A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
![[Barnaslingan] The Scalp in the County of Wicklow.](jpegs/54758.jpg)
[Barnaslingan] The Scalp in the County of Wicklow.
Le Porte del. et Sculp.t.
London Published May 20th 1796 by Tho.s Macklin Poets Gallery Fleet St.
Fine & rare coloured etching. Sheet 475 x 630mm (18 x 24¾"), paper watermarked 'HS&S 18[**]'. Trimmed within plate, repaired tear in title area, repaired holes.
A view of The Scalp, a narrow glacial valley under the hill Barnaslingan. One of a series of Irish views drawn by John Laporte.
Bonar Law: p.67
[Ref: 54758] £520.00
Le Porte del. et Sculp.t.
London Published May 20th 1796 by Tho.s Macklin Poets Gallery Fleet St.
Fine & rare coloured etching. Sheet 475 x 630mm (18 x 24¾"), paper watermarked 'HS&S 18[**]'. Trimmed within plate, repaired tear in title area, repaired holes.
A view of The Scalp, a narrow glacial valley under the hill Barnaslingan. One of a series of Irish views drawn by John Laporte.
Bonar Law: p.67
[Ref: 54758] £520.00
![[Frederick Barne] the Jockey Club.](jpegs/37878.jpg)
[Frederick Barne] the Jockey Club.
Spy. Vincent Brooks, Day & Son, Lith.
Vanity Fair August 5 1882.
Chromolithograph. Printed area 340 x 185mm (13½ x 7¼"). Small hole in image.
Frederick Barne (1801-86), landowner and MP for the rotten borough of Dunwich from 1830 until its abolition in the Reform Act of 1832. Fifty years later he is depicted as an old man on a horse, smoking a cigar.
[Ref: 37878] £60.00 (£72.00 incl.VAT)
Spy. Vincent Brooks, Day & Son, Lith.
Vanity Fair August 5 1882.
Chromolithograph. Printed area 340 x 185mm (13½ x 7¼"). Small hole in image.
Frederick Barne (1801-86), landowner and MP for the rotten borough of Dunwich from 1830 until its abolition in the Reform Act of 1832. Fifty years later he is depicted as an old man on a horse, smoking a cigar.
[Ref: 37878] £60.00 (£72.00 incl.VAT)
A View of Mortlake up the Thames. Vüe du Mortlake sur la Tamise. No.25.
Boydell Delin & Sculp.
Publish'd according to Act of Parliament & Sold by Jn.o Boydell Engraver at the Unicorn the Corner of Queen Street in Cheapside London. 1753 [but 1790].
Engraving with hand colour, 18th century watermark. 255 x 410mm (10 x 16¼"), with large margins. Small hole near cattle to lower far left.
Despite the title this is actually a view of The Terrace, Barnes, from Chiswick, before the building of the embankment that carries the main road. The house with the bay window later became the residence of the composer Gustav Holst. From a collection of John Boydell's prints published to celebrate him becoming Lord Major of London.
[Ref: 56323] £450.00
Boydell Delin & Sculp.
Publish'd according to Act of Parliament & Sold by Jn.o Boydell Engraver at the Unicorn the Corner of Queen Street in Cheapside London. 1753 [but 1790].
Engraving with hand colour, 18th century watermark. 255 x 410mm (10 x 16¼"), with large margins. Small hole near cattle to lower far left.
Despite the title this is actually a view of The Terrace, Barnes, from Chiswick, before the building of the embankment that carries the main road. The house with the bay window later became the residence of the composer Gustav Holst. From a collection of John Boydell's prints published to celebrate him becoming Lord Major of London.
[Ref: 56323] £450.00
Barnes Terrace.
Drawn by W. Westall ARA. Printed by C. Hullmandel.
London: Pub: by Rodwell and Martin: New Bond St.t Jan: 1. 1823.
Coloured lithograph on india paper, rare. India 210 x 325mm (8¼ x 12¾"). Some surface soiling.
Before the building of Barnes Bridge, with cows wandering along the road. A plate from 'Thirty five Views on the Thames, at Richmond, Eton, Windsor and Oxford', published December 1823. William Westall (1781 - 1850) was a British topographical draughtsman and engraver. He became an Associate Member of the Royal Academy in 1812. He was the younger brother of the painter and illustrator Richard Westall.
[Ref: 39007] £260.00 (£312.00 incl.VAT)
Drawn by W. Westall ARA. Printed by C. Hullmandel.
London: Pub: by Rodwell and Martin: New Bond St.t Jan: 1. 1823.
Coloured lithograph on india paper, rare. India 210 x 325mm (8¼ x 12¾"). Some surface soiling.
Before the building of Barnes Bridge, with cows wandering along the road. A plate from 'Thirty five Views on the Thames, at Richmond, Eton, Windsor and Oxford', published December 1823. William Westall (1781 - 1850) was a British topographical draughtsman and engraver. He became an Associate Member of the Royal Academy in 1812. He was the younger brother of the painter and illustrator Richard Westall.
[Ref: 39007] £260.00 (£312.00 incl.VAT)
Barnes, Surrey.
Drawn by G.T. Philips. Engraved by R. Winkles.
Published by Edward Lacey, 76, St. Pauls London. [n.d. c.1830.]
Engraving. Plate 146 x 228mm. 5¾ x 9".
A view of Barnes, Surrey; along the River Thames.
[Ref: 19279] £45.00 (£54.00 incl.VAT)
Drawn by G.T. Philips. Engraved by R. Winkles.
Published by Edward Lacey, 76, St. Pauls London. [n.d. c.1830.]
Engraving. Plate 146 x 228mm. 5¾ x 9".
A view of Barnes, Surrey; along the River Thames.
[Ref: 19279] £45.00 (£54.00 incl.VAT)
A View of Mortlake up the Thames. Vüe du Mortlake sur la Tamise. No.25.
Boydell Delin & Sculp.
Publish'd according to Act of Parliament & Sold by Jn.o Boydell Engraver at the Unicorn the Corner of Queen Street in Cheapside London. 1753.
Engraving. 255 x 410mm (10 x 16¼"), with wide margins. Small hole near cattle to lower far left.
Despite the title this is actually a view of The Terrace, Barnes, from Chiswick, before the building of the embankment that carries the main road. The house with the bay window later became the residence of the composer Gustav Holst.
[Ref: 25627] £450.00
Boydell Delin & Sculp.
Publish'd according to Act of Parliament & Sold by Jn.o Boydell Engraver at the Unicorn the Corner of Queen Street in Cheapside London. 1753.
Engraving. 255 x 410mm (10 x 16¼"), with wide margins. Small hole near cattle to lower far left.
Despite the title this is actually a view of The Terrace, Barnes, from Chiswick, before the building of the embankment that carries the main road. The house with the bay window later became the residence of the composer Gustav Holst.
[Ref: 25627] £450.00
![[Barnes] A View of Mortlake up the Thames. Vüe du Mortlake sur la Tamise.](jpegs/29318.jpg)
[Barnes] A View of Mortlake up the Thames. Vüe du Mortlake sur la Tamise. No.25.
Tho.s Boydell Delin & Sculp.
Publish'd according to Act of Parliament, & Sold by J.no Boydell Engraver at the Unicorn the corner of Queen Street Cheapside London 1753.
Engraving, paper watermarked with very large margins. Plate 255 x 411mm (10 x 16¼"). Hole in sky area.
A view of Mortlake from the Thames with sailing boats on the river and cattle on the river bank. This is actually Barnes looking from Mortlake, with the bay window to the house which later became the residence of the composer Gustav Holst. The White Hart extreme left. From "A Collection of One Hundred Views In England and Wales", made after he turned from engraver to print publisher in 1767. The first collection was issued in 1770, and included some plates by printmakers other than himself.
Adams (London): 47.25.
[Ref: 29318] £450.00
Tho.s Boydell Delin & Sculp.
Publish'd according to Act of Parliament, & Sold by J.no Boydell Engraver at the Unicorn the corner of Queen Street Cheapside London 1753.
Engraving, paper watermarked with very large margins. Plate 255 x 411mm (10 x 16¼"). Hole in sky area.
A view of Mortlake from the Thames with sailing boats on the river and cattle on the river bank. This is actually Barnes looking from Mortlake, with the bay window to the house which later became the residence of the composer Gustav Holst. The White Hart extreme left. From "A Collection of One Hundred Views In England and Wales", made after he turned from engraver to print publisher in 1767. The first collection was issued in 1770, and included some plates by printmakers other than himself.
Adams (London): 47.25.
[Ref: 29318] £450.00
Between Barnes and Chiswick.
Drawn by W. Westall ARA. Printed by C. Hullmandel.
London: Pub: by Rodwell and Martin: New Bond St.t. Jan: 1823.
Coloured lithograph printed on chine collé. 230 x 325mm (9 x 12¾").
A view of the Thames riverside. A plate from 'Thirty five Views on the Thames, at Richmond, Eton, Windsor and Oxford', published December 1823.
[Ref: 6551] £260.00 (£312.00 incl.VAT)
Drawn by W. Westall ARA. Printed by C. Hullmandel.
London: Pub: by Rodwell and Martin: New Bond St.t. Jan: 1823.
Coloured lithograph printed on chine collé. 230 x 325mm (9 x 12¾").
A view of the Thames riverside. A plate from 'Thirty five Views on the Thames, at Richmond, Eton, Windsor and Oxford', published December 1823.
[Ref: 6551] £260.00 (£312.00 incl.VAT)
![Rev. Albert Barnes. [Facsimile:] Albert Barnes.](jpegs/18430.jpg)
Rev. Albert Barnes. [Facsimile:] Albert Barnes. Pastor of the First Presbyterian Church, Philadelphia.
Engraved by Thomas.B. Welch (Philad.a), From a Dauguerreotype by Mc.Clees & Germon. Printed by A.E.Lent.
Published by Wm. Smith 702 S.3rd.St. Philadelphia. [n.d. c.1860.]
Mezzotint. Plate 330 x 247mm. 13 x 9¾".
Reverend Albert Barnes (1798-1870) was born in New York and attended Hamilton College and graduated from Princeton Theological Seminary in 1823. Two years later he was ordained paster of the Presbyterian church in Morristown, New Jersey. However from 1830 until 1867 he was pastor of the first Presbyterian Church in Philadelphia where he later resigned and was made pastor emeritus. He advocated the abolition of slavery and worked actively to promote Sunday-school. He later faced trial and was acquitted, but his acusers had him suspended from the ministry, but he was again acquitted in 1836. He was accused of preaching that man had free will to accept or deny the Gospel, and thus broke from strict Calvinism.
[Ref: 18430] £160.00 (£192.00 incl.VAT)
Engraved by Thomas.B. Welch (Philad.a), From a Dauguerreotype by Mc.Clees & Germon. Printed by A.E.Lent.
Published by Wm. Smith 702 S.3rd.St. Philadelphia. [n.d. c.1860.]
Mezzotint. Plate 330 x 247mm. 13 x 9¾".
Reverend Albert Barnes (1798-1870) was born in New York and attended Hamilton College and graduated from Princeton Theological Seminary in 1823. Two years later he was ordained paster of the Presbyterian church in Morristown, New Jersey. However from 1830 until 1867 he was pastor of the first Presbyterian Church in Philadelphia where he later resigned and was made pastor emeritus. He advocated the abolition of slavery and worked actively to promote Sunday-school. He later faced trial and was acquitted, but his acusers had him suspended from the ministry, but he was again acquitted in 1836. He was accused of preaching that man had free will to accept or deny the Gospel, and thus broke from strict Calvinism.
[Ref: 18430] £160.00 (£192.00 incl.VAT)
![[Portrait of Joshua Barnes]](jpegs/34871.jpg)
[Portrait of Joshua Barnes] Vera Effigies Joshuae Barnes S.T.B. [...]
R. White ad vivum fecit [1694]
Line engraving, small margins on 3 sides; platemark 295 x 190mm (11½ x 7½"). Glued at corners to backing sheet.
Joshua Barnes (1654-1712), Greek scholar and antiquary. In 1679 his 'History of Esther' rendered the Book of Esther in Homeric hexameters, complete with commentary in Greek. He later turned to English history with a book on Edward III
[Ref: 34871] £95.00 (£114.00 incl.VAT)
R. White ad vivum fecit [1694]
Line engraving, small margins on 3 sides; platemark 295 x 190mm (11½ x 7½"). Glued at corners to backing sheet.
Joshua Barnes (1654-1712), Greek scholar and antiquary. In 1679 his 'History of Esther' rendered the Book of Esther in Homeric hexameters, complete with commentary in Greek. He later turned to English history with a book on Edward III
[Ref: 34871] £95.00 (£114.00 incl.VAT)
A late Scene at Barnet.
[London Magazine October 1771]
Etching, sheet 130 x 205mm (5¼ x 8"). Plate mark hard to discern. Slight stain in title.
A bedroom scene. A group of people gather in a bedroom where a half-naked lover jumps out of a window leaving his mistress with her breasts out in a four-poster bed.
BM: 1922.0710.614
[Ref: 62949] £80.00 (£96.00 incl.VAT)
[London Magazine October 1771]
Etching, sheet 130 x 205mm (5¼ x 8"). Plate mark hard to discern. Slight stain in title.
A bedroom scene. A group of people gather in a bedroom where a half-naked lover jumps out of a window leaving his mistress with her breasts out in a four-poster bed.
BM: 1922.0710.614
[Ref: 62949] £80.00 (£96.00 incl.VAT)
James Barnett Esq MP. the Patriotic Representative of the City of Rochester.
B. De la Cour Delin.t. C. Knight Sculp.t. 1818.
London Pub.d June 13 1818 by B. De La Cour at Mess.rs Colnaghi & Co., Cockspur Street.
Stipple engraving, very large margins. 405 x 305mm (16 x 12").
James Barnett (c.1760-1836), banker and Whig M.P. 1806-7 & 1817-20.
[Ref: 33146] £160.00 (£192.00 incl.VAT)
B. De la Cour Delin.t. C. Knight Sculp.t. 1818.
London Pub.d June 13 1818 by B. De La Cour at Mess.rs Colnaghi & Co., Cockspur Street.
Stipple engraving, very large margins. 405 x 305mm (16 x 12").
James Barnett (c.1760-1836), banker and Whig M.P. 1806-7 & 1817-20.
[Ref: 33146] £160.00 (£192.00 incl.VAT)
![Village of Barnhill The Property of The Right Hon. Lord Panmure. [&] East Section of the Village of Barnhill...](jpegs/7102.jpg)
Village of Barnhill The Property of The Right Hon. Lord Panmure. [&] East Section of the Village of Barnhill...
G.Mathewson Arch.t. G.Cumming Lithog.
[n.d., c.1855.]
Pair of lithographic maps. Each 290 x 460mm. "East" sheet cut.
The expansion of the village of Barnshill near Dundee, with building land parcelled into lots for selling on 99-year leases. Fox Maule-Ramsay (1801-74), 11th Earl of Dalhousie, was Lord Panmure between 1852 and 1860.
[Ref: 7102] £130.00 view all images for this item
G.Mathewson Arch.t. G.Cumming Lithog.
[n.d., c.1855.]
Pair of lithographic maps. Each 290 x 460mm. "East" sheet cut.
The expansion of the village of Barnshill near Dundee, with building land parcelled into lots for selling on 99-year leases. Fox Maule-Ramsay (1801-74), 11th Earl of Dalhousie, was Lord Panmure between 1852 and 1860.
[Ref: 7102] £130.00 view all images for this item
![[The Barnwinder.]](jpegs/39080.jpg)
[The Barnwinder.]
[Nuremberg: Johann Christoph Weigel. 1699.]
Engraving. Plate: 85 x 135mm (3¼ x 5¼").
A scene showing several figures. An illustration from 'Etwas für Alle...' by Abraham à Santa Clara (1644-1709).
[Ref: 39080] £80.00 (£96.00 incl.VAT)
[Nuremberg: Johann Christoph Weigel. 1699.]
Engraving. Plate: 85 x 135mm (3¼ x 5¼").
A scene showing several figures. An illustration from 'Etwas für Alle...' by Abraham à Santa Clara (1644-1709).
[Ref: 39080] £80.00 (£96.00 incl.VAT)
![[Untitled portrait of a young lady] Tiré du Cabinet de Cusiosités de Sa. Majesté Danoise, dessiné d'après le tableau original du fameux Titian,](jpegs/69480.jpg)
[Untitled portrait of a young lady] Tiré du Cabinet de Cusiosités de Sa. Majesté Danoise, dessiné d'après le tableau original du fameux Titian, de 4 piés de hauteur sur 2 piés de largeur par J.M. Preisler Graveur du Roi.
[after Federico Barocci.]
Val. Dan. Prsisler Norib sc. et exc. 1755.
Mezzotint. 385 x 255mm (15¼ x 10"). Repaired tears in large margins. Restoration in left of inscription area and margin top right.
A three-quarter portrait of a woman in 16th century costume, after a painting once thought to be by Titian. Now attributed to Federico Barocci (c.1535-1612), the painting is in the Danish 'Statens Museum for Kunst'.
[Ref: 69480] £240.00 (£288.00 incl.VAT)
[after Federico Barocci.]
Val. Dan. Prsisler Norib sc. et exc. 1755.
Mezzotint. 385 x 255mm (15¼ x 10"). Repaired tears in large margins. Restoration in left of inscription area and margin top right.
A three-quarter portrait of a woman in 16th century costume, after a painting once thought to be by Titian. Now attributed to Federico Barocci (c.1535-1612), the painting is in the Danish 'Statens Museum for Kunst'.
[Ref: 69480] £240.00 (£288.00 incl.VAT)
![[Baron * Doner-Dronk-Dickdorf and Miss Quoltz.]](jpegs/46478.jpg)
[Baron * Doner-Dronk-Dickdorf and Miss Quoltz.]
Published 20th March, 1810 by Laurie & Whittle, No.53 Fleet Street London.
Hand-etching. Sheet: 170 x 230mm (6¾ x 9"). Trimmed and stained.
An illustration to a song sung by Mr Fawcett the popular Drama, called "The Free Knights, or the Edict of Charlemagne''. A little man sits upon a mantlepiece, held up by a woman while a footman brings in food.
BM Satire 11699.
[Ref: 46478] £45.00 (£54.00 incl.VAT)
Published 20th March, 1810 by Laurie & Whittle, No.53 Fleet Street London.
Hand-etching. Sheet: 170 x 230mm (6¾ x 9"). Trimmed and stained.
An illustration to a song sung by Mr Fawcett the popular Drama, called "The Free Knights, or the Edict of Charlemagne''. A little man sits upon a mantlepiece, held up by a woman while a footman brings in food.
BM Satire 11699.
[Ref: 46478] £45.00 (£54.00 incl.VAT)
![[Cricket] Baron House Academy, Mitcham.](jpegs/66674.jpg)
[Cricket] Baron House Academy, Mitcham.
Drawn by M.r Dilke. Engraved by J. Hassell.
[n.d., c.1800.]
Scarce aquatint. Sheet 295 x 380mm (11½ x 15"). Trimmed within plate, losing publication line, bottom and left edges chipped.
The grounds of a school with boys playing cricket and flying a kite.
[Ref: 66674] £460.00
Drawn by M.r Dilke. Engraved by J. Hassell.
[n.d., c.1800.]
Scarce aquatint. Sheet 295 x 380mm (11½ x 15"). Trimmed within plate, losing publication line, bottom and left edges chipped.
The grounds of a school with boys playing cricket and flying a kite.
[Ref: 66674] £460.00
Baron House Academy, Mitcham.
Drawn by M.r Dilke. Engraved by J. Hassell.
[n.d., c.1800.]
Scarce aquatint. Framed, sight size 290 x 365mm (11½ x 14¼"). Unexamined out of framed.
The grounds of a school with boys playing cricket and flying a kite.
[Ref: 67034] £320.00
Drawn by M.r Dilke. Engraved by J. Hassell.
[n.d., c.1800.]
Scarce aquatint. Framed, sight size 290 x 365mm (11½ x 14¼"). Unexamined out of framed.
The grounds of a school with boys playing cricket and flying a kite.
[Ref: 67034] £320.00
Baronet.
G. Stubbs Pinx.t. G.T. Stubbs Sculp. Engraver to his Royal Highness the Prince of Wales.
London Republished June 4.th 1817. by Edw.d Orme Bond Street.
Stipple, printed in colour and hand finished. Plate 200 x 250mm (7¾ x 9¾"). Unexamined out of frame, platemark cracked on right.
The Prince of Wales's horse Baronet, being ridden by Samuel Chifney. In 1791 the pair won the Oatland Stakes, winning the Prince over £17,000 from wagers. However controversy over Chifney's riding technique led the Prince to withdraw from the Turf. A fine coloured impression. After George Stubbs (1724 - 1806).
Lennox-Boyd: 101, state III of III. Ex Ackermanns.
[Ref: 60721] £1,200.00
G. Stubbs Pinx.t. G.T. Stubbs Sculp. Engraver to his Royal Highness the Prince of Wales.
London Republished June 4.th 1817. by Edw.d Orme Bond Street.
Stipple, printed in colour and hand finished. Plate 200 x 250mm (7¾ x 9¾"). Unexamined out of frame, platemark cracked on right.
The Prince of Wales's horse Baronet, being ridden by Samuel Chifney. In 1791 the pair won the Oatland Stakes, winning the Prince over £17,000 from wagers. However controversy over Chifney's riding technique led the Prince to withdraw from the Turf. A fine coloured impression. After George Stubbs (1724 - 1806).
Lennox-Boyd: 101, state III of III. Ex Ackermanns.
[Ref: 60721] £1,200.00
La Baronne du Bel-Air Revenant du Palais Royal.
[French, c.1775.]
Etching with very large margins, 290 x 190mm (11½ x 7½" ) with four lines of text in French underneath. Paper lightly toned, stained, folds in margins.
A woman wearing a bonnet like a scallop shell, taking to a man with a small dog on a lead. 'La Baronne du Bel-Air' was a one-act opera.
Ex Collection of the Hon Christopher Lennox-Boyd.
[Ref: 31746] £260.00 (£312.00 incl.VAT)
[French, c.1775.]
Etching with very large margins, 290 x 190mm (11½ x 7½" ) with four lines of text in French underneath. Paper lightly toned, stained, folds in margins.
A woman wearing a bonnet like a scallop shell, taking to a man with a small dog on a lead. 'La Baronne du Bel-Air' was a one-act opera.
Ex Collection of the Hon Christopher Lennox-Boyd.
[Ref: 31746] £260.00 (£312.00 incl.VAT)
![[Baroque Salon.]](jpegs/44044.jpg)
[Baroque Salon.] Perspectivischer Auffzug des runden Saals, welcher in der mitte des Königl. Pallasts liget, im Grundriss mit lit. L. bezeichnet, wie solcher nach der Garten seiten anzusehen. 13
P. Decker Archit. inv. et del. C. Remshart Sculps.
Cum Priv. S.C. Maj. J. Wolff exc. Aug. Vind. [Augsburg, n.d., c.1716.]
Fine engraving. 360 x 435mm. (14¼ x 17¼"). Narrow margins. Small loss in title border.
Idealised depiction of a Baroque salon 'for the King's palace', with ceiling frescoes and mosaic floor. Open arches look out over gardens and other buildings.
[Ref: 44044] £180.00 (£216.00 incl.VAT)
P. Decker Archit. inv. et del. C. Remshart Sculps.
Cum Priv. S.C. Maj. J. Wolff exc. Aug. Vind. [Augsburg, n.d., c.1716.]
Fine engraving. 360 x 435mm. (14¼ x 17¼"). Narrow margins. Small loss in title border.
Idealised depiction of a Baroque salon 'for the King's palace', with ceiling frescoes and mosaic floor. Open arches look out over gardens and other buildings.
[Ref: 44044] £180.00 (£216.00 incl.VAT)
A Barouche with Ackermann's Patent Moveable Axles.
Drawn by C. Blunt. Engraved by S. Mita[missing].
Published Jany. 1 1820 at R. Ackermann's, 101 Strand, London.
Hand coloured engraving, sheet 145 x 240mm. 5¾ x 9½". Sheet trimmed.
A barouche was a four-wheeled, shallow carriage with two double seats inside, arranged vis-à-vis, so that the sitters on the front seat faced those on the back seat. It had a soft collapsible half-hood folding like a bellows over the back seat and a high outside box seat in front for the driver. It was used principally for leisure driving in the summer. Numbered 'Plate 3, Vol. IX' upper right, for Rudolph Ackermann's 'Repository of Arts' periodical, published from 1809-1829. The formal title of the publication was "Repository of Arts, Literature, Commerce, Manufactures, Fashions, and Politics", and it discussed and illustrated day to day life, and influenced English taste in fashion, architecture and literature. Ackermann's ingenuity and enterprise were not directed to fine art matters alone. His father had been a coach-builder and harness-maker in Germany and his early years in London were engaged in making designs for many of the principal coach-builders. The preparation of Lord Nelson's funeral car (1805) was entrusted to his skill. Between 1818 and 1820 he was occupied with a patent for movable carriage axles.
[Ref: 19057] £60.00 (£72.00 incl.VAT)
Drawn by C. Blunt. Engraved by S. Mita[missing].
Published Jany. 1 1820 at R. Ackermann's, 101 Strand, London.
Hand coloured engraving, sheet 145 x 240mm. 5¾ x 9½". Sheet trimmed.
A barouche was a four-wheeled, shallow carriage with two double seats inside, arranged vis-à-vis, so that the sitters on the front seat faced those on the back seat. It had a soft collapsible half-hood folding like a bellows over the back seat and a high outside box seat in front for the driver. It was used principally for leisure driving in the summer. Numbered 'Plate 3, Vol. IX' upper right, for Rudolph Ackermann's 'Repository of Arts' periodical, published from 1809-1829. The formal title of the publication was "Repository of Arts, Literature, Commerce, Manufactures, Fashions, and Politics", and it discussed and illustrated day to day life, and influenced English taste in fashion, architecture and literature. Ackermann's ingenuity and enterprise were not directed to fine art matters alone. His father had been a coach-builder and harness-maker in Germany and his early years in London were engaged in making designs for many of the principal coach-builders. The preparation of Lord Nelson's funeral car (1805) was entrusted to his skill. Between 1818 and 1820 he was occupied with a patent for movable carriage axles.
[Ref: 19057] £60.00 (£72.00 incl.VAT)
![[The Effigies of M. Giacomo Barozzio da Vignola.]](jpegs/64311.jpg)
[The Effigies of M. Giacomo Barozzio da Vignola.]
[n.d., c.1700.]
Engraving. 355 x 210mm (14 x 8¼"). Trimmed into plate at top.
A half-length portrait of Italian architect Giacomo Barozzi da Vignola (1507-73), within an architectural caprice. This is a copy of the frontispiece engraved by William Sherwin for the 1669 edition of 'The Regular Architect: or the General rule of the five orders of Architecture'.
[Ref: 64311] £160.00 (£192.00 incl.VAT)
[n.d., c.1700.]
Engraving. 355 x 210mm (14 x 8¼"). Trimmed into plate at top.
A half-length portrait of Italian architect Giacomo Barozzi da Vignola (1507-73), within an architectural caprice. This is a copy of the frontispiece engraved by William Sherwin for the 1669 edition of 'The Regular Architect: or the General rule of the five orders of Architecture'.
[Ref: 64311] £160.00 (£192.00 incl.VAT)
![[Giacomo Barozzi.]](jpegs/48987.jpg)
[Giacomo Barozzi.] Regolo Delli Cinque Ordini d'Architettura di M. Iacomo Barozzio da Vignola Libero Primo et Originale.
Si Stampa in Roma da Gio. Batta de Rossi Milanese in Piazza Nauona. [n.d., c.1665.]
Rare engraving. Plate: 370 x 215mm (14½ x 8½''), with large margins.
A portrait of Giacomo Barozzi da Vignola (1507-1573), author of The Five Orders of Archicture, one of the most important architectural treatises which helped formulate the canon of architctural study. This engraving served as the frontispiece to The Five Orders of Architecture.
[Ref: 48987] £320.00
Si Stampa in Roma da Gio. Batta de Rossi Milanese in Piazza Nauona. [n.d., c.1665.]
Rare engraving. Plate: 370 x 215mm (14½ x 8½''), with large margins.
A portrait of Giacomo Barozzi da Vignola (1507-1573), author of The Five Orders of Archicture, one of the most important architectural treatises which helped formulate the canon of architctural study. This engraving served as the frontispiece to The Five Orders of Architecture.
[Ref: 48987] £320.00
Barque Napolitaine vue par l'arrier, au mouillage. Pinque Génois, allant au plus près du vent. 18.
Dessiné et Gravé par Baugean.
[n.d. c.1826. Jean.]
Etching. Plate 158 x 197mm. 6¼ x 7¾".
From: "Collection de Toutes les Especes de Batimens...2eme Livraison". A Neapolitian cargo vessel in the bay alongside a Genoese sailing vessel. A small dinghy leaves the cargo vessel with men making their way towards the sailing ship.
NMM: PAD7394.
[Ref: 16767] £65.00 (£78.00 incl.VAT)
Dessiné et Gravé par Baugean.
[n.d. c.1826. Jean.]
Etching. Plate 158 x 197mm. 6¼ x 7¾".
From: "Collection de Toutes les Especes de Batimens...2eme Livraison". A Neapolitian cargo vessel in the bay alongside a Genoese sailing vessel. A small dinghy leaves the cargo vessel with men making their way towards the sailing ship.
NMM: PAD7394.
[Ref: 16767] £65.00 (£78.00 incl.VAT)
![[A View of Barrackpore House, with the Reach of the River.]](jpegs/60807.jpg)
[A View of Barrackpore House, with the Reach of the River.]
Drawn by James B. Fraser. Engraved by Rob.t Havell Jun.r 79 Newman Str.t Oxford Str.
[London, Published for the Proprietor by Mess.rs Rodwell & Martin, New Bond Street, March 1 1825.]
Coloured aquatint. Sheet 305 x 470mm (12 x 14½"). Trimmed within plate, title and publication line exised. some surface wear.
From a series of views showing Calcutta life in the early 19th century, 'Views of Calcutta and its Environs", by James Baillie Fraser (1783-1856). Fraser, an amateur artist, banker and merchant was based in Calcutta from 1813 to 1820. His famous series of views of Calcutta record the topography of this metropolis during the most dynamic period of its history. He was influenced by other artists working in Calcutta including George Chinnery and William Havell. The publication of these views was begun by Rodwell and Martin in 1824, publishers of his 'Views in the Himalaya Mountains' in 1820, but completed and extended by Smith, Elder by 1826.
Abbey: 494.
[Ref: 60807] £380.00
Drawn by James B. Fraser. Engraved by Rob.t Havell Jun.r 79 Newman Str.t Oxford Str.
[London, Published for the Proprietor by Mess.rs Rodwell & Martin, New Bond Street, March 1 1825.]
Coloured aquatint. Sheet 305 x 470mm (12 x 14½"). Trimmed within plate, title and publication line exised. some surface wear.
From a series of views showing Calcutta life in the early 19th century, 'Views of Calcutta and its Environs", by James Baillie Fraser (1783-1856). Fraser, an amateur artist, banker and merchant was based in Calcutta from 1813 to 1820. His famous series of views of Calcutta record the topography of this metropolis during the most dynamic period of its history. He was influenced by other artists working in Calcutta including George Chinnery and William Havell. The publication of these views was begun by Rodwell and Martin in 1824, publishers of his 'Views in the Himalaya Mountains' in 1820, but completed and extended by Smith, Elder by 1826.
Abbey: 494.
[Ref: 60807] £380.00
Fainasollis Borbar & Fingal... Vide Macpherson's Ossian Poem of Fingal, book 3.d.
Barralet delin. T.Parker sculp.t.
London: Published by J.Deeley, March 1, 1809, 95 Berwick St, Soho.
Engraving. 440 x 500mm. On Whatman paper watermarked 1808.
According to the Scottish poet James Macpherson's interpretation of Celtic mythology, Fainasollis, the daughter of the king of Craca, was slain by Solis and avenged by Fingal.
[Ref: 7332] £180.00 (£216.00 incl.VAT)
Barralet delin. T.Parker sculp.t.
London: Published by J.Deeley, March 1, 1809, 95 Berwick St, Soho.
Engraving. 440 x 500mm. On Whatman paper watermarked 1808.
According to the Scottish poet James Macpherson's interpretation of Celtic mythology, Fainasollis, the daughter of the king of Craca, was slain by Solis and avenged by Fingal.
[Ref: 7332] £180.00 (£216.00 incl.VAT)
![[RAF monoplane.]](jpegs/37596.jpg)
[RAF monoplane.]
[by Cyril Barraud.]
[n.d., c.1935.]
Etching. 110 x 150mm (4¼ x 6"), watermarked F J Head & Co.
Cyril Barraud (1877-1965), son of Herbert Rose Barraud and nephew of Francis Barraud. Having trained at the Brighton School of Art he emigrated to Winnepeg in 1913. He was commissioned as a lieutenant with the 43rd Battalion of the Canadian Expeditionary Forces in 1915 but transferred to the 79th Cameron Highlanders of Canada a few months later. He was wounded in the leg fighting in France in 1917, but returned to active service. Barraud was one of the first Canadian artists hired by Lord Beaverbrook for the War Records Office to sketch Canadian battle zones around Ypres and Vimy Ridge-Arras sectors. Later he was seconded to the Canadian War Memorials Fund. After demobilisation he remained in England, painting and etching landscapes, some of which were used for the LNER carriage prints, and taking commissions for christmas cards.
[Ref: 37596] £220.00 (£264.00 incl.VAT)
[by Cyril Barraud.]
[n.d., c.1935.]
Etching. 110 x 150mm (4¼ x 6"), watermarked F J Head & Co.
Cyril Barraud (1877-1965), son of Herbert Rose Barraud and nephew of Francis Barraud. Having trained at the Brighton School of Art he emigrated to Winnepeg in 1913. He was commissioned as a lieutenant with the 43rd Battalion of the Canadian Expeditionary Forces in 1915 but transferred to the 79th Cameron Highlanders of Canada a few months later. He was wounded in the leg fighting in France in 1917, but returned to active service. Barraud was one of the first Canadian artists hired by Lord Beaverbrook for the War Records Office to sketch Canadian battle zones around Ypres and Vimy Ridge-Arras sectors. Later he was seconded to the Canadian War Memorials Fund. After demobilisation he remained in England, painting and etching landscapes, some of which were used for the LNER carriage prints, and taking commissions for christmas cards.
[Ref: 37596] £220.00 (£264.00 incl.VAT)
![[Gloster Mars I, 'Bamel', G-EAXZ.]](jpegs/37597.jpg)
[Gloster Mars I, 'Bamel', G-EAXZ.]
[by Cyril Barraud.]
[n.d., 1922.]
Etching. 155 x 105mm (6¼ x 4¼"). Some staining.
Derived from the Nieuport Nighthawk, the Gloster Mars I was a single-seat racing biplane. In 1922 a Mars I made an attempt on the world air speed record. Although the recorded speed of 212.15 mph (342 km/h) was faster than the existing record, it did not exceed it by the required margin, so the record was not recognised. Cyril Barraud (1877-1965), son of Herbert Rose Barraud and nephew of Francis Barraud. Having trained at the Brighton School of Art he emigrated to Winnepeg in 1913. He was commissioned as a lieutenant with the 43rd Battalion of the Canadian Expeditionary Forces in 1915 but transferred to the 79th Cameron Highlanders of Canada a few months later. He was wounded in the leg fighting in France in 1917, but returned to active service. Barraud was one of the first Canadian artists hired by Lord Beaverbrook for the War Records Office to sketch Canadian battle zones around Ypres and Vimy Ridge-Arras sectors. Later he was seconded to the Canadian War Memorials Fund. After demobilisation he remained in England, painting and etching landscapes, some of which were used for the LNER carriage prints, and taking commissions for christmas cards.
[Ref: 37597] £220.00 (£264.00 incl.VAT)
[by Cyril Barraud.]
[n.d., 1922.]
Etching. 155 x 105mm (6¼ x 4¼"). Some staining.
Derived from the Nieuport Nighthawk, the Gloster Mars I was a single-seat racing biplane. In 1922 a Mars I made an attempt on the world air speed record. Although the recorded speed of 212.15 mph (342 km/h) was faster than the existing record, it did not exceed it by the required margin, so the record was not recognised. Cyril Barraud (1877-1965), son of Herbert Rose Barraud and nephew of Francis Barraud. Having trained at the Brighton School of Art he emigrated to Winnepeg in 1913. He was commissioned as a lieutenant with the 43rd Battalion of the Canadian Expeditionary Forces in 1915 but transferred to the 79th Cameron Highlanders of Canada a few months later. He was wounded in the leg fighting in France in 1917, but returned to active service. Barraud was one of the first Canadian artists hired by Lord Beaverbrook for the War Records Office to sketch Canadian battle zones around Ypres and Vimy Ridge-Arras sectors. Later he was seconded to the Canadian War Memorials Fund. After demobilisation he remained in England, painting and etching landscapes, some of which were used for the LNER carriage prints, and taking commissions for christmas cards.
[Ref: 37597] £220.00 (£264.00 incl.VAT)
A Retriever
Painted by W.Barraud. Drawn on Stone & Printed by Fairland.
London. Published by Cha.s Tilt, Fleet Street [n.d., c.1840.]
Lithograph. Printed area 235 x 295mm.
[Ref: 525] £220.00 (£264.00 incl.VAT)
Painted by W.Barraud. Drawn on Stone & Printed by Fairland.
London. Published by Cha.s Tilt, Fleet Street [n.d., c.1840.]
Lithograph. Printed area 235 x 295mm.
[Ref: 525] £220.00 (£264.00 incl.VAT)
Colonel Barré.
H.D. Hamilton del. R. Sayer Excudit. R. Houston fecit.
London, Printed for Rob.t Sayer, No. 53 in Fleet Street, Published as the Act directs, 2 July 1771.
Mezzotint. Platemark: 375 x 275mm (14¾ x 10¾"). Large margins. Bottom left corner cut outside of platemark.
A portrait of Irish soldier and politician Isaac Barré (1726 - 1802) in profile to the right. Barré earned distinction serving with the British army during the Seven Years' War, and later became a prominent Member of Parliament where he became a vocal supporter of William Pitt. He is known for coining the term 'Sons of Liberty' in reference to American Whigs opposed to the British government's policies.
Ex collection of the Hon. Christopher Lennox-Boyd. Chaloner Smith: 5. II/II.
[Ref: 37709] £320.00
H.D. Hamilton del. R. Sayer Excudit. R. Houston fecit.
London, Printed for Rob.t Sayer, No. 53 in Fleet Street, Published as the Act directs, 2 July 1771.
Mezzotint. Platemark: 375 x 275mm (14¾ x 10¾"). Large margins. Bottom left corner cut outside of platemark.
A portrait of Irish soldier and politician Isaac Barré (1726 - 1802) in profile to the right. Barré earned distinction serving with the British army during the Seven Years' War, and later became a prominent Member of Parliament where he became a vocal supporter of William Pitt. He is known for coining the term 'Sons of Liberty' in reference to American Whigs opposed to the British government's policies.
Ex collection of the Hon. Christopher Lennox-Boyd. Chaloner Smith: 5. II/II.
[Ref: 37709] £320.00
![[Colonel Barré.]](jpegs/60064.jpg)
[Colonel Barré.] 18.
JS ff. [James Sayers.]
Published 17.th June 1782 by C. Bretherton.
Etching, 175 x 110mm (7 x 4¼") with large margins. Tape stains on margins.
Portrait of Isaac Barré (1726-1802), shown holding his hat in his right hand, his left thrust into his waistcoat. Barré was an Irish soldier and MP who earned distinction during the Seven Years War and supported William Pitt during his time in Parliament.
BM Satires 6066.
[Ref: 60064] £85.00 (£102.00 incl.VAT)
JS ff. [James Sayers.]
Published 17.th June 1782 by C. Bretherton.
Etching, 175 x 110mm (7 x 4¼") with large margins. Tape stains on margins.
Portrait of Isaac Barré (1726-1802), shown holding his hat in his right hand, his left thrust into his waistcoat. Barré was an Irish soldier and MP who earned distinction during the Seven Years War and supported William Pitt during his time in Parliament.
BM Satires 6066.
[Ref: 60064] £85.00 (£102.00 incl.VAT)
![[Isaac Barre] Colonel Barre.](jpegs/35636.jpg)
[Isaac Barre] Colonel Barre.
London Mag: May, 1780.
Engraving with very small margins. Sheet size: 205 x 125mm (8 x 5").
A bust portrait of soldier and politician Isaac Barré (1726 - 1802), within an oval. Barré was born in Dublin to French parents. He entered the army and fought alongside General Wolfe at the Battle of Quebec, 1759. Entering Parliament in 1761, he gained a fearsome reputation as a scourge of corruption and a champion of the American colonies. His phrase 'Sons of Liberty' became a Patriot slogan during the American War of Independence.
[Ref: 35636] £80.00 (£96.00 incl.VAT)
London Mag: May, 1780.
Engraving with very small margins. Sheet size: 205 x 125mm (8 x 5").
A bust portrait of soldier and politician Isaac Barré (1726 - 1802), within an oval. Barré was born in Dublin to French parents. He entered the army and fought alongside General Wolfe at the Battle of Quebec, 1759. Entering Parliament in 1761, he gained a fearsome reputation as a scourge of corruption and a champion of the American colonies. His phrase 'Sons of Liberty' became a Patriot slogan during the American War of Independence.
[Ref: 35636] £80.00 (£96.00 incl.VAT)
The Right Honorable Isaac Barre.
Painted by C.G. Stuart, 1785. John Hall sculp.t Engraver to his Majesty.
Published April 5th 1787, as the Act directs, by J. Hall No. 83 Berwick Street, London.
Engraving. Sheet 340 x 265mm (13¼ x 10½"). Trimmed just within plate.
A portrait of Irish soldier and politician Isaac Barré (1726 - 1802). Barré earned distinction serving with the British army during the Seven Years' War, and later became a prominent Member of Parliament where he became a vocal supporter of William Pitt. He is known for coining the term 'Sons of Liberty' in reference to American Whigs opposed to the British government's policies.
[Ref: 40526] £190.00 (£228.00 incl.VAT)
Painted by C.G. Stuart, 1785. John Hall sculp.t Engraver to his Majesty.
Published April 5th 1787, as the Act directs, by J. Hall No. 83 Berwick Street, London.
Engraving. Sheet 340 x 265mm (13¼ x 10½"). Trimmed just within plate.
A portrait of Irish soldier and politician Isaac Barré (1726 - 1802). Barré earned distinction serving with the British army during the Seven Years' War, and later became a prominent Member of Parliament where he became a vocal supporter of William Pitt. He is known for coining the term 'Sons of Liberty' in reference to American Whigs opposed to the British government's policies.
[Ref: 40526] £190.00 (£228.00 incl.VAT)
![[Colonel Isaac Barré.]](jpegs/42134.jpg)
[Colonel Isaac Barré.]
J.S. f.
Published 17th June 1782 by C. Bretherton.
Etching. Sheet: 115 x 175mm (4½ x 7"). Trimmed within plate and tipped into album sheet. Some marking.
A full-length portrait of Colonel Isaac Barré (1726-1802) by caricaturist James Sayers, shown holding his hat in his right hand, his left thrust into his waistcoat. Barré was an Irish soldier and MP who earned distinction during the Seven Years War and supported William Pitt during his time in Parliament.
BM Satire 6066.
[Ref: 42134] £60.00 (£72.00 incl.VAT)
J.S. f.
Published 17th June 1782 by C. Bretherton.
Etching. Sheet: 115 x 175mm (4½ x 7"). Trimmed within plate and tipped into album sheet. Some marking.
A full-length portrait of Colonel Isaac Barré (1726-1802) by caricaturist James Sayers, shown holding his hat in his right hand, his left thrust into his waistcoat. Barré was an Irish soldier and MP who earned distinction during the Seven Years War and supported William Pitt during his time in Parliament.
BM Satire 6066.
[Ref: 42134] £60.00 (£72.00 incl.VAT)
![[Isaac Barré.]](jpegs/21358.jpg)
[Isaac Barré.]
JS[ayers] ff.
Published 17th June 1782 by C Bretherton [but a later impression?].
Etching on wove paper, 175 x 110mm. 7 x 4¼". A decent impression, with good margins. Faint staining to right side of plate.
Caricature of Isaac Barré (1726 - 1802), full face, standing, his hat in his right hand, his left hand thrust into his waistcoat. Politician and soldier, Barré was born in Dublin to French parents. He entered the army and fought alongside General Wolfe at the Battle of Quebec in 1759. Entering Parliament in 1761, he gained a fearsome reputation as a scourge of corruption and a champion of the American colonies. His phrase 'Sons of Liberty' became a Patriot slogan during the American War of Independence, 1775-82. He shared John Wilkes's royal enmity and mastery of radical invective; the town of Wilkes-Barré, Pennsylvania, founded 1769, commemorates their friendship. Barré was the subject of Sayers's second important political satire. By James Sayers (1748 - 1823). Sayers's caricatures were so powerful and direct in their purpose that Fox is said to have declared that they did him more harm than all the attacks made on him in parliament or the press. Numbered 'XII' faintly upper left. The publisher Charles Bretherton (c.1760 fl - 1783) was the younger brother of James Bretherton.
BM Satires 6066. See BM 6028. NPG D9620.
[Ref: 21358] £140.00 (£168.00 incl.VAT)
JS[ayers] ff.
Published 17th June 1782 by C Bretherton [but a later impression?].
Etching on wove paper, 175 x 110mm. 7 x 4¼". A decent impression, with good margins. Faint staining to right side of plate.
Caricature of Isaac Barré (1726 - 1802), full face, standing, his hat in his right hand, his left hand thrust into his waistcoat. Politician and soldier, Barré was born in Dublin to French parents. He entered the army and fought alongside General Wolfe at the Battle of Quebec in 1759. Entering Parliament in 1761, he gained a fearsome reputation as a scourge of corruption and a champion of the American colonies. His phrase 'Sons of Liberty' became a Patriot slogan during the American War of Independence, 1775-82. He shared John Wilkes's royal enmity and mastery of radical invective; the town of Wilkes-Barré, Pennsylvania, founded 1769, commemorates their friendship. Barré was the subject of Sayers's second important political satire. By James Sayers (1748 - 1823). Sayers's caricatures were so powerful and direct in their purpose that Fox is said to have declared that they did him more harm than all the attacks made on him in parliament or the press. Numbered 'XII' faintly upper left. The publisher Charles Bretherton (c.1760 fl - 1783) was the younger brother of James Bretherton.
BM Satires 6066. See BM 6028. NPG D9620.
[Ref: 21358] £140.00 (£168.00 incl.VAT)
Jacques Barrelier, (Botaniste), Né à Paris le 1606 Mort à Paris, le 17 Septembre 1673.
Dessiné d’après le portrait original de Poilly et gravé par Ambroise Tardieu.
[n.d. c.1830.]
Stipple. 214 x 146mm (8½ x 5¾"). Slight foxing.
Jacques Barrelier (1606-1673), biologist and French Dominican monk. Spent many years in Rome where he created a botanical garden and worked on his 'Hortus Mundi'.
W: 180.
[Ref: 29583] £45.00 (£54.00 incl.VAT)
Dessiné d’après le portrait original de Poilly et gravé par Ambroise Tardieu.
[n.d. c.1830.]
Stipple. 214 x 146mm (8½ x 5¾"). Slight foxing.
Jacques Barrelier (1606-1673), biologist and French Dominican monk. Spent many years in Rome where he created a botanical garden and worked on his 'Hortus Mundi'.
W: 180.
[Ref: 29583] £45.00 (£54.00 incl.VAT)
![[Barren Landscape.]](jpegs/34811.jpg)
[Barren Landscape.]
[H.B. Ker.]
[n.d. c.1812.]
Soft-ground etching. 121 x 202mm (4¾ x 8"). Cut.
Barren landscape, with small three-arched hump bridge over a meandering river in foreground at left; a group of trees on the opposite bank; long bridge seen in the distance at right. (Charles) Henry Bellenden Ker (1780-1871), a lawyer active in the Boundary Commission just before the Reform Act of 1852 and amateur artist. As a young man he was patron to William Blake but Blake had to take legal steps to get paid.
Ex. Collection of the Hon.Christopher Lennox-Boyd.
[Ref: 34811] £60.00 (£72.00 incl.VAT)
[H.B. Ker.]
[n.d. c.1812.]
Soft-ground etching. 121 x 202mm (4¾ x 8"). Cut.
Barren landscape, with small three-arched hump bridge over a meandering river in foreground at left; a group of trees on the opposite bank; long bridge seen in the distance at right. (Charles) Henry Bellenden Ker (1780-1871), a lawyer active in the Boundary Commission just before the Reform Act of 1852 and amateur artist. As a young man he was patron to William Blake but Blake had to take legal steps to get paid.
Ex. Collection of the Hon.Christopher Lennox-Boyd.
[Ref: 34811] £60.00 (£72.00 incl.VAT)
J.M. Barrie.
Supplement to The Bookman, Christmas, 1905.
Photo by G.C. Beresford, Yeoman's Row. W. The Cranford Press, Wealdstone.
Photogravure. Sheet: 330 x 210mm (12½ x 8¼'').
A portrait of Scottish novelist James Matthew Barrie (1860-1937), best known for writing 'Peter Pan'.
[Ref: 48958] £70.00 (£84.00 incl.VAT)
Supplement to The Bookman, Christmas, 1905.
Photo by G.C. Beresford, Yeoman's Row. W. The Cranford Press, Wealdstone.
Photogravure. Sheet: 330 x 210mm (12½ x 8¼'').
A portrait of Scottish novelist James Matthew Barrie (1860-1937), best known for writing 'Peter Pan'.
[Ref: 48958] £70.00 (£84.00 incl.VAT)
J. M. Barrie. Supplement to The Bookman Christmas, 1920.
Photo by Alvin Langdon Coburn.
[1920.]
Photogravure. Sheet: 315 x 200mm (12.5 x 8"). Tear in left edge.
A portrait of Scottish novelist James Matthew Barrie (1860-1937), best known for writing 'Peter Pan'.
[Ref: 45811] £85.00 (£102.00 incl.VAT)
Photo by Alvin Langdon Coburn.
[1920.]
Photogravure. Sheet: 315 x 200mm (12.5 x 8"). Tear in left edge.
A portrait of Scottish novelist James Matthew Barrie (1860-1937), best known for writing 'Peter Pan'.
[Ref: 45811] £85.00 (£102.00 incl.VAT)
Barrington picking the Pocket of J. Brown Esq.r.
[n.d., c.1790.]
Engraving. Plate: 165 x 110mm (6½ x 4¼''). Small margins.
A scene showing pickpocket George Barrington (1755-1804) picking a pocket, below are various aparatus for stealing. George Barrington was a socialite who was convicted for stealing in 1790 and transported to Botany Bay. On his journey to Australia he alerted the captain to a plan to seize the ship, on their arrival the captain reported his actions to the authorities and he received a warrant of emancipation, he later became high constable of Parramatta.
[Ref: 51117] £160.00 (£192.00 incl.VAT)
[n.d., c.1790.]
Engraving. Plate: 165 x 110mm (6½ x 4¼''). Small margins.
A scene showing pickpocket George Barrington (1755-1804) picking a pocket, below are various aparatus for stealing. George Barrington was a socialite who was convicted for stealing in 1790 and transported to Botany Bay. On his journey to Australia he alerted the captain to a plan to seize the ship, on their arrival the captain reported his actions to the authorities and he received a warrant of emancipation, he later became high constable of Parramatta.
[Ref: 51117] £160.00 (£192.00 incl.VAT)
The Honourable Samuel Barrington, Vice Admiral of the Blue, and Commander in Chief of his Majestys Ships at the Reduction of St. Lucia.
Sir Joshua Reynolds pinxt: Richd. Earlom fecit.
London, Printed for R.Sayer & J.Bennett, Map & Print-sellers, No.53, Fleet Street; as the Act directs, 12th. Feby. 1780.
Mezzotint. 378 x 279mm. 14" 7/8 x 11". Embossed collectors stamp for Ch. Kemeys-Tynte [Luft gives 1779-1860 as the dates although these may not be correct.] Repaired tear in lower margin.
Rear Admiral Samuel Barrington RN (1729 — 1800) British Admiral whose career spanned 50 years served in the Mediterranean against North African Corsairs, off the West African coast, off France and in the Channel. He accompanied Commordore Keppel to North America in 1755 and again served with Keppel in 1761 at Belle-Isle. He served as a Captain in the Channel for many years when in 1778 was advanced to Rear Admiral of the White and sent as Commander in Chief in the West Indies. Having been succesful in taking St. Lucia from the French he served in the West Indies for another couple of years after which in 1782 he returned to the Channel Fleet and served under Howe at the relief of Gibraltar.
CS:6.ii. See Ref: 9325 in Addendum.
[Ref: 8465] £250.00 (£300.00 incl.VAT)
Sir Joshua Reynolds pinxt: Richd. Earlom fecit.
London, Printed for R.Sayer & J.Bennett, Map & Print-sellers, No.53, Fleet Street; as the Act directs, 12th. Feby. 1780.
Mezzotint. 378 x 279mm. 14" 7/8 x 11". Embossed collectors stamp for Ch. Kemeys-Tynte [Luft gives 1779-1860 as the dates although these may not be correct.] Repaired tear in lower margin.
Rear Admiral Samuel Barrington RN (1729 — 1800) British Admiral whose career spanned 50 years served in the Mediterranean against North African Corsairs, off the West African coast, off France and in the Channel. He accompanied Commordore Keppel to North America in 1755 and again served with Keppel in 1761 at Belle-Isle. He served as a Captain in the Channel for many years when in 1778 was advanced to Rear Admiral of the White and sent as Commander in Chief in the West Indies. Having been succesful in taking St. Lucia from the French he served in the West Indies for another couple of years after which in 1782 he returned to the Channel Fleet and served under Howe at the relief of Gibraltar.
CS:6.ii. See Ref: 9325 in Addendum.
[Ref: 8465] £250.00 (£300.00 incl.VAT)
![[Samuel Barrington.]](jpegs/9325.jpg)
[Samuel Barrington.]
Benj.n Wilson Pinxit R. Earlom Sculp.
London, printed for R. Sayer & J. Bennett, No. 53 Fleet Street as the Act directs, 20th Sept. 1779.
Mezzotint. Plate: 380 x 280mm (15 x 11"). Very fine.
Rear Admiral Samuel Barrington RN (1729 — 1800) British Admiral whose career spanned 50 years served in the Mediterranean against North African Corsairs, off the West African coast, off France and in the Channel. He accompanied Commordore Keppel to North America in 1755 and again served with Keppel in 1761 at Belle-Isle. He served as a Captain in the Channel for many years when in 1778 was advanced to Rear Admiral of the White and sent as Commander in Chief in the West Indies. Having been succesful in taking St. Lucia from the French he served in the West Indies for another couple of years after which in 1782 he returned to the Channel Fleet and served under Howe at the relief of Gibraltar.
CS 7. i. See Ref: 8465.
[Ref: 9325] £350.00
Benj.n Wilson Pinxit R. Earlom Sculp.
London, printed for R. Sayer & J. Bennett, No. 53 Fleet Street as the Act directs, 20th Sept. 1779.
Mezzotint. Plate: 380 x 280mm (15 x 11"). Very fine.
Rear Admiral Samuel Barrington RN (1729 — 1800) British Admiral whose career spanned 50 years served in the Mediterranean against North African Corsairs, off the West African coast, off France and in the Channel. He accompanied Commordore Keppel to North America in 1755 and again served with Keppel in 1761 at Belle-Isle. He served as a Captain in the Channel for many years when in 1778 was advanced to Rear Admiral of the White and sent as Commander in Chief in the West Indies. Having been succesful in taking St. Lucia from the French he served in the West Indies for another couple of years after which in 1782 he returned to the Channel Fleet and served under Howe at the relief of Gibraltar.
CS 7. i. See Ref: 8465.
[Ref: 9325] £350.00
The bay of Barrisdale, in Loch Hourne.
Drawn & Engraved by Will.m Daniell.
Published by Mess.rs Longman, & Co. Paternoster Row, & W. Daniell, 9 Cleveland St. Fitzroy Square, London. Jan.y, 1, 1819.
Aquatint with fine original hand colour. 230 x 300mm (9 x 12"). Large margins, uncut.
A view of Barrisdale bay on Loch Hourn, with sailing boats in the water, buildings on the coast and rocky mountains behind. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 36106] £160.00 (£192.00 incl.VAT)
Drawn & Engraved by Will.m Daniell.
Published by Mess.rs Longman, & Co. Paternoster Row, & W. Daniell, 9 Cleveland St. Fitzroy Square, London. Jan.y, 1, 1819.
Aquatint with fine original hand colour. 230 x 300mm (9 x 12"). Large margins, uncut.
A view of Barrisdale bay on Loch Hourn, with sailing boats in the water, buildings on the coast and rocky mountains behind. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 36106] £160.00 (£192.00 incl.VAT)
The Devil Paid His Due.
[by J.Barrow?]
Pub.d by J.Wallis. No 16, Ludgate Street. March 6 1784.
Engraving. 250 x 350mm. Trimmed within plate, small loss of printed surface.
Charles James Fox tied to an elephant's tail, being whipped by Justice. In December 1783 the coalition government of Charles James Fox (1749-1806) and Lord North was removed from office by George III after a sustained campaign of public vilification. James sayer was the son of a merchant captain from Great Yarmouth Norfolk. He openly attacked Fox, many of his cartoons damaging Fox's career. Fox had supported American Independence.
BM: 6440.
[Ref: 6791] £260.00 (£312.00 incl.VAT)
[by J.Barrow?]
Pub.d by J.Wallis. No 16, Ludgate Street. March 6 1784.
Engraving. 250 x 350mm. Trimmed within plate, small loss of printed surface.
Charles James Fox tied to an elephant's tail, being whipped by Justice. In December 1783 the coalition government of Charles James Fox (1749-1806) and Lord North was removed from office by George III after a sustained campaign of public vilification. James sayer was the son of a merchant captain from Great Yarmouth Norfolk. He openly attacked Fox, many of his cartoons damaging Fox's career. Fox had supported American Independence.
BM: 6440.
[Ref: 6791] £260.00 (£312.00 incl.VAT)
Isaac Barrow D.D. and Chaplain in Ordinary to King Charles II. professor of Geometry in Gresham College, and of the Greek Tongue and Mathematics at Cambridge, and Master of Trinity College in that University.
Vandyke pinx.t. Pelit Sculp.t..
Engrav'd for the Royal Magazine. [n.d., c.1770]
Engraving, plate 175 x 100mm (7 x 4"), with large margins. Some surface dirt on left.
Oval portraits of Isaac Barrow (1630 –1677) an English Christian theologian and mathematician who is generally given credit for his early role in the development of infinitesimal calculus.
Wellcome: 183-7
[Ref: 57053] £70.00 (£84.00 incl.VAT)
Vandyke pinx.t. Pelit Sculp.t..
Engrav'd for the Royal Magazine. [n.d., c.1770]
Engraving, plate 175 x 100mm (7 x 4"), with large margins. Some surface dirt on left.
Oval portraits of Isaac Barrow (1630 –1677) an English Christian theologian and mathematician who is generally given credit for his early role in the development of infinitesimal calculus.
Wellcome: 183-7
[Ref: 57053] £70.00 (£84.00 incl.VAT)
Isaacus Barrow S.T.P. Reg. Ma.ti A Sacris coll. S.S. Trini. Cantab. Praefec. Nec-Non Acad. Eiusdem Procanc: 1676.
D. Loggan ad Vivum delin.
[n.d. c.1676.]
Engraving. 275 x 190mm. (10¾ x 7½"), with large margins on 3 sides.
Portrait, head and shoulders in an oval frame, long hair, wearing bands, gown and robes; coat of arms below. Isaac Barrow (1630-1677) was a divine. He was an English theologian, and mathmatician who is generally remembered for his early role in the development of infinitesimal calculus, and particularly for the discovery of the fundamental theorem of calculus. Isaac Newton was a student of Barrow's and went on to develop calculus in a modern form.
Wellcome Library no. 792i;
[Ref: 53621] £90.00 (£108.00 incl.VAT)
D. Loggan ad Vivum delin.
[n.d. c.1676.]
Engraving. 275 x 190mm. (10¾ x 7½"), with large margins on 3 sides.
Portrait, head and shoulders in an oval frame, long hair, wearing bands, gown and robes; coat of arms below. Isaac Barrow (1630-1677) was a divine. He was an English theologian, and mathmatician who is generally remembered for his early role in the development of infinitesimal calculus, and particularly for the discovery of the fundamental theorem of calculus. Isaac Newton was a student of Barrow's and went on to develop calculus in a modern form.
Wellcome Library no. 792i;
[Ref: 53621] £90.00 (£108.00 incl.VAT)
Isaacus Barrow S.T.P. Reg. Ma.ti A Sacris coll. S.S. Trini. Cantab. Praefec. Nec-Non Acad. Eiusdem Procanc: 1676.
D. Loggan ad Vivum delin.
[n.d. c.1676.]
Engraving. Platemark: 275 x 190mm (10¾ x 7½"), with large margins.
Portrait of Isaac Barrow (1630-1677), head and shoulders in an oval frame, long hair, wearing bands, gown and robes, with a coat of arms below. Barrow was an English theologian and mathmatician who is generally remembered for his early role in the development of infinitesimal calculus, and particularly for the discovery of the fundamental theorem of calculus. Isaac Newton was a student of Barrow's and went on to develop calculus in a modern form.
Wellcome Library no. 792i; ex Collection: R. Hobson of Hove.
[Ref: 39257] £140.00 (£168.00 incl.VAT)
D. Loggan ad Vivum delin.
[n.d. c.1676.]
Engraving. Platemark: 275 x 190mm (10¾ x 7½"), with large margins.
Portrait of Isaac Barrow (1630-1677), head and shoulders in an oval frame, long hair, wearing bands, gown and robes, with a coat of arms below. Barrow was an English theologian and mathmatician who is generally remembered for his early role in the development of infinitesimal calculus, and particularly for the discovery of the fundamental theorem of calculus. Isaac Newton was a student of Barrow's and went on to develop calculus in a modern form.
Wellcome Library no. 792i; ex Collection: R. Hobson of Hove.
[Ref: 39257] £140.00 (£168.00 incl.VAT)
Isaacus Barrow S.T.P. Reg. Ma.ti A Sacris Coll. S. S. Trini. Cantab. Præfec. Nec. Non Acad. Eiusdem Procanc. ao. 1676.
D. Loggan ad Vivam delin. Bernigeroth sc.
[n.d., c.1690.]
Engraving. Sheet: 175 x 125mm (7 x 5''). Trimmed.
A portrait of academic and mathematician Isaac Barrow (1630-1677) who was master of Trinity College, Cambridge and was famed for "Calculus".
W. 183.3.
[Ref: 48727] £220.00 (£264.00 incl.VAT)
D. Loggan ad Vivam delin. Bernigeroth sc.
[n.d., c.1690.]
Engraving. Sheet: 175 x 125mm (7 x 5''). Trimmed.
A portrait of academic and mathematician Isaac Barrow (1630-1677) who was master of Trinity College, Cambridge and was famed for "Calculus".
W. 183.3.
[Ref: 48727] £220.00 (£264.00 incl.VAT)
Unfortunately this item is either sold or reserved. If you are interested in similar items and cannot find what you're looking for on our website, please consider filling in our interests form. If you register, we can also send you items that match your interests when the website is updated.
![John Barrow [facsimile signature].](jpegs/64974.jpg)
John Barrow [facsimile signature].
Painted by John Lucas. Engraved by G.T. Payne.
London, Published May 27th. 1847, by Henry Graves & Comp.y Printsellers to the Queen, 6, Pall Mall.
Mezzotint. 385 x 305mm (15¼ x 12"), with large margins. Some faint spotting.
A half-length portrait of Sir John Barrow (1764-1848), who accompanied Lord Macartney to China in 1792 (authoring the official account) and to South Africa in 1797 to settle the government of the new colony of the Cape of Good Hope. He was appointed Second Secretary to the Admiralty in 1804 and was one of the founding members of the Royal Geographical Society.
Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 64974] £360.00
Painted by John Lucas. Engraved by G.T. Payne.
London, Published May 27th. 1847, by Henry Graves & Comp.y Printsellers to the Queen, 6, Pall Mall.
Mezzotint. 385 x 305mm (15¼ x 12"), with large margins. Some faint spotting.
A half-length portrait of Sir John Barrow (1764-1848), who accompanied Lord Macartney to China in 1792 (authoring the official account) and to South Africa in 1797 to settle the government of the new colony of the Cape of Good Hope. He was appointed Second Secretary to the Admiralty in 1804 and was one of the founding members of the Royal Geographical Society.
Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 64974] £360.00