A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
Queen Mary II, reviewing the Militia of London and Westminster, in Hyde-Park, A.D. 1692. La Reine Marie II, Passant en revue la Milice de Londres et de Westminster, a Hyde-Park. A.D. 1692. To Her Royal Highness Frederica, Sophia Wilhelmina, Princess of Orange, This Plate is (by Permission) Most Humbly Dedicated by Her Royal Highness, Most Devoted and Obedient humble Servant Valentine Green.
Drawn by J. Gerhard Huck. Engraved by V. Green Mezzotint Engraver to his Majesty & the Elector Palantine. Engraved from the original drawing of the same dimensions in the possession of Mr. V. Green.
Publish'd Oct.r 18th, 1791. by V. & R. Green, Newman Street, Oxford Street, London.
Mezzotint. 485 x 620mm (19 x 24½") Diagonal crease top right, top and bottom margins creased and chipped, tear entering inscription area.
Plate XI of 'Acta Historica Reginarum Angliae'.
[Ref: 3340] £480.00
Drawn by J. Gerhard Huck. Engraved by V. Green Mezzotint Engraver to his Majesty & the Elector Palantine. Engraved from the original drawing of the same dimensions in the possession of Mr. V. Green.
Publish'd Oct.r 18th, 1791. by V. & R. Green, Newman Street, Oxford Street, London.
Mezzotint. 485 x 620mm (19 x 24½") Diagonal crease top right, top and bottom margins creased and chipped, tear entering inscription area.
Plate XI of 'Acta Historica Reginarum Angliae'.
[Ref: 3340] £480.00
Screw Steamer ''Mary Lohden,'' 1,363 Tons Register. To Messrs. J. Lohden & Co., and Owners, and Messrs. Robert Irvine & Co., Builders, This Print is respectfully Dedicated by Their Obedient Servants, J.G. Campbell & Co.
Drawn by W.T. Baldwin. Printed by J.G. Cambell & Co., Sunderland.
No. 186. Published Aug.t 1883.
Tinted lithograph with touches of hand colour. Sheet 455 x 595mm (18 x 23½"), large margins. A few stains and surface abrasions.
'Mary Lohden', a twin-mastered iron screw steamer launched in March 1883, was named after the wife of owner Jacob Lohden, of West Hartlepool. In 1894 she was sold to a Swedish company, and in 1910 was renamed 'Mary'. In 1915 Mary sailed from Seaham Harbour for Sweden with coal and was never seen again. Mary Lohden's younger son was Frederick Charles Lohden OBE (1871-1954), England rugby player against Wales in 1893 and Chairman of the Lawn Tennis Association in 1933.
[Ref: 54063] £480.00
Drawn by W.T. Baldwin. Printed by J.G. Cambell & Co., Sunderland.
No. 186. Published Aug.t 1883.
Tinted lithograph with touches of hand colour. Sheet 455 x 595mm (18 x 23½"), large margins. A few stains and surface abrasions.
'Mary Lohden', a twin-mastered iron screw steamer launched in March 1883, was named after the wife of owner Jacob Lohden, of West Hartlepool. In 1894 she was sold to a Swedish company, and in 1910 was renamed 'Mary'. In 1915 Mary sailed from Seaham Harbour for Sweden with coal and was never seen again. Mary Lohden's younger son was Frederick Charles Lohden OBE (1871-1954), England rugby player against Wales in 1893 and Chairman of the Lawn Tennis Association in 1933.
[Ref: 54063] £480.00
S. Maria Magdalena de Pazzi Carmelitana.
B.T.A.
[n.d., c.1630.]
Woodcut. Sheet: 235 x 160mm (9½ x 6¼''). Trimmed and laid on album sheet.
A portrait of Italian, Carmelite nun and mystic Mary Magdalene de Pazzi (1566-1607). A woodcut cut by the monogrammist BTA, probably cut for a Carmelite order in Venice in the first half of the 17th century.
[Ref: 49650] £240.00 (£288.00 incl.VAT)
B.T.A.
[n.d., c.1630.]
Woodcut. Sheet: 235 x 160mm (9½ x 6¼''). Trimmed and laid on album sheet.
A portrait of Italian, Carmelite nun and mystic Mary Magdalene de Pazzi (1566-1607). A woodcut cut by the monogrammist BTA, probably cut for a Carmelite order in Venice in the first half of the 17th century.
[Ref: 49650] £240.00 (£288.00 incl.VAT)
Mary Magdalen. From a Painting by Guido Reni, in the Barbarini Palace at Rome.
R. Strange Romæ delin.t. A.º 1762 Atque Londini A.º 1773 Ære incidit.
[London: Robert Strange, 1790.]
Engraving. 500 x 345mm (19¾ x 13½"), with large margins.
Mary Magdalene in contemplation, one hand resting on a skull, in the grotto of St Baume where she lived for thirty years in penance, living frugally on root vegetables. From a collected edition of the engravings by Sir Robert Strange (1721-92) after famous paintings, in this case one by Guido Reni (1575 - 1642).
[Ref: 46545] £260.00 (£312.00 incl.VAT)
R. Strange Romæ delin.t. A.º 1762 Atque Londini A.º 1773 Ære incidit.
[London: Robert Strange, 1790.]
Engraving. 500 x 345mm (19¾ x 13½"), with large margins.
Mary Magdalene in contemplation, one hand resting on a skull, in the grotto of St Baume where she lived for thirty years in penance, living frugally on root vegetables. From a collected edition of the engravings by Sir Robert Strange (1721-92) after famous paintings, in this case one by Guido Reni (1575 - 1642).
[Ref: 46545] £260.00 (£312.00 incl.VAT)
S. Maria Magdalena
C le Brun pinxit:. Sold by I Beckett at y.e golden head in y.e Old Bailey.
[n.d.] 1798.
Mezzotint, trimmed. 350 x 260mm (13¾ x 10¼"). Very small margins. Laid on backing paper at corners. Loss to bottom left corner affecting the title area. Minor tears to middle of left and right edge.
A portrait of Mary Magdalene, one of Jesus' earliest and closest followers. Mentioned in each of the four gosples, she is mentioned by name more than any other non-family women. As a figure in Christianity the mythos of Mary Magdalene has a complex history riddled with long-standing inaccuracies, the most successful being that she was a prostitute.
[Ref: 53863] £160.00 (£192.00 incl.VAT)
C le Brun pinxit:. Sold by I Beckett at y.e golden head in y.e Old Bailey.
[n.d.] 1798.
Mezzotint, trimmed. 350 x 260mm (13¾ x 10¼"). Very small margins. Laid on backing paper at corners. Loss to bottom left corner affecting the title area. Minor tears to middle of left and right edge.
A portrait of Mary Magdalene, one of Jesus' earliest and closest followers. Mentioned in each of the four gosples, she is mentioned by name more than any other non-family women. As a figure in Christianity the mythos of Mary Magdalene has a complex history riddled with long-standing inaccuracies, the most successful being that she was a prostitute.
[Ref: 53863] £160.00 (£192.00 incl.VAT)
Sancta Maria Magdalena.
C. Smith pinx: J Smith fec: & excud:
[n.d., c.1691.]
Mezzotint, fine impression with watermark; Sheet 340 x 260mm (13½ x 10¼"). Trimmed to image on three sides, into plate at bottom.
Mary Magdalene resting on a rock, wearing a loose dress with one breast bared, a halo above her head. Under her elbow is a rock; a skull lies beside her. Challoner Smith suggests it is a portrait of Mrs. Voss, Godfrey Kneller's mistress.
CS 287.
[Ref: 61480] £180.00 (£216.00 incl.VAT)
C. Smith pinx: J Smith fec: & excud:
[n.d., c.1691.]
Mezzotint, fine impression with watermark; Sheet 340 x 260mm (13½ x 10¼"). Trimmed to image on three sides, into plate at bottom.
Mary Magdalene resting on a rock, wearing a loose dress with one breast bared, a halo above her head. Under her elbow is a rock; a skull lies beside her. Challoner Smith suggests it is a portrait of Mrs. Voss, Godfrey Kneller's mistress.
CS 287.
[Ref: 61480] £180.00 (£216.00 incl.VAT)
La Magdeleine.
Peint par le Guide. Gravé par Frédéric Lignon. 1818. Imprimé par Durand.
A Parism chez l'Auteur, rue des Fossés St Germain des Prés, N:o 28.
Engraving. 420 x 300mm (16½ x 11¾") very large margins. Slight foxing.
Mary Magdalene, hands crossed across her chest, looking up, after Guido Reni.
[Ref: 57957] £140.00 (£168.00 incl.VAT)
Peint par le Guide. Gravé par Frédéric Lignon. 1818. Imprimé par Durand.
A Parism chez l'Auteur, rue des Fossés St Germain des Prés, N:o 28.
Engraving. 420 x 300mm (16½ x 11¾") very large margins. Slight foxing.
Mary Magdalene, hands crossed across her chest, looking up, after Guido Reni.
[Ref: 57957] £140.00 (£168.00 incl.VAT)
M Magdalena.
G: Schalcken pinxit majori forma. J Smith fec: & excud:
[n.d., c.1695.]
Mezzotint. 345 x 250mm (13¾ x 9¾").
Mary Magdalene resting on a rock, wearing a loose dress with one breast bared, a halo above her head. Under her elbow is a rock; a skull lies beside her. Challoner Smith suggests it is a portrait of Mrs. Voss, Godfrey Kneller's mistress.
Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68696] £260.00 (£312.00 incl.VAT)
G: Schalcken pinxit majori forma. J Smith fec: & excud:
[n.d., c.1695.]
Mezzotint. 345 x 250mm (13¾ x 9¾").
Mary Magdalene resting on a rock, wearing a loose dress with one breast bared, a halo above her head. Under her elbow is a rock; a skull lies beside her. Challoner Smith suggests it is a portrait of Mrs. Voss, Godfrey Kneller's mistress.
Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68696] £260.00 (£312.00 incl.VAT)
S.ta Maria Magdalena.
T. Hudson pinx. Faber fecit.
[Sold by I. Faber at the Green Door in ye Great Piazza Covent Garden.] [n.d. c.1750]
Rare mezzotint, sheet 345 x 250mm (13½ x 10"). Trimmed losing the publication line. Laid on album paper.
Mary Magdalene resting on a rock, wearing a loose dress with one breast bared, her hand rests on a skull while she reads a large propped up book.
Not is CS.
[Ref: 67691] £260.00 (£312.00 incl.VAT)
T. Hudson pinx. Faber fecit.
[Sold by I. Faber at the Green Door in ye Great Piazza Covent Garden.] [n.d. c.1750]
Rare mezzotint, sheet 345 x 250mm (13½ x 10"). Trimmed losing the publication line. Laid on album paper.
Mary Magdalene resting on a rock, wearing a loose dress with one breast bared, her hand rests on a skull while she reads a large propped up book.
Not is CS.
[Ref: 67691] £260.00 (£312.00 incl.VAT)
![[The penitent Mary Magdalene.]](jpegs/60144.jpg)
[The penitent Mary Magdalene.]
[Engraved by Thomas Park after Gaetano Gandolfi.]
[n.d., c.1800.]
Mezzotint, proof before all letters. Sheet 210 x 170mm (8¼ x 6¾"). Trimmed within plate at bottom. Small margins.
The penitent Magdalene as a woman with loose dark hair lying on a cloak, gazing down sorrowfully at a skull, scourge and wooden cross.
[Ref: 60144] £180.00 (£216.00 incl.VAT)
[Engraved by Thomas Park after Gaetano Gandolfi.]
[n.d., c.1800.]
Mezzotint, proof before all letters. Sheet 210 x 170mm (8¼ x 6¾"). Trimmed within plate at bottom. Small margins.
The penitent Magdalene as a woman with loose dark hair lying on a cloak, gazing down sorrowfully at a skull, scourge and wooden cross.
[Ref: 60144] £180.00 (£216.00 incl.VAT)
![[Mary Magdelene?]](jpegs/62918.jpg)
[Mary Magdelene?]
[by Karl Friedrich Holzman after Johann Eleazar Zeissig (Schenau).]
[n.d., c.1780.]
Etching with tone plate. Sheet 105 x 75mm (4 x 3"). Trimmed into image, laid on 19th century mount.
A woman prostrates before a cross, book and skull. The attribution is written in pencil on reverse.
[Ref: 62918] £180.00 (£216.00 incl.VAT)
[by Karl Friedrich Holzman after Johann Eleazar Zeissig (Schenau).]
[n.d., c.1780.]
Etching with tone plate. Sheet 105 x 75mm (4 x 3"). Trimmed into image, laid on 19th century mount.
A woman prostrates before a cross, book and skull. The attribution is written in pencil on reverse.
[Ref: 62918] £180.00 (£216.00 incl.VAT)
![[The penitent Mary Magdalene in the wilderness]. Remittuntur ei peccata multa, quoniam dilexit multum.](jpegs/57925.jpg)
[The penitent Mary Magdalene in the wilderness]. Remittuntur ei peccata multa, quoniam dilexit multum. St Luc Ch. 7 v.47.
Ant. Coypel pinx. G. Duchange sculp.
[n.d., c.1730.]
Engraving. 255 x 195mm (10 x 7¾"), with large margins. Uncut.
Mary Magdelene lifts her eyes to heaven.
[Ref: 57925] £140.00 (£168.00 incl.VAT)
Ant. Coypel pinx. G. Duchange sculp.
[n.d., c.1730.]
Engraving. 255 x 195mm (10 x 7¾"), with large margins. Uncut.
Mary Magdelene lifts her eyes to heaven.
[Ref: 57925] £140.00 (£168.00 incl.VAT)
Mary Magdalen Washing Christ's Feet. In the Salon at Houghton.
Rubens Pinxit. G Farington delin.t. Rich.d Earlom sculpsit.
John Boydell excudit 1777. Published Aug.st 1st 1777 by John Boydell Engraver in Cheapside London.
Mezzotint. 470 x 580mm (18½ x 22¾"). Trimmed within plate at bottom, thread margins elsewhere chipped. Crease top right.
Peter Paul Ruben's 'Feast in the House of Simon the Pharisee', painted in Flanders circa 1618-20, representing the conflict between the material values and religious dogmatism of the Pharisees world and the Christian doctrine of sympathy, charity and goodness. Here the repentant sinner washing Christ's feet with her tears is named as Mary Magdalene; however the Gospel of Luke leaves her nameless. At the time of this engraving the painting was part of the art collection of Sir Horace Walpole (1676-1745) at Houghton, Norfolk. Following his death part of the collection was sold to pay off debts, and by the 1770s it was inevitable the rest would suffer the same fate. Before it could be dispersed John Boydell commissioned a vast series of mezzotints of the collection, which was fortuitous: despite John Wilkes attempt to persuade Parliament to buy the collection for the nation 206 paintings were sold to Catherine the Great for £40,550 in 1779. 127 works from Houghton, including this one, are now in the Hermitage Museum, St Petersburg.
[Ref: 35458] £230.00 (£276.00 incl.VAT)
Rubens Pinxit. G Farington delin.t. Rich.d Earlom sculpsit.
John Boydell excudit 1777. Published Aug.st 1st 1777 by John Boydell Engraver in Cheapside London.
Mezzotint. 470 x 580mm (18½ x 22¾"). Trimmed within plate at bottom, thread margins elsewhere chipped. Crease top right.
Peter Paul Ruben's 'Feast in the House of Simon the Pharisee', painted in Flanders circa 1618-20, representing the conflict between the material values and religious dogmatism of the Pharisees world and the Christian doctrine of sympathy, charity and goodness. Here the repentant sinner washing Christ's feet with her tears is named as Mary Magdalene; however the Gospel of Luke leaves her nameless. At the time of this engraving the painting was part of the art collection of Sir Horace Walpole (1676-1745) at Houghton, Norfolk. Following his death part of the collection was sold to pay off debts, and by the 1770s it was inevitable the rest would suffer the same fate. Before it could be dispersed John Boydell commissioned a vast series of mezzotints of the collection, which was fortuitous: despite John Wilkes attempt to persuade Parliament to buy the collection for the nation 206 paintings were sold to Catherine the Great for £40,550 in 1779. 127 works from Houghton, including this one, are now in the Hermitage Museum, St Petersburg.
[Ref: 35458] £230.00 (£276.00 incl.VAT)
Pia Magdalena. Humbly Dedicated by permission to her Excellency the Marchioness of Circello. By her Excellency's most obedient humble Servant. G. Minasi.
Painted & Engraved by G. Minas Pupil to F. Bartolozzi R.A.
[n.d. c.1790.]
Stipple. 272 x 222mm. 10¾ x 8¾". Cut and laid on album page.
Mary Magdalene, one of the most celebrated of Jesus' disciples and the most important woman disciple in the movement of Jesus. She was also the first person to see Jesus after his Resurrection, according to both John 20 and Mark 16:9.
[Ref: 24967] £90.00 (£108.00 incl.VAT)
Painted & Engraved by G. Minas Pupil to F. Bartolozzi R.A.
[n.d. c.1790.]
Stipple. 272 x 222mm. 10¾ x 8¾". Cut and laid on album page.
Mary Magdalene, one of the most celebrated of Jesus' disciples and the most important woman disciple in the movement of Jesus. She was also the first person to see Jesus after his Resurrection, according to both John 20 and Mark 16:9.
[Ref: 24967] £90.00 (£108.00 incl.VAT)
![[Penitent Magdalene.] Ill.mo Marchioni Hyppolito Gililio Apud S.D.N Greg. XV. P. Max ferrariens Legaro.](jpegs/49690.jpg)
[Penitent Magdalene.] Ill.mo Marchioni Hyppolito Gililio Apud S.D.N Greg. XV. P. Max ferrariens Legaro. Dum hec fenestissimi xpi Domini cedris, nostreq...
Jo: Bapt.a Pasqualinus felicierarem. Io. Fran.s Centen.s Inu.
Roma Superior licen.a 1622.
Engraving. Sheet: 420 x 355mm (16½ x 14''). Trimmed, damage in edges, staining.
A biblical scene showing a penitent Mary Magdalene praying and weeping, watched over by two angels, one holding a dagger and the other a crown of thorns. Engraved by Giovanni Battista Pasqualini (1595-1631) after and painting by Guercino in the Pinacoteca Vaticana. Dedicated to Ippolito Gilioli, Marchese di Serra.
[Ref: 49690] £190.00 (£228.00 incl.VAT)
Jo: Bapt.a Pasqualinus felicierarem. Io. Fran.s Centen.s Inu.
Roma Superior licen.a 1622.
Engraving. Sheet: 420 x 355mm (16½ x 14''). Trimmed, damage in edges, staining.
A biblical scene showing a penitent Mary Magdalene praying and weeping, watched over by two angels, one holding a dagger and the other a crown of thorns. Engraved by Giovanni Battista Pasqualini (1595-1631) after and painting by Guercino in the Pinacoteca Vaticana. Dedicated to Ippolito Gilioli, Marchese di Serra.
[Ref: 49690] £190.00 (£228.00 incl.VAT)
![[Mary Magdalene.] Mary Hath Chosen that Good Part, Which Shall Not be Taken From Her. Luke 10. v. 43.](jpegs/57941.jpg)
[Mary Magdalene.] Mary Hath Chosen that Good Part, Which Shall Not be Taken From Her. Luke 10. v. 43. Now when Jesus was risen early, the first day of the week he appeared first to Mary Magdalene. That Mary which anointed the Lord with ointment and wiped his feet with her hair, whose brother Lazarus was sick. From the original Picture in the Possession of Sir Simon H. Clarke Bar.t.
Guido Pinx.t. Sharpe Sculp.t.
London, Published by Will.m Sharp, 16 May, 1822.
Etching with engraving on chine collé. 300 x 230mm (11¾ x 9"), very large margins. Fold on left plate mark.
Mary Magdalene with a halo, looking up.
[Ref: 57941] £65.00 (£78.00 incl.VAT)
Guido Pinx.t. Sharpe Sculp.t.
London, Published by Will.m Sharp, 16 May, 1822.
Etching with engraving on chine collé. 300 x 230mm (11¾ x 9"), very large margins. Fold on left plate mark.
Mary Magdalene with a halo, looking up.
[Ref: 57941] £65.00 (£78.00 incl.VAT)
![[Mary Magdalene.] Le Retour a la Vertu.](jpegs/39718.jpg)
[Mary Magdalene.] Le Retour a la Vertu.
Painted by C. le Brun. Engraved by N. Schiavonetti junior.
London Published the 10th of February 1795 by Mess.rs Colnaghi & Co., N. 132 Pall Mall.
Fine stipple impression. Sheet 560 x 430mm (22 x 17"). Trimmed just within plate. Some creasing.
A large portrait of Mary Magdalene at her dressing table, casting her jewelbox aside and turning her face up to God. After Charles Le Brun (1619-90), most famous for painting the ceilings of the Galerie des Glaces (Hall of Mirrors), Versailles. According to Louis XIV Le Brun was 'the greatest French artist of all time'.
[Ref: 39718] £260.00 (£312.00 incl.VAT)
Painted by C. le Brun. Engraved by N. Schiavonetti junior.
London Published the 10th of February 1795 by Mess.rs Colnaghi & Co., N. 132 Pall Mall.
Fine stipple impression. Sheet 560 x 430mm (22 x 17"). Trimmed just within plate. Some creasing.
A large portrait of Mary Magdalene at her dressing table, casting her jewelbox aside and turning her face up to God. After Charles Le Brun (1619-90), most famous for painting the ceilings of the Galerie des Glaces (Hall of Mirrors), Versailles. According to Louis XIV Le Brun was 'the greatest French artist of all time'.
[Ref: 39718] £260.00 (£312.00 incl.VAT)
![[Birth of Princess Mary] Het kraambed van de Princes van Walles, bevallen zynde vam een Princes [...] [parallel text in Latin]](jpegs/59272.jpg)
[Birth of Princess Mary] Het kraambed van de Princes van Walles, bevallen zynde vam een Princes [...] [parallel text in Latin]
Pet:Schenk exc: Amst: cum Priv. [n.d. c.1730.]
Engraving, sheet 160 x 190mm (6¼ x 7½"). Trimmed to plate, slightly foxed, stain on image, one spot on top edge.
A scene showing the birth of Princess Mary of Great Britain (1723-1772), the fourth daughter of King George II.
[Ref: 59272] £75.00 (£90.00 incl.VAT)
Pet:Schenk exc: Amst: cum Priv. [n.d. c.1730.]
Engraving, sheet 160 x 190mm (6¼ x 7½"). Trimmed to plate, slightly foxed, stain on image, one spot on top edge.
A scene showing the birth of Princess Mary of Great Britain (1723-1772), the fourth daughter of King George II.
[Ref: 59272] £75.00 (£90.00 incl.VAT)
Maria D.G. Ang: Sco: Fran: et Hib: Regina. Cum privilegio Regis.
P. Lelly Eques pinx:
Alex.r Browne exc. [n.d. c.1685]
Scarce mezzotint proof before letters, 415 x 245mm (16¼ x 9¾"). Repaired tears. Creasing at top. Time stained.
A three-quarter length seated portrait of Mary of Modena (1658-1718), Queen of James II. She wears a pearl necklace and a low-cut dress, holding a wreath. To the right, there is a fluted pillar and curtain, with a distant landscape in the background.
CS26. Turner B29 III of III. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 64941] £140.00 (£168.00 incl.VAT)
P. Lelly Eques pinx:
Alex.r Browne exc. [n.d. c.1685]
Scarce mezzotint proof before letters, 415 x 245mm (16¼ x 9¾"). Repaired tears. Creasing at top. Time stained.
A three-quarter length seated portrait of Mary of Modena (1658-1718), Queen of James II. She wears a pearl necklace and a low-cut dress, holding a wreath. To the right, there is a fluted pillar and curtain, with a distant landscape in the background.
CS26. Turner B29 III of III. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 64941] £140.00 (£168.00 incl.VAT)
![[Mary of Modena] Maria Dutchesse of Jorck.](jpegs/65328.jpg)
[Mary of Modena] Maria Dutchesse of Jorck.
P. Lely pinxit. G. Valck fecit et ex [n.d., c.1680].
Mezzotint. 195 x 140mm (7¾ x 5½"). Small tear in right edge. Small margins.
A three-quarter length portrait in oval of Mary of Modena (1658-1718), when Duchess of York, before her husband became James II & VII.
CS 10, state i of ii. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65328] £320.00
P. Lely pinxit. G. Valck fecit et ex [n.d., c.1680].
Mezzotint. 195 x 140mm (7¾ x 5½"). Small tear in right edge. Small margins.
A three-quarter length portrait in oval of Mary of Modena (1658-1718), when Duchess of York, before her husband became James II & VII.
CS 10, state i of ii. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65328] £320.00
![[Mary of Modena] Maria D.G. Ang: Sco: Fra: et Hib: Regina.](jpegs/65425.jpg)
[Mary of Modena] Maria D.G. Ang: Sco: Fra: et Hib: Regina.
G. Kneller pinx. I. Beckett fe:
Sold by I Beckett at ye Golde head in ye Old Baily [n.d., c.1685].
A rare mezzotint, 17th century watermark. Sheet 325 x 235mm (12¾ x 9¼"). Trimmed into plate, affecting sides of title, repaired tears, mounted in album paper at sides.
A head and shoulders portrait in oval of Mary of Modena (1658-1718) , with pearl necklace and earring, in ermine lined robes.
CS: 70, ii of ii, 'only 2 known'. Ex collection Christopher Lennox-Boyd.
[Ref: 65425] £320.00
G. Kneller pinx. I. Beckett fe:
Sold by I Beckett at ye Golde head in ye Old Baily [n.d., c.1685].
A rare mezzotint, 17th century watermark. Sheet 325 x 235mm (12¾ x 9¼"). Trimmed into plate, affecting sides of title, repaired tears, mounted in album paper at sides.
A head and shoulders portrait in oval of Mary of Modena (1658-1718) , with pearl necklace and earring, in ermine lined robes.
CS: 70, ii of ii, 'only 2 known'. Ex collection Christopher Lennox-Boyd.
[Ref: 65425] £320.00
![[Mary of Modena] Maria D.G. Ang: Sco: Fra: et Hib: Regina.](jpegs/65428.jpg)
[Mary of Modena] Maria D.G. Ang: Sco: Fra: et Hib: Regina.
G. Kneller pinx. [engraved by Isaac Beckett.]
J. Smith ex: [n.d., c.1690].
A rare mezzotint, 17th century watermark. Sheet 325 x 235mm (12¾ x 9¼"). Trimmed into plate, affecting sides of title, repaired tears, mounted in album paper.
A head and shoulders portrait in oval of Mary of Modena, with pearl necklace and earring, in ermine lined robes.
Russell 71a, ii of ii. Ex collection Christopher Lennox-Boyd & John Challoner Smith.
[Ref: 65428] £320.00
G. Kneller pinx. [engraved by Isaac Beckett.]
J. Smith ex: [n.d., c.1690].
A rare mezzotint, 17th century watermark. Sheet 325 x 235mm (12¾ x 9¼"). Trimmed into plate, affecting sides of title, repaired tears, mounted in album paper.
A head and shoulders portrait in oval of Mary of Modena, with pearl necklace and earring, in ermine lined robes.
Russell 71a, ii of ii. Ex collection Christopher Lennox-Boyd & John Challoner Smith.
[Ref: 65428] £320.00
Maria DG Ang: Sco: Fra: et Hib: Regina & c
W. Wissing pinx. R Williams fe
Sold by E. Cooper at the 3 pidgions in Bedford Street. [n.d. c.1688]
Mezzotint, 18th century watermark, sheet 240 x 190mm (9½ x 7½") Trimmed.
A half-length portrait of Mary of Modena (1658-1718), Queen of James II depicted within an oval frame, her hair styled in curls. She wears earrings, a pearl necklace, and a low-cut, jeweled gown.
CS 34 II of II. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65457] £130.00 (£156.00 incl.VAT)
W. Wissing pinx. R Williams fe
Sold by E. Cooper at the 3 pidgions in Bedford Street. [n.d. c.1688]
Mezzotint, 18th century watermark, sheet 240 x 190mm (9½ x 7½") Trimmed.
A half-length portrait of Mary of Modena (1658-1718), Queen of James II depicted within an oval frame, her hair styled in curls. She wears earrings, a pearl necklace, and a low-cut, jeweled gown.
CS 34 II of II. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65457] £130.00 (£156.00 incl.VAT)
Her Royal Highnes the Dutchess of York &c.
W.Wissing pinx. R.Williams fe. E.Cooper ex.
[n.d., c.1690.]
Rare mezzotint on 17th century watermarked paper. 340 x 250mm (13½ x 10"). Trimmed into plate. Some faint foxing.
Portrait of Mary of Modena (1658 - 1718), Queen of England, Scotland and Ireland as the second wife of James II and VII. A devout Roman Catholic, Mary married the widower James, who was then the younger brother and heir presumptive of Charles II. She was devoted to James and their children, two of whom survived to adulthood: the Jacobite claimant to the thrones, James Francis Edward, and Louisa Maria Teresa.
CS59. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65507] £240.00 (£288.00 incl.VAT)
W.Wissing pinx. R.Williams fe. E.Cooper ex.
[n.d., c.1690.]
Rare mezzotint on 17th century watermarked paper. 340 x 250mm (13½ x 10"). Trimmed into plate. Some faint foxing.
Portrait of Mary of Modena (1658 - 1718), Queen of England, Scotland and Ireland as the second wife of James II and VII. A devout Roman Catholic, Mary married the widower James, who was then the younger brother and heir presumptive of Charles II. She was devoted to James and their children, two of whom survived to adulthood: the Jacobite claimant to the thrones, James Francis Edward, and Louisa Maria Teresa.
CS59. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65507] £240.00 (£288.00 incl.VAT)
Marie Eleonor Deste Reine D'Angleterre Ep.se de Iacque 2 Fille D'Alphonse IV Duc de Modene et de Lavre Martinozzi Née le 21 Novembre 1658.
Larfillere P.
Gravé par E. Desrochers et se vend chés luy a Paris rue S.t Jacques au Mecenas.
Engraving. Plate: 155 x 105mm (6 x 4''), with very large margins.
A portrait of Mary of Modena (1658-1718), second wife of James II of England. Exiled to France following the overthrowing of her husband in 1689 she was called the ''Queen over the Water'' by her husband's Jacobite supporters. From a series of small portraits by Étienne-Jehandier Desrochers (1668-1741).
[Ref: 48264] £70.00 (£84.00 incl.VAT)
Larfillere P.
Gravé par E. Desrochers et se vend chés luy a Paris rue S.t Jacques au Mecenas.
Engraving. Plate: 155 x 105mm (6 x 4''), with very large margins.
A portrait of Mary of Modena (1658-1718), second wife of James II of England. Exiled to France following the overthrowing of her husband in 1689 she was called the ''Queen over the Water'' by her husband's Jacobite supporters. From a series of small portraits by Étienne-Jehandier Desrochers (1668-1741).
[Ref: 48264] £70.00 (£84.00 incl.VAT)
![[S. Maria D.G. Ang. Sco. Fran. et Hib. Regina.]](jpegs/45531.jpg)
[S. Maria D.G. Ang. Sco. Fran. et Hib. Regina.]
[G. Kneller.]
Mezzotint. Extremely rare unrecorded proof before letters. Plate: 200 x 145mm (8 x 5¾"). Repaired tear.
A half-length portrait if Mary of Modena (1658-1718), second wife of James II.
CS: 170 unrecorded
[Ref: 45531] £320.00
[G. Kneller.]
Mezzotint. Extremely rare unrecorded proof before letters. Plate: 200 x 145mm (8 x 5¾"). Repaired tear.
A half-length portrait if Mary of Modena (1658-1718), second wife of James II.
CS: 170 unrecorded
[Ref: 45531] £320.00
![[Mary of Modena] Maria Beatrice Principessa di Modana, Duchessa di York.](jpegs/64786.jpg)
[Mary of Modena] Maria Beatrice Principessa di Modana, Duchessa di York.
P. Lilÿ Pinxit. A Blooteling fecit et exe.
[n.d., c.1680.]
Mezzotint. 355 x 255mm (14 x 10"). Thread margins, edges reinforced with paper on reverse.
Three quarter portrait of Mary of Modena (1658-1718), Queen of James II, as Duchess of York, pulling flowers from a bush in an urn.
CS S iii of iii. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 64786] £240.00 (£288.00 incl.VAT)
P. Lilÿ Pinxit. A Blooteling fecit et exe.
[n.d., c.1680.]
Mezzotint. 355 x 255mm (14 x 10"). Thread margins, edges reinforced with paper on reverse.
Three quarter portrait of Mary of Modena (1658-1718), Queen of James II, as Duchess of York, pulling flowers from a bush in an urn.
CS S iii of iii. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 64786] £240.00 (£288.00 incl.VAT)
![[Mary of Modena] Maria Beatrice Principessa di Modana, Duchessa di York.](jpegs/64787.jpg)
[Mary of Modena] Maria Beatrice Principessa di Modana, Duchessa di York.
P. Lilÿ Pinxit. A Blooteling fecit et exe.
[n.d., c.1680.]
Mezzotint. 355 x 255mm (14 x 10"). Thread margins, short tear at bottom taped, plate slightly worn.
Three quarter portrait of Mary of Modena (1658-1718), Queen of James II, as Duchess of York, pulling flowers from a bush in an urn.
CS S iii of iii. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 64787] £260.00 (£312.00 incl.VAT)
P. Lilÿ Pinxit. A Blooteling fecit et exe.
[n.d., c.1680.]
Mezzotint. 355 x 255mm (14 x 10"). Thread margins, short tear at bottom taped, plate slightly worn.
Three quarter portrait of Mary of Modena (1658-1718), Queen of James II, as Duchess of York, pulling flowers from a bush in an urn.
CS S iii of iii. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 64787] £260.00 (£312.00 incl.VAT)
![[Mary of Modena] Maria Beatrice Principessa di Modana, Duchessa di York.](jpegs/64788.jpg)
[Mary of Modena] Maria Beatrice Principessa di Modana, Duchessa di York.
P. Lilÿ Pinxit. A Blooteling fecit et exe.
[n.d., c.1680.]
Mezzotint. 355 x 255mm (14 x 10"). Thread margins,
Three quarter portrait of Mary of Modena (1658-1718), Queen of James II, as Duchess of York, pulling flowers from a bush in an urn.
CS S ii of iii. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 64788] £320.00
P. Lilÿ Pinxit. A Blooteling fecit et exe.
[n.d., c.1680.]
Mezzotint. 355 x 255mm (14 x 10"). Thread margins,
Three quarter portrait of Mary of Modena (1658-1718), Queen of James II, as Duchess of York, pulling flowers from a bush in an urn.
CS S ii of iii. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 64788] £320.00
Marie Eleonore d'Este, Reine d'Angleterre.
Se vend à Paris chez Berey Graveur rue S.t Jacques devant la rue de la Parcheminerie à la Princesse de Savoyes. Avec Privilege.
[n.d., c.1690]
Engraving. Plate: 300 x 195mm (12 x 7¾"), with very large margins.
A portrait of Mary of Modena (1658-1718) second wife of James II, following William III's invasion James and Mary set up court in exile in Château de Saint-Germain-en-Laye and became a popular fixture in Louis XIV's court in Versailles.
Sharp: 64
[Ref: 46691] £320.00
Se vend à Paris chez Berey Graveur rue S.t Jacques devant la rue de la Parcheminerie à la Princesse de Savoyes. Avec Privilege.
[n.d., c.1690]
Engraving. Plate: 300 x 195mm (12 x 7¾"), with very large margins.
A portrait of Mary of Modena (1658-1718) second wife of James II, following William III's invasion James and Mary set up court in exile in Château de Saint-Germain-en-Laye and became a popular fixture in Louis XIV's court in Versailles.
Sharp: 64
[Ref: 46691] £320.00
Marie Eleonor D'Este Reyne d'Angleterre….Cette Princesse Affligee, pouuoit Souhaiter.
De Larmessin Scul. [n.d. c.1690].
A Paris Chez N. de L'Armessin, Rue St. Iacques a la Pome d'Or, Avec Privil du Roy.
Engraving. 165 x 240mm. Light foxing/staining, largely in margins.
Mary of Modena [1658 - 1718], queen consort of James II. Her marriage (1673) to James, then duke of York, was brought about through the influence of Louis XIV of France. Mary was a devout Roman Catholic and when she bore a son in 1688 fear of a Catholic succession precipitated the Glorious Revolution that overthrew her husband. Mary fled to France with her son, James Francis Edward Stuart, and worked tirelessly to advance his claims to the English throne.
Collection of the Royal House of Savoy and Italy.
[Ref: 1647] £80.00 (£96.00 incl.VAT)
De Larmessin Scul. [n.d. c.1690].
A Paris Chez N. de L'Armessin, Rue St. Iacques a la Pome d'Or, Avec Privil du Roy.
Engraving. 165 x 240mm. Light foxing/staining, largely in margins.
Mary of Modena [1658 - 1718], queen consort of James II. Her marriage (1673) to James, then duke of York, was brought about through the influence of Louis XIV of France. Mary was a devout Roman Catholic and when she bore a son in 1688 fear of a Catholic succession precipitated the Glorious Revolution that overthrew her husband. Mary fled to France with her son, James Francis Edward Stuart, and worked tirelessly to advance his claims to the English throne.
Collection of the Royal House of Savoy and Italy.
[Ref: 1647] £80.00 (£96.00 incl.VAT)
Balia di Prencipe francese.
Gio. Giacomo de Rossi le stampa in Roma alla Pace con licenza de Sup.ri l'anno 1688.
Engraving. 305 x 190mm. 12 x 7½".
Mary Beatrix, of Modena (1658-1717) was Queen consort of England, Scotland of Ireland as the second wife of James II and VII.
[Ref: 24851] £220.00 (£264.00 incl.VAT)
Gio. Giacomo de Rossi le stampa in Roma alla Pace con licenza de Sup.ri l'anno 1688.
Engraving. 305 x 190mm. 12 x 7½".
Mary Beatrix, of Modena (1658-1717) was Queen consort of England, Scotland of Ireland as the second wife of James II and VII.
[Ref: 24851] £220.00 (£264.00 incl.VAT)
Maria Königs Jacobi II in Engeland Gemahlin eine gebohrne Princesin aus dem Haus Modena.
Corneli Nicola Schurtz sculp:
Norimbergae 1689.
Engraving. 178 x 134mm. 7 x 5¼". Trimmed to plate mark.
Portrait of Mary of Modena, half length in an oval, hair in curls, wearing necklace; curtain in background to right. Mary of Modena, Queen of James II (1658-1718) was daughter of Alfonso IV, and she was mother of James Francis Edward, the 'Old Pretender'.
Ex Collection: R. Hobson of Hove.
[Ref: 25414] £80.00 (£96.00 incl.VAT)
Corneli Nicola Schurtz sculp:
Norimbergae 1689.
Engraving. 178 x 134mm. 7 x 5¼". Trimmed to plate mark.
Portrait of Mary of Modena, half length in an oval, hair in curls, wearing necklace; curtain in background to right. Mary of Modena, Queen of James II (1658-1718) was daughter of Alfonso IV, and she was mother of James Francis Edward, the 'Old Pretender'.
Ex Collection: R. Hobson of Hove.
[Ref: 25414] £80.00 (£96.00 incl.VAT)
Marie Eleonor d'Este. Épouse de Jacques II Roy de la Grande Bretagne.
Wander Werff pinxit. J. Audran sculpsit.
[n.d. c.1720.]
Engraving with large margins. Plate 310 x 185mm. 12¼ x 7¼".
Portrait of Mary of Modena, wife of King James II; bust and shoulders in frontal view, in a laurel oval on a pedestal draped with a curtain, a crown at left. Illustration to fourth volume (facing page 478) of Isaac de Larrey's "Histoire d'Angleterre, d'Ecosse et d'Irlande" (Rotterdam: 1697-1713). Mary of Modena (1658-1718) was the Roman Catholic Queen of James II. She dedicated herself to the conversion of England, but her support of her husband's pro-Catholic policies made her unpopular. The fear of a Catholic succession to the throne, caused by the birth of their son James Francis Edward in 1668, led to the invitation of William of Orange to England.
[Ref: 24331] £65.00 (£78.00 incl.VAT)
Wander Werff pinxit. J. Audran sculpsit.
[n.d. c.1720.]
Engraving with large margins. Plate 310 x 185mm. 12¼ x 7¼".
Portrait of Mary of Modena, wife of King James II; bust and shoulders in frontal view, in a laurel oval on a pedestal draped with a curtain, a crown at left. Illustration to fourth volume (facing page 478) of Isaac de Larrey's "Histoire d'Angleterre, d'Ecosse et d'Irlande" (Rotterdam: 1697-1713). Mary of Modena (1658-1718) was the Roman Catholic Queen of James II. She dedicated herself to the conversion of England, but her support of her husband's pro-Catholic policies made her unpopular. The fear of a Catholic succession to the throne, caused by the birth of their son James Francis Edward in 1668, led to the invitation of William of Orange to England.
[Ref: 24331] £65.00 (£78.00 incl.VAT)
![[Mary of Modena and James Francis Edward Stuart.]](jpegs/13975.jpg)
[Mary of Modena and James Francis Edward Stuart.]
I.S. ex.
[n.d., c.1690.]
A rare mezzotint. 250 x 200mm (9¾ x 8"). Trimmed to plate, some wear.
The wife and son of James II, pictured in exile at the château of Saint-Germain-en-Laye after the Glorious Revolution of 1688, continuing the Jacobite claim to Engand's throne.
Not in C.S. Not in Sharpe.
[Ref: 13975] £360.00
I.S. ex.
[n.d., c.1690.]
A rare mezzotint. 250 x 200mm (9¾ x 8"). Trimmed to plate, some wear.
The wife and son of James II, pictured in exile at the château of Saint-Germain-en-Laye after the Glorious Revolution of 1688, continuing the Jacobite claim to Engand's throne.
Not in C.S. Not in Sharpe.
[Ref: 13975] £360.00
![[St Mary of the Snows]](jpegs/46082.jpg)
[St Mary of the Snows] La Imperial Imagen D N S.a de la Nieves Obrador de Milagros en la Tierra i en el Mar [...]
[Anon. Spanish, c.1650]
Engraving, platemark 195 x 140mm (7¾ x 5½") very large margins.
St Mary of the Snows is a feast day celebrated in various Catholic countries around the world on August 5th. Plate from 'Historica relacion del Reyno de Chile y de las missiones y ministerios que exercita en él la Compañía de Jesus' (1645) by the Chilean Jesuit priest Alonso de Ovalle.
[Ref: 46082] £360.00
[Anon. Spanish, c.1650]
Engraving, platemark 195 x 140mm (7¾ x 5½") very large margins.
St Mary of the Snows is a feast day celebrated in various Catholic countries around the world on August 5th. Plate from 'Historica relacion del Reyno de Chile y de las missiones y ministerios que exercita en él la Compañía de Jesus' (1645) by the Chilean Jesuit priest Alonso de Ovalle.
[Ref: 46082] £360.00
Mary Port, Cumberland.
Drawn & Engraved by Will.m Daniell.
Published by Messrs. Longman & Co., Paternoster Row & W.Daniell, 9 Cleveland Street, Fitzroy Square, London, May 1, 1816.
Hand coloured aquatint with large margins. Platemark: 230 x 290mm (9 x 11¼").
A scene depicting a ship approaching the entrance of the harbour at Maryport, Cumberland, with others seen inside. Two figures are sailing in a small boat in the foreground at the right with buildings on a plateau in the background at left. Plate 48 From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'. William Daniell's 'A Voyage Round Great Britain' was the most ambitious of the many topographical publications produced in England during the early nineteenth century and its plates are a highpoint in the history of aquatint engraving.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 33886] £120.00 (£144.00 incl.VAT)
Drawn & Engraved by Will.m Daniell.
Published by Messrs. Longman & Co., Paternoster Row & W.Daniell, 9 Cleveland Street, Fitzroy Square, London, May 1, 1816.
Hand coloured aquatint with large margins. Platemark: 230 x 290mm (9 x 11¼").
A scene depicting a ship approaching the entrance of the harbour at Maryport, Cumberland, with others seen inside. Two figures are sailing in a small boat in the foreground at the right with buildings on a plateau in the background at left. Plate 48 From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'. William Daniell's 'A Voyage Round Great Britain' was the most ambitious of the many topographical publications produced in England during the early nineteenth century and its plates are a highpoint in the history of aquatint engraving.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 33886] £120.00 (£144.00 incl.VAT)
Mary Port, Cumberland.
Drawn & Engraved by Will.m Daniell.
Published by Mess.rs Longman, & Co. Paternoster Row, & W. Daniell, 9 Cleveland St. Fitzroy Square, London. May, 1, 1816.
Aquatint with fine original hand colour. 230 x 300mm (9 x 12"). Large margins, uncut.
A ship approaching the entrance of the harbour at Maryport, with others seen inside. Two figures are seen sailing in a small boat in the foreground to the right. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 36121] £160.00 (£192.00 incl.VAT)
Drawn & Engraved by Will.m Daniell.
Published by Mess.rs Longman, & Co. Paternoster Row, & W. Daniell, 9 Cleveland St. Fitzroy Square, London. May, 1, 1816.
Aquatint with fine original hand colour. 230 x 300mm (9 x 12"). Large margins, uncut.
A ship approaching the entrance of the harbour at Maryport, with others seen inside. Two figures are seen sailing in a small boat in the foreground to the right. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 36121] £160.00 (£192.00 incl.VAT)
This Print of Mary Queen of Scots is dedicated to Sir Walter Scott Bar.t by his Obliged & Obed.t Humb. Ser.t W.m Fletcher.
Painted by Farino. Engraved by Tho.s Hodgetts & Son.
Published by W.m Fletcher, Edinburgh Oct.r 1828.
Mezzotint. 310 x 230mm (12¼ x 9"), with wide margins Repair in margin. Crease on face.
With poem praising Mary by Henry Scott Riddell (1798-1870).
See NPG D25084 for later state.
[Ref: 34355] £160.00 (£192.00 incl.VAT)
Painted by Farino. Engraved by Tho.s Hodgetts & Son.
Published by W.m Fletcher, Edinburgh Oct.r 1828.
Mezzotint. 310 x 230mm (12¼ x 9"), with wide margins Repair in margin. Crease on face.
With poem praising Mary by Henry Scott Riddell (1798-1870).
See NPG D25084 for later state.
[Ref: 34355] £160.00 (£192.00 incl.VAT)
Mary Queen of Scots. To the Master Wardens & Court of Assistants of the Worshipful Company of Drapers [...]
Federico Zuccheri Pinx.t. S. Roma Del.t. F. Bartolozzi Sculp.t
Published as the Act directs Jan. 26 1779, by John Boydell Engraver in Cheapside London.
Etching, sheet 480 x 330mm (19 x 13"). Trimmed to platemark; creasing top left. Rare.
Full-length portrait of Mary, Queen of Scots (1542-87, reigned 1542-67), after Federico Zuccaro (1539/40-1609).
De V: 1208 v of v.
[Ref: 36392] £240.00 (£288.00 incl.VAT)
Federico Zuccheri Pinx.t. S. Roma Del.t. F. Bartolozzi Sculp.t
Published as the Act directs Jan. 26 1779, by John Boydell Engraver in Cheapside London.
Etching, sheet 480 x 330mm (19 x 13"). Trimmed to platemark; creasing top left. Rare.
Full-length portrait of Mary, Queen of Scots (1542-87, reigned 1542-67), after Federico Zuccaro (1539/40-1609).
De V: 1208 v of v.
[Ref: 36392] £240.00 (£288.00 incl.VAT)
Maria Stuart. D.G. Scotiae & Franciae Regina.
Simon fe.
[Sold by E. Cooper at the 3 Pidgeons in Beford Street. n.d. c.1740.]
Very fine and rare mezzotint. Image 360 x 258mm. 14¼ x 10¼".
Portrait of Mary I (1542-1587), Queen of Scots, described by O'Donoghue as taken from a miniature by Bernard Lens (Lens painted several such, one of which is now in the V&A Museum, London). The Lens miniatures, very popular and much copied in the early 18th century, were themselves copied from a miniature belonging to the Duke of Hamilton believed to represent Mary, Queen of Scots.
CS: 98, unlisted state with no address but showing left ear as II.
[Ref: 29795] £240.00 (£288.00 incl.VAT)
Simon fe.
[Sold by E. Cooper at the 3 Pidgeons in Beford Street. n.d. c.1740.]
Very fine and rare mezzotint. Image 360 x 258mm. 14¼ x 10¼".
Portrait of Mary I (1542-1587), Queen of Scots, described by O'Donoghue as taken from a miniature by Bernard Lens (Lens painted several such, one of which is now in the V&A Museum, London). The Lens miniatures, very popular and much copied in the early 18th century, were themselves copied from a miniature belonging to the Duke of Hamilton believed to represent Mary, Queen of Scots.
CS: 98, unlisted state with no address but showing left ear as II.
[Ref: 29795] £240.00 (£288.00 incl.VAT)
The Battle-Array of Carberry-hill near Edinburgh with the Surrender of Mary Queen of Scots to the Confederate Lords of Scotland, and the Escape of Earl Bothwell, 1567.
Geo: Vertue delin & Sculp 1742
Engraving, platemark 460 x 575mm (18 x 22½"), with very large margins. Repairs in margins.
The surrender of Mary, Queen of Scots at Carberry Hill in Haddingtonshire in 1567. Engraved by George Vertue and issued in the first part of his 'Historical Portraitures', four large historical prints, in 1743. These were followed by further parts, amounting to nine prints in total, which were reissued in 1751 and later.
Alexander 856; for the complete set of 'Historical Portraitures' see ref.39870.
[Ref: 47405] £360.00
Geo: Vertue delin & Sculp 1742
Engraving, platemark 460 x 575mm (18 x 22½"), with very large margins. Repairs in margins.
The surrender of Mary, Queen of Scots at Carberry Hill in Haddingtonshire in 1567. Engraved by George Vertue and issued in the first part of his 'Historical Portraitures', four large historical prints, in 1743. These were followed by further parts, amounting to nine prints in total, which were reissued in 1751 and later.
Alexander 856; for the complete set of 'Historical Portraitures' see ref.39870.
[Ref: 47405] £360.00
Marie Stuart Reine d'Ecosse.
de Daspard Ruths.
A Paris chez Duflos rue St. Victor. [n.d. c.1780]
Engraving with hand colour. 277 x 167mm.
Mary, Queen of Scots. From 'Recueil d'estampes représentant les grades, les rangs et les dignités suivant le costume de toutes les nations existantes' by Pierre Duflos, published 1779-84. The original colour is particularly fine, with gold leaf highlights.
[Ref: 2082] £60.00 (£72.00 incl.VAT)
de Daspard Ruths.
A Paris chez Duflos rue St. Victor. [n.d. c.1780]
Engraving with hand colour. 277 x 167mm.
Mary, Queen of Scots. From 'Recueil d'estampes représentant les grades, les rangs et les dignités suivant le costume de toutes les nations existantes' by Pierre Duflos, published 1779-84. The original colour is particularly fine, with gold leaf highlights.
[Ref: 2082] £60.00 (£72.00 incl.VAT)
![[Mary Queen of Scots.]](jpegs/65225.jpg)
[Mary Queen of Scots.]
[engraved by Charles Turner after an anonymous portrait.]
Published Oxford Oct.r 17. 1813, by James Wyatt, Carver, Gilder, & Picture Frame Maker.
Mezzotint, printed in colours. Sheet 565 x 435mm (21¾ x 17"). Trimmed within plate, losing title, notches in edges, entering image lower right. Unidentified blind-stamp 'J W' in inscription area bottom left. Damaged.
A fanciful half-length portrait of Mary, Queen of Scots, wearing a headdress consisting of a heart-shaped hood (atifet) with lace trimmings and a wired veil extending over shoulders and arms, a ruff, a square-necked slashed bodice with a white partlet, and a crucifix suspended from a ribbon around her neck. It was engraved from a portrait at the Bodleian Library in Oxford: in 1838 the painting was cleaned, removing this portrait to reveal an earlier one underneath.
BM 1871,1209.922; Whitman 360, unlisted third state. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65225] £140.00 (£168.00 incl.VAT)
[engraved by Charles Turner after an anonymous portrait.]
Published Oxford Oct.r 17. 1813, by James Wyatt, Carver, Gilder, & Picture Frame Maker.
Mezzotint, printed in colours. Sheet 565 x 435mm (21¾ x 17"). Trimmed within plate, losing title, notches in edges, entering image lower right. Unidentified blind-stamp 'J W' in inscription area bottom left. Damaged.
A fanciful half-length portrait of Mary, Queen of Scots, wearing a headdress consisting of a heart-shaped hood (atifet) with lace trimmings and a wired veil extending over shoulders and arms, a ruff, a square-necked slashed bodice with a white partlet, and a crucifix suspended from a ribbon around her neck. It was engraved from a portrait at the Bodleian Library in Oxford: in 1838 the painting was cleaned, removing this portrait to reveal an earlier one underneath.
BM 1871,1209.922; Whitman 360, unlisted third state. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65225] £140.00 (£168.00 incl.VAT)
![Mary Queene of Scots. Anno. 1568 [old paint mss].](jpegs/65226.jpg)
Mary Queene of Scots. Anno. 1568 [old paint mss].
[engraved by Charles Turner after an anonymous portrait.]
[Published Oxford Oct.r 17. 1813, by James Wyatt, Carver, Gilder, & Picture Frame Maker.]
Mezzotint, printed in colours. Sheet 540 x 450mm (21¼ x 17¾"). Trimmed into image at top, close to image at bottom, losing title, tears in image expertly repaired.
A fanciful half-length portrait of Mary, Queen of Scots, wearing a headdress consisting of a heart-shaped hood (atifet) with lace trimmings and a wired veil extending over shoulders and arms, a ruff, a square-necked slashed bodice with a white partlet, and a crucifix suspended from a ribbon around her neck. It was engraved from a portrait at the Bodleian Library in Oxford: in 1838 the painting was cleaned, removing this portrait to reveal an earlier one underneath. The British Museum's colour-printed example has the same painted title (1872,0113.563).
Whitman 360, unlisted third state. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65226] £280.00 (£336.00 incl.VAT)
[engraved by Charles Turner after an anonymous portrait.]
[Published Oxford Oct.r 17. 1813, by James Wyatt, Carver, Gilder, & Picture Frame Maker.]
Mezzotint, printed in colours. Sheet 540 x 450mm (21¼ x 17¾"). Trimmed into image at top, close to image at bottom, losing title, tears in image expertly repaired.
A fanciful half-length portrait of Mary, Queen of Scots, wearing a headdress consisting of a heart-shaped hood (atifet) with lace trimmings and a wired veil extending over shoulders and arms, a ruff, a square-necked slashed bodice with a white partlet, and a crucifix suspended from a ribbon around her neck. It was engraved from a portrait at the Bodleian Library in Oxford: in 1838 the painting was cleaned, removing this portrait to reveal an earlier one underneath. The British Museum's colour-printed example has the same painted title (1872,0113.563).
Whitman 360, unlisted third state. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65226] £280.00 (£336.00 incl.VAT)
![[Departure of Mary Queen of Scot's to France, when a Child.] [&] [Mary, Queen of Scots Leaving Scotland]](jpegs/56632.jpg)
[Departure of Mary Queen of Scot's to France, when a Child.] [&] [Mary, Queen of Scots Leaving Scotland]
Painted by R. Westall. R.A. Engraved by F. Bartolozzi. R.A.
London. Publish'd, August 2. 1794, by W Dickinson.
Pair of stipple proofs, plate 375 x 470mm (14¾ x 18½"). Repaired creases and tears mainly in margins. Small margins.
Pair of stipples depicting Mary Stuart (1542–1587) leaving for France when she was five and fleeing to England after she was forced to abdicate in favour of her one-year-old son on 24th July 1567.
[Ref: 56632] £380.00 view all images for this item
Painted by R. Westall. R.A. Engraved by F. Bartolozzi. R.A.
London. Publish'd, August 2. 1794, by W Dickinson.
Pair of stipple proofs, plate 375 x 470mm (14¾ x 18½"). Repaired creases and tears mainly in margins. Small margins.
Pair of stipples depicting Mary Stuart (1542–1587) leaving for France when she was five and fleeing to England after she was forced to abdicate in favour of her one-year-old son on 24th July 1567.
[Ref: 56632] £380.00 view all images for this item
Maria Stuart Regina Scotiæ.
Done from the Original Painting of C. Janet in the Royal Palace of S.t James's. J. Faber fecit.
Printed for Carington Bowles next to the Chapter House in St. Pauls Church-yard, London [n.d., c.1760].
Mezzotint. 350 x 245mm (13¾ x 9¾"), large margins on three sides. Vertical fold, narrow left margin.
Three-quarter length portrait of Mary, Queen of Scots, wearing a dark dress with a white ruff and cuffs, a rosary pinned at the waist. Originally published by Thomas Bowles.
CS 235, this state not listed.
[Ref: 57301] £260.00 (£312.00 incl.VAT)
Done from the Original Painting of C. Janet in the Royal Palace of S.t James's. J. Faber fecit.
Printed for Carington Bowles next to the Chapter House in St. Pauls Church-yard, London [n.d., c.1760].
Mezzotint. 350 x 245mm (13¾ x 9¾"), large margins on three sides. Vertical fold, narrow left margin.
Three-quarter length portrait of Mary, Queen of Scots, wearing a dark dress with a white ruff and cuffs, a rosary pinned at the waist. Originally published by Thomas Bowles.
CS 235, this state not listed.
[Ref: 57301] £260.00 (£312.00 incl.VAT)
Marie Stuart Reye d'Ecosse Souffre de martye pour la Foy; et par la constance de sa mort, renouuelle en ces derniers temps, les exemples de l'ancienne Egliose. Augustus Thuanus lib. 86.
Vignon invent.
Mariette excud. cum Privil. Regis. [Paris, n.d., c.1640.]
Engraving. Framed over image, visible area 340 x 210mm (13½ x 8¼"). Repaired holes in sky.
A French portrait of Mary, Queen of Scots (1542-1587), depicting her as a martyr to her catholicism. As she had been Queen consort of Francis II of France, the French preferred to portray her as a victim of religious intolerance than a traitor to Elizabeth I. The quote is from the 'Historia sui temporis' by Jacques Auguste de Thou (1553-1617).
NPG: D13129.
[Ref: 57236] £240.00 (£288.00 incl.VAT)
Vignon invent.
Mariette excud. cum Privil. Regis. [Paris, n.d., c.1640.]
Engraving. Framed over image, visible area 340 x 210mm (13½ x 8¼"). Repaired holes in sky.
A French portrait of Mary, Queen of Scots (1542-1587), depicting her as a martyr to her catholicism. As she had been Queen consort of Francis II of France, the French preferred to portray her as a victim of religious intolerance than a traitor to Elizabeth I. The quote is from the 'Historia sui temporis' by Jacques Auguste de Thou (1553-1617).
NPG: D13129.
[Ref: 57236] £240.00 (£288.00 incl.VAT)
Mary Stuart Queen of Scotland.
R. Gaywood fecit 1655.
Very rare etching. 210 x 140mm (8¼ x 5½"). Damaged.
Portrait of Mary Queen of Scots (1542-1587), three-quarter length standing, wearing crown, headdress, and collar, and holding a crucifix. The print is probably the frontispiece to William Sanderson, 'A compleat history of the lives and reigns of Mary Queen of Scots, and of her son and successor James the Sixth', Humphrey Moseley, Richard Tomlins and George Sawbridge, 1656.
[Ref: 52531] £130.00 (£156.00 incl.VAT)
R. Gaywood fecit 1655.
Very rare etching. 210 x 140mm (8¼ x 5½"). Damaged.
Portrait of Mary Queen of Scots (1542-1587), three-quarter length standing, wearing crown, headdress, and collar, and holding a crucifix. The print is probably the frontispiece to William Sanderson, 'A compleat history of the lives and reigns of Mary Queen of Scots, and of her son and successor James the Sixth', Humphrey Moseley, Richard Tomlins and George Sawbridge, 1656.
[Ref: 52531] £130.00 (£156.00 incl.VAT)
Mary Queen of Scots.
Frederico Zucchero.
[n.d., c.1800.]
Copper engraving. 300 x 180mm, 12 x 7". Large margins.
Three-quarter length portrait of Mary, Queen of Scots (1542-87, reigned 1542-67), after Federico Zuccaro (1539/40-1609)
[Ref: 23122] £140.00 (£168.00 incl.VAT)
Frederico Zucchero.
[n.d., c.1800.]
Copper engraving. 300 x 180mm, 12 x 7". Large margins.
Three-quarter length portrait of Mary, Queen of Scots (1542-87, reigned 1542-67), after Federico Zuccaro (1539/40-1609)
[Ref: 23122] £140.00 (£168.00 incl.VAT)