280.00 (£336.00 incl.VAT)

No more Fair Nymph [...] Thy own bright Beauties boast, Which now another Eye has all engrost, While Thou dos't in the Stream thy self survey, The Theivish Peerer steals thy self away; Who tho he cannot value what he sees, Enjoys what Kings would beg upon their Knees.
Henricus Prosperus Lankrinck Pinxit. [Alexander Browne.]
[n.d., c.1680.] Sold by J.Smith at ye Lyon & Crown in Russell Street Covent Garden.
Mezzotint, 17th century watermark. 340 x 250mm (13½ x 9¾"). Trimmed close to plate. Faint creases on right bottom. Taped into mount at top.
A woman, nude apart from a sheet, bathing by a pool in a wooded area. Above and behind her is a male figure in a tree holding a large sheet, and in the background to the left a clothed male peers through the trees.
Ex: Collection of The Hon. Christopher Lennox-Boyd. Wessely 390
[Ref: 65533] £350.00

A Nymph and Shepherd. In the Gallery at Houghton.
Carlo Cignani Pinxit. G. Farington delin.t. Michel Sculpsit.
Published Nov.r 1st 1775 by John Boydell Engraver in Cheapside London.
Engraving. 315 x 380mm (12¼ x 15"), with large margins on three sides. Creasing.
A young woman gazes adoringly at a young man holding a musical pipe, who holds her stare. In front of them two children wrestle on a sheep. A scene based on a painting by Carlo Cignani (Bolognam 1628-1719), engraved by Jean Baptiste Michel (1748-1804) from an intermediate sketch by painter George Farington (1752-88)
[Ref: 51729] £230.00 (£276.00 incl.VAT)

[Nymph Dancing with Faun.]
Troy Kinney [pencil signature.]
[n.d. c.1920.]
Ethcing. 291 x 318mm. 11½ x 12½".
A nymph holding a stringed instrument skipping through the field alongside a faun playing cymbals. Troy Kinney (1871-1938) was an notable American artist, etcher and author; most of his works portraying dance performers, fanciful subjects, and classically styled nudes.
[Ref: 19204] £140.00 (£168.00 incl.VAT)

La Nimphe Amoureuse.
L. Hopner pinx.t. Dickinson sculp.t. [William Dickinson after John Hoppner.]
à Paris chez Bance, Rue St Denis, No. 175, près celle aux Ours [n.d., c.1800].
Rare mezzotint. 265 x 315mm (10½ x 12½") very large margins.
A naked woman reclining in a bower, a winged cherub at her shoulder. An English print copied in Paris.
[Ref: 56422] £260.00 (£312.00 incl.VAT)

Nymphs after Bathing.
G.B Cipriani Inv.t. F. Bartolozzi Sculp.
London Pub.d as the Act directs Jan.y 15.th 1783 by A. Torre N.o 44 Market Lane. A Paris chez L. Torre Porte St Antoine A.P.D.R.
Fine stipple printed in sanguine, plate 260 x 205mm (10½ x 8"), with large margins. Some very light foxing. Mint.
In a landscape, two beautiful nymphs arrange their hair after bathing in a stream.
De Vesme 467. Ex: Oettingen-Wallerstein collection. Sotheby's London / Milan Nov 1997.
[Ref: 60288] £280.00 (£336.00 incl.VAT)

[Nymphs Sporting]
G.B. Cipriani invt. F. Bartolozzi sculpt.
London Pubd. as the Act directs March. 1 1787 by F. Bartolozzi.
Etching printed in sepia, platemark 260 x 200mm (10 x 8"), with very large margins.
Decorative nude scene. Etching by Francesco Bartolozzi (1725-1815), Florentine engraver and founding member of the Royal Academy in 1768. After meeting George III's librarian Richard Dalton in Italy in 1763, Dalton invited Bartolozzi to London with a promise of an appointment as engraver to the king. In England he became the most celebrated exponent of the 'stipple' technique whereby he produced prints using dots rather than lines. This is the medium employed here, one of many prints he made from designs by his fellow Italian, G.B. Cipriani (it was published in 'A Set of Etchings by Francis Bartolozzi R.A. in Imitation of Drawings from the Sketches of the Late John Baptist Cipriani R.A.' in 1788.
Calabi & De Vesme 462.ii
[Ref: 43417] £220.00 (£264.00 incl.VAT)

Nymphs a Bathing. Les Nymphes Au Bain.
J. Vernet Pinx.t. Rob.t Sayer Excudit. R. Laurie Sculp.
Printed for Rob.t Sayer, Printseller No. 53, Fleet Street London, Published as the Act directs, 10 May, 1770.
Rare mezzotint. 550 x 465mm (21¾ x 18¼"). Repaired tear through top plate mark and into engraved area.
Women wash in the shallows of a harbour, in the shelter of a cave. Further out in the bay are fortifications and an 18th century ship. Laurie has retouched a plate engraved by Samuel De Wilde (under the pseudonym of S. Paul) and added his name (see Ref: 66653).
[Ref: 20199] £590.00

Nymphs a Bathing. Les Nymphes Au Bain.
J. Vernet Pinx.t. Rob.t Sayer Excudit. S. Paul [pseudonym of Samuel de Wilde] Sculp.
Printed for Rob.t Sayer, Printseller No. 53, Fleet Street London, Published as the Act directs, 10 May, 1770.
Rare mezzotint. 550 x 465mm (21¾ x 18¼"), with large margins Creased, tear entering image from top, margins chipped and soiled. Uncut.
Women wash in the shallows of a harbour, in the shelter of a cave. Further out in the bay are fortifications and an 18th century ship.
Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 66653] £480.00

Nymphs Sacrificing to Love.
Angelica Kauffman pinx.t. Giuseppi dall'Acqua figlio di Cristoforo Scul. 1780.
Rare stipple. 265 x 320mm (10½ x 12½"). Very large margins.
An oval scene of three nymphs presenting flowers to Cupid, who sits on a pedestal, his bow and quiver at the base.
[Ref: 37044] £160.00 (£192.00 incl.VAT)

[Treaty of Nystad] Vreede tekening tusschen de Plenipotentiarisen van den Kyser van Groot Rusland [...] [parallel text in Latin]
Pet:Schenk Exc Amst: C.Priv. [n.d. c.1730.]
Engraving, sheet 155 x 185mm (6 x 7¼"). Trimmed to plate, folding creases, tear on bottom edge, some spots. Central crease as normal.
A scene showing the signing of the Treaty of Nystad between Russia and Sweden on 20 August 1721, which ended the Great Northern War (1700-1721).
[Ref: 59267] £85.00 (£102.00 incl.VAT)

O God, be good to me: Thy sea is so wide, and my boat is so small.
[illegible pencil signature.]
[n.d., c.1920.]
Etching, signed by the artist in pencil. 185 x 255mm (7¼ x 10"). Repaired tear top right.
A skiff in heavy seas.
[Ref: 59812] £160.00 (£192.00 incl.VAT)

Naughty Dogs of Paris…
[Boris O' Klein]
Printed by Ducher & Mathieu, 35 Avenue De L'Opera, Paris.
Coloured engraving. 435mm. n.d. c.1925.
'Naughty Dogs of Paris' Series. Proof. Arthur 'Boris' O'Klein, born in Moscow [1893-1985.]
[Ref: 4461] £140.00 (£168.00 incl.VAT)

[Nelly O'Brien.] "Near a thick Grove whose deep embow'ring Shade, [/] Seem'd most for Love and contemplation made, [/] Thither retir'd from Phoebus sultry Ray_" Dryden.
Engraved from and Original Picture Painted by S.r. Joshua Reynolds by Cha.s. Phillips & Published According to Act of Parliament Aug.t. 24 1770.
Mezzotint. Framed. Sheet: 320 x 450mm (12½ x 17¾"). Trimmed to plate. Some slight foxing. Laid on card.
Half-length portrait of Nelly O'Brien a famous beauty and courtesan who, as a friend of Reynolds, sat for several of his paintings. O'Brien sits, wearing a large brimmed hat and facing directly out holding a small lap-dog on her knee. The original painting by Reynolds is in the Wallace Collection.
BM 1902,1011.3655
[Ref: 35346] £320.00

Mr Patrick O'Brien, The Celebrated Irish Giant. 8 Feet 7 Inches high. Aged 38 Years.
T. Parry del. A. Van Assen Sculp.
Pub.d June 20, 1804 by R.S. Kirby, 11 London House yard, & J. Scott, 447 Strand.
Etching. 210 x 120mm (8¼ x 4¾"). Trimmed within plate on right. Small margins on 3 sides.
The Irish giant Patrick O'Brien (1760-1806, real name Patrick Cotter), leaning on the top of a door, towering over another man. He was the first man in history with a certified height of over 8 feet (8'1", not 8'7'' as claimed), a record not broken for another century. He took the name O'Brien to claim descent from the legendarily gigantic Brian Boru. Working on the sideshow circuit he became quite wealthy, leaving £2,000 to his mother when he died. He left his clothes to his servant, who displayed them on a mannequin in the Haymarket; his boots are still on display in the Kinsale Museum. Cotter requested that his body be entombed within twelve feet of solid rock to prevent exhumation for scientific or medical research; however in 1972 his remains were examined and his height verified.
[Ref: 57247] £85.00 (£102.00 incl.VAT)

[Mr Patrick O'Brien, Irish Giant.]
[n.d., c.1810.]
Grey wash with touches of red. Sheet 215 x 130mm (8½ x 5").
The Irish giant Patrick O'Brien (1760-1806, real name Patrick Cotter), leaning on the top of a door, towering over a dwarf, possibly John Coan (1728-1764), the ‘Norfolk Dwarf', an imaginary meeting. O'Brien was the first man in history with a certified height of over 8 feet (8'1", not 8'7'' as claimed), a record not broken for another century. He took the name O'Brien to claim descent from the legendarily gigantic Brian Boru. Working on the sideshow circuit he became quite wealthy, leaving £2,000 to his mother when he died. He left his clothes to his servant, who displayed them on a mannequin in the Haymarket; his boots are still on display in the Kinsale Museum. Cotter requested that his body be entombed within twelve feet of solid rock to prevent exhumation for scientific or medical research; however in 1972 his remains were examined and his height verified.
[Ref: 57248] £260.00 (£312.00 incl.VAT)

[The Right. Hon. Lady Susan O'Brien.]
F. Cotes pinx.t. James Watson Fecit.
Publish'd According to Act of Parliament May 10 1772 by Jas. Watson Queen Anne Street.
Rare mezzotint. Proof before title. Plate: 380 x 280mm (15 x 11"). Trimmed to platemark. Repair in centre
A portrait of Susan O'Brien (1743-1827), wife of actor and playwright William O'Brien.
Goodwin: 88; CS 108
[Ref: 47591] £180.00 (£216.00 incl.VAT)

[William O'Brien.] M.r O'Brien.
F. Cotes pinx.t. James Watson Fecit.
London, Printed for Rob.t Sayer Sayer, Printseller, near Serjeants Inn, Fleet Street [n.d., c.1775].
Mezzotint. 330 x 225mm (13 x 9"). Some creasing. Small margins.
Half-length portrait in oval of Irish actor and playwright William O'Brien (c.1740-1815), described by diarist James Boswell as ''a lively little fellow, but priggish" and ''quite the fine man about town''. He eloped with and married Susan Fox-Strangways (1742-1827), cousin of Charles James Fox, and had to decamp to New York for six years.
Goodwin: 159, state ii of iv; CS: 108, ii of iii
[Ref: 65847] £180.00 (£216.00 incl.VAT)

Daniel O Connell.
Peint par J. Gubbins. Dessiné par A. Lecher. Imp. Lith. de Lemercier A Paris.
Desessert, Galerie Feydeau No 13, Passage des Panoramas.
Lithograph with pen signature. Printed area 360 x 255mm (14¼ x 10") very large margins.
Portrait of Daniel O'Connell (1775 - 1847), reversed from the portrait by Irish painter John Gubbins, issued as a mezzotint by Quilley in 1829. Extremely rare French printed image of O'Connell, signed in ink at bottom. It seems to be unrecorded.
[Ref: 48142] £450.00

Daniel O'Connell.
A. Maurin.
Lith. Formentin & C.ie. [n.d., c.1840.]
Lithograph. Sheet: 230 x 170mm (9 x 6¾''), with large margins. Slight foxing.
A half-length portrait of Irish political leader Daniel O'Connell (1775-1847).
[Ref: 48658] £95.00 (£114.00 incl.VAT)

Daniel O'Connell.
Ch. Allen Duval pinx. Bosselman sc.
Publié par Pagnerre. Livre des Orateurs. [n.d., c.1845.]
Engraving. Plate: 210 x 135mm (8¼ x 5¼''). Small margins.
A half-length portrait of Irish political leader Daniel O'Connell (1775-1847).
[Ref: 48659] £65.00 (£78.00 incl.VAT)

Daniel O'Connell on his 68th Birthday 1843.
Published by T. McLean, 26, Haymarket, Dec. 1843.
A rare tinted lithograph. Sheet: 315 x 220mm (12½ x 8¾'') very large margins.
A seated portrait of Daniel O'Connell (1775 - 1847). Known as 'The Liberator', or 'The Emancipator', O'Connell was an Irish political leader in the first half of the nineteenth century. He campaigned for Catholic Emancipation - the right for Catholics to sit in the Westminster Parliament, denied for over 100 years - and Repeal of the Union between Ireland and Great Britain.
[Ref: 48772] £160.00 (£192.00 incl.VAT)

[Daniel O'Connell] A Fancy Sketch Shewing a select speciment of the Cross-Palpable.
H.B. [John Doyle.]
Published by Thos. McLean 26 Haymarket August 11th 1834.
Lithograph. Sheet: 285 x 410mm (11¼ x 16''). Staining on left.
A political satire showing political opponents Daniel O'Connell and Lord Althorp engaged in a boxing match, other politicians watch and cheer on the fight while John Bull holds the watch. A commentary on O'Connell and Lord Althorp's positions on the Irish Tithe Bill.
[Ref: 50111] £90.00 (£108.00 incl.VAT)

[Daniel O'Connell] Caged at Last.
H.B [John Doyle]. Printed by W. Kohler.
London: W. Spooner, 377 Strand [n.d., 1843].
Rare lithograph. Sheet 260 x 370mm (10¼ x 14½"). Trimmed within printed borders, some foxing.
Daniel O'Connell and his associates stand at the bars of a prison window weeping. Above the window is written 'Cease to do Evil and Learn to do Well'; under the sill is a rent box. In 1843 he spent three months in Griffith Barracks, Dublin (known as Richmond Bridewell) for conspiracy before being released on appeal.
[Ref: 63651] £180.00 (£216.00 incl.VAT)

[Daniel O'Connell.]
[Painted And Engraved By R.M. Hodgetts.]
[London, published by S. Hollyer.]
Mixed method engraving, proof before all letters, 434 x 342mm. Damage to paper extremities, tear from right into plate but not image.
A strong proof impression of this handsome portrait of Daniel O'Connell (1775 - 1847). Known as 'The Liberator', or 'The Emancipator', he was an Irish political leader in the first half of the nineteenth century. He campaigned for Catholic Emancipation - the right for Catholics to sit in the Westminster Parliament, denied for over 100 years - and Repeal of the Union between Ireland and Great Britain.
[Ref: 7646] £450.00

Daniel O'Connell [signature facsimile].
Painted And Engraved By R.M. Hodgetts.
London: Published December 1st. 1843, For The Proprietor, By S. Hollyer, 89. Chancery lane.
Proof mixed method engraving on india laid paper, 434 x 342mm. Foxing, largely to margins outside india.
A good impression of this handsome portrait of Daniel O'Connell (1775 - 1847). Known as 'The Liberator', or 'The Emancipator', he was an Irish political leader in the first half of the nineteenth century. He campaigned for Catholic Emancipation - the right for Catholics to sit in the Westminster Parliament, denied for over 100 years - and Repeal of the Union between Ireland and Great Britain.
[Ref: 7643] £450.00

[Daniel O'Connell] Conspirators; or Imprisonment As It Is And Imprisonment As It Was.
[John Doyle]
[n.d., c.1843.]
Scarce lithograph. Sheet 250 x 370mm (9¾ x 14½"). Trimmed within printed borders, title excised and pasted at top of image.
Two contrasting scenes of imprisonment in Ireland. On the left an obese Daniel O'Connell lifts a wine glass in 'Richmond Pleasure Grounds', a 'Rent' box at his feet; on the right an unkept man sits shackled in Kilmainham Gaol, a jug of water and a loaf beside him. In 1843 O'Connell spent three months in Griffith Barracks, Dublin (known as Richmond Bridwell, for conspiracy before being released. Kilmainham Gaol in Dublin, opened 1796, was notorious for the poor, overcrowded conditions. It is now a museum.
[Ref: 63650] £180.00 (£216.00 incl.VAT)

Daniel O'Connell, Esqr. Member of Parliament for the County of Clare.
I. Dadley delt. et Sculpt.
London, Published 1843, for the Proprietor by Jucks & Son, 111, Newgate Street.
Engraving, sheet 320 x 420mm. 12½ x 16½". Trimmed to plate.
Bust in profile of Daniel O'Connell (1775 - 1847) in an oval frame surmounted by a bay leaf crown. Known as 'The Liberator', or 'The Emancipator', O'Connell was an Irish political leader in the first half of the nineteenth century. He campaigned for Catholic Emancipation - the right for Catholics to sit in the Westminster Parliament, denied for over 100 years - and Repeal of the Union between Ireland and Great Britain. A rare portrait.
[Ref: 13795] £190.00 (£228.00 incl.VAT)

This Portrait of Daniel O Connell. Esq.r is with respect dedicated to J. W. Fulton Esq.r the sincere friend of Mr. O Connell and Civil & Religious Liberty by his obliged servant Tho.s McLean.
Painted by J. Gubbins. Engraved by J. P. Quilley.
London Published July 7th. 1829, by Tho.s McLean, 26, Haymarket.
Proof mezzotint. Sheet size: 375 x 285mm. (14¾ x 11¼"). Trimmed inside platemark.
Portrait of Daniel O'Connell (1775 - 1847), with a dedication to J. W. Fulton inscribed underneath, including a coat of arms and facsimile signature. Often referred to as 'The Liberator', or 'The Emancipator', O' Connell was an Irish political leader in the first half of the 19th century. He campaigned for Catholic Emancipation, including the right for Catholics to sit in the Westminster Parliament, denied for over 100 years, and the repeal of the Act of Union which combined Great Britain and Ireland.
[Ref: 31704] £230.00 (£276.00 incl.VAT)

Daniel O'Connell, also correct likenesses of the Duke of Wellington, the Rt. Hon. Thomas Berry Cusack Smith, Attorney-General for Ireland, Her Majesty Queen Victoria, Mr Richard Wilson Greene, Solicitor-General for Ireland, Sir Robert Peel.
Drawn from Life & on Stone by R. Evan Sly, 40 Upper Seymour St. Euston Sq.
London published March 1844 by T. Houlston, 154 Strand, & R. Evan Sly, 40 Upper Seymour St. Euston Sq.
Lithograph, printed area 295 x 230mm (11½ x 9").
Very scarce Puzzle print. Daniel O'Connell (1775 - 1847), Irish nationalist leader known as 'The Liberator', or 'The Emancipator'. O'Connell campaigned for Catholic Emancipation - the right for Catholics to sit in the Westminster Parliament, denied for over 100 years - and Repeal of the Union between Ireland and Great Britain. In addition to his status as the quinessential Irish national champion, O'Connell was a key figure in the emergence of European democracy (he commanded great attention on the continent during his lifetime) and was an advocate for the socially disadvantaged, including Jews, black slaves and Australian Aborigines. During the repeal campaign O'Connell was arrested on a charge of conspiracy and this portrait was published during the period he spent in England between his trial and sentencing to a year's imprisonment).Puzzle print with profile portraits of various contemporary celebrities including Queen Victoria and the duke of Wellington concealed in the floral frame.
[Ref: 38948] £360.00

Feeding the Animals - Change of Diet! HB Sketches No 573.
H.B. [John Doyle.] A. Ducôte's Lithog.s 70 St Martin's Lane.
Published by T. McLean, 26, Haymarket, 12th Feb.y 1839.
Lithograph. Sheet 270 x 350mm (10¾ x 13¾"). Trimmed to printed border.
A satire on the political debate on the Corn Laws, with Daniel O'Connell (1775-1847) as Isaac A. Van Amburgh (1808-65, an American who developed the first trained wild animal act in modern times) feeding various big cats with the faces of politicians including Palmerston, Normanby, Lansdowne, Holland, Melbourne, Russell, Charles Poulett Thomson and Thomas Spring Rice. Outside the cage Queen Victoria looks on. John Doyle (1797-1868), worked under the pseudonym 'HB' from 1827, usually issuing one satire a month during parliamentary seasons. Doyle preserved his anonymity as 'H.B.' until 1843, when he revealed himself to Sir Robert Peel in a letter justifying his motives and principles as a cartoonist.
[Ref: 51583] £95.00 (£114.00 incl.VAT)

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