A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
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The Mother's Favourite, playing his Tricks with the Candle.
Printed for Carington Bowles, No. 69 in St. Pauls Church Yard, London [Monday 5 October 1772].
Mezzotint with large margins. Platemark: 150 x 110mm (6 x 4¼"). Fine impression. Glued in corners to backing sheet. Publication date removed from print as normal.
A boy, shown half-length, smiling and looking down to left at a candle he shields with one hand.
Ex: collection of the Late Hon. C. Lennox-Boyd.
[Ref: 32825] £180.00 (£216.00 incl.VAT)
Printed for Carington Bowles, No. 69 in St. Pauls Church Yard, London [Monday 5 October 1772].
Mezzotint with large margins. Platemark: 150 x 110mm (6 x 4¼"). Fine impression. Glued in corners to backing sheet. Publication date removed from print as normal.
A boy, shown half-length, smiling and looking down to left at a candle he shields with one hand.
Ex: collection of the Late Hon. C. Lennox-Boyd.
[Ref: 32825] £180.00 (£216.00 incl.VAT)
[Fores's Series of the Mothers. Pl. 9. Hunting Mare & Foal. From the Original Picture by Mr. J.F. Herring Sen.r in the possession of the Publishers.]
[Painted By J.F. Herring Sen.r. Engraved By J. Harris.]
[London, Published May 19th. 1854 By Mess.rs Fores, 41, Piccadilly.]
Aquatint on steel, india proof before letters. 345 x 380mm (13¾ x 15"). Some creasing. Damaged.
One of nine plates engraved by John Harris for Fores' 'Mothers' series.
Siltzer: p.152.
[Ref: 58057] £130.00 (£156.00 incl.VAT)
[Painted By J.F. Herring Sen.r. Engraved By J. Harris.]
[London, Published May 19th. 1854 By Mess.rs Fores, 41, Piccadilly.]
Aquatint on steel, india proof before letters. 345 x 380mm (13¾ x 15"). Some creasing. Damaged.
One of nine plates engraved by John Harris for Fores' 'Mothers' series.
Siltzer: p.152.
[Ref: 58057] £130.00 (£156.00 incl.VAT)
[Fores's Series of the Mothers. Pl. 1. Hack Mare & Foal. From the Original Picture by Mr. J.F. Herring Sen.r in the possession of the Publishers.]
[Painted By J.F. Herring Sen.r. Engraved By J. Harris.]
[London, Published May 19th. 1854 By Mess.rs Fores, 41, Piccadilly.]
Aquatint on steel, india proof before letters. 345 x 380mm (13¾ x 15"). Tear entering blank inscription area. Slight creasing.
One of nine plates engraved by John Harris for Fores' 'Mothers' series.
Siltzer: p.152.
[Ref: 58056] £260.00 (£312.00 incl.VAT)
[Painted By J.F. Herring Sen.r. Engraved By J. Harris.]
[London, Published May 19th. 1854 By Mess.rs Fores, 41, Piccadilly.]
Aquatint on steel, india proof before letters. 345 x 380mm (13¾ x 15"). Tear entering blank inscription area. Slight creasing.
One of nine plates engraved by John Harris for Fores' 'Mothers' series.
Siltzer: p.152.
[Ref: 58056] £260.00 (£312.00 incl.VAT)
The Mothers Hope.
Woodward Del Rowlandson scul
by Tho.s Tegg N111 Cheapside [1808]
Hand-coloured etching. Sheet: 350 x 250mm (13¾ x 9¾''). Creased; trimmed to plate; surface dirt.
A nursemaid or mother in pink looks on as a boy (dressed as a girl) protests 'I don't like dolls! I don't like Canary Birds I hate Battledore and Shuttlecock, I like Drums and Trumpets. I wont go to school- I will stay at home- I will have my own way in everything!!' An elderly woman in spectacles approves: 'Bless the Baby- what an aspiring spirit- if he goes on in this way he will be a second Buonaparte!!'
BM Satires 11137.
[Ref: 50788] £140.00 (£168.00 incl.VAT)
Woodward Del Rowlandson scul
by Tho.s Tegg N111 Cheapside [1808]
Hand-coloured etching. Sheet: 350 x 250mm (13¾ x 9¾''). Creased; trimmed to plate; surface dirt.
A nursemaid or mother in pink looks on as a boy (dressed as a girl) protests 'I don't like dolls! I don't like Canary Birds I hate Battledore and Shuttlecock, I like Drums and Trumpets. I wont go to school- I will stay at home- I will have my own way in everything!!' An elderly woman in spectacles approves: 'Bless the Baby- what an aspiring spirit- if he goes on in this way he will be a second Buonaparte!!'
BM Satires 11137.
[Ref: 50788] £140.00 (£168.00 incl.VAT)
The Mother's Pride.
W. Ledder del. Ant.y Cardon sculp.
[n.d., c.1810.]
Colour-printed stipple. Sheet: 260 x 165mm (10¼ x 6½''). Trimmed, paper tone.
A genre scene showing a disheveled child sitting on an upturned barrow.
[Ref: 48173] £250.00 (£300.00 incl.VAT)
W. Ledder del. Ant.y Cardon sculp.
[n.d., c.1810.]
Colour-printed stipple. Sheet: 260 x 165mm (10¼ x 6½''). Trimmed, paper tone.
A genre scene showing a disheveled child sitting on an upturned barrow.
[Ref: 48173] £250.00 (£300.00 incl.VAT)
Fores's Series of the Mothers. Pl. 5. Sow and Pigs. From the Original Picture by Mr. J.F. Herring Sen.r in the possession of the Publishers.
Painted By J.F. Herring Sen.r. Engraved By J. Harris & C. Quentery.
London, Published Nov.r 8th. 1855 By Mess.rs Fores, 41, Piccadilly.
Coloured aquatint on steel. 340 x 375mm (13½ x 14¾"). Trimmed to plate top and bottom.
One of nine plates engraved by Harris and others for Fores' 'Mothers' series.
Siltzer: p.152.
[Ref: 49006] £240.00 (£288.00 incl.VAT)
Painted By J.F. Herring Sen.r. Engraved By J. Harris & C. Quentery.
London, Published Nov.r 8th. 1855 By Mess.rs Fores, 41, Piccadilly.
Coloured aquatint on steel. 340 x 375mm (13½ x 14¾"). Trimmed to plate top and bottom.
One of nine plates engraved by Harris and others for Fores' 'Mothers' series.
Siltzer: p.152.
[Ref: 49006] £240.00 (£288.00 incl.VAT)
![[Catching moths at night] Melliferis infesti Apibus sunt Papiliones...](jpegs/66800.jpg)
[Catching moths at night] Melliferis infesti Apibus sunt Papiliones...
I. Stradan. inv. C. Galle sculp.
Phls Galle excu. [n.d., c.1596].
Engraving. Sheet 185 x 260mm (7¼ x 10¼"). Trimmed, losing title, tipped onto album paper at top corners
Farmers use lamps to lure moths at night. From the series ''Venationes Ferarum, Avium, Piscium...'', with inscriptions in the image.
[Ref: 66800] £230.00 (£276.00 incl.VAT)
I. Stradan. inv. C. Galle sculp.
Phls Galle excu. [n.d., c.1596].
Engraving. Sheet 185 x 260mm (7¼ x 10¼"). Trimmed, losing title, tipped onto album paper at top corners
Farmers use lamps to lure moths at night. From the series ''Venationes Ferarum, Avium, Piscium...'', with inscriptions in the image.
[Ref: 66800] £230.00 (£276.00 incl.VAT)
![Elevation of a Suspension Bridge erected over the river Avon at Tiverton [Twerton] near Bath in 1837,](jpegs/35381.jpg)
Elevation of a Suspension Bridge erected over the river Avon at Tiverton [Twerton] near Bath in 1837, designed by & executed under the superindendence of Thomas Motley Civil Engineer, and is the first of its kind ever constructed... To the Proprietors of the above mentioned Bridge, this print is most respectfully inscribed, By their much obliged Friend, Thomas Motley.
London, 6th M.o (June) 1842.
Coloured lithograph. Printed area 235 x 540mm (9¼ x 21¼"). Edges worn, repaired crack entering printed border. Repaired tear top right.
A suspension bridge in Twerton, built by Thomas Motley (born 1791), which was only replaced in the 1980s by Windsor Bridge. This print was published to promote Motley's design for Clifton, beaten by Brunel, Barlow & Hawkshaw.
[Ref: 35381] £360.00
London, 6th M.o (June) 1842.
Coloured lithograph. Printed area 235 x 540mm (9¼ x 21¼"). Edges worn, repaired crack entering printed border. Repaired tear top right.
A suspension bridge in Twerton, built by Thomas Motley (born 1791), which was only replaced in the 1980s by Windsor Bridge. This print was published to promote Motley's design for Clifton, beaten by Brunel, Barlow & Hawkshaw.
[Ref: 35381] £360.00
Francis Henry de la Motte. Executed for High Treason, at Tyburn, on the 27th July 1781.
[n.d., c.1790.]
Engraving. 125 x 80mm (5 x 3¼"), large margins.
Portrait of Francis Henry de la Motte who was executed for high treason at Tyburn Prison on the 27th July 1781.
IV page 80.
[Ref: 68988] £90.00 (£108.00 incl.VAT)
[n.d., c.1790.]
Engraving. 125 x 80mm (5 x 3¼"), large margins.
Portrait of Francis Henry de la Motte who was executed for high treason at Tyburn Prison on the 27th July 1781.
IV page 80.
[Ref: 68988] £90.00 (£108.00 incl.VAT)
The Universal Power of Love. Motto.
Kirke pinx. Ant. Cardon sculp.
Tomkins scrip. Cooper sculp. [n.d., c.1813.]
Scarce stipple. 365 x 290mm (14¼ x 11½"), with large margins.
A portrait of the figure of love shown holding a torch and bow and arrow, with verse by Erasmus Darwin.
[Ref: 47505] £290.00 (£348.00 incl.VAT)
Kirke pinx. Ant. Cardon sculp.
Tomkins scrip. Cooper sculp. [n.d., c.1813.]
Scarce stipple. 365 x 290mm (14¼ x 11½"), with large margins.
A portrait of the figure of love shown holding a torch and bow and arrow, with verse by Erasmus Darwin.
[Ref: 47505] £290.00 (£348.00 incl.VAT)
Le Mouchoir du Sultan. Saladin donn le Mouchoir à la belle Mirza.
Ph. Caresme del. G. Venzo scul.
A Venise chez Joseph Remondini & Fils. [n.d. c.1790.]
Hand-coloured stipple in oval, rare with small margins. Plate 290 x 241mm. 11½ x 9½". Crease.
Islamic historical scene inside a palace. Saladin who led the Islamic opposition to the Franks and other European Crusaders in the Levant, and a favourite female companion are seated around a table, drinking tea and smoking long pipes; two female figures to background, guitar to left. Associated with Lady Mary Wortley Montague (1689-1762) whose letters home from Constantinople in 1716-1718, where published as a travel book.
See Ref: 17781 for uncoloured
[Ref: 26134] £240.00 (£288.00 incl.VAT)
Ph. Caresme del. G. Venzo scul.
A Venise chez Joseph Remondini & Fils. [n.d. c.1790.]
Hand-coloured stipple in oval, rare with small margins. Plate 290 x 241mm. 11½ x 9½". Crease.
Islamic historical scene inside a palace. Saladin who led the Islamic opposition to the Franks and other European Crusaders in the Levant, and a favourite female companion are seated around a table, drinking tea and smoking long pipes; two female figures to background, guitar to left. Associated with Lady Mary Wortley Montague (1689-1762) whose letters home from Constantinople in 1716-1718, where published as a travel book.
See Ref: 17781 for uncoloured
[Ref: 26134] £240.00 (£288.00 incl.VAT)
![Le Mouchoir du Sultan. [The Sultan's handkerchief.]](jpegs/17781.jpg)
Le Mouchoir du Sultan. [The Sultan's handkerchief.] Saladin donne le Mouchoir a la belle Mirza.
Ph. Caresme del. C. Venzo scul.
A Venise, chez Joseph Remondini & Fils. [n.d., c.1780.]
Stipple, 290 x 245mm. 11½ x 9¾". Full margins.
Joseph Remondini had published a pair of engravings as illustrations to the letters written by Lady May Wortley Montague during the Embassey to Istanbul. These had been taken from drawings by Thomas Stoddard and had been very popular due to their exotic content. This print by the same publisher illustrates an imagined historical scene set inside an Islamic palace. Saladin (c.1138 - 1193), who led the Islamic opposition to the Franks and other European Crusaders in the Levant, and a favourite female companion are seated around a table, drinking tea and smoking long pipes; two female figures to background, guitar to left. This and other engravings of the similar theme were produced by the popular publishers as Lady Mary's letters were published and she became the inspiration of a generation of female writers, artists, and travellers. Published in Venice by a firm of print publishers run by successive generations of the same family, Remondini between 1634-1811 after Jacques Philippe Caresme (1734 - 1796)
for coloured impression see ref. 26134
[Ref: 17781] £240.00 (£288.00 incl.VAT)
Ph. Caresme del. C. Venzo scul.
A Venise, chez Joseph Remondini & Fils. [n.d., c.1780.]
Stipple, 290 x 245mm. 11½ x 9¾". Full margins.
Joseph Remondini had published a pair of engravings as illustrations to the letters written by Lady May Wortley Montague during the Embassey to Istanbul. These had been taken from drawings by Thomas Stoddard and had been very popular due to their exotic content. This print by the same publisher illustrates an imagined historical scene set inside an Islamic palace. Saladin (c.1138 - 1193), who led the Islamic opposition to the Franks and other European Crusaders in the Levant, and a favourite female companion are seated around a table, drinking tea and smoking long pipes; two female figures to background, guitar to left. This and other engravings of the similar theme were produced by the popular publishers as Lady Mary's letters were published and she became the inspiration of a generation of female writers, artists, and travellers. Published in Venice by a firm of print publishers run by successive generations of the same family, Remondini between 1634-1811 after Jacques Philippe Caresme (1734 - 1796)
for coloured impression see ref. 26134
[Ref: 17781] £240.00 (£288.00 incl.VAT)
Made. de ** en habit de Bal.
Peint au pastel par Ch. Coypel. Gravee par L. Surugue en 1746.
a Paris chez L. Surugue Graveur du Roy rue des Noyers attenant le Magazin de papier vis avis St. Yves A.P.D.R.
Engraving, 415 x 300mm. 16½ x 11¾". Trimmed close to plate.
Madame de Mouchy, daughter of M. Duchesne, valet to the King, seated in an armchair in a ball gown looking towards the viewer. She holds a mask in her left hand. The identification of the sitter as Madame de Mouchy, first suggested in 'Catalogue manuscrit de l'oeuvre gravé de et après Charles Coypel', is now accepted by most scholars. An Italian print engraved after the same portrait in 1766 wrongly identifies the sitter as the Marquess of Pompadour. After Charles Coypel (1694 - 1752).
Collector's stamp of Alfred Morrison (1821 - 1897) to verso.
[Ref: 12137] £260.00 (£312.00 incl.VAT)
Peint au pastel par Ch. Coypel. Gravee par L. Surugue en 1746.
a Paris chez L. Surugue Graveur du Roy rue des Noyers attenant le Magazin de papier vis avis St. Yves A.P.D.R.
Engraving, 415 x 300mm. 16½ x 11¾". Trimmed close to plate.
Madame de Mouchy, daughter of M. Duchesne, valet to the King, seated in an armchair in a ball gown looking towards the viewer. She holds a mask in her left hand. The identification of the sitter as Madame de Mouchy, first suggested in 'Catalogue manuscrit de l'oeuvre gravé de et après Charles Coypel', is now accepted by most scholars. An Italian print engraved after the same portrait in 1766 wrongly identifies the sitter as the Marquess of Pompadour. After Charles Coypel (1694 - 1752).
Collector's stamp of Alfred Morrison (1821 - 1897) to verso.
[Ref: 12137] £260.00 (£312.00 incl.VAT)
![Le Md. de Moulins d'Eenfans. [Seller of toy windmills.]](jpegs/22950.jpg)
Le Md. de Moulins d'Eenfans. [Seller of toy windmills.]
[Anon.]
[Paris, n.d., c.1775.]
Etching printed in red, laid paper, very scarce, 175 x 120mm. 7 x 4¾".
Four lines of verse below title; numbered '30' upper right. After Edme Bouchardon (1698-1762) famous series "Etudes dans le bas peuple prises ou les cris de Paris". Bouchardon executed drawings of Paris street merchants, Cris de Paris, that were widely distributed as engravings; some figures were reproduced in porcelain by the Meissen porcelain manufactory.
[Ref: 22950] £160.00 (£192.00 incl.VAT)
[Anon.]
[Paris, n.d., c.1775.]
Etching printed in red, laid paper, very scarce, 175 x 120mm. 7 x 4¾".
Four lines of verse below title; numbered '30' upper right. After Edme Bouchardon (1698-1762) famous series "Etudes dans le bas peuple prises ou les cris de Paris". Bouchardon executed drawings of Paris street merchants, Cris de Paris, that were widely distributed as engravings; some figures were reproduced in porcelain by the Meissen porcelain manufactory.
[Ref: 22950] £160.00 (£192.00 incl.VAT)
![Ann S Mounsey [facsimile signature inside the image area.]](jpegs/17379.jpg)
Ann S Mounsey [facsimile signature inside the image area.]
Drawn on Stone by Isaace W. Slater from a Sketch by Jos.h Slater, made expressly for the Musical Keepsake, 1834.
London: Published by J. Dickinson 114, New Bond Street, Printed by C. Hullmandel. Proof.
Lithograph on india, rare. Sheet 266 x 178mm. 10½ x 7". Slight marks on surface trimmed close to image.
Ann Sheppard Bartholomew, née Mounsey (1811-1891) was a British composer, pianist and organist. She married the librettist William Bartholomew (1793-1867) who collaborated with Mendelssohn over his oratorio Elijah. The first performance took place in Crosby Hall, January 1845. She, Ann Mounsey, was the accompanist on that occasion.
From the Collection of J.S. Bumpus.
[Ref: 17379] £95.00 (£114.00 incl.VAT)
Drawn on Stone by Isaace W. Slater from a Sketch by Jos.h Slater, made expressly for the Musical Keepsake, 1834.
London: Published by J. Dickinson 114, New Bond Street, Printed by C. Hullmandel. Proof.
Lithograph on india, rare. Sheet 266 x 178mm. 10½ x 7". Slight marks on surface trimmed close to image.
Ann Sheppard Bartholomew, née Mounsey (1811-1891) was a British composer, pianist and organist. She married the librettist William Bartholomew (1793-1867) who collaborated with Mendelssohn over his oratorio Elijah. The first performance took place in Crosby Hall, January 1845. She, Ann Mounsey, was the accompanist on that occasion.
From the Collection of J.S. Bumpus.
[Ref: 17379] £95.00 (£114.00 incl.VAT)
Mountains of Aboo in Guzerat.
London, Pub.d by R. Ackermann, Strand, 1826.
Hand coloured aquatint. Sheet size: 250 x 315mm (10 x 12¼"). Trimmed within plate. Some staining.
Plate 6 of Robert Melville Grindlay's 'Scenery, Costumes and Architecture chiefly on the Western Side of India'. This picturesque view shows Mount Abu, in the south of Rajasthan, close to the border of Gujarat. Grindlay (1786-1877) was only 17 when he arrived in India in 1803. He served with the Bombay Native Infantry from 1804 to 1820 and during this period made a large collection of sketches and drawings.
[Ref: 39043] £220.00 (£264.00 incl.VAT)
London, Pub.d by R. Ackermann, Strand, 1826.
Hand coloured aquatint. Sheet size: 250 x 315mm (10 x 12¼"). Trimmed within plate. Some staining.
Plate 6 of Robert Melville Grindlay's 'Scenery, Costumes and Architecture chiefly on the Western Side of India'. This picturesque view shows Mount Abu, in the south of Rajasthan, close to the border of Gujarat. Grindlay (1786-1877) was only 17 when he arrived in India in 1803. He served with the Bombay Native Infantry from 1804 to 1820 and during this period made a large collection of sketches and drawings.
[Ref: 39043] £220.00 (£264.00 incl.VAT)
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Mount Alford.
C.D. Barraud del. R. Smythson Lith. C.F. Kell Lithographer, Castle S.t Holborn, London E.C.
[London. Sampson Low, Marston, Searle & Rivington. 1877.]
Fine Chromolithograph, trimmed to image and laid sheet printed with title etc as issued. Sheet 435 x 560mm (17 x 22").
From 'New Zealand Graphic and Descriptive. The Illustrations by C.W. Barraud.' Charles Decimus Barraud (1822-97) emigrated to New Zealand in 1849, opening a pharmacy in Wellington with such success that he opened branches in other towns.
[Ref: 61023] £160.00 (£192.00 incl.VAT)
C.D. Barraud del. R. Smythson Lith. C.F. Kell Lithographer, Castle S.t Holborn, London E.C.
[London. Sampson Low, Marston, Searle & Rivington. 1877.]
Fine Chromolithograph, trimmed to image and laid sheet printed with title etc as issued. Sheet 435 x 560mm (17 x 22").
From 'New Zealand Graphic and Descriptive. The Illustrations by C.W. Barraud.' Charles Decimus Barraud (1822-97) emigrated to New Zealand in 1849, opening a pharmacy in Wellington with such success that he opened branches in other towns.
[Ref: 61023] £160.00 (£192.00 incl.VAT)
Mount Cook
W.M.H 1875. C.F. Kell Lithographer, Castle S.t Holborn, London E.C.
[London. Sampson Low, Marston, Searle & Rivington. 1877.]
Fine Chromolithograph, trimmed to image and laid sheet printed with title etc as issued. Sheet 560 x 435mm (22 x 17").
Very fine panorama of Mount Cook. From 'New Zealand Graphic and Descriptive. The Illustrations by C.W. Barraud', but signed W.M.H. in the plate. Charles Decimus Barraud (1822-97) emigrated to New Zealand in 1849, opening a pharmacy in Wellington with such success that he opened branches in other towns.
[Ref: 61021] £190.00 (£228.00 incl.VAT)
W.M.H 1875. C.F. Kell Lithographer, Castle S.t Holborn, London E.C.
[London. Sampson Low, Marston, Searle & Rivington. 1877.]
Fine Chromolithograph, trimmed to image and laid sheet printed with title etc as issued. Sheet 560 x 435mm (22 x 17").
Very fine panorama of Mount Cook. From 'New Zealand Graphic and Descriptive. The Illustrations by C.W. Barraud', but signed W.M.H. in the plate. Charles Decimus Barraud (1822-97) emigrated to New Zealand in 1849, opening a pharmacy in Wellington with such success that he opened branches in other towns.
[Ref: 61021] £190.00 (£228.00 incl.VAT)
Devil's Point & Mount Edgcombe; from the Fort, near the Telegraph, Plymouth Dock.
W Hawkes Smith del. & fec. Printed from Stone, by WH Smith
[n.d., c.1820]
Lithograph, printed area 185 x 430mm (7¼ x 17"). Slight crease on right; very rare.
View of Plymouth Sound with key indicating (l-r) 'St Nicholas' Island [now known as Drake's Island]/ Mew Stone / Breakwater / O. Cromwell's Tower, Extremity of the Point / Mount Edgcombe / Maker Church / Turret of the Admiral's Landing'. By the little-known Birmingham printmaker William Hawkes Smith (1818-1821, fl.).
Ex Collection: The Late Honourable Christopher Lennox-Boyd.
[Ref: 32241] £260.00 (£312.00 incl.VAT)
W Hawkes Smith del. & fec. Printed from Stone, by WH Smith
[n.d., c.1820]
Lithograph, printed area 185 x 430mm (7¼ x 17"). Slight crease on right; very rare.
View of Plymouth Sound with key indicating (l-r) 'St Nicholas' Island [now known as Drake's Island]/ Mew Stone / Breakwater / O. Cromwell's Tower, Extremity of the Point / Mount Edgcombe / Maker Church / Turret of the Admiral's Landing'. By the little-known Birmingham printmaker William Hawkes Smith (1818-1821, fl.).
Ex Collection: The Late Honourable Christopher Lennox-Boyd.
[Ref: 32241] £260.00 (£312.00 incl.VAT)
A View of Mount Edgcumbe.
G. Lambert & Scott pinx.t. C.W. Bampflyde delin. Canot sculp.t.
London, Printed for Rob.t Sayer & Bennett, in Fleet Street, Rob.t Wilkinson in Cornhill, John Boydell in Cheapside, & Carington Bowles in St Pauls Church Yard. [n.d., c.1780.]
Engraving. 365 x 565mm (14¼ x 22¼"), on thick paper. Cut inside image. Damaged. Slight surface soiling.
A view of Mount Edgcumbe, Cornwall, painted by George Lambert & Samuel Scott from Plymouth Sound. In the foreground are British ships and longboats. The plate was engraved by Pierre Charles Canot from an intermediary sketch by Coplestone Warre Bampfylde and published in the series 'Five views of and from Mount Edgcumbe, Plymouth', originally issued 1755.
[Ref: 38814] £260.00 (£312.00 incl.VAT)
G. Lambert & Scott pinx.t. C.W. Bampflyde delin. Canot sculp.t.
London, Printed for Rob.t Sayer & Bennett, in Fleet Street, Rob.t Wilkinson in Cornhill, John Boydell in Cheapside, & Carington Bowles in St Pauls Church Yard. [n.d., c.1780.]
Engraving. 365 x 565mm (14¼ x 22¼"), on thick paper. Cut inside image. Damaged. Slight surface soiling.
A view of Mount Edgcumbe, Cornwall, painted by George Lambert & Samuel Scott from Plymouth Sound. In the foreground are British ships and longboats. The plate was engraved by Pierre Charles Canot from an intermediary sketch by Coplestone Warre Bampfylde and published in the series 'Five views of and from Mount Edgcumbe, Plymouth', originally issued 1755.
[Ref: 38814] £260.00 (£312.00 incl.VAT)
Images of Mount Edgcumbe, Cornwall.
Cynthia Gaskell Brown.
[2000.]
4to, illustrated soft covers; pp. 36, profusely illustrated. Good condition.
An exhibition catalogue published to accompany an exhibition at Mount Edgcumbe House, Cornwall, April - September 2000.
[Ref: 59840] £10.00
Cynthia Gaskell Brown.
[2000.]
4to, illustrated soft covers; pp. 36, profusely illustrated. Good condition.
An exhibition catalogue published to accompany an exhibition at Mount Edgcumbe House, Cornwall, April - September 2000.
[Ref: 59840] £10.00
A View of Plymouth Fort and St Nicholas's Island, from Mount Edgcumbe.
G. Lambert & Scott pinx.t. C.W. Bampflyde delin. J. Mason sculp.t.
London, Printed for Rob.t Wilkinson, Cornhill, Rob.t Sayer & Bennett Fleet Street, Carington Bowles, S.t Paul's Ch.chy.d & John Boydell, Cheapside [n.d., c.1780].
Engraving. 390 x 630mm (15½ x 24¾"), with large margins. Repaired tears in inscription area, creasing.
A view of Plymouth Harbour painted by George Lambert & Samuel Scott, engraved by James Mason from an intermediary sketch by Coplestone Warre Bampfylde and first published in 1755 in the series 'Five views of and from Mount Edgcumbe, Plymouth'.
[Ref: 57679] £350.00
G. Lambert & Scott pinx.t. C.W. Bampflyde delin. J. Mason sculp.t.
London, Printed for Rob.t Wilkinson, Cornhill, Rob.t Sayer & Bennett Fleet Street, Carington Bowles, S.t Paul's Ch.chy.d & John Boydell, Cheapside [n.d., c.1780].
Engraving. 390 x 630mm (15½ x 24¾"), with large margins. Repaired tears in inscription area, creasing.
A view of Plymouth Harbour painted by George Lambert & Samuel Scott, engraved by James Mason from an intermediary sketch by Coplestone Warre Bampfylde and first published in 1755 in the series 'Five views of and from Mount Edgcumbe, Plymouth'.
[Ref: 57679] £350.00
Mount Edgcumbe near Plymouth in Devonshire. the Seat of Richard Edgcumbe Esq.r
T. Badeslade Delin. W.H. Toms Sculp.t [c.1740]
Engraving, sheet 440 x 580mm (17¼ x 22¾"). Large margins on 3 sides. Small images at bottom. Creases.
A view of Mount Edgcumbe House and Gardens on the Tamar estuary on the borders of Devon and Cornwall, built by the landowner and MP Sir Richard Edgcumbe (1499-1562). This print was produced while the estate was owned by Richard Edgumbe, first Baron Edgcumbe (bap.1680-d.1758), politician reckoned by Horace Walpole to be 'one of the honestest and steadiest men in the world'. Engraved by W.H. Toms after Thomas Badeslade. The two men also collaborated on Badeslade's 'Chorographia', the first genuine pocket-sized atlas of the eighteenth century.
For later coloured impression see ref. 24016. Ex Collection Duke of Westminster.
[Ref: 38497] £550.00
T. Badeslade Delin. W.H. Toms Sculp.t [c.1740]
Engraving, sheet 440 x 580mm (17¼ x 22¾"). Large margins on 3 sides. Small images at bottom. Creases.
A view of Mount Edgcumbe House and Gardens on the Tamar estuary on the borders of Devon and Cornwall, built by the landowner and MP Sir Richard Edgcumbe (1499-1562). This print was produced while the estate was owned by Richard Edgumbe, first Baron Edgcumbe (bap.1680-d.1758), politician reckoned by Horace Walpole to be 'one of the honestest and steadiest men in the world'. Engraved by W.H. Toms after Thomas Badeslade. The two men also collaborated on Badeslade's 'Chorographia', the first genuine pocket-sized atlas of the eighteenth century.
For later coloured impression see ref. 24016. Ex Collection Duke of Westminster.
[Ref: 38497] £550.00
![[View of Mount Edgcumbe taken from the Rope House Plymouth Dock]](jpegs/27844.jpg)
[View of Mount Edgcumbe taken from the Rope House Plymouth Dock] To the Rt. H.ble George Edgcumbe. Earl of Mount Edgcumbe, Visc.t Valletort. This view of Mount Edgcumbe, taken from the Rope House Plymouth Dock, is dedicated by his Lordship's most obeient humble serv.t, Carles Tomkins.
Painted by W. Tomkins. Engraved by C. Tomkins.
London. Published May 1st 1790, by C. Tomkins, No. 20 Haymarket.
Stipple engraving, scarce. Printed area: 345 x 345mm. 13.5" x 13.5". Slight creasing.
Mount Edgcumbe House is the former home of the Earls of Mount Edgcumbe.
[Ref: 27844] £260.00 (£312.00 incl.VAT)
Painted by W. Tomkins. Engraved by C. Tomkins.
London. Published May 1st 1790, by C. Tomkins, No. 20 Haymarket.
Stipple engraving, scarce. Printed area: 345 x 345mm. 13.5" x 13.5". Slight creasing.
Mount Edgcumbe House is the former home of the Earls of Mount Edgcumbe.
[Ref: 27844] £260.00 (£312.00 incl.VAT)
A View of Mount Edgcumbe.
G. Lambert & Scott pinx.t. C.W. Bampflyde delin. Canot sculp.t.
London, Printed for Rob.t Sayer & Bennett, in Fleet Street, Rob.t Wilkinson in Cornhill, John Boydell in Cheapside, & Carington Bowles in St Pauls Church Yard. [n.d., c.1780.]
Engraving. 365 x 565mm (14¼ x 22¼"), on thick paper, large margins. Slight surface soiling, edges chipped.
A view of Mount Edgcumbe, Cornwall, with ships and longboats. The plate was engraved by Pierre Charles Canot from an intermediary sketch by Coplestone Warre Bampfylde and published in the series 'Five views of and from Mount Edgcumbe, Plymouth', first issued 1755.
[Ref: 57358] £350.00 (£420.00 incl.VAT)
G. Lambert & Scott pinx.t. C.W. Bampflyde delin. Canot sculp.t.
London, Printed for Rob.t Sayer & Bennett, in Fleet Street, Rob.t Wilkinson in Cornhill, John Boydell in Cheapside, & Carington Bowles in St Pauls Church Yard. [n.d., c.1780.]
Engraving. 365 x 565mm (14¼ x 22¼"), on thick paper, large margins. Slight surface soiling, edges chipped.
A view of Mount Edgcumbe, Cornwall, with ships and longboats. The plate was engraved by Pierre Charles Canot from an intermediary sketch by Coplestone Warre Bampfylde and published in the series 'Five views of and from Mount Edgcumbe, Plymouth', first issued 1755.
[Ref: 57358] £350.00 (£420.00 incl.VAT)
Hamoaze, from Mount Edgecumbe.
Drawn & Etched by Will.m. Daniell.
Published by W.Daniell, Russell Place, Fitzroy Square, London, May 20, 1825.
Coloured aquatint. Plate: 300 x 230mm (12 x 9"); very large margins.
A view from Mount Edgecumbe looking north up the River Tamar to Hamoaze where the Tamar River meets the Lynher River before heading out to Plymouth Sound. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
[Ref: 39519] £240.00 (£288.00 incl.VAT)
Drawn & Etched by Will.m. Daniell.
Published by W.Daniell, Russell Place, Fitzroy Square, London, May 20, 1825.
Coloured aquatint. Plate: 300 x 230mm (12 x 9"); very large margins.
A view from Mount Edgecumbe looking north up the River Tamar to Hamoaze where the Tamar River meets the Lynher River before heading out to Plymouth Sound. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
[Ref: 39519] £240.00 (£288.00 incl.VAT)
View from Mount Edgecumbe.
Drawn & Etched by Will.m. Daniell.
Published by W.Daniell, Russel Place, Fitzroy Square, London, May 20, 1825.
Coloured aquatint. Plate: 300 x 230mm (12 x 9"); very large margins.
A view across Plymouth Sound from Mount Edgecumbe showing the breakwater. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
[Ref: 39516] £240.00 (£288.00 incl.VAT)
Drawn & Etched by Will.m. Daniell.
Published by W.Daniell, Russel Place, Fitzroy Square, London, May 20, 1825.
Coloured aquatint. Plate: 300 x 230mm (12 x 9"); very large margins.
A view across Plymouth Sound from Mount Edgecumbe showing the breakwater. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
[Ref: 39516] £240.00 (£288.00 incl.VAT)
Mount Edgecumbe, from the Citadel, Plymouth.
Drawn & Etched by Will.m. Daniell.
Published by W.Daniell, Russel Place, Fitzroy Square, London, May 20, 1825.
Coloured aquatint. Plate: 300 x 230mm (12 x 9"); very large margins.
A view from the Royal Citadel across Plymouth Sound to Mount Edgecumbe, soldiers can be seen walking along the battlements. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
[Ref: 39518] £240.00 (£288.00 incl.VAT)
Drawn & Etched by Will.m. Daniell.
Published by W.Daniell, Russel Place, Fitzroy Square, London, May 20, 1825.
Coloured aquatint. Plate: 300 x 230mm (12 x 9"); very large margins.
A view from the Royal Citadel across Plymouth Sound to Mount Edgecumbe, soldiers can be seen walking along the battlements. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
[Ref: 39518] £240.00 (£288.00 incl.VAT)
Mt. Sir Donald & Illecillewaet Glaceier, Selkirke, Canada
[Anon, c.1910]
Etching, platemark 140 x 190mm (5½ x 7½"). Rare.
View in the Selkirk Mountains, a mountain range spanning Idaho, Washington and southeastern British Columbia. They were named after Thomas Douglas, 5th Earl of Selkirk (1771-1820), a Scottish philanthropist who founded immigrant settlements in Canada. Mount Sir Donald is named after Donald Alexander Smith (1820-1914), head of the syndicate which funded the Canadian Pacific Railway.
[Ref: 39542] £220.00 (£264.00 incl.VAT)
[Anon, c.1910]
Etching, platemark 140 x 190mm (5½ x 7½"). Rare.
View in the Selkirk Mountains, a mountain range spanning Idaho, Washington and southeastern British Columbia. They were named after Thomas Douglas, 5th Earl of Selkirk (1771-1820), a Scottish philanthropist who founded immigrant settlements in Canada. Mount Sir Donald is named after Donald Alexander Smith (1820-1914), head of the syndicate which funded the Canadian Pacific Railway.
[Ref: 39542] £220.00 (£264.00 incl.VAT)
Naples Bay & View of Mount Vesuvius.
Hackert del. Wells Sculp.
published 30th July 1803 by J. Gold 103 Shoe Lane.
Lithograph, sheet 140 x 225mm (5½ x 9").
A view in Naples Bay looking out towards a smoking Mount Vesuvius.
[Ref: 57046] £70.00 (£84.00 incl.VAT)
Hackert del. Wells Sculp.
published 30th July 1803 by J. Gold 103 Shoe Lane.
Lithograph, sheet 140 x 225mm (5½ x 9").
A view in Naples Bay looking out towards a smoking Mount Vesuvius.
[Ref: 57046] £70.00 (£84.00 incl.VAT)
Mt. Wellington Auck. N.Z.
N.Gliuski. 60.
[n.d. c.1960.]
Etching, signed by artist, with large sheet. Limited edition: 8/12. Plate 427 x 279mm (12¾ x 11").
Mount Wellington, volcanic peak located in the Auckland volcanic field, New Zealand. It is the youngest onshore volcano in Auckland, however it it not expected to erupt again.
[Ref: 29042] £120.00 (£144.00 incl.VAT)
N.Gliuski. 60.
[n.d. c.1960.]
Etching, signed by artist, with large sheet. Limited edition: 8/12. Plate 427 x 279mm (12¾ x 11").
Mount Wellington, volcanic peak located in the Auckland volcanic field, New Zealand. It is the youngest onshore volcano in Auckland, however it it not expected to erupt again.
[Ref: 29042] £120.00 (£144.00 incl.VAT)
The Right Honoble Charles Mountague. One of the Lords Comissioners of the Treasury &c.
G: Kneller pinx:
I Smith fec : et excud :
Fine mezzotint, 335 x 245mm (13¼ x 9¾"). Small margins. Tipped into album sheet.
Three-quarter length portrait of Charles Montagu, 1st Earl of Halifax (1661-1715), standing, wearing long wig, neckcloth with fringed ends, coat, and cloak across shoulder; rock and trees in the background. Montagu was a British politician and poet, Chancellor of the Exchequer and Prime Minister under William III. He started the Bank of England and reformed government borrowing by initiating the National Debt; a leader of the Whigs. Created K.G. and Earl of Halifax in 1714. Member of the Kit-Cat club.
CS 185 II of II.
[Ref: 68774] £260.00 (£312.00 incl.VAT)
G: Kneller pinx:
I Smith fec : et excud :
Fine mezzotint, 335 x 245mm (13¼ x 9¾"). Small margins. Tipped into album sheet.
Three-quarter length portrait of Charles Montagu, 1st Earl of Halifax (1661-1715), standing, wearing long wig, neckcloth with fringed ends, coat, and cloak across shoulder; rock and trees in the background. Montagu was a British politician and poet, Chancellor of the Exchequer and Prime Minister under William III. He started the Bank of England and reformed government borrowing by initiating the National Debt; a leader of the Whigs. Created K.G. and Earl of Halifax in 1714. Member of the Kit-Cat club.
CS 185 II of II.
[Ref: 68774] £260.00 (£312.00 incl.VAT)
The Right Honoble Charles Mountague. One of the Lords Comissioners of the Treasury &c.
G: Kneller pinx:
I Smith fec : et excud :
Fine mezzotint, 18th century watermark; 335 x 245mm (13¼ x 9¾") Thread margin at bottom, small margins elsewhere. Slight spotting on face, cravat and right arm.
Three-quarter length portrait of Charles Montagu, 1st Earl of Halifax (1661-1715), standing, wearing long wig, neckcloth with fringed ends, coat, and cloak across shoulder; rock and trees in the background. Montagu was a British politician and poet, Chancellor of the Exchequer and Prime Minister, under William III. He started the Bank of England and reformed government borrowing by initiating the National Debt; a leader of the Whigs. Created K.G. and Earl of Halifax in 1714. Member of the Kit-Cat club.
CS 185 II of II. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68770] £260.00 (£312.00 incl.VAT)
G: Kneller pinx:
I Smith fec : et excud :
Fine mezzotint, 18th century watermark; 335 x 245mm (13¼ x 9¾") Thread margin at bottom, small margins elsewhere. Slight spotting on face, cravat and right arm.
Three-quarter length portrait of Charles Montagu, 1st Earl of Halifax (1661-1715), standing, wearing long wig, neckcloth with fringed ends, coat, and cloak across shoulder; rock and trees in the background. Montagu was a British politician and poet, Chancellor of the Exchequer and Prime Minister, under William III. He started the Bank of England and reformed government borrowing by initiating the National Debt; a leader of the Whigs. Created K.G. and Earl of Halifax in 1714. Member of the Kit-Cat club.
CS 185 II of II. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68770] £260.00 (£312.00 incl.VAT)
![[Mountains.]](jpegs/65267.jpg)
[Mountains.]
From an Original Drawing, By Pietro da Cortona. Fra. Bartolozzi sculp.
Publish'd by J.Boydell, Engraver in Cheapside, March 21st 1763.
Engraving in sepia, on 18th century watermarked paper, 350 x 250mm (13¾ x 9½"). Faint cockling in upper corners. Trimmed into plate but not image.
Landscape with mountain in the background. In the left foreground dogs chase a deer and in the right foreground a man and women stand talking, beside them a child and dog.
[Ref: 65267] £160.00 (£192.00 incl.VAT)
From an Original Drawing, By Pietro da Cortona. Fra. Bartolozzi sculp.
Publish'd by J.Boydell, Engraver in Cheapside, March 21st 1763.
Engraving in sepia, on 18th century watermarked paper, 350 x 250mm (13¾ x 9½"). Faint cockling in upper corners. Trimmed into plate but not image.
Landscape with mountain in the background. In the left foreground dogs chase a deer and in the right foreground a man and women stand talking, beside them a child and dog.
[Ref: 65267] £160.00 (£192.00 incl.VAT)
A View of the Principal Mountains throughout the World. With a Key Founded on Geometrical Admeasurements. [with] Key to the Plate of the Mountains.
T. Hulley Del.t. J.C. Stadler Sculp.t.
London, Published, April, 12. 1817 at R. Ackermann's Repository of Arts, 101 Strand.
Aquatint and etching. 340 x 405mm (13½ x 16"). Key 325 x 425mm (12¾ x 16"), watermarked 'J Whatman Turkey Mill 1818'. Plate folded within platemark at sides, slight repaired tear in key. Key with folds.
An imaginary view looking up from a river towards increasingly high mountains as a comparison of altitudes, with St Paul's Cathedral, the Pyramids and St Peter's Basilica also shown. Two volcanos, Etna and Cotopaxi (Ecuador), smoke. At the back are five peaks of the Himalayas, the highest being Dhaulagiri (now only the seventh highest peak), with sheer sides tapering to points. Finding this plate with its key is rare.
[Ref: 63694] £450.00 view all images for this item
T. Hulley Del.t. J.C. Stadler Sculp.t.
London, Published, April, 12. 1817 at R. Ackermann's Repository of Arts, 101 Strand.
Aquatint and etching. 340 x 405mm (13½ x 16"). Key 325 x 425mm (12¾ x 16"), watermarked 'J Whatman Turkey Mill 1818'. Plate folded within platemark at sides, slight repaired tear in key. Key with folds.
An imaginary view looking up from a river towards increasingly high mountains as a comparison of altitudes, with St Paul's Cathedral, the Pyramids and St Peter's Basilica also shown. Two volcanos, Etna and Cotopaxi (Ecuador), smoke. At the back are five peaks of the Himalayas, the highest being Dhaulagiri (now only the seventh highest peak), with sheer sides tapering to points. Finding this plate with its key is rare.
[Ref: 63694] £450.00 view all images for this item
The Mountain in Labour_or Much ado about nothing.
[Robert Seymour?]
Pub.d by Tho.s McLean, 26 Haymarket, March 2 1829.
Fine hand-coloured etching, 'J. Whatman Turkey Mill 1828' watermark. Platemark: 245 x 340mm (9¾ x 13½"); large margins.
Satire on the imminent 'birth' of the Catholic Emancipation Bill, published just days before the Bill was introduced/delivered. At the centre of the image are Wellington (holding 'Ministerial Forceps'), Peel (with a bottle of medicine), and an old woman, as doctor-accoucheur, apothecary, and nurse. The nurse sits with a copy of The Times, which had urged concessions to the Catholics and was styled 'the hireling of Popery' by opponents of the Bill. Three winds of 'Faction' blow from above, issuing from the heads of Eldon (chief opponent of Emancipation), Winchelsea (included in reference to his extravagant speches) and a third. Figures around the edges include two frenzied bishops, two non-Anglican ministers (of which one is evidently Irving), O'Connell in wig and gown stood addressing a band of his followers, and Cumberland top right, in hussar uniform.
BM Satires 15677.
[Ref: 50961] £260.00 (£312.00 incl.VAT)
[Robert Seymour?]
Pub.d by Tho.s McLean, 26 Haymarket, March 2 1829.
Fine hand-coloured etching, 'J. Whatman Turkey Mill 1828' watermark. Platemark: 245 x 340mm (9¾ x 13½"); large margins.
Satire on the imminent 'birth' of the Catholic Emancipation Bill, published just days before the Bill was introduced/delivered. At the centre of the image are Wellington (holding 'Ministerial Forceps'), Peel (with a bottle of medicine), and an old woman, as doctor-accoucheur, apothecary, and nurse. The nurse sits with a copy of The Times, which had urged concessions to the Catholics and was styled 'the hireling of Popery' by opponents of the Bill. Three winds of 'Faction' blow from above, issuing from the heads of Eldon (chief opponent of Emancipation), Winchelsea (included in reference to his extravagant speches) and a third. Figures around the edges include two frenzied bishops, two non-Anglican ministers (of which one is evidently Irving), O'Connell in wig and gown stood addressing a band of his followers, and Cumberland top right, in hussar uniform.
BM Satires 15677.
[Ref: 50961] £260.00 (£312.00 incl.VAT)
![[Rosemond Mountain] Mrs Mountain.](jpegs/55651.jpg)
[Rosemond Mountain] Mrs Mountain.
Buck delin. T. Cheesman sculp.t.
Published October 1st 1804, by William Holland, No.11, Cockspur Street, London Of whom may be had the companion prints Miss Bloomfield and Mis Waddy.
Fine stipple. 305 x 220mm (12 x 8¾"). Repaired tears in very large margins.
Rosemond Mountain (née Wilkinson, c.1768-1841), an actress said to be the best female singer of the time, three-quarter-length with guitar.
[Ref: 55651] £280.00 (£336.00 incl.VAT)
Buck delin. T. Cheesman sculp.t.
Published October 1st 1804, by William Holland, No.11, Cockspur Street, London Of whom may be had the companion prints Miss Bloomfield and Mis Waddy.
Fine stipple. 305 x 220mm (12 x 8¾"). Repaired tears in very large margins.
Rosemond Mountain (née Wilkinson, c.1768-1841), an actress said to be the best female singer of the time, three-quarter-length with guitar.
[Ref: 55651] £280.00 (£336.00 incl.VAT)
![[Mountaineer and turkish dog on the St Bernard Pass]](jpegs/46109.jpg)
[Mountaineer and turkish dog on the St Bernard Pass] Le Maronier et le chien turc du grand St. Bernard à la déciyverte
Publié p.r J.P. Lamy à Basle, Berne, Lausanne, Genève. [c.1830]
Aquatint printed in black and sepia, platemark 180 x 200mm (7 x 8") very large margins.
[Ref: 46109] £110.00 (£132.00 incl.VAT)
Publié p.r J.P. Lamy à Basle, Berne, Lausanne, Genève. [c.1830]
Aquatint printed in black and sepia, platemark 180 x 200mm (7 x 8") very large margins.
[Ref: 46109] £110.00 (£132.00 incl.VAT)
Dangerous Position near the Finsteraarhorn of John Fellman & Gabriel Schilt, Famous Capricorn and Chamois Hunters. The 14th Oct.r 1822.
W. Gauci Sc [after Hieronymus Hess.]
London, Published by Joanning and Whatmore, Importers of coloured Swiss Views, 126, Regent S.t. [n.d., c.1825.]
Scarce lithograph. Sheet 285 x 185mm (11¼ x 7¼"). Trimmed into image on three sides.
Two hunters climbing sheer cliffs in the Bernese Alps, with two dead mountain goats. After a watercolour by Hieronymus Hess (1799-1850).
[Ref: 54205] £160.00 (£192.00 incl.VAT)
W. Gauci Sc [after Hieronymus Hess.]
London, Published by Joanning and Whatmore, Importers of coloured Swiss Views, 126, Regent S.t. [n.d., c.1825.]
Scarce lithograph. Sheet 285 x 185mm (11¼ x 7¼"). Trimmed into image on three sides.
Two hunters climbing sheer cliffs in the Bernese Alps, with two dead mountain goats. After a watercolour by Hieronymus Hess (1799-1850).
[Ref: 54205] £160.00 (£192.00 incl.VAT)
Mountains.
Drawn & Engraved by John Emslie.
London- J. Reynolds, 174, Strand; Reeves & Sons; Rock & Co; Peacock & Mansfield. [n.d., c.1850]
Hand coloured engraving, sheet 230 x 285mm (9 x 11¼").
Data visulisation of mountain and volcanoe heights with key; from Reynolds series 'Introduction to Natural Philosophy', a companion to Reynolds's series of Popular diagrams of natural philosophy comprising of two hundred and fifty illustrations.
[Ref: 56834] £220.00 (£264.00 incl.VAT)
Drawn & Engraved by John Emslie.
London- J. Reynolds, 174, Strand; Reeves & Sons; Rock & Co; Peacock & Mansfield. [n.d., c.1850]
Hand coloured engraving, sheet 230 x 285mm (9 x 11¼").
Data visulisation of mountain and volcanoe heights with key; from Reynolds series 'Introduction to Natural Philosophy', a companion to Reynolds's series of Popular diagrams of natural philosophy comprising of two hundred and fifty illustrations.
[Ref: 56834] £220.00 (£264.00 incl.VAT)
A Comparative View of the Heights of the Principal Mountains and Other Elevations in the World.
Drawn and Engraved for Thomson's New General Atlas by W. & D. Lizars Edinburgh.
Engraving. 540 x 650mm (21¼ x 25½"). Vertical centre fold as normal, small tears in small margins.
A diagrammatic 'view' of the world's mountains, divided into the Western & Eastern Hemispheres, with lists of names & heights down the sides. For comparison there is a tiny vignette of London with the dome of St Paul's in the bottom corner, and a little balloon marking Joseph Louis Gay-Lussac 1804 altitude record of 22,900. At the time Dhaulagiri was the highest known peak: it now ranks seventh, after the 1852 discovery of the Everest range.
[Ref: 36881] £360.00
Drawn and Engraved for Thomson's New General Atlas by W. & D. Lizars Edinburgh.
Engraving. 540 x 650mm (21¼ x 25½"). Vertical centre fold as normal, small tears in small margins.
A diagrammatic 'view' of the world's mountains, divided into the Western & Eastern Hemispheres, with lists of names & heights down the sides. For comparison there is a tiny vignette of London with the dome of St Paul's in the bottom corner, and a little balloon marking Joseph Louis Gay-Lussac 1804 altitude record of 22,900. At the time Dhaulagiri was the highest known peak: it now ranks seventh, after the 1852 discovery of the Everest range.
[Ref: 36881] £360.00
La discesa dal Vesuvio.
Miglioloto Edit. Lit. im Napoli. Nappa sis.
[n.d., c.1840.]
Very rare lithograph with fine hand colour, sheet 250 x 325mm (9¾ x 12¾"). Slightly dirty
A view of people climbing and descending Mount Vesuvius, they use walking sticks and attach themselves to partners to make the treacherous path of loose rubble less dangerous. One woman is carried in a chair by two men.
[Ref: 61128] £140.00 (£168.00 incl.VAT)
Miglioloto Edit. Lit. im Napoli. Nappa sis.
[n.d., c.1840.]
Very rare lithograph with fine hand colour, sheet 250 x 325mm (9¾ x 12¾"). Slightly dirty
A view of people climbing and descending Mount Vesuvius, they use walking sticks and attach themselves to partners to make the treacherous path of loose rubble less dangerous. One woman is carried in a chair by two men.
[Ref: 61128] £140.00 (£168.00 incl.VAT)
La Salita e la discesa dal Vesuvio.
Miglioloto Edit...[illegible] Nappa sis.
Very rare coloured lithograph, sheet 250 x 330mm (9¾ x 13") very large margins. Repaired tears in edges.
A view of people climbing Mount Vesuvius, they use walking sticks and attach themselves to partners to make the treacherous path of loose rubble less dangerous.
[Ref: 57079] £160.00 (£192.00 incl.VAT)
Miglioloto Edit...[illegible] Nappa sis.
Very rare coloured lithograph, sheet 250 x 330mm (9¾ x 13") very large margins. Repaired tears in edges.
A view of people climbing Mount Vesuvius, they use walking sticks and attach themselves to partners to make the treacherous path of loose rubble less dangerous.
[Ref: 57079] £160.00 (£192.00 incl.VAT)
Mountebank,
W. Milton sculpsit.
[London: John Stockdale, 1812.]
Stipple and line engraving, with original hand colour. Sheet 100 x 175mm (4 x 7"). Trimmed, laid on album paper.
A Chinese seller of fake medicines, from Jean Baptiste Joseph Breton De La Martinière's four-volume ''China: Its Costume, Arts, Manufactures, &c. Edited Principally from the Originals in the Cabinet of the late M. Bertin: With Observations Explanatory, Historical, and Literary''.
Abbey Travel 536.
[Ref: 53243] £45.00 (£54.00 incl.VAT)
W. Milton sculpsit.
[London: John Stockdale, 1812.]
Stipple and line engraving, with original hand colour. Sheet 100 x 175mm (4 x 7"). Trimmed, laid on album paper.
A Chinese seller of fake medicines, from Jean Baptiste Joseph Breton De La Martinière's four-volume ''China: Its Costume, Arts, Manufactures, &c. Edited Principally from the Originals in the Cabinet of the late M. Bertin: With Observations Explanatory, Historical, and Literary''.
Abbey Travel 536.
[Ref: 53243] £45.00 (£54.00 incl.VAT)
Lord Mountstuart.
Painted by Mr. Hone, and Engrav'd by Capt.n Baillie.
Oct.r the 20th 1779.
Stipple engraving, 285 x 200mm. 11¼ x 8". Later issue, c.1800.
Portrait of John Stuart, 1st Marquess of Bute (1744-1814) after the painting by Nathaniel Hone. Engraved by Captain William Baillie (1723-1810). Baillie retired from the army in 1761 with the rank of Captain and thereafter devoted himself to printmaking and dealing. He specialised in imitating old-master drawings and prints, using a variety of printmaking techniques.
Timothy Clayton and Anita McConnell, ‘Baillie, William (1723–1810)’, Oxford Dictionary of National Biography
[Ref: 12267] £140.00 (£168.00 incl.VAT)
Painted by Mr. Hone, and Engrav'd by Capt.n Baillie.
Oct.r the 20th 1779.
Stipple engraving, 285 x 200mm. 11¼ x 8". Later issue, c.1800.
Portrait of John Stuart, 1st Marquess of Bute (1744-1814) after the painting by Nathaniel Hone. Engraved by Captain William Baillie (1723-1810). Baillie retired from the army in 1761 with the rank of Captain and thereafter devoted himself to printmaking and dealing. He specialised in imitating old-master drawings and prints, using a variety of printmaking techniques.
Timothy Clayton and Anita McConnell, ‘Baillie, William (1723–1810)’, Oxford Dictionary of National Biography
[Ref: 12267] £140.00 (£168.00 incl.VAT)
Fille Turque prenant le Caffé sur le Sopha. 48.
JB. I. Haussard sculp.
Avec Privil. du Roi. [n.d. c.1714.]
Engraving. Plate 355 x 248mm. 13¾ x 9¾". Some creasing. Damage in right margin, some very small tears just into plate.
A young Turkish girl sat crossed-legged on a sofa drinking tea which is served by the servant woman to the left holding a platter of nibbles in her right hand, and a steaming kettle in her left. After Jean-Baptiste van Mour (1671-1737), the Flemish-French painter, remembered for his his detailed portrayal of life in the Ottoman Empire during the Tulip Era and the rule of Sultan Ahmed III. From "Recueil de cent estampes représentant différentes nations du Levant".
[Ref: 26112] £180.00 (£216.00 incl.VAT)
JB. I. Haussard sculp.
Avec Privil. du Roi. [n.d. c.1714.]
Engraving. Plate 355 x 248mm. 13¾ x 9¾". Some creasing. Damage in right margin, some very small tears just into plate.
A young Turkish girl sat crossed-legged on a sofa drinking tea which is served by the servant woman to the left holding a platter of nibbles in her right hand, and a steaming kettle in her left. After Jean-Baptiste van Mour (1671-1737), the Flemish-French painter, remembered for his his detailed portrayal of life in the Ottoman Empire during the Tulip Era and the rule of Sultan Ahmed III. From "Recueil de cent estampes représentant différentes nations du Levant".
[Ref: 26112] £180.00 (£216.00 incl.VAT)
Halvadgi, ou Confiseur du Serail. 13.
JB. G. Scotin maj. sculp.
Avec. Privil. du Roi. [n.d. c.1714.]
Engraving. Plate 355 x 248mm. 14 x 9¾". Small hole in plate. Trimmed in right margin. Some light paper tone.
A man holding a pot with holes from which steam comes out; a sweet-maker or confectionary cook in the Palace. After Jean-Baptiste van Mour (1671-1737), the Flemish-French painter, remembered for his his detailed portrayal of life in the Ottoman Empire during the Tulip Era and the rule of Sultan Ahmed III. From "Recueil de cent estampes représentant différentes nations du Levant".
[Ref: 26113] £160.00 (£192.00 incl.VAT)
JB. G. Scotin maj. sculp.
Avec. Privil. du Roi. [n.d. c.1714.]
Engraving. Plate 355 x 248mm. 14 x 9¾". Small hole in plate. Trimmed in right margin. Some light paper tone.
A man holding a pot with holes from which steam comes out; a sweet-maker or confectionary cook in the Palace. After Jean-Baptiste van Mour (1671-1737), the Flemish-French painter, remembered for his his detailed portrayal of life in the Ottoman Empire during the Tulip Era and the rule of Sultan Ahmed III. From "Recueil de cent estampes représentant différentes nations du Levant".
[Ref: 26113] £160.00 (£192.00 incl.VAT)
![[Muscipula] The Mouse in Danger.](jpegs/27496.jpg)
[Muscipula] The Mouse in Danger.
Drawn by Thos. Fairland after Sir Josha. Reynolds. Printed by Engelmann, Graf & Coindet, Lithrs. to the King.
London Published by W. Spooner, 259 Regent St [n.d., c.1835]. Of whom may be had every description of Whitewood Manufacture, and a large variety of the best subjects for Transfer.
Lithograph, sheet 220 x 185mm. 8¾ x 7¼". Slight horizontal creases. Stitch-holes to left edge.
A girl holding up a mouse in a cage trap, watched by a cat standing on a table to left; large urn behind to right, landscape with cottage through window at left. After Sir Joshua Reynolds's (1723 - 1792) 'Muscipula'; from a series of designs for transfer on to pottery by the innovative publisher William Spooner (1833 - 1847; fl.).
Not in Hamilton.
[Ref: 27496] £90.00 (£108.00 incl.VAT)
Drawn by Thos. Fairland after Sir Josha. Reynolds. Printed by Engelmann, Graf & Coindet, Lithrs. to the King.
London Published by W. Spooner, 259 Regent St [n.d., c.1835]. Of whom may be had every description of Whitewood Manufacture, and a large variety of the best subjects for Transfer.
Lithograph, sheet 220 x 185mm. 8¾ x 7¼". Slight horizontal creases. Stitch-holes to left edge.
A girl holding up a mouse in a cage trap, watched by a cat standing on a table to left; large urn behind to right, landscape with cottage through window at left. After Sir Joshua Reynolds's (1723 - 1792) 'Muscipula'; from a series of designs for transfer on to pottery by the innovative publisher William Spooner (1833 - 1847; fl.).
Not in Hamilton.
[Ref: 27496] £90.00 (£108.00 incl.VAT)
[The Political Mouse-Trap; Or a Great **** in an Uproar. Addressed to the Rat Killer of St James's.]
[1763.]
Engraving, maybe a proof?. Sheet: 170 x 230mm (6¾ x 9"). Trimmed within plate, text missing.
A pro-Wilkes satirical scene showing a crowd including reacting to a mouse and a rat , i.e. Lord Bute. The figure of Britannia falls to the ground as a rat attacks her, she is helped by Pitt, Earl Temple, the Duke of Cumberland and the Duke of Newcastle. Lord Bute draws his sword at the little mouse, i.e. Wilkes, while Mr Martin fires a pistol at it. Behind him several bishops raise their hands in despair.
BM Satire 4067.
[Ref: 45499] £140.00 (£168.00 incl.VAT)
[1763.]
Engraving, maybe a proof?. Sheet: 170 x 230mm (6¾ x 9"). Trimmed within plate, text missing.
A pro-Wilkes satirical scene showing a crowd including reacting to a mouse and a rat , i.e. Lord Bute. The figure of Britannia falls to the ground as a rat attacks her, she is helped by Pitt, Earl Temple, the Duke of Cumberland and the Duke of Newcastle. Lord Bute draws his sword at the little mouse, i.e. Wilkes, while Mr Martin fires a pistol at it. Behind him several bishops raise their hands in despair.
BM Satire 4067.
[Ref: 45499] £140.00 (£168.00 incl.VAT)
![Faiseuse de Souriciére. Eine hechel u: Mausfallen macherin. [numbered list in French and German.]](jpegs/26658.jpg)
Faiseuse de Souriciére. Eine hechel u: Mausfallen macherin. [numbered list in French and German.] 166.
Cum Priv Maj. Mart. Engelbrecht excud. A.V. [n.d. c.1740.]
Engraving, very rare. Plate 300 x 192mm. 11¾ x 7½".
A female mousetrap maker, with various tools and traps tied around her waist; a castle seen on the hill in the background. From "Neü-eröffnete Sammlung der mit ihren eigenen Arbeiten und Werckzeugen".
[Ref: 26658] £240.00 (£288.00 incl.VAT)
Cum Priv Maj. Mart. Engelbrecht excud. A.V. [n.d. c.1740.]
Engraving, very rare. Plate 300 x 192mm. 11¾ x 7½".
A female mousetrap maker, with various tools and traps tied around her waist; a castle seen on the hill in the background. From "Neü-eröffnete Sammlung der mit ihren eigenen Arbeiten und Werckzeugen".
[Ref: 26658] £240.00 (£288.00 incl.VAT)