Grosvenor Prints

The M-n-s-r reduced, or Sir Oliver Blubber, in his proper Station.
B.K. inv.t.
Published as the Act directs April 16th 1782 at N.14 Dover Street.
Etching, scarce. Plate: 130 x 195mm (5¼ x 7¾"). Creasing.
A satirical portrait of Lord North (1732-1792) depicted as a washer woman, a commentary on his tax on soap.
BM Satire 5975.
[Ref: 44259] £160.00 (£192.00 incl.VAT)

[Lord North] The Premier distributing the Loaves and Fishes to the Labourers in his Vineyard May 9 1772.
[Town & Country Magazine, 1772.]
Engraving. Plate: 180 x 110mm (7 x 4¼").
A satirical scene in Westminster Yard, with Prime Minister, Lord North, walking on stilts but held in place by the Earl of Mansfield and the Earl of Bute. The 'loaves' are pensions and titles. John Wilkes walks away covering his eyes in despair.
BM Satires 4955
[Ref: 43961] £50.00 (£60.00 incl.VAT)

[Frederick North, 5th Earl of Guildford and family] Katherine Anne (North) Lady Glenbervie. Sylvester (Douglas) Lord Glenbervie. The Hon.ble Frederic Sylvester Douglas. Frederic (North) Earl of Guildford.
Ingres Rome 1815. C. Hullmandel's Lithography.
[n.d., c.1820.]
Rare lithograph. Sheet 620 x 440mm (24½ x 17¼"), with very large margins, edges uncut.
Four portraits printed from one stone but designed to be cut: Lord and Lady Glenbervie and their son Frederic Douglas, and Lady Glenbervie's brother Frederic North, 5th Earl of Guildford. These four portraits, drawn directly onto one stone by the painter John Dominique Ingres, are lauded as masterpieces of the classical art of drawing. So great is their mastery that experts have disputed whether Ingres, having no previous documented experience of lithography, could have achieved such a feat. However, Felix Man argues convincingly that in Rome Ingres would have had the necessary facilities likely found at the printing and publishing establishment of Giovanni Dall'Armi (XXI-XXII, Man 1953). Though the portraits were drawn by Ingres in Rome, the family took the stone back to England to be printed by Charles Hullmandel in 1820, when he added the sitters' titles and biographical dates. Man states that he has only seen 8 uncut examples, demonstrating its rarity.
Man 12.
[Ref: 66527] £620.00

[Frederick North] The State Jugglers 1773.
[Westminster Magazine, 1773.]
Etching. 190 x 110mm (7½ x 4¼"). Narrow right margin.
A satire depicting the government's handling of the financial crisis of 1772-3 as a magic act. Lord North is a juggler, wearing a harlequin's suit, holding a mask and conjuror's box. On the table are three large money-bags, a pack of cards, balls, and cones. Behind are ministers, including Jeremiah Dyson as Mungo the African slave and the Earl of Sandwich holding a cricket bat. The audience includes a man holding a pole with a pair of breeches with the pockets inside out to show his poverty; a standing man with a ragged coat holds his head in despair; an emaciated Asiatic lying on the ground.
BM Satires 5109.
[Ref: 58648] £160.00 (£192.00 incl.VAT)

[George Augustus North] No. XXXIV. M.rs. B_les. No. XXXV. The juvenile Orator.
London, Publish'd by A. Hamilton Jun.r. Fleet Street. Jan.y. 1; 1784.
Engraving. Plate: 175 x 110mm (7 x 4¼"). Small margins.
Two portrait busts in ovals. On the right a portrait of George Augustus North (1757-1802), British politician and son of Lord North and on the left a portrait of his mistress Mrs Bowles. From the 'Histories of the Tête à Tête annexed...' series that appeared in 'Town and Country Magazine', a monthy magazine which featured articles on the scandals and romantic affairs of the nobility.
BM Satire 6676.
[Ref: 38573] £65.00 (£78.00 incl.VAT)

The Honourable Roger North Esq.r Ætatis cir. 30. Vol. II Pl. LXXXIX. p. 522.
P. Lely pinx. 1680. Geo. Vertue sculp 1740.
Engraving. 215 x 160mm (8½ x 6¼").
A half-length portrait of lawyer, biographer and amateur musician Roger North (1653-1734), younger brother of Lord Chancellor Francis North. In 1686 he was appointed Attorney General to Mary of Modena, but after the Glorious Revolution of 1688 he resigned all his offices. The portrait was the frontispiece to his book 'The Examen', a defence of Charles II's record as a ruler.
Sharp 545.
[Ref: 68959] £90.00 (£108.00 incl.VAT)

The Honourable Roger North Esq.r Ætatis cir. 30.
P. Lely pinx. 1680. Geo. Vertue sculp 1740.
Engraving. 215 x 160mm (8½ x 6¼"). Trimmed to platemark.
A half-length portrait of lawyer, biographer and amateur musician Roger North (1653-1734), younger brother of Lord Chancellor Francis North. In 1686 he was appointed Attorney General to Mary of Modena., but after the Glorious Revolution of 1688 he resigned all his offices. The portrait was the frontispiece to his book 'The Examen', a defence of Charles II's record as a ruler.
Sharp 545.
[Ref: 69009] £90.00 (£108.00 incl.VAT)

A View of the Long Room and Baths with the Country adjacent, near Plymouth.
James Northcote delin.t. J.Mason sculp.t.
[n.d., c.1760.]
Engraving. 320 x 470mm.
From the Northcote Archive.
[Ref: 4443] £360.00

James Northcote Esqr.
[J. de Claussin.] Etched from the Original Sketch by Prince Hoare Esqr.
Published Feby. 1.1814, by Abm. Wivell, 57, Gt. Portland St.
Etching on india laid paper, 275 x 200mm. 10¾ x 8".
Intimate portrait study of James Northcote (1746 - 1831), painter; pupil and biographer of Sir Joshua Reynolds. He was known for his dignified portraits in the Reynolds tradition, but also produced grandiose history paintings, many for Boydell's Shakespeare Gallery. After Prince Hoare (1755 - 1834), painter and dramatist, son of William Hoare.
NPG: D18766.
[Ref: 13181] £90.00 (£108.00 incl.VAT)

Carte Generale des Costes de L'Europe sur L'Ocean Comprises depuis Dronthem en Norwege Jusques au Detroit de Gibraltar.
[Paris: Jacques Nicolas Bellin for the the Depot de la Marine, c.1750.]
Coloured engraving. 610 x 860mm. Repairs to centrefold.
A large sea chart of Northern Europe from Norway to the Straits of Gibraltar. Originally published by Jaillot in the monumental sea atlas, the 'Neptune François', 1693.
[Ref: 602] £480.00

Northern Territory of South Australia.
The Picturesque Atlas Publishing Company, Limited, Sydney & Melbourne. [n.d., 1886-8.]
Colour-printed wood engraving (chromoxylograph). Printed area 370 x 280mm (14½ x 11"). Large margins.
A map of the Northern Territory, marking the Overland Telegraph. On the reverse is an index and a vignette wood engraving of a horse drawn plough. It was published in the 'Picturesque Atlas of Australasia, a periodical issued between 1886-88, timed for the celebration of the centenary of the arrival of the First Fleet in 1888. This was the largest publication project attempted in the Australian colonies, with 50,000 subscribers, roughly 1.3 of the population.
Codell: Imperial Co-histories, p. 219-220.
[Ref: 39132] £90.00

A View of Northfleet, in the County of Kent. Vüe du Northfleet, dans le Comté du Kent. No.20.
I.no Boydell Delin. & Sculp.
Publish'd according to Act of Parliament, & Sold by J.no Boydell Engraver at the Unicorn the Corner of Queen Street Cheapside London. 1752.
Hand coloured engraving on watermarked paper. Platemark: 255 x 420mm (10 x 16½"). Small margins.
A view of Northfleet, Kent along the River Thames, adjacent to Gravesend, with ships sailing to the right. From 'A Collection of One Hundred Views In England and Wales'. John Boydell's 'Collection of Views' was made after he turned from engraver to print publisher in 1767. The first collection was issued in 1770, and included some plates by printmakers other than himself.
Adams (London): 47.20.
[Ref: 38705] £260.00 (£312.00 incl.VAT)

A View of Northfleet, in the County of Kent. Vüe du Northfleet, dans le Comté du Kent. No.20.
I.no Boydell Delin. & Sculp.
Publish'd according to Act of Parliament, & Sold by J.no Boydell Engraver at the Unicorn the Corner of Queen Street Cheapside London. 1752.
Engraving, paper watermarked with very large margins. Plate 255 x 420mm (10 x 16½").
A view of Northfleet, Kent along the River Thames, adjacent to Gravesend; ships sailing in a strong tail wind. From "A Collection of One Hundred Views In England and Wales". John Boydell's 'Collection of Views' was made after he turned from engraver to print publisher in 1767. The first collection was issued in 1770, and included some plates by printmakers other than himself.
Adams (London): 47.20.
[Ref: 29313] £300.00

A View of Northfleet, in the County of Kent. ~ Vue du Northfleet, dans le Comté de Kent.
Jn. Boydell Delin & Sculp.
Publish'd According to Act of Parliament & Sold by J. Boydell Engraver, at the Unicorn the Corner of Queen Street, Cheapside, London. 1752. ~
Engraving 417 x 255mm.
[Ref: 848] £270.00 (£324.00 incl.VAT)

A View of Northfleet, in the County of Kent.
Printed for Carington Bowles, Map & Printseller, No.69 in S.t Pauls Church Yard, London. Publish'd 2.d March, 1773.
Engraving. Sheet:175 x 275mm (7 x 10¾"). Trimmed.
A view of Northfleet on the river Thames.
[Ref: 45939] £130.00 (£156.00 incl.VAT)

A View of Northfleet, in the County of Kent.
Printed for Carington Bowles, Map & Printseller, No.69 in St. Pauls Church Yard, London. __ Published 2d. March, 1773.
Engraving, 175 x 275mm (7 x 10¾"). Tipped into album page.
View of the River Thames near Northfleet in Kent, with boats and ships on the water. Numbered '6' upper right.
[Ref: 9159] £120.00 (£144.00 incl.VAT)

[Northington Grange] Perspective View of the Interior of a Conservatory, Erected at The Grange, Hants. Thomas Clark, Metallic Hothouse Manufacturer, Lionel Street, Birmingham.
W. Finley Del.t. T. Garner Sc.t.
[n.d., c.1825.]
Engraving. 220 x 270mm (8¾ x 10¾"), with very large margins.
The interior of an orangery conservatory built for Alexander Baring by Jones & Clark (today Henry Hope & Sons Ltd), commissioned 1824. Although the cast-iron interior was prefabricated (a revolutionary concept at the time), the exterior has a four-columned Ionic portico. The columns shown here were hollow, allowing the collection of rainwater. In 1890 Francis Baring (the 5th Lord Ashburton) converted the orangery into a picture gallery which doubled as a ballroom.
[Ref: 59621] £260.00 (£312.00 incl.VAT)

Berwick upon Tweed.
Drawn & Engraved by Will.m Daniell.
Published by Mess.rs Longman, & Co. Paternoster Row, & W. Daniell, 9 Cleveland St. Fitzroy Square, London. July, 1, 1822.
Aquatint with fine original hand colour. On watermarked paper, 'J. Whatman. 1821'. 230 x 300mm (9 x 12"). Mint, with large margins, uncut.
A view of Berwick from a hill, with sheep and figures on the hillside in the foreground at left, and castle walls stretching to the River Tweed behind. The 'Royal Border Bridge' across the river can be seen in the middle ground. Berwick-upon-Tweed, in the county of Northumberland is the northernmost town in England, was for more than 400 years central to the historic border war between the Kingdoms of England and Scotland, and several times possession of Berwick changed hands between the two kingdoms. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 36270] £180.00 (£216.00 incl.VAT)

Chronicles of Northumberland.
Stephenson, Printer, Gateshead. [1826.]
Letterpress broadside in two columns with woodcut illustrations, within a decorative border. Sheet c.450 x 280mm. 17¾ x 11". Ink annotations to margins, identifying some candidates.
A locally-printed satirical profile of the candidates for the June 1826 general election for Northumberland, images of the men in question adjacent. The Tory Henry Thomas Liddell, first Earl of Ravensworth (1797 -1878) topped the poll and was returned alongside fellow Tory Matthew Bell. Four principal candidates race towards the finish line atop a boar, ass, goat and cow in a scene above the text.
[Ref: 13711] £260.00 (£312.00 incl.VAT)

A View of Northumberland House, Charing Cross. &c. Vüe de la Maison de Northumberland a Charing Cross.
Canaleti Pinx.t et Delin. In the Collection fof the Earl of Northumberland. J. Bowles Sculp.t.
Publish'd according to Act of Parliament. Published 12.th. May 1794, by Laurie & Whittle, 53 Fleet Street, London.
Hand-coloured engraving. Plate: 395 x 265mm (15½ x 10½"). Frame: 555 x 420mm (22 x 16½"). Unexamined out of frame. Some rubbing.
A view of Northumberland House, the London residence of the Percy family. The house stood on the far western corner of the Strand and Charing Cross and was demolished in 1874 to create Northumberland Avenue.
[Ref: 40398] £220.00 (£264.00 incl.VAT)

Northumberland Races 1826. County Plate.
[Drawn and etched by Joseph Crawhall?]
[n.d., c.1824.]
Etching. 210 x 400mm (8¼ x 15¾"), paper watermarked 'W 1826', very large margins.
Political satire, with the Northumberland candidates dressed as jockeys arriving at the finish line. The BM has another from the same series (Satires 15133. attributed in pencil mss. to Joseph Crawhall), which shows Thomas Wentworth Beaumont winning easily, although Beaumont actually lost his Northumberland seat in 1826 to Henry Thomas Liddell. Perhaps this is an undated version, showing the correct result: it certainly is taking the same viewpoint, with Ravensworth Castle in the background and some members of the audience are in both..
[Ref: 60409] £240.00 (£288.00 incl.VAT)

Norton Hall.
[n.d., c.1830.]
Lithograph on chine collé on printed backing paper. Printed area 395 x 300mm (15¼ x 11¾"), with large margins. Some soiling of original backing paper, tear in right edge.
Norton Hall, Northamptonshire, with deer in the foreground. The house was destroyed in 1952.
[Ref: 60942] £130.00 (£156.00 incl.VAT)

The Old George Inn, Norton St Philip, near Bath. An original etching by E. Sharland. Signed Impression. Restricted Edition of 250 Proofs. Plate destroyed.
E. Sharland [pencil].
[n.d., c.1930].
Etching. 180 x 260mm (7 x 10¼"), with publisher's monogram blind stamp, very large margins. In original mount with printed title label (as above). Mount stain.
The George Inn in Norton St Philip, a a Grade I listed building built in the 14th or 15th century, one of the claimants to being Britain's oldest tavern. During the Monmouth Rebellion in 1685, James Scott, 1st Duke of Monmouth stayed at the inn before the Battle of Sedgemoor then, after his defeat, Judge Jefferies used it as a courtroom, ordering 12 executions on the village common as part of the Bloody Assizes.
[Ref: 49254] £75.00 (£90.00 incl.VAT)

[Caroline Norton and Lord Melbourne] The Way They Teach the Catechism at Chipping Norton.
[n.d., 1836.]
Lithograph. Printed area 240 x 230mm (9½ x 9").
An elderly school mistress holding a switch, asks a boy standing before her 'Well my dear - what is your name?'; the boy replies 'N or M as the case may be'. A satire of George Norton's accusing Lord Melborne of adultery with his wife Caroline, suggesting the boy does not know who his father is. After the case, which George lost, he hid his children from Caroline for several years and prevented her getting a divorce. She spent much of her life campaigning for women's rights.
[Ref: 61436] £160.00 (£192.00 incl.VAT)

[Caroline Norton] The late Lam[b]entable progress of the new Discoveries just as they were leaving Norton-Falgate
Published June 10th [1836] St Michael's Alley.
Lithograph. Printed area 290 x 340mm (11½ x 13½").
A caricature of Mrs Caroline Norton as a giraffe with four men mounted on her back and her husband, wearing cuckhold's horns, pulling on a lead around her neck. Caroline has left her abusive husband, George Chapple Norton, who accused her of having an affair with Whig Prime Minister Lord Melbourne. Melbourne is seen here on her back clutching her tail.
[Ref: 63971] £180.00 (£216.00 incl.VAT)

[Caroline Elizabeth Norton] The Author of ''The Undying One'', &c. C.E. Norton [facsimile signature].
Engraved by Thomson from a Drawing by Hayter.
London, Published in the New Monthly Mag.e by Colburn & Bentley, Feb.y 1, 1831.
Stipple. Sheet 220 x 135mm (8¾ x 5¼"). Binding damage on left edge. Trimmed to platemark.
Caroline Elizabeth Sarah Norton (1808-77), social reformer. Her unhappy marriage to George Norton and his behaviour on their separation led to her campaign for women's rights, resulting in the Custody of Infants Act 1839, the Matrimonial Causes Act 1857 and the Married Women's Property Act 1870.
[Ref: 51788] £70.00 (£84.00 incl.VAT)

Caroline Eliz.th Norton [facsimile signature].
Drawn by Edwin Landseer R.A. Engraved by F.C. Lewis.
London, Published by Henry Colburn, Gr. Marlborough St, 1840.
Stipple. Sheet 220 x 140mm (8¾ x 5½"). Binding damage on right edge. Trimmed to platemark.
Caroline Elizabeth Sarah Norton (1808-77), author and social reformer. Her unhappy marriage to George Norton and his behaviour on their separation led to her campaign for women's rights, resulting in the Custody of Infants Act 1839, the Matrimonial Causes Act 1857 and the Married Women's Property Act 1870.
[Ref: 51789] £65.00 (£78.00 incl.VAT)

[Fletcher Norton, Lord Grantley.] 22.
JS. [James Sayers.]
Published 17.th June 1782 by C. Bretherton.
Etching, 175 x 110mm (7 x 4¼") with large margins. Tape stains on outer margins.
Caricature portrait of Fletcher Norton, Baron Grantley (1716-1789), standing in profile to the left. Norton was an English lawyer and politician who sat in the House of Commons from 1756 to 1782
BM Satires 6071.
[Ref: 60075] £80.00 (£96.00 incl.VAT)

[George Norton] Young Lamb's to Sell.
[n.d., 1836.]
Lithograph. Printed area 300 x 170mm (11¾ x 6¾").
George Norton as a vendor in 'Lambeth Street', holding a tray with two toy lambs with human heads. In his back pocket is a sheet reading 'Damages £10,000'. A satire of George Norton's accusing Lord Melborne of adultery with his wife Caroline. After the case, which George lost, he hid his children from Caroline for several years and prevented her getting a divorce. She spent much of her life campaigning for women's rights.
[Ref: 61437] £180.00 (£216.00 incl.VAT)

Skisser af Reiselivet i Norge.
[Drawn by Carl Fredrik Diriks.]
1868.
Oblong 8vo, with wrappers but loose; 41 (of 48?) wood-engraved sketches of which 4 are duplicates with different printed titles. Most of these have English translations either front or reverse of print in pencil. Some spotting. English translations in ms (printed text in Norse).
Carl Fredrik Diriks (1814-95), a Norwegian naval officer and director of Lighthouse Authority from 1855-82, published simple pencil drawings and watercolours of everyday life on the Norwegian coast. In 1865 the first edition of 'Sketches from Travels in Norway', containing only six sketches, was published anonymously. Such was the success of the book that ever-enlarged editions were published until 1882 and reissues after Diriks' death in 1895.
[Ref: 44835] £520.00 view all images for this item

A Ravine near Vosse-Vangen
Drawn from Nature by Edwd Price. Engraved by John Linnell [c.1839].
Etching before mezzotint, platemark 120 x 180mm (4¾ x 7"). Old ink mss. additions. Trimmed to platemark.
Norwegian landscape after Edward Price, published as an illustration to Price's 'Norway, Views of Wild Scenery' (1839). Etching by John Linnell (1792 - 1882), painter and printmaker who was William Blake’s last patron and a good friend of Samuel Palmer (who married Linnell's daughter Hannah). After specializing in portraiture during his early career, Linnell turned towards rural landscapes in later years, which sold for high prices. Linnell's reputation deteriorated after his death but his early, visionary landscapes have recently been the subject of renewed interest.
[Ref: 44192] £120.00 (£144.00 incl.VAT)

Onde formate dalla Voragine di Moskestrom. Voragine di Moskestrom.
[Venice, c.1691.]
Copper engraving with very large margins, printed from three plates. Total 440 x 270mm (17¼ x 10½").
Two illustrations within a separately-printed frame-like border, a view and a map of the Moskstraumen, a series of currents and whirlpools around the island of Moskoe in the Lofoten archipelago, Norway. Its popular name, 'maelstroom' (a Nordic word derived from the Dutch combination of malen (to grind) and stroom (stream), was introduced into the English language by Edgar Allan Poe through his short story 'A Descent into the Maelström', 1841', which exaggerated the whirlpool effect. This was published in Vincenzo Coronelli's 'Isolario dell'Atlante Veneto'. Coronelli (1650-1718), was Official Cartographer to both Louis XIV of France and the Doge of Venice, as well as being Father General of the Franciscan order.
[Ref: 31977] £160.00 (£192.00 incl.VAT)

[Norway] Maline Marie Waad. A Native of the Norwegian Lapland and an inhabitant of Hammerfest, on Zualoen or Whale Island in the Lat of 70°, 38',28''. This Young Lady in company with her Sister, Madame Aasberg, visited England in 1821, and after a residence of of eight months, sailed from Gravesend, June 21, 1822.
Drawn from Life by M.Gauci. Printed by Hullmandel.
[n.d. c.1825]
Coloured lithograph. Sheet 280 x 215mm. 11 x 8½".
Lithograph by the Maltese printmaker Maxim Gauci (1776-1854), who settled in London in 1809.
[Ref: 18103] £150.00 (£180.00 incl.VAT)

Arendal.
Efter T. C. Müller. Em Baerentzen & Co. lith Inst.
Chr. Tönsberg Forlag og Eiendom. [n.d. c.1848.]
Tinted lithograph. 254 x 343mm. 10 x 13½".
From "Norge fremstillet i billder". A view from the bay, looking towards Arendal, Norway; coming into the bay is a steamship.
[Ref: 18921] £140.00 (£168.00 incl.VAT)

Bergen.
Dahl pinx._A Nay lith. Em Baerentzen & Co. lith Inst.
Udgivet af Chr. Tönsberg. [n.d. c.1848.]
Tinted lithograph. 248 x 342mm. 9¾ x 13½".
From "Norge fremstillet i billder". Bergen, Norway as seen across the bay with Noway's highest mountain, Ulriken, in the background.
[Ref: 18919] £140.00 (£168.00 incl.VAT)

[Costumes of Vos.]
[after Johan Fredrik Eckersberg? Lithographed by Winckelmann & Sohne, Berlin.]
[Christiana: Christian Tonsberg 1852.]
Fine coloured lithograph. Sheet 235 x 190mm (9¼ x 7½"). Trimmed into image.
A couple shake hands outside a log cabin. From ''Norske nationaldragter" 1852 (National dress of Norway), with the plates mostly after Eckersberg.
[Ref: 58132] £95.00 (£114.00 incl.VAT)

[Costume of Hjerdal Tellermarken.]
[after Johan Fredrik Eckersberg? Lithographed by Steinmetz.]
[Christiana: Christian Tonsberg 1852.]
Fine coloured lithograph. Sheet 235 x 190mm (9¼ x 7½"). Trimmed into image.
A couple in an alpine meadow, the man honing a scythe. From ''Norske nationaldragter" 1852 (National dress of Norway), with the plates mostly after Eckersberg.
[Ref: 58134] £130.00 (£156.00 incl.VAT)

[Costumes of Birkeland Nr. Bergen.]
[after Johan Fredrik Eckersberg? Lithographed by Winckelmann & Sohne, Berlin.]
[Christiana: Christian Tonsberg 1852.]
Fine coloured lithograph. Sheet 235 x 190mm (9¼ x 7½"). Trimmed into image, some spotting.
A couple walking up a steep path, the woman dragging a goat. From ''Norske nationaldragter" 1852 (National dress of Norway), with the plates mostly after Eckersberg.
[Ref: 58133] £95.00 (£114.00 incl.VAT)

[Ancient costumes of Nummedal.]
[Frich del. lithographed by Steinmetz]
[Christiana: Christian Tonsberg 1852.]
Coloured llithograph. Sheet 235 x 190mm (9¼ x 7½"). Trimmed to image.
A mother and daughter inside a wooden cabin. From Christian Tonsberg's ''Norske nationaldragter" 1852 (National dress of Norway).
SPL 1307.
[Ref: 58138] £95.00 (£114.00 incl.VAT)

[Costumes of aal Hallinghal.]
[after Johan Fredrik Eckersberg, lithographed by Steinmetz.]
[n.d., c.1852.]
Coloured lithograph. Sheet 235 x 190mm (9¼ x 7½"). Trimmed into image.
A young couple walking to a church, mountains in the background. From Christian Tonsberg's ''Norske nationaldragter" 1852 (National dress of Norway).
SPL 1307.
[Ref: 58139] £95.00 (£114.00 incl.VAT)

[Ancient Costume of Næs i Hallangdal.]
[Frich del, imp Lemercier Paris]
[n.d., c.1852.]
Coloured lithograph. Sheet 235 x 190mm (9¼ x 7½"). Trimmed to image.
An elderly couple inside a wooden cabin. From Christian Tonsberg's ''Norske nationaldragter" 1852 (National dress of Norway).
SPL 1307.
[Ref: 58140] £95.00 (£114.00 incl.VAT)

[Wedding dress in Hardanger]
[after Johan Fredrik Eckersberg? Lithographed by Winckelmann & Sohne, Berlin.]
[Christiana: Christian Tonsberg 1852.]
Fine coloured lithograph. Sheet 235 x 190mm (9¼ x 7½"). Trimmed into image.
A couple standing before a wooden wall. The man holds a long-handled axe. From ''Norske nationaldragter" 1852 (National dress of Norway), with the plates mostly after Eckersberg.
[Ref: 58129] £130.00 (£156.00 incl.VAT)

[Common Dress Vang in Valdres]
[after Johan Fredrik Eckersberg? Lithographed by Winckelmann & Sohne, Berlin.]
[Christiana: Christian Tonsberg 1852.]
Fine coloured lithograph. Sheet 235 x 190mm (9¼ x 7½"). Trimmed into image.
A woman sits spinning; the man sits with his back to the fire, whittling a stick. From ''Norske nationaldragter" 1852 (National dress of Norway), with the plates mostly after Eckersberg.
[Ref: 58130] £110.00 (£132.00 incl.VAT)

[Valdres wedding dress]
[after Johan Fredrik Eckersberg? Lithographed by Winckelmann & Sohne, Berlin.]
[Christiana: Christian Tonsberg 1852.]
Fine coloured lithograph. Sheet 235 x 190mm (9¼ x 7½"). Trimmed into image, some faint oxidisation of colour.
A young couple walk hand-in-hand, others behind them. In the background is a snow-covered mountain. From ''Norske nationaldragter" 1852 (National dress of Norway), with the plates mostly after Eckersberg.
[Ref: 58131] £120.00 (£144.00 incl.VAT)

[Common Dress of Sætersdalen.]
[after Johan Fredrik Eckersberg? Lithographed by Winckelmann & Sohne, Berlin.]
[Christiana: Christian Tonsberg 1852.]
Fine coloured lithograph. Sheet 235 x 190mm (9¼ x 7½"). Trimmed into image.
''Everyday dress from Sætersdalen''. A man on a horse is being greeted by a woman on foot, steep mountains behind. From ''Norske nationaldragter" 1852 (National dress of Norway), with the plates mostly after Eckersberg.
[Ref: 58136] £130.00 (£156.00 incl.VAT)

[Wedding Dress at Sætersdalen]
[after Johan Fredrik Eckersberg. Lithographed by Winckelmann & Sohne, Berlin.]
[Christiana: Christian Tonsberg 1852.]
Fine coloured lithograph. Sheet 235 x 190mm (9¼ x 7½"). Trimmed into image.
A couple in their wedding outfits standing before a wooden wall. The man wears breeches and holds a sword, the woman an elaborately-embroidered dress. From ''Norske nationaldragter" 1852 (National dress of Norway), with the plates mostly after Eckersberg.
[Ref: 58137] £130.00 (£156.00 incl.VAT)

[Costumes of Hitterdal in Telemarken.]
[after Johan Fredrik Eckersberg? Lithographed by Winckelmann & Sohne, Berlin.]
[Christiana: Christian Tonsberg 1852.]
Coloured lithograph. Sheet 235 x 190mm (9¼ x 7½"). Trimmed into image, some staining.
A couple by a cabin, the man wearing an embroidered jacket. From ''Norske nationaldragter" 1852 (National dress of Norway), with the plates mostly after Eckersberg.
[Ref: 58135] £95.00 (£114.00 incl.VAT)

[Costumes from Hardanger]
[after Johan Fredrik Eckersberg? Lithographed by Winckelmann & Sohne, Berlin.]
[Christiana: Christian Tonsberg 1852.]
Fine coloured lithograph. Sheet 235 x 190mm (9¼ x 7½"). Trimmed into image.
A young couple facing each other, with an elderly chaperone seated between them. Behind is a steep mountain. From ''Norske nationaldragter" 1852 (National dress of Norway), with the plates mostly after Eckersberg.
[Ref: 58128] £95.00 (£114.00 incl.VAT)

Parti ved Ladegaardsöen.
Frich del._J. Hellesen lith. Em Baerentzen & Co. lith Inst.
Udgivet af Chr. Tönsberg [n.d. c.1848].
Tinted lithograph. 260 x 342mm (10¼ x 13½").
From "Norge fremstillet i billder". A view of Ladegaardsöen along the Norwegian coastline.
[Ref: 18920] £110.00 (£132.00 incl.VAT)

Snee-Hattan.
Drawn on Stone by J.D. Harding from a Sketch by Edw.d Price.
Printed by C. Hullmandel. [n.d. c.1840.]
Lithograph on india, rare. 266 x 349mm. 10½ x 13¾".
A views of Snee-Hatten on the River Lougen, Norway.
[Ref: 24997] £95.00 (£114.00 incl.VAT)

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