Grosvenor Prints

Vue De Moscou, prise du palais imperial.
Dess et lith.e par Cadolle. Lith de Engelmann.
[Pub'ie par Victor Morlat, Editeur Commissionnaire d' Estampes, 2, rue de Louvois, a Paris. London published by M.c Lean, 26 Hay Market.][n.d. c.1830's]
Rare colour lithograph on chine collé, sheet 300 x 395mm (12 x 15½"). large margins.
A panoramic view looking across Moscow and the Moskva Rrver. After Auguste-Jean-Baptiste-Antoine Cadolle (1782-1849). From 'Vues de Moscou, dessinées d'après nature et lithographiées par A.Cadolle.'
[Ref: 57938] £320.00

[Scene in the Kitay-gorod Moscow.]
[n.d., c.1840.]
Tinted lithograph. Printed area: 175 x 265mm (7 x 10½''), with very large margins.
A view in the Kitay-gorod, or Great Possad, a cultural and historical centre in Moscow.
[Ref: 50516] £120.00 (£144.00 incl.VAT)

[A Russian Town.]
[n.d., c.1840.]
Tinted lithograph. Printed area: 175 x 265mm (7 x 10½''), with very large margins.
A view of a Russian town with a couple of figures on the road in the foreground.
[Ref: 50517] £85.00 (£102.00 incl.VAT)

Napoleon's Retreat from Moscow.
Engrav'd by Mr George Cruikshank from the original German Print by C. Beyer.
Published May 17, 1826 by John Cumberland, No 19, Ludgate Hill.
Coloured aquatint. Sheet 215 x 275mm (8½ x 10¾"). Folded twice as issued, small split taped, album paper stuck over left edge.
The disastrous retreat of the French army through the harsh Russian winter at the end of their occupation of Moscow in 1812. From W.H. Ireland's 'Life of Napoleon Bonaparte', 1828.
Tooley 278.
[Ref: 53403] £140.00 (£168.00 incl.VAT)

Burning of Moscow, Sept.r 1812.
W. Heath del.t. T.Sutherland aquat.t.
London, Pub. March 1 1815, by J. Jenkins, 48 Strand.
Coloured aquatint. 215 x 300mm (8½ x 11¾").
Moscow in flames during Napoleon's occupation of the city.
[Ref: 55801] £120.00 (£144.00 incl.VAT)

Vue de la Ville de Moscau prise de la Gauche de Balcon du palais Imperial.
C.G. Hammer sculp 1807 [after Gabriel Lory le père].
Dresden by H. Rittner [n.d.].
Fine & rare coloured etching with aquatint. 425 x 545mm (16¾ x 21½"), watermarked 'J Whatman 1817]. Trimmed into plate at bottom, small stain in edge, worm holes.
A view looking down on Moscow from the terrace of the Imperial Palace, a church on the left. It was engraved by Christian Gottlob Hammer, adapted from the painting by Gabriel Lory le père as published by Jean Walser in 1799.
[Ref: 54764] £950.00

Conflagration Of Moscow, Seen From The Kremlin, On the entrance of the French Army the 14.th September, 1812; the view taken on the spot by John Vendramini.
London. Published November 5.th 1812, by the Proprietor.
Scarce aquatint with hand colour, 390 x 530mm (15½ x 21"). Tears going into image repaired with tape. Puncture in image. Wormhole in image. Small margins.
View of the 1812 Fire of Moscow; three officers on horseback occupy the central foreground, with the Ivan the Great Bell Tower to the left, and in the distance fire and smoke billow from behind churches and other buildings. On 14 September, during the French invasion of Russia, Napoleon led an army of about 100,000 into Moscow, only to find the city abandoned and deliberately set aflame by its military governor, Fyodor Rostopchin.
[Ref: 67027] £320.00

Moscva.
[by Matthaus Merian.]
[Frankfurt: W. Hoffmans, c.1638.]
Etched map. Sheet 270 x 355mm (10¾ x 14"). Trimmed to printed border.
A 17th century map of Moscow presented as a bird's-eye view, published in Merian's ''Newe Archontologia Cosmica''.
[Ref: 54736] £350.00

[Moscow. Scene in the Kitaigorod.]
[Drawn and lithographed by Rev. John Thomas James.]
[London, John Murray, 1826-27.]
Lithograph with some hand colour, trimmed to image and mounted on thick paper, as issued. 195 x 265mm (7¾ x 10½"). Title label attached to reverse.
A rare view of the damage done during Napoleon's short occupation in 1812, published in James's 'Views in Russia, Sweden, Poland and Germany', issued in parts 1826-1827. John Thomas James (1786-1828) travelled through Europe in 1813-4, publishing a journal of the trip in 1816. Subsequent editions appeared in 1817 and 1819. His publication of the accompanying views was cut short when he was made Bishop of Calcutta in 1827. He arrived on 18th January 1828, but illness shortened his tenure: he died on 22nd August.
Abbey Travel 23.
[Ref: 37875] £130.00 (£156.00 incl.VAT)

[Street in Ruins. Moscow, 1814.]
[Drawn and lithographed by Rev. John Thomas James.]
[London, John Murray, 1826-27.]
Lithograph with some hand colour, trimmed to image and mounted on thick paper, as issued. 175 x 255mm (7 x 10"). Title label attached to reverse. Tear in backing paper.
A rare view of the damage done during Napoleon's short occupation in 1812, published in James's 'Views in Russia, Sweden, Poland and Germany', issued in parts 1826-1827. John Thomas James (1786-1828) travelled through Europe in 1813-4, publishing a journal of the trip in 1816. Subsequent editions appeared in 1817 and 1819. His publication of the accompanying views was cut short when he was made Bishop of Calcutta in 1827. He arrived on 18th January 1828, but illness shortened his tenure: he died on 22nd August.
Abbey Travel 23.
[Ref: 37876] £130.00 (£156.00 incl.VAT)

Vue d'une autre Porte du Kremlin. près du Manége.
Ed. de Montulé del. Alp Leroy Lith. Lith de Langlume.
[n.d., 1825.]
Lithograph. Printed area 140 x 180mm (5½ x 7"). Very large margins.
A view of a gateway into Moscow's Kremlin. From 'Trip to England and Russia during the years 1821, 1822 and 1823' by Edouard de Montule.
[Ref: 37894] £95.00 (£114.00 incl.VAT)

Un Couvent de Msocou.
Ed. de Montulé del. Alp Leroy Lith. Lith de Langlume.
[n.d., 1825.]
Lithograph. Printed area 140 x 180mm (5½ x 7"). Very large margins.
A building with the distinctive Russian minarets, seen though an arched gateway. From 'Trip to England and Russia during the years 1821, 1822 and 1823' by Edouard de Montule.
[Ref: 37899] £65.00 (£78.00 incl.VAT)

View of the Old Wooden Theatre at Moscow.
[Publish'd Jan.y 1813 at R. Ackermann's Repository of Arts, 101, Strand, London.]
Coloured aquatint. Sheet 230 x 300mm (9 x 12"). Trimmed within plate, losing publication line, laid on album paper.
From Ackermann's 'Historical Sketch of Moscow: Illustrated by Twelve Views of Different Parts of That Imperial City', with no credits for either artist or engraver.
Abbey: 224.
[Ref: 37900] £170.00 (£204.00 incl.VAT)

[Red Square] Vue de la Place des Boutiques.
Cadolle del.t. Lith.é par Deroy.
Imp.e Lith.e de G. Engelmann à Paris [n.d., c.1825.]
Lithograph. Sheet 510 x 660mm (20 x 26") with very large margins. Some slight creasing in image.
A view of Red Square, looking towards St. Basil's Cathedral, with the Spasskaya Tower of the Kremlin on the right. After. Auguste-Jean-Baptiste-Antoine Cadolle (1782-1849).
[Ref: 51265] £780.00

Vue d'une Autre Porte du Kremlin. près du Manège.
Ed. de Montulé del. Alp. Leroy, lith. Lith. de Langlumé.
Lithograph. Sheet: 370 x 265mm, (14¼ x 10½"). Very large margins.
A view of a gate into the Kremlin in Moscow. From 'Voyage en Angleterre et en Russie, pendent les années 1821, 1822 et 1823' by Edouard Montulé published in 1825 in which he described his travels to Great Britain and Eastern Europe.
[Ref: 39452] £95.00 (£114.00 incl.VAT)

Vue du Monument et la Porte Sainte.
dess. par Ed de Montulé. Imp. Lith de Langlumé. Lith par Brocas.
Lithograph. Sheet: 370 x 265mm, (14¼ x 10½"). Very large margins.
A view of St Basil's Cathedral and Red Square in Moscow. From 'Voyage en Angleterre et en Russie, pendent les années 1821, 1822 et 1823' by Edouard Montulé published in 1825 in which he described his travels to Great Britain and Eastern Europe.
[Ref: 39453] £130.00 (£156.00 incl.VAT)

View of the Old Wooden Theatre at Moscow.
Publish'd 1 Jan.y 1813, at R. Ackermann's Repository of Arts, 101 Strand London.
Hand-coloured aquatint. Plate: 250 x 300mm (9¾ x 11¾''). Paper loss in top right corner margin. Small margins on 3 sides.
A view of the Arbatsky Theatre on Arbat Square in Moscow, designed in 1808 by Carlo Rossi. When Napoleon's troops approached governor Fyodor Rostopchin delayed the evacuation of the players until Moscow was actually burning. The theatre burned down in 1813.
[Ref: 50514] £110.00 (£132.00 incl.VAT)

Moseley Hall, the Residence of Lady Carhampton. Moseley-Hall, Residence of Lady Carhampton. Moseley-Hall is situated on a rising ground, in the village of that name, about three miles from Birmingham. This was next to Mr Russell’s in the order of destruction... c’est a quoi elle se trouva obligée de se conformer, et le Samedi soi 16 Juillet cette belle maison devint la proie des flammes.
Drawn by P.H. Witton Jun.r Engraved by W.m Ellis.
London. Published, 1 May 1792, by J.Johnson, St. Paul's Church Yard.
Aquatint with descriptive text in English and French. Sheet 406 x 260mm. 16 x 10¼". Laid on album page, foxing.
Moseley Hall, belonged to John Taylor, and was burnt down after the rioters had carefully moved all the furniture and belongings of the occupant, the Dowager Lady Carhampton, a relative of George III . The Priestley Riots, the Birmingham Riots of 1791, targeted religious Dissenters, most notably the politically and theologically controversial Joseph Priestley. From "Views of the Ruins of the Principal Houses destroyed during the Riots at Birmingham. 1791." On the 14th of July, 1791, a party having met at an hotel to celebrate the anniversary of the French revolution, collected together as a mob, and proceeded for several days their devastations, setting fire to several meeting-houses and private mansions, but on the arrival of the military from Oxford and Hounslow, order was restored: at the ensuing assizes four of the ring-leaders were convicted, two of whom suffered the penalty of the law. Shortly after this occurrence barracks were erected on the Vauxhall-road, near the town, consisting of a range of handsome buildings, enclosing a spacious area for the exercise of cavalry, and a smaller for parades, a riding-school, a magazine, and an hospital.
[Ref: 21111] £140.00 (£168.00 incl.VAT)

Moses.
M.r Bunbury del. J.s Bretherton F.
Publish'd 23.d Jan.y 1783.
Etching, open letters, 18th century watermark. 270 x 350mm (10½ x 13¾"). Trimmed within plate on three sides.
A stout man rides a small horse towards Hackney, followed by a black servant on a rough-looking pony, carrying a basket of hay and a box.
BM Satires 6339.
[Ref: 59627] £180.00 (£216.00 incl.VAT)

Moses in the Bulrushes. In the Gallery of Houghton.
Le Sueur Pinxit. Richard Rad Sculpsit.
John Boydell excudit 1779. Published May 1.st 1779 by John Boydell Engraver in Cheapside London.
Stipple and engraving. 405 x 280mm (16 x 11"), very large margins. Slight creasing in centre.
Pharoah's daughter finds Moses in a basket, caught in the bulrushes.
[Ref: 66878] £190.00 (£228.00 incl.VAT)

Le sacrificateur de Madian avait sept filles [...]. [Moses defending the daughters of Jethro.]
C. Le Brun pinxit. Audran Sculpsit.
A Paris Chez Audran, rue St. Jaques, aux 2 pilliers d'or. Avec Privil du Roy. [n.d., c.1700.]
Engraving. Sheet size: 550 x 620mm (21¾ x 24¼"). Cut to image. Laid on 18th century backing sheet. Central vertical crease.
Moses defending the daughters of Jethro, who are gathered at right and are expressing various emotions as, on the left, Moses forces a man to the ground whilst brandishing his staff. Behind, camels and cows are seen drinking from a trough. After a painting executed in 1686 by Nicholas Poussin (1594 - 1665). A dedication below to Hilare Rouillé du Coudray.
[Ref: 38448] £240.00 (£288.00 incl.VAT)

Macte animo felix cuius clementia mitem Laurea prima...
[Harman Jansz Muller after Maarten van Heemskerk.]
[n.d., c.1566.]
Engraving, fine impression, 16th century watermark. Plate: 210 x 250mm (8¼ x 9¾''). Foxing and creasing.
A biblical scene showing Moses, his wife, Miriam and Aaron in conversation before Moses's tent. In the background God appears to Miriam, Aaron and Moses in a tent.
[Ref: 49745] £150.00 (£180.00 incl.VAT)

Life of Moses.
Pub.d by J.T. Wood. 9, Curriers Hall Ct. London Wall. [n.d., c.1845.]
Engraving on pocelain card. Sheet 150 x 115mm (6 x 4½").
A religious education card, with six scenes from the life of Moses and a representation of the Ten Commandments.
[Ref: 51377] £65.00 (£78.00 incl.VAT)

[The Finding of Moses.]
A.Vandyke pinx. J.McArdell fect.
1760.
Fine mezzotint proof before letters. 510 x 355mm (20 x 14"), large margins.
The finding of Moses. The baby draped in fabric and surrounded by ducks, reaches up to two women who peak through the bushes having found him.
Goodwin 207 ii of ii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 67106] £490.00

Finding of Moses.
Cruikshank del. Mackenzie, sc.
Pub, Feb, 2nd by James Cwides and M. Jones, London.
Stipple. Sheet: 155 x 220mm, (6 x 8¾"). Trimmed. Staining on left.
An illustration of the discovery of Moses by the Pharoah's daughter as described in the Old Testament. Above the scene are depicted a collection of objects, such as the Ten Commandments, the serpent and bull, which are all related to events in the life of Moses.
[Ref: 35533] £50.00 (£60.00 incl.VAT)

Cum Elevasset Moyses Manum, Percutiens Bis Virga Silicem, Egressae Sunt Aquae Largissimae. Num. Cap. XX. 32.
Caesar Fantect.9. del. sculp.
R.V.I. in Vat. Io. Iac. de Rub. form. Romae.
Etching. 253 x 297mm. 10 x 11¾". Trimmed.
Plate 32: Moses makes the water spring out from the rock. The series 'Imagines veteris ac Novi Testamenti' reproduces the complete series of frescos painted by Raphael in the Logge. The series was published in Rome in 1675 by Gian Giacomo de Rossi; plates 1 to 36 and plate 44 were engraved by Cesare Fantetti and plates 37 to 52 by Pietro dell'Aquila .
BM: 1867,1012.443.
[Ref: 22182] £60.00 (£72.00 incl.VAT)

And the child grew & she brought him into Pharoahs daughter & he became her son. And she called his name Moses.~
From the Original Painting in the Foundling Hospital Engraved by Will.m Hogarth & Luke Sullivan.
Published as the Act directs Febry. 5. 1752.
Copper engraving. 420 x 520mm (16½ x 20½").
Paulson: 193: IV of IV.
[Ref: 14449] £250.00 (£300.00 incl.VAT)

Moses in the Bull-Rushes.
Giles Grinagain in. et f.
Pub.d by S.W. Fores No.50 Piccadilly Jan.y 2.d. 1804. [Stamped to the bottom right corner:] S.W.F.
Hand-coloured etching. Plate 210 x 240mm. 8¼ x 9½".
A fat vicar with pustules on his face stands on the bank looking down at his clerk, Moses, who is waist-high in rushes, and holding up a bottle. "Giles Grinagain" is probably a pseudonym for Samuel Howitt who first published these prints in 1801 and 1802. S. W. Fores re-issued them in 1804.
BM Satires: 10339.
[Ref: 16540] £220.00 (£264.00 incl.VAT)

Moses in the Bulrushes.
York: Printed and Sold by M.W. Carrall, near Foss Bridge, where Travellers may be supplied.
Broadside, woodcut and letterpress. Sheet 360 x 235mm (14¼ x 9¼"). Tear in lower edge, mounted on album paper, time stained.
A scene of Moses in his basket, found by Pharoh's daughter, with an extesnive descriptive verse underneath. The printer Carrall was active in York between c.1817 and c.1830, publishing illustrated broadsides, including religious and trial accounts, as well as books.
[Ref: 28710] £140.00 (£168.00 incl.VAT)

Moses on Mount Sinai. Exodus, Chap 4th. Ver 3.rd
[n.d. c.1800.]
Engraving. Plate 280 x 217mm. 11 x 8½".
Mount Sinai, Egypt where Moses waited to receive the Ten Commandments; here he descends the mountain carrying the tablets of law.
[Ref: 19314] £65.00 (£78.00 incl.VAT)

Moses striking the rock. In the Gallery at Houghton.
Nicolas Poussin pinxit. J.B. Michel Sculpsit.
Published Jan.y 1.st 1788 by John & Josiah Boydell, No 90 Cheapside, London.
Fine engraving with small margins, platemark 490 x 610mm (19¼ x 24").
Moses striking the rock with his staff, creating a miraculous spring from which people rush to gather water and drink. The 1649 painting by Nicolas Poussin, then in the collection at Houghton, was regarded as one of his finest. Like most of the Houghton Collection, it was purchased by Catherine the Great where it forms part of the collection of the State Hermitage Museum, St Petersburg.
[Ref: 28346] £290.00 (£348.00 incl.VAT)

[Visite a la mosquee d'Hassan?]
[After Henri de Montaut] Imp. Becquet à Paris.
[Paris: par Henri Plon, [n.d c. 1869]]
Scarce chromolithograph. 320 x 440mm (12½ x 17¼"), trimmed to image, as issued. Lacking backboard. Repaired tear top middle.
From 'L'Égypte Moderne. Tableaux de moeurs arabes.' European travellers of both sexes in an Egyptian street. Henri de Montaut (c.1830 – c.1900) was a French draftsman, engraver, and illustrator of the 19th century. He sometimes signed Henri de Hem, Monta or Hy. Becquet (fl.1832-1861) also known as Frères Becquet was a French publisher and printer who specialised in lithography. Henri Plon created publishing company 'The Éditions Plon' with his two brothers in 1852.
[Ref: 60972] £240.00 (£288.00 incl.VAT)

The Iron Cutter Yacht Mosquito, 50 Tons, R.T.Y.C. To the Right Hon.ble Lord Londesborough, this plate is by permission respectfully dedicated by His Lordship's very obedient servant, Thomas g. Dutton.
T.G. Dutton del et Lith. Day & Son. Lith.rs to the Queen.
London, Published, Nov.r 6th, 1852, by R.A. Ackermann 191 Regent Street.
Hand coloured lithograph, very fine. Printed area: 370 x 450mm (14½ x 17¾")
A view of the iron cutter yacht, 'Mosquito', at sea with several ships and yachts in the distance. The ship was constructed by T. Waterman, built by C.J. Mare & Co., and the sails made by Eversfield. It won many races, as listed below the image with the prize money, including the Lowestoft Regatta on July 6th 1852, the Great Yarmouth Regatte on July 13th 1852, and the Royal Western Yacht Championship Cup on August 5th 1852.
[Ref: 33606] £1,350.00

To all Encouragers of Arts & Sciences This Portrait of the Inimitable Mr. James Moss is with great respect dedicated by his & their Obedient humble Servant H.W.B.
H.W. Bunbury del. J.Bretherton f.
Publish'd as the Act directs May 15th. 1773, By J.Bretherton No.134 New Bond Street.
Etching. 228 x 170mm (9 x 6¾"). Trimmed and laid on separate sheet.
A portrait of dog seller James Moss, shown with two puppies peeping out of his top pockets, the towers of Westminster Abbey in the background. He appears to be blind or very short-sighted.
BM Satire 4721.
[Ref: 19437] £160.00 (£192.00 incl.VAT)

To all Encouragers of Arts & Sciences This Portrait of the Inimitable Mr. James Moss is with great respect dedicated by his & their Obedient humble Servant H.W.B.
H.W..Bunbury del. J. Bretherton s.
Publish'd as the Act directs May 15th. 1773, By J. Bretherton No. 134 New Bond Street.
Coloured etching. Sheet: 160 x 230mm (6¼ x 9"). Trimmed within plate.
A portrait of dog seller James Moss, shown with two puppies peeping out of his top pockets, the towers of Westminster Abbey in the background. He appears to be blind or very short-sighted.
BM: Satires 4721. See 19437 & 41901 for uncoloured versions.
[Ref: 54328] £160.00 (£192.00 incl.VAT)

To all Encouragers of Arts & Sciences This Portrait of the Inimitable Mr. James Moss is with great respect dedicated by his & their Obedient humble Servant H.W.B.
H.W..Bunbury del. J. Bretherton s.
Publish'd as the Act directs May 15th. 1773, By J. Bretherton No. 134 New Bond Street.
Etching. Sheet: 160 x 230mm (6¼ x 9"). Trimmed within plate, some marking and laid on album sheet.
A portrait of dog seller James Moss, shown with two puppies peeping out of his top pockets, the towers of Westminster Abbey in the background. He appears to be blind or very short-sighted.
BM: Satires 4721
[Ref: 41901] £110.00 (£132.00 incl.VAT)

The Hon. Edw.d Mostyn Lloyd Mostyn, (of Mostyn, Flintshire) Lord Lieutenant & Custos Rotulorum of The County of Merioneth. This print is by permission most respectfully dedicated to the Lady Harriot Mostyn, By her Ladyship's Most obedient and obliged Humble Servant. The Publisher
Painted by William Jones. Engraved by Samuel Bellin.
Printed by Brooker & Harrison. Published by Edward Parry, Bridge Street, Chester. Printseller to Her Majesty the Queen. [n.d. c.1841.]
Fine mezzotint. Plate 520 x 407mm. 20½ x 16".
Edward Lloyd-Mostyn (1795-1884), 2nd Baron Mostyn, was a British peer and Member of Parliament. In 1831 he was elected to the House of Commons as MP for Flintshire, where stayed until 1837, but returned to the seat in in 1841 for a year and again in 1847 for three years. He also represented Lichfield from 1846 until 1847. In 1854 he succeeded his father in the barony and entered the House of Lords. From 1840 until 1884 he served as Lord Lieutenant of Merionethshire.
[Ref: 17110] £240.00 (£288.00 incl.VAT)

The Hon.ble Lady Essex Mostÿn.
G. Kneller S.R. Imp. & Angl. Eques Aur. pinx. 1705. I. Smith fec.
Sold by I. Smith at the Lyon & Crown in Russel Street Covent Garden.
Fine mezzotint, 18th century watermark; 350 x 250mm (13¾ x 9¾") with large margins. Small tear in margin repaired left & right.
Portrait of Lady Essex Mostyn as a young woman holding flowers in her lap and wearing a plain, loose dress and robe. Lady Essex Mostyn was the daughter of Daniel Finch, 2nd Earl of Nottingham. She married the Welsh politician Sir Roger Mostyn, 3rd Bt. (1673-1739), with whom she had thirteen children.
CS 184.
[Ref: 63010] £360.00

The Hon.ble Lady Essex Mostÿn.
G. Kneller S.R. Imp. & Angl. Eques Aur. pinx. 1705. I. Smith fec.
Sold by I. Smith at the Lyon & Crown in Russel Street Covent Garden.
Fine mezzotint, 350 x 250mm (13¾ x 9¾") with large margins. Small tears in margins.
Portrait of Lady Essex Mostyn as a young woman holding flowers in her lap and wearing a plain, loose dress and robe. Lady Essex Mostyn was the daughter of Daniel Finch, 2nd Earl of Nottingham. She married the Welsh politician Sir Roger Mostyn, 3rd Bt. (1673-1739), with whom she had thirteen children.
CS 184.
[Ref: 60289] £360.00

[La Mere Indulgente.] [&] [Les Conseils Maternels.]
[Engraved by Louis Simon Lempereur after Pierre Alexandre Will.]
[Published by Lemprerur c.1775.]
Scarce pair of etchings, proofs before letters. Each 430 x 335mm (17 x 13¼") One sheet lightly toned. Small margins.
A pair of boudoire scenes with mothers and their adult daughters. In the first a young woman sits at a dressing table, letter in hand, with the mother leaning above her; in the second the daughter sits with a lapdog on her lap, with the mother standing above. In the title area is a coat of arms surrounded by various attributes.
[Ref: 55430] £480.00 view all images for this item

[Mother & Child.]
John Wheatley. [Signed in pencil.]
[n.d., c.1915.]
Etching. Plate: 200 x 150mm (8 x 6'') very large margins.
A portrait of a mother nursing her child. An etching by artist and art teacher John Laviers Wheatley (1892-1955) who served as a war artist in both World War One and Two. The drawing for this etching is in the Tate.
[Ref: 47964] £140.00 (£168.00 incl.VAT)

Les Delices Maternelles. Dedié à Son Aktesse Sérenissime Madame la Duchess Douaireiere de Saxe-Weimar, née Duchesse de Brunswik et de Lunebourg par son très humble et très obeissant Serviteur J: G: Wille. 25.le Pl. 1781.
Gravé par J.G. Wille Graveur du Roi, de S.M. Impr: et Roy: et du Roi de Danemark, d'après le ableau de son fils, P.A. Wille Peintre du Roi.
à Paris, chez l'Auteur, Quay des Augustins [1781].
Engraving. 430 x 340mm (17 x 13½"), very large margins. A little spotting and staining.
An oval portrait of a woman sitting in an armchair with her son standing on her knee.
[Ref: 57455] £280.00 (£336.00 incl.VAT)

To our Mother. God save our Mother dear, / Long Live our Mother dear, / God Save her now...
Christmas Day, 1852.
Engraved text within blind-stamped decorative border. Bottom left corner bent.
A Christmas card.
[Ref: 52586] £70.00 (£84.00 incl.VAT)

[Mother and Child]
Joh. Schoerel pinxt I. Bergmann del. 1826
Gedruckt unter der Direction von Strixner in Stuttgart.
Lithograph, sheet 435 x 320mm (17 x 12½"). Glued to original backing sheet.
Mary breastfeeding the Christ child in a landscape, probably after a panel by the Netherlandish painter and ecclesiastic Jan van Scorel (1495-1562). Large lithograph by Ignaz Bergmann, probably for the 'Galerie des Frères Boisserée', an ambitious project in the early nineteenth century to publish prints of the extraordinary collection of early German and Netherlandish painting assembled by Sulpiz and Melchior Boisserée following the closure of many churches and monsteries by the invading French. This was instigated by Johsnn Neopomuk Strixner, who after seeing the collection in 1819 gave up a steady job, sold his house and possessions, and dedicated all of his energies to the project.
[Ref: 43530] £160.00 (£192.00 incl.VAT)

[Mother and Puppies.]
[n.d., c. 1830.]
Hand-coloured lithograph with embossed border and gilt decorations. Sheet: 105 x 165mm (4 x 6½"). Laid on album sheet.
A scene showing a mother feeding her two young pups while one jumps around infront of her.
See Ref: 49302
[Ref: 47727] £130.00 (£156.00 incl.VAT)

The Parody,_ or Mother Cole, and Loader. See Foots Minor page 29.
[Thomas Rowlandson.]
Pub.d April 10.th 1784 by W. Humphrey No.227 Strand. Bit later.
Hand-coloured etching. Plate: 250 x 350mm (9¾ x 13¾''), with large margins.
A political satire showing Lord North who is represented as the sanctimonious bawd (for whom Mother Douglas was the supposed original), Mother Cole, who became a follower of Whitefield, Fox is shown as the sharping gamester. The words of the play are cleverly parodied, the indictments of Mother Cole being changed into the threats of impeachment which Fox had made against North.
BM Satire 6514.
[Ref: 50749] £320.00

Mother Shipton and the Abbot of Beverly.
Published July 12.th 1837 by T. Hughes 3 Broadway, Ludgate Street.
Hand-coloured etching. Sheet: 190 x 220mm (7½ x 8¾''). Slight crease.
A scene showing the prophetess Ursula Southeil (1488-1561) known as Mother Shipton, sitting before a fire with Abbott of Beverly. The true story of Ursula Southeil is unknown and various legends exsist about her life and powers. One story states that she was the daughter of a 15 year old unmarried girl who took Ursula and went and lived in a cave. They were helped by the Abbot of Beverly who found a good home for the child. Mother Shipton's cave is now a tourist site in Knaresborough.
[Ref: 48898] £70.00 (£84.00 incl.VAT)

[A mother suckling a child.] Unsway'd by Fashion's dull unseemly jest, Still to the Bosom let your infance cling, There banquet oft, and ever welcome guest, Unblam'd inebriate at that Healthful Spring. Vide. Jerningham's Poem, II Latte.
R. Westall R.A. inv. T. Cheesman, sculp. Late Pupil to F. Bartolozzi R.A.
[Published March 20, 1794, by J.F. Tomkins, New Bond Street, London.]
A very fine coloured stipple with etching, framed. Plate 380 x 286mm. 15 x 11¼". Publication line covered by mount.
A mother suckling a child, with a vine visible outside the window to the right, the colour suggesting an Autumnal setting.
[Ref: 17741] £650.00

Mother's Pride.
Singleton Pinx.t Godby Sculp.t [c.1815]
Aquatint with hand-colouring, sheet 290 x 240mm (11½ x 9½"). Trimmed inside platemark. Slight staining at corners.
Sentimental scene after Henry Singleton (1766-1839), London-born painter who began painting large and ambitious historical scenes such as 'Paul I Granting Liberty to Kosciuszko' (1797) and 'The Death of Captain Alexander Hood' but turned increasingly to book illustrations and genre scenes in his later years.
[Ref: 42462] £230.00 (£276.00 incl.VAT)

Fores's Series of the Mothers. Pl. 3. Duck and Ducklings From the Original Picture by Mr. J.F. Herring Sen.r in the possession of the Publishers.
Painted By J.F. Herring Sen.r. Engraved By J. Harris & C. Quentery.
London, Published Nov.r 8th. 1855 By Mess.rs Fores, 41, Piccadilly.
Coloured aquatint on steel. 340 x 375mm (13½ x 14¾"). Trimmed to plate at bottom.
One of nine plates engraved by Harris and others for Fores' 'Mothers' series.
Siltzer: p.152. See ref: 49005
[Ref: 49007] £240.00 (£288.00 incl.VAT)

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