A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
![[The Effigies of M. Giacomo Barozzio da Vignola.]](jpegs/64311.jpg)
[The Effigies of M. Giacomo Barozzio da Vignola.]
[n.d., c.1700.]
Engraving. 355 x 210mm (14 x 8¼"). Trimmed into plate at top.
A half-length portrait of Italian architect Giacomo Barozzi da Vignola (1507-73), within an architectural caprice. This is a copy of the frontispiece engraved by William Sherwin for the 1669 edition of 'The Regular Architect: or the General rule of the five orders of Architecture'.
[Ref: 64311] £160.00 (£192.00 incl.VAT)
[n.d., c.1700.]
Engraving. 355 x 210mm (14 x 8¼"). Trimmed into plate at top.
A half-length portrait of Italian architect Giacomo Barozzi da Vignola (1507-73), within an architectural caprice. This is a copy of the frontispiece engraved by William Sherwin for the 1669 edition of 'The Regular Architect: or the General rule of the five orders of Architecture'.
[Ref: 64311] £160.00 (£192.00 incl.VAT)
![[Giacomo Barozzi.]](jpegs/48987.jpg)
[Giacomo Barozzi.] Regolo Delli Cinque Ordini d'Architettura di M. Iacomo Barozzio da Vignola Libero Primo et Originale.
Si Stampa in Roma da Gio. Batta de Rossi Milanese in Piazza Nauona. [n.d., c.1665.]
Rare engraving. Plate: 370 x 215mm (14½ x 8½''), with large margins.
A portrait of Giacomo Barozzi da Vignola (1507-1573), author of The Five Orders of Archicture, one of the most important architectural treatises which helped formulate the canon of architctural study. This engraving served as the frontispiece to The Five Orders of Architecture.
[Ref: 48987] £320.00
Si Stampa in Roma da Gio. Batta de Rossi Milanese in Piazza Nauona. [n.d., c.1665.]
Rare engraving. Plate: 370 x 215mm (14½ x 8½''), with large margins.
A portrait of Giacomo Barozzi da Vignola (1507-1573), author of The Five Orders of Archicture, one of the most important architectural treatises which helped formulate the canon of architctural study. This engraving served as the frontispiece to The Five Orders of Architecture.
[Ref: 48987] £320.00
Barque Napolitaine vue par l'arrier, au mouillage. Pinque Génois, allant au plus près du vent. 18.
Dessiné et Gravé par Baugean.
[n.d. c.1826. Jean.]
Etching. Plate 158 x 197mm. 6¼ x 7¾".
From: "Collection de Toutes les Especes de Batimens...2eme Livraison". A Neapolitian cargo vessel in the bay alongside a Genoese sailing vessel. A small dinghy leaves the cargo vessel with men making their way towards the sailing ship.
NMM: PAD7394.
[Ref: 16767] £65.00 (£78.00 incl.VAT)
Dessiné et Gravé par Baugean.
[n.d. c.1826. Jean.]
Etching. Plate 158 x 197mm. 6¼ x 7¾".
From: "Collection de Toutes les Especes de Batimens...2eme Livraison". A Neapolitian cargo vessel in the bay alongside a Genoese sailing vessel. A small dinghy leaves the cargo vessel with men making their way towards the sailing ship.
NMM: PAD7394.
[Ref: 16767] £65.00 (£78.00 incl.VAT)
![[A View of Barrackpore House, with the Reach of the River.]](jpegs/60807.jpg)
[A View of Barrackpore House, with the Reach of the River.]
Drawn by James B. Fraser. Engraved by Rob.t Havell Jun.r 79 Newman Str.t Oxford Str.
[London, Published for the Proprietor by Mess.rs Rodwell & Martin, New Bond Street, March 1 1825.]
Coloured aquatint. Sheet 305 x 470mm (12 x 14½"). Trimmed within plate, title and publication line exised. some surface wear.
From a series of views showing Calcutta life in the early 19th century, 'Views of Calcutta and its Environs", by James Baillie Fraser (1783-1856). Fraser, an amateur artist, banker and merchant was based in Calcutta from 1813 to 1820. His famous series of views of Calcutta record the topography of this metropolis during the most dynamic period of its history. He was influenced by other artists working in Calcutta including George Chinnery and William Havell. The publication of these views was begun by Rodwell and Martin in 1824, publishers of his 'Views in the Himalaya Mountains' in 1820, but completed and extended by Smith, Elder by 1826.
Abbey: 494.
[Ref: 60807] £380.00
Drawn by James B. Fraser. Engraved by Rob.t Havell Jun.r 79 Newman Str.t Oxford Str.
[London, Published for the Proprietor by Mess.rs Rodwell & Martin, New Bond Street, March 1 1825.]
Coloured aquatint. Sheet 305 x 470mm (12 x 14½"). Trimmed within plate, title and publication line exised. some surface wear.
From a series of views showing Calcutta life in the early 19th century, 'Views of Calcutta and its Environs", by James Baillie Fraser (1783-1856). Fraser, an amateur artist, banker and merchant was based in Calcutta from 1813 to 1820. His famous series of views of Calcutta record the topography of this metropolis during the most dynamic period of its history. He was influenced by other artists working in Calcutta including George Chinnery and William Havell. The publication of these views was begun by Rodwell and Martin in 1824, publishers of his 'Views in the Himalaya Mountains' in 1820, but completed and extended by Smith, Elder by 1826.
Abbey: 494.
[Ref: 60807] £380.00
Fainasollis Borbar & Fingal... Vide Macpherson's Ossian Poem of Fingal, book 3.d.
Barralet delin. T.Parker sculp.t.
London: Published by J.Deeley, March 1, 1809, 95 Berwick St, Soho.
Engraving. 440 x 500mm. On Whatman paper watermarked 1808.
According to the Scottish poet James Macpherson's interpretation of Celtic mythology, Fainasollis, the daughter of the king of Craca, was slain by Solis and avenged by Fingal.
[Ref: 7332] £180.00 (£216.00 incl.VAT)
Barralet delin. T.Parker sculp.t.
London: Published by J.Deeley, March 1, 1809, 95 Berwick St, Soho.
Engraving. 440 x 500mm. On Whatman paper watermarked 1808.
According to the Scottish poet James Macpherson's interpretation of Celtic mythology, Fainasollis, the daughter of the king of Craca, was slain by Solis and avenged by Fingal.
[Ref: 7332] £180.00 (£216.00 incl.VAT)
![[RAF monoplane.]](jpegs/37596.jpg)
[RAF monoplane.]
[by Cyril Barraud.]
[n.d., c.1935.]
Etching. 110 x 150mm (4¼ x 6"), watermarked F J Head & Co.
Cyril Barraud (1877-1965), son of Herbert Rose Barraud and nephew of Francis Barraud. Having trained at the Brighton School of Art he emigrated to Winnepeg in 1913. He was commissioned as a lieutenant with the 43rd Battalion of the Canadian Expeditionary Forces in 1915 but transferred to the 79th Cameron Highlanders of Canada a few months later. He was wounded in the leg fighting in France in 1917, but returned to active service. Barraud was one of the first Canadian artists hired by Lord Beaverbrook for the War Records Office to sketch Canadian battle zones around Ypres and Vimy Ridge-Arras sectors. Later he was seconded to the Canadian War Memorials Fund. After demobilisation he remained in England, painting and etching landscapes, some of which were used for the LNER carriage prints, and taking commissions for christmas cards.
[Ref: 37596] £220.00 (£264.00 incl.VAT)
[by Cyril Barraud.]
[n.d., c.1935.]
Etching. 110 x 150mm (4¼ x 6"), watermarked F J Head & Co.
Cyril Barraud (1877-1965), son of Herbert Rose Barraud and nephew of Francis Barraud. Having trained at the Brighton School of Art he emigrated to Winnepeg in 1913. He was commissioned as a lieutenant with the 43rd Battalion of the Canadian Expeditionary Forces in 1915 but transferred to the 79th Cameron Highlanders of Canada a few months later. He was wounded in the leg fighting in France in 1917, but returned to active service. Barraud was one of the first Canadian artists hired by Lord Beaverbrook for the War Records Office to sketch Canadian battle zones around Ypres and Vimy Ridge-Arras sectors. Later he was seconded to the Canadian War Memorials Fund. After demobilisation he remained in England, painting and etching landscapes, some of which were used for the LNER carriage prints, and taking commissions for christmas cards.
[Ref: 37596] £220.00 (£264.00 incl.VAT)
![[Gloster Mars I, 'Bamel', G-EAXZ.]](jpegs/37597.jpg)
[Gloster Mars I, 'Bamel', G-EAXZ.]
[by Cyril Barraud.]
[n.d., 1922.]
Etching. 155 x 105mm (6¼ x 4¼"). Some staining.
Derived from the Nieuport Nighthawk, the Gloster Mars I was a single-seat racing biplane. In 1922 a Mars I made an attempt on the world air speed record. Although the recorded speed of 212.15 mph (342 km/h) was faster than the existing record, it did not exceed it by the required margin, so the record was not recognised. Cyril Barraud (1877-1965), son of Herbert Rose Barraud and nephew of Francis Barraud. Having trained at the Brighton School of Art he emigrated to Winnepeg in 1913. He was commissioned as a lieutenant with the 43rd Battalion of the Canadian Expeditionary Forces in 1915 but transferred to the 79th Cameron Highlanders of Canada a few months later. He was wounded in the leg fighting in France in 1917, but returned to active service. Barraud was one of the first Canadian artists hired by Lord Beaverbrook for the War Records Office to sketch Canadian battle zones around Ypres and Vimy Ridge-Arras sectors. Later he was seconded to the Canadian War Memorials Fund. After demobilisation he remained in England, painting and etching landscapes, some of which were used for the LNER carriage prints, and taking commissions for christmas cards.
[Ref: 37597] £220.00 (£264.00 incl.VAT)
[by Cyril Barraud.]
[n.d., 1922.]
Etching. 155 x 105mm (6¼ x 4¼"). Some staining.
Derived from the Nieuport Nighthawk, the Gloster Mars I was a single-seat racing biplane. In 1922 a Mars I made an attempt on the world air speed record. Although the recorded speed of 212.15 mph (342 km/h) was faster than the existing record, it did not exceed it by the required margin, so the record was not recognised. Cyril Barraud (1877-1965), son of Herbert Rose Barraud and nephew of Francis Barraud. Having trained at the Brighton School of Art he emigrated to Winnepeg in 1913. He was commissioned as a lieutenant with the 43rd Battalion of the Canadian Expeditionary Forces in 1915 but transferred to the 79th Cameron Highlanders of Canada a few months later. He was wounded in the leg fighting in France in 1917, but returned to active service. Barraud was one of the first Canadian artists hired by Lord Beaverbrook for the War Records Office to sketch Canadian battle zones around Ypres and Vimy Ridge-Arras sectors. Later he was seconded to the Canadian War Memorials Fund. After demobilisation he remained in England, painting and etching landscapes, some of which were used for the LNER carriage prints, and taking commissions for christmas cards.
[Ref: 37597] £220.00 (£264.00 incl.VAT)
A Retriever
Painted by W.Barraud. Drawn on Stone & Printed by Fairland.
London. Published by Cha.s Tilt, Fleet Street [n.d., c.1840.]
Lithograph. Printed area 235 x 295mm.
[Ref: 525] £220.00 (£264.00 incl.VAT)
Painted by W.Barraud. Drawn on Stone & Printed by Fairland.
London. Published by Cha.s Tilt, Fleet Street [n.d., c.1840.]
Lithograph. Printed area 235 x 295mm.
[Ref: 525] £220.00 (£264.00 incl.VAT)
Colonel Barré.
H.D. Hamilton del. R. Sayer Excudit. R. Houston fecit.
London, Printed for Rob.t Sayer, No. 53 in Fleet Street, Published as the Act directs, 2 July 1771.
Mezzotint. Platemark: 375 x 275mm (14¾ x 10¾"). Large margins. Bottom left corner cut outside of platemark.
A portrait of Irish soldier and politician Isaac Barré (1726 - 1802) in profile to the right. Barré earned distinction serving with the British army during the Seven Years' War, and later became a prominent Member of Parliament where he became a vocal supporter of William Pitt. He is known for coining the term 'Sons of Liberty' in reference to American Whigs opposed to the British government's policies.
Ex collection of the Hon. Christopher Lennox-Boyd. Chaloner Smith: 5. II/II.
[Ref: 37709] £320.00
H.D. Hamilton del. R. Sayer Excudit. R. Houston fecit.
London, Printed for Rob.t Sayer, No. 53 in Fleet Street, Published as the Act directs, 2 July 1771.
Mezzotint. Platemark: 375 x 275mm (14¾ x 10¾"). Large margins. Bottom left corner cut outside of platemark.
A portrait of Irish soldier and politician Isaac Barré (1726 - 1802) in profile to the right. Barré earned distinction serving with the British army during the Seven Years' War, and later became a prominent Member of Parliament where he became a vocal supporter of William Pitt. He is known for coining the term 'Sons of Liberty' in reference to American Whigs opposed to the British government's policies.
Ex collection of the Hon. Christopher Lennox-Boyd. Chaloner Smith: 5. II/II.
[Ref: 37709] £320.00
![[Isaac Barré.]](jpegs/21358.jpg)
[Isaac Barré.]
JS[ayers] ff.
Published 17th June 1782 by C Bretherton [but a later impression?].
Etching on wove paper, 175 x 110mm. 7 x 4¼". A decent impression, with good margins. Faint staining to right side of plate.
Caricature of Isaac Barré (1726 - 1802), full face, standing, his hat in his right hand, his left hand thrust into his waistcoat. Politician and soldier, Barré was born in Dublin to French parents. He entered the army and fought alongside General Wolfe at the Battle of Quebec in 1759. Entering Parliament in 1761, he gained a fearsome reputation as a scourge of corruption and a champion of the American colonies. His phrase 'Sons of Liberty' became a Patriot slogan during the American War of Independence, 1775-82. He shared John Wilkes's royal enmity and mastery of radical invective; the town of Wilkes-Barré, Pennsylvania, founded 1769, commemorates their friendship. Barré was the subject of Sayers's second important political satire. By James Sayers (1748 - 1823). Sayers's caricatures were so powerful and direct in their purpose that Fox is said to have declared that they did him more harm than all the attacks made on him in parliament or the press. Numbered 'XII' faintly upper left. The publisher Charles Bretherton (c.1760 fl - 1783) was the younger brother of James Bretherton.
BM Satires 6066. See BM 6028. NPG D9620.
[Ref: 21358] £140.00 (£168.00 incl.VAT)
JS[ayers] ff.
Published 17th June 1782 by C Bretherton [but a later impression?].
Etching on wove paper, 175 x 110mm. 7 x 4¼". A decent impression, with good margins. Faint staining to right side of plate.
Caricature of Isaac Barré (1726 - 1802), full face, standing, his hat in his right hand, his left hand thrust into his waistcoat. Politician and soldier, Barré was born in Dublin to French parents. He entered the army and fought alongside General Wolfe at the Battle of Quebec in 1759. Entering Parliament in 1761, he gained a fearsome reputation as a scourge of corruption and a champion of the American colonies. His phrase 'Sons of Liberty' became a Patriot slogan during the American War of Independence, 1775-82. He shared John Wilkes's royal enmity and mastery of radical invective; the town of Wilkes-Barré, Pennsylvania, founded 1769, commemorates their friendship. Barré was the subject of Sayers's second important political satire. By James Sayers (1748 - 1823). Sayers's caricatures were so powerful and direct in their purpose that Fox is said to have declared that they did him more harm than all the attacks made on him in parliament or the press. Numbered 'XII' faintly upper left. The publisher Charles Bretherton (c.1760 fl - 1783) was the younger brother of James Bretherton.
BM Satires 6066. See BM 6028. NPG D9620.
[Ref: 21358] £140.00 (£168.00 incl.VAT)
![[Colonel Barré.]](jpegs/60064.jpg)
[Colonel Barré.] 18.
JS ff. [James Sayers.]
Published 17.th June 1782 by C. Bretherton.
Etching, 175 x 110mm (7 x 4¼") with large margins. Tape stains on margins.
Portrait of Isaac Barré (1726-1802), shown holding his hat in his right hand, his left thrust into his waistcoat. Barré was an Irish soldier and MP who earned distinction during the Seven Years War and supported William Pitt during his time in Parliament.
BM Satires 6066.
[Ref: 60064] £85.00 (£102.00 incl.VAT)
JS ff. [James Sayers.]
Published 17.th June 1782 by C. Bretherton.
Etching, 175 x 110mm (7 x 4¼") with large margins. Tape stains on margins.
Portrait of Isaac Barré (1726-1802), shown holding his hat in his right hand, his left thrust into his waistcoat. Barré was an Irish soldier and MP who earned distinction during the Seven Years War and supported William Pitt during his time in Parliament.
BM Satires 6066.
[Ref: 60064] £85.00 (£102.00 incl.VAT)
The Right Honorable Isaac Barre.
Painted by C.G. Stuart, 1785. John Hall sculp.t Engraver to his Majesty.
Published April 5th 1787, as the Act directs, by J. Hall No. 83 Berwick Street, London.
Engraving. Sheet 340 x 265mm (13¼ x 10½"). Trimmed just within plate.
A portrait of Irish soldier and politician Isaac Barré (1726 - 1802). Barré earned distinction serving with the British army during the Seven Years' War, and later became a prominent Member of Parliament where he became a vocal supporter of William Pitt. He is known for coining the term 'Sons of Liberty' in reference to American Whigs opposed to the British government's policies.
[Ref: 40526] £190.00 (£228.00 incl.VAT)
Painted by C.G. Stuart, 1785. John Hall sculp.t Engraver to his Majesty.
Published April 5th 1787, as the Act directs, by J. Hall No. 83 Berwick Street, London.
Engraving. Sheet 340 x 265mm (13¼ x 10½"). Trimmed just within plate.
A portrait of Irish soldier and politician Isaac Barré (1726 - 1802). Barré earned distinction serving with the British army during the Seven Years' War, and later became a prominent Member of Parliament where he became a vocal supporter of William Pitt. He is known for coining the term 'Sons of Liberty' in reference to American Whigs opposed to the British government's policies.
[Ref: 40526] £190.00 (£228.00 incl.VAT)
![[Isaac Barre] Colonel Barre.](jpegs/35636.jpg)
[Isaac Barre] Colonel Barre.
London Mag: May, 1780.
Engraving with very small margins. Sheet size: 205 x 125mm (8 x 5").
A bust portrait of soldier and politician Isaac Barré (1726 - 1802), within an oval. Barré was born in Dublin to French parents. He entered the army and fought alongside General Wolfe at the Battle of Quebec, 1759. Entering Parliament in 1761, he gained a fearsome reputation as a scourge of corruption and a champion of the American colonies. His phrase 'Sons of Liberty' became a Patriot slogan during the American War of Independence.
[Ref: 35636] £80.00 (£96.00 incl.VAT)
London Mag: May, 1780.
Engraving with very small margins. Sheet size: 205 x 125mm (8 x 5").
A bust portrait of soldier and politician Isaac Barré (1726 - 1802), within an oval. Barré was born in Dublin to French parents. He entered the army and fought alongside General Wolfe at the Battle of Quebec, 1759. Entering Parliament in 1761, he gained a fearsome reputation as a scourge of corruption and a champion of the American colonies. His phrase 'Sons of Liberty' became a Patriot slogan during the American War of Independence.
[Ref: 35636] £80.00 (£96.00 incl.VAT)
![[Colonel Isaac Barré.]](jpegs/42134.jpg)
[Colonel Isaac Barré.]
J.S. f.
Published 17th June 1782 by C. Bretherton.
Etching. Sheet: 115 x 175mm (4½ x 7"). Trimmed within plate and tipped into album sheet. Some marking.
A full-length portrait of Colonel Isaac Barré (1726-1802) by caricaturist James Sayers, shown holding his hat in his right hand, his left thrust into his waistcoat. Barré was an Irish soldier and MP who earned distinction during the Seven Years War and supported William Pitt during his time in Parliament.
BM Satire 6066.
[Ref: 42134] £60.00 (£72.00 incl.VAT)
J.S. f.
Published 17th June 1782 by C. Bretherton.
Etching. Sheet: 115 x 175mm (4½ x 7"). Trimmed within plate and tipped into album sheet. Some marking.
A full-length portrait of Colonel Isaac Barré (1726-1802) by caricaturist James Sayers, shown holding his hat in his right hand, his left thrust into his waistcoat. Barré was an Irish soldier and MP who earned distinction during the Seven Years War and supported William Pitt during his time in Parliament.
BM Satire 6066.
[Ref: 42134] £60.00 (£72.00 incl.VAT)
Jacques Barrelier, (Botaniste), Né à Paris le 1606 Mort à Paris, le 17 Septembre 1673.
Dessiné d’après le portrait original de Poilly et gravé par Ambroise Tardieu.
[n.d. c.1830.]
Stipple. 214 x 146mm (8½ x 5¾"). Slight foxing.
Jacques Barrelier (1606-1673), biologist and French Dominican monk. Spent many years in Rome where he created a botanical garden and worked on his 'Hortus Mundi'.
W: 180.
[Ref: 29583] £45.00 (£54.00 incl.VAT)
Dessiné d’après le portrait original de Poilly et gravé par Ambroise Tardieu.
[n.d. c.1830.]
Stipple. 214 x 146mm (8½ x 5¾"). Slight foxing.
Jacques Barrelier (1606-1673), biologist and French Dominican monk. Spent many years in Rome where he created a botanical garden and worked on his 'Hortus Mundi'.
W: 180.
[Ref: 29583] £45.00 (£54.00 incl.VAT)
![[Barren Landscape.]](jpegs/34811.jpg)
[Barren Landscape.]
[H.B. Ker.]
[n.d. c.1812.]
Soft-ground etching. 121 x 202mm (4¾ x 8"). Cut.
Barren landscape, with small three-arched hump bridge over a meandering river in foreground at left; a group of trees on the opposite bank; long bridge seen in the distance at right. (Charles) Henry Bellenden Ker (1780-1871), a lawyer active in the Boundary Commission just before the Reform Act of 1852 and amateur artist. As a young man he was patron to William Blake but Blake had to take legal steps to get paid.
Ex. Collection of the Hon.Christopher Lennox-Boyd.
[Ref: 34811] £60.00 (£72.00 incl.VAT)
[H.B. Ker.]
[n.d. c.1812.]
Soft-ground etching. 121 x 202mm (4¾ x 8"). Cut.
Barren landscape, with small three-arched hump bridge over a meandering river in foreground at left; a group of trees on the opposite bank; long bridge seen in the distance at right. (Charles) Henry Bellenden Ker (1780-1871), a lawyer active in the Boundary Commission just before the Reform Act of 1852 and amateur artist. As a young man he was patron to William Blake but Blake had to take legal steps to get paid.
Ex. Collection of the Hon.Christopher Lennox-Boyd.
[Ref: 34811] £60.00 (£72.00 incl.VAT)
J.M. Barrie.
Supplement to The Bookman, Christmas, 1905.
Photo by G.C. Beresford, Yeoman's Row. W. The Cranford Press, Wealdstone.
Photogravure. Sheet: 330 x 210mm (12½ x 8¼'').
A portrait of Scottish novelist James Matthew Barrie (1860-1937), best known for writing 'Peter Pan'.
[Ref: 48958] £70.00 (£84.00 incl.VAT)
Supplement to The Bookman, Christmas, 1905.
Photo by G.C. Beresford, Yeoman's Row. W. The Cranford Press, Wealdstone.
Photogravure. Sheet: 330 x 210mm (12½ x 8¼'').
A portrait of Scottish novelist James Matthew Barrie (1860-1937), best known for writing 'Peter Pan'.
[Ref: 48958] £70.00 (£84.00 incl.VAT)
J. M. Barrie. Supplement to The Bookman Christmas, 1920.
Photo by Alvin Langdon Coburn.
[1920.]
Photogravure. Sheet: 315 x 200mm (12.5 x 8"). Tear in left edge.
A portrait of Scottish novelist James Matthew Barrie (1860-1937), best known for writing 'Peter Pan'.
[Ref: 45811] £85.00 (£102.00 incl.VAT)
Photo by Alvin Langdon Coburn.
[1920.]
Photogravure. Sheet: 315 x 200mm (12.5 x 8"). Tear in left edge.
A portrait of Scottish novelist James Matthew Barrie (1860-1937), best known for writing 'Peter Pan'.
[Ref: 45811] £85.00 (£102.00 incl.VAT)
Barrington picking the Pocket of J. Brown Esq.r.
[n.d., c.1790.]
Engraving. Plate: 165 x 110mm (6½ x 4¼''). Small margins.
A scene showing pickpocket George Barrington (1755-1804) picking a pocket, below are various aparatus for stealing. George Barrington was a socialite who was convicted for stealing in 1790 and transported to Botany Bay. On his journey to Australia he alerted the captain to a plan to seize the ship, on their arrival the captain reported his actions to the authorities and he received a warrant of emancipation, he later became high constable of Parramatta.
[Ref: 51117] £160.00 (£192.00 incl.VAT)
[n.d., c.1790.]
Engraving. Plate: 165 x 110mm (6½ x 4¼''). Small margins.
A scene showing pickpocket George Barrington (1755-1804) picking a pocket, below are various aparatus for stealing. George Barrington was a socialite who was convicted for stealing in 1790 and transported to Botany Bay. On his journey to Australia he alerted the captain to a plan to seize the ship, on their arrival the captain reported his actions to the authorities and he received a warrant of emancipation, he later became high constable of Parramatta.
[Ref: 51117] £160.00 (£192.00 incl.VAT)
The Honourable Samuel Barrington, Vice Admiral of the Blue, and Commander in Chief of his Majestys Ships at the Reduction of St. Lucia.
Sir Joshua Reynolds pinxt: Richd. Earlom fecit.
London, Printed for R.Sayer & J.Bennett, Map & Print-sellers, No.53, Fleet Street; as the Act directs, 12th. Feby. 1780.
Mezzotint. 378 x 279mm. 14" 7/8 x 11". Embossed collectors stamp for Ch. Kemeys-Tynte [Luft gives 1779-1860 as the dates although these may not be correct.] Repaired tear in lower margin.
Rear Admiral Samuel Barrington RN (1729 — 1800) British Admiral whose career spanned 50 years served in the Mediterranean against North African Corsairs, off the West African coast, off France and in the Channel. He accompanied Commordore Keppel to North America in 1755 and again served with Keppel in 1761 at Belle-Isle. He served as a Captain in the Channel for many years when in 1778 was advanced to Rear Admiral of the White and sent as Commander in Chief in the West Indies. Having been succesful in taking St. Lucia from the French he served in the West Indies for another couple of years after which in 1782 he returned to the Channel Fleet and served under Howe at the relief of Gibraltar.
CS:6.ii. See Ref: 9325 in Addendum.
[Ref: 8465] £250.00 (£300.00 incl.VAT)
Sir Joshua Reynolds pinxt: Richd. Earlom fecit.
London, Printed for R.Sayer & J.Bennett, Map & Print-sellers, No.53, Fleet Street; as the Act directs, 12th. Feby. 1780.
Mezzotint. 378 x 279mm. 14" 7/8 x 11". Embossed collectors stamp for Ch. Kemeys-Tynte [Luft gives 1779-1860 as the dates although these may not be correct.] Repaired tear in lower margin.
Rear Admiral Samuel Barrington RN (1729 — 1800) British Admiral whose career spanned 50 years served in the Mediterranean against North African Corsairs, off the West African coast, off France and in the Channel. He accompanied Commordore Keppel to North America in 1755 and again served with Keppel in 1761 at Belle-Isle. He served as a Captain in the Channel for many years when in 1778 was advanced to Rear Admiral of the White and sent as Commander in Chief in the West Indies. Having been succesful in taking St. Lucia from the French he served in the West Indies for another couple of years after which in 1782 he returned to the Channel Fleet and served under Howe at the relief of Gibraltar.
CS:6.ii. See Ref: 9325 in Addendum.
[Ref: 8465] £250.00 (£300.00 incl.VAT)
![[Samuel Barrington.]](jpegs/9325.jpg)
[Samuel Barrington.]
Benj.n Wilson Pinxit R. Earlom Sculp.
London, printed for R. Sayer & J. Bennett, No. 53 Fleet Street as the Act directs, 20th Sept. 1779.
Mezzotint. Plate: 380 x 280mm (15 x 11"). Very fine.
Rear Admiral Samuel Barrington RN (1729 — 1800) British Admiral whose career spanned 50 years served in the Mediterranean against North African Corsairs, off the West African coast, off France and in the Channel. He accompanied Commordore Keppel to North America in 1755 and again served with Keppel in 1761 at Belle-Isle. He served as a Captain in the Channel for many years when in 1778 was advanced to Rear Admiral of the White and sent as Commander in Chief in the West Indies. Having been succesful in taking St. Lucia from the French he served in the West Indies for another couple of years after which in 1782 he returned to the Channel Fleet and served under Howe at the relief of Gibraltar.
CS 7. i. See Ref: 8465.
[Ref: 9325] £350.00
Benj.n Wilson Pinxit R. Earlom Sculp.
London, printed for R. Sayer & J. Bennett, No. 53 Fleet Street as the Act directs, 20th Sept. 1779.
Mezzotint. Plate: 380 x 280mm (15 x 11"). Very fine.
Rear Admiral Samuel Barrington RN (1729 — 1800) British Admiral whose career spanned 50 years served in the Mediterranean against North African Corsairs, off the West African coast, off France and in the Channel. He accompanied Commordore Keppel to North America in 1755 and again served with Keppel in 1761 at Belle-Isle. He served as a Captain in the Channel for many years when in 1778 was advanced to Rear Admiral of the White and sent as Commander in Chief in the West Indies. Having been succesful in taking St. Lucia from the French he served in the West Indies for another couple of years after which in 1782 he returned to the Channel Fleet and served under Howe at the relief of Gibraltar.
CS 7. i. See Ref: 8465.
[Ref: 9325] £350.00
The bay of Barrisdale, in Loch Hourne.
Drawn & Engraved by Will.m Daniell.
Published by Mess.rs Longman, & Co. Paternoster Row, & W. Daniell, 9 Cleveland St. Fitzroy Square, London. Jan.y, 1, 1819.
Aquatint with fine original hand colour. 230 x 300mm (9 x 12"). Large margins, uncut.
A view of Barrisdale bay on Loch Hourn, with sailing boats in the water, buildings on the coast and rocky mountains behind. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 36106] £160.00 (£192.00 incl.VAT)
Drawn & Engraved by Will.m Daniell.
Published by Mess.rs Longman, & Co. Paternoster Row, & W. Daniell, 9 Cleveland St. Fitzroy Square, London. Jan.y, 1, 1819.
Aquatint with fine original hand colour. 230 x 300mm (9 x 12"). Large margins, uncut.
A view of Barrisdale bay on Loch Hourn, with sailing boats in the water, buildings on the coast and rocky mountains behind. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 36106] £160.00 (£192.00 incl.VAT)
The Devil Paid His Due.
[by J.Barrow?]
Pub.d by J.Wallis. No 16, Ludgate Street. March 6 1784.
Engraving. 250 x 350mm. Trimmed within plate, small loss of printed surface.
Charles James Fox tied to an elephant's tail, being whipped by Justice. In December 1783 the coalition government of Charles James Fox (1749-1806) and Lord North was removed from office by George III after a sustained campaign of public vilification. James sayer was the son of a merchant captain from Great Yarmouth Norfolk. He openly attacked Fox, many of his cartoons damaging Fox's career. Fox had supported American Independence.
BM: 6440.
[Ref: 6791] £260.00 (£312.00 incl.VAT)
[by J.Barrow?]
Pub.d by J.Wallis. No 16, Ludgate Street. March 6 1784.
Engraving. 250 x 350mm. Trimmed within plate, small loss of printed surface.
Charles James Fox tied to an elephant's tail, being whipped by Justice. In December 1783 the coalition government of Charles James Fox (1749-1806) and Lord North was removed from office by George III after a sustained campaign of public vilification. James sayer was the son of a merchant captain from Great Yarmouth Norfolk. He openly attacked Fox, many of his cartoons damaging Fox's career. Fox had supported American Independence.
BM: 6440.
[Ref: 6791] £260.00 (£312.00 incl.VAT)
Isaac Barrow D.D. and Chaplain in Ordinary to King Charles II. professor of Geometry in Gresham College, and of the Greek Tongue and Mathematics at Cambridge, and Master of Trinity College in that University.
Vandyke pinx.t. Pelit Sculp.t..
Engrav'd for the Royal Magazine. [n.d., c.1770]
Engraving, plate 175 x 100mm (7 x 4"), with large margins. Some surface dirt on left.
Oval portraits of Isaac Barrow (1630 –1677) an English Christian theologian and mathematician who is generally given credit for his early role in the development of infinitesimal calculus.
Wellcome: 183-7
[Ref: 57053] £70.00 (£84.00 incl.VAT)
Vandyke pinx.t. Pelit Sculp.t..
Engrav'd for the Royal Magazine. [n.d., c.1770]
Engraving, plate 175 x 100mm (7 x 4"), with large margins. Some surface dirt on left.
Oval portraits of Isaac Barrow (1630 –1677) an English Christian theologian and mathematician who is generally given credit for his early role in the development of infinitesimal calculus.
Wellcome: 183-7
[Ref: 57053] £70.00 (£84.00 incl.VAT)
Isaacus Barrow S.T.P. Reg. Ma.ti A Sacris coll. S.S. Trini. Cantab. Praefec. Nec-Non Acad. Eiusdem Procanc: 1676.
D. Loggan ad Vivum delin.
[n.d. c.1676.]
Engraving. 275 x 190mm. (10¾ x 7½"), with large margins on 3 sides.
Portrait, head and shoulders in an oval frame, long hair, wearing bands, gown and robes; coat of arms below. Isaac Barrow (1630-1677) was a divine. He was an English theologian, and mathmatician who is generally remembered for his early role in the development of infinitesimal calculus, and particularly for the discovery of the fundamental theorem of calculus. Isaac Newton was a student of Barrow's and went on to develop calculus in a modern form.
Wellcome Library no. 792i;
[Ref: 53621] £90.00 (£108.00 incl.VAT)
D. Loggan ad Vivum delin.
[n.d. c.1676.]
Engraving. 275 x 190mm. (10¾ x 7½"), with large margins on 3 sides.
Portrait, head and shoulders in an oval frame, long hair, wearing bands, gown and robes; coat of arms below. Isaac Barrow (1630-1677) was a divine. He was an English theologian, and mathmatician who is generally remembered for his early role in the development of infinitesimal calculus, and particularly for the discovery of the fundamental theorem of calculus. Isaac Newton was a student of Barrow's and went on to develop calculus in a modern form.
Wellcome Library no. 792i;
[Ref: 53621] £90.00 (£108.00 incl.VAT)
Isaacus Barrow S.T.P. Reg. Ma.ti A Sacris coll. S.S. Trini. Cantab. Praefec. Nec-Non Acad. Eiusdem Procanc: 1676.
D. Loggan ad Vivum delin.
[n.d. c.1676.]
Engraving. Platemark: 275 x 190mm (10¾ x 7½"), with large margins.
Portrait of Isaac Barrow (1630-1677), head and shoulders in an oval frame, long hair, wearing bands, gown and robes, with a coat of arms below. Barrow was an English theologian and mathmatician who is generally remembered for his early role in the development of infinitesimal calculus, and particularly for the discovery of the fundamental theorem of calculus. Isaac Newton was a student of Barrow's and went on to develop calculus in a modern form.
Wellcome Library no. 792i; ex Collection: R. Hobson of Hove.
[Ref: 39257] £140.00 (£168.00 incl.VAT)
D. Loggan ad Vivum delin.
[n.d. c.1676.]
Engraving. Platemark: 275 x 190mm (10¾ x 7½"), with large margins.
Portrait of Isaac Barrow (1630-1677), head and shoulders in an oval frame, long hair, wearing bands, gown and robes, with a coat of arms below. Barrow was an English theologian and mathmatician who is generally remembered for his early role in the development of infinitesimal calculus, and particularly for the discovery of the fundamental theorem of calculus. Isaac Newton was a student of Barrow's and went on to develop calculus in a modern form.
Wellcome Library no. 792i; ex Collection: R. Hobson of Hove.
[Ref: 39257] £140.00 (£168.00 incl.VAT)
Isaacus Barrow S.T.P. Reg. Ma.ti A Sacris Coll. S. S. Trini. Cantab. Præfec. Nec. Non Acad. Eiusdem Procanc. ao. 1676.
D. Loggan ad Vivam delin. Bernigeroth sc.
[n.d., c.1690.]
Engraving. Sheet: 175 x 125mm (7 x 5''). Trimmed.
A portrait of academic and mathematician Isaac Barrow (1630-1677) who was master of Trinity College, Cambridge and was famed for "Calculus".
W. 183.3.
[Ref: 48727] £220.00 (£264.00 incl.VAT)
D. Loggan ad Vivam delin. Bernigeroth sc.
[n.d., c.1690.]
Engraving. Sheet: 175 x 125mm (7 x 5''). Trimmed.
A portrait of academic and mathematician Isaac Barrow (1630-1677) who was master of Trinity College, Cambridge and was famed for "Calculus".
W. 183.3.
[Ref: 48727] £220.00 (£264.00 incl.VAT)
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![John Barrow [facsimile signature].](jpegs/64974.jpg)
John Barrow [facsimile signature].
Painted by John Lucas. Engraved by G.T. Payne.
London, Published May 27th. 1847, by Henry Graves & Comp.y Printsellers to the Queen, 6, Pall Mall.
Mezzotint. 385 x 305mm (15¼ x 12"), with large margins. Some faint spotting.
A half-length portrait of Sir John Barrow (1764-1848), who accompanied Lord Macartney to China in 1792 (authoring the official account) and to South Africa in 1797 to settle the government of the new colony of the Cape of Good Hope. He was appointed Second Secretary to the Admiralty in 1804 and was one of the founding members of the Royal Geographical Society.
Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 64974] £360.00
Painted by John Lucas. Engraved by G.T. Payne.
London, Published May 27th. 1847, by Henry Graves & Comp.y Printsellers to the Queen, 6, Pall Mall.
Mezzotint. 385 x 305mm (15¼ x 12"), with large margins. Some faint spotting.
A half-length portrait of Sir John Barrow (1764-1848), who accompanied Lord Macartney to China in 1792 (authoring the official account) and to South Africa in 1797 to settle the government of the new colony of the Cape of Good Hope. He was appointed Second Secretary to the Admiralty in 1804 and was one of the founding members of the Royal Geographical Society.
Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 64974] £360.00
William Barrowby, M.D.
F.Hayman Pinx.t. J.S.Müller sculp.t.
Sold by J.S.Müller at No 11 in Cravan Buildings ~ Price 2 Shill.ng.
A rare mezzotint. 350 x 250mm. Trimmed close to plate. Crease in top left corner.
It is said that this a portrait of the son of William Barrowby, Senior Fellow of the College of Physicians. The father cured Müller of a long illness, so Müller engraved this plate for free in gratitude. The painting by Hayman, although now untraced, is dated by Allen to the 1740s.
CS: 1. Ex: Collection of The Hon. C. Lennox-Boyd; Brian Allen, 'Francis Hayman'
[Ref: 3110] £240.00 (£288.00 incl.VAT)
F.Hayman Pinx.t. J.S.Müller sculp.t.
Sold by J.S.Müller at No 11 in Cravan Buildings ~ Price 2 Shill.ng.
A rare mezzotint. 350 x 250mm. Trimmed close to plate. Crease in top left corner.
It is said that this a portrait of the son of William Barrowby, Senior Fellow of the College of Physicians. The father cured Müller of a long illness, so Müller engraved this plate for free in gratitude. The painting by Hayman, although now untraced, is dated by Allen to the 1740s.
CS: 1. Ex: Collection of The Hon. C. Lennox-Boyd; Brian Allen, 'Francis Hayman'
[Ref: 3110] £240.00 (£288.00 incl.VAT)
Mrs. Barry.
Kettle Pinxt. S Paul [pseudonym of Samuel De Wilde?] fecit.
[n.d., c.1780.]
Rare mezzotint. 355 x 255mm (14 x 10"). Lower right margin corner chipped.
Ann (or Anne) Barry (née Street) (baptised 1733 - 1801), actress, sitting with her hands folded in her lap, wearing a white gown with ribbons looping the sleeves and a sash around her waist. Her hair is up with pearls, she has a pearl necklace, with cloak over left shoulder and her knees. After Tilly Kettle (1735-86).
Chaloner Smith 1 ('Paul'), only state but sitter's face with some retouching,
[Ref: 23453] £220.00 (£264.00 incl.VAT)
Kettle Pinxt. S Paul [pseudonym of Samuel De Wilde?] fecit.
[n.d., c.1780.]
Rare mezzotint. 355 x 255mm (14 x 10"). Lower right margin corner chipped.
Ann (or Anne) Barry (née Street) (baptised 1733 - 1801), actress, sitting with her hands folded in her lap, wearing a white gown with ribbons looping the sleeves and a sash around her waist. Her hair is up with pearls, she has a pearl necklace, with cloak over left shoulder and her knees. After Tilly Kettle (1735-86).
Chaloner Smith 1 ('Paul'), only state but sitter's face with some retouching,
[Ref: 23453] £220.00 (£264.00 incl.VAT)
Mrs. Barry.
Kettle Pinxt. S Paul [pseudonym of Samuel De Wilde?] fecit.
[n.d., c.1780.]
Rare mezzotint. Sheet 355 x 250mm (14 x 9¾"). Trimmed to image on three sides, into plate at bottom.
Ann (or Anne) Barry (née Street) (baptised 1733 - 1801), actress, sitting with her hands folded in her lap, wearing a white gown with ribbons looping the sleeves and a sash around her waist. Her hair is up with pearls, she has a pearl necklace, with cloak over left shoulder and her knees. After Tilly Kettle (1735-86).
Chaloner Smith 1 ('Paul'), only state but sitter's face with some retouching, See ref: 23453.
[Ref: 61548] £180.00 (£216.00 incl.VAT)
Kettle Pinxt. S Paul [pseudonym of Samuel De Wilde?] fecit.
[n.d., c.1780.]
Rare mezzotint. Sheet 355 x 250mm (14 x 9¾"). Trimmed to image on three sides, into plate at bottom.
Ann (or Anne) Barry (née Street) (baptised 1733 - 1801), actress, sitting with her hands folded in her lap, wearing a white gown with ribbons looping the sleeves and a sash around her waist. Her hair is up with pearls, she has a pearl necklace, with cloak over left shoulder and her knees. After Tilly Kettle (1735-86).
Chaloner Smith 1 ('Paul'), only state but sitter's face with some retouching, See ref: 23453.
[Ref: 61548] £180.00 (£216.00 incl.VAT)
James Barry Esq. From an original Cast, taken a short time before his Death.
Drawn by W.Evans, Engraved by C. Picart.
Published May 1, 1809, by T. Cadell & W. Davies, Strand London.
Stipple. Sheet 270 x 210mm, 10½ x 8¼". Trimmed within plate.
James Barry (1741-1806), a painter inspired by classical art, who decorated the great room of the Society of Arts with 'The Progress of Human Culture', 1777-83. This work was described by critic Andrew Graham-Dixon as 'Britain's late, great answer to the Sistine Chapel'.
See NPG 441 for Evans's original black crayon and wash on paper, circa 1805
[Ref: 27022] £70.00 (£84.00 incl.VAT)
Drawn by W.Evans, Engraved by C. Picart.
Published May 1, 1809, by T. Cadell & W. Davies, Strand London.
Stipple. Sheet 270 x 210mm, 10½ x 8¼". Trimmed within plate.
James Barry (1741-1806), a painter inspired by classical art, who decorated the great room of the Society of Arts with 'The Progress of Human Culture', 1777-83. This work was described by critic Andrew Graham-Dixon as 'Britain's late, great answer to the Sistine Chapel'.
See NPG 441 for Evans's original black crayon and wash on paper, circa 1805
[Ref: 27022] £70.00 (£84.00 incl.VAT)
James Barry Esq. Professor of Painting at the Royal Academy. From an original Cast, taken a short time before his Death.
Drawn by W.Evans, Engraved by C. Picart.
Published Feb. 11, 1811, by T. Cadell & W. Davies, Strand London.
Stipple. Sheet 380 x 330mm, 15 x 13". Slight creasing top left.
James Barry (1741-1806), historical painter and first Royal Academician to have been expelled from the Academy. Barry decorated the great room of the Society of Arts with 'The Progress of Human Culture', 1777-83, a work was described by critic Andrew Graham-Dixon as 'Britain's late, great answer to the Sistine Chapel'.
See NPG 441 for Evans's original black crayon and wash on paper, circa 1805
[Ref: 27023] £95.00 (£114.00 incl.VAT)
Drawn by W.Evans, Engraved by C. Picart.
Published Feb. 11, 1811, by T. Cadell & W. Davies, Strand London.
Stipple. Sheet 380 x 330mm, 15 x 13". Slight creasing top left.
James Barry (1741-1806), historical painter and first Royal Academician to have been expelled from the Academy. Barry decorated the great room of the Society of Arts with 'The Progress of Human Culture', 1777-83, a work was described by critic Andrew Graham-Dixon as 'Britain's late, great answer to the Sistine Chapel'.
See NPG 441 for Evans's original black crayon and wash on paper, circa 1805
[Ref: 27023] £95.00 (£114.00 incl.VAT)
James Barry Esq.r late R.A. From a Picture Painted by himself about the Year 1783. European Magazine.
[James Barry.] Engraved by Ridley & Holl.
Published by J. Asperne, at the Bible, Crown & Constitution, 32, Cornhill April 30, 1806.
Stipple with small margins. Plate 159 x 114mm. 6¼ x 4½".
James Barry (1741-1806), the English painter who attracted the patronage of the statesman Edmund Burke who then sent him to Italy. Inspired by antique art, he executed several large historical works in a neo-classical style and, from 1777 to 1783, he decorated the great room of the Society of Arts. An ardent spokesman for high art, he became disillusioned with contemporary patronage and quarrelled with most of his colleagues.
[Ref: 27704] £60.00 (£72.00 incl.VAT)
[James Barry.] Engraved by Ridley & Holl.
Published by J. Asperne, at the Bible, Crown & Constitution, 32, Cornhill April 30, 1806.
Stipple with small margins. Plate 159 x 114mm. 6¼ x 4½".
James Barry (1741-1806), the English painter who attracted the patronage of the statesman Edmund Burke who then sent him to Italy. Inspired by antique art, he executed several large historical works in a neo-classical style and, from 1777 to 1783, he decorated the great room of the Society of Arts. An ardent spokesman for high art, he became disillusioned with contemporary patronage and quarrelled with most of his colleagues.
[Ref: 27704] £60.00 (£72.00 incl.VAT)
The Levee, or the Maecenas of Scrubs and Scaramouches. Attic Miscellany.
Drawn by Collings. Etch'd by Barlow.
Published as the Act directs, by Bentley & C° June Ist 1791.
Etching. 195 x 235mm (7¾ x 9¼"). Original binding folds.
A boxing satire. A group of parasitic followers surround Richard Barry (1769-1793), 7th Earl of Barrymore, including boxers, jockeys, cock-fighters and a man resembling the Prince of Wales. On the back wall are paintings of 'Scrub' (after his nickname 'Lord Scrub), racing, cockfighting and a pierrot and harlequin. On the floor is an open book: 'New Pantomime by Bar & Co'. Despite being painted at an early age as an angelic Cupid by Richard Cosway, Barry found infamy as a rake, beginning at school at Eton, from where he would hire cabs to London to visit prostitutes. The Prince of Wales nicknamed him 'Hellgate'. He married the daughter of a sedan chair man: after he accidently killed himself with his own musket aged 23, she turned to prostitution and bare-knuckle boxing before becoming a matron of the female prisoners at the Tothill Fields Bridewell.
[Ref: 60162] £240.00 (£288.00 incl.VAT)
Drawn by Collings. Etch'd by Barlow.
Published as the Act directs, by Bentley & C° June Ist 1791.
Etching. 195 x 235mm (7¾ x 9¼"). Original binding folds.
A boxing satire. A group of parasitic followers surround Richard Barry (1769-1793), 7th Earl of Barrymore, including boxers, jockeys, cock-fighters and a man resembling the Prince of Wales. On the back wall are paintings of 'Scrub' (after his nickname 'Lord Scrub), racing, cockfighting and a pierrot and harlequin. On the floor is an open book: 'New Pantomime by Bar & Co'. Despite being painted at an early age as an angelic Cupid by Richard Cosway, Barry found infamy as a rake, beginning at school at Eton, from where he would hire cabs to London to visit prostitutes. The Prince of Wales nicknamed him 'Hellgate'. He married the daughter of a sedan chair man: after he accidently killed himself with his own musket aged 23, she turned to prostitution and bare-knuckle boxing before becoming a matron of the female prisoners at the Tothill Fields Bridewell.
[Ref: 60162] £240.00 (£288.00 incl.VAT)
![[Richard, Earl of Barrymore]](jpegs/65199.jpg)
[Richard, Earl of Barrymore]
Painted by R. Cosway. Engraved by J Jehner.
Published June 24. 1778, by John Boydell Engraver in Cheapside London
Mezzotint with fantastic colour, 18th century watermark; 380 x 280mm (15 x 11"). Trimmed to plate.
Portrait of Richard Barry, Earl of Barrymore (1769-93), depicted as Cupid sitting on the grass beside a rose bush. With his back to the viewer, he looks over his shoulder while playing a lyre, all within a circular frame. As a young man the engraver, Isaac Jehner (1750-1818), had a series of accidents that broke his thighs and left arm, which were badly treated, leaving him on limited stature and disabled. He published a memoir, unusual for an engraver, called 'Fortune's Football' in 1806, described by Alexander as 'a pioneering account by a person with disabilites of his experiences'.
CS 1 I of I. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65199] £360.00
Painted by R. Cosway. Engraved by J Jehner.
Published June 24. 1778, by John Boydell Engraver in Cheapside London
Mezzotint with fantastic colour, 18th century watermark; 380 x 280mm (15 x 11"). Trimmed to plate.
Portrait of Richard Barry, Earl of Barrymore (1769-93), depicted as Cupid sitting on the grass beside a rose bush. With his back to the viewer, he looks over his shoulder while playing a lyre, all within a circular frame. As a young man the engraver, Isaac Jehner (1750-1818), had a series of accidents that broke his thighs and left arm, which were badly treated, leaving him on limited stature and disabled. He published a memoir, unusual for an engraver, called 'Fortune's Football' in 1806, described by Alexander as 'a pioneering account by a person with disabilites of his experiences'.
CS 1 I of I. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65199] £360.00
![[Richard Barry, 7th Earl of Barrymore] No. VIII. Antonietta. No. IX. The Theatrical Peer of Berks.](jpegs/38574.jpg)
[Richard Barry, 7th Earl of Barrymore] No. VIII. Antonietta. No. IX. The Theatrical Peer of Berks.
London, Published by A. Hamilton Jun.r. Fleet Street, 1. April, 1790.
Engraving. Plate: 175 x 110mm (7 x 4¼"). Light foxing and staining. Small margins, cut to plate at top. Few wormholes.
Two portrait busts set in ovals. On the right is a portrait of Richard Barry, 7th Earl of Barrymore (1769-1793) an English nobleman, theatrical enthusiast and rake. Known as Hellgate and Rake of Rakes. The portrait on the left depicts Antonietta, a French dancer Barry brought over from Paris to advise on his theatricals at his house at Wargrave. From the 'Histories of the Tête à Tête annexed...' series that appeared in 'Town and Country Magazine', a monthy magazine which featured articles on the scandals and romantic affairs of the nobility.
BM Satire 7700.
[Ref: 38574] £50.00 (£60.00 incl.VAT)
London, Published by A. Hamilton Jun.r. Fleet Street, 1. April, 1790.
Engraving. Plate: 175 x 110mm (7 x 4¼"). Light foxing and staining. Small margins, cut to plate at top. Few wormholes.
Two portrait busts set in ovals. On the right is a portrait of Richard Barry, 7th Earl of Barrymore (1769-1793) an English nobleman, theatrical enthusiast and rake. Known as Hellgate and Rake of Rakes. The portrait on the left depicts Antonietta, a French dancer Barry brought over from Paris to advise on his theatricals at his house at Wargrave. From the 'Histories of the Tête à Tête annexed...' series that appeared in 'Town and Country Magazine', a monthy magazine which featured articles on the scandals and romantic affairs of the nobility.
BM Satire 7700.
[Ref: 38574] £50.00 (£60.00 incl.VAT)
![[Spranger Barry] M.r Barry in the Character of Macbeth.](jpegs/66076.jpg)
[Spranger Barry] M.r Barry in the Character of Macbeth. Axt 2.d Scene 3.
Ja.s Gwim. [engraved by Michael Jackson.]
Printed for Rob.t Sayer, Map & Printseller in Fleet Str.t. Publish'd according to Act of Parliament
Scarce mezzotint. 345 x 240mm (13½ x 9½"), large margins. Edges rubbed. Messy.
A full-length portrait of Irish actor Spranger Barry (1719-77), a daggar in each hand. He was a rival of David Garrick: in 1750 the Theatre Royal in Drury Lane and the Covent Garden Theatre put on competing performances of 'Romeo and Juliet', and the critics preferred Barry's Romeo to Garrick's.
CS I, ii of ii. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 66076] £290.00 (£348.00 incl.VAT)
Ja.s Gwim. [engraved by Michael Jackson.]
Printed for Rob.t Sayer, Map & Printseller in Fleet Str.t. Publish'd according to Act of Parliament
Scarce mezzotint. 345 x 240mm (13½ x 9½"), large margins. Edges rubbed. Messy.
A full-length portrait of Irish actor Spranger Barry (1719-77), a daggar in each hand. He was a rival of David Garrick: in 1750 the Theatre Royal in Drury Lane and the Covent Garden Theatre put on competing performances of 'Romeo and Juliet', and the critics preferred Barry's Romeo to Garrick's.
CS I, ii of ii. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 66076] £290.00 (£348.00 incl.VAT)
Jean Bart. Ne a Dunkerque en 1650. Mort en 1702. Du grand Louis Jean-Bart etendit la puissance, L'Empire de Thetis admira sa valeur Et toujours ce soutien du pavillon de France Sera de nos marins le modele & l'honneur. Dedie aux Marins, a l'honneur, au courage et a l'amour de la patrie. En 181 paroitra le Portrait de l'Admiral Nelson.
Peint d'apres Nature par Hyacinthe Rigaud. Grave par Perrot.
Publie a Paris en 181 par Mr. Bernardini Illyrien, ancien Commissaire Principal de la Marine, de S.M. le Roi des Deux Siciles. Depose a la Direction generale.
Stipple printed in colour. Sheet 360 x 445mm. Tatty margins with some discolouration.
Jean Bart, French naval commander and privateer, who achieved his greatest successes during the War of the Grand Alliance (1688 - 1697). He captured 386 ships, destroying many more..
[Ref: 4902] £260.00 (£312.00 incl.VAT)
Peint d'apres Nature par Hyacinthe Rigaud. Grave par Perrot.
Publie a Paris en 181 par Mr. Bernardini Illyrien, ancien Commissaire Principal de la Marine, de S.M. le Roi des Deux Siciles. Depose a la Direction generale.
Stipple printed in colour. Sheet 360 x 445mm. Tatty margins with some discolouration.
Jean Bart, French naval commander and privateer, who achieved his greatest successes during the War of the Grand Alliance (1688 - 1697). He captured 386 ships, destroying many more..
[Ref: 4902] £260.00 (£312.00 incl.VAT)
Jean Bart.
J. Chapman sculp.
[n.d., c.1800.]
Stipple. Sheet size: 155 x 110mm (6 x 4¼"). Trimmed inside platemark. Laid on scrap sheet.
A portrait in an oval of French naval commander and privateer Jean Bart (1650 - 1702). Jean Bart was born in Dunkirk in 1650 and almost certainly spoke Flemish, at that time the native language in the region. When war broke out between France and the United Provinces in 1672, Bart entered the French service and became captain of one of the Dunkirk privateers. In this capacity he displayed such astonishing bravery, that Louis XIV sent him on a special mission to the Mediterranean, where he gained great distinction. He went on to achieve his greatest successes during the Nine Years' War (1688-1697).
[Ref: 34443] £65.00 (£78.00 incl.VAT)
J. Chapman sculp.
[n.d., c.1800.]
Stipple. Sheet size: 155 x 110mm (6 x 4¼"). Trimmed inside platemark. Laid on scrap sheet.
A portrait in an oval of French naval commander and privateer Jean Bart (1650 - 1702). Jean Bart was born in Dunkirk in 1650 and almost certainly spoke Flemish, at that time the native language in the region. When war broke out between France and the United Provinces in 1672, Bart entered the French service and became captain of one of the Dunkirk privateers. In this capacity he displayed such astonishing bravery, that Louis XIV sent him on a special mission to the Mediterranean, where he gained great distinction. He went on to achieve his greatest successes during the Nine Years' War (1688-1697).
[Ref: 34443] £65.00 (£78.00 incl.VAT)
![[Bartholomew Fair] The Fiend's Frying Pan or Annual Festival of Tom Foolery & Vice,](jpegs/57709.jpg)
[Bartholomew Fair] The Fiend's Frying Pan or Annual Festival of Tom Foolery & Vice, Under the Sanction of the Lord Mayor and thew Worshipful Court of Aldermen! In the Age of Intellect. Pl 3.
Desaigned Etched & Published by George Cruikshank, Sept.r 1. 1832.
Etching. Sheet 275 x 380mm (10¾ x 15"). Trimmed to plate, laid on album paper, small tear, spotting.
Bartholomew Fair is depicted in a frying pan held above a fire by a huge horned demon with a toasting fork. Two imps hold up scrolls listing the 'Amusements of the People', including 'Drunkenness, Riot, Robbery, Rascality', more demons on top left. A tent has large advert for "Wild Beasts". An attack on the lawlessness of Bartholomew Fair, before an 1840 ban on exhibitions sent it into decline, ceasing completely by 1855.
BM Satires 17352.
[Ref: 57709] £280.00 (£336.00 incl.VAT)
Desaigned Etched & Published by George Cruikshank, Sept.r 1. 1832.
Etching. Sheet 275 x 380mm (10¾ x 15"). Trimmed to plate, laid on album paper, small tear, spotting.
Bartholomew Fair is depicted in a frying pan held above a fire by a huge horned demon with a toasting fork. Two imps hold up scrolls listing the 'Amusements of the People', including 'Drunkenness, Riot, Robbery, Rascality', more demons on top left. A tent has large advert for "Wild Beasts". An attack on the lawlessness of Bartholomew Fair, before an 1840 ban on exhibitions sent it into decline, ceasing completely by 1855.
BM Satires 17352.
[Ref: 57709] £280.00 (£336.00 incl.VAT)
Best Mode of Going to Bartholomew Fair.
Designed and Etched by T. Lane.
Pub. by G. Hunt Corner of York St & Bridges St.
Fine coloured aquatint. Sheet 305 x 225mm (12 x 8¾"). Trimmed within plate, tear through title, laid on album paper.
A man smoking a pipe and carrying a cudgel, his body protected by a barrel with spikes, heavy boots protrunding from the bottom. Bartholomew Fair, held on the 24th August in Smithfield, was founded as a cloth fair in 1133. It expanded over the years to include sideshows, especially prize-fighters, musicians, wire-walkers, acrobats, puppets, freaks and wild animals, as illustrated in a famous view in the 'Microcosm of London'. However it also became increasing rowdy, with fights and muggings, as satirised here, and eventually the fair was suppressed in 1855.
Hickman p.86.
[Ref: 58465] £230.00 (£276.00 incl.VAT)
Designed and Etched by T. Lane.
Pub. by G. Hunt Corner of York St & Bridges St.
Fine coloured aquatint. Sheet 305 x 225mm (12 x 8¾"). Trimmed within plate, tear through title, laid on album paper.
A man smoking a pipe and carrying a cudgel, his body protected by a barrel with spikes, heavy boots protrunding from the bottom. Bartholomew Fair, held on the 24th August in Smithfield, was founded as a cloth fair in 1133. It expanded over the years to include sideshows, especially prize-fighters, musicians, wire-walkers, acrobats, puppets, freaks and wild animals, as illustrated in a famous view in the 'Microcosm of London'. However it also became increasing rowdy, with fights and muggings, as satirised here, and eventually the fair was suppressed in 1855.
Hickman p.86.
[Ref: 58465] £230.00 (£276.00 incl.VAT)
Bartholomew Fair. Plate 8.
Rowlandson & Pugin del. et sculpt. J. Bluck Aquat.
London. Pub Feb. 1, 1808 at R. Ackermann’s Repository of Arts 101, Strand.
Hand coloured aquatint, J. Whatman 1806 watermark; plate 230 x 280mm (9 x 11"), with large margins. Two small stains within plate but not image.
The Bartholomew Fair was one of London's pre-eminent summer Charter fairs or street markets. The fair was established to fund the Priory of St Bartholomew and from 1133 to 1855 it took place on 24th August within the precincts of the Priory at West Smithfield, outside Aldersgate of the City of London. Published in Ackermann's famous work, the 'Microcosm of London', the figures were drawn by the famous caricaturist Thomas Rowlandson and the architecture by Augustus Pugin.
Abbey, Scenery: 212.
[Ref: 62775] £180.00 (£216.00 incl.VAT)
Rowlandson & Pugin del. et sculpt. J. Bluck Aquat.
London. Pub Feb. 1, 1808 at R. Ackermann’s Repository of Arts 101, Strand.
Hand coloured aquatint, J. Whatman 1806 watermark; plate 230 x 280mm (9 x 11"), with large margins. Two small stains within plate but not image.
The Bartholomew Fair was one of London's pre-eminent summer Charter fairs or street markets. The fair was established to fund the Priory of St Bartholomew and from 1133 to 1855 it took place on 24th August within the precincts of the Priory at West Smithfield, outside Aldersgate of the City of London. Published in Ackermann's famous work, the 'Microcosm of London', the figures were drawn by the famous caricaturist Thomas Rowlandson and the architecture by Augustus Pugin.
Abbey, Scenery: 212.
[Ref: 62775] £180.00 (£216.00 incl.VAT)
Bartholomew Fair.
Rowlandson & Pugin del. et sculpt. J. Bluck Aquat.
London. Pub Feb. 1, 1808 at R. Ackermann’s Repository of Arts 101, Strand.
Hand coloured aquatint with large margins. Platemark: 240 x 285mm (9½ x 11¼").
The Bartholomew Fair was one of London's pre-eminent summer Charter fairs or street markets. The fair was established to fund the Priory of St Bartholomew and from 1133 to 1855 it took place on 24th August within the precincts of the Priory at West Smithfield, outside Aldersgate of the City of London. Published in Ackermann's famous work, the 'Microcosm of London', the figures were drawn by the famous caricaturist Thomas Rowlandson and the architecture by Augustus Pugin.
Abbey, Scenery: 212.
[Ref: 34093] £220.00 (£264.00 incl.VAT)
Rowlandson & Pugin del. et sculpt. J. Bluck Aquat.
London. Pub Feb. 1, 1808 at R. Ackermann’s Repository of Arts 101, Strand.
Hand coloured aquatint with large margins. Platemark: 240 x 285mm (9½ x 11¼").
The Bartholomew Fair was one of London's pre-eminent summer Charter fairs or street markets. The fair was established to fund the Priory of St Bartholomew and from 1133 to 1855 it took place on 24th August within the precincts of the Priory at West Smithfield, outside Aldersgate of the City of London. Published in Ackermann's famous work, the 'Microcosm of London', the figures were drawn by the famous caricaturist Thomas Rowlandson and the architecture by Augustus Pugin.
Abbey, Scenery: 212.
[Ref: 34093] £220.00 (£264.00 incl.VAT)
Bartholomew Fair, 1721.
Published as the Act directs by J. F. Setchel, 23, King-Street, Covent-Garden [1824].
Fan leaf: etching and aquatint. 290 x 560mm (11½ x 22"). with letterpress descriptive label. Trimmed to plate on left, repairs to folds.
Scarce & fine Fan leaf showing London's famous Bartholomew Fair and its diverse entertainments, with numerous street sellers, performers and booths. Of interest are the early big wheel and a peep show of the Siege of Gibraltar. Published by bookseller and stationer John Frederick Setchel (1774 - 1846).
[Ref: 67448] £680.00
Published as the Act directs by J. F. Setchel, 23, King-Street, Covent-Garden [1824].
Fan leaf: etching and aquatint. 290 x 560mm (11½ x 22"). with letterpress descriptive label. Trimmed to plate on left, repairs to folds.
Scarce & fine Fan leaf showing London's famous Bartholomew Fair and its diverse entertainments, with numerous street sellers, performers and booths. Of interest are the early big wheel and a peep show of the Siege of Gibraltar. Published by bookseller and stationer John Frederick Setchel (1774 - 1846).
[Ref: 67448] £680.00
![[Rev.d John Bartlam, A.M.]](jpegs/34383.jpg)
[Rev.d John Bartlam, A.M.]
[Painted by Geo. Dawe Esq.r R.A. Engraved by James Godby.]
[London: Edward Orme, 1823.]
Stipple, rare proof before letters, with very large margins. 375 x 285mm (14¾ x 11¼").
John Bartlam (1770-1823), vicar of Ponseland, Northumberland and Beoley, Worcestershire.
NPG D21485.
[Ref: 34383] £130.00 (£156.00 incl.VAT)
[Painted by Geo. Dawe Esq.r R.A. Engraved by James Godby.]
[London: Edward Orme, 1823.]
Stipple, rare proof before letters, with very large margins. 375 x 285mm (14¾ x 11¼").
John Bartlam (1770-1823), vicar of Ponseland, Northumberland and Beoley, Worcestershire.
NPG D21485.
[Ref: 34383] £130.00 (£156.00 incl.VAT)
![[William Berkeley] Sr. William Bartley. Admirall.](jpegs/12792.jpg)
[William Berkeley] Sr. William Bartley. Admirall.
P. Lely pinxit.
R.Tompson excudit. [n.d. c.1680.]
A fine and rare mezzotint. 335 x 246mm (13¼ x 9¾"). Trimmed to plate.
William Berkeley, Admiral of the White, killed in battle with the Dutch, 1st June 1666.
CS: Tompson 5. Not in Parker. From the Collection of Viscount Hood.
[Ref: 12792] £230.00 (£276.00 incl.VAT)
P. Lely pinxit.
R.Tompson excudit. [n.d. c.1680.]
A fine and rare mezzotint. 335 x 246mm (13¼ x 9¾"). Trimmed to plate.
William Berkeley, Admiral of the White, killed in battle with the Dutch, 1st June 1666.
CS: Tompson 5. Not in Parker. From the Collection of Viscount Hood.
[Ref: 12792] £230.00 (£276.00 incl.VAT)
![[Presentation in the Temple]](jpegs/35209.jpg)
[Presentation in the Temple] Venerunt in Jerusalem, ut sifterent eum Domino / S. Luc. Cap. II V.22 / Florentiae in Sacrario S. Marci
Fra. Bartolomeo di S. Marco pinxit / Ang. Campanella sculpsit Romae 1771
Engraving with small margins, platemark 290 x 275mm (11¾ x 10¾"). Glued to backing sheet.
'They brought him to Jerusalem, to present him to the Lord'. Engraving after Florentine painter Fra Bartolommeo (1472-1517). Painted for the novitiate chapel of S Marco, Florence in 1516, The Uffizi exchanged the work in 1793 for Durer's 'Adoration of the Magi' in Vienna. Fra Bartolommeo's painting is now in the Kunsthistorisches Museum, Vienna.
For another engraving of the same work, see ref. 27307.
[Ref: 35209] £140.00 (£168.00 incl.VAT)
Fra. Bartolomeo di S. Marco pinxit / Ang. Campanella sculpsit Romae 1771
Engraving with small margins, platemark 290 x 275mm (11¾ x 10¾"). Glued to backing sheet.
'They brought him to Jerusalem, to present him to the Lord'. Engraving after Florentine painter Fra Bartolommeo (1472-1517). Painted for the novitiate chapel of S Marco, Florence in 1516, The Uffizi exchanged the work in 1793 for Durer's 'Adoration of the Magi' in Vienna. Fra Bartolommeo's painting is now in the Kunsthistorisches Museum, Vienna.
For another engraving of the same work, see ref. 27307.
[Ref: 35209] £140.00 (£168.00 incl.VAT)
Baccio Bandinel
E. De Boulonois fecit.
From 'Academie des Science et des Arts', Amsterdam 1682.
Engraving. Sheet 185 x 135mm (7¼ x 5¼"). Trimmed to image and laid on album paper.
Half portrait of Bartolommeo Bandinelli (1488-1560) surrounded by small scale sculptures. Bandinelli was an Italian sculptor influenced by and deeply obsessed with Michelangelo.
[Ref: 53800] £120.00 (£144.00 incl.VAT)
E. De Boulonois fecit.
From 'Academie des Science et des Arts', Amsterdam 1682.
Engraving. Sheet 185 x 135mm (7¼ x 5¼"). Trimmed to image and laid on album paper.
Half portrait of Bartolommeo Bandinelli (1488-1560) surrounded by small scale sculptures. Bandinelli was an Italian sculptor influenced by and deeply obsessed with Michelangelo.
[Ref: 53800] £120.00 (£144.00 incl.VAT)
![[Frontis to Caldecott's Musical Miscellany MS Vol. III.]](jpegs/60980.jpg)
[Frontis to Caldecott's Musical Miscellany MS Vol. III.]
F. Bartolozzi sculp.
Goulding, D'Almaine, Potter & Co. Music Publishers 20 Soho Sq. [c.1810].
Etching. 115 x 210mm (4½ x 8¼") very large margins. Old ink mss. name added, crack in platemark, some spotting and creasing.
Mrs. Wadham Wyndham "Caldecott's Musical Miscellany MS Vol. III” was a musical score book printed by Goulding D'Almaine, Potter & Co music publishers and musical instrument sellers, with a cartouche design by Francesco Bartolozzi (1725-1815), filled with songs and pieces, most with titles and some composers, with an index of titles and composers at the back, and various verses at the front and comments on John Barratt at the back. Music publishers 'Goulding & D’Almaine' was founded in 1785; it became 'Goulding, D’Almaine, Potter & Co.' c.1810.
[Ref: 60980] £160.00 (£192.00 incl.VAT)
F. Bartolozzi sculp.
Goulding, D'Almaine, Potter & Co. Music Publishers 20 Soho Sq. [c.1810].
Etching. 115 x 210mm (4½ x 8¼") very large margins. Old ink mss. name added, crack in platemark, some spotting and creasing.
Mrs. Wadham Wyndham "Caldecott's Musical Miscellany MS Vol. III” was a musical score book printed by Goulding D'Almaine, Potter & Co music publishers and musical instrument sellers, with a cartouche design by Francesco Bartolozzi (1725-1815), filled with songs and pieces, most with titles and some composers, with an index of titles and composers at the back, and various verses at the front and comments on John Barratt at the back. Music publishers 'Goulding & D’Almaine' was founded in 1785; it became 'Goulding, D’Almaine, Potter & Co.' c.1810.
[Ref: 60980] £160.00 (£192.00 incl.VAT)