A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
![G2 [Mile End and Shadwell].](jpegs/64028.jpg)
G2 [Mile End and Shadwell].
Published as the Act directs by R. Horwood, May 24 1799.
Engraved map with some wash colour. 575 x 530mm (22½ x 21"). Fine.
A map of Mile End and Shadwell, with Stepney Green, marking the 'London Hospital', St George's Church and St Paul's Shadwell. Plate G2 of from Richard Horwood's monumental 24-sheet map of London on a scale of 26 inches to a mile. This was the first attempt to number every house in London.
[Ref: 64028] £390.00
Published as the Act directs by R. Horwood, May 24 1799.
Engraved map with some wash colour. 575 x 530mm (22½ x 21"). Fine.
A map of Mile End and Shadwell, with Stepney Green, marking the 'London Hospital', St George's Church and St Paul's Shadwell. Plate G2 of from Richard Horwood's monumental 24-sheet map of London on a scale of 26 inches to a mile. This was the first attempt to number every house in London.
[Ref: 64028] £390.00
Miletvs.
P. Sandby fecit., W. Pars Pinxt.
Published as the Act directs by P. Sandby, St. Georges Row Oxford Turnpike January 1st 1780.
Tinted aquatint printed in bistre, 510 x 330mm.
Large, separately-issued print of European travellers at the ancient site of Militus in Turkey.
[Ref: 5339] £650.00
P. Sandby fecit., W. Pars Pinxt.
Published as the Act directs by P. Sandby, St. Georges Row Oxford Turnpike January 1st 1780.
Tinted aquatint printed in bistre, 510 x 330mm.
Large, separately-issued print of European travellers at the ancient site of Militus in Turkey.
[Ref: 5339] £650.00
Milford Haven _ With The Leviathan In The Distance.
Drawn by P. Phillips. Engraved by H. Adlard.
Stationers' Almanack, 1859.
Steel engraving, sheet 255 x 430mm. 10 x 17". Trimmed within plate. Small tears to extremities lower right.
View of Milford Haven in Pembrokeshire, south-west Wales. It was founded as a whaling centre in the 18th century and grew into a major port. In the background is the SS Great Eastern, an iron sailing steam ship designed by Isambard Kingdom Brunel. She was the largest ship ever built at the time of her 1858 launch, and had the capacity to carry 4,000 passengers around the world without refueling. Engraved for the Stationers' Almanack. The Stationers' Company had published the Stationers' Almanack since 1747, a single-sheet which consisted of calendar text set out beneath an engraved headpiece that recorded significant events of the preceeding year.
[Ref: 9985] £180.00 (£216.00 incl.VAT)
Drawn by P. Phillips. Engraved by H. Adlard.
Stationers' Almanack, 1859.
Steel engraving, sheet 255 x 430mm. 10 x 17". Trimmed within plate. Small tears to extremities lower right.
View of Milford Haven in Pembrokeshire, south-west Wales. It was founded as a whaling centre in the 18th century and grew into a major port. In the background is the SS Great Eastern, an iron sailing steam ship designed by Isambard Kingdom Brunel. She was the largest ship ever built at the time of her 1858 launch, and had the capacity to carry 4,000 passengers around the world without refueling. Engraved for the Stationers' Almanack. The Stationers' Company had published the Stationers' Almanack since 1747, a single-sheet which consisted of calendar text set out beneath an engraved headpiece that recorded significant events of the preceeding year.
[Ref: 9985] £180.00 (£216.00 incl.VAT)
Milford Haven and the Islands Adjacent most Humbly dedicated and presented to S.r Hugh Owen Bar.t by Cap,t G. Collins, Hydrographer to their Majesties.
[London: Mount & Page, c.1750.]
Coloured sea chart. 450 x 575mm (17¾ x 22½"). Splits in centre fold taped. Slight stain centre right margin.
A sea chart of western Wales, originally published in ''Great Britain's Coasting Pilot'' by Captain Greenvile Collins in 1693. This was the first English sea atlas of English waters, but many of the charts appeared in other sea atlases until the 1770s.
[Ref: 62547] £160.00
[London: Mount & Page, c.1750.]
Coloured sea chart. 450 x 575mm (17¾ x 22½"). Splits in centre fold taped. Slight stain centre right margin.
A sea chart of western Wales, originally published in ''Great Britain's Coasting Pilot'' by Captain Greenvile Collins in 1693. This was the first English sea atlas of English waters, but many of the charts appeared in other sea atlases until the 1770s.
[Ref: 62547] £160.00
![From the Book-room at the Villetta [two different versions of same view, with double portrait of Henri IV and Maria de Medicis]](jpegs/35680.jpg)
From the Book-room at the Villetta [two different versions of same view, with double portrait of Henri IV and Maria de Medicis]
M.A.T. Whitby . 1826.
Two transfer lithographs and one etching, lithograph sheets approx 115 x 180mm (4½ x 7"), etching 65 x 50mm (2½ x 2"). Each glued to backing sheet. Portrait trimmed to image in oval shape.
Two views near Milford on Sea, Hampshire, looking towards the needles, taken from Newlands, the estate the naval officer Sir William Cornwallis bought in 1799. The printmaker, Mary Anne Theresa Whitby (1784-1850), was married to Captain John Whitby, flag captain for Admiral Sir William Cornwallis. They lived on the admiral's estate, Newlands: after John's death in 1806, Mary stayed on, spending much of her time with Cornwallis, who left his estate to her on his death in 1819. Being a keen amateur lithographer, Whitby established a private press at Newlands, but she is better remembered for the first successful sericulture (silk production) to England after three centuries of attempts, presenting twenty yards of damask to Queen Victoria in 1844. She performed genetic experiments on her silkworms for Charles Darwin, who published her results in his 'The Variation of Animals and Plants Under Domestication' (1868). With a very late and worn double portrait of Henri IV and Msrie de Médicis by Simon van de Passe (etched c.1625, from a medal).
For a London view by Whitby, see ref. 19290.
[Ref: 35680] £130.00 (£156.00 incl.VAT) view all images for this item
M.A.T. Whitby . 1826.
Two transfer lithographs and one etching, lithograph sheets approx 115 x 180mm (4½ x 7"), etching 65 x 50mm (2½ x 2"). Each glued to backing sheet. Portrait trimmed to image in oval shape.
Two views near Milford on Sea, Hampshire, looking towards the needles, taken from Newlands, the estate the naval officer Sir William Cornwallis bought in 1799. The printmaker, Mary Anne Theresa Whitby (1784-1850), was married to Captain John Whitby, flag captain for Admiral Sir William Cornwallis. They lived on the admiral's estate, Newlands: after John's death in 1806, Mary stayed on, spending much of her time with Cornwallis, who left his estate to her on his death in 1819. Being a keen amateur lithographer, Whitby established a private press at Newlands, but she is better remembered for the first successful sericulture (silk production) to England after three centuries of attempts, presenting twenty yards of damask to Queen Victoria in 1844. She performed genetic experiments on her silkworms for Charles Darwin, who published her results in his 'The Variation of Animals and Plants Under Domestication' (1868). With a very late and worn double portrait of Henri IV and Msrie de Médicis by Simon van de Passe (etched c.1625, from a medal).
For a London view by Whitby, see ref. 19290.
[Ref: 35680] £130.00 (£156.00 incl.VAT) view all images for this item
The Needles & Milford Church from the Oval Room. Newlands.
M.A.T.W. [Mary Anne Theresa Whitby] 1830.
Rare lithograph. Printed area 140 x 160mm (5½ x 6¼"), with large margins. Foxing, mostly in title area.
View near Milford on Sea, Hampshire, looking towards the needles, taken from Newlands, the estate that the naval officer Sir William Cornwallis bought in 1799. The printmaker, Mary Anne Theresa Whitby (1784-1850), was married to Captain John Whitby, flag captain for Admiral Sir William Cornwallis. They lived on the admiral's estate, Newlands: after John's death in 1806, Mary stayed on, spending much of her time with Cornwallis, who left his estate to her on his death in 1819. Being a keen amateur lithographer, Whitby established a private press at Newlands, but she is better remembered for the first successful sericulture (silk production) to England after three centuries of attempts, presenting twenty yards of damask to Queen Victoria in 1844. She performed genetic experiments on her silkworms for Charles Darwin, who published her results in his 'The Variation of Animals and Plants Under Domestication' (1868).
Ex: Collection of the late Hon. C. Lennox-Boyd; For a London view by Whitby, see ref. 19290.
[Ref: 35699] £130.00 (£156.00 incl.VAT)
M.A.T.W. [Mary Anne Theresa Whitby] 1830.
Rare lithograph. Printed area 140 x 160mm (5½ x 6¼"), with large margins. Foxing, mostly in title area.
View near Milford on Sea, Hampshire, looking towards the needles, taken from Newlands, the estate that the naval officer Sir William Cornwallis bought in 1799. The printmaker, Mary Anne Theresa Whitby (1784-1850), was married to Captain John Whitby, flag captain for Admiral Sir William Cornwallis. They lived on the admiral's estate, Newlands: after John's death in 1806, Mary stayed on, spending much of her time with Cornwallis, who left his estate to her on his death in 1819. Being a keen amateur lithographer, Whitby established a private press at Newlands, but she is better remembered for the first successful sericulture (silk production) to England after three centuries of attempts, presenting twenty yards of damask to Queen Victoria in 1844. She performed genetic experiments on her silkworms for Charles Darwin, who published her results in his 'The Variation of Animals and Plants Under Domestication' (1868).
Ex: Collection of the late Hon. C. Lennox-Boyd; For a London view by Whitby, see ref. 19290.
[Ref: 35699] £130.00 (£156.00 incl.VAT)
Ancien Militaire Anglois.
De Gaspar Rhut.
A Paris chez Duflos rue St. Victor. [n.d. c.1780]
Engraving with hand colour. 278 x 167mm.
From 'Recueil d'estampes représentant les grades, les rangs et les dignités suivant le costume de toutes les nations existantes' by Pierre Duflos, published 1779-84. The original colour is particularly fine, with gold leaf highlights.
[Ref: 2084] £60.00 (£72.00 incl.VAT)
De Gaspar Rhut.
A Paris chez Duflos rue St. Victor. [n.d. c.1780]
Engraving with hand colour. 278 x 167mm.
From 'Recueil d'estampes représentant les grades, les rangs et les dignités suivant le costume de toutes les nations existantes' by Pierre Duflos, published 1779-84. The original colour is particularly fine, with gold leaf highlights.
[Ref: 2084] £60.00 (£72.00 incl.VAT)
Ancien Militaire Breton.
d'apres Gaspart Rhut.
Paris chez Duflos rue St. Victor. [n.d. c.1780]
Engraving with hand colour. 277 x 165mm.
From 'Recueil d'estampes représentant les grades, les rangs et les dignités suivant le costume de toutes les nations existantes' by Pierre Duflos, published 1779-84. The original colour is particularly fine, with gold leaf highlights.
[Ref: 2085] £40.00 (£48.00 incl.VAT)
d'apres Gaspart Rhut.
Paris chez Duflos rue St. Victor. [n.d. c.1780]
Engraving with hand colour. 277 x 165mm.
From 'Recueil d'estampes représentant les grades, les rangs et les dignités suivant le costume de toutes les nations existantes' by Pierre Duflos, published 1779-84. The original colour is particularly fine, with gold leaf highlights.
[Ref: 2085] £40.00 (£48.00 incl.VAT)
Encien Militaire Danois.
de Jean Sepede.
A Paris chez Duflos rue St. Victor. [n.d. c.1780]
Engraving with hand colour. 276 x 166mm.
From 'Recueil d'estampes représentant les grades, les rangs et les dignités suivant le costume de toutes les nations existantes' by Pierre Duflos, published 1779-84. The original colour is particularly fine, with gold leaf highlights.
[Ref: 2086] £60.00 (£72.00 incl.VAT)
de Jean Sepede.
A Paris chez Duflos rue St. Victor. [n.d. c.1780]
Engraving with hand colour. 276 x 166mm.
From 'Recueil d'estampes représentant les grades, les rangs et les dignités suivant le costume de toutes les nations existantes' by Pierre Duflos, published 1779-84. The original colour is particularly fine, with gold leaf highlights.
[Ref: 2086] £60.00 (£72.00 incl.VAT)
Ancien Militaire de Frize.
De Labbe Chape.
A Paris chez Duflos rue St. Victor. [n.d. c.1780]
Engraving with hand colour. 276 x 169mm.
From 'Recueil d'estampes représentant les grades, les rangs et les dignités suivant le costume de toutes les nations existantes' by Pierre Duflos, published 1779-84. The original colour is particularly fine, with gold leaf highlights.
[Ref: 2087] £65.00 (£78.00 incl.VAT)
De Labbe Chape.
A Paris chez Duflos rue St. Victor. [n.d. c.1780]
Engraving with hand colour. 276 x 169mm.
From 'Recueil d'estampes représentant les grades, les rangs et les dignités suivant le costume de toutes les nations existantes' by Pierre Duflos, published 1779-84. The original colour is particularly fine, with gold leaf highlights.
[Ref: 2087] £65.00 (£78.00 incl.VAT)
Ancien Militaire Normand.
de Gaspart Rhut.
A Paris chez Duflos rue St. Victor. [n.d. c.1780]
Engraving with hand colour. 276 x 164mm.
From 'Recueil d'estampes représentant les grades, les rangs et les dignités suivant le costume de toutes les nations existantes' by Pierre Duflos, published 1779-84. The original colour is particularly fine, with gold leaf highlights.
[Ref: 2088] £50.00 (£60.00 incl.VAT)
de Gaspart Rhut.
A Paris chez Duflos rue St. Victor. [n.d. c.1780]
Engraving with hand colour. 276 x 164mm.
From 'Recueil d'estampes représentant les grades, les rangs et les dignités suivant le costume de toutes les nations existantes' by Pierre Duflos, published 1779-84. The original colour is particularly fine, with gold leaf highlights.
[Ref: 2088] £50.00 (£60.00 incl.VAT)
Ancien Militaire Saxon. de Gaspart Ruts.
Touze d. Pierre Duflos.
A Paris chez Duflos rue St. Victor. [n.d. c.1780]
Engraving with hand colour. 277 x 167mm.
From 'Recueil d'estampes représentant les grades, les rangs et les dignités suivant le costume de toutes les nations existantes' by Pierre Duflos, published 1779-84. The original colour is particularly fine, with gold leaf highlights.
[Ref: 2089] £60.00 (£72.00 incl.VAT)
Touze d. Pierre Duflos.
A Paris chez Duflos rue St. Victor. [n.d. c.1780]
Engraving with hand colour. 277 x 167mm.
From 'Recueil d'estampes représentant les grades, les rangs et les dignités suivant le costume de toutes les nations existantes' by Pierre Duflos, published 1779-84. The original colour is particularly fine, with gold leaf highlights.
[Ref: 2089] £60.00 (£72.00 incl.VAT)
![[Man in Uniform] [Duke of Wellington?]](jpegs/65271.jpg)
[Man in Uniform] [Duke of Wellington?]
[engraved by J. Thomson after Henry Edridge.]
[n.d., c.1800.]
Stipple, proof before letters. Sheet 235 x 185mm (9¼ x 7¼").
Portrait of a British army officer, looking to his right, wearing his medals, possibly Duke of Wellington. One of the bars reads 'Vittoria', suggesting service in the Peninsula War.
Scottish National Portrait Gallery UP Z 76, unidentified.
[Ref: 65271] £70.00 (£84.00 incl.VAT)
[engraved by J. Thomson after Henry Edridge.]
[n.d., c.1800.]
Stipple, proof before letters. Sheet 235 x 185mm (9¼ x 7¼").
Portrait of a British army officer, looking to his right, wearing his medals, possibly Duke of Wellington. One of the bars reads 'Vittoria', suggesting service in the Peninsula War.
Scottish National Portrait Gallery UP Z 76, unidentified.
[Ref: 65271] £70.00 (£84.00 incl.VAT)
![[Military Band.]](jpegs/8565.jpg)
[Military Band.]
C.W. White Sculpt.
[n.d., c.1800.]
Stipple, 140 x 140mm. 5½ x 5½".
Children dressed as a military band, playing the drum and flute.
[Ref: 8565] £80.00 (£96.00 incl.VAT)
C.W. White Sculpt.
[n.d., c.1800.]
Stipple, 140 x 140mm. 5½ x 5½".
Children dressed as a military band, playing the drum and flute.
[Ref: 8565] £80.00 (£96.00 incl.VAT)
![[Military Band.]](jpegs/40121.jpg)
[Military Band.]
C.W. White Sculpt.
[n.d., c.1800.]
Stipple, printed in sanguine. Printed area: 140 x 140mm (5½ x 5½"). Trimmed inside plate. Small stain to right edge of sheet, outside of printed area.
Children dressed as a military band, playing the drum and flute.
[Ref: 40121] £95.00 (£114.00 incl.VAT)
C.W. White Sculpt.
[n.d., c.1800.]
Stipple, printed in sanguine. Printed area: 140 x 140mm (5½ x 5½"). Trimmed inside plate. Small stain to right edge of sheet, outside of printed area.
Children dressed as a military band, playing the drum and flute.
[Ref: 40121] £95.00 (£114.00 incl.VAT)
A Street of a Camp, for a Brigade of Body Guards to the French King.
London. Printed for Bowles & Carver, 69 St Pauls Church Yard, and R. Wikinson, 225 Fenchurch Street.
Etching. 215 x 270mm (8½ x 10¾"), on paper watermarked 'J Whatman Turkey Mills 1821', with large margins. Wear to edges.
A camp of French soldiers near an island fortress. Probably a reprint of a mid-18th century printing.
[Ref: 54160] £85.00 (£102.00 incl.VAT)
London. Printed for Bowles & Carver, 69 St Pauls Church Yard, and R. Wikinson, 225 Fenchurch Street.
Etching. 215 x 270mm (8½ x 10¾"), on paper watermarked 'J Whatman Turkey Mills 1821', with large margins. Wear to edges.
A camp of French soldiers near an island fortress. Probably a reprint of a mid-18th century printing.
[Ref: 54160] £85.00 (£102.00 incl.VAT)
The Military Contrast.
[by Matthew Darley.]
Pub. May 1. 1773 Accord. to Act by MDarly 39 Strand.
Coloured etching. 175 x 245mm (6¾ x 9¾"). Trimmed to plate on three sides, tear in bottom margin taped.
On the left is a veteran redcoat, one-eyed, one-armed and one-legged; on the right is a dandy officer, peering at the veteran though a monocle.
Not in BM Satires.
[Ref: 55903] £230.00 (£276.00 incl.VAT)
[by Matthew Darley.]
Pub. May 1. 1773 Accord. to Act by MDarly 39 Strand.
Coloured etching. 175 x 245mm (6¾ x 9¾"). Trimmed to plate on three sides, tear in bottom margin taped.
On the left is a veteran redcoat, one-eyed, one-armed and one-legged; on the right is a dandy officer, peering at the veteran though a monocle.
Not in BM Satires.
[Ref: 55903] £230.00 (£276.00 incl.VAT)
![[Portrait of a man in military costume.]](jpegs/56509.jpg)
[Portrait of a man in military costume.] From the Original Picture Painted by Rembrandt, in the Collection of the Right Hon.ble the Earl of Besborough. To whom this Plate is most Humbly Dedicated, by His Lordship's most obliged and most Obedient Hum.ble Servant, J. Boydell.
Rembrandt Pinxt. W.m Pether fecit.
Published according to Act of Parliament, by J. Boydell. Engraver in Cheapside, Nov.r 1.st 1764.
Mezzotint. 505 x 355mm (19¾ x 14"), large margins on 3 sides. Margins restored, horizonal fold flattened, inscription weakly inked.
A portrait of a man, three-quarter length, wearing a breastplate with chain and a large hat with feathers, his left elbow leaning on a ledge holding a sword. After a 1650 painting by Rembrandt now in the Fitzwilliam Museum, once considered to show Rembrandt himself. It was engraved by portrait painter and mezzotinter William Pether (1731-1821).
Charrington. 125. III of III.
[Ref: 56509] £280.00 (£336.00 incl.VAT)
Rembrandt Pinxt. W.m Pether fecit.
Published according to Act of Parliament, by J. Boydell. Engraver in Cheapside, Nov.r 1.st 1764.
Mezzotint. 505 x 355mm (19¾ x 14"), large margins on 3 sides. Margins restored, horizonal fold flattened, inscription weakly inked.
A portrait of a man, three-quarter length, wearing a breastplate with chain and a large hat with feathers, his left elbow leaning on a ledge holding a sword. After a 1650 painting by Rembrandt now in the Fitzwilliam Museum, once considered to show Rembrandt himself. It was engraved by portrait painter and mezzotinter William Pether (1731-1821).
Charrington. 125. III of III.
[Ref: 56509] £280.00 (£336.00 incl.VAT)
![[Military Discoveries.] On recovering from a swoon, you Discover it was occasioned by your horse being shot under you, and in the fall broke your leg;](jpegs/55783.jpg)
[Military Discoveries.] On recovering from a swoon, you Discover it was occasioned by your horse being shot under you, and in the fall broke your leg; on looking round you see both friend and enemy leaving you in the lurch , that your only company are a pack of low bred things, who have actually had the honour to be killed by sword or bullet, while you have happened of nothing more than a common place accident.
[by Henry Thomas Alken.]
London, Published Mar 24, 1819 by S. & J. Fuller, Temple of Fancy, 34, Rathbone Place.
Rare coloured aquatint, J. Whatman 1818 watermark; 23 x 300 (9 x 11¾") very large margins. Slight soiling, crack in bottom plate mark.
A cavalryman wakes to find the battle has moved on. From 'Military Discoveries or, The Miseries of campaigning in a series of seven plates being Hints to Young Officers' by Ben Tally-Ho, a pseudonym of Henry Thomas Alken (1785-1851), second son of Sanuel Alken.
Rare: not in Abbey.
[Ref: 55783] £130.00 (£156.00 incl.VAT)
[by Henry Thomas Alken.]
London, Published Mar 24, 1819 by S. & J. Fuller, Temple of Fancy, 34, Rathbone Place.
Rare coloured aquatint, J. Whatman 1818 watermark; 23 x 300 (9 x 11¾") very large margins. Slight soiling, crack in bottom plate mark.
A cavalryman wakes to find the battle has moved on. From 'Military Discoveries or, The Miseries of campaigning in a series of seven plates being Hints to Young Officers' by Ben Tally-Ho, a pseudonym of Henry Thomas Alken (1785-1851), second son of Sanuel Alken.
Rare: not in Abbey.
[Ref: 55783] £130.00 (£156.00 incl.VAT)
![[Military Discoveries.]](jpegs/55784.jpg)
[Military Discoveries.] Being awoke by a violent noise, and rushing from your quarters, you Discover your Colonel who commands you, immediately to resist a serious and unexpected attack made on the Camp by the Enemy, without waiting for any additonal Clothes
[by Henry Thomas Alken.]
London, Published Mar 24, 1819 by S. & J. Fuller, Temple of Fancy, 34, Rathbone Place.
Rare coloured aquatint. 23 x 300 (9 x 11¾") very large margins.
Men pulling on their clothes as their colonel swings his sabre, wearing only shirt, jacket and cap. From 'Military Discoveries or, The Miseries of campaigning in a series of seven plates being Hints to Young Officers' by Ben Tally-Ho, a pseudonym of Henry Thomas Alken (1785-1851), second son of Samuel Alken.
Rare: not in Abbey.
[Ref: 55784] £130.00 (£156.00 incl.VAT)
[by Henry Thomas Alken.]
London, Published Mar 24, 1819 by S. & J. Fuller, Temple of Fancy, 34, Rathbone Place.
Rare coloured aquatint. 23 x 300 (9 x 11¾") very large margins.
Men pulling on their clothes as their colonel swings his sabre, wearing only shirt, jacket and cap. From 'Military Discoveries or, The Miseries of campaigning in a series of seven plates being Hints to Young Officers' by Ben Tally-Ho, a pseudonym of Henry Thomas Alken (1785-1851), second son of Samuel Alken.
Rare: not in Abbey.
[Ref: 55784] £130.00 (£156.00 incl.VAT)
A Military Divertimento for the Piano Forte with an Accompaniment for a Flute Violin and Bass ad libitum Composed and Humbly Dedicated (by Permission) to His Royal Highness The Duke of Cumberland by K. Von Esch.
T. King sc. 411 Strand.
London Printed by Broderip & Wilkinson 13 Haymarket where may be had all this Authors works [n.d., c.1800].
Etching. 280 x 200mm (11 x 8"). Trimmed within plate on right.
A music cover, featuring a scroll draped over a piano and other musical instruments.
[Ref: 57318] £160.00 (£192.00 incl.VAT)
T. King sc. 411 Strand.
London Printed by Broderip & Wilkinson 13 Haymarket where may be had all this Authors works [n.d., c.1800].
Etching. 280 x 200mm (11 x 8"). Trimmed within plate on right.
A music cover, featuring a scroll draped over a piano and other musical instruments.
[Ref: 57318] £160.00 (£192.00 incl.VAT)
![[Physical exercises for soldiers.]](jpegs/55776.jpg)
[Physical exercises for soldiers.]
[drawn by Robert Ker Porter.]
Published as the Act directs, Aug.st 1798, at Egerton's Military Library Whitehall.
Coloured etching, 18th century watermark, pencil drawing verso. 255 x 195mm (10 x 7¾"), large margins. Paper toned. Slight creasing top right.
Two illustration of exercises for the back, one with dumbells. One of 24 plates in 'Military Instructions: including each particular motion of the manual and platoon exercises; elucidated with very minute drawings by Mr. R.K. Porter', by David Roberts.
[Ref: 55776] £75.00 (£90.00 incl.VAT)
[drawn by Robert Ker Porter.]
Published as the Act directs, Aug.st 1798, at Egerton's Military Library Whitehall.
Coloured etching, 18th century watermark, pencil drawing verso. 255 x 195mm (10 x 7¾"), large margins. Paper toned. Slight creasing top right.
Two illustration of exercises for the back, one with dumbells. One of 24 plates in 'Military Instructions: including each particular motion of the manual and platoon exercises; elucidated with very minute drawings by Mr. R.K. Porter', by David Roberts.
[Ref: 55776] £75.00 (£90.00 incl.VAT)
A Military Extinguisher!!
London Pub.d by W. Holland No 50 Oxford St April 1798.
Coloured etching. 340 x 230mm (13¼ x 9"). Trimmed to plate on three sides. Time stained.
A massive trooper lowers his bearskin over his commanding officer's head like a candle snuffer.
Not in BM Satires.
[Ref: 58371] £140.00 (£168.00 incl.VAT)
London Pub.d by W. Holland No 50 Oxford St April 1798.
Coloured etching. 340 x 230mm (13¼ x 9"). Trimmed to plate on three sides. Time stained.
A massive trooper lowers his bearskin over his commanding officer's head like a candle snuffer.
Not in BM Satires.
[Ref: 58371] £140.00 (£168.00 incl.VAT)
![[Military inspection]](jpegs/45111.jpg)
[Military inspection]
C. Eisen inv. L. Lempereur sculp. [c.1770]
Engraving, sheet 130 x 190mm (5 x 7½"). Trimmed to platemark; glued to album sheet at corners.
Engraving after a design by Charles Eisen (1720-78), painter, draughtsman and illustrator. It was through his drawings, engraved to illustrate nearly 400 books, that Eisen's reputation was chiefly established. These included editions of Lucretius, Ovid, Tacitus, Virgil, Boccaccio, Ariosto, Erasmus and La Fontaine.
[Ref: 45111] £90.00 (£108.00 incl.VAT)
C. Eisen inv. L. Lempereur sculp. [c.1770]
Engraving, sheet 130 x 190mm (5 x 7½"). Trimmed to platemark; glued to album sheet at corners.
Engraving after a design by Charles Eisen (1720-78), painter, draughtsman and illustrator. It was through his drawings, engraved to illustrate nearly 400 books, that Eisen's reputation was chiefly established. These included editions of Lucretius, Ovid, Tacitus, Virgil, Boccaccio, Ariosto, Erasmus and La Fontaine.
[Ref: 45111] £90.00 (£108.00 incl.VAT)
A Military Salutation.
[Piercy Roberts crudely scratched from plate.]
Pub.d Jan.y 1. [1807 scratched from plate] by T. Tegg 111 Cheapside.
Hand coloured etching. Sheet size: 273 x 410mm (10¾ x 16"). Trimmed inside plate. Light creasing. Some surface dirt.
A fashionably dressed slim young man, stands with his clasped hands, facing a man with his arms and legs in wrappings, and says, 'stand at ease'. The ailing figure, wearing a night cap, sits in an armchair with his legs resting on a stool, answers, his face distorted with pain, 'Yes - its very fine talking - but if you had such a Confounded Gout, as I have young man You'd find it d----d difficult to sit at ease'.
BM Satires 10912.
[Ref: 36181] £260.00 (£312.00 incl.VAT)
[Piercy Roberts crudely scratched from plate.]
Pub.d Jan.y 1. [1807 scratched from plate] by T. Tegg 111 Cheapside.
Hand coloured etching. Sheet size: 273 x 410mm (10¾ x 16"). Trimmed inside plate. Light creasing. Some surface dirt.
A fashionably dressed slim young man, stands with his clasped hands, facing a man with his arms and legs in wrappings, and says, 'stand at ease'. The ailing figure, wearing a night cap, sits in an armchair with his legs resting on a stool, answers, his face distorted with pain, 'Yes - its very fine talking - but if you had such a Confounded Gout, as I have young man You'd find it d----d difficult to sit at ease'.
BM Satires 10912.
[Ref: 36181] £260.00 (£312.00 incl.VAT)
A Military Sketch, of a Gilt Stick, or Poker Emblazoned.
[James Gillray.]
Pubd June 11th 1800. by H. Humphrey 27 St James's Street.
Hand coloured etching. Sheet size: 250 x 200mm (9¾ x 8"). Trimmed inside platemark.
Major-General Lord Cathcart stands stiffly in profile to the left. He wears court dress with a military cast, heavily gold laced, and a long pigtail. His right hand rests on the head of a gold-headed cane. A figured carpet and bare wall complete the design.
BM Satires 9564.
[Ref: 35184] £280.00 (£336.00 incl.VAT)
[James Gillray.]
Pubd June 11th 1800. by H. Humphrey 27 St James's Street.
Hand coloured etching. Sheet size: 250 x 200mm (9¾ x 8"). Trimmed inside platemark.
Major-General Lord Cathcart stands stiffly in profile to the left. He wears court dress with a military cast, heavily gold laced, and a long pigtail. His right hand rests on the head of a gold-headed cane. A figured carpet and bare wall complete the design.
BM Satires 9564.
[Ref: 35184] £280.00 (£336.00 incl.VAT)
![[Military Sketches.]](jpegs/35808.jpg)
[Military Sketches.] Characteristic Traits of Old Stagers, Big Wigs, Staff, Martinets, Humbugs, Deep Files, Duty Officers, Skulks, Good Fellows, Paymasters, Doctors, et Multis Aliis.]
[London: T. McLean, Repository of Wit & Humour, 1823.]
11 (of 18) coloured lithographs, lacking illustrated title & frontispiece, with two endpapers and rear paper wrapper with publisher's ads. Each sheet 300 x 240mm (11¾ x 9½").
Two-thirds of the plates from an extremely rare plate book. The caricatures run down the left of the sheet with a printed text in imitation of handwriting for each one.
Not in Abbey.
[Ref: 35808] £650.00 view all images for this item
[London: T. McLean, Repository of Wit & Humour, 1823.]
11 (of 18) coloured lithographs, lacking illustrated title & frontispiece, with two endpapers and rear paper wrapper with publisher's ads. Each sheet 300 x 240mm (11¾ x 9½").
Two-thirds of the plates from an extremely rare plate book. The caricatures run down the left of the sheet with a printed text in imitation of handwriting for each one.
Not in Abbey.
[Ref: 35808] £650.00 view all images for this item
![[The trumpet sounds to victory] Illustrations of Popular Songs.](jpegs/55779.jpg)
[The trumpet sounds to victory] Illustrations of Popular Songs. He was fam'd for deeds of , / She a maid of envied charms...
Published by H. Borthoud 65 Regents Quadrant, 1826.
Fine & rare coloured lithograph. Sheet 160 x 125mm (6¼ x 5"). Slight surface soiling.
A soldier in campaign dress courting a woman. An illustration to 'The trumpet sounds to victory' by Domenico Corri (1746-1825).
[Ref: 55779] £95.00 (£114.00 incl.VAT)
Published by H. Borthoud 65 Regents Quadrant, 1826.
Fine & rare coloured lithograph. Sheet 160 x 125mm (6¼ x 5"). Slight surface soiling.
A soldier in campaign dress courting a woman. An illustration to 'The trumpet sounds to victory' by Domenico Corri (1746-1825).
[Ref: 55779] £95.00 (£114.00 incl.VAT)
![[Il Latte.] Unsway'd by Fashion's dull unseemly jest [... ]](jpegs/62303.jpg)
[Il Latte.] Unsway'd by Fashion's dull unseemly jest [... ] Vide Jerningham's Poem, Il Latte.
R. Westall R.A. inv. T. Cheesman, sculp. late Pupil to F. Bartolozzi R.A.
Published March 20, 1794, by J.F. Tomkins, New Bond Street, London.
Rare stipple. 385 x 290mm (15¼ x 11½"), with very large margins. Spotting and staining.
A very decorative oval scene of a mother breastfeeding.
[Ref: 62303] £320.00
R. Westall R.A. inv. T. Cheesman, sculp. late Pupil to F. Bartolozzi R.A.
Published March 20, 1794, by J.F. Tomkins, New Bond Street, London.
Rare stipple. 385 x 290mm (15¼ x 11½"), with very large margins. Spotting and staining.
A very decorative oval scene of a mother breastfeeding.
[Ref: 62303] £320.00
Laitière. Provinces Méridionale.
J. Madou fc. Lith. de Burggraaff, à Bs.
[n.d. c.1820.]
Hand coloured lithograph. 246 x 196mm. 9¾ x 7¾ Trimmed and laid on album sheet.
A Milk maid walking through the countryside with a pale of milk balancing on her head, and a basket of two further jugs inside. Behind her walks a man and his ass pulling a cart.
[Ref: 16217] £70.00 (£84.00 incl.VAT)
J. Madou fc. Lith. de Burggraaff, à Bs.
[n.d. c.1820.]
Hand coloured lithograph. 246 x 196mm. 9¾ x 7¾ Trimmed and laid on album sheet.
A Milk maid walking through the countryside with a pale of milk balancing on her head, and a basket of two further jugs inside. Behind her walks a man and his ass pulling a cart.
[Ref: 16217] £70.00 (£84.00 incl.VAT)
![Milchweiss. Laitiere. [Milk seller.]](jpegs/11574.jpg)
Milchweiss. Laitiere. [Milk seller.]
Gezeichnet v. C. Brand Prof. Gestochen v. Joh Seigel.
[n.d., 1810.]
Etching, sheet 335 x 245mm. 13¼ x 9¾". Trimmed within plate.
Plate to a set of 'Cries of Vienna', after Christian Hilfgott Brand (1694 - 1756), who seems to have been a drawing master at the Vienna Academy.
[Ref: 11574] £170.00 (£204.00 incl.VAT)
Gezeichnet v. C. Brand Prof. Gestochen v. Joh Seigel.
[n.d., 1810.]
Etching, sheet 335 x 245mm. 13¼ x 9¾". Trimmed within plate.
Plate to a set of 'Cries of Vienna', after Christian Hilfgott Brand (1694 - 1756), who seems to have been a drawing master at the Vienna Academy.
[Ref: 11574] £170.00 (£204.00 incl.VAT)
A Milk Sop.
Rowlandson Del.
[Published December 15th, 1811 by Thos Tegg No.111 Cheapside. Price One Shilling Coloured.]
Etching with fine hand colour, watermarked 1819; 350 x 250mm (13¾ x 9¾").
A scene in a college cloister, suggested by a Gothic vaulted wall. A young, attractive milkmaid, carrying pails on a yoke, is being embraced by a student in academic dress who leans out of a window toward her. She pays no attention to her pails, one tipped upward, holds two babies, while the other tilts down, allowing a dog to eagerly lap it up. To the side, a gaunt, grotesque-looking elderly man, also in academic robes, watches the encounter intently.
BM: 11784. Grego. ii. 216.
[Ref: 66245] £320.00
Rowlandson Del.
[Published December 15th, 1811 by Thos Tegg No.111 Cheapside. Price One Shilling Coloured.]
Etching with fine hand colour, watermarked 1819; 350 x 250mm (13¾ x 9¾").
A scene in a college cloister, suggested by a Gothic vaulted wall. A young, attractive milkmaid, carrying pails on a yoke, is being embraced by a student in academic dress who leans out of a window toward her. She pays no attention to her pails, one tipped upward, holds two babies, while the other tilts down, allowing a dog to eagerly lap it up. To the side, a gaunt, grotesque-looking elderly man, also in academic robes, watches the encounter intently.
BM: 11784. Grego. ii. 216.
[Ref: 66245] £320.00
![[Lady in the character of a Milkmaid.]](jpegs/20275.jpg)
[Lady in the character of a Milkmaid.]
Richd. Cosway, R.A. del. J.S. Agar, sculp.
[n.d. c.1790.]
Stipple, india proof. 361 x 279mm. 14¼ x 11".
A woman in the character of a milkmaid, standing next to her cow. Said to be a portrait of a mistress of George, Duke of Marlborough.
Daniell H 161.
[Ref: 20275] £240.00 (£288.00 incl.VAT)
Richd. Cosway, R.A. del. J.S. Agar, sculp.
[n.d. c.1790.]
Stipple, india proof. 361 x 279mm. 14¼ x 11".
A woman in the character of a milkmaid, standing next to her cow. Said to be a portrait of a mistress of George, Duke of Marlborough.
Daniell H 161.
[Ref: 20275] £240.00 (£288.00 incl.VAT)
Kate Smith. The Merry Milk-Maid.
[After Marcellus Laroon II.]
Pub.d Aug.t 7, 1813, by R.S.Kirby, 11 London House Yard.
Etching. 200 x 125mm (8 x 5"). Thread margin on right.
A later version of a print from the 1688, 'The Cryes of the City of London Drawne after the Life.' Portrait of a milkmaid walking to front with a display of tankards and silverware on her head
[Ref: 66003] £60.00 (£72.00 incl.VAT)
[After Marcellus Laroon II.]
Pub.d Aug.t 7, 1813, by R.S.Kirby, 11 London House Yard.
Etching. 200 x 125mm (8 x 5"). Thread margin on right.
A later version of a print from the 1688, 'The Cryes of the City of London Drawne after the Life.' Portrait of a milkmaid walking to front with a display of tankards and silverware on her head
[Ref: 66003] £60.00 (£72.00 incl.VAT)
Laitière.
J. Madou Fe.
Lith de Burggraaff, à Brt. [n.d., c.1840.]
Hand-coloured lithograph. Sheet: 200 x 255mm (8 x 10").
A portait of a milkmaid carrying an urn on her head.
[Ref: 44641] £65.00 (£78.00 incl.VAT)
J. Madou Fe.
Lith de Burggraaff, à Brt. [n.d., c.1840.]
Hand-coloured lithograph. Sheet: 200 x 255mm (8 x 10").
A portait of a milkmaid carrying an urn on her head.
[Ref: 44641] £65.00 (£78.00 incl.VAT)
La petite Laitière. (Paris).
[Ch. Philipon [in stone].L Imp Litho. de M.lle Formentin, rue des S.ts Peres N.o 10.]
[Published by Charles Tilt, 86. fleet street, London c.1824.]
Hand-coloured lithograph. Sheet: 180 x 250mm (7 x 9¾"). Foxing, title excised and stuck on at the bottom.
A portrait of a milkmaid in a red cap. From the series' Têtes de Femmes'. After Charles Philipon (1800 - 1862) French lithographer, caricaturist, journalist and the founder and director of the satirical political journals La Caricature and of Le Charivari. Joséphine-Clémence Formentin (Mademoiselle Formentin) (c.1802- 1863) was a female French lithographer, publisher and printer.
See Ref: 58223
[Ref: 44642] £50.00 (£60.00 incl.VAT)
[Ch. Philipon [in stone].L Imp Litho. de M.lle Formentin, rue des S.ts Peres N.o 10.]
[Published by Charles Tilt, 86. fleet street, London c.1824.]
Hand-coloured lithograph. Sheet: 180 x 250mm (7 x 9¾"). Foxing, title excised and stuck on at the bottom.
A portrait of a milkmaid in a red cap. From the series' Têtes de Femmes'. After Charles Philipon (1800 - 1862) French lithographer, caricaturist, journalist and the founder and director of the satirical political journals La Caricature and of Le Charivari. Joséphine-Clémence Formentin (Mademoiselle Formentin) (c.1802- 1863) was a female French lithographer, publisher and printer.
See Ref: 58223
[Ref: 44642] £50.00 (£60.00 incl.VAT)
The Milkman.
Drawn by G.F. Pidgeon. Engraved by W. Bond.
Pub.d April 20, 1803, by G.F. Pidgeon, London Street, Fitzroy Square.
Scarce & fine stipple, printed in colours and hand-finished. 425 x 285mm (19 x 11¼"), with very large margins, watermarked 1806. Hand colour faded, bottom edge chipped and soiled.
A man using a yoke to carry two buckets of milk. A 'G.F. Pidgeon' designed medals, for example one struck by the London Highland Society in tribute to the 42nd Regiment's action at the Battle of Alexandria, March 1801, with a portrait of Sir Ralph Abercromby.
See Royal Collection Trust RCIN 443305 for the medal.
[Ref: 54835] £260.00 (£312.00 incl.VAT)
Drawn by G.F. Pidgeon. Engraved by W. Bond.
Pub.d April 20, 1803, by G.F. Pidgeon, London Street, Fitzroy Square.
Scarce & fine stipple, printed in colours and hand-finished. 425 x 285mm (19 x 11¼"), with very large margins, watermarked 1806. Hand colour faded, bottom edge chipped and soiled.
A man using a yoke to carry two buckets of milk. A 'G.F. Pidgeon' designed medals, for example one struck by the London Highland Society in tribute to the 42nd Regiment's action at the Battle of Alexandria, March 1801, with a portrait of Sir Ralph Abercromby.
See Royal Collection Trust RCIN 443305 for the medal.
[Ref: 54835] £260.00 (£312.00 incl.VAT)
![[Windmill.]](jpegs/46220.jpg)
[Windmill.]
[n.d., c.1800.]
Engraving. Sheet: 165 x 215mm (6½ x 8½"). Trimmed within plate.
A rustic scene showing a group of men unloading a wagon full of sacks of corn and taking them into a windmill. The side of the wagon says 'Newbury Berks Common Stage'.
[Ref: 46220] £65.00 (£78.00 incl.VAT)
[n.d., c.1800.]
Engraving. Sheet: 165 x 215mm (6½ x 8½"). Trimmed within plate.
A rustic scene showing a group of men unloading a wagon full of sacks of corn and taking them into a windmill. The side of the wagon says 'Newbury Berks Common Stage'.
[Ref: 46220] £65.00 (£78.00 incl.VAT)
Ile-de-France. Moulin à faire l'huile de coco. (Voyes. l'explication des planches,)
Dess. par E. Oliver after les croquis de L. de F [Louis de Freycinet]. Gravé par Adam.
[Paris, c.1839.]
Engraving. 325 x 240mm (12¾ x 9½"). Tears in edges of wide margins.
A mill for extracting coco oil, driven by a donkey, seen on Mauritius. From Louis de Freycinet's 1817 voyage around the world aboard the ship Uranie.
[Ref: 56867] £65.00 (£78.00 incl.VAT)
Dess. par E. Oliver after les croquis de L. de F [Louis de Freycinet]. Gravé par Adam.
[Paris, c.1839.]
Engraving. 325 x 240mm (12¾ x 9½"). Tears in edges of wide margins.
A mill for extracting coco oil, driven by a donkey, seen on Mauritius. From Louis de Freycinet's 1817 voyage around the world aboard the ship Uranie.
[Ref: 56867] £65.00 (£78.00 incl.VAT)
Mill Lane Archway and Excavation at Olive Mount See page 51
[published in Chester, 1830.]
Lithograph, 205 x 115mm. 8 x 4½". Uncut.
The Olive Mount Cutting, on the Liverpool & Manchester Railway near Liverpool, was one of the first extensive cuttings on any railway, and one of the most extensive. The sandstone rock blasted out was used to make the Sankey viaduct and other buildings for the LMR. Originally published as one of 'Eight Views illustrating The Liverpool and Manchester Railway, and the Engines and Carriages employed upon it' published in Chester in 1830 and described by Abbey as 'a flimsy booklet of the greatest rarity'.
Abbey Life: 404.1
[Ref: 8874] £70.00 (£84.00 incl.VAT)
[published in Chester, 1830.]
Lithograph, 205 x 115mm. 8 x 4½". Uncut.
The Olive Mount Cutting, on the Liverpool & Manchester Railway near Liverpool, was one of the first extensive cuttings on any railway, and one of the most extensive. The sandstone rock blasted out was used to make the Sankey viaduct and other buildings for the LMR. Originally published as one of 'Eight Views illustrating The Liverpool and Manchester Railway, and the Engines and Carriages employed upon it' published in Chester in 1830 and described by Abbey as 'a flimsy booklet of the greatest rarity'.
Abbey Life: 404.1
[Ref: 8874] £70.00 (£84.00 incl.VAT)
![[John Stuart Mill.]](jpegs/48434.jpg)
[John Stuart Mill.]
G.F. Watts R.A. p.t. Rayon s.t.
[n.d., c.1870.]
Etching. Plate: 330 x 255mm (13 x 10''), with very large margins. Uncut.
A portrait of British philosopher, political economist and civil servant John Stuart Mill (1806-1873) dubbed "the most influential English-speaking philosopher of the nineteenth century".
[Ref: 48434] £490.00
G.F. Watts R.A. p.t. Rayon s.t.
[n.d., c.1870.]
Etching. Plate: 330 x 255mm (13 x 10''), with very large margins. Uncut.
A portrait of British philosopher, political economist and civil servant John Stuart Mill (1806-1873) dubbed "the most influential English-speaking philosopher of the nineteenth century".
[Ref: 48434] £490.00
The Baby-House
J.E. Millais R.A. [1872]
Etching on india, platemark 145 x 185mm (5¾ x 7¼"). Uncut sheet.
Etching by Pre-Raphaelite painter John Everett Millais (1829-96), who frequently returned to the theme of childhood in his popular etchings. Lewis Carroll's 'Alice in Wonderland' had been published in 1865/6 with John Tenniel's famous illustrations, and this etching reflects the widespread influence of that book. This print was published the year after Millais' caricature was published in 'Vanity Fair' with the caption 'A converted Pre-Raphaelite', demonstrating how much Millais' art had changed since his Pre-Raphaelite years (c.1848-54).
Hartnoll 30 (only published edition)
[Ref: 35881] £350.00
J.E. Millais R.A. [1872]
Etching on india, platemark 145 x 185mm (5¾ x 7¼"). Uncut sheet.
Etching by Pre-Raphaelite painter John Everett Millais (1829-96), who frequently returned to the theme of childhood in his popular etchings. Lewis Carroll's 'Alice in Wonderland' had been published in 1865/6 with John Tenniel's famous illustrations, and this etching reflects the widespread influence of that book. This print was published the year after Millais' caricature was published in 'Vanity Fair' with the caption 'A converted Pre-Raphaelite', demonstrating how much Millais' art had changed since his Pre-Raphaelite years (c.1848-54).
Hartnoll 30 (only published edition)
[Ref: 35881] £350.00
![[Summer Indolence.]](jpegs/41168.jpg)
[Summer Indolence.]
J.E. Millais 1861.
Etching on india, platemark 180 x 255mm (7 x 10") very large margins. Foxing to edges.
Two girls in a field, one of whom chains together newly-picked flowers. Etching by Pre-Raphaeilite painter John Everett Millais (1829-96), who frequently returned to the theme of childhood in his popular etchings. This print was made in 1861, the year that Millais returned from Scotland to live in London (residing in Cromwell Place, South Kensington). Plate from 'Passages from 'Modern English Poets Illustrated by the Junior Etching Club' (1862). This plate was reissued in 1874/5 (reissues can be identified by the absence of the 1861 publication line found on this impression).
Hartnoll 28; for 1870s restrike see ref. 35880.
[Ref: 41168] £190.00 (£228.00 incl.VAT)
J.E. Millais 1861.
Etching on india, platemark 180 x 255mm (7 x 10") very large margins. Foxing to edges.
Two girls in a field, one of whom chains together newly-picked flowers. Etching by Pre-Raphaeilite painter John Everett Millais (1829-96), who frequently returned to the theme of childhood in his popular etchings. This print was made in 1861, the year that Millais returned from Scotland to live in London (residing in Cromwell Place, South Kensington). Plate from 'Passages from 'Modern English Poets Illustrated by the Junior Etching Club' (1862). This plate was reissued in 1874/5 (reissues can be identified by the absence of the 1861 publication line found on this impression).
Hartnoll 28; for 1870s restrike see ref. 35880.
[Ref: 41168] £190.00 (£228.00 incl.VAT)
![[Summer Indolence.]](jpegs/35880.jpg)
[Summer Indolence.]
J.E. Millais 1861.
Etching, platemark 180 x 255mm (7 x 10"). Crease top left; soiling and scuff marks.
Two girls in a field, one of whom chains together newly-picked flowers. Etching by Pre-Raphaeilite painter John Everett Millais (1829-96), who frequently returned to the theme of childhood in his popular etchings. This print was made in 1861, the year that Millais returned from Scotland to live in London (residing in Cromwell Place, South Kensington). This impression is a reissue of the plate dating to 1874/5 (the original 1861 publication line has been scratched out).
Hartnoll 28
[Ref: 35880] £160.00 (£192.00 incl.VAT)
J.E. Millais 1861.
Etching, platemark 180 x 255mm (7 x 10"). Crease top left; soiling and scuff marks.
Two girls in a field, one of whom chains together newly-picked flowers. Etching by Pre-Raphaeilite painter John Everett Millais (1829-96), who frequently returned to the theme of childhood in his popular etchings. This print was made in 1861, the year that Millais returned from Scotland to live in London (residing in Cromwell Place, South Kensington). This impression is a reissue of the plate dating to 1874/5 (the original 1861 publication line has been scratched out).
Hartnoll 28
[Ref: 35880] £160.00 (£192.00 incl.VAT)
![Lambeth & Westminster. From Millbank [in plate lower left].](jpegs/14252.jpg)
Lambeth & Westminster. From Millbank [in plate lower left].
W. Parrott, Del Et Lith.
Published November 1841 by Henry Brooks, 319 Regent St. Portland Place. M & N Hanhart Printers.
Lithograph with colour added by hand, image 274 x 443mm. 10¾ x 17½". Two tears into the plate bottom left-hand corner. Toning across the image.
Westminster Abbey and St John, Smith Square, with Lambeth Palace on the opposite bank of the River Thames across Westminster Bridge. In the foreground a horse and cart transports timber.
[Ref: 14252] £520.00
W. Parrott, Del Et Lith.
Published November 1841 by Henry Brooks, 319 Regent St. Portland Place. M & N Hanhart Printers.
Lithograph with colour added by hand, image 274 x 443mm. 10¾ x 17½". Two tears into the plate bottom left-hand corner. Toning across the image.
Westminster Abbey and St John, Smith Square, with Lambeth Palace on the opposite bank of the River Thames across Westminster Bridge. In the foreground a horse and cart transports timber.
[Ref: 14252] £520.00
[View of Millbank on the River Thames near London. From an Original Picture in the possession of Mr. R. V. Brooke.]
[J. Laporte Pinx.t. F. Jukes Aqu.t.]
[London. Published June 1. 1795 by F.Jukes, Howland Street.]
Aquatint, rare proof before letters, printed in colours and hand finished. 480 x 610mm (19 x 24"). Small margins. Repaired hole.
A view of the Thames at Millbank, with the buildings of a distillery on the left.
[Ref: 67414] £480.00
[J. Laporte Pinx.t. F. Jukes Aqu.t.]
[London. Published June 1. 1795 by F.Jukes, Howland Street.]
Aquatint, rare proof before letters, printed in colours and hand finished. 480 x 610mm (19 x 24"). Small margins. Repaired hole.
A view of the Thames at Millbank, with the buildings of a distillery on the left.
[Ref: 67414] £480.00
Millbank looking Westward.
F. Jukes Aqua.t.
London, Pub.d June 27 1796 by F.Jukes Howland Street.
Rare aquatint with original hand colour. 250 x 325mm (9¾ x 12¾"). Trimmed to plate, slight mount burn.
An oval scene of the Thames riverside, with anglers and a windmill on the opposite bank.
[Ref: 64093] £280.00 (£336.00 incl.VAT)
F. Jukes Aqua.t.
London, Pub.d June 27 1796 by F.Jukes Howland Street.
Rare aquatint with original hand colour. 250 x 325mm (9¾ x 12¾"). Trimmed to plate, slight mount burn.
An oval scene of the Thames riverside, with anglers and a windmill on the opposite bank.
[Ref: 64093] £280.00 (£336.00 incl.VAT)
The Penitentiary, Millbank. As it Appeared from the River during the Fire on Wednesday Night, the 7th Oct 1835.
Drawn on Stone by J. Freeman.
Printed and Published by W. Annan, 12 Gracechurch S.t.
Fine & scarce coloured lithograph. Sheet 300 x 395mm (11¾ x 15½"). Faint surface scuffing, laid on album paper.
A view from the Thames, with the walls of Millbank Prison sihouetted by the flames in the interior. The fire started in the laundry and destroyed the female wing and the infirmary, without loss of life.
[Ref: 61983] £320.00
Drawn on Stone by J. Freeman.
Printed and Published by W. Annan, 12 Gracechurch S.t.
Fine & scarce coloured lithograph. Sheet 300 x 395mm (11¾ x 15½"). Faint surface scuffing, laid on album paper.
A view from the Thames, with the walls of Millbank Prison sihouetted by the flames in the interior. The fire started in the laundry and destroyed the female wing and the infirmary, without loss of life.
[Ref: 61983] £320.00
Edward Miller, Mus. Doct: Doncaster.
Painted & Engraved by T. Hardy.
[F. Linley?, c.1796.]
Stipple printed in brown ink, india laid paper. 265 x 200mm, 10½ x 8". A very fine impression.
Edward Miller (1731 - 1807), organist and historian of Doncaster, Yorkshire. By Thomas Hardy (1757 - c.1805), painter and engraver.
NPG D15688.
[Ref: 19537] £130.00 (£156.00 incl.VAT)
Painted & Engraved by T. Hardy.
[F. Linley?, c.1796.]
Stipple printed in brown ink, india laid paper. 265 x 200mm, 10½ x 8". A very fine impression.
Edward Miller (1731 - 1807), organist and historian of Doncaster, Yorkshire. By Thomas Hardy (1757 - c.1805), painter and engraver.
NPG D15688.
[Ref: 19537] £130.00 (£156.00 incl.VAT)
Edward Miller. Mus: Doct: Doncaster.
Painted & Engraved by T. Hardy.
[n.d. c.1780.]
Stipple. 266 x 202mm. 10½ x 8". Cut.
Edward Miller (1731-1807) was a musical director, organist and historian of Doncaster. As a composer he is most noted as the writer of the hymn tunes Rockingham and Galway. For a time he was a flautist in Handel's orchestra. In 1756 he was appointed organist of St George's Minster Doncaster, where he remained for 50 years. In 1786 Cambridge University awarded him a doctorate.
Ex Collection: Norman Blackburn.
[Ref: 20079] £130.00 (£156.00 incl.VAT)
Painted & Engraved by T. Hardy.
[n.d. c.1780.]
Stipple. 266 x 202mm. 10½ x 8". Cut.
Edward Miller (1731-1807) was a musical director, organist and historian of Doncaster. As a composer he is most noted as the writer of the hymn tunes Rockingham and Galway. For a time he was a flautist in Handel's orchestra. In 1756 he was appointed organist of St George's Minster Doncaster, where he remained for 50 years. In 1786 Cambridge University awarded him a doctorate.
Ex Collection: Norman Blackburn.
[Ref: 20079] £130.00 (£156.00 incl.VAT)