Grosvenor Prints

Temple of Jupiter Tonans.
H. Abbott del.t et sculp.t. Aquatinted by J. Gleadeah.
Printed for Baldwin, Cradock & Joy, September 1. 1820.
Fine aquatint, printed in sepia. 480 x 345mm (19 x 13½), with large margins. With a sheet of letterpress description. Some loss in upper margin. Uncut. Holes in right margin where previously bound.
The three remaining columns of the Temple of Jupiter Tonans, built by Augustus 22 BCE to celebrate his escape from being struck by lightning. Published in the Subscription Edition of Henry Abbot's 'Antiquities of Rome; comprising Twenty-Four Select Views of its Principal Ruins... Made in the Year 1818'.
Abbey Travel 179.
[Ref: 61205] £280.00 (£336.00 incl.VAT)

Arch of Septimius Severus.
H. Abbott del.t et sculp.t. Aquatinted by J. Gleadah.
Printed for Baldwin, Cradock & Joy, August 1. 1820.
Fine aquatint, printed in sepia. 340 x 475mm (13½ x 08¾"), with large margins. With a sheet of letterpress description. Uncut. Holes in top margin where previously bound.
A view of the Arch of Septimius Severus at the northwestern end of the Roman Forum, shown before the ground was cleared back to the original levels. Published in the Subscription Edition of Henry Abbot's 'Antiquities of Rome; comprising Twenty-Four Select Views of its Principal Ruins... Made in the Year 1818'.
Abbey Travel 179.
[Ref: 61206] £350.00

[Temple of Mars Ultor] The Forum of Nerva.
H. Abbott del.t et sculp.t. Aquatinted by J. Gleadeah.
Printed for Baldwin, Cradock & Joy, August 1. 1820.
Fine aquatint, printed in sepia. 475 x 345mm (18¾ x 13½), with large margins, watermarked 'J Whatman 1820'. With a sheet of letterpress description. Uncut. Holes in right margin where previously bound.
The remaining columns of the Temple of Mars Ultor in the Forum of Nerva, built by Augustus. Published in the Subscription Edition of Henry Abbot's 'Antiquities of Rome; comprising Twenty-Four Select Views of its Principal Ruins... Made in the Year 1818'.
Abbey Travel 179.
[Ref: 61207] £320.00

[The Colonnace of the Forum of Nerva] The Temple of Pallas.
H. Abbott del.t et sculp.t. Aquatinted by J. Gleadah.
Printed for Baldwin, Cradock & Joy, August 1. 1820.
Fine aquatint, printed in sepia. 345 x 470mm (13½ x 18½"), with large margins. With a sheet of letterpress description, stained. Uncut. Holes in top margin where previously bound.
The remaining part of the Colonnace, an arcade that ran around the Forum of Nerva. Published in the Subscription Edition of Henry Abbot's 'Antiquities of Rome; comprising Twenty-Four Select Views of its Principal Ruins... Made in the Year 1818'.
Abbey Travel 179.
[Ref: 61208] £280.00 (£336.00 incl.VAT)

Temple of Minerva Medica.
H. Abbott del.t et sculp.t. Aquatinted by R. Reeve.
Printed for Baldwin, Cradock & Joy, Oct.r 1. 1820.
Fine aquatint, printed in sepia. 345 x 475mm (13½ x 18¾"), with large margins. With a sheet of letterpress description. Uncut. Holes in top margin where previously bound.
Although known as the Temple of Minerva Medica, this is actually a nymphaeum (a monument dedicated to nymphs). It shows the dome that collapsed in 1828. Published in the Subscription Edition of Henry Abbot's 'Antiquities of Rome; comprising Twenty-Four Select Views of its Principal Ruins... Made in the Year 1818'.
Abbey Travel 179.
[Ref: 61209] £320.00

[Temple of Hercules Victor] Temple of Vesta.
H. Abbott del.t et sculp.t. Aquatinted by J. Gleadah.
Printed for Baldwin, Cradock & Joy, Oct.r 1. 1820.
Fine aquatint, printed in sepia. 340 x 470mm (13¼ x 18½"), with large margins. With a sheet of letterpress description. Uncut. Holes in top margin where previously bound.
The Temple of Hercules Victor in the Piazza Bocca della Verità, once the Forum Boarium, the earliest marble building to survive in Rome. It is a 'tholos', a round temple surrounded by a colonnade, a design usually associated with temples of Venus. Published in the Subscription Edition of Henry Abbot's 'Antiquities of Rome; comprising Twenty-Four Select Views of its Principal Ruins... Made in the Year 1818'.
Abbey Travel 179.
[Ref: 61210] £320.00

[Palatine Hill] Palace of the Cæsars.
H. Abbott del.t et sculp.t. Aquatinted by D. Havell.
Published for the Author, at 72 Newman S.t Oxford S.t March 1. 1820.
Fine aquatint, printed in sepia. 340 x 470mm (13¼ x 18½"), with large margins, watermarked 'J Whatman 1820'. With a sheet of letterpress description. Uncut. Holes in top margin where previously bound.
A view of the Domus Tiberiana on the Palatine Hill, with a procession of masked monks. Published in the Subscription Edition of Henry Abbot's 'Antiquities of Rome; comprising Twenty-Four Select Views of its Principal Ruins... Made in the Year 1818'.
Abbey Travel 179.
[Ref: 61211] £320.00

[Basilica of Maxentius and Constantine] Temple of Peace.
H. Abbott del.t et sculp.t. Aquatinted by J. Gleadah.
Published for the Author, at 72 Newman S.t Oxford S.t March 1. 1820.
Aquatint, printed in sepia. 350 x 475mm (13¾ x 18¾"), with large margins, watermarked 'J Whatman 1820'. With a sheet of letterpress description. Uncut. Holes in top margin where previously bound.
The northern aisle of the Basilica of Maxentius and Constantine, the largest building in the Forum. Published in the Subscription Edition of Henry Abbot's 'Antiquities of Rome; comprising Twenty-Four Select Views of its Principal Ruins... Made in the Year 1818'.
Abbey Travel 179.
[Ref: 61212] £250.00 (£300.00 incl.VAT)

[Temple of Castor & Pollux] Temple of Jupiter Stator.
H. Abbott del.t et sculp.t. Aquatinted by J. Gleadah.
Published for the Author, at 72 Newman S.t Oxford S.t June 1. 1820.
Fine aquatint, printed in sepia. 480 x 350mm (19 x 13¾"), with large margins. With a sheet of letterpress description. 'Stator' of title on pasted label, as per Abbey copy. Uncut. Holes in right margin where previously bound.
The Temple of Castor and Pollux, the 'Dioscuri', in the Forum, built by Tiberius. Published in the Subscription Edition of Henry Abbot's 'Antiquities of Rome; comprising Twenty-Four Select Views of its Principal Ruins... Made in the Year 1818'.
Abbey Travel 179.
[Ref: 61213] £320.00

The Temple of Antoninus & Faustina.
H. Abbott del.t et sculp.t. Aquatinted by D. Havell.
Printed for Baldwin, Cradock & Joy, June 1. 1820.
Fine aquatint, printed in sepia. 345 x 475mm (13½ x 18¾"), with large margins, watermarked 'J Whatman 1820'. With a sheet of letterpress description. Uncut. Holes in top margin where previously bound.
The Temple of Antoninus & Faustina, in the Roman Forum, now the Chiesa di San Lorenzo in Miranda. Published in the Subscription Edition of Henry Abbot's 'Antiquities of Rome; comprising Twenty-Four Select Views of its Principal Ruins... Made in the Year 1818'.
Abbey Travel 179.
[Ref: 61214] £260.00 (£312.00 incl.VAT)

The Forum from the Pillar of Phocus.
H. Abbott del.t et sculp.t. Aquatinted by D. Havell.
Printed for Baldwin, Cradock & Joy, June 1. 1820.
Fine aquatint, printed in sepia. 340 x 475mm (13¼ x 18¾"), with large margins, watermarked 'J Whatman 1820'. With a sheet of letterpress description. Uncut. Holes in top margin where previously bound.
A view of the Roman Forum with (left to right) the Pillar of Phocus (an Eastern Roman Emperor), the Temple of Saturn and the Temple of Vespasian and Titus. Behind is the Tabularium, the official records office of ancient Rome. Published in the Subscription Edition of Henry Abbot's 'Antiquities of Rome; comprising Twenty-Four Select Views of its Principal Ruins... Made in the Year 1818'.
Abbey Travel 179.
[Ref: 61215] £280.00 (£336.00 incl.VAT)

The Quirinal, or Palace of the Pope on Mount cavallo at Rome. / Le Quirinal, ou Palais du Pape sur le Montagne Cavallo a Rome. 10.
G. Falda Delin. Parr Sculp.
Printed for Robert Wilkinson in Cornhil & Bowles & Carver, 69 St. Paul's Church Yard, London [n.d. c. 1800]
Framed engraving with fine hand colouring, plate 275 x 425mm (10¾ x 16¾"). Frame size 480 x 630mm (19 x 24¾"). Unexamined out of frame.
This palace was built by Gregory XIII in 1574 as a summer residence, which serves today as the residence of Italy's president.
[Ref: 61272] £280.00 (£336.00 incl.VAT)

A View of S.t Martins Church, Also of the Arch of Septimus Severus, through which the Roman Generals marched... Vue L'Eglise de S.t Martin avec l'Arche de Septimus Severus... 6.
Piranesi delin.t. Bowles Sculp.
Printed for Robert Wilkinson 58 Cornhill & Bowles & Carver, 69 St. Paul's Church Yard. [n.d. c.1800]
Engraving with hand colouring, plate 275 x 425mm (10¾ x 16¾"). Framed, size 480 x 630mm (19 x 24¾"). Some light staining. Tear near top on right going into the sky. Unexamined out of frame.
A view of the Arch of Septimus Severus in the Roman Forum, still half-buried. To the left is the Colonna di Foca (Phocas); to the right is the Chiesa Santi Luca e Martina martiri.
[Ref: 61280] £280.00 (£336.00 incl.VAT)

[Prospect of Rome] Roma.
L. De Lincler Delineavit ad vivum. Isreal Silvestro Lincidit.
P. Mariette ex. excudit parisijs. cum privil. Regis. Anno D.ni 1642 [but c.1816].
Engraving on four sheets. Each 185 x 310mm (7¼ x 12¼"), with very large margins, two plates watermarked 'J. Whatman 1816'. Excellent condition with some faint scuffing in the margins.
A prospect of Rome from the north, with a 44-point key of places from the Porta del Popolo to the Vatican Gardens and 'Fortificationi Moderne'. The view was drawn by de Lincler, a French painter, engraved by Israel Silvestre and originally published in Paris by Pierre Mariette in 1642. The Whatman paper of this example suggests a London printing.
[Ref: 55565] £580.00 view all images for this item

[The Classical ruins of Rome.]
[Antwerp, Hieronymus Cock n.d., c.1550.]
Engraving. 150 x 210mm (6 x 8¼"). Trimmed into image, laid on album paper.
Hieronymus Cock (c.1517-70) visited Rome in the late 1540s, inspiring him to start up his own publishing firm in Antwerp in 1548, which became the most important print publishing firm from outside Italy. After his death in 1570 the firm was continued by his widow (Volcxken Diercx) until her death in 1600, when many of the plates were acquired by Philips Galle. However this plate seems to have been acquired by the van Doetecum brothers, who published it in 'Operum Antiquorum Romanorum' in 1562, with Cock's name removed.
[Ref: 57511] £220.00 (£264.00 incl.VAT)

Arch of Constantine.
H. Abbott del.t et sculp.t. Aquatinted by J. Gleadah.
Printed by T. Fielding, for the Author, March 1. 1820.
Fine aquatint, printed in sepia. 340 x 460mm (13½ x 18¼"), with large margins, watermarked 'J Whatman 1820'. With a sheet of letterpress description. Uncut. Holes in bottom margin where previously bound.
A view of the Arch of Constantine before the ground was cleared back to the original levels. Published in the Subscription Edition of Henry Abbot's 'Antiquities of Rome; comprising Twenty-Four Select Views of its Principal Ruins... Made in the Year 1818'.
Abbey Travel 179.
[Ref: 61203] £380.00

[Baths of Caracalla] Vue des Thermes de Caracalla à Rome. tiré de la Collcetion de M.r Carl Thurneisen à Francfort. s/m.
Verschafeldt pin: à Rome. U. Magd: Prestel. sculp. No. 50.
[n.d., c.1790.]
Coloured aquatint. Sheet 430 x 550mm (17 x 21¾"). Trimmed to image as normal and laid on thick paper with title underneath orginial backing paper damaged & dusty.
A view under the ruined arches of the Baths of Caracalla, after the German architect Maximilian von Verschaffelt. His original watercolour is in the Städel Museum, Frankfurt-am-Main, identified as the Basilica of Constantine (Inventory No 2820). The plate was engraved by Ursula Magdalena Prestel (1747-94), daughter and pupil of Johann Gottlieb Prestel and Maria Katherina Prestel, who married Joh. Georg Reinheimer in 1805.
[Ref: 61265] £420.00

Rome in it's Original Splendor. Rome dans Sa Splendeur Ancienne. 1 An Egyptian Obelisk. 2 The Senate House. 3 A Triumphal Arch. 4 A Column Erected to Augustus. 5 The Temple of Fortune. 6 A Temple Dedicated to Jove ye Thunderer.
Printed for Whittle & Laurie N.º 53 Fleet Street _ Bowles & Carver N.º 69 S.t Pauls Church Yard. & _ Robert Wilkinson _ 125 Fenchurch Street.
Coloured engraving. 280 x 390mm (11 x 15¼"), large margins. Tear through title into plate repaired; top left corner extensively repaired, with mss. fill. Damaged.
An imaginary view of classical Rome.
Ex: Collection of Edward Croft Murray
[Ref: 62133] £160.00 (£192.00 incl.VAT)

Rome in it's Original Splendor. Rome dans Sa Splendeur Ancienne. 1 the Temple of Vesta. 2 Virgins going to Sacrifice. 3 The Imperial Palace. 4 A Fountain of Medicinal Water. 5 The Arch of Trajan. 6 The Tomb of Cestus.
Printed for Robert Wilkinson _ 125 Fenchurch Street _ Whittle & Laurie 53 Fleet Street & Bowles & Carver N.º 69 S.t Pauls Church Yard.
Coloured engraving, J. Whatman 1816 watermark; 280 x 390mm (11 x 15¼"), with very large margins. Small tear in margin, some paper tone.
An imaginary view of classical Rome.
Ex: Collection of Edward Croft Murray
[Ref: 62134] £320.00

Monumens Antiques du Camp Vaccino, a Rome.
Junto Tarté del. Piringer sculp.
A Paris, chez Bance l'aine, Rue S.t Denis, no 214.
Large folio, original half calf; pp. ii + 6 numbered aquatints with etching, as called for. Original Binding distressed, sheets with damp staining outside very large margins.
Six views of the Roman Forum, called the Campo Vaccino because of the cows that grazed there, engraved by Benedikt Piringer.
[Ref: 56140] £980.00 view all images for this item

A View of S.t Martins Church, Also of the Arch of Septimus Severus, through which the Roman Generals marched in their triumphs to the Capitol.
Piranesi delin.t. Bowles Sculp.
Printed for Robert Wilkinson 58 Cornhill & Bowles & Carver, 69 St. Paul's Church Yard. [n.d. c.1800]
Engraving with hand colour. 275 x 425mm (10¾ x 16¾"), large margins.
A view of the Arch of Septimus Severus in the Roman Forum, still half-buried. To the left is the Colonna di Foca (Phocas); to the right is the Chiesa Santi Luca e Martina. A copy of Giovanni Battista Piranesi's ''Arco di Settimio Severo'', 1759.
Ex: Collection of Edward Croft Murray.
[Ref: 62131] £320.00

Leben in Rom.
Hein.ch inv.t: del.t et inct. Hannover 1797.
Etching with hand colour, fine & rare. 435 x 535mm (17 x 21"). Trimmed within the plate at the bottom.
'Life in Rome', satirising the attractions of the city to Grand Tourists. Four girls with open bodices sit on a swing suspended in a doorway, playing tamborines, with a group of monks and a man playing the lute lying beneath all enjoying the view. Across the road tourists sit outside a coffee shop and a man sells wine from barrels on his donkey.
[Ref: 48521] £750.00

[The Colosseum, Rome] Colosseo.
[Anon.]
[Italian, n.d., c.1820s.]
Illustrated letter paper, unused, single sheet folded, so small 4to (260 x 195mm, 10¼ x 7¾"), watermarked wove paper. Generally good.
Before the advent of the postcard, these would have been sold to (grand) tourists so they could write to loved ones back home.
[Ref: 23521] £85.00 (£102.00 incl.VAT)

[Rome] Urbis Romae Veteris ac Modernae Accurata Delineatio.
edita â Joh: Bapt: Homann S.C.M. Geographo Norimbergae. [n.d., c.1720].
Engraved map with original hand colour. 495 x 585mm (19½ x 23"). Wormhole and toning at centre fold, split at botton; tears in margin.
A detailed map of Ancient Rome decoratedwith figures representing the Catholic Church.
Ex: Collection of Edward Croft Murray.
[Ref: 62178] £580.00

Trinita di Monte. Rome.
R. Goff [signed in pencil and within plate].
1892.
Etching. Platemark: 95 x 145mm (3¾ x 5¾").
A view of the church of the Santissima Trinità dei Monti, often called merely the Trinità dei Monti in Rome. It is best known for its commanding position above the Spanish Steps which lead down to the Piazza di Spagna. Robert Charles Goff (1837–1922) was a printmaker and painter who specialised in topographical scenes, strongly influenced by the work of James McNeill Whistler. Brighton and Hove Museum and Art Gallery hold a large collection of Goff's work.
[Ref: 38046] £75.00 (£90.00 incl.VAT)

Ruins of Ancient Rome ~ Ruines de l'Ancienne Rome. The Amphitheatre ~ The Remains of the Senatorial Bridge. 6.
G.P. Pannini Pinx.t. J.S.Austin [William Austin] Sculp.t.
Printed for Bowles & Carver N.º 69 in St. Psul's Church Yard _ Whittle & Laurie 53 Fleet Street, & _ Robert Wilkinson _ 125 Fenchurch Street [n.d, c. 1815].
Engraving with fine hand colouring, 280 x 390mm (11 x 15¼"), large margins. Paper lightly toned.
A composite view of the Tiber, with several ruined Roman buildings, including the Colosseum and the three arches of the Ponte Rotto. From a series of ten plates engraved by William Austin (c.1733-1820) after Giovanni Paolo Pannini (c.1691-1765).
Ex: Collection of Edward Croft Murray.
[Ref: 62130] £320.00

Veduta del Condotto dell'Acqua Vergine situato alla Chiavica del Bufalo.
Rossini dis. e inc.
Roma 1822.
Etching. 370 x 455mm (14½ x 18"), with large margins, uncut.
The Acqua Vergine aquaduct was built by Marcus Agrippa in 19 BC, primarily to supply Agrippa's Baths. Said to have the purest water in Rome, it supplies the Trevi Fountain, fountains in Piazza Navona and di Spagna.
The first state, before the plate number, issued unbound. From an early 19th century folder titled 'Roman Engravings. The Property of Major E.G.G. Rugdon[?]'.
[Ref: 51544] £400.00

The City of Ancient Rome in the Reign of Caesar Augustus, Exhibiting in their proper Situations the Public & Magnificent Structures of Rome, in it's highestGlory. L'Antienne Ville De Rome comme elle etoit dans le reigne de Caesar Auguste...
Printed for Robert Wilkinson, 58 Cornhill, & Bowles & Carver, 69 St. Paul's Church Yard [n.d. c.1800].
Framed engraving with fine hand colouring , plate 275 x 425mm (10¾ x 16¾"). Frame size 480 x 630mm (19 x 24¾"). Some small dots in the sky. Unexamined out of frame.
A perspective view of Ancient Rome.
[Ref: 61283] £320.00

Erinnerung an Florenz, Rom und Neapel.
W. Gail, del.t.
Tiesster Verehrung Gewildnet von Wilhelm Gail. 1829.
Folio, ½ Morocco; gilt; marbled boards. Printed title, 6 parts each with ½ title and five lithographic plates. Very scarce with wrappers. Rubbed.
30 views of Rome, Florence and Naples. By Wilhelm Gail (1804-1890) a German painter of architecture.
See Ref: 32003 for 6 plates from the volume.
[Ref: 32150] £2,500.00 view all images for this item

[Aqua Julia] Veduta del Castello dell' Acqua Giulia. secondi lo scavo fatto in quest'anno 1822 nella Via Tiburtina.
Rossini dis. e inc.
Roma 1822.
Etching. 350 x 450mm (13¾ x 17¾"), with large margins, uncut.
The ruins of a castle, probably built to protect the Aqua Julia, Rome's water supply. According to the title the building was being excavated at the time of the view.
The first state, before the plate number, issued unbound. From an early 19th century folder titled 'Roman Engravings. The Property of Major E.G.G. Rugdon[?]'.
[Ref: 51560] £400.00

[Arch of Dolabella] Veduta della Fornice de Consoli Dolabella, e Silano, investila dagli Archi Neroniani provenienti dal Condotto dell'Aqua Claudia.~
Rossini dis. e inc.
Roma 1821.
Etching. 460 x 390mm (18 x 15½"), with large margins, uncut. Crease at the top.
The Arch of Dolabella and Silanus, a rebuilding of one of the gates of the Servian Walls in 10 AD by the consuls P. Cornelius Dolabella and C. Junius Silanus. Nero's extension of the Acqua Claudia was built over the top of the arch.
The first state, before the plate number, issued unbound. From an early 19th century folder titled 'Roman Engravings. The Property of Major E.G.G. Rugdon[?]'.
[Ref: 51551] £400.00

[Arch of Drusus] Arco di Druso su del quale passava il Condotto Antoniano.
Rossini dis. e inc.
Roma 1819.
Etching. 455 x 355mm (18 x 14"), with large margins, uncut.
A view of an arch at the beginning of the Appian Way known as the Arch of Drusus (for Nero Claudius Drusus, the conqueror of the Germans) but probably built later. Some years after construction the arch was utilised by the builders of the Aqua Antoniniana, a branch of the Aqua Marcia.
The first state, before the plate number, issued unbound. From an early 19th century folder titled 'Roman Engravings. The Property of Major E.G.G. Rugdon[?]'.
[Ref: 51529] £400.00

[Arch of Drusus] Arco di Druso, e Porta Capena.
Rossini dis. e inc.
Roma 1820.
Etching. 390 x 460mm (15¼ x 18"), with large margins, uncut. Printer's creases just entering image.
A view of an arch at the beginning of the Appian Way known as the Arch of Drusus (for Nero Claudius Drusus, the conqueror of the Germans) but probably built later. Some years after construction the arch was utilised by the builders of the Aqua Antoniniana, a branch of the Aqua Marcia. Through the arch is the Porta Capena, a gate in the Servian wall.
The first state, before the plate number, issued unbound. From an early 19th century folder titled 'Roman Engravings. The Property of Major E.G.G. Rugdon[?]'.
[Ref: 51566] £300.00

Veduta dell' Interno dell'Araco du Giano.
Rossini dis. e inc.
Roma 1820.
Etching. 475 x 375mm (18¾ x 14¾"), with large margins, uncut.
A view from under the so-called Arch of Janus, the only quadrifrons triumphal arch remaining in Rome, at the edge of the Forum Boarium (cattle market). The church is the seventh century San Giorgio in Velabro, founded on the spot that Romulus and Remus were found by the she-wolf.
The first state, before the plate number, issued unbound. From an early 19th century folder titled 'Roman Engravings. The Property of Major E.G.G. Rugdon[?]'.
[Ref: 51531] £400.00

[Arch of Janus] Veduta di Fianco dell'Arco di Giano.
Rossini dis. e inc.
Roma 1820.
Etching. 455 x 365mm (18 x 14½"), with large margins, uncut.
The so-called Arch of Janus, the only quadrifrons triumphal arch remaining in Rome, at the edge of the Forum Boarium (cattle market). During the Middle Ages the Frangipane family transformed the building into a fortress, ensuing the building remained intact. However in 1830 the attic and top (as shown here) were torn down in the mistaken belief they were later additions. To the left are the Arcus Argentariorum (Arch of the Moneychangers), and the seventh century church of San Giorgio al Velabro.
The first state, before the plate number, issued unbound. From an early 19th century folder titled 'Roman Engravings. The Property of Major E.G.G. Rugdon[?]'.
[Ref: 51533] £600.00

[Arch of Septimius Severus] Veduta dell' Arco di Settimio.
Rossini dis. e inc.
Roma 1820.
Etching. 370 x 570mm (14½ x 22½"), with very large, uncut margins.
A view of the Arch of Septimius Severus from the Forum, with the steps of the Capitoline Hill in the background. It is shown before the original street level was excavated by Carlo Fea in 1803, removing sediement washed into the Forum by floodwater.
The first state, before the plate number, issued unbound. From an early 19th century folder titled 'Roman Engravings. The Property of Major E.G.G. Rugdon[?]'.
[Ref: 51485] £750.00

[Arcus Argentariorum] Veduta dell'Arco di Settimio Severo nel Foro Boario.
Rossini dis. e inc.
Roma 1821.
Etching. 405 x 485mm (15¾ x 19"), with large margins, uncut.
A view of the Arcus Argentariorum (Arch of the Moneychangers), a small arch in the Forum Boarium (the cattle Market). According to the inscription it was commissioned by the local money-changers and merchants in honour of emperor Septimus Severus and his family. It is now joined to the western wall of the seventh century church of San Giorgio al Velabro. This plate has one of the more dramatic scenes drawn by Bartolomeo Pinelli to add life to Rossini's architecture, a knife-fight.
The first state, before the plate number, issued unbound. From an early 19th century folder titled 'Roman Engravings. The Property of Major E.G.G. Rugdon[?]'.
[Ref: 51564] £600.00

[Arcus Neroniani.] Veduta dei Grandi Avanzi degli Aquedotti di Nerone _ vicino a Porte S. Giovanni.
Rossini dis. e inc.
Roma 1823.
Etching. 435 x 540mm (17 x 21¼"), with large margins, uncut.
The Arcus Neroniani, an extension of the Acqua Claudia built by Nero to supply water to the Caelian Hill.
The first state, before the plate number, issued unbound. From an early 19th century folder titled 'Roman Engravings. The Property of Major E.G.G. Rugdon[?]'.
[Ref: 51545] £400.00

[The Aurelian Walls] Veduta della Mura di Roma, dalla parte interna della Città, vicino alla Porta Celimontana.
Rossini dis. e inc.
Roma 1823.
Etching. 425 x 660mm (16¾ x 26"), with large, uncut margins.
A view of part of the Aurelian walls, which made use of the existing Aqua Claudia. This section is now in the Giardini di via Carlo Felice. The walls point towards the minor basilica Santa Croce in Gerusalemme.
The first state, before the plate number, issued unbound. From an early 19th century folder titled 'Roman Engravings. The Property of Major E.G.G. Rugdon[?]'.
[Ref: 51496] £600.00

[Basilica of Maxentius] Veduta Generale del gran Tempio della Pace.
Rossini dis. e inc.
Roma 1822.
Etching. 440 x 660mm (17¼ x 26"), with large margins, uncut.
A view showing the octagonal ceiling coffers of the concrete barrel vaults of the Basilica of Maxentius and Constantine, the largest building in the Forum of Rome. Begun by Maxentius in 308 AD the building was completed in 312 by Constantine after he defeated Maxentius at Milvian Bridge.
The first state, before the plate number, issued unbound. From an early 19th century folder titled 'Roman Engravings. The Property of Major E.G.G. Rugdon[?]'.
[Ref: 51520] £400.00

[Basilica of Maxentius] Veduta D'una delle navate minori, della Tempio Pace.
Rossini dis. e inc.
Roma 1819.
Etching. 560 x 455mm (22 x 18"), with large margins, uncut.
The interior of the Basilica of Maxentius and Constantine, showing the remaining north aisle with its brick walls and arches supporting the concrete vaults, with the octagonal ceiling coffers. Begun by Maxentius in 308 AD, the building was completed in 312 by Constantine after he defeated Maxentius at Milvian Bridge. It was the largest building in the Forum Romanum.
The first state, before the plate number, issued unbound. From an early 19th century folder titled 'Roman Engravings. The Property of Major E.G.G. Rugdon[?]'.
[Ref: 51555] £600.00

Vue de la Fontaine du Jardin de Montalte au Terme de Diocletian sur le Mont Viminal a Rome. Fontana e Pischiera nel Giardino Montalto alle Terme Diocletiane su l Monte Viminale.
AParis chez Pasquier rue St. Severin chez un Vitrier. [n.d., c.1770.]
Hand-coloured engraving. Plate: 290 x 415mm (11½ x 14¼''). Manuscript in margins.
A view of an ornate complex of fountains in the ancient Baths of Diocletian in Rome.
[Ref: 48366] £175.00 (£210.00 incl.VAT)

[Baths of Diocletian] Veduta degl' Avanzi del secondo piano delle Terme Diocleziane.
Rossini dis. e inc.
Roma 1823.
Etching. 540 x 390mm (23¾ x 15¼"), with large margins, uncut. Crease.
The Baths of Diocletian were the largest of the public baths and were capable of accommodating 3,000 bathers at the same time. The tepidarium and the central hall are now the church of S. Maria degli Angeli; a side hall is the church of S. Bernardo.
The first state, before the plate number, issued unbound. From an early 19th century folder titled 'Roman Engravings. The Property of Major E.G.G. Rugdon[?]'.
[Ref: 51567] £300.00

[Baths of Diocletian] Veduta degl' Avanzi del secondo piano delle Terme Diocleziane.
Rossini dis. e inc.
Roma 1823.
Etching. 540 x 390mm (23¾ x 15¼"), trimmed to the image.
The Baths of Diocletian were the largest of the public baths and were capable of accommodating 3,000 bathers at the same time. The tepidarium and the central hall are now the church of S. Maria degli Angeli, a side hall is the church of S. Bernardo.
[Ref: 5181] £240.00 (£288.00 incl.VAT)

[Baths of Diocletian] Vestigi delle Terme di Dioclitiano Imperatore, in Roma. 5.
Perelle fecit.
Daman excudit [n.d., c.1650].
Etching, 245 x 315mm (8½ x 12½"). Small margins. Some slight creasing and wear.
The ruins of the Baths of Diocletian, drawn by either Gabriel Perelle (1604-77) or his sons Adam and Nicolas.
From the Airlie collection, Cortachy Castle.
[Ref: 57523] £180.00 (£216.00 incl.VAT)

[Capitoline Hill] Veduta di Fianco del Campidoglio di Roma.
Rossini dis & inc.
Roma 1819.
Etching. 440 x 550mm (17¼ x 21¾"), with very large, uncut margins.
A side view of the Piazza del Campidoglio, designed by Michaelangelo in the 16th century, with one of the Dioscuri (Castor & Pollux), the two stone horsemen guarding the cordonata.
The first state, before the plate number, issued unbound. From an early 19th century folder titled 'Roman Engravings. The Property of Major E.G.G. Rugdon[?]'.
[Ref: 51484] £900.00

[Capitoline Hill] Veduta del Campidoglio Romano.
Rossini dis. e inc.
Roma 1823.
Etching. 365 x 450mm (14½ x 17¾"), with very large uncut margins.
A view of the Capitoline Hill leading from Via del Teatro di Marcello to Piazza del Campidoglio, as designed by Michelangelo Buonarroti in 1536-46. At the top of the cordonata are the statues of the Dioscuri (Castor & Pollux, the Horse Tamers), with the façade of Palazzo Senatorio behind.
The first state, before the plate number, issued unbound. From an early 19th century folder titled 'Roman Engravings. The Property of Major E.G.G. Rugdon[?]'.
[Ref: 51491] £900.00

Avanzo della Casa di Cola di Rienzo.
Rossini dis. e inc.
Roma 1820.
Etching. 370 x 465mm (17½ x 18¼"), with large margins, uncut. Some loss of margin top right.
The so-called 'Casa di Cola di Rienzo', a tower in the Piazza Trilussa erected between 1040-65 by a powerful Crescenzi family in the 10th century to control the wharves of Rome, built using material scavenged from classical ruins. There is no direct connection with Cola di Rienzi, a populist politician (1313-54) eventually murdered by a mob, merely that he was born in the area.
The first state, before the plate number, issued unbound. From an early 19th century folder titled 'Roman Engravings. The Property of Major E.G.G. Rugdon[?]'.
[Ref: 51553] £600.00

[Castel Sant'Angelo] Veduta Generale della gran Mole Adriana, e Ponte Elio _ in oggi Ponte e Castel S.Angelo.
Rossini dis. e inc.
Roma 1823.
Etching. 355 x 535mm (14 x 21"), with very large, uncut margins.
A general view looking along the Tiber to the Aelian Bridge and the Mausoleum of Hadrian, both built by the emperor Hadrian between 134 - 139, and now known as the Ponte Sant'Angelo and Castel Sant'Angelo. Behind the bridge is the dome of St Peter's Basilica in the Vatican.
The first state, before the plate number, issued unbound. From an early 19th century folder titled 'Roman Engravings. The Property of Major E.G.G. Rugdon[?]'.
[Ref: 51490] £900.00

[Castel Sant'Angelo] Veduta della Gran Mole Adriana, e Ponte Elio, in oggi Ponte, e Castel S.t Angelo.
Rossini dis. e inc.
Roma 1821.
Etching. 445 x 555mm (17¾ x 21¾"), with very large, uncut margins. Wear to edge of left margin.
A view from the banks of the Tiber looking up at the Aelian Bridge and the Mausoleum of Hadrian, both built by the emperor Hadrian between 134 - 139, and now known as the Ponte Sant'Angelo and Castel Sant'Angelo.
The first state, before the plate number, issued unbound. From an early 19th century folder titled 'Roman Engravings. The Property of Major E.G.G. Rugdon[?]'.
[Ref: 51499] £900.00

Quick Search

Search by Ref. Number

Browse by Subject

Browse by Artist

Browse by Engraver

New - Catalogue 137

Catalogue 136

Catalogue 135

Advanced Search