Grosvenor Prints

L'Heure du Matin.
Mondon le fils Invenit. A Aveline Sculpsit.
Se Vend a Paris chez A. Aveline rue St. Jacques a la Reine de France, et chez Mondon le Fils rue S. Eloi a l'Hôtel Pepin. Avec Privilege du Roy. [n.d. c.1740.]
Rare engraving; paper watermarked. 354 x 430mm (14 x 17"). Crease and fold. Trimmed to the plate.
Inside the bed-chamber: staff tidy and serve breakfast to the right; a woman breastfeeds her baby to the left, above which, a chamber-maid makes the bed. From 'Les Heures du Jour': a set of 4 engravings after Mondon and engraved by François-Antoine Aveline: 4 scenes in a Rocaille style with the coats of arms of the Duke of Châtillon; 1738.
Collector's Stamp on verso.
[Ref: 52451] £280.00 (£336.00 incl.VAT)

Morning.
T. Nason 1937 [in image, and signed in pencil below]
Wood-engraving, printed area 125 x 205mm (5 x 8"). Edition: 187/200. Glued into card mount, as issued, with publication details printed verso.
Fine wood-engraving by Thomas W. Nason, published in 1937 by the Woodcut Society in Kansas City, Missouri. The Woodcut Society was founded in 1932 by the collector Alfred Fowler and commissioned prints twice a year which were published in editions of 200 for members of the society and provided an affordable way of owning art during the Depression. The society donated a number of prints to the Nelson-Atkins Museum of Art in Kansas, which enabled the museum to stage an exhibition of these prints in 2016: 'The 1930s in Prints: A Gift to Kansas City from The Woodcut Society'. Work by Nason was included in this exhibition.
[Ref: 45550] £350.00

Morning.
Frederick Taylor lithotint. C. Hullmandel's Patent.
[n.d., c.1845.]
Lithotint. Sheet: 365 x 540mm (14½ x 21¼"), with very large margins. Slight foxing .
A scene showing a pack of setters excited to be let out in the morning.
[Ref: 47453] £230.00 (£276.00 incl.VAT)

[Morning. From a picture in the possession of Frederick Perkins Esq. Gems of Art _ Plate 22]
[Painted by Richard Wilson, R.A. Engraved by S.W. Reynolds, Engraver to the King.]
[London. Published Dec 1. 1823: by W.B. Cooke, 9 Soho Square.]
Mezzotints on steel, printed on chine collé. 210 x 275mm (8¼ x 10¾), with very large margins.
A Romanesque landscapes from 'Gems of Art: Forming a Choice Collection Engraved from Pictures of Acknowledged Excellence, Beauty, & Variety, Painted by Esteemed Masters of All Ages and Countries'.
Whitman 463.
[Ref: 56421] £190.00 (£228.00 incl.VAT)

Morning. From the Original Picture, painted by Claude le Lorrain; In the Collection of Paul Methuen Esq.r. Vol. II. No.36.
Claude le Lorrain Pinx.t. J. Gresse delin.t. James Peake Sculpsit.
Published by John Boydell, Engraver in Cheapside, No.90, May 15.th 1769.
Engraving. 480 x 600mm (18¾ x 23½"). Trimmed to plate on three sides. Margins dusty.
A decorative landscape scene with musicians playing instruments in the foreground to the right, with shepherds and goats behind and in the centre. A running stream can be seen on the left, behind which is a building set within hills. From the series 'The Most Capital Paintings in England', Boydell's first major initiative as a pioneering publisher of fine engravings.
[Ref: 51229] £380.00

Morning [in pencil]
Nat. Long. [in image and signed in pencil]
[n.d., c.1920.]
Very fine etching, titled and signed by the artist. Plate 200 x 265mm (8 x 10½"), with mint, uncut margins.
Several nude women rest on a grassy bank after they've been swimming. Nathaniel Long (1893-1955), book and magazine illustrator and printmaker who specialized in eroticised female etching. In 1948 he illustrated editions of both 'Tom Brown's Schooldays' and 'The Coral Island'.
Provenance: From the Artist's Studio.
[Ref: 62505] £320.00

Morning. [&] Evening. From a picture in the possession of Frederick Perkins Esq. Gems of Art _ Plate 22 [& 22]..
Painted by Richard Wilson, R.A. Engraved by S.W. Reynolds, Engraver to the King.
[London. Published Dec 1. 1823: by W.B. Cooke, 9 Soho Square.]
Pair of mezzotints on steel. Each 210 x 275mm (8¼ x 10¾), with very large margins. Some spotting.
A pair of Romanesque landscapes from 'Gems of Art: Forming a Choice Collection Engraved from Pictures of Acknowledged Excellence, Beauty, & Variety, Painted by Esteemed Masters of All Ages and Countries'.
Whitman 463 & 464, but this state, with different plate numbers and lacking the publication line, not listed.
[Ref: 46350] £65.00 (£78.00 incl.VAT) view all images for this item

Evening, or the Man of Feeling. [&] Morning, or the Man of Taste.
Design's by W. H. Bunbury Esq.r.
London, Publish'd Oct.r. the 19th, 1781 by J. R. Smith No.83 opposite the Pantheon, Oxford Street.
Pair of stipple engravings, printed in sepia 305 x 360 mm plate mark containing a roundel of 290mm in diameter with title.
Smith generally didn't like the popular satirists but these engravings are part of a very small group of prints after Bunbury that Smith chose to produce between 1780 and 1783.
[Ref: 1060] £750.00 view all images for this item

The Morning after the Gale.
Willes Johnson pinx.t Lith de E. Ardit, r. Vivienne.
[n.d. c.1820.]
Lithograph, rare. Sheet 305 x 440mm. 12 x 17¼".
The skeleton of a ship's hull sits amongst some rocks on the shoreline; other parts of the ship scattered.
[Ref: 18435] £120.00 (£144.00 incl.VAT)

The Morning [&] The Evening
A. Cuyp Pinx.t F. Vivares Sculp.
Publish'd & Sold by F. Vivares [different publication dates]
Pair of engravings, each sheet approx. 280 x 370mm (11 x 14½"). Trimmed inside platemarks; good impressions.
Pair of engravings after Aelbert Cuyp (bap.1620-1691), one of the most important landscape painters in seventeenth century Netherlands, whose works became particularly popular in eighteenth century England.
[Ref: 45441] £280.00 (£336.00 incl.VAT) view all images for this item

Morning at Work.
B.Pollard del. P.Dawe fecit.
London: Publish'd Jan.y 10. 1791 by R.Pollard, Engraver in Spa Fields.
Mezzotint. 440 x 545mm.
'Sun Rise calls the dairy maid / And the Miller from his down / Straight the meal sacks are convey'd / To yon bustling market Town.'
[Ref: 4693] £520.00

A Morning Call. North o' Tweed...
M.E. Esq.r del. G. Hunt sculp.
Pub.d by Pyall & Hunt, 18 Tavistock Str. Covent Garden.
Hand-coloured aquatint. Plate: 210 x 200mm (8¼ x 8").
A scene in which two Scots have a conversation in front of a spirit seller. From 'Humorous Designs'.
Hickman, p.43.
[Ref: 44461] £160.00 (£192.00 incl.VAT)

Morning. Cottagers going out Haymaking. Le Matin. Villageois sortant pour aller Faire les Foins.
Painted by F. Wheatley R.A. Engraved by J Yeatherd, late pupil to Mr.V. Green.
Published as the Act directs April 18, 1794, by J. Yeatherd.
Fine colour-printed mezzotint. 520 x 640mm (20½ x 24¼"). Ink mss 'No 79 John Street Tottenham Court Road London' in inscription area, small margins.
A couple and their two young children prepare for the day in the hayfields. A pair to 'Evening. The Return from the Fair'. The British Museum's few prints published by Yeatherd are dated 1794 to 1797.
BM: 2010,7081.3560. Their example of 'Evening' (2010,7081.3559) also has the address written in by hand, suggesting it was done by the publisher. Ex Collection of the Hon. Christopher Lennox-Boyd.
[Ref: 43492] £360.00

Morning Employments.
H.W. Bunbury Esq.r. Del.t. P.W. Tomkins Sculp.t.
London Published June 14 1784 by T. Macklinm No 59 Fleet Street & C. White Stafford Row Pimlico.
Stipple, printed in colours and hand finished, 18th century watermark; Sheet 430 x 395mm (17 x 15½"). Trimmed within plate, repaired tear top right.
Very decorative scene showing three women passing the time. One plays a spinet (a small harpsichord); the second works on an embroidery, watched by a small boy; and the third winds thread onto a bobbin. Although the spinet has the name 'Thomas Kirkman', the predominant makers of the period were Jacob Kirckman (anglicised to Kirkman), with his nephew Abraham and son Joseph .
[Ref: 52874] £480.00

Morning Employments.
H.W. Bunbury Esq.r. Del.t. P.W. Tomkins Sculp.t.
London Published June 14 1784 by T. Macklin, No 59 Fleet Street & C. White Stafford Row Pimlico.
Fine stipple. 430 x 395mm (17 x 15½"). Framed. Unexamined out of frame.
Very decorative scene showing three women passing the time. One plays a spinet (a small harpsichord); the second works on an embroidery, watched by a small boy; and the third winds thread onto a bobbin. Although the spinet has the name 'Thomas Kirkman', the predominant makers of the period were Jacob Kirckman (anglicised to Kirkman), with his nephew Abraham and son Joseph .
[Ref: 54486] £420.00

R. Seymour's Fishing Subjects No.1. Morning.
The last design and drawing on Stone by R. Seymmour. J. Graf Printer to Her Majesty.
London Published June 10th 1839 for the Proprietor by Ackerman & Co.96 Strand.
Rare & fine etching, sheet 280 x 380mm (11 x 15").
A scene of men setting off fishing in the early morning. A busy fishing scene.
[Ref: 56115] £350.00

Morning in the Highlands.
Rosa Bonheur Pinx.t. C.G. Lewis sculp.t..
London Published March 12th 1872 by Pilgeram & Lefevre Successors to E. Gambart & Co. 1a King Street St. James's S.W.
Mixed method engraving. 305 x 490mm (12 x 19¼"). Printseller's Association blindstamp.
Highland cattle on a moor above a lake, after Rosa Bonheur (1822 - 1899).
[Ref: 63953] £240.00 (£288.00 incl.VAT)

Baiser du Matin. Baccio della Mattina. Der Morgenkuss.
Peint par Kiorboe. Lith par Regnier, Bettannier, Morlon.
Paris, Bulla Freres 16, Rue Tiquetonne. Imp. Lemercier, Paris. [n.d. c.1860.]
Coloured lithograph, very fine. 502 x 672mm. 19¾ x 26½".
The morning kiss; in the paddock are dogs and two horses, one of which kisses a dog. After Carl Frederick Kiorboe (1799-1876) was a portrait and animal painter; specialising particularly of animals and dogs.
[Ref: 20678] £390.00

The Morning Lesson. Come Sir, why don't you look on your Book.
T. Stothard del. W. Nutter sculp.t
London Published 11 Jany. 1792, by Bull & Jeffryes, Ludgate Hill.
Sstipple, plate 260 x 190mm (10¼ x 7½"), very large margins.
A woman sat on a chair with a open book points with a pencil; a young boy stands to her left looking towards viewer.
See reference 27316 for coloured version
[Ref: 60323] £240.00 (£288.00 incl.VAT)

The Morning Lesson. Come Sir, why don't you [look on] your Book.
T. Stothard del. W. Nutter sculp.t
London Published 11 Jany. 1792, by Bull & Jeffryes, Ludgate Hill.
Hand-coloured stipple. 255 x 178mm. 10 x 7". Cut to frame.
A woman sat on a chair with a open book points with a pencil; a young boy stands to her left looking towards viewer.
See reference 60323 for uncoloured version.
[Ref: 27316] £140.00 (£168.00 incl.VAT)

[Morning Mists.]
K.M. Clayton.
[n.d., c.1930.]
Etching, signed by the artist. 195 x 300mm, 7¾ x 12".
'Miss' K.M. Clayton. Wild ducks in flight.
[Ref: 11892] £130.00 (£156.00 incl.VAT)

The Morning News. The Rabble gather round the Man of News / And listen with their mouths. / Some tell, some hear, some judge of news, some make it, / And he that lyes most, is most beleiv'd.
Bretherton f. [after H.W. Bunbury]
Published as the Act directs 10th December 1772 By J. Bretherton No.134 New Bond Street
Etching. 260 x 240mm (10¼ x 9½"). Edged with brown tape on reverse.
One of many satires on the absorption of the common people in politics to the neglect of their own business, emphasised by the dog helping itself to a plate of food on a stump. A later version of this satire by Rowlandson names Bunbury as designer.
BM Satires 5086.
[Ref: 51700] £160.00 (£192.00 incl.VAT)

Morning. Nigth [sic]. Scene in the Island of Jersey. Scene in the Duchy of Lancaster.
[Monogram of Paul Pry, pseudonym of William Heath] Esq.
Pub by T. McLean 26 Haymarket. caricatures daily published.
Etching with fine hand colour. 370 x 260mm (14½ x 10¼"), large margins.
Satire commenting on Wellington's relationships with cousins Sarah Villiers, Countess of Jersey and Harriet Arbuthnot. Lady Villiers was often ridiculed for 'affecting great intimacy with the Duke'. Harriet Arbuthnot and her husband Charles however, did have a close relationship with Wellington who promoted Charles Arbuthnot from the Department of Woods and Trees to Chancellor of the Duchy of Lancaster. Unusually, the small character of Paul Pry in the left corner points to an address along the top edge of the print: 'I'm sorry to intrude but some dirty Rogue has lately been copying my caricatures- robbing us of our ideas & just profit- may I ask of my Friends not to purchase unless they see the Publisher T. McLeans name at the bottom, all others are copies P. Pry'.
BM Satire: 15717.
[Ref: 55953] £280.00 (£336.00 incl.VAT)

Morning of Life In Life's betwitching Dawn, when Thought is Joy [/] The wood, the Music of the Thrush, [/] The scents which flow from tree, and bush, [/] Charm the full Soul and ev'ry sense employ.[/] Mrs Cowley.
Painted by S. Medley. Engraved by P. W. Tomkins His.th Engraver to Her Majesty.
London, Published July 25. 1803, by H. Macklin, 39 Fleet Street.
Stipple with small margins on 3 sides. 200mm x 280mm (8"x 11"). Trimmed to upper plate mark.
A young girl, symbolizing the 'morning of life', accompanied by verses by Hannah Cowley (1743-1809). Cowley is now recognized as having played an important role in the fight for women's justice in her work. The publisher, Hannah Macklin, was the widow of Thomas Macklin, continuing his business after his death in 1801.
[Ref: 31925] £160.00 (£192.00 incl.VAT)

[The Morning Ride.]
E.J.D. imp; E.J. Detmold [pencil signatures].
[n.d., c.1925.]
Etching, signed by the artist. 300 x 470mm (10½ x 16¾"), with large margins. Paper lightly toned.
Two Arab men on horseback rear up in front of a fantastical city landscape with monkeys, peacocks and water-lilies. This example was printed by Detmold himself, and is an early state before the unprinted part of plate was cut down. Edward Julius Detmold (1883-1957) began etching with his twin, Maurice, and exhibited at The Royal Academy aged 13. In 1908 Maurice committed suicide and Edward, traumatised, stopped etching. In 1922 an appreciative article about the Detmolds in the Print Collector's Quarterly inspiring Edward to return to printmaking. An edition of 'The Arabian Nights' illustrated by Detmold was published in 1924.
[Ref: 64342] £280.00 (£336.00 incl.VAT)

[The Morning Ride.]
E.J. Detmold [pencil signatures].
[n.d., c.1925.]
Etching, signed by the artist. 270 x 430mm (10½ x 17"), with large margins. Paper lightly toned.
Two Arab men on horseback rear up in front of a fantastical city landscape with monkeys, peacocks and water-lilies. A state afterthe unprinted part of plate was cut down. Edward Julius Detmold (1883-1957) began etching with his twin, Maurice, and exhibited at The Royal Academy aged 13. In 1908 Maurice committed suicide and Edward, traumatised, stopped etching. In 1922 an appreciative article about the Detmolds in the Print Collector's Quarterly inspiring Edward to return to printmaking. An edition of 'The Arabian Nights' illustrated by Detmold was published in 1924.
[Ref: 64343] £280.00 (£336.00 incl.VAT)

The Astonishing Morning Star. That Appeared on Friday October 2. 1801 which Shone with such Brilliancy as yo attract the Eyes and Rejoice the Hearts of the Inhabitants of London, and which will not stop its Rapid Course untill it has present itself to the Whole World; intended to commemorate the signing of the Preliminaries of Peace between Great Britain and the French Republic.
Publish'd Oct.r 3, 1801, by John Fairburn, 116 Minories, London.
Coloured engraving. 290 x 240mm. Some wear to edges.
A broadsheet celebrating the ceasefire that led to the Peace of Amiens, March 25, 1802.
[Ref: 2379] £240.00 (£288.00 incl.VAT)

The Morning Visit DEAN. My Lord I hope your goodness will excuse / This early Visit, since my only views / Are center'd in the glory of your House, / And now have brought a trifle --- for your Spouse / Of which I beg her kind acceptance ------- then Rank me my Lord, amongst the happiest men. / LORD. My rev'rend Dean, I'm glad to see you now, / Early or late; or any time, I vow: / What news abroad, my rev'rend Dean, what news? / Somethings behind - have you no trifling views In which my Int'rest can the least avail-------? / DEAN. Indeed, my Lord, there is a flying tale / That my good Lord of B------h [Bath] declines so fast With Age, and Gout, this fit will be his last. / LORD. I know he 's old and cannot long be here: / But, revd Dean, you know -- what 'tis a Year: / 'Twill gain me Friends----------- / DEAN.-------My Lord I know that's true, / And all the Int'rest in my pow'rs your due / In future times the same shall me control / My Friends------Estate-------my Body, and my-------[soul], / LORD. 'Tis well my rev'rend Dean - all's very right; / On these conditions you're put down to night, / You shall succeed------- / DEAN.-------All grateful thanks are due; / My gratitude shall shine, my Lord -: my Lord adieu /
Publish'd as the Act directs June 1773.
Etching, 345 x 225mm. 13½ x 9". Laid on conservation backing, with repaired tears.
'42' inscribed upper right, apparently in some series. It illustrates a dialogue in verse engraved below the design between 'Lord' and 'Dean'. The 'lord , writing at a table, receives the visit of a dean, who bows, hat in hand, and proffers a money-bag, asking for a bishopric.. On the floor in the foreground are documents partly cut and destroyed: "CHARTER COMMUNIUM Johannes del Gratia" and "LIBERTATUM give [?sive] MAGNA CHARTA". From a nearly closed box hang other documents also in bad repair: "HABE . . CORPUS Rex Magna B" ; "Bill of Rights"; "nilla [sic] Ransom". In an open chest are neatly rolled documents, evidently recent patent rolls, or grants, one of which shows the words "and Grant beloved". The document on which the Minister is writing is inscribed "List of persons proper for Pensions Rever[si]ons and Places for life &c. for his M-----y's private inspection", the first name on the list being John Stuart, 3rd Earl of Bute. The Dean here depicted who is promised the 'first bishoprick', is Josiah Tucker, dean of Gloucester. He was reputed a ministerial propagandist. The peer resembles portraits of Lord Rochford, one of the Secretaries of State.
BM: 5125
[Ref: 8540] £160.00 (£192.00 incl.VAT)

Morning. [&] Evening.
Frederick Taylor lithotint. C. Hullmandel's Patent.
[n.d., c.1845.]
Pair of lithotints. Sheet: 365 x 540mm (14½ x 21¼"), with very large margins. Foxing in margins.
Scenes comparing dogs behaviour in the morning and at night; a pack of setters excited to be let out; a kennel scene where a pack of tired setters & pointers all lie on the floor exhausted after a days work.
[Ref: 53720] £380.00 view all images for this item

[Pair] Morning [&] Evening.
Painted by F. Wheatley RA. Engraved by J. Barney.
Published according to Act by J. Barney, Tottenham Court Road opposite the Chapel, Feb 9. 1793.
A pair of mezzotints, very fine & rare. Plate size: 590 x 480mm, 23¼ x 18¾" each. Unexamined out of frame.
Morning. A rural scene outside a cottage with a maid tending to the well; two men are leading three horses past her. Evening. Three maids can be seen cleaning whilst a white horse drinks from water nearby. Francis Wheatley (1747 - 1801) was an English portrait and landscape painter.
[Ref: 28094] £600.00 view all images for this item

The Small Sok, Mogador, Morocco. [pencil.]
Alec Fraser. [pencil].
[n.d, c.1930.]
Pencil on photographic base, ink & gouache. 145 x 110mm, 5¾ x 4¼".
The souq of Essaouira (formerly Mogador), a UNESCO World Heritage Listed city in Morocco.
[Ref: 16732] £120.00 (£144.00 incl.VAT)

Bread Sellers. [pencil.]
Alec Fraser. [pencil].
[n.d, c.1930.]
Pencil on photographic base, ink & gouache. 145 x 110mm, 5¾ x 4¼".
Moorish merchants.
[Ref: 16733] £120.00 (£144.00 incl.VAT)

A Corner in Mazagan, Morocco. [pencil.]
Alec Fraser. [pencil].
[n.d, c.1930.]
Pencil on photographic base, ink & gouache. 145 x 110mm, 4¾ x 5".
El Jadida, formerly the Portuguese fortress of Magazan.
[Ref: 16734] £120.00 (£144.00 incl.VAT)

Ali Baba of Mogador, Morocco. [pencil.]
Alec Fraser. [pencil].
[n.d, c.1930.]
Pencil on photographic base, ink & gouache. 145 x 110mm, 5¾ x 4¼".
An elderly Moorish merchant of Essaouira (formerly Mogador), a UNESCO World Heritage Listed city in Morocco.
See reference 62627 for a black and white etching.
[Ref: 16735] £120.00 (£144.00 incl.VAT)

Muley Abdallah, Emperor of Morrocco, ordering the massacre of 335 of his own subjects in the presence of the English slaves, who were the crew of the Inspector Privateer, which was wrecked on the coast of Barbary.
Engrav'd for Drakes Voyages.
[n.d. c.1760.]
Copper Engraving. Plate 203 x 260mm. 8 x 10¼". Paper repair to lower edge and lower left-hand corner.
Muley Abdallah (1729-1757), Emperor of Morocco who, following the words of God, massacred 335 of his own people. The crew of the Inspector Privateer, slaves now to the Emperor, watch the ordeal.
NMM: PAD5177.
[Ref: 18029] £140.00 (£168.00 incl.VAT)

Het Koninglyk hof, en een groot deel van de verre uytgestrekte Stad Marokko, binnen in 'tland gelegen, niet verre van de berg Atlas. Marocco Boacnum Hemerum Ptolomaei, regni cognominis Metropolis, haud procul ab Atlante monte posita.
Pet Schenk Amsteld C.P. [n.d. c.1702.]
Engraving. Plate 215 x 267mm. 8½ x 10½". Large margins.
A view of the great Arabic city of Morocco in North Africa. Travellers in the dunes look through the palms trees towards the walled city, with a minaret standing as a key feature in the centre of the image; other minarets seen to the right. Plate to Schenk's 'Hecatompolis' (1702), which included one hundred profile views of cities throughout the world.
Hollstein, vol XV, nos.1306-1405.
[Ref: 21557] £250.00 (£300.00 incl.VAT)

[Marrakesh] Het Koninklyk Hof met een gedeelte der Stadt Marokko. The Roÿall palace with a parte od ye citÿ M[...]
[London: John Ogilby, 1670.]
Engraving with very large margins. 270 x 350mm (10½ x 13¾"). Repaired split in centre fold; strong impression.
A view of Marrakesh, with camels, a bucking horse and a water pump in the foreground. It was first published in Dapper's 'Beschrijvinge der Afrikaanse Gewesten', but this example comes from the English edition, published by John Ogilby as 'Africa: being, An Accurate Description of the Regions of Egypt, Barbary, Lybia, and Billedulgerid, the Land of Negroes, Guinee, Aethiopia, and the Abysinnes, with All the Adjacente Islands', with the Dutch title and 11-point key duplicated into English.
[Ref: 30220] £280.00 (£336.00 incl.VAT)

Ali Baba of Mogador. [pencil.]
Alec Fraser. [pencil].
[n.d, c.1930.]
Etching signed by the artist, 135 x 100mm (5¼ x 4"), with very large margins. Faint mountburn.
An elderly Moorish merchant of Essaouira (formerly Mogador), a UNESCO World Heritage Listed city in Morocco.
For a coloured artwork version see reference 16735.
[Ref: 62627] £70.00 (£84.00 incl.VAT)

[Tower of the Great Mosque, Morocco.]
G.H. 1859.
Hand-coloured lithograph. Sheet: 360 x 260mm (14 x 10¼''). Paper tone and foxing.
A view of the Hassan II Mosque in Morocco with figures sitting around in the ruins.
[Ref: 49369] £95.00 (£114.00 incl.VAT)

Arzillie een oud en Sterk Stedeken in het Koningryk van Fez, aen de Spaensche Zee. Zilia Regionis Elhabad, in Regno Fez chelkquum oppidum.
Pet. Schenk Amsteld. C.P.
[n.d. c.1702.]
Copper engraving. 215 x 270mm. 8½ x 10¾". Uncut, with large margins.
Prospect of Asilah, on the Atlantic coast of Morocco, close to the Strait of Gibraltar, a pirate base. The engraver and map publisher Peter Schenk was born in 1660 in Elberfeld. He was a student of Gerard Valck. Until his death in 1718, he published numerous maps and views. His son Peter Schenk the Younger was also a noted cartographer.
[Ref: 21863] £230.00 (£276.00 incl.VAT)

[Asilah, Morocco] Argilla, Città Marittima del Regno di Fez sulla Costa Barbaria nell'Africa.
[Venice: G.B. Albrizzi, 1766.]
Engraving. 125 x 185mm (5 x 7¼"). Trimmed within plate top and left.
A view of the city with ships. From Albrizzi's 'Lo stato presente di tutti i paesi e popoli del mondo'.
[Ref: 62524] £75.00 (£90.00 incl.VAT)

La Rache.
[Amsterdam, Jacob van Meurs, 1668.]
Coloured engraving. 270 x 355mm (10½ x 14"). Central crease as normal.
A view of Larache in Morocco, a Spanish possession from 1610 until 1689, when they were driven out after a three-month siege. Engraved for Dapper's 'Beschrijvinge der Afrikaanse Gewesten', 1668.
[Ref: 30217] £220.00 (£264.00 incl.VAT)

Salé. 16.
[by Alain Manesson Mallet.]
[Paris: Denys Thierry, 1683.]
Coloured engraving. Plate 146 x 106mm (5¾ x 4¼"), large margins.
A view of Salé, a city in north-western Morocco on the North Atlantic Ocean.
[Ref: 30696] £130.00 (£156.00 incl.VAT)

Tangier.
D.Donald.
Published 1923 by the Museum Galleries, Museum Street, London W.C. Copyright.
Etching printed in colours, signed by the artist. 190 x 275mm, 7½ x 10¾".
A market.
[Ref: 13547] £140.00 (£168.00 incl.VAT)

Tangier.
D.Donald.
Published 1923 by the Museum Galleries, Museum Street, London W.C. Copyright.
Etching printed in colours, signed by the artist. 250 x 150mm, 10 x 6".
Backstreets of Tangier, with Arab figures and a donkey.
[Ref: 13549] £140.00 (£168.00 incl.VAT)

[Francesco Morosini] The Victorious Francis Morosini, Knt and Procurator of S.t Marke, Capitaine Generalle of the Venetian Forces by Sea & Land againt y.e Turks.
P. V. Sickeleers fecit. R. White Sculp.
[n.d., c.1685.]
Rare engraving. Sheet 300 x 200mm (11¾ x 8"). Trimmed within plate.
A half-length portrait in oval of Venetian general Francesco Morosini (1619-94), one of the leaders of the Great Turkish War, in which Venice captured the Morea from the Ottoman Empire. When he briefly captured Athens his forces accidently destroyed much of the Parthenon. The portrait predates his election as Doge in 1688.
[Ref: 66764] £290.00 (£348.00 incl.VAT)

Paul Morphy, Esq.
Engraved by D.J. Pound from a Photograph by Thompson of Paris.
Engraving. Sheet: 230 x 320mm, (9 x 12½").
A seated portrait of Paul Morphy (1837-1884) the famous American chess player who was the unofficial world champion. He was called "The Pride and Sorrow of Chess" due to the brevity of his career.
[Ref: 39302] £130.00 (£156.00 incl.VAT)

[Jeu de Morra à Rome.]
[n.d., c.1825.]
Coloured etching, title in pencil. Sheet 240 x 170mm, 9½ x 6¾". Trimmed within plate.
Men playing "Morra": each contestant throws up a hand with some fingers out-stretched and calls a guess as to the total number of fingers shown. Known in the U.S. as "Choosies" it is often used to make a decision. Based on a print by Bartolomeo Pinelli (1781-1835), who provided the figures for Luigi Rossini's "Veduta di Roma".
[Ref: 17499] £140.00 (£168.00 incl.VAT)

An Address Delivered by William Morris at the Distribution of Prizes to Students of the Birmingham Municipal School of Art on Feb. 21, 1894.
[Printed at the Chiswick Press, in the ''Golden'' types designed by William Morris for the Kelmscott Press. 1898.]
Crown 8vo, quarter cloth, paper covered boards, titled in black on front board. 210 x 145mm (8¼ x 5¾"). Boards marked, corners worn.
A bound copy of the speech given by designer William Morris (1834-1896) to the Birmingham School of Art. Extra-illustrated with a half-tone portrait and wood-engraved facsimile of Morris's woodcut 'Psyche in Charon's Boat' after Edward Burne-Jones.
[Ref: 43863] £70.00

William Morris. Specimen of Héliogravure, Fillon's Process. Given with the Publisher's Circular Christmas 1895.
Fred.k Jenkins, Héliographer, Paris. Photograph by Elliot & Fry.
Photogravure. Plate: 200 x 150mm (8 x 6"), with large margins.
A portrait of the designer and writer William Morris born on 24th March 1834 (1834-1896).
[Ref: 47398] £130.00 (£156.00 incl.VAT)

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