A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
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Joseph Nollekens Esq.r R.A. Engraved by Charles Turner from the Original Picture Painted by Sir W. Beechey R.A. To whom this Plate is by permission respectfully Dedicated by his Obliged humble Serv.t Ab.m Wivell.
London. Pub. Dec.r 24. 1814, by A. Wivell, 57, G. t Portland Street, Marylebone. Bit later.
Mezzotint. 365 x 260mm (14¼ x 10¼"). Plate worn and scratched.
Half-length portrait of Joseph Nollekens (1737-1823), considered to be the finest British sculptor of the late 18th century, a founder member of the Royal Academy in 1768.
Whitman 405, state iii of iii. Ex: Collection of The Hon. Christopher Lennox-Boyd, his state iv of iv.
[Ref: 65250] £120.00 (£144.00 incl.VAT)
London. Pub. Dec.r 24. 1814, by A. Wivell, 57, G. t Portland Street, Marylebone. Bit later.
Mezzotint. 365 x 260mm (14¼ x 10¼"). Plate worn and scratched.
Half-length portrait of Joseph Nollekens (1737-1823), considered to be the finest British sculptor of the late 18th century, a founder member of the Royal Academy in 1768.
Whitman 405, state iii of iii. Ex: Collection of The Hon. Christopher Lennox-Boyd, his state iv of iv.
[Ref: 65250] £120.00 (£144.00 incl.VAT)
Joseph Nollekens Esqr. R.A.
Engraved by Charles Turner from the Original Picture Painted by Sir.W.Beechey R.A. To whom this Plate is by permission respectfully Dedicated by his Obliged humble Servt. Abm. Wivell.
London.Pub.Decr.24.1814, by A.Wivell, 57, Gt.Portland Street, Marylebone.
Mezzotint. Plate 365 x 262mm.
Joseph Nollekens (1737-1823) was a sculptor from London generally considered to be the finest British sculptor of the late 18th century. He was also a founder member of the Royal Academy in 1768. He studied first under Peter Scheemakers before studying and working as an antiques dealer, restorer and copier in Rome from 1759 to 1770. Returning to England he became one of the most fashionable portrait sculptors in the country. Nollekens enjoyed the patronage of George III and went on to sculpt a number of British political figures, including George III himself, William Pitt the Younger, Charles James Fox, and Charles Watson-Wentworth. He also made busts of a number of figures from the arts such as Laurence Sterne and Benjamin West. Additionally, he made a large number of tombs. Nollekens died in London, having made a fortune from his work. A notorious miser, he left around £200,000 in his will.
WH: 405 II
[Ref: 584] £190.00 (£228.00 incl.VAT)
Engraved by Charles Turner from the Original Picture Painted by Sir.W.Beechey R.A. To whom this Plate is by permission respectfully Dedicated by his Obliged humble Servt. Abm. Wivell.
London.Pub.Decr.24.1814, by A.Wivell, 57, Gt.Portland Street, Marylebone.
Mezzotint. Plate 365 x 262mm.
Joseph Nollekens (1737-1823) was a sculptor from London generally considered to be the finest British sculptor of the late 18th century. He was also a founder member of the Royal Academy in 1768. He studied first under Peter Scheemakers before studying and working as an antiques dealer, restorer and copier in Rome from 1759 to 1770. Returning to England he became one of the most fashionable portrait sculptors in the country. Nollekens enjoyed the patronage of George III and went on to sculpt a number of British political figures, including George III himself, William Pitt the Younger, Charles James Fox, and Charles Watson-Wentworth. He also made busts of a number of figures from the arts such as Laurence Sterne and Benjamin West. Additionally, he made a large number of tombs. Nollekens died in London, having made a fortune from his work. A notorious miser, he left around £200,000 in his will.
WH: 405 II
[Ref: 584] £190.00 (£228.00 incl.VAT)
None but the Brave Deserve the Fair.
Published 1st May, 1790, by Robt Sayer, Fleet Street, London.
Etching. 200 x 250mm (8 x 9¾") very large margins.
A young courtesan complacently separates her two elderly admirers, who clench their fists and are ready to fight.
BM Satires 7803.
[Ref: 51887] £130.00 (£156.00 incl.VAT)
Published 1st May, 1790, by Robt Sayer, Fleet Street, London.
Etching. 200 x 250mm (8 x 9¾") very large margins.
A young courtesan complacently separates her two elderly admirers, who clench their fists and are ready to fight.
BM Satires 7803.
[Ref: 51887] £130.00 (£156.00 incl.VAT)
St Albans Court in Kent. The Seat of William Hammond Esq.r
Drawn by J.G. Wood. Engraved by W. Green.
[London, Published Feby.1.1800, by J.no Geo. Wood, No. 7, Beaumont Street.]
A very rare and fine coloured aquatint. Plate 394 x 438mm. 15½ x 17¼".
St Albans Court, Nonnington, Kent, was the country mansion of William Oxenden Hammond.
Abbey Scenery: 173: 17.
[Ref: 18505] £350.00
Drawn by J.G. Wood. Engraved by W. Green.
[London, Published Feby.1.1800, by J.no Geo. Wood, No. 7, Beaumont Street.]
A very rare and fine coloured aquatint. Plate 394 x 438mm. 15½ x 17¼".
St Albans Court, Nonnington, Kent, was the country mansion of William Oxenden Hammond.
Abbey Scenery: 173: 17.
[Ref: 18505] £350.00
![[Dutch Sea Battle.] 7.](jpegs/66797.jpg)
[Dutch Sea Battle.] 7.
[Reinier Nooms]
[Amsterdam, c.1655.]
Rare etching, 17th century watermark. 175 x 260mm (7 x 10¼"). Creasing, small margins.
Plate seven of 'Nieuwe Scheeps Batalien int licht gebracht door Reinier Zeeman'. About the time of publication England and France fought the First Anglo-Dutch War (1652-4).
Metropolitan Museum: 60.623.8 (7). Provenance Cornwell House
[Ref: 66797] £360.00
[Reinier Nooms]
[Amsterdam, c.1655.]
Rare etching, 17th century watermark. 175 x 260mm (7 x 10¼"). Creasing, small margins.
Plate seven of 'Nieuwe Scheeps Batalien int licht gebracht door Reinier Zeeman'. About the time of publication England and France fought the First Anglo-Dutch War (1652-4).
Metropolitan Museum: 60.623.8 (7). Provenance Cornwell House
[Ref: 66797] £360.00
![[Noon.]](jpegs/61988.jpg)
[Noon.]
[after William Hogarth]
[n.d. after 1738]
Mezzotint proof before title, sheet 560 x 380mm (22 x 15"). Trimmed within plate at bottom. Glued onto backing sheet, plate uncleaned. Loss in title on left.
A copy of Hogarth's famous satire of London life, 'Noon' is Hog Lane, Charing Cross Road, with French church-goers on the right contrasting with the lusty English on the left.
See Paulson 146-149 for a detailed description of the plate. BM: 2370.
[Ref: 61988] £180.00 (£216.00 incl.VAT)
[after William Hogarth]
[n.d. after 1738]
Mezzotint proof before title, sheet 560 x 380mm (22 x 15"). Trimmed within plate at bottom. Glued onto backing sheet, plate uncleaned. Loss in title on left.
A copy of Hogarth's famous satire of London life, 'Noon' is Hog Lane, Charing Cross Road, with French church-goers on the right contrasting with the lusty English on the left.
See Paulson 146-149 for a detailed description of the plate. BM: 2370.
[Ref: 61988] £180.00 (£216.00 incl.VAT)
Inhabitants of Nootka Sound.
Jul. Ibbetson del.t. J. Hall direxit.
Published by D. Trusler June 1. 1790.
Engraving. 190 x 130mm (7½ x 5). Trimmed to platemark.
Scene depicting members of the Nootka, or Nuu-chah-nuth, peoples. The Nuu-chah-nuth are an indigenous people of the Pacific North West of Canada. When James Cook first encounted the Nuu-chah-nuth peoples in 1778, he mistook their order 'nuutkaa' (to circle around into the harbour) for the name of the harbour which is now known as Nootka Sound. The harbour is depicted in the image and a European ship can be seen in the distance.
[Ref: 32101] £130.00 (£156.00 incl.VAT)
Jul. Ibbetson del.t. J. Hall direxit.
Published by D. Trusler June 1. 1790.
Engraving. 190 x 130mm (7½ x 5). Trimmed to platemark.
Scene depicting members of the Nootka, or Nuu-chah-nuth, peoples. The Nuu-chah-nuth are an indigenous people of the Pacific North West of Canada. When James Cook first encounted the Nuu-chah-nuth peoples in 1778, he mistook their order 'nuutkaa' (to circle around into the harbour) for the name of the harbour which is now known as Nootka Sound. The harbour is depicted in the image and a European ship can be seen in the distance.
[Ref: 32101] £130.00 (£156.00 incl.VAT)
![[Nootka Crisis] Peace!!!](jpegs/63582.jpg)
[Nootka Crisis] Peace!!! Attic Miscellany.
Drawn by Collings. Etch,d by Barlow.
Publish'd as the Act directs, by Bentley & C.º Dec,r 1st, 1790.
Etching. Sheet 190 x 235mm (7½ x 9¼"). Trimmed within plate, original folds, mounted in album paper at edges.
Seven men in a tavern discuss the peace convention with Spain that resolved the Nootka Crisis in 1790. A map of the area adorns the wall behind. Avoiding war was a diplomatic triumph for William Pitt, but the Crisis was seen by others as a means to boost his popularity before a general election, alluded to by the poster for 'Much Ado about Nothing'. American interest
BM Satires 7658.
[Ref: 63582] £220.00 (£264.00 incl.VAT)
Drawn by Collings. Etch,d by Barlow.
Publish'd as the Act directs, by Bentley & C.º Dec,r 1st, 1790.
Etching. Sheet 190 x 235mm (7½ x 9¼"). Trimmed within plate, original folds, mounted in album paper at edges.
Seven men in a tavern discuss the peace convention with Spain that resolved the Nootka Crisis in 1790. A map of the area adorns the wall behind. Avoiding war was a diplomatic triumph for William Pitt, but the Crisis was seen by others as a means to boost his popularity before a general election, alluded to by the poster for 'Much Ado about Nothing'. American interest
BM Satires 7658.
[Ref: 63582] £220.00 (£264.00 incl.VAT)
![[Seal] A Sea Otter.](jpegs/34280.jpg)
[Seal] A Sea Otter.
J. Webber del. Mazell sc.
[London: Nicol & Cadell, n.d., c.1785.]
Engraving with very large margins. On watermarked paper. Platemark: 200 x 270mm (8 x 10½"). Uncut.
A plate from 'Cook's Voyage to the Pacific'. A reclining Nootka Sound sea otter on the shore with rocks and vegetationin the surrounding area. Nootka Sound is an inlet of the Pacific Ocean on the west coast of Vancouver Island, in the Canadian province of British Columbia. Historically also known as King George's Sound, as a strait it separates Vancouver Island and Nootka Island. John Webber (1751-93) travelled with Captain Cook on the Third Voyage (1776-80) as the Official Artist of the expedition, recording the explorer's death at the hand of Hawaiian natives.
[Ref: 34280] £160.00 (£192.00 incl.VAT)
J. Webber del. Mazell sc.
[London: Nicol & Cadell, n.d., c.1785.]
Engraving with very large margins. On watermarked paper. Platemark: 200 x 270mm (8 x 10½"). Uncut.
A plate from 'Cook's Voyage to the Pacific'. A reclining Nootka Sound sea otter on the shore with rocks and vegetationin the surrounding area. Nootka Sound is an inlet of the Pacific Ocean on the west coast of Vancouver Island, in the Canadian province of British Columbia. Historically also known as King George's Sound, as a strait it separates Vancouver Island and Nootka Island. John Webber (1751-93) travelled with Captain Cook on the Third Voyage (1776-80) as the Official Artist of the expedition, recording the explorer's death at the hand of Hawaiian natives.
[Ref: 34280] £160.00 (£192.00 incl.VAT)
A View of the Habitations of Nootka Sound.
J. Webber del. S. Smith sculp.
[London: Nicol & Cadell, n.d., c.1785.]
Engraving. Platemark: 255 x 400mm (10 x 15¾"). Trimmed to platemark at bottom. Small margins on 3 sides.
A view of the habitations of the natives of Nootka Sound. Low, broad buildings of slatted wood with flat roofs are constructed against and on top of dunes at the edge of the water, with frames for drying fish standing near them. Numerous figures are gathered on the shore in the foreground, mostly seated, receiving the Europeans with one in the shallows in the centre, bending over the contents of a laden canoe. Engraved by Samuel Smith for 'A Voyage to the Pacific Ocean' (1784), the official account of Captain Cook's Third and final voyage.
[Ref: 51219] £220.00 (£264.00 incl.VAT)
J. Webber del. S. Smith sculp.
[London: Nicol & Cadell, n.d., c.1785.]
Engraving. Platemark: 255 x 400mm (10 x 15¾"). Trimmed to platemark at bottom. Small margins on 3 sides.
A view of the habitations of the natives of Nootka Sound. Low, broad buildings of slatted wood with flat roofs are constructed against and on top of dunes at the edge of the water, with frames for drying fish standing near them. Numerous figures are gathered on the shore in the foreground, mostly seated, receiving the Europeans with one in the shallows in the centre, bending over the contents of a laden canoe. Engraved by Samuel Smith for 'A Voyage to the Pacific Ocean' (1784), the official account of Captain Cook's Third and final voyage.
[Ref: 51219] £220.00 (£264.00 incl.VAT)
Vue des Habitations dfe L'Entrée de Nootka.
Benard direxit [after John Webber].
[Paris, 1785.]
Engraving. 245 x 375mm (9¾ x 14¾"). Trimmed close to the plate at the top. Folds as issued.
A view of the habitations of the natives of Nootka Sound. Low, broad buildings of slatted wood with flat roofs are constructed against and on top of dunes at the edge of the water, with frames for drying fish standing near them. Numerous figures are gathered on the shore in the foreground, mostly seated, receiving the Europeans with one in the shallows in the centre, bending over the contents of a laden canoe. Engraved by Robert Benard for the French edition of 'A Voyage to the Pacific Ocean' (1784), the official account of Captain Cook's Third and final voyage.
[Ref: 51226] £120.00 (£144.00 incl.VAT)
Benard direxit [after John Webber].
[Paris, 1785.]
Engraving. 245 x 375mm (9¾ x 14¾"). Trimmed close to the plate at the top. Folds as issued.
A view of the habitations of the natives of Nootka Sound. Low, broad buildings of slatted wood with flat roofs are constructed against and on top of dunes at the edge of the water, with frames for drying fish standing near them. Numerous figures are gathered on the shore in the foreground, mostly seated, receiving the Europeans with one in the shallows in the centre, bending over the contents of a laden canoe. Engraved by Robert Benard for the French edition of 'A Voyage to the Pacific Ocean' (1784), the official account of Captain Cook's Third and final voyage.
[Ref: 51226] £120.00 (£144.00 incl.VAT)
Vue de L'Interieur d'une Maison de L'Entrée de Nootka.
[after John Webber] Benard Direxit.
[Paris, 1785.]
Engraving. 270 x 400mm (10½ x 15¾"). Narrow margin at top. Repaired tear. Folds as issued.
An interior scene depicting a group of men and women, drying fish, baskets and chests, within a traditional communal house, with carved ornaments in the background. Engraved by Robert Benard after John Webber for the French edition of 'A Voyage to the Pacific Ocean' (1784), the official account of Captain Cook's Third and final voyage.
[Ref: 51225] £80.00 (£96.00 incl.VAT)
[after John Webber] Benard Direxit.
[Paris, 1785.]
Engraving. 270 x 400mm (10½ x 15¾"). Narrow margin at top. Repaired tear. Folds as issued.
An interior scene depicting a group of men and women, drying fish, baskets and chests, within a traditional communal house, with carved ornaments in the background. Engraved by Robert Benard after John Webber for the French edition of 'A Voyage to the Pacific Ocean' (1784), the official account of Captain Cook's Third and final voyage.
[Ref: 51225] £80.00 (£96.00 incl.VAT)
A Man of Nootka Sound.
J. Webber del. W. Sharp sculp.
[London: Nicol & Cadell, n.d., c.1785.]
Engraving, fine impression. 310 x 240mm (12¼ x 9½"). Trimmed to the plate.
A native of Nootka Sound, British Columbia. Directed to right, glancing towards the viewer, with tasselled threads in his hair. He has a nose ring and a grid pattern on his forehead. A plate from 'Cook's Voyage to the Pacific'. John Webber (1751-93) travelled with Captain Cook on the Third Voyage (1776-80) as the Official Artist of the expedition, recording the explorer's death at the hand of Hawaiian natives.
[Ref: 51197] £140.00 (£168.00 incl.VAT)
J. Webber del. W. Sharp sculp.
[London: Nicol & Cadell, n.d., c.1785.]
Engraving, fine impression. 310 x 240mm (12¼ x 9½"). Trimmed to the plate.
A native of Nootka Sound, British Columbia. Directed to right, glancing towards the viewer, with tasselled threads in his hair. He has a nose ring and a grid pattern on his forehead. A plate from 'Cook's Voyage to the Pacific'. John Webber (1751-93) travelled with Captain Cook on the Third Voyage (1776-80) as the Official Artist of the expedition, recording the explorer's death at the hand of Hawaiian natives.
[Ref: 51197] £140.00 (£168.00 incl.VAT)
Mr John Norden. Surveyor to James 1st, 1614.
R.Grave sculp.
[n.d., c.1800.] Published by W.Smith, 24, Lisle Street, Leicester Sq.
Engraving. Sheet 185 x 115mm (7¼ x 4½"). Trimmed.
Portrait of John Norden (c.1547 - 1625), English cartographer, mapmaker, chorographer and antiquary. He planned a series of county maps and accompanying county histories of England, the Speculum Britanniae, but these were not completed.
[Ref: 68333] £60.00 (£72.00 incl.VAT)
R.Grave sculp.
[n.d., c.1800.] Published by W.Smith, 24, Lisle Street, Leicester Sq.
Engraving. Sheet 185 x 115mm (7¼ x 4½"). Trimmed.
Portrait of John Norden (c.1547 - 1625), English cartographer, mapmaker, chorographer and antiquary. He planned a series of county maps and accompanying county histories of England, the Speculum Britanniae, but these were not completed.
[Ref: 68333] £60.00 (£72.00 incl.VAT)
M.r John Norden.
[n.d., c.1780.]
Stipple, proof before title etc. 190 x 130mm (7½ x 5¼"). Trimmed into plate at bottom. Small margins on 3 sides.
Head and shoulders portrait of John Norden (1548-1625?), topographer and cartographer, titled in facsimile handwriting. Five county maps by him were included in Camden's 'Britannia' in 1607, and were copied for John Speed's county atlas in 1611 in preference to the older Saxton maps.
[Ref: 61391] £160.00 (£192.00 incl.VAT)
[n.d., c.1780.]
Stipple, proof before title etc. 190 x 130mm (7½ x 5¼"). Trimmed into plate at bottom. Small margins on 3 sides.
Head and shoulders portrait of John Norden (1548-1625?), topographer and cartographer, titled in facsimile handwriting. Five county maps by him were included in Camden's 'Britannia' in 1607, and were copied for John Speed's county atlas in 1611 in preference to the older Saxton maps.
[Ref: 61391] £160.00 (£192.00 incl.VAT)
The Celebrated Norfolk Coach Horse. The Property of M.r Theobald.
Drawn by H. W. Rogers. Lithographed by Dean & Munday.
[n.d., c.1835.]
Lithograph. Sheet 250 x 340mm (9¾ x 13½"). Trimmed close to image on three sides.
A horse standing in a stable yard, wearing tack.
[Ref: 63029] £230.00 (£276.00 incl.VAT)
Drawn by H. W. Rogers. Lithographed by Dean & Munday.
[n.d., c.1835.]
Lithograph. Sheet 250 x 340mm (9¾ x 13½"). Trimmed close to image on three sides.
A horse standing in a stable yard, wearing tack.
[Ref: 63029] £230.00 (£276.00 incl.VAT)
A Natural Crop; - alias - A Norfolk dumpling.
Pubd. Sepr. 21st. 1791. by H. Humphrey N.18 Old Bond Street.
Etching in sepia, 185 x 145mm. 7¼ x 5¾". Uncut sheet.
A satirical portrait of the Bernard Edward Howard, twelfth Duke of Norfolk (1765 - 1842), by James Gillray (1756 - 1815). In his left hand is the baton of Earl Marshal. He wears top-boots, a slouched hat, and his hair is closely cropped. The fashion for cropped hair began in 1791. Earlier caricatures show the Duke wearing his own hair without powder, hanging on his neck.
BM Satires: 8000.
[Ref: 8920] £190.00 (£228.00 incl.VAT)
Pubd. Sepr. 21st. 1791. by H. Humphrey N.18 Old Bond Street.
Etching in sepia, 185 x 145mm. 7¼ x 5¾". Uncut sheet.
A satirical portrait of the Bernard Edward Howard, twelfth Duke of Norfolk (1765 - 1842), by James Gillray (1756 - 1815). In his left hand is the baton of Earl Marshal. He wears top-boots, a slouched hat, and his hair is closely cropped. The fashion for cropped hair began in 1791. Earlier caricatures show the Duke wearing his own hair without powder, hanging on his neck.
BM Satires: 8000.
[Ref: 8920] £190.00 (£228.00 incl.VAT)
![A Norfolk Pastoral [pencil, lower margin.]](jpegs/26706.jpg)
A Norfolk Pastoral [pencil, lower margin.]
A. Talmage [pencil signature.] ['AT' monogram etched in plate.]
[British, n.d., c.1930.]
Etching, wove paper, 165 x 165mm. 6½ x 6½". Wide margins.
Fine East Anglian landscape, with cattle. Algernon Talmage (British, 1871-1939), elected RA 1929.
[Ref: 26706] £160.00 (£192.00 incl.VAT)
A. Talmage [pencil signature.] ['AT' monogram etched in plate.]
[British, n.d., c.1930.]
Etching, wove paper, 165 x 165mm. 6½ x 6½". Wide margins.
Fine East Anglian landscape, with cattle. Algernon Talmage (British, 1871-1939), elected RA 1929.
[Ref: 26706] £160.00 (£192.00 incl.VAT)
Messrs. Money ~Wigram & Sons, Australian Steam Ship. 'Norfolk', 3196 tons, 2500 Horse-Power. J. Pyne O'Callaghan, Commander.
T.G. Dutton del & Lith. Jophn B.Day Lith. Etc.
London, Published October, 3rd. 1879 John B. Day 5, Blythwood Villas, Crouch Hill N.
Tinted lithograph. 460 x 295mm, 18 x 11½". Two repaired tears in the margins.
Built by R & H. Green, London, she was launched on 21st Jun.1879, used by Money, Wigram & Co on their London - Sydney service. In 1882 Norfolk was purchased by Royal Mail Steam Packet Co and renamed La Plata, making her first Southampton - South America voyage on 9th October.
Macpherson Collection:p.212.
[Ref: 20546] £1,250.00
T.G. Dutton del & Lith. Jophn B.Day Lith. Etc.
London, Published October, 3rd. 1879 John B. Day 5, Blythwood Villas, Crouch Hill N.
Tinted lithograph. 460 x 295mm, 18 x 11½". Two repaired tears in the margins.
Built by R & H. Green, London, she was launched on 21st Jun.1879, used by Money, Wigram & Co on their London - Sydney service. In 1882 Norfolk was purchased by Royal Mail Steam Packet Co and renamed La Plata, making her first Southampton - South America voyage on 9th October.
Macpherson Collection:p.212.
[Ref: 20546] £1,250.00
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Norfolk. Railways. 21.
[James Reynolds, London 1863]
Hand coloured engraving, sheet 185 x 240mm ( 7¼ x 9½"). Folded as issued, time staining along fold.
From 'Reynolds's Geological Atlas of Great Britain'. A map of the railways showing ones under constuction and stations.
[Ref: 56921] £40.00
[James Reynolds, London 1863]
Hand coloured engraving, sheet 185 x 240mm ( 7¼ x 9½"). Folded as issued, time staining along fold.
From 'Reynolds's Geological Atlas of Great Britain'. A map of the railways showing ones under constuction and stations.
[Ref: 56921] £40.00
A Machine Used for Watering the Land's in Noria.
Drawn on Stone by N. Chater & Co.
Printed & Published by N. Chater & Co. 33 Fleet Street, Aug.t 1. 1823.
Lithograph, printed on india. Printed area: 155 x 220mm (6 x 8¾"). Marking.
A view of a machine driven by a horse, while two women collect water in jugs and a man quenches his thirst.
[Ref: 46075] £75.00 (£90.00 incl.VAT)
Drawn on Stone by N. Chater & Co.
Printed & Published by N. Chater & Co. 33 Fleet Street, Aug.t 1. 1823.
Lithograph, printed on india. Printed area: 155 x 220mm (6 x 8¾"). Marking.
A view of a machine driven by a horse, while two women collect water in jugs and a man quenches his thirst.
[Ref: 46075] £75.00 (£90.00 incl.VAT)
Hadley's Quadrant. Azimuth Compass. Plate VIII. Frontispiece.
J.W. Norie delin.t.
[n.d., 1856]
Steel engraving. Sheet 220 x 130mm (8¾ x 5").
The frontispiece to John William Norie's ''A Complete Epitome of Practical Navigation: containing all necessary instruction for keeping a ship's reckoning at sea''.
[Ref: 56863] £140.00 (£168.00 incl.VAT)
J.W. Norie delin.t.
[n.d., 1856]
Steel engraving. Sheet 220 x 130mm (8¾ x 5").
The frontispiece to John William Norie's ''A Complete Epitome of Practical Navigation: containing all necessary instruction for keeping a ship's reckoning at sea''.
[Ref: 56863] £140.00 (£168.00 incl.VAT)
![[Norma] [Quadrille of Charles D'Albert]](jpegs/68499.jpg)
[Norma] [Quadrille of Charles D'Albert]
[John Brandard.]
[n.d., c.1855.]
Tinted lithograph. Framed, sight size 275 x 210mm (10¾ x 8¼") Mounted over image, unexamined out of frame.
A music cover illustrating tthe finale of Vicenzo Bellin's opera Norma, with Guilia Grisi, in the title role, with Dominique Conti as her Roman lover Pollione and Luigi Lablache (1794–1858) as Norma's father Oroveso, chief of the druids (not Karl Formes and Tamerlik as on the mount). She begs her father to spare her children, before leaping onto a pyre with Pollione.
[Ref: 68499] £240.00 (£288.00 incl.VAT)
[John Brandard.]
[n.d., c.1855.]
Tinted lithograph. Framed, sight size 275 x 210mm (10¾ x 8¼") Mounted over image, unexamined out of frame.
A music cover illustrating tthe finale of Vicenzo Bellin's opera Norma, with Guilia Grisi, in the title role, with Dominique Conti as her Roman lover Pollione and Luigi Lablache (1794–1858) as Norma's father Oroveso, chief of the druids (not Karl Formes and Tamerlik as on the mount). She begs her father to spare her children, before leaping onto a pyre with Pollione.
[Ref: 68499] £240.00 (£288.00 incl.VAT)
Gerh. Phil. Heinr. Norman. Hofr. u. Prof. der Geogr. u. Geschich. zu Rostock. Geb. zu Hamburg d.24 Febr. 1753.
[n.d. c.1780.]
Stipple. Plate 140 x 89mm. 5½ x 3½".
Gerhard Philipp Heinrich Normann, a professor of Geography and History at Rostock.
[Ref: 26018] £50.00 (£60.00 incl.VAT)
[n.d. c.1780.]
Stipple. Plate 140 x 89mm. 5½ x 3½".
Gerhard Philipp Heinrich Normann, a professor of Geography and History at Rostock.
[Ref: 26018] £50.00 (£60.00 incl.VAT)
Normanby Hall, Yorkshire. The Seat of George Ward Jackson Esqre.
E.F. Pearson del. et lithog. 1852.
Printed by Hullmandel & Walton.
Very rare tinted lithograph, sheet 290 x 400mm (11½ x 15¾"). Sheet trimmed. Two repaired tears to edge of image.
Normanby Hall, North Yorkshire, not far from Middlesborough.
[Ref: 9953] £180.00 (£216.00 incl.VAT)
E.F. Pearson del. et lithog. 1852.
Printed by Hullmandel & Walton.
Very rare tinted lithograph, sheet 290 x 400mm (11½ x 15¾"). Sheet trimmed. Two repaired tears to edge of image.
Normanby Hall, North Yorkshire, not far from Middlesborough.
[Ref: 9953] £180.00 (£216.00 incl.VAT)
Sketches in Normandy.
By L.J. Wood.
Published by Ackermann & Co. Strand, & Reeves and Son, Cheapside, London, 1838.
Titlepage and 22 tinted lithographic plates (of 31), disbound. Sheets 415 x 340mm (16¼ x 13½"). Titlepage soiled.
A rare publication, not listed in Abbey, with plates drawn on stone by George Childs and printed by J.R. Jobbins. According to 'Bent's Literarary Advertiser', 1838': 'Preparing for Publication, Picturesque Sketches in Normandy, in a series of Thirty-one Plates, after Original Drawings, taken on the spot, by L.J. Wood, during the Summers of 1836 and 1837, and forming faithful representations of the Magnificent Architectural Structures, both Ecclesiastical and Judical, which are to be found in this interesting Province, and once renowned Dukedom'.
[Ref: 40556] £480.00 view all images for this item
By L.J. Wood.
Published by Ackermann & Co. Strand, & Reeves and Son, Cheapside, London, 1838.
Titlepage and 22 tinted lithographic plates (of 31), disbound. Sheets 415 x 340mm (16¼ x 13½"). Titlepage soiled.
A rare publication, not listed in Abbey, with plates drawn on stone by George Childs and printed by J.R. Jobbins. According to 'Bent's Literarary Advertiser', 1838': 'Preparing for Publication, Picturesque Sketches in Normandy, in a series of Thirty-one Plates, after Original Drawings, taken on the spot, by L.J. Wood, during the Summers of 1836 and 1837, and forming faithful representations of the Magnificent Architectural Structures, both Ecclesiastical and Judical, which are to be found in this interesting Province, and once renowned Dukedom'.
[Ref: 40556] £480.00 view all images for this item
![No. 1. [Fountain of the Stone Cross, At Rouen, In Normandy.]](jpegs/18618.jpg)
No. 1. [Fountain of the Stone Cross, At Rouen, In Normandy.]
S. Prout delt.
Pub. by R. Bowyer, Pall Mall, 1825.
Scarce hand coloured aquatint, sheet 500 x 390mm, 19¾ x 15¼". A fine and clean impression, with fresh and bright original colour, mint with text..
From the rare folio of 12 plates 'A Selection of Fac-Similes of Water-Colour Drawings, from the Works of the Most Distinguished British Artists', 1825; a first issue, before the title below the image. After Samuel Prout (1783 - 1852); other striking compositions in the book are contributed by Robert Hills, Francis Nicholson, John Smith and William Collins.
Abbey, Life: 197, 1. BL: 003332105.
[Ref: 18618] £180.00
S. Prout delt.
Pub. by R. Bowyer, Pall Mall, 1825.
Scarce hand coloured aquatint, sheet 500 x 390mm, 19¾ x 15¼". A fine and clean impression, with fresh and bright original colour, mint with text..
From the rare folio of 12 plates 'A Selection of Fac-Similes of Water-Colour Drawings, from the Works of the Most Distinguished British Artists', 1825; a first issue, before the title below the image. After Samuel Prout (1783 - 1852); other striking compositions in the book are contributed by Robert Hills, Francis Nicholson, John Smith and William Collins.
Abbey, Life: 197, 1. BL: 003332105.
[Ref: 18618] £180.00
Cahier de IV. Vuews de Normandie Dessinées d'après Nature par A.Zingg. 1. Vue des Environs de St. Valery; 2. Vue des Pont et du Convent de petit Andely; 3. Vue d'un hameau près de Vernon; 4. Vue d'un Village près de Mantece.
A. Zingg del. Th.Vivarés Sculp.
A Paris chés J.Fr.Chereau rue S.Jacques aux 2 Piliers d'Or.
Four numbered etchings, each c. 215 x 250mm.
In original blue wrappers.
[Ref: 6773] £360.00 view all images for this item
A. Zingg del. Th.Vivarés Sculp.
A Paris chés J.Fr.Chereau rue S.Jacques aux 2 Piliers d'Or.
Four numbered etchings, each c. 215 x 250mm.
In original blue wrappers.
[Ref: 6773] £360.00 view all images for this item
Lord Henry Seymours Castle.
Drawn & Engraved by Will.m Daniell.
Published by Wm. Daniell, Cleveland Street Fitzroy Sqaure, London, Augt. 1, 1823.
Hand-coloured aquatint and etching, on card as issued. Plate 229 x 300mm. 9 x 11¾".
View of Norris Castle in East Cowes from the hillside, with two women kneeling at a basket and wheelbarrow at centre foreground, and a woman bending down behind at left. There is a spade lying on the ground, another leaning against a tree next to baskets at far left; peacocks at right, and figures walking on a path to the castle in middle ground. Boats are seen on the river in the background at left. The castle was designed by James Wyatt for Lord Henry Seymour. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 21491] £140.00 (£168.00 incl.VAT)
Drawn & Engraved by Will.m Daniell.
Published by Wm. Daniell, Cleveland Street Fitzroy Sqaure, London, Augt. 1, 1823.
Hand-coloured aquatint and etching, on card as issued. Plate 229 x 300mm. 9 x 11¾".
View of Norris Castle in East Cowes from the hillside, with two women kneeling at a basket and wheelbarrow at centre foreground, and a woman bending down behind at left. There is a spade lying on the ground, another leaning against a tree next to baskets at far left; peacocks at right, and figures walking on a path to the castle in middle ground. Boats are seen on the river in the background at left. The castle was designed by James Wyatt for Lord Henry Seymour. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 21491] £140.00 (£168.00 incl.VAT)
The Right Honble. Sr. John Norris_Vice Admiral of England, Admiral and Commander in Chief of His Majesties Fleets &c_. and one of His Majesties most Honourable Privy Council.
T. Burford ad vivum delin. et fecit.
Sold by T. Burford at the Golden Eagle in Villiers Street York Buildings. [n.d. c.1741.]
Mezzotint. 362 x 255mm. 14¼ x 10". Cut and laid. Some loss and damage to title area.
Sir John Norris (1660-1749), Admiral of the Fleet, was a British naval officer of the 17th and 18th centuries, serving as Commander-in-Chief of the Royal Navy under George II.
CS: 11.
[Ref: 15371] £220.00 (£264.00 incl.VAT)
T. Burford ad vivum delin. et fecit.
Sold by T. Burford at the Golden Eagle in Villiers Street York Buildings. [n.d. c.1741.]
Mezzotint. 362 x 255mm. 14¼ x 10". Cut and laid. Some loss and damage to title area.
Sir John Norris (1660-1749), Admiral of the Fleet, was a British naval officer of the 17th and 18th centuries, serving as Commander-in-Chief of the Royal Navy under George II.
CS: 11.
[Ref: 15371] £220.00 (£264.00 incl.VAT)
The Right Honble. Sr. John Norris_Vice Admiral of England, Admiral and Commander in Chief of His Majesties Fleets &c_. and one of His Majesties most Honourable Privy Council.
T. Burford ad vivum delin. et fecit.
Sold by T. Burford at the Golden Eagle in Villiers Street York Buildings. [n.d. c.1741.]
Mezzotint. 360 x 255mm (14¼ x 10"). Trimmed.
Sir John Norris (1660-1749), Admiral of the Fleet, was a British naval officer of the 17th and 18th centuries, serving as Commander-in-Chief of the Royal Navy under George II.
CS: 11.
[Ref: 48803] £140.00 (£168.00 incl.VAT)
T. Burford ad vivum delin. et fecit.
Sold by T. Burford at the Golden Eagle in Villiers Street York Buildings. [n.d. c.1741.]
Mezzotint. 360 x 255mm (14¼ x 10"). Trimmed.
Sir John Norris (1660-1749), Admiral of the Fleet, was a British naval officer of the 17th and 18th centuries, serving as Commander-in-Chief of the Royal Navy under George II.
CS: 11.
[Ref: 48803] £140.00 (£168.00 incl.VAT)
Thomas Norris Bac: Mus:
John Taylor pinx.t et fecit.
Publish'd March 25th 1777.
A scarce mezzotint. Sheet 355 x 249mm. 14 x 9¾". Trimmed to the plate. Some rubbing.
Thomas Norris (1741-1790), musician and singer, organist at Christ Church and St John's College, Oxford.
CS 1: ii of iii.
[Ref: 17232] £320.00
John Taylor pinx.t et fecit.
Publish'd March 25th 1777.
A scarce mezzotint. Sheet 355 x 249mm. 14 x 9¾". Trimmed to the plate. Some rubbing.
Thomas Norris (1741-1790), musician and singer, organist at Christ Church and St John's College, Oxford.
CS 1: ii of iii.
[Ref: 17232] £320.00
Thomas Norris Bac: Mus:
John Taylor pinx.t et fecit.
Publish'd March 25th 1777.
A scarce mezzotint with small margins; Sheet 355 x 250mm (14 x 9¾"). Slight creasing.
Thomas Norris (1741-1790), musician and singer, organist at Christ Church and St John's College, Oxford.
CS 1: ii of iii.
[Ref: 36396] £260.00 (£312.00 incl.VAT)
John Taylor pinx.t et fecit.
Publish'd March 25th 1777.
A scarce mezzotint with small margins; Sheet 355 x 250mm (14 x 9¾"). Slight creasing.
Thomas Norris (1741-1790), musician and singer, organist at Christ Church and St John's College, Oxford.
CS 1: ii of iii.
[Ref: 36396] £260.00 (£312.00 incl.VAT)
A New Map of North America, agreeable to the Latest Discoveries.
[engraved by Thomas Conder.]
[London & Edinburgh: Richard Evans & John Bourne, 1817.]
Hand-coloured engraved map. 220 x 230mm (8¾ x 9"). With original binding folds.
A map of North America, published in an edition of William Robertson's 'History of America'. The map was originally published in a 1794 edition by Robert Wilkinson, but the only changes seem to be the removal of the publication line and Conder's name. The cartography still predates Vancouver's voyage, with the 'River of the West' still marked, as is 'West Florida', the British possession already under U.S. control.
[Ref: 47823] £200.00
[engraved by Thomas Conder.]
[London & Edinburgh: Richard Evans & John Bourne, 1817.]
Hand-coloured engraved map. 220 x 230mm (8¾ x 9"). With original binding folds.
A map of North America, published in an edition of William Robertson's 'History of America'. The map was originally published in a 1794 edition by Robert Wilkinson, but the only changes seem to be the removal of the publication line and Conder's name. The cartography still predates Vancouver's voyage, with the 'River of the West' still marked, as is 'West Florida', the British possession already under U.S. control.
[Ref: 47823] £200.00
![[United States of North America.]](jpegs/66703.jpg)
[United States of North America.] Vereingte Staaten von Nord-Amerika. Das Stadhaus in New York.
[n.d., c.1850.]
Etching, 360 x 290mm (14¼ x 11½"), with large margins
A etching of the townhouse in New York, from Broadway, Chatam Row (now Park Row), on the left of the image is St. Pauls Chapel. The image is surrounded by etchings of various scenes and topographical views of North America.
[Ref: 66703] £180.00 (£216.00 incl.VAT)
[n.d., c.1850.]
Etching, 360 x 290mm (14¼ x 11½"), with large margins
A etching of the townhouse in New York, from Broadway, Chatam Row (now Park Row), on the left of the image is St. Pauls Chapel. The image is surrounded by etchings of various scenes and topographical views of North America.
[Ref: 66703] £180.00 (£216.00 incl.VAT)
![[North America.] Eeen Amerikaan stort...](jpegs/42742.jpg)
[North America.] Eeen Amerikaan stort...
J.C. Philips inv. et fecit.
Te Amsterdam by Isaak Tirion, 1765. Met Privilege.
Engraving. Plate: 110 x 180mm (4¼ x 7"). Trimmed to platemark on left. Stain lower right.
A globe of North America is seen in centre. An allegorical scene showing the various animals, products and people of North America.
[Ref: 42742] £130.00 (£156.00 incl.VAT)
J.C. Philips inv. et fecit.
Te Amsterdam by Isaak Tirion, 1765. Met Privilege.
Engraving. Plate: 110 x 180mm (4¼ x 7"). Trimmed to platemark on left. Stain lower right.
A globe of North America is seen in centre. An allegorical scene showing the various animals, products and people of North America.
[Ref: 42742] £130.00 (£156.00 incl.VAT)
The Coalition. Believe me friend quoth North to Fox, While we together scratch and Box, And in the House, incessant splutter, Ourselves bedaubing with state gutter...
[n.d. c.1783]
Scarce engraving, plate 230 x 190mm (9 x 7½"), with large margins. Creased.
Standing together with a ribbon around their shoulders that reads "Tie of Interest," are Frederick North, 2nd Earl of Guilford (1732-1792) and Charles James Fox (1749-1806). With his left arm resting on Fox's left shoulder, North addresses him, saying, "Though you are a Fox by name & nature I hope to me you will prove no traitor." "While you can give me Place & Pension Your neck need never fear Extension," Fox responds. A piece of paper bearing the name "Vicar of Bray" is resting on Fox's shoulder beneath North's hand. Fox is leaning against a table on his right, and his left hand is resting on it. He is holding a piece of paper that says, "Debts of honor to my Lord Cog—150.1700." A paper with the words "Plan for disarming the I------h. V------rs" [Irish Volunteers] and some cards and dice are on the table. Two oval bust portraits of North and Fox are located on the background wall. The left portrait shows North in clerical bands and gown, with the inscription "Vicar of Bray," while the right portrait shows Fox wearing a rope around his neck with the inscription "Sergius Cataline." These depictions suggest that North is the dishonest timeserver, and Fox is the treacherous conspirator. There are three prints above the portraits. An execution scene is depicted on the left; two figures are hanging from a gibbet after the cart has just rolled away. A ship in full sail is being blown by a blast with the word "Boreas" in the centre. The "Stream of Corruption" is the body of water it travels on. "State Vessel" is inscribed on the frame. A print depicting a fox stealing a goose can be found on the right. There's a big sack on the ground (left) with the word "Budget" on it.
BM Satires 6179.
[Ref: 62334] £230.00 (£276.00 incl.VAT)
[n.d. c.1783]
Scarce engraving, plate 230 x 190mm (9 x 7½"), with large margins. Creased.
Standing together with a ribbon around their shoulders that reads "Tie of Interest," are Frederick North, 2nd Earl of Guilford (1732-1792) and Charles James Fox (1749-1806). With his left arm resting on Fox's left shoulder, North addresses him, saying, "Though you are a Fox by name & nature I hope to me you will prove no traitor." "While you can give me Place & Pension Your neck need never fear Extension," Fox responds. A piece of paper bearing the name "Vicar of Bray" is resting on Fox's shoulder beneath North's hand. Fox is leaning against a table on his right, and his left hand is resting on it. He is holding a piece of paper that says, "Debts of honor to my Lord Cog—150.1700." A paper with the words "Plan for disarming the I------h. V------rs" [Irish Volunteers] and some cards and dice are on the table. Two oval bust portraits of North and Fox are located on the background wall. The left portrait shows North in clerical bands and gown, with the inscription "Vicar of Bray," while the right portrait shows Fox wearing a rope around his neck with the inscription "Sergius Cataline." These depictions suggest that North is the dishonest timeserver, and Fox is the treacherous conspirator. There are three prints above the portraits. An execution scene is depicted on the left; two figures are hanging from a gibbet after the cart has just rolled away. A ship in full sail is being blown by a blast with the word "Boreas" in the centre. The "Stream of Corruption" is the body of water it travels on. "State Vessel" is inscribed on the frame. A print depicting a fox stealing a goose can be found on the right. There's a big sack on the ground (left) with the word "Budget" on it.
BM Satires 6179.
[Ref: 62334] £230.00 (£276.00 incl.VAT)
Atlantic or Western Ocean.
Drawn and Engraved for Thomson's New General Atlas. [Edinburgh: John Thomson, c.1815.]
Engraved map with original hand colour. 530 x 650mm (20¾ x 25½"). Paper pasted around printed border at bottom to hide damp stains.
A map of the North Atlantic from Iceland south to the Equator, with the Gulf Stream according to Thomas Pownall (1722-1805)', governor Massachusetts 1757-60) and author of 'Hydraulic and .Nautical Observations', an early examination of the Gulf Stream. Also marked is 'Lord Nelson's Track to the West Indies in Persuit of the French 1805' and 'Nelson Returning', which culminated at the Battle of Trafalgar. Another route is that of 'the United States Ship Insurgent', which operated in European waters during the 'Quasi-War' between the USA and France, caused by the US reneging on the loans given to them by France during the American War of Independence.
[Ref: 43581] £360.00
Drawn and Engraved for Thomson's New General Atlas. [Edinburgh: John Thomson, c.1815.]
Engraved map with original hand colour. 530 x 650mm (20¾ x 25½"). Paper pasted around printed border at bottom to hide damp stains.
A map of the North Atlantic from Iceland south to the Equator, with the Gulf Stream according to Thomas Pownall (1722-1805)', governor Massachusetts 1757-60) and author of 'Hydraulic and .Nautical Observations', an early examination of the Gulf Stream. Also marked is 'Lord Nelson's Track to the West Indies in Persuit of the French 1805' and 'Nelson Returning', which culminated at the Battle of Trafalgar. Another route is that of 'the United States Ship Insurgent', which operated in European waters during the 'Quasi-War' between the USA and France, caused by the US reneging on the loans given to them by France during the American War of Independence.
[Ref: 43581] £360.00
A New Chart of the Vast Atlantic Ocean; exhibiting The Seat of War, both in Europe and America, likewise the Trade Winds & Course of Sailing from one Continent to the other, with the Banks, Shoals and Rocks drawn according to the latest discoveries, and regulated by Astronomical Observations.
Eman.l Bowen Sculp.
Publish'd according to Act of Parliament, for the London Magazine 1755.
Engraved map. 320 x 440mm (12½ x 17¼"). Several repaired tears, with loss of image made up.
A map of the Atlantic, off the Madeiras, covering from southern England in the top right, clockwise to the Slave Coast of Guinea, Cayenne in South America and Newfoundland. Top centre is 'A Table Comparing this Chart with Mr. Popples great Map of the British Empire in America'. This map was first published in 1740, during the War of Jenkins' Ear (1739-48), which was fought over the 'Asiento de Negros', the right for England to sell slaves in Spanish America. Thus the map covers the Triangular Slave Trade. This example was issued just before the outbreak of the Seven Years' War.
[Ref: 61557] £280.00
Eman.l Bowen Sculp.
Publish'd according to Act of Parliament, for the London Magazine 1755.
Engraved map. 320 x 440mm (12½ x 17¼"). Several repaired tears, with loss of image made up.
A map of the Atlantic, off the Madeiras, covering from southern England in the top right, clockwise to the Slave Coast of Guinea, Cayenne in South America and Newfoundland. Top centre is 'A Table Comparing this Chart with Mr. Popples great Map of the British Empire in America'. This map was first published in 1740, during the War of Jenkins' Ear (1739-48), which was fought over the 'Asiento de Negros', the right for England to sell slaves in Spanish America. Thus the map covers the Triangular Slave Trade. This example was issued just before the outbreak of the Seven Years' War.
[Ref: 61557] £280.00
North London Literary and Scientific Institution. No. [blank] From [blank] 18[blank] to [blank] 18[blank]. M[blank] sec.y.
G. Guyer, sculp. 21 G.t Sutton St.t Clerkenwell.
[n.d., c.1835.]
Engraved membership certificate. 80 x 120mm (3¼ x 4¾") very large margins. Edges soiled.
An unfilled membership certificate. The institution was founded in 1832.
[Ref: 43299] £140.00 (£168.00 incl.VAT)
G. Guyer, sculp. 21 G.t Sutton St.t Clerkenwell.
[n.d., c.1835.]
Engraved membership certificate. 80 x 120mm (3¼ x 4¾") very large margins. Edges soiled.
An unfilled membership certificate. The institution was founded in 1832.
[Ref: 43299] £140.00 (£168.00 incl.VAT)
North Midland Railway. View of the Bridge over the River Amber & Turnpike Road near Amber Gate
From Nature & on Stone by S. Russell
Day & Haghe Lith.rs to the Queen [c.1845]
Lithograph and tintstone, printed area 280 x 380mm (11 x 15").
The Grade II listed bridge across the River Amber in South Wingfield, Derbyshire, a major achievement of the North Midland Railway from Derby to Leeds to the designs of George and Robert Stephenson in 1840. From a series of lithographs publicising significant engineering achievements on the North Midland Railway route.
[Ref: 37222] £320.00
From Nature & on Stone by S. Russell
Day & Haghe Lith.rs to the Queen [c.1845]
Lithograph and tintstone, printed area 280 x 380mm (11 x 15").
The Grade II listed bridge across the River Amber in South Wingfield, Derbyshire, a major achievement of the North Midland Railway from Derby to Leeds to the designs of George and Robert Stephenson in 1840. From a series of lithographs publicising significant engineering achievements on the North Midland Railway route.
[Ref: 37222] £320.00
North Midland Railway. View of the New St. Bridge &c. in Belper, looking South. Built by Joseph Turner of Wingfield.
From Nature & on Zinc by S. Russell
Day & Haghe Lith.rs to the Queen [c.1845]
Zincograph and tintstone, printed area 270 x 355mm (10½ x 14").
Bridge across the River Derwent near Swainsley Wood in Belper, one of several bridges across the river constructed as part of the North Midland Railway from Derby to Leeds to the designs of George and Robert Stephenson in 1840. From a series of lithographs publicising significant engineering achievements on the North Midland Railway route.
[Ref: 37219] £280.00 (£336.00 incl.VAT)
From Nature & on Zinc by S. Russell
Day & Haghe Lith.rs to the Queen [c.1845]
Zincograph and tintstone, printed area 270 x 355mm (10½ x 14").
Bridge across the River Derwent near Swainsley Wood in Belper, one of several bridges across the river constructed as part of the North Midland Railway from Derby to Leeds to the designs of George and Robert Stephenson in 1840. From a series of lithographs publicising significant engineering achievements on the North Midland Railway route.
[Ref: 37219] £280.00 (£336.00 incl.VAT)
North Midland Railway. View through the Belper Cutting looking North
S. Russell lith.
Day & Haghe Lith.rs to the Queen [c.1845]
Lithograph and tintstone, printed area 290 x 400mm (11½ x 15¾").
The Belper cutting, a major achievement of the North Midland Railway from Derby to Leeds to the designs of George and Robert Stephenson in 1840. Massive stone retaining walls were required to make the cutting, spanned by several parallel bridges. From a series of lithographs publicising significant engineering achievements on the North Midland Railway route.
[Ref: 37221] £380.00
S. Russell lith.
Day & Haghe Lith.rs to the Queen [c.1845]
Lithograph and tintstone, printed area 290 x 400mm (11½ x 15¾").
The Belper cutting, a major achievement of the North Midland Railway from Derby to Leeds to the designs of George and Robert Stephenson in 1840. Massive stone retaining walls were required to make the cutting, spanned by several parallel bridges. From a series of lithographs publicising significant engineering achievements on the North Midland Railway route.
[Ref: 37221] £380.00
North Midland Railway. Bridge over the River Derwent and the Matlock Road. Near Amber Gate.
From Nature & on Zinc by S. Russell
Day & Haghe Lith.rs to the Queen [c.1845]
Zincograph and tintstone, printed area 290 x 425mm (11½ x 16¾").
The recently Grade II* listed Derwent Viaduct, built in 1836-40 to the designs of George and Robert Stephenson. The viaduct was one of several significant engineering achievements required as part of the North Midland Railway from Derby to Leeds. From a series of lithographs publicising those significant structures.
[Ref: 37217] £280.00 (£336.00 incl.VAT)
From Nature & on Zinc by S. Russell
Day & Haghe Lith.rs to the Queen [c.1845]
Zincograph and tintstone, printed area 290 x 425mm (11½ x 16¾").
The recently Grade II* listed Derwent Viaduct, built in 1836-40 to the designs of George and Robert Stephenson. The viaduct was one of several significant engineering achievements required as part of the North Midland Railway from Derby to Leeds. From a series of lithographs publicising those significant structures.
[Ref: 37217] £280.00 (£336.00 incl.VAT)
North Road Viaduct, Durham. Supplement to the Durham Chronicle.
J.W.B. del. E. Landells sc.
Duham, Friday 2, 1857.
Rare letterpress newspaper with two wood engravings. Sheet 655 x 490mm (25¾ x 19¼"). Folded, album sheet pasted to one quarter.
A newspaper account of the opening of the North Road Viaduct on the North-Eastern Railway in 1857. The wood engravings are a view of the viaduct with a locomotive in transit, with Durham Cathedral behind. It is now Grade II* listed.
[Ref: 56772] £190.00 (£228.00 incl.VAT)
J.W.B. del. E. Landells sc.
Duham, Friday 2, 1857.
Rare letterpress newspaper with two wood engravings. Sheet 655 x 490mm (25¾ x 19¼"). Folded, album sheet pasted to one quarter.
A newspaper account of the opening of the North Road Viaduct on the North-Eastern Railway in 1857. The wood engravings are a view of the viaduct with a locomotive in transit, with Durham Cathedral behind. It is now Grade II* listed.
[Ref: 56772] £190.00 (£228.00 incl.VAT)
North V South.
Printed by A. Clement Paris [n.d., c.1920].
Scarce drypoint etching on chine collé. 430 x 585mm (17 x 23"). Spotting. Unexamined out of frame.
A cricket match in progress on a village green.
[Ref: 67505] £480.00
Printed by A. Clement Paris [n.d., c.1920].
Scarce drypoint etching on chine collé. 430 x 585mm (17 x 23"). Spotting. Unexamined out of frame.
A cricket match in progress on a village green.
[Ref: 67505] £480.00
![[Lord North] The Premier distributing the Loaves and Fishes to the Labourers in his Vineyard May 9 1772.](jpegs/45460.jpg)
[Lord North] The Premier distributing the Loaves and Fishes to the Labourers in his Vineyard May 9 1772.
[Town and Country Magazine. 1st July 1772.]
Engraving. 175 x 105mm (7 x 4"). Large margins on 3 sides.
A satirical print in which Lord North stands on stilts, held up by Mansfield and Bute, in front of Westminster Hall while Wilkes covers his eyes in dismay. The print attacks both ministerialists and the patriots.
BM Satire 4955.
[Ref: 45460] £85.00 (£102.00 incl.VAT)
[Town and Country Magazine. 1st July 1772.]
Engraving. 175 x 105mm (7 x 4"). Large margins on 3 sides.
A satirical print in which Lord North stands on stilts, held up by Mansfield and Bute, in front of Westminster Hall while Wilkes covers his eyes in dismay. The print attacks both ministerialists and the patriots.
BM Satire 4955.
[Ref: 45460] £85.00 (£102.00 incl.VAT)
The Right Honorable Frederick Lord North, First Lord Commissioner of his Majesty's Treasury, Chancellor & Under Treasurer of the Exchequer, Chancellor of the University of Oxford, One of his Majesty's most honorable Privy Council, Knight of the most Noble Order of the Garter &c. &c. &c.
N. Dance faciem pinx.t. T. Burke fecit.
Publish'd Sep.t 20th 1775 by W.m Wynne Ryland Engraver to his Majesty NO 159 near Somerset House Strand London.
Mezzotint, fine impression. 505 x 355mm (19¾ x 14"). Adhered to backing paper at corners and left & right, cut almost to plate.
Frederick North (1732-92), Lord North and later 2nd Earl of Guilford. He was Prime Minister from 1770 until he became the first P.M. to be forced from office by a vote of no confidence, brought on by the defeat at Yorktown in 1781 during the American War of Independence. He resigned on 20th March 1782.
CS 6 i of ii. Ex collection of the Hon. Christopher Lennox-Boyd.
[Ref: 53623] £320.00
N. Dance faciem pinx.t. T. Burke fecit.
Publish'd Sep.t 20th 1775 by W.m Wynne Ryland Engraver to his Majesty NO 159 near Somerset House Strand London.
Mezzotint, fine impression. 505 x 355mm (19¾ x 14"). Adhered to backing paper at corners and left & right, cut almost to plate.
Frederick North (1732-92), Lord North and later 2nd Earl of Guilford. He was Prime Minister from 1770 until he became the first P.M. to be forced from office by a vote of no confidence, brought on by the defeat at Yorktown in 1781 during the American War of Independence. He resigned on 20th March 1782.
CS 6 i of ii. Ex collection of the Hon. Christopher Lennox-Boyd.
[Ref: 53623] £320.00
Frederic (North) Earl of Guildford. Nat 7 Feb 1766.
Ingres Rome 1815. C. Hullmandel's Lithography.
[n.d., c.1820.]
Lithograph. Sheet 320 x 230mm (12¾x 9"). Surface dirt on edges of paper. Right margin creased.
A seated portrait of Frederick North, 5th Earl of Guildford, sketched in Rome by John Dominique Ingres. The portrait was one of four drawn directly onto one stone by the painter, but designed to be cut. The other sitters were North's sister, Lady Glenbervie, her husband, Sylvester Douglas, and their son, Frederick Sylvester Douglas. The four portraits are lauded as masterpieces of the classical art of drawing. So great is their mastery that experts have disputed whether Ingres, having no previous documented experience of lithography, could have achieved such a feat. However, Felix Man argues convincingly that in Rome Ingres would have had the necessary facilities likely found at the printing and publishing establishment of Giovanni Dall'Armi (XXI-XXII, Man 1953). Though the portraits were drawn by Ingres in Rome, the family took the stone back to England to be printed by Charles Hullmandel in 1820, when he added the sitters' titles and biographical dates.
Man 12.
[Ref: 66530] £220.00 (£264.00 incl.VAT)
Ingres Rome 1815. C. Hullmandel's Lithography.
[n.d., c.1820.]
Lithograph. Sheet 320 x 230mm (12¾x 9"). Surface dirt on edges of paper. Right margin creased.
A seated portrait of Frederick North, 5th Earl of Guildford, sketched in Rome by John Dominique Ingres. The portrait was one of four drawn directly onto one stone by the painter, but designed to be cut. The other sitters were North's sister, Lady Glenbervie, her husband, Sylvester Douglas, and their son, Frederick Sylvester Douglas. The four portraits are lauded as masterpieces of the classical art of drawing. So great is their mastery that experts have disputed whether Ingres, having no previous documented experience of lithography, could have achieved such a feat. However, Felix Man argues convincingly that in Rome Ingres would have had the necessary facilities likely found at the printing and publishing establishment of Giovanni Dall'Armi (XXI-XXII, Man 1953). Though the portraits were drawn by Ingres in Rome, the family took the stone back to England to be printed by Charles Hullmandel in 1820, when he added the sitters' titles and biographical dates.
Man 12.
[Ref: 66530] £220.00 (£264.00 incl.VAT)
![[Lord North] The Premier distributing the Loaves and Fishes to the Labourers in his Vineyard May 9 1772.](jpegs/61756.jpg)
[Lord North] The Premier distributing the Loaves and Fishes to the Labourers in his Vineyard May 9 1772.
[Town and Country Magazine. 1st July 1772.]
Engraving. 175 x 105mm (7 x 4"), with separate letterpress description.
A satirical print in which Lord North stands on stilts, held up by Mansfield and Bute, in front of Westminster Hall while Wilkes covers his eyes in dismay. The print attacks both ministerialists and the patriots.
BM Satire 4955.
[Ref: 61756] £80.00 (£96.00 incl.VAT)
[Town and Country Magazine. 1st July 1772.]
Engraving. 175 x 105mm (7 x 4"), with separate letterpress description.
A satirical print in which Lord North stands on stilts, held up by Mansfield and Bute, in front of Westminster Hall while Wilkes covers his eyes in dismay. The print attacks both ministerialists and the patriots.
BM Satire 4955.
[Ref: 61756] £80.00 (£96.00 incl.VAT)