A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
Melen y Nant, near Snowdon.
From the Original drawing by P.I. De Loutherbourg R.A.
Published by R. Bowyer, Historic Gallery, Pall Mall, Jan.y 1 1805.
Coloured aquatint. 310 x 390mm, 12¼ x 15½". Tears in edges.
From 'Picturesque Scenery of Great Britain' by Philip James de Loutherbourg (1740 - 1812).
Abbey Scenery 9 or 10.
[Ref: 26429] £70.00 (£84.00 incl.VAT)
From the Original drawing by P.I. De Loutherbourg R.A.
Published by R. Bowyer, Historic Gallery, Pall Mall, Jan.y 1 1805.
Coloured aquatint. 310 x 390mm, 12¼ x 15½". Tears in edges.
From 'Picturesque Scenery of Great Britain' by Philip James de Loutherbourg (1740 - 1812).
Abbey Scenery 9 or 10.
[Ref: 26429] £70.00 (£84.00 incl.VAT)
Giovanni Meli.
Luigi Clemenson del. Fratelli Costanzo Inc.
[n.d., c.1840.]
Very rare & fine mezzotint. Sheet 235 x 170mm (9¼ x 6¾"). Trimmed within plate.
Giovanni Meli (1740-1815), Sicilian doctor poet.
[Ref: 56656] £160.00 (£192.00 incl.VAT)
Luigi Clemenson del. Fratelli Costanzo Inc.
[n.d., c.1840.]
Very rare & fine mezzotint. Sheet 235 x 170mm (9¼ x 6¾"). Trimmed within plate.
Giovanni Meli (1740-1815), Sicilian doctor poet.
[Ref: 56656] £160.00 (£192.00 incl.VAT)
![[Camille Mellinet?]](jpegs/61262.jpg)
[Camille Mellinet?]
[n.d., c.1840.]
Scarce tinted lithograph with some hand colour. Sheet 565 x 395mm (22¼ x 15½"). Repaired tear, creasing, soiling.
A man standing, hat in hand, leaning against his horse, in a garden with statuary. A pencil note on the reverse names him as Camille Mellinet (1795-1843), French printer, journalist and historian.
[Ref: 61262] £260.00 (£312.00 incl.VAT)
[n.d., c.1840.]
Scarce tinted lithograph with some hand colour. Sheet 565 x 395mm (22¼ x 15½"). Repaired tear, creasing, soiling.
A man standing, hat in hand, leaning against his horse, in a garden with statuary. A pencil note on the reverse names him as Camille Mellinet (1795-1843), French printer, journalist and historian.
[Ref: 61262] £260.00 (£312.00 incl.VAT)
Melling.
Vigneron 1830. [signed and dated to plate.]
Imp. Lith. de Villain.
Lithograph, sheet 395 x 540mm (15½ x 21¼").
Antoine Ignace Melling (1763-1831), French painter and architect of German origins, sitting in a landscape. He was appointed in 1795 architect to the sister of the Ottoman sultan. He returned to Paris in 1803, and produced his 'Voyage Pittoresque de Constantinople et des rives du Bosphore' between 1809-19 in 13 livraisons. Later, shortly before publication of this print, his 'Voyage pittoresque dans les Pyrénées françaises' appeared. Both titles are inscribed on the portfolio of sketches supported by his left hand. He was appointed landscape painter to the Empress Josephine.. By Pierre Roch Vigneron (1789 - 1872).
BL: 002453379.
[Ref: 17581] £180.00 (£216.00 incl.VAT)
Vigneron 1830. [signed and dated to plate.]
Imp. Lith. de Villain.
Lithograph, sheet 395 x 540mm (15½ x 21¼").
Antoine Ignace Melling (1763-1831), French painter and architect of German origins, sitting in a landscape. He was appointed in 1795 architect to the sister of the Ottoman sultan. He returned to Paris in 1803, and produced his 'Voyage Pittoresque de Constantinople et des rives du Bosphore' between 1809-19 in 13 livraisons. Later, shortly before publication of this print, his 'Voyage pittoresque dans les Pyrénées françaises' appeared. Both titles are inscribed on the portfolio of sketches supported by his left hand. He was appointed landscape painter to the Empress Josephine.. By Pierre Roch Vigneron (1789 - 1872).
BL: 002453379.
[Ref: 17581] £180.00 (£216.00 incl.VAT)
![[William Mellish] M.r. Mellish.](jpegs/34435.jpg)
[William Mellish] M.r. Mellish.
Drawn Etch.d. & Pub.d. by Richard Dighton as the Act Directs July 29 1822.
London, Pub.d. by Tho.s. M.c.Lean 26 Haymarket 1824.
Hand-coloured etching with very large margins. Plate: 170 x 245mm (6¾ x 9¾"). Staining on left and lower edge. Some surface dirt.
Full-length protrait in profile of William Mellish (1764-1838), an MP and supporter of William Pitt who served for both Grimsby and Middlesex, who stands holding a pen in one hand which is poised above a piece of paper held in the other.
BM 14417.A
[Ref: 34435] £220.00 (£264.00 incl.VAT)
Drawn Etch.d. & Pub.d. by Richard Dighton as the Act Directs July 29 1822.
London, Pub.d. by Tho.s. M.c.Lean 26 Haymarket 1824.
Hand-coloured etching with very large margins. Plate: 170 x 245mm (6¾ x 9¾"). Staining on left and lower edge. Some surface dirt.
Full-length protrait in profile of William Mellish (1764-1838), an MP and supporter of William Pitt who served for both Grimsby and Middlesex, who stands holding a pen in one hand which is poised above a piece of paper held in the other.
BM 14417.A
[Ref: 34435] £220.00 (£264.00 incl.VAT)
![[Harriot Mellon] A Bold stroke for a Wife no chicken Hazard!!!](jpegs/58464.jpg)
[Harriot Mellon] A Bold stroke for a Wife no chicken Hazard!!!
[William Heath.]
Pub April 21st 1822 by S W Fores Picadilly.
Fine coloured etching. Sheet 230 x 295mm (9 x 15½"). Trimmed within plate, mounted on album paper. Slight loss left bottom in title at corners. Very slight loss top left.
Harriot Mellon, the immensely rich widow of the banker Thomas Coutts, in widow’s dress, with two suitors on their knees. Both Frederick Augustus, Duke of York, and the Marquis of Worcester (identified by the paper in his pocket), were widowers with huge debts. Behind, the anxious face of a man in barrister's wig and bands peers through the curtain. This satire was first published with the same imprint but with Harriot in party dress, the speech arranged differently and no barrister.
BM Satires 14424a.
[Ref: 58464] £140.00 (£168.00 incl.VAT)
[William Heath.]
Pub April 21st 1822 by S W Fores Picadilly.
Fine coloured etching. Sheet 230 x 295mm (9 x 15½"). Trimmed within plate, mounted on album paper. Slight loss left bottom in title at corners. Very slight loss top left.
Harriot Mellon, the immensely rich widow of the banker Thomas Coutts, in widow’s dress, with two suitors on their knees. Both Frederick Augustus, Duke of York, and the Marquis of Worcester (identified by the paper in his pocket), were widowers with huge debts. Behind, the anxious face of a man in barrister's wig and bands peers through the curtain. This satire was first published with the same imprint but with Harriot in party dress, the speech arranged differently and no barrister.
BM Satires 14424a.
[Ref: 58464] £140.00 (£168.00 incl.VAT)
Hawking Ride unto St Alban's vide Shak. 'A Falc'ner William is, when Harriet hawks; With her of tarsels and of Lures he talks. vide Prior!
[Monogram of William Heath - 'Paul Pry'] Esq.r Del et Sculp.t.
Pub by T McLean 26 Haymarket where political & other Caricatures are daily Publishing. [n.d., c.1827]
Etching with very fine hand colour. Sheet 245 x 360mm (9¾ x 14¼"). Trimmed to printed border.
A satire of the Duke of St Albans with his new duchess, Harriot Mellon, out hawking. The Duke sits on a bucking donkey while his much larger wife rides an impressive white horse, carrying two hawks to the duke's one. Harriot had been an actress who married Thomas Coutts and inherited his fortune before marrying William Aubrey de Vere Beauclerk, 9th Duke of St Albans in 1827, who was 23 years her junior. By William Heath (1794/5 - 1840), ex-Captain of Dragoons. From 1827-9 he used the pseudonym Paul Pry (from the name of a character in a comedy of 1825 by John Poole; however his monogram (a man holding an umbrella) was soon copied by other caricaturists (eg Sharpshooter), so Heath reverted to using his own name.
[Ref: 51580] £320.00
[Monogram of William Heath - 'Paul Pry'] Esq.r Del et Sculp.t.
Pub by T McLean 26 Haymarket where political & other Caricatures are daily Publishing. [n.d., c.1827]
Etching with very fine hand colour. Sheet 245 x 360mm (9¾ x 14¼"). Trimmed to printed border.
A satire of the Duke of St Albans with his new duchess, Harriot Mellon, out hawking. The Duke sits on a bucking donkey while his much larger wife rides an impressive white horse, carrying two hawks to the duke's one. Harriot had been an actress who married Thomas Coutts and inherited his fortune before marrying William Aubrey de Vere Beauclerk, 9th Duke of St Albans in 1827, who was 23 years her junior. By William Heath (1794/5 - 1840), ex-Captain of Dragoons. From 1827-9 he used the pseudonym Paul Pry (from the name of a character in a comedy of 1825 by John Poole; however his monogram (a man holding an umbrella) was soon copied by other caricaturists (eg Sharpshooter), so Heath reverted to using his own name.
[Ref: 51580] £320.00
[To Sam.l Oldknow Esqr. _The Proprietor, This West View of Mellor Mill in Derbyshire is with the greatest respect, inscribed by his obedient H.ble Servants, F.Jukes & V.Zanetti.]
[From an original Picture by J.Parry. Engraved by F.Jukes.]
[Published July 12th 1803 by Francis Jukes, No. 10 Howland Street _ And Vittore Zanetti, Repository of Arts, Manchester.]
Aquatint with very fine original hand colour, very large margins, proof before all letters 370 x 480mm (14½ x 18¾"), on paper watermarked 'J Ruse'. Several tears in margin, one just entering plate at bottom. Slight time staining.
Mellor Mill, a six-story cotton mill in Marple (now Greater Manchester), built by Samuel Oldknow 1793-5. Extremely rare & fine image. Oldknow (1756-1828) was a cotton manufacturer at the forefront of the Industrial Revolution. Early in his career he used the 'putting-out' system of production, distributing raw cotton to spinners and yarn to weavers who worked in their own homes and workshops. This could not compete against the Indian muslin trade, so he secured money to built this factory. A financial crisis caused by the French Revolutionary Wars put him on the brink of bankrupcy, but he was saved by a partnership with Richard Arkwright. By the time this print was published the mill had over 500 employees, including a number of parish apprentices who were brought up from London. He was known as a good employer: his farming interests allowed him to supply his workers with food and he built them housing. He also introduced his own system of paper money to pay his workforce which could be exchanged for goods at the village shop or for cash via third parties. However by the time of his death he was £206,000 in debt. Oldknow also invested in the Peak Forest Canal, on which was the Marple Aqueduct, which was also the subject of an aquatint by Joseph Parry and Francis Jukes.
See Ref: 35461
[Ref: 56183] £620.00
[From an original Picture by J.Parry. Engraved by F.Jukes.]
[Published July 12th 1803 by Francis Jukes, No. 10 Howland Street _ And Vittore Zanetti, Repository of Arts, Manchester.]
Aquatint with very fine original hand colour, very large margins, proof before all letters 370 x 480mm (14½ x 18¾"), on paper watermarked 'J Ruse'. Several tears in margin, one just entering plate at bottom. Slight time staining.
Mellor Mill, a six-story cotton mill in Marple (now Greater Manchester), built by Samuel Oldknow 1793-5. Extremely rare & fine image. Oldknow (1756-1828) was a cotton manufacturer at the forefront of the Industrial Revolution. Early in his career he used the 'putting-out' system of production, distributing raw cotton to spinners and yarn to weavers who worked in their own homes and workshops. This could not compete against the Indian muslin trade, so he secured money to built this factory. A financial crisis caused by the French Revolutionary Wars put him on the brink of bankrupcy, but he was saved by a partnership with Richard Arkwright. By the time this print was published the mill had over 500 employees, including a number of parish apprentices who were brought up from London. He was known as a good employer: his farming interests allowed him to supply his workers with food and he built them housing. He also introduced his own system of paper money to pay his workforce which could be exchanged for goods at the village shop or for cash via third parties. However by the time of his death he was £206,000 in debt. Oldknow also invested in the Peak Forest Canal, on which was the Marple Aqueduct, which was also the subject of an aquatint by Joseph Parry and Francis Jukes.
See Ref: 35461
[Ref: 56183] £620.00
The Melodious Songstress. Andante. Set by Sig.r Putti of Cambridge. 30.
[n.d. c.1740.]
Etching, engraving and musical notation, rare with large margins; paper watermarked. Plate 324 x 196mm (12¾ x 7¾").
From "Calliope, or English Harmony: a collection of the most celebrated English and Scots Songs". Pictorial headpiece and flute part.
[Ref: 31248] £140.00 (£168.00 incl.VAT)
[n.d. c.1740.]
Etching, engraving and musical notation, rare with large margins; paper watermarked. Plate 324 x 196mm (12¾ x 7¾").
From "Calliope, or English Harmony: a collection of the most celebrated English and Scots Songs". Pictorial headpiece and flute part.
[Ref: 31248] £140.00 (£168.00 incl.VAT)
Crieur de Melons. Pedant l'este hautement je méscrie Achetés des melons tourangeaux, ou langeais, Quitres souvent n'en vinrent de la vie, Et sortent de fumier de houille, ou d'un marais.
Chez N. Bonnart, a l'Aigle avec privil.
Paris [n.d. c.1675-1700].
Etching with engraving. 270 x 190mm (10¾ x 7½") very large margins Toning.
A street vendor selling melons from his basket. Published by Nicolas Bonnart from a series of 215 prints of figures in a wide variety of contemporary French costume and fashion.
[Ref: 54896] £130.00 (£156.00 incl.VAT)
Chez N. Bonnart, a l'Aigle avec privil.
Paris [n.d. c.1675-1700].
Etching with engraving. 270 x 190mm (10¾ x 7½") very large margins Toning.
A street vendor selling melons from his basket. Published by Nicolas Bonnart from a series of 215 prints of figures in a wide variety of contemporary French costume and fashion.
[Ref: 54896] £130.00 (£156.00 incl.VAT)
![[Melpomene]](jpegs/43426.jpg)
[Melpomene]
G.B. Cipriani invt. F. Bartolozzi sculpt.
London Pub'd. as the Act directs Mar.h 1 1787 by F. Bartolozzi.
Etching printed in sepia, platemark 255 x 230mm (10 x 9"), with very large margins.
Melpomene, the Tragic Muse, watching on as a boy weeps over a dead friend. Etching by Francesco Bartolozzi (1725-1815), Florentine engraver and founding member of the Royal Academy in 1768. After meeting George III's librarian Richard Dalton in Italy in 1763, Dalton invited Bartolozzi to London with a promise of an appointment as engraver to the king. In England he became the most celebrated exponent of the 'stipple' technique whereby he produced prints using dots rather than lines. This is the medium employed here, one of many prints he made from designs by his fellow Italian, G.B. Cipriani (it was published in 'A Set of Etchings by Francis Bartolozzi R.A. in Imitation of Drawings from the Sketches of the Late John Baptist Cipriani R.A.' in 1788.
Calabi & De Vesme 442.ii
[Ref: 43426] £220.00 (£264.00 incl.VAT)
G.B. Cipriani invt. F. Bartolozzi sculpt.
London Pub'd. as the Act directs Mar.h 1 1787 by F. Bartolozzi.
Etching printed in sepia, platemark 255 x 230mm (10 x 9"), with very large margins.
Melpomene, the Tragic Muse, watching on as a boy weeps over a dead friend. Etching by Francesco Bartolozzi (1725-1815), Florentine engraver and founding member of the Royal Academy in 1768. After meeting George III's librarian Richard Dalton in Italy in 1763, Dalton invited Bartolozzi to London with a promise of an appointment as engraver to the king. In England he became the most celebrated exponent of the 'stipple' technique whereby he produced prints using dots rather than lines. This is the medium employed here, one of many prints he made from designs by his fellow Italian, G.B. Cipriani (it was published in 'A Set of Etchings by Francis Bartolozzi R.A. in Imitation of Drawings from the Sketches of the Late John Baptist Cipriani R.A.' in 1788.
Calabi & De Vesme 442.ii
[Ref: 43426] £220.00 (£264.00 incl.VAT)
![[Melpomene distributing gifts]](jpegs/46491.jpg)
[Melpomene distributing gifts] Melpomene distribuant ses dons
[after Charles Eisen]
a Paris chez Basan [c.1760]
Engraving, platemark 160 x 95mm (6¼ x 3¾") large margins.
Mythological scene after a design by Charles Eisen (1720-78), painter, draughtsman and illustrator. It was through his drawings, engraved to illustrate nearly 400 books, that Eisen's reputation was chiefly established. These also included editions of Lucretius, Ovid, Tacitus, Virgil, Boccaccio, Ariosto, La Fontaine and Erasmus.
[Ref: 46491] £110.00 (£132.00 incl.VAT)
[after Charles Eisen]
a Paris chez Basan [c.1760]
Engraving, platemark 160 x 95mm (6¼ x 3¾") large margins.
Mythological scene after a design by Charles Eisen (1720-78), painter, draughtsman and illustrator. It was through his drawings, engraved to illustrate nearly 400 books, that Eisen's reputation was chiefly established. These also included editions of Lucretius, Ovid, Tacitus, Virgil, Boccaccio, Ariosto, La Fontaine and Erasmus.
[Ref: 46491] £110.00 (£132.00 incl.VAT)
Melrose Abbey, Moon Light. Inscribed as a Tribute of Respect to the Revered Memory of Sir Walter Scott. Proof.
Drawn & Engraved by T.M. Richardson.
Newcastle-upon-Tyne Published by T.M. Richardson, 53, Blackett Street [n.d., c.1835].
Scarce mezzotint with etching. 370 x 430mm (14½ x 17"). Tears taped.
The ruins of Melrose Abbey, a Cistercian monastery in Roxburghshire. Scott supervised the extensive repair work that was to preserve the ruins in 1822.
[Ref: 57335] £240.00 (£288.00 incl.VAT)
Drawn & Engraved by T.M. Richardson.
Newcastle-upon-Tyne Published by T.M. Richardson, 53, Blackett Street [n.d., c.1835].
Scarce mezzotint with etching. 370 x 430mm (14½ x 17"). Tears taped.
The ruins of Melrose Abbey, a Cistercian monastery in Roxburghshire. Scott supervised the extensive repair work that was to preserve the ruins in 1822.
[Ref: 57335] £240.00 (£288.00 incl.VAT)
The Melton Breakfast. To Rowland Errington Esq.re Master of the Quorn Hounds, this Engraving from the Original Picture in his possession, Is with permission most respectfully dedicated by his much obliged and Obedient Servants, Hodgson & Graves.
Painted by F.Grant. Engraved by Cha.s G. Lewis.
London Published [***] 1839 by Hodgson & Graves, Her Majesty's Printsellers, 6 Pall Mall.
Mezzotint. 560 x 790mm, 22 x 31". Some staining, left margin chipped.
The famous painting of the Quorn Hunt of Melton Mowbray preparing for the day. Portraits of (left to right) Massey Stanley, the Earl of Wilton, the Count Matuchevitch, Lord Gardner, W.L.Gardner, W.L. Gilmour, T. Stevens, Sir Frederick Johnstone, Lord Rokeby, Lord Forester, Lord Kinnaird, Rowland Errington, Mr. Errington's servant. Sir Francis Grant was educated at Harrow, and intended to make his career in the legal profession; however his love of art and fox-hunting turned him aside to become a painter. His equestrian portraits and portraits of aristocrats led to royal patronage, including that of Queen Victoria. He became president of the R.A.
see E.F. Wilder, 'English Sporting Prints', pp.142-3.
[Ref: 10019] £360.00
Painted by F.Grant. Engraved by Cha.s G. Lewis.
London Published [***] 1839 by Hodgson & Graves, Her Majesty's Printsellers, 6 Pall Mall.
Mezzotint. 560 x 790mm, 22 x 31". Some staining, left margin chipped.
The famous painting of the Quorn Hunt of Melton Mowbray preparing for the day. Portraits of (left to right) Massey Stanley, the Earl of Wilton, the Count Matuchevitch, Lord Gardner, W.L.Gardner, W.L. Gilmour, T. Stevens, Sir Frederick Johnstone, Lord Rokeby, Lord Forester, Lord Kinnaird, Rowland Errington, Mr. Errington's servant. Sir Francis Grant was educated at Harrow, and intended to make his career in the legal profession; however his love of art and fox-hunting turned him aside to become a painter. His equestrian portraits and portraits of aristocrats led to royal patronage, including that of Queen Victoria. He became president of the R.A.
see E.F. Wilder, 'English Sporting Prints', pp.142-3.
[Ref: 10019] £360.00
The South West View of Melton Constable in the County of Norfolk, the Seat of S.r Jacob Astley, Bart:t, is humbly Inscrib'd by His Oblig'd Serv:ts Sam:l & Nath:l Buck.
Sam.l & Nath.l Buck delin. et sculp.t August 1741. No I Garden Court Middle Temple.
Scarce engraving, 18th century watermark. 380 x 600mm (15 x 23½"). Trimmed to plate, creases, tears repaired.
Melton Constable Hall, built 1664-70, now grade 1 listed. The Park was landscaped by Capability Brown in 1764-9.
[Ref: 59339] £280.00 (£336.00 incl.VAT)
Sam.l & Nath.l Buck delin. et sculp.t August 1741. No I Garden Court Middle Temple.
Scarce engraving, 18th century watermark. 380 x 600mm (15 x 23½"). Trimmed to plate, creases, tears repaired.
Melton Constable Hall, built 1664-70, now grade 1 listed. The Park was landscaped by Capability Brown in 1764-9.
[Ref: 59339] £280.00 (£336.00 incl.VAT)
The South West View of Melton Constable in the County of Norfolk, the Seat of S.r Jacob Astley, Bart:t, is humbly Inscrib'd by His Oblig'd Serv:ts Sam:l & Nath:l Buck.
Sam.l & Nath.l Buck delin. et sculp.t August 1741. No I Garden Court Middle Temple.
Scarce engraving. 380 x 600mm (15 x 23½"), large margins. Repairs to margins.
Melton Constable Hall, built 1664-70, now grade 1 listed. The Park was landscaped by Capability Brown in 1764-9.
[Ref: 58724] £480.00 (£576.00 incl.VAT)
Sam.l & Nath.l Buck delin. et sculp.t August 1741. No I Garden Court Middle Temple.
Scarce engraving. 380 x 600mm (15 x 23½"), large margins. Repairs to margins.
Melton Constable Hall, built 1664-70, now grade 1 listed. The Park was landscaped by Capability Brown in 1764-9.
[Ref: 58724] £480.00 (£576.00 incl.VAT)
Miss Melville.
Painted by Tho.s Phillips Esq.r R.A. Engraved by C. Turner.
London, Published Jan.y 1. 1810 by C. Turner, 50, Warren Street, Fitzroy Square.
Mezzotint, printed in brown. 400 x 280mm (15¾ x 11"). Some spotting. Small margins.
Three-quarter portrait of a young girl singing from an album of music, standing behind a parapet with a trompet and sheet music, organ pipes behind. A cherub on a cloud upper left listens.
Whitman 370, state ii of ii. Ex: Collection of The Hon. Christopher Lennox-Boyd, his state iii of iii, with letters partially filled in.
[Ref: 64891] £320.00
Painted by Tho.s Phillips Esq.r R.A. Engraved by C. Turner.
London, Published Jan.y 1. 1810 by C. Turner, 50, Warren Street, Fitzroy Square.
Mezzotint, printed in brown. 400 x 280mm (15¾ x 11"). Some spotting. Small margins.
Three-quarter portrait of a young girl singing from an album of music, standing behind a parapet with a trompet and sheet music, organ pipes behind. A cherub on a cloud upper left listens.
Whitman 370, state ii of ii. Ex: Collection of The Hon. Christopher Lennox-Boyd, his state iii of iii, with letters partially filled in.
[Ref: 64891] £320.00
Miss Melville.
Painted by Tho.s Phillips Esq.r R.A. Engraved by C. Turner.
London, Published Jan.y 1. 1810 by C. Turner, 50, Warren Street, Fitzroy Square.
Mezzotint, printed in brown. 385 x 280mm (15¼ x 11"). Trimmed to image on three sides, into plate at bottom.
Three-quarter portrait of a young girl singing from an album of music, standing behind a parapet with a trompet and sheet music, organ pipes behind. A cherub on a cloud upper left listens.
Whitman 370, state i of ii. Ex: Collection of The Hon. Christopher Lennox-Boyd, his state ii of iii, with open letters.
[Ref: 64892] £160.00 (£192.00 incl.VAT)
Painted by Tho.s Phillips Esq.r R.A. Engraved by C. Turner.
London, Published Jan.y 1. 1810 by C. Turner, 50, Warren Street, Fitzroy Square.
Mezzotint, printed in brown. 385 x 280mm (15¼ x 11"). Trimmed to image on three sides, into plate at bottom.
Three-quarter portrait of a young girl singing from an album of music, standing behind a parapet with a trompet and sheet music, organ pipes behind. A cherub on a cloud upper left listens.
Whitman 370, state i of ii. Ex: Collection of The Hon. Christopher Lennox-Boyd, his state ii of iii, with open letters.
[Ref: 64892] £160.00 (£192.00 incl.VAT)
Melville Castle, Scotland.
J.R. Hamble.
[n.d., c.1812.]
Aquatint, printed in colours and hand finished, rare. 315 x 410mm (12½ x 16"). Tear just entering plate repaired.
Melville Castle, near Dalkeith, Midlothian, showing the original tower house just prior to its demoliton for replacement by the current building, designed 1786-91 by James Playfair for Henry Dundas, 1st Viscount Melville. The castle is now a luxury hotel and wedding venue.
[Ref: 46332] £290.00 (£348.00 incl.VAT)
J.R. Hamble.
[n.d., c.1812.]
Aquatint, printed in colours and hand finished, rare. 315 x 410mm (12½ x 16"). Tear just entering plate repaired.
Melville Castle, near Dalkeith, Midlothian, showing the original tower house just prior to its demoliton for replacement by the current building, designed 1786-91 by James Playfair for Henry Dundas, 1st Viscount Melville. The castle is now a luxury hotel and wedding venue.
[Ref: 46332] £290.00 (£348.00 incl.VAT)
Lieu.t H.B. Melville. 54th Native Bengal Infantry.
[after Vincent Eyre.]
[London, John Murray, 1843.]
Lithograph. Printed area 175 x 105mm (7 x 4¼").
Henry Beresford Melville in Afghan dress. A portrait from Vincent Eyre's 'Portraits of the Cabul Prisoners', from an original drawing made during Eyre's captivity in Afghanistan after the Retreat from Kabul during the 1st Afghan War (1838-1842). Melville was appointed an ensign in the 54th Bengal Native Infantry in 1837. Promoted to lieutenant in 1840, he took part in the 1st Afghan War (1839-1842) and was taken hostage by Akbar Khan following the uprising of November 1841 and was released in September 1842 when Major-General Sir George Pollock's Army of Retribution arrived in Kabul. Promoted to captain in 1843, he was invalided back to England in 1851 where he died four years later.
[Ref: 34924] £120.00 (£144.00 incl.VAT)
[after Vincent Eyre.]
[London, John Murray, 1843.]
Lithograph. Printed area 175 x 105mm (7 x 4¼").
Henry Beresford Melville in Afghan dress. A portrait from Vincent Eyre's 'Portraits of the Cabul Prisoners', from an original drawing made during Eyre's captivity in Afghanistan after the Retreat from Kabul during the 1st Afghan War (1838-1842). Melville was appointed an ensign in the 54th Bengal Native Infantry in 1837. Promoted to lieutenant in 1840, he took part in the 1st Afghan War (1839-1842) and was taken hostage by Akbar Khan following the uprising of November 1841 and was released in September 1842 when Major-General Sir George Pollock's Army of Retribution arrived in Kabul. Promoted to captain in 1843, he was invalided back to England in 1851 where he died four years later.
[Ref: 34924] £120.00 (£144.00 incl.VAT)
The Members' Plate. Sir Maurice: ''I say old fellow, I shall have to make the running this time! If you hand't been in the Coalition Handicap, you would'nt have had all that weight to carry!!''.
[W. Henley, 1. Southgate Street, Gloucester, c.1860.]
Scarce wood engraving. Sheet 115 x 205mm (4½ x 8"), on Whatman laid paper. Trimmed, losing publication line, laid on album paper.
One jockey addresses another, who has a Chinese man riding pillion.
[Ref: 61044] £160.00 (£192.00 incl.VAT)
[W. Henley, 1. Southgate Street, Gloucester, c.1860.]
Scarce wood engraving. Sheet 115 x 205mm (4½ x 8"), on Whatman laid paper. Trimmed, losing publication line, laid on album paper.
One jockey addresses another, who has a Chinese man riding pillion.
[Ref: 61044] £160.00 (£192.00 incl.VAT)
![[Souvenir Pamphlet.] Memento Imprynted yn Ye. Olde Streete of London Towne ye greate Attraction yn. Ye. Health Exhibition, South Kensyngton Anno Domini. 1884.](jpegs/50529.jpg)
[Souvenir Pamphlet.] Memento Imprynted yn Ye. Olde Streete of London Towne ye greate Attraction yn. Ye. Health Exhibition, South Kensyngton Anno Domini. 1884. atte ye Signe of Ye Leadenhalle Presse: Maisters Field & Tuer, Artistic & Olde-Style Printers & Publishers Ye Leadenhalle Presse 50 Leadenhall Street, London, E.C.
Woodcut pamphlet. Sheet: 270 x 210mm (10½ x 8¼''). Tears and damage. Paper extremely brittle.
A pamphlet with a list of books, jokes, and adverts, rare because of the quality of the paper used.
[Ref: 50529] £120.00 (£144.00 incl.VAT)
Woodcut pamphlet. Sheet: 270 x 210mm (10½ x 8¼''). Tears and damage. Paper extremely brittle.
A pamphlet with a list of books, jokes, and adverts, rare because of the quality of the paper used.
[Ref: 50529] £120.00 (£144.00 incl.VAT)
![[Embossed text pages from 'Memoirs of Constant'.]](jpegs/53982.jpg)
[Embossed text pages from 'Memoirs of Constant'.]
[n.d., c.1838.]
Three sheets of card of embossed blind letterpress. Largest sheet 360 x 220mm (14¼ x 8¾"). 1 sheet trimmed with loss of text.
Three sheets of card containing twelve pages (of 340?) from an English edition of ''Memoirs of Constant, first valet de chambre of the emperor, on the private life of Napoleon, his family and his court", by Louis Constant Wairy (1778-1845)
[Ref: 53982] £230.00 (£276.00 incl.VAT)
[n.d., c.1838.]
Three sheets of card of embossed blind letterpress. Largest sheet 360 x 220mm (14¼ x 8¾"). 1 sheet trimmed with loss of text.
Three sheets of card containing twelve pages (of 340?) from an English edition of ''Memoirs of Constant, first valet de chambre of the emperor, on the private life of Napoleon, his family and his court", by Louis Constant Wairy (1778-1845)
[Ref: 53982] £230.00 (£276.00 incl.VAT)
![[Memorial Theatre, Stratford-on-Avon.] 25.](jpegs/14613.jpg)
[Memorial Theatre, Stratford-on-Avon.] 25. [The original Shakespeare memorial, consisting of a theatre, picture gallery and library, built in 1877, was largely destroyed by fire in 1926. At the request of the governors, the Royal Institute of British Architects instituted a competition to open to architects in the British Isles, Canada and the United States of America. The plan chosen was that of Miss Elizabeth Scott, and the new building was opened in April, 1932. It is a brick building of bolds, rather severe, outlings, standing in an unrivalled position on the bank of the Avon. The shell of the old theatre was converted into a fine Conference Hall seating between four and five hundred persons. The theatre is elaborately equipped to ensure the same continuity of scenes as the plays had in Shakespeare's day. Every year the theatre presents a festival of plays both by Shakespeare and other playwrights.]
Arthur Spencer [pencil signature to the bottom left-hand side outside the image]
[n.d. c.1920.] Copyright. F. & M. Ltd., Bedford, Eng.
Etching. 257 x 280mm. 10 x 11".
[Ref: 14613] £60.00 (£72.00 incl.VAT)
Arthur Spencer [pencil signature to the bottom left-hand side outside the image]
[n.d. c.1920.] Copyright. F. & M. Ltd., Bedford, Eng.
Etching. 257 x 280mm. 10 x 11".
[Ref: 14613] £60.00 (£72.00 incl.VAT)
An humble Memorial of King George III at Longford Castle, Wilts. In memory of King George the Third Sovereign of the British Isles [...].
Published as the act directs. Dec.r 24th 1821 by F. Steele. 71 Oxford Street. London.
Rare engraving. 515 x 305mm (20¼ x 12"). very large margins. Tears in the margins and foxing. Glued on album paper.
A proposed memorial for George III with two coats of arms on either side.
[Ref: 56310] £260.00 (£312.00 incl.VAT)
Published as the act directs. Dec.r 24th 1821 by F. Steele. 71 Oxford Street. London.
Rare engraving. 515 x 305mm (20¼ x 12"). very large margins. Tears in the margins and foxing. Glued on album paper.
A proposed memorial for George III with two coats of arms on either side.
[Ref: 56310] £260.00 (£312.00 incl.VAT)
![[In Memory's Garden.]](jpegs/14075.jpg)
[In Memory's Garden.]
W. Dendy Sadler. James Dobie. [Pencil signatures, signed in plate by Sadler.]
London, Published 1911 by L.H. Lefevre & Son 1a King Street St.James's S.W. the proprietors of the Copyright.
Etching, artist's remarque proof from an edition limited to 375. 430 x 565mm, 17 x 22¼". Printseller's Association blindstamp. A fine impression.
An elderly lady and gentleman sit reminiscing in their garden, reflecting upon a vacated child's swing with shawl tied to it; gate in background to right. After Walter Dendy Sadler (1854 - 1923). Remarque of a girl on a swing below.
Printseller's: pg.133.
[Ref: 14075] £140.00 (£168.00 incl.VAT)
W. Dendy Sadler. James Dobie. [Pencil signatures, signed in plate by Sadler.]
London, Published 1911 by L.H. Lefevre & Son 1a King Street St.James's S.W. the proprietors of the Copyright.
Etching, artist's remarque proof from an edition limited to 375. 430 x 565mm, 17 x 22¼". Printseller's Association blindstamp. A fine impression.
An elderly lady and gentleman sit reminiscing in their garden, reflecting upon a vacated child's swing with shawl tied to it; gate in background to right. After Walter Dendy Sadler (1854 - 1923). Remarque of a girl on a swing below.
Printseller's: pg.133.
[Ref: 14075] £140.00 (£168.00 incl.VAT)
First and Second Pyramid of Gizah, Ancient Memphis.
L.Meyer del. T. Milton direx.
Published by R. Boyer Historic Gallery, Pall Mall Oct. 1. 1801.
Hand coloured aquatint. Sheet: 390 x 310mm (15¼ x 12"). Trimmed.
A view of the Great Pyramid of Giza and the Pyramid of Khafre. Figures ride, sit and converse in the landscape surrounding the two great monuments.
[Ref: 35092] £140.00 (£168.00 incl.VAT)
L.Meyer del. T. Milton direx.
Published by R. Boyer Historic Gallery, Pall Mall Oct. 1. 1801.
Hand coloured aquatint. Sheet: 390 x 310mm (15¼ x 12"). Trimmed.
A view of the Great Pyramid of Giza and the Pyramid of Khafre. Figures ride, sit and converse in the landscape surrounding the two great monuments.
[Ref: 35092] £140.00 (£168.00 incl.VAT)
London Fashions for the Winter of 1831.
Published and Sold by G. Walker, 20, Southampton Street, Holborn.
Very scarce hand-coloured lithograph. Sheet: 610 x 540mm (24 x 21¼"). Slight mount burn. Repaired vertical tear from top edge to centre.
A large fashion plate showing the various fashions in men's and boy's clothing at the end of 1831. The plate is divided into two halves, the bottom showing outer and domestic urban wear while the top shows formal wear and country sportswear. The functional sportswear devleoped in England for the country gentleman, as shown in the top right corner, used wool which could be easily tailored. This new form of tailcoat crossed the divide between urban and country fashion due to its functionality and style. It is at this stage that styles from London start to challenge Paris' leadership and Mayfair becomes the heart of men's fashion.
[Ref: 37822] £580.00
Published and Sold by G. Walker, 20, Southampton Street, Holborn.
Very scarce hand-coloured lithograph. Sheet: 610 x 540mm (24 x 21¼"). Slight mount burn. Repaired vertical tear from top edge to centre.
A large fashion plate showing the various fashions in men's and boy's clothing at the end of 1831. The plate is divided into two halves, the bottom showing outer and domestic urban wear while the top shows formal wear and country sportswear. The functional sportswear devleoped in England for the country gentleman, as shown in the top right corner, used wool which could be easily tailored. This new form of tailcoat crossed the divide between urban and country fashion due to its functionality and style. It is at this stage that styles from London start to challenge Paris' leadership and Mayfair becomes the heart of men's fashion.
[Ref: 37822] £580.00
London Fashions for the Summer of 1833.
[by Charles Sibley?]
Published and Sold by G. Walker, 20, Southampton St. Bloomsbury Sq.re
Framed very scarce hand-coloured lithograph. Image size: 560 x 585mm (22 x 23"). Unexamined out of frame.
A large fashion plate showing the various fashions in men's and boy's clothing in the summer of 1833. The plate is divided into two halves, the bottom showing outer and domestic urban wear while the top shows formal wear and country sportswear.
See: Ref 37822 & 55184
[Ref: 57418] £750.00
[by Charles Sibley?]
Published and Sold by G. Walker, 20, Southampton St. Bloomsbury Sq.re
Framed very scarce hand-coloured lithograph. Image size: 560 x 585mm (22 x 23"). Unexamined out of frame.
A large fashion plate showing the various fashions in men's and boy's clothing in the summer of 1833. The plate is divided into two halves, the bottom showing outer and domestic urban wear while the top shows formal wear and country sportswear.
See: Ref 37822 & 55184
[Ref: 57418] £750.00
![[Men on horseback]](jpegs/55859.jpg)
[Men on horseback]
J. A. Klein 1811.
Early hand coloured lithograph sheet 250 x 315mm (9¾ x 12½") Embossed collectors stamp on left.
Four men on horseback ride down a dirt road. Presumably officers during the Napoleonic wars. The one on the left looks to be wearing a cavalry uniform of La Grande Armée possibly a Dragoon or horse chasseur.
[Ref: 55859] £130.00 (£156.00 incl.VAT)
J. A. Klein 1811.
Early hand coloured lithograph sheet 250 x 315mm (9¾ x 12½") Embossed collectors stamp on left.
Four men on horseback ride down a dirt road. Presumably officers during the Napoleonic wars. The one on the left looks to be wearing a cavalry uniform of La Grande Armée possibly a Dragoon or horse chasseur.
[Ref: 55859] £130.00 (£156.00 incl.VAT)
Men-Dow-Min or the Corn a Chippewa Dwarf.
Painted J. O. Lewis at he Treaty of Green Bay 1827. Lehman & Duval Lithrs.
[Philadelphia, Published July 1835.]
Coloured lithograph. Sheet size approx 270 x 490mm.
From the rare folio edition of the 'Aboriginal Portfolio', with original hand colouring.
[Ref: 3879] £450.00
Painted J. O. Lewis at he Treaty of Green Bay 1827. Lehman & Duval Lithrs.
[Philadelphia, Published July 1835.]
Coloured lithograph. Sheet size approx 270 x 490mm.
From the rare folio edition of the 'Aboriginal Portfolio', with original hand colouring.
[Ref: 3879] £450.00
![[Menagerie.]](jpegs/37305.jpg)
[Menagerie.]
Paul Meyerheim pinx. Photogravure Hanfstaengl.
[n.d., c.1885.]
Photogravure on chine collé. 170 x 235mm (6¾ x 9¼"), with large margins.
Travelling menageries were touring collections of live exotic animals, increasingly popular in Europe and the United States from the late 18th century, throughout the 19th century. After Paul Friedrich Meyerheim (1842 - 1915) a German painter and graphic artist best known as a painter of animals.
[Ref: 37305] £65.00 (£78.00 incl.VAT)
Paul Meyerheim pinx. Photogravure Hanfstaengl.
[n.d., c.1885.]
Photogravure on chine collé. 170 x 235mm (6¾ x 9¼"), with large margins.
Travelling menageries were touring collections of live exotic animals, increasingly popular in Europe and the United States from the late 18th century, throughout the 19th century. After Paul Friedrich Meyerheim (1842 - 1915) a German painter and graphic artist best known as a painter of animals.
[Ref: 37305] £65.00 (£78.00 incl.VAT)
Die Menagerie. La ménagerie. The menagery.
[n.d., c.1845.]
Scarce lithograph with bright hand colour. Sheet 215 x 240mm (8½ x 9½"). Creased and stained.
The interior of a zoo, with cages including a lion, tigers and a pelican, with an elephant, parrot and monkeys loose. The richer clientel are getting a tour, while the regular visitors stand behind a barrier.
[Ref: 63485] £230.00 (£276.00 incl.VAT)
[n.d., c.1845.]
Scarce lithograph with bright hand colour. Sheet 215 x 240mm (8½ x 9½"). Creased and stained.
The interior of a zoo, with cages including a lion, tigers and a pelican, with an elephant, parrot and monkeys loose. The richer clientel are getting a tour, while the regular visitors stand behind a barrier.
[Ref: 63485] £230.00 (£276.00 incl.VAT)
The Menai.
Drawn by T.C. Dibdin, from an original Sketch by N. Beardmore, C.E. On Stone by W. Gauci.
[n.d., c.1840.]
Tinted lithograph, rare. Sheet: 285 x 380mm (11 x 15"). Trimmed to image.
A view of the Menai suspension bridge, built to span the Menai Strait between Anglesey and the mainland of Wales. The bridge was completed by Thomas Telford in 1826.
[Ref: 45794] £140.00 (£168.00 incl.VAT)
Drawn by T.C. Dibdin, from an original Sketch by N. Beardmore, C.E. On Stone by W. Gauci.
[n.d., c.1840.]
Tinted lithograph, rare. Sheet: 285 x 380mm (11 x 15"). Trimmed to image.
A view of the Menai suspension bridge, built to span the Menai Strait between Anglesey and the mainland of Wales. The bridge was completed by Thomas Telford in 1826.
[Ref: 45794] £140.00 (£168.00 incl.VAT)
Entrance of the Menai Bridge. From the Carnavon Shore.
Drawn and Printed by W. Crane Chester.
[n.d., c.1830.]
Lithograph. Printed area: 205 x 250mm (8 x 10"). Large dusty margins.
A view of the Menai suspension bridge, built to span the Menai Strait between Anglesey and the mainland of Wales. The bridge was completed by Thomas Telford in 1826. The view looks across the bridge, showing the entrance with one figure on horseback walking onto the bridge on the left while figures exit the bridge on the right.
[Ref: 46077] £95.00 (£114.00 incl.VAT)
Drawn and Printed by W. Crane Chester.
[n.d., c.1830.]
Lithograph. Printed area: 205 x 250mm (8 x 10"). Large dusty margins.
A view of the Menai suspension bridge, built to span the Menai Strait between Anglesey and the mainland of Wales. The bridge was completed by Thomas Telford in 1826. The view looks across the bridge, showing the entrance with one figure on horseback walking onto the bridge on the left while figures exit the bridge on the right.
[Ref: 46077] £95.00 (£114.00 incl.VAT)
Entrance of the Menai Bridge. From the Carnarvon Shore.
Drawn and Printed by W. Crane_Chester.
[n.d., c.1830.]
Lithograph. Sheet: 170 x 240mm (6¾ x 9½"), with very large margins. Foxing.
A view of the entrance to Thomas Telford's Menai Suspension Bridge, built in 1826 to span the Menai Strait between Anglesey and mainland Wales.
[Ref: 46149] £70.00 (£84.00 incl.VAT)
Drawn and Printed by W. Crane_Chester.
[n.d., c.1830.]
Lithograph. Sheet: 170 x 240mm (6¾ x 9½"), with very large margins. Foxing.
A view of the entrance to Thomas Telford's Menai Suspension Bridge, built in 1826 to span the Menai Strait between Anglesey and mainland Wales.
[Ref: 46149] £70.00 (£84.00 incl.VAT)
A Plan & View of a Chain Bridge, erecting over the Menal at Bangor Ferry, 1820.
[Aquatinted by Matthew Dubourg.]
Published by J. Taylor, Architectural Library, High Holborn, 1820.
Aquatint and etching. 270 x 375mm (10½ x 14¾"), on paper watermarked 'J Whatman 1820', large margins.
Two illustrations: a view looking along the length of the bridge, looking from Anglesey, with features named; and an elevation showing the arches and span, with a ship passing underneath. Underneath is a list of statistics.
[Ref: 44522] £240.00 (£288.00 incl.VAT)
[Aquatinted by Matthew Dubourg.]
Published by J. Taylor, Architectural Library, High Holborn, 1820.
Aquatint and etching. 270 x 375mm (10½ x 14¾"), on paper watermarked 'J Whatman 1820', large margins.
Two illustrations: a view looking along the length of the bridge, looking from Anglesey, with features named; and an elevation showing the arches and span, with a ship passing underneath. Underneath is a list of statistics.
[Ref: 44522] £240.00 (£288.00 incl.VAT)
![[A View of the Grand Suspension Bridge, over Menai Strait, Near Bangor Carnarvonshire.]](jpegs/15568.jpg)
[A View of the Grand Suspension Bridge, over Menai Strait, Near Bangor Carnarvonshire.] Isle of Anglesea. Carnarvonshire.
Drawn by T. Kelly. Printed at Allens Dame Street Dublin.
[Published by Rich.d Lythall Bangor.] [n.d. c.1826.]
Lithograph. 222 x 350mm (8¾ x 13¾"). Trimmed, losing title descriptive text and publication line, creases and stains.
A view of the Menai Suspension Bridge, one of the first modern suspension bridges in the world, completed by Thomas Telford in 1826, between Anglesey and the Welsh mainland. A very scarce Dublin printing.
[Ref: 15568] £280.00 (£336.00 incl.VAT)
Drawn by T. Kelly. Printed at Allens Dame Street Dublin.
[Published by Rich.d Lythall Bangor.] [n.d. c.1826.]
Lithograph. 222 x 350mm (8¾ x 13¾"). Trimmed, losing title descriptive text and publication line, creases and stains.
A view of the Menai Suspension Bridge, one of the first modern suspension bridges in the world, completed by Thomas Telford in 1826, between Anglesey and the Welsh mainland. A very scarce Dublin printing.
[Ref: 15568] £280.00 (£336.00 incl.VAT)
Menai Bridge.
[n.d., c.1820.]
Lithograph. Sheet 285 x 405mm (11¼ x 16").
A sketch of Thomas Telford's suspension bridge, completed in 1826.
[Ref: 48600] £130.00 (£156.00 incl.VAT)
[n.d., c.1820.]
Lithograph. Sheet 285 x 405mm (11¼ x 16").
A sketch of Thomas Telford's suspension bridge, completed in 1826.
[Ref: 48600] £130.00 (£156.00 incl.VAT)
The Suspension Bridge over the Menai, Looking towards Beaumaris.
J. Fagan, del et lith.
Day & Son, Lith.rs to The Queen. [n.d., c.1840.]
Tinted lithograph. Printed area 180 x 310mm (7 x 12¼"). Foxing in margin.
The Menai Suspension Bridge, linking mainland Wales and Anglesey, was built by Thomas Telford and completed in 1826
[Ref: 46409] £130.00 (£156.00 incl.VAT)
J. Fagan, del et lith.
Day & Son, Lith.rs to The Queen. [n.d., c.1840.]
Tinted lithograph. Printed area 180 x 310mm (7 x 12¼"). Foxing in margin.
The Menai Suspension Bridge, linking mainland Wales and Anglesey, was built by Thomas Telford and completed in 1826
[Ref: 46409] £130.00 (£156.00 incl.VAT)
Menai Bridge.
H. Hughes, del. G. Childs, lith.
M & N Hanhart, lith, Printers. Published by W. Shone, Bangor. [n.d., c.1830.]
Lithograph, printed on india. Printed area: 220 x 280mm (8¾ x 11"), with very large margins.
A view of the Menai Suspension Bridge, built by Thomas Telford in 1826, which spans from Anglesey to mainland Wales.
[Ref: 45955] £140.00 (£168.00 incl.VAT)
H. Hughes, del. G. Childs, lith.
M & N Hanhart, lith, Printers. Published by W. Shone, Bangor. [n.d., c.1830.]
Lithograph, printed on india. Printed area: 220 x 280mm (8¾ x 11"), with very large margins.
A view of the Menai Suspension Bridge, built by Thomas Telford in 1826, which spans from Anglesey to mainland Wales.
[Ref: 45955] £140.00 (£168.00 incl.VAT)
The Menai Bridge. (Over the Menai Straits). Forming the Roads of Communication between Carnarvonshire and the Island of Anglesey.
J.C. Napper del.t and Lith.
Printed and Published by W. Pritchard._ Carnarvon. [n.d. c., 1830.]
Lithograph. Printed area: 220 x 260mm (8¾ x 10¼"), with very large margins.
A view of the Menai Bridge, built by Thomas Telford in 1826, between Angelsey and mainland Wales.
[Ref: 45965] £140.00 (£168.00 incl.VAT)
J.C. Napper del.t and Lith.
Printed and Published by W. Pritchard._ Carnarvon. [n.d. c., 1830.]
Lithograph. Printed area: 220 x 260mm (8¾ x 10¼"), with very large margins.
A view of the Menai Bridge, built by Thomas Telford in 1826, between Angelsey and mainland Wales.
[Ref: 45965] £140.00 (£168.00 incl.VAT)
Menai Bridge.
W. Crane.
[n.d., c.1830.]
Rare lithograph. Sheet: 240 x 340mm (9½ x 13½"), with large margins.
A view of the Menai Bridge, built by Thomas Telford in 1826, between Angelsey and mainland Wales.
[Ref: 45968] £140.00 (£168.00 incl.VAT)
W. Crane.
[n.d., c.1830.]
Rare lithograph. Sheet: 240 x 340mm (9½ x 13½"), with large margins.
A view of the Menai Bridge, built by Thomas Telford in 1826, between Angelsey and mainland Wales.
[Ref: 45968] £140.00 (£168.00 incl.VAT)
Entrance of the Menai Bridge. From the Carnavon Shore.
Drawn and Printed by W. Crane Chester.
[n.d., c.1830.]
Lithograph. Printed area: 205 x 250mm (8 x 10"). Foxing in very large margins.
A view of the Menai suspension bridge, built to span the Menai Strait between Anglesey and the mainland of Wales. The bridge was completed by Thomas Telford in 1826. The view looks across the bridge, showing the entrance with one figure on horseback walking onto the bridge on the left while figures exit the bridge on the right.
[Ref: 45796] £120.00 (£144.00 incl.VAT)
Drawn and Printed by W. Crane Chester.
[n.d., c.1830.]
Lithograph. Printed area: 205 x 250mm (8 x 10"). Foxing in very large margins.
A view of the Menai suspension bridge, built to span the Menai Strait between Anglesey and the mainland of Wales. The bridge was completed by Thomas Telford in 1826. The view looks across the bridge, showing the entrance with one figure on horseback walking onto the bridge on the left while figures exit the bridge on the right.
[Ref: 45796] £120.00 (£144.00 incl.VAT)
The Menai Bridge. Carnarvonshire.
S. Leith, Lithographer Edin.r.
Published by B. F. Lloyd & Co. for J.W. Ambrose, Bangor.
Lithograph, printed on india. Sheet: 235 x 300mm (9 x 12"). Stains and marking, tear in bottom edge into india. India paper lifting slightly.
A view of the Menai suspension bridge, built to span the Menai Strait between Anglesey and the mainland of Wales. The bridge was completed by Thomas Telford in 1826.
[Ref: 45797] £95.00 (£114.00 incl.VAT)
S. Leith, Lithographer Edin.r.
Published by B. F. Lloyd & Co. for J.W. Ambrose, Bangor.
Lithograph, printed on india. Sheet: 235 x 300mm (9 x 12"). Stains and marking, tear in bottom edge into india. India paper lifting slightly.
A view of the Menai suspension bridge, built to span the Menai Strait between Anglesey and the mainland of Wales. The bridge was completed by Thomas Telford in 1826.
[Ref: 45797] £95.00 (£114.00 incl.VAT)
![Entrance of the Menai Bridge From the Carnarvon Shore. [&] Entrance of the Menai Bridge From the Anglesey Shore.](jpegs/56958.jpg)
Entrance of the Menai Bridge From the Carnarvon Shore. [&] Entrance of the Menai Bridge From the Anglesey Shore.
Drawn and Printed by W. Crane Chester. [&] W. Crane Chester.
[n.d., c.1830.]
Pair of lithographs. Sheets c.220 x 290mm (8¾ x 11½"), large margins.
Views of the two entrances to Thomas Telford's Menai Suspension Bridge, built in 1826 to span the Menai Strait between Anglesey and mainland Wales.
[Ref: 56958] £180.00 (£216.00 incl.VAT)
Drawn and Printed by W. Crane Chester. [&] W. Crane Chester.
[n.d., c.1830.]
Pair of lithographs. Sheets c.220 x 290mm (8¾ x 11½"), large margins.
Views of the two entrances to Thomas Telford's Menai Suspension Bridge, built in 1826 to span the Menai Strait between Anglesey and mainland Wales.
[Ref: 56958] £180.00 (£216.00 incl.VAT)
The Menai Bridge.
Drawn and Printed by W. Crane Chester.
Published by Messr.s Potter & Co Caernarvon. [n.d., c.1830.]
Coloured lithograph. Sheet 215 x 275mm (8½ x 10¾").
A view of Thomas Telford's Menai suspension bridge, completed in 1826, from the shore.
[Ref: 56711] £190.00 (£228.00 incl.VAT)
Drawn and Printed by W. Crane Chester.
Published by Messr.s Potter & Co Caernarvon. [n.d., c.1830.]
Coloured lithograph. Sheet 215 x 275mm (8½ x 10¾").
A view of Thomas Telford's Menai suspension bridge, completed in 1826, from the shore.
[Ref: 56711] £190.00 (£228.00 incl.VAT)
![[A View of the Grand Suspension Bridge, over Menai Strait, Near Bangor Carnarvonshire.]](jpegs/63489.jpg)
[A View of the Grand Suspension Bridge, over Menai Strait, Near Bangor Carnarvonshire.] Isle of Anglesea. Carnarvonshire.
Drawn by T. Kelly. Printed at Allens Dame Street Dublin.
Published by Rich.d Lythall Bangor [n.d. c.1826].
Lithograph, watermark Killeen 1824?. Sheet 390 x 350mm (15¼ x 13¾"). Tears and creases.
A view of the Menai Suspension Bridge, one of the first modern suspension bridges in the world, completed by Thomas Telford and opened in January 1826, between Anglesey and the Welsh mainland. A very scarce Dublin printing.
[Ref: 63489] £180.00 (£216.00 incl.VAT)
Drawn by T. Kelly. Printed at Allens Dame Street Dublin.
Published by Rich.d Lythall Bangor [n.d. c.1826].
Lithograph, watermark Killeen 1824?. Sheet 390 x 350mm (15¼ x 13¾"). Tears and creases.
A view of the Menai Suspension Bridge, one of the first modern suspension bridges in the world, completed by Thomas Telford and opened in January 1826, between Anglesey and the Welsh mainland. A very scarce Dublin printing.
[Ref: 63489] £180.00 (£216.00 incl.VAT)
Entrance to the Tubular Bridge. Menai Straits.
Eng. & Pub. by Newman & Co. 48, Watling St. London. [n.d., c.1850.]
Writing sheet with engraving. Sheet: 225 x 175mm (9 x 7'').
A writing sheet illustrated with an engraving of the entrance to Robert Stephenson's Britannia Bridge with trains, completed in March1850.
[Ref: 49893] £65.00 (£78.00 incl.VAT)
Eng. & Pub. by Newman & Co. 48, Watling St. London. [n.d., c.1850.]
Writing sheet with engraving. Sheet: 225 x 175mm (9 x 7'').
A writing sheet illustrated with an engraving of the entrance to Robert Stephenson's Britannia Bridge with trains, completed in March1850.
[Ref: 49893] £65.00 (£78.00 incl.VAT)
Mendelssohn-Bartholdy.
[By C. Deblois]
[n.d., c.1860.]
Stipple engraving. Sheet 240 x 150mm (9½ x 6"). Trimmed.
Portrait of Jakob Ludwig Felix Mendelssohn Bartholdy (1809 - 47), widely known as Felix Mendelssohn, was a German composer, pianist, organist and conductor of the early Romantic period. Mendelssohn's compositions include symphonies, concertos, piano music, organ music and chamber music.
[Ref: 63252] £60.00 (£72.00 incl.VAT)
[By C. Deblois]
[n.d., c.1860.]
Stipple engraving. Sheet 240 x 150mm (9½ x 6"). Trimmed.
Portrait of Jakob Ludwig Felix Mendelssohn Bartholdy (1809 - 47), widely known as Felix Mendelssohn, was a German composer, pianist, organist and conductor of the early Romantic period. Mendelssohn's compositions include symphonies, concertos, piano music, organ music and chamber music.
[Ref: 63252] £60.00 (£72.00 incl.VAT)