A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
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N.E. View of the Hall of the Middle Temple built in 1570. with Plowden Buildings, erected after the Designs of Henry Hakewell, Arch.t. in 1831 and the Entrance Tower, designed and erected by James Savage, Arch.t. in 1832.
F.Mackenzie litho. From sketches by W.Crosby.
Printed by Lefevre & Co., [n.d., c.1832.]
A very rare lithograph on india, 325 x 420mm. 12¾ x 16½". Large margins.
Coleridge Collection. Provenance: from The Chanter's House Somerset, former home of Samuel Coleridge.
[Ref: 14208] £350.00
F.Mackenzie litho. From sketches by W.Crosby.
Printed by Lefevre & Co., [n.d., c.1832.]
A very rare lithograph on india, 325 x 420mm. 12¾ x 16½". Large margins.
Coleridge Collection. Provenance: from The Chanter's House Somerset, former home of Samuel Coleridge.
[Ref: 14208] £350.00
N.E. View of the Hall of the Middle Temple built in 1570. with Plowden Buildings, erected after the Designs of Henry Hakewell, Arch.t. in 1831 and the Entrance Tower, designed and erected by James Savage, Arch.t. in 1832.
F.Mackenzie litho. From sketches by W.Crosby.
Printed by Lefevre & Co., [n.d., c.1832.]
Lithograph on india, 330 x 420mm. Faint spotting.
A very rare print.
[Ref: 12425] £320.00
F.Mackenzie litho. From sketches by W.Crosby.
Printed by Lefevre & Co., [n.d., c.1832.]
Lithograph on india, 330 x 420mm. Faint spotting.
A very rare print.
[Ref: 12425] £320.00
The Middle Temple Hall London. Viro Amicissimo, Patrono vere colendo, Johanni Nichols, Typographo Londiniensi, hand Tabulam aeneam; gratitudinis ergo, D.D.D. J.P Malcolm
Malcolm del et sc.
Publish'd Feb. 1. 1800 by J.P. Malcolm Somers Place, E.
Engraving, platemark 440 x 505mm (17¼ x 19½"). Creasing.
The Middle Temple, completed in 1573, is perhaps the finest example of an Elizabethan Hall in Britain. This print shows its double hammer beam roof to good advantage. The High Table, made from a single oak, is believed to have been given to the Inn by Elizabeth I. Engraved and published by James Peller Malcolm (1767-1815), an American artist who moved to England in around 1789.
[Ref: 23350] £280.00 (£336.00 incl.VAT)
Malcolm del et sc.
Publish'd Feb. 1. 1800 by J.P. Malcolm Somers Place, E.
Engraving, platemark 440 x 505mm (17¼ x 19½"). Creasing.
The Middle Temple, completed in 1573, is perhaps the finest example of an Elizabethan Hall in Britain. This print shows its double hammer beam roof to good advantage. The High Table, made from a single oak, is believed to have been given to the Inn by Elizabeth I. Engraved and published by James Peller Malcolm (1767-1815), an American artist who moved to England in around 1789.
[Ref: 23350] £280.00 (£336.00 incl.VAT)
Midlesex.
[London, Awnsham Churchill, 1722.]
Engraved map. Sheet 370 x 430mm (14½ x 17"). Trimmed to plate, laid on album sheet.
A map of Middlesex, based on John Speed but with John Ogilby's roads added. First published in 'Camden’s Britannia' in 1695, this example comes from 'Britannia: Or A Chorographical Description Of Great Britain'
[Ref: 61746] £240.00
[London, Awnsham Churchill, 1722.]
Engraved map. Sheet 370 x 430mm (14½ x 17"). Trimmed to plate, laid on album sheet.
A map of Middlesex, based on John Speed but with John Ogilby's roads added. First published in 'Camden’s Britannia' in 1695, this example comes from 'Britannia: Or A Chorographical Description Of Great Britain'
[Ref: 61746] £240.00
Middlesex.
Engraved on Steel by Pigot & Son, Manchester.
Published by Pigot & C.º 24 Basing Lane, London, & Fountain S.t Manchester [n.d., 1829].
Engraved map with hand colour. 235 x 370mm (9¼ x 14½"), with very large margins. Tear near centre fold, mounted on card at corners.
A detailed map of Middlesex, marking the road layout on London, with a vignette of St Paul's Cathedral. From the first edition of 'Pigot & Co’s British Atlas of the Counties of England', the first county atlas with steel-engraved maps.
[Ref: 61748] £260.00
Engraved on Steel by Pigot & Son, Manchester.
Published by Pigot & C.º 24 Basing Lane, London, & Fountain S.t Manchester [n.d., 1829].
Engraved map with hand colour. 235 x 370mm (9¼ x 14½"), with very large margins. Tear near centre fold, mounted on card at corners.
A detailed map of Middlesex, marking the road layout on London, with a vignette of St Paul's Cathedral. From the first edition of 'Pigot & Co’s British Atlas of the Counties of England', the first county atlas with steel-engraved maps.
[Ref: 61748] £260.00
Twelve Views in Middlesex and Essex, Drawn from Nature. A View near Epping in Essex. [&] A View near Colchester in Essex. [&] A Cottage near Harrow, Middlesex. [&] A View near Brentwood, Essex. [&] A View near Uxbridge, Middlesex. [&] A View near Staines Middlesex. [&] A View near Barnett, Middlesex. [&] A View near Malden, Essex. [&] A Snow Piece. [&] A Cottage near Finchley, Middlesex. [&] The Ass Race. [&] Hop Pickers.
Printed by Rob.t Sayer, Map & Printseller at No 53 in Fleet Street London. [n.d., c.1770.]
Set of twelve numbered engravings, stitched. Each plate c.180 x 280mm (7 x 11"), with wide margins. Staining on first plate.
Twelve numbered views, stitched as issued.
[Ref: 31566] £620.00 view all images for this item
Printed by Rob.t Sayer, Map & Printseller at No 53 in Fleet Street London. [n.d., c.1770.]
Set of twelve numbered engravings, stitched. Each plate c.180 x 280mm (7 x 11"), with wide margins. Staining on first plate.
Twelve numbered views, stitched as issued.
[Ref: 31566] £620.00 view all images for this item
Twelve Views in Middlesex and Essex, Drawn from Nature. A View near Epping in Essex. [&] A View near Colchester in Essex. [&] A Cottage near Harrow, Middlesex. [&] A View near Brentwood, Essex. [&] A View near Uxbridge, Middlesex. [&] A View near Staines Middlesex. [&] A View near Barnett, Middlesex. [&] A View near Malden, Essex. [&] A Snow Piece. [&] A Cottage near Finchley, Middlesex. [&] The Ass Race. [&] Hop Pickers.
London, Printed for R. Sayer & J. Bennett, No 53 in Fleet Street, as the Act directs 10 Oct.r 1779.
Set of twelve numbered engravings, originally stitched but disbound. Each plate c.180 x 280mm (7 x 11"), with large margins. Stitch holes in left margin.
Dupl. Ref: 31566.
[Ref: 58018] £480.00 view all images for this item
London, Printed for R. Sayer & J. Bennett, No 53 in Fleet Street, as the Act directs 10 Oct.r 1779.
Set of twelve numbered engravings, originally stitched but disbound. Each plate c.180 x 280mm (7 x 11"), with large margins. Stitch holes in left margin.
Dupl. Ref: 31566.
[Ref: 58018] £480.00 view all images for this item
Hospital, Middlesex.
Rowlandson & Pugin, del.t. et sculp.t. Stadler Aqua.t.
London, Pub, 1.st. Nov.r. 1808 at R. Ackermann's Repository of Arts 101 Strand.
Aquatint with large margins. Plate: 280 x 230mm (11 x 9").
Interior scene depicting a ward in the Middlesex Hospital in London. Several women lie in beds, some attended by nurses and visitors. In the foreground a group of four figures gather round to inspect something held by a bespectacled man. Founded in 1745 in Fitzrovia, the Middlesex Hospital was created in order to provide medical care for the poor. Published in Ackermann's famous work, the 'Microcosm of London', the figures were drawn by the famous caricaturist Thomas Rowlandson and the architecture by Augustus Pugin.
Abbey, Sceney: 212.
[Ref: 47228] £160.00 (£192.00 incl.VAT)
Rowlandson & Pugin, del.t. et sculp.t. Stadler Aqua.t.
London, Pub, 1.st. Nov.r. 1808 at R. Ackermann's Repository of Arts 101 Strand.
Aquatint with large margins. Plate: 280 x 230mm (11 x 9").
Interior scene depicting a ward in the Middlesex Hospital in London. Several women lie in beds, some attended by nurses and visitors. In the foreground a group of four figures gather round to inspect something held by a bespectacled man. Founded in 1745 in Fitzrovia, the Middlesex Hospital was created in order to provide medical care for the poor. Published in Ackermann's famous work, the 'Microcosm of London', the figures were drawn by the famous caricaturist Thomas Rowlandson and the architecture by Augustus Pugin.
Abbey, Sceney: 212.
[Ref: 47228] £160.00 (£192.00 incl.VAT)
Middlesex Hospital, Medical School.
[n.d. c.1836.]
Wood engraving. Image area 51 x 119mm (2 x 4¾"). Cut and laid on album scrap.
The Middlesex Hospital, London, was opened in 1745 and became the first hospital to add 'lying-in' (maternity) beds in England. In 1836 the Hospital was Incorporated by Act of Parliament, allowing it various benefits as a charity.
[Ref: 18175] £70.00 (£84.00 incl.VAT)
[n.d. c.1836.]
Wood engraving. Image area 51 x 119mm (2 x 4¾"). Cut and laid on album scrap.
The Middlesex Hospital, London, was opened in 1745 and became the first hospital to add 'lying-in' (maternity) beds in England. In 1836 the Hospital was Incorporated by Act of Parliament, allowing it various benefits as a charity.
[Ref: 18175] £70.00 (£84.00 incl.VAT)
![[Original sketch for Dugdales' England & Wales.] Middlesex Hospital [pencil]](jpegs/60270.jpg)
[Original sketch for Dugdales' England & Wales.] Middlesex Hospital [pencil]
[Thomas Hosmer Shepherd]
[n.d., c.1838.]
Colour wash sketch. Sheet 65 x 115mm (2½ x 4½"). Mounted on album paper at corners.
The façade of Middlesex Hospital in Charles Street, Marylebone. This is the original sketch for the engraving published in ''Curiosities of Great Britain: England and Wales Delineated'', by Thomas Dugdale, published by John Tallis in parts from 1838.
[Ref: 60270] £250.00 (£300.00 incl.VAT)
[Thomas Hosmer Shepherd]
[n.d., c.1838.]
Colour wash sketch. Sheet 65 x 115mm (2½ x 4½"). Mounted on album paper at corners.
The façade of Middlesex Hospital in Charles Street, Marylebone. This is the original sketch for the engraving published in ''Curiosities of Great Britain: England and Wales Delineated'', by Thomas Dugdale, published by John Tallis in parts from 1838.
[Ref: 60270] £250.00 (£300.00 incl.VAT)
Midle-Sex.
[engraved by Pieter van den Keere.]
[London: George Humble, c.1627.]
Engraved map. 90 x 120mm (3½ x 4¾"). Trimmed within plate at bottom, a little surface soiling at bottom edge, mounted on album paper on left. Very small tear bottom centre.
A miniature map of Middlesex, engraved by Pieter van den Keere sometime after 1599 but first published in a county atlas by Willem Blaeu in 1617. In 1627 the maps were published with English titles engraved instead of the Latin ones, in a miniature atlas, ''England Wales Scotland and Ireland Described and Abridged With ye Historie Relation of things worthy memory''. Although the maps were engraved before John Speed's atlas, the maps gained the nickname 'miniature Speeds' because Humble (son of Speed's original publisher) used an abridged version of Speed's text for the miniature atlas.
[Ref: 61723] £160.00
[engraved by Pieter van den Keere.]
[London: George Humble, c.1627.]
Engraved map. 90 x 120mm (3½ x 4¾"). Trimmed within plate at bottom, a little surface soiling at bottom edge, mounted on album paper on left. Very small tear bottom centre.
A miniature map of Middlesex, engraved by Pieter van den Keere sometime after 1599 but first published in a county atlas by Willem Blaeu in 1617. In 1627 the maps were published with English titles engraved instead of the Latin ones, in a miniature atlas, ''England Wales Scotland and Ireland Described and Abridged With ye Historie Relation of things worthy memory''. Although the maps were engraved before John Speed's atlas, the maps gained the nickname 'miniature Speeds' because Humble (son of Speed's original publisher) used an abridged version of Speed's text for the miniature atlas.
[Ref: 61723] £160.00
Middlesex.
Neel et Stand.
Publish'd November 21dt 1811 by Adlard & C.º Ave Maria Lane.
Engraved map with hand colour. Sheet 205 x 240mm (8 x 9½"). Trimmed within plate, mounted on album paper.
A small-format map of Middlesex, with the streets of London shown, published in the 'Encyclopaedia Londinensis' by John Wilkes.
[Ref: 61727] £140.00
Neel et Stand.
Publish'd November 21dt 1811 by Adlard & C.º Ave Maria Lane.
Engraved map with hand colour. Sheet 205 x 240mm (8 x 9½"). Trimmed within plate, mounted on album paper.
A small-format map of Middlesex, with the streets of London shown, published in the 'Encyclopaedia Londinensis' by John Wilkes.
[Ref: 61727] £140.00
Middlesex. Drawn from Surveys & most approved Maps By Eman: Bowen Geograph.r to His Majesty.
Printed for J. Hinton at the Kings Arms in Newgae Street 1752.
Engraved map. 190 x 205mm (7½ x 8"). Mounted on album paper.
A small-format map of Middlesex, with the streets of London shown, decorated with an ornate baroque title cartouche and the arms of the City of London. From 'The Universal Magazine of Knowledge and Pleasure'; because it was not published in an atlas the map is uncommon.
[Ref: 61726] £180.00
Printed for J. Hinton at the Kings Arms in Newgae Street 1752.
Engraved map. 190 x 205mm (7½ x 8"). Mounted on album paper.
A small-format map of Middlesex, with the streets of London shown, decorated with an ornate baroque title cartouche and the arms of the City of London. From 'The Universal Magazine of Knowledge and Pleasure'; because it was not published in an atlas the map is uncommon.
[Ref: 61726] £180.00
Frontispiece to the Middlesex Petition. The Humble Petition of the Freeholders of the County of Middlesex.
[Oxford Magazine 1769.]
Etching with letterpress, sheet 345 x 210 (13¾ x 8¼"). Creased where previously folded.
A broadside on the electorate of John Wilkes (1726-97), presenting a petition signed by 1565 freeholders to King George III (1738-1820) on 24 May 1769; with an etching showing the King seated on his throne, attended by two courtiers, in front of him a man presents a scroll, on the left a group of six men stand; with engraved title, and letterpress title and text in three columns. Wilkes had been re-elected MP for Middlesex in February, March and April 1769, but on all three occasions the election was overturned by Parliament. After the last election his opponent Henry Lawes Luttrell (1743–1821) was declared elected. Supporters of Wilkes formed the Bill of Rights Society, which tried to force Parliament to accept the will of the Middlesex electorate (the society aimed also at parliamentary reforms). According to BM Satires, an impression of this print faces p.209 of the Oxford Magazine (1769). The print was published with the June number of the Magazine.
BM Satires 4289.
[Ref: 60010] £280.00 (£336.00 incl.VAT)
[Oxford Magazine 1769.]
Etching with letterpress, sheet 345 x 210 (13¾ x 8¼"). Creased where previously folded.
A broadside on the electorate of John Wilkes (1726-97), presenting a petition signed by 1565 freeholders to King George III (1738-1820) on 24 May 1769; with an etching showing the King seated on his throne, attended by two courtiers, in front of him a man presents a scroll, on the left a group of six men stand; with engraved title, and letterpress title and text in three columns. Wilkes had been re-elected MP for Middlesex in February, March and April 1769, but on all three occasions the election was overturned by Parliament. After the last election his opponent Henry Lawes Luttrell (1743–1821) was declared elected. Supporters of Wilkes formed the Bill of Rights Society, which tried to force Parliament to accept the will of the Middlesex electorate (the society aimed also at parliamentary reforms). According to BM Satires, an impression of this print faces p.209 of the Oxford Magazine (1769). The print was published with the June number of the Magazine.
BM Satires 4289.
[Ref: 60010] £280.00 (£336.00 incl.VAT)
Middlesex Hertforshire, Bedfordshire and Buckinghamshire. Railways. 2.
[James Reynolds, London 1863]
Hand coloured engraving, sheet 240 x 185mm (9½ x 7¼"). Folded as issued, time staining along taped fold.
From 'Reynolds's Geological Atlas of Great Britain'. A map of the railways showing ones under constuction and stations.
[Ref: 56920] £40.00
[James Reynolds, London 1863]
Hand coloured engraving, sheet 240 x 185mm (9½ x 7¼"). Folded as issued, time staining along taped fold.
From 'Reynolds's Geological Atlas of Great Britain'. A map of the railways showing ones under constuction and stations.
[Ref: 56920] £40.00
![[Middleton Dale, Derbyshire][in pencil]](jpegs/56566.jpg)
[Middleton Dale, Derbyshire][in pencil]
Rare & scarce coloured lithograph, sheet 345 x 445mm (13½ x 14½"). Trimmed and glued to backing card as issued.
A view of a village, Stoney Middleton, in the limestone valley Middleton Dale located in the Peak Distrtict. It features a building named 'The Lovers Leap' built after the incident in 1762 where Hannah Baddeley jilted by her lover, William Barnsley, attempted to commit suicide by jumping from the cliff tops and was miraculously saved by her voluminous skirts billowing out and acting like a parachute. The building is now a restaurant.
[Ref: 56566] £230.00 (£276.00 incl.VAT)
Rare & scarce coloured lithograph, sheet 345 x 445mm (13½ x 14½"). Trimmed and glued to backing card as issued.
A view of a village, Stoney Middleton, in the limestone valley Middleton Dale located in the Peak Distrtict. It features a building named 'The Lovers Leap' built after the incident in 1762 where Hannah Baddeley jilted by her lover, William Barnsley, attempted to commit suicide by jumping from the cliff tops and was miraculously saved by her voluminous skirts billowing out and acting like a parachute. The building is now a restaurant.
[Ref: 56566] £230.00 (£276.00 incl.VAT)
Smelting House, in Middleton Dale, Derbyshire.
Drawn by F.L. Chantrey, A.R.A. Engraved by W.B. Cooke
Published by J. Murray, March 1st 1818
Etching on india, sheet 295 x 225mm (11½ x 8¾").
Industrial landscape after a drawing by the sculptor Sir Francis Leggatt Chantrey (1781-1841), who grew up near Sheffield, not far from the location depicted here.
[Ref: 43691] £65.00 (£78.00 incl.VAT)
Drawn by F.L. Chantrey, A.R.A. Engraved by W.B. Cooke
Published by J. Murray, March 1st 1818
Etching on india, sheet 295 x 225mm (11½ x 8¾").
Industrial landscape after a drawing by the sculptor Sir Francis Leggatt Chantrey (1781-1841), who grew up near Sheffield, not far from the location depicted here.
[Ref: 43691] £65.00 (£78.00 incl.VAT)
Conyers Middleton. Principal Librarian to the University of Cambridge.
Echardt pinx.
[n.d. c.1750.]
Fine, uncut copper engraving. Plate 218 x 154mm. 8½ x 6".
Conyers Middleton (1683-1750) was an English clergyman. Born and educated in Yorkshire, he went on to graduate from Trinity College Cambridge, taking holy orders later on, and in 1706 he obtained a fellowship, which he resigned upon entering into an advantageous marriage. He wrote several trenchant pamphlets.
NPG: D14055.
[Ref: 14975] £75.00 (£90.00 incl.VAT)
Echardt pinx.
[n.d. c.1750.]
Fine, uncut copper engraving. Plate 218 x 154mm. 8½ x 6".
Conyers Middleton (1683-1750) was an English clergyman. Born and educated in Yorkshire, he went on to graduate from Trinity College Cambridge, taking holy orders later on, and in 1706 he obtained a fellowship, which he resigned upon entering into an advantageous marriage. He wrote several trenchant pamphlets.
NPG: D14055.
[Ref: 14975] £75.00 (£90.00 incl.VAT)
Conyers Middleton D.D. Principal Librarian to the University of Cambridge. From an Original in the Collection of the Hon.ble Horace Walpole.
Echardt Pinx.t 1746. Faber fecit 1751.
Sold at the Golden Head near the Church Bloomsbury Square.
Rare mezzotint. 330 x 230mm (13 x 9"), with large margins. Uncut.
John Giles Eccardt's original oil was commissioned by Horace Walpole, who had purchased Middleton's collection of antiquities for Strawberry Hill in 1744. It is now in the National Portrait Gallery.
NPG D4971. CS 241.
[Ref: 57773] £330.00
Echardt Pinx.t 1746. Faber fecit 1751.
Sold at the Golden Head near the Church Bloomsbury Square.
Rare mezzotint. 330 x 230mm (13 x 9"), with large margins. Uncut.
John Giles Eccardt's original oil was commissioned by Horace Walpole, who had purchased Middleton's collection of antiquities for Strawberry Hill in 1744. It is now in the National Portrait Gallery.
NPG D4971. CS 241.
[Ref: 57773] £330.00
Prudentia Major Fato. Vera Effigies Johans. Middleton, Philomath.
[n.d. 1679]
Engraving. Image 80 x 100mm. Trimmed to printed border. 1 hole bottom left of image. 2cm tear in printed surface.
Astrologer. Very scarce portrait prefixed to 'Practical Astrology' published in 1679.
W:2003.
[Ref: 286] £120.00 (£144.00 incl.VAT)
[n.d. 1679]
Engraving. Image 80 x 100mm. Trimmed to printed border. 1 hole bottom left of image. 2cm tear in printed surface.
Astrologer. Very scarce portrait prefixed to 'Practical Astrology' published in 1679.
W:2003.
[Ref: 286] £120.00 (£144.00 incl.VAT)
Village of Middleton. One Row.
J.M. Sparks delt. Paul Gauci lith.
Printed by Engelmann & Co. [n.d. c.1820.]
Lithograph. 159 x 197mm. 6¼ x 7¾". Glue residue in the margins.
Middleton One Row, a village in the borough of Darlington, County Durham. Situated to the east of Darlington and north of the River Tees; this village consists of a single row of houses on the north side of the village green, giving the village its name.
Not in Abbey.
[Ref: 16408] £65.00 (£78.00 incl.VAT)
J.M. Sparks delt. Paul Gauci lith.
Printed by Engelmann & Co. [n.d. c.1820.]
Lithograph. 159 x 197mm. 6¼ x 7¾". Glue residue in the margins.
Middleton One Row, a village in the borough of Darlington, County Durham. Situated to the east of Darlington and north of the River Tees; this village consists of a single row of houses on the north side of the village green, giving the village its name.
Not in Abbey.
[Ref: 16408] £65.00 (£78.00 incl.VAT)
![[India] Thomas Fanshaw Middleton, D.D.F.R.S.](jpegs/66788.jpg)
[India] Thomas Fanshaw Middleton, D.D.F.R.S. Lord Bishop of Calcutta.
Engraved by H.Meyer: from an original Drawing by J.Jackson.
Published Sep. 7, 1815, by T.Cadell & W.Davies, Strand, London.
Engraving. 375 x 330mm (14¾ x 13"). Some creasing on left side and time staining.
Portrait of Thomas Fanshaw Middleton (1769-1822), an Anglian Bishop, who became the first Bishop of Calcutta in 1814, this included not only India but also the entire territory of the British East India Company. Upon his arrival in India, he discovered that he was prohibited from ordaining "Natives of India," as all ordinations were conducted by the East India Company in London. In response, he established Bishop's College in Calcutta, which admitted British, Indian, and Anglo-Indian students, some of whom were eligible to pursue ordination. However, despite being designed to accommodate seventy students, the college had only enrolled eight students even fourteen years after its founding. He died in Calcutta of sunstroke on 8 July 1822.
[Ref: 66788] £130.00 (£156.00 incl.VAT)
Engraved by H.Meyer: from an original Drawing by J.Jackson.
Published Sep. 7, 1815, by T.Cadell & W.Davies, Strand, London.
Engraving. 375 x 330mm (14¾ x 13"). Some creasing on left side and time staining.
Portrait of Thomas Fanshaw Middleton (1769-1822), an Anglian Bishop, who became the first Bishop of Calcutta in 1814, this included not only India but also the entire territory of the British East India Company. Upon his arrival in India, he discovered that he was prohibited from ordaining "Natives of India," as all ordinations were conducted by the East India Company in London. In response, he established Bishop's College in Calcutta, which admitted British, Indian, and Anglo-Indian students, some of whom were eligible to pursue ordination. However, despite being designed to accommodate seventy students, the college had only enrolled eight students even fourteen years after its founding. He died in Calcutta of sunstroke on 8 July 1822.
[Ref: 66788] £130.00 (£156.00 incl.VAT)
Midgham Chapel.
[Drawn & Engraved by Cha.s Tomkins.]
[London: Printed by J. Whiting, Finsbury Place, For J. Manson, Gerrard Street, Soho; and sold by Messrs. White, Fleet Street; T. Payne, Mews Gate; Greenland and Norris, Finsbury Square; H.D. Symonds, Paternoster Row; by the principal Booksellers in Berkshire and the adjoining Counties 1805.]
Aquatint. 210 x 280mm. 8¼ x 11". Paper toning. Spotting.
This chapel at Midgham, Berkshire, was built c.1309, and stood near Midgham House, showing a coach in front.
Abbey: 292: 40.
[Ref: 17868] £70.00 (£84.00 incl.VAT)
[Drawn & Engraved by Cha.s Tomkins.]
[London: Printed by J. Whiting, Finsbury Place, For J. Manson, Gerrard Street, Soho; and sold by Messrs. White, Fleet Street; T. Payne, Mews Gate; Greenland and Norris, Finsbury Square; H.D. Symonds, Paternoster Row; by the principal Booksellers in Berkshire and the adjoining Counties 1805.]
Aquatint. 210 x 280mm. 8¼ x 11". Paper toning. Spotting.
This chapel at Midgham, Berkshire, was built c.1309, and stood near Midgham House, showing a coach in front.
Abbey: 292: 40.
[Ref: 17868] £70.00 (£84.00 incl.VAT)
The Midland Institute.
E.M. Barry Arct. J. Corder Lith.
[n.d. c.1830.]
Lithograph, rare. Image 228 x 362mm. 9 x 14¼". Laid on album page.
The Birmingham and Midland Institute, which was founded in 1854 by Act of Parliament for the Diffusion and Advancement of Science, Literature and Art amongst all Classes of Persons resident in Birmingham and the Midland Counties. Edward Middleton Barry was commissioned as the architect; his other projects included the 1857 reconstruction of the theatre at Covent Garden, the Star and Garter Hotel in Richmond, and his supervision of his father's work for parts of the interior of the Palace of Westminster. The Birmingham and Midland Institute was demolished in 1965 as part of the redevelopment of the city centre.
[Ref: 21114] £160.00 (£192.00 incl.VAT)
E.M. Barry Arct. J. Corder Lith.
[n.d. c.1830.]
Lithograph, rare. Image 228 x 362mm. 9 x 14¼". Laid on album page.
The Birmingham and Midland Institute, which was founded in 1854 by Act of Parliament for the Diffusion and Advancement of Science, Literature and Art amongst all Classes of Persons resident in Birmingham and the Midland Counties. Edward Middleton Barry was commissioned as the architect; his other projects included the 1857 reconstruction of the theatre at Covent Garden, the Star and Garter Hotel in Richmond, and his supervision of his father's work for parts of the interior of the Palace of Westminster. The Birmingham and Midland Institute was demolished in 1965 as part of the redevelopment of the city centre.
[Ref: 21114] £160.00 (£192.00 incl.VAT)
The Midland Railway, At Swillington 1841. Lithograph by & Actor H. Perry.
Lithographed by Henry Perry, May, 1841. J. Graf, Printer to Her Majesty.
1841.
Lithograph. 240 x 305mm (9½ x 12"). In mount. Slight foxing.
Landscape of a train passing through Swillington on the new North Midland Railway, which opened in 1840 connecting Derby to Leeds.
[Ref: 55111] £320.00
Lithographed by Henry Perry, May, 1841. J. Graf, Printer to Her Majesty.
1841.
Lithograph. 240 x 305mm (9½ x 12"). In mount. Slight foxing.
Landscape of a train passing through Swillington on the new North Midland Railway, which opened in 1840 connecting Derby to Leeds.
[Ref: 55111] £320.00
![[Midnight] Mitternacht. La Minuit. Septentrio.](jpegs/60190.jpg)
[Midnight] Mitternacht. La Minuit. Septentrio.
P. Mercier pinx. J.S. Negges Sc. et exc.
Cum Gratia et Privil. S.C.M. Acad. Fr. A.A.L.L. [n.d., c.1740.]
Mezzotint, 18th century watermark. 350 x 250mm (13¾ x 9¾"), large margins.
A very decorative image showing a young woman in a ball gown, holding a staff, lifts her mask to reveal her face. A German copy of an English print.
[Ref: 60190] £280.00 (£336.00 incl.VAT)
P. Mercier pinx. J.S. Negges Sc. et exc.
Cum Gratia et Privil. S.C.M. Acad. Fr. A.A.L.L. [n.d., c.1740.]
Mezzotint, 18th century watermark. 350 x 250mm (13¾ x 9¾"), large margins.
A very decorative image showing a young woman in a ball gown, holding a staff, lifts her mask to reveal her face. A German copy of an English print.
[Ref: 60190] £280.00 (£336.00 incl.VAT)
Midnight. Minuit.
T.Baston del. E. Kirkall Sculp.
T.Burford Exc.t. [n.d. c.1720].
Mezzotint. 200 x 260mm. Faint stain on print surface.
Ships at anchor, with anglers. The moon has a face.
Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 547] £550.00
T.Baston del. E. Kirkall Sculp.
T.Burford Exc.t. [n.d. c.1720].
Mezzotint. 200 x 260mm. Faint stain on print surface.
Ships at anchor, with anglers. The moon has a face.
Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 547] £550.00
The Midnight Magistrate. Eng.d for the Wesl:r: Mag: The Candle shines out when bright Phoebus is gone...Is Dispatch'd with a Charge to Decoy in somemore.
[after Egbert van Heemskerck].
[Published by Fielding & Walker, Decr 1. 1799.]
Etching. 204 x 222mm. 8 x 8¾". Cut, missing publication line.
A satirical scene of the interior of a watchhouse, with monkey watchmen bringing a cat couple they have arrested before a constable behaving like a magistrate, watched by an owl on the door. A satire on "hireling constables", hired replacements for parishioners who were bound to serve annually without pay
BM Satires: 5618.
[Ref: 15922] £160.00 (£192.00 incl.VAT)
[after Egbert van Heemskerck].
[Published by Fielding & Walker, Decr 1. 1799.]
Etching. 204 x 222mm. 8 x 8¾". Cut, missing publication line.
A satirical scene of the interior of a watchhouse, with monkey watchmen bringing a cat couple they have arrested before a constable behaving like a magistrate, watched by an owl on the door. A satire on "hireling constables", hired replacements for parishioners who were bound to serve annually without pay
BM Satires: 5618.
[Ref: 15922] £160.00 (£192.00 incl.VAT)
The Midnight Magistrate, or the Humours of a Watch House.
Heemskirke delin.t. & pinx.t. W. Tringham sculpt.
[n.d., c.1754]
Engraving. Sheet: 350 x 260mm (14 x 10"), with 18th century watermark. Trimmed around title. Publication trimmed. Repaired tear in lower edge of image.
A satirical scene of the interior of a watchhouse, with monkey watchmen bringing a cat couple they have arrested before a constable behaving like a magistrate, watched by an owl on the door. A satire on "hireling constables", hired replacements for parishioners who were bound to serve annually without pay
[Ref: 33123] £160.00 (£192.00 incl.VAT)
Heemskirke delin.t. & pinx.t. W. Tringham sculpt.
[n.d., c.1754]
Engraving. Sheet: 350 x 260mm (14 x 10"), with 18th century watermark. Trimmed around title. Publication trimmed. Repaired tear in lower edge of image.
A satirical scene of the interior of a watchhouse, with monkey watchmen bringing a cat couple they have arrested before a constable behaving like a magistrate, watched by an owl on the door. A satire on "hireling constables", hired replacements for parishioners who were bound to serve annually without pay
[Ref: 33123] £160.00 (£192.00 incl.VAT)
The Midnight Magistrate. The Candle shines out when bright Phoebus is gone [...] Is Dispatch'd with a Charge to Decoy in somemore.
[n.d., c.1700.]
Scarce mezzotint with etching, printed in green ink. 395 x 440mm (15½ x 17¼"), with large margins. Thread margins, margins replaced, creased.
A satirical scene of the interior of a watchhouse, with monkey watchmen bringing two cats they have arrested before a constable behaving like a magistrate, watched by an owl on the door. A satire on "hireling constables", hired replacements for parishioners who were bound to serve annually without pay.
Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 64480] £480.00
[n.d., c.1700.]
Scarce mezzotint with etching, printed in green ink. 395 x 440mm (15½ x 17¼"), with large margins. Thread margins, margins replaced, creased.
A satirical scene of the interior of a watchhouse, with monkey watchmen bringing two cats they have arrested before a constable behaving like a magistrate, watched by an owl on the door. A satire on "hireling constables", hired replacements for parishioners who were bound to serve annually without pay.
Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 64480] £480.00
G. W. Transparencies. Midnight Mass.
London: Published by Reeves and Sons, Cheapside and W. Morgan, 64, Hatton Garden; T. Fisher, 1, Hanway Street, Oxford Street; J. Reynold, 174, Strand; and E. Wilson, Jun. 16, King William Street, City. [n.d., c.1840.]
Coloured lithograph, trimmed and laid on card with title label, backed with tissue, as issued. Sheet: 290 x 235mm (11½ x 9¼'').
A view which changes when held to light. A group of bishops and priests process into a large cathedral.
[Ref: 48069] £110.00 (£132.00 incl.VAT)
London: Published by Reeves and Sons, Cheapside and W. Morgan, 64, Hatton Garden; T. Fisher, 1, Hanway Street, Oxford Street; J. Reynold, 174, Strand; and E. Wilson, Jun. 16, King William Street, City. [n.d., c.1840.]
Coloured lithograph, trimmed and laid on card with title label, backed with tissue, as issued. Sheet: 290 x 235mm (11½ x 9¼'').
A view which changes when held to light. A group of bishops and priests process into a large cathedral.
[Ref: 48069] £110.00 (£132.00 incl.VAT)
Midnight. 'Twas dead of night, when weary bodies close Their eyes in balmy sleep, and soft repose; The winds no longer whisper through the woods, Nor murmuring Tides disturb the gentle Floods. The stars in silent order moved around, And Peace with downy winds was brooding on the ground.
Matthias Purton.
[n.d. c.1800.]
Printed letterpress. 215 x 274mm. 8½ x 10¾". Cut and laid on album sheet.
Passage from John Dryden's (1631-1700) translation of 'The Aeneid' by Virgil. Dryden published 'The Works of Virgil' in 1697.
[Ref: 21067] £75.00 (£90.00 incl.VAT)
Matthias Purton.
[n.d. c.1800.]
Printed letterpress. 215 x 274mm. 8½ x 10¾". Cut and laid on album sheet.
Passage from John Dryden's (1631-1700) translation of 'The Aeneid' by Virgil. Dryden published 'The Works of Virgil' in 1697.
[Ref: 21067] £75.00 (£90.00 incl.VAT)
The Sun at Midnight at the North Cape. N.o 65
[Published 1842, London for "The Beauty of the Heavens: A Pictorial Display of The Astronomical Phenomena of The Universe" by Charles. F. Blunt.]
Very rare coloured lithograph, sheet 160 x 205mm (6¼ x 8¼")
A view of the natural phenomenon the midnight sun at the North Cape on the island of Magerøya in Norway.
[Ref: 56987] £90.00 (£108.00 incl.VAT)
[Published 1842, London for "The Beauty of the Heavens: A Pictorial Display of The Astronomical Phenomena of The Universe" by Charles. F. Blunt.]
Very rare coloured lithograph, sheet 160 x 205mm (6¼ x 8¼")
A view of the natural phenomenon the midnight sun at the North Cape on the island of Magerøya in Norway.
[Ref: 56987] £90.00 (£108.00 incl.VAT)
Midshipman.
Alf Cooke. Leeds.
[n.d., 1887.]
Chromolithograph. Sheet 250 x 145mm, 9¾ x 9¾".
A dancer in a glamourous version of the uniform of a Naval midshipman. The costume was made for the Army and Navy ballet at London's Alhambra Theatre. Although the theatre 'specialized in beautiful ballets' it was notorious as a meeting place for prostitutes and their clients.
Not in Ogilby.
[Ref: 16936] £60.00 (£72.00 incl.VAT)
Alf Cooke. Leeds.
[n.d., 1887.]
Chromolithograph. Sheet 250 x 145mm, 9¾ x 9¾".
A dancer in a glamourous version of the uniform of a Naval midshipman. The costume was made for the Army and Navy ballet at London's Alhambra Theatre. Although the theatre 'specialized in beautiful ballets' it was notorious as a meeting place for prostitutes and their clients.
Not in Ogilby.
[Ref: 16936] £60.00 (£72.00 incl.VAT)
![[Midshipman.]](jpegs/40007.jpg)
[Midshipman.]
Alf Cooke. Leeds.
[n.d., 1887.]
Chromolithograph. Sheet size: 240 x 145mm (9¼ x 9¾"). Cut.
A dancer in a glamourous version of the uniform of a Naval midshipman. The costume was made for the Army and Navy ballet at London's Alhambra Theatre. Although the theatre 'specialized in beautiful ballets' it was notorious as a meeting place for prostitutes and their clients.
Not in Ogilby.
[Ref: 40007] £75.00 (£90.00 incl.VAT)
Alf Cooke. Leeds.
[n.d., 1887.]
Chromolithograph. Sheet size: 240 x 145mm (9¼ x 9¾"). Cut.
A dancer in a glamourous version of the uniform of a Naval midshipman. The costume was made for the Army and Navy ballet at London's Alhambra Theatre. Although the theatre 'specialized in beautiful ballets' it was notorious as a meeting place for prostitutes and their clients.
Not in Ogilby.
[Ref: 40007] £75.00 (£90.00 incl.VAT)
![[Man drinking, with woman behind holding a fish]](jpegs/39194.jpg)
[Man drinking, with woman behind holding a fish] De Tous Maux Il Faut Boire Du Vin, / Les Soins Et Chasse Le Chagrin: / Qu N'Adhere a Bacchus ou Qui Luy Fait La Guerre, / San Joie Et Sans Plaisir Doit Vivre Sur La Terre
[Mi]eris Pinxit Anno 1678. C.H. Van Meurs Sculp:
Engraving, sheet 320 x 230mm (12½ x 9"). Trimmed, losing some text. Creasing.
Engraving after a painting by Willem van Mieris (1662-1747), painter and draughtsman from Leiden who, like Leiden 'Fine' painters before him, specialised in genre scenes depicting young women, musicians and drinkers. His father Frans was also an important artist. Text in French below praising the virtues of wine and warning that 'making war with Bacchus' leaves man 'to live on earth without joy or pleasure'.
[Ref: 39194] £160.00 (£192.00 incl.VAT)
[Mi]eris Pinxit Anno 1678. C.H. Van Meurs Sculp:
Engraving, sheet 320 x 230mm (12½ x 9"). Trimmed, losing some text. Creasing.
Engraving after a painting by Willem van Mieris (1662-1747), painter and draughtsman from Leiden who, like Leiden 'Fine' painters before him, specialised in genre scenes depicting young women, musicians and drinkers. His father Frans was also an important artist. Text in French below praising the virtues of wine and warning that 'making war with Bacchus' leaves man 'to live on earth without joy or pleasure'.
[Ref: 39194] £160.00 (£192.00 incl.VAT)
![Dus kon Frans Mieris [...].](jpegs/64801.jpg)
Dus kon Frans Mieris [...].
F.V. Mieris delin. A. Blooteling Fecit et Exc.
[n.d., c.1670.]
A fine & rare mezzotint. 200 x 140mm (8 x 5½"), large margins. Ink collector's stamp of Alfred Morrison (Lugt L151) on reverse.
A self-portrait of Dutch painter Frans Mieris (1635-81), half-length to the left, resting his left hand on his hip and looking at the viewer, wearing a draped cloak, with a city in the background to the left. Below the portrait are six lines of verse by Willem van Heemskerk.
Hollstein 14: II. Ex: Collections of The Hon. Christopher Lennox-Boyd; & Alfred Morrison (1821-97), sold at Sothebys 1919-21 & Francesco Debois.
[Ref: 64801] £260.00 (£312.00 incl.VAT)
F.V. Mieris delin. A. Blooteling Fecit et Exc.
[n.d., c.1670.]
A fine & rare mezzotint. 200 x 140mm (8 x 5½"), large margins. Ink collector's stamp of Alfred Morrison (Lugt L151) on reverse.
A self-portrait of Dutch painter Frans Mieris (1635-81), half-length to the left, resting his left hand on his hip and looking at the viewer, wearing a draped cloak, with a city in the background to the left. Below the portrait are six lines of verse by Willem van Heemskerk.
Hollstein 14: II. Ex: Collections of The Hon. Christopher Lennox-Boyd; & Alfred Morrison (1821-97), sold at Sothebys 1919-21 & Francesco Debois.
[Ref: 64801] £260.00 (£312.00 incl.VAT)
![Dus kon Frans Mieris [...].](jpegs/64776.jpg)
Dus kon Frans Mieris [...].
F.V. Mieris delin. A. Blooteling Fecit et Exc.
[n.d., c.1670.]
A rare mezzotint. 200 x 140mm (8 x 5½"), large margins.
A self-portrait of Dutch painter Frans Mieris (1635-81), half-length to the left, resting his left hand on his hip and looking at the viewer, wearing a draped cloak, with a city in the background to the left. Below the portrait are six lines of verse by Willem van Heemskerk.
Hollstein 14: II. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 64776] £260.00 (£312.00 incl.VAT)
F.V. Mieris delin. A. Blooteling Fecit et Exc.
[n.d., c.1670.]
A rare mezzotint. 200 x 140mm (8 x 5½"), large margins.
A self-portrait of Dutch painter Frans Mieris (1635-81), half-length to the left, resting his left hand on his hip and looking at the viewer, wearing a draped cloak, with a city in the background to the left. Below the portrait are six lines of verse by Willem van Heemskerk.
Hollstein 14: II. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 64776] £260.00 (£312.00 incl.VAT)
![Dus kon Frans Mieris [...].](jpegs/37615.jpg)
Dus kon Frans Mieris [...].
F.V. Mieris delin. A. Blooteling Fecit et Exc.
[n.d., c.1670.]
A very fine impression of a rare mezzotint. 200 x 140mm (8 x 5½"). Small margins.
A portrait of Frans Mieris, half-length to the left, resting his left hand on his hip and looking at the viewer, wearing a draped cloak, with a city in the background to the left. After the self portrait by Dutch painter Frans van Mieris I (1635 - 1681). Lettered below with six lines of verse by Willem van Heemskerk.
Hollstein 14: II.
[Ref: 37615] £260.00 (£312.00 incl.VAT)
F.V. Mieris delin. A. Blooteling Fecit et Exc.
[n.d., c.1670.]
A very fine impression of a rare mezzotint. 200 x 140mm (8 x 5½"). Small margins.
A portrait of Frans Mieris, half-length to the left, resting his left hand on his hip and looking at the viewer, wearing a draped cloak, with a city in the background to the left. After the self portrait by Dutch painter Frans van Mieris I (1635 - 1681). Lettered below with six lines of verse by Willem van Heemskerk.
Hollstein 14: II.
[Ref: 37615] £260.00 (£312.00 incl.VAT)
![[Portraits of Jan van Mieris and his wife.]](jpegs/35571.jpg)
[Portraits of Jan van Mieris and his wife.]
J. van Mieris Pinxit. A. Blooteling fecit et ex. Cum Privilegio.
[n.d., c.1680.]
Fine & rare as a pair mezzotints. Sheets 250 x 175mm (9¾ x 7"). Trimmed to plate. Both fine impressions
A self portrait of the artist Jan van Meiris (1660-90) holding up a goblet, and a matching portrait of his wife, holding up her purse with one hand, ostrich feather in the other. Never healthy, he died in Rome before his thirtieth birthday.
Hollstein: 268 & 269. Wesseley: 116 &117. Ex: Rijksmuseum (his wife). Ex: Collection of the Hon. Christopher Lennox-Boyd.
[Ref: 35571] £650.00 view all images for this item
J. van Mieris Pinxit. A. Blooteling fecit et ex. Cum Privilegio.
[n.d., c.1680.]
Fine & rare as a pair mezzotints. Sheets 250 x 175mm (9¾ x 7"). Trimmed to plate. Both fine impressions
A self portrait of the artist Jan van Meiris (1660-90) holding up a goblet, and a matching portrait of his wife, holding up her purse with one hand, ostrich feather in the other. Never healthy, he died in Rome before his thirtieth birthday.
Hollstein: 268 & 269. Wesseley: 116 &117. Ex: Rijksmuseum (his wife). Ex: Collection of the Hon. Christopher Lennox-Boyd.
[Ref: 35571] £650.00 view all images for this item
![[Man sitting.]](jpegs/28499.jpg)
[Man sitting.]
Miger sc.
[n.d., c.1770.]
Engraving, platemark 190 x 250mm (7½ x 9¾")
Study by French printmaker Simon Charles Miger (1736-1820).
Ex: Oettingen-Wallenstein collection; Bellier de la Chavignerie: 6
[Ref: 28499] £130.00 (£156.00 incl.VAT)
Miger sc.
[n.d., c.1770.]
Engraving, platemark 190 x 250mm (7½ x 9¾")
Study by French printmaker Simon Charles Miger (1736-1820).
Ex: Oettingen-Wallenstein collection; Bellier de la Chavignerie: 6
[Ref: 28499] £130.00 (£156.00 incl.VAT)
Duomo de Milano.
Filippo Naymiller dis ed incise. Filippo Campi Acquer.
Milano presso Antonio Bossi Negoziante de Stampe Piazza del Duomo N. 4079. [n.d., c.1840.]
Fine aquatint. Sheet 400 x 510mm (15¾ x 20"). Trimmed within plate on three sides, some wear to bottom edge.
A fine impression of Milan Cathedral, begun by Archbishop Antonio da Saluzzo in 1386 and officially completed in 1965!
[Ref: 52109] £380.00
Filippo Naymiller dis ed incise. Filippo Campi Acquer.
Milano presso Antonio Bossi Negoziante de Stampe Piazza del Duomo N. 4079. [n.d., c.1840.]
Fine aquatint. Sheet 400 x 510mm (15¾ x 20"). Trimmed within plate on three sides, some wear to bottom edge.
A fine impression of Milan Cathedral, begun by Archbishop Antonio da Saluzzo in 1386 and officially completed in 1965!
[Ref: 52109] £380.00
Entree dans Milan.
Bellangé del.t Lithog: de C. Motte. Rue des marais.
[n.d. c.1826.]
Lithograph. Sheet 444 x 596mm (17½ x 23½"), with wide margins.
French troops led by Napoleon arrive in Milan, Italy. On 17 March, 1805, the Kingdom of Italy was born, and Napoleon was crowned King of Italy on 26th May. Published in A.V. Arnault's 'Vie politique et militaire de Napoléon', Paris, 1822-1826.
[Ref: 30799] £320.00
Bellangé del.t Lithog: de C. Motte. Rue des marais.
[n.d. c.1826.]
Lithograph. Sheet 444 x 596mm (17½ x 23½"), with wide margins.
French troops led by Napoleon arrive in Milan, Italy. On 17 March, 1805, the Kingdom of Italy was born, and Napoleon was crowned King of Italy on 26th May. Published in A.V. Arnault's 'Vie politique et militaire de Napoléon', Paris, 1822-1826.
[Ref: 30799] £320.00
Les Blanchisseuses Milanoises.
Vernet pinx.
Se vend à Paris chez Basan et Poignant, rue et Hôtel Serpente. [n.d. c.1780.]
Engraving. Plate 237 x 280mm. 9¼ x 11".
Women gathererd along the river bank washing clothing.
[Ref: 15688] £230.00 (£276.00 incl.VAT)
Vernet pinx.
Se vend à Paris chez Basan et Poignant, rue et Hôtel Serpente. [n.d. c.1780.]
Engraving. Plate 237 x 280mm. 9¼ x 11".
Women gathererd along the river bank washing clothing.
[Ref: 15688] £230.00 (£276.00 incl.VAT)
Veduta della Porta nuova a Milano.
Carolina Lose Acqu.tu fec.
Milano presso Ferd. Artari [n.d., c.1825].
Aquatint. 230 x 285mm (9 x 11¼"). Thread margins, crease top right corner.
Milan's Porta Nova, designed by Giuseppe Zanoia (1752-1817) in a Neoclassical style inspired by the Arch of Titus in Rome, completed 1813. In 1807 Zanoia joined the Ornato Commission which was directed to redesign Milan under orders from Napoleon Bonaparte, including the Duomo. From a series of views by German engravers Federico & Carolina Lose.
[Ref: 57947] £160.00 (£192.00 incl.VAT)
Carolina Lose Acqu.tu fec.
Milano presso Ferd. Artari [n.d., c.1825].
Aquatint. 230 x 285mm (9 x 11¼"). Thread margins, crease top right corner.
Milan's Porta Nova, designed by Giuseppe Zanoia (1752-1817) in a Neoclassical style inspired by the Arch of Titus in Rome, completed 1813. In 1807 Zanoia joined the Ornato Commission which was directed to redesign Milan under orders from Napoleon Bonaparte, including the Duomo. From a series of views by German engravers Federico & Carolina Lose.
[Ref: 57947] £160.00 (£192.00 incl.VAT)
Fète à Milan. Napoléon fait célébres par des jeux, l'anniversaire de la fondation de la république française.
[n.d. c.1806.]
Lithograph. 172 x 241mm (6¾ x 9½"). Time staining.
Napoleon Bonaparte celebrating the dawn of the French First Empire with him as Emperor of the French, crowned in 1804.
[Ref: 18922] £80.00 (£96.00 incl.VAT)
[n.d. c.1806.]
Lithograph. 172 x 241mm (6¾ x 9½"). Time staining.
Napoleon Bonaparte celebrating the dawn of the French First Empire with him as Emperor of the French, crowned in 1804.
[Ref: 18922] £80.00 (£96.00 incl.VAT)
![Milan. Arc de la Baix. [/] Arco della Bace.](jpegs/33325.jpg)
Milan. Arc de la Baix. [/] Arco della Bace.
Dessiné d'apres nature par Ph. Benoist. Lith par Bachelier. fig par Bayot.
Imp Lemercier. Paris. Paris, Bulla Editeur, Rue Tiquetonne, 18. [n.d., c.1850].
Tinted lithograph. Sheet size: 290 x 380mm (11½ x15").
A fine view of the Porta Sempione, the city gate of Milan, Italy. Many pedestrians can be seen in the Piazza Sempione in front of a landmark triumphal arch called Arco della Pace (Arch of Peace), dating back to the 19th century, but its origins can be traced back to a gate of the Roman walls of Milan. It was the scene of several prominent events in the Milanese history of the 19th century, including the occasion in 1859, four days after the Battle of Magenta, when Napoleon III and Victor Emmanuel II of Italy triumphally entered Milan through the gate. After Philipe Benoist (1813-1880), with titles in French and Italian.
[Ref: 33325] £240.00 (£288.00 incl.VAT)
Dessiné d'apres nature par Ph. Benoist. Lith par Bachelier. fig par Bayot.
Imp Lemercier. Paris. Paris, Bulla Editeur, Rue Tiquetonne, 18. [n.d., c.1850].
Tinted lithograph. Sheet size: 290 x 380mm (11½ x15").
A fine view of the Porta Sempione, the city gate of Milan, Italy. Many pedestrians can be seen in the Piazza Sempione in front of a landmark triumphal arch called Arco della Pace (Arch of Peace), dating back to the 19th century, but its origins can be traced back to a gate of the Roman walls of Milan. It was the scene of several prominent events in the Milanese history of the 19th century, including the occasion in 1859, four days after the Battle of Magenta, when Napoleon III and Victor Emmanuel II of Italy triumphally entered Milan through the gate. After Philipe Benoist (1813-1880), with titles in French and Italian.
[Ref: 33325] £240.00 (£288.00 incl.VAT)
![Milan. Porte Orientale. [/] Porta Orientale.](jpegs/33328.jpg)
Milan. Porte Orientale. [/] Porta Orientale.
Dessiné d'apres nature par Ph. Benoist. Lith par Bachelier. fig par Bayot.
Imp Lemercier a Paris. Paris, Bulla Editeur, Rue Tiquetonne, 18. [n.d., c.1850].
Tinted lithograph. Sheet size: 290 x 380mm (11½ x15").
A fine and highly detailed view, from the left, of Porta Venezia (formerly known as Porta Orientale) which is one of the historical gates of the city of Milan, Italy. The gate of Porta Venezia consists of two twin neoclassical buildings, that used to house customs offices, located on the opposite sides of the main street that was used to enter Milan from north east. This view depicts a number of figures in front of the buildings, including soldiers on horse back, and horses and carts. After Philipe Benoist (1813-1880), with titles in French and Italian.
[Ref: 33328] £220.00 (£264.00 incl.VAT)
Dessiné d'apres nature par Ph. Benoist. Lith par Bachelier. fig par Bayot.
Imp Lemercier a Paris. Paris, Bulla Editeur, Rue Tiquetonne, 18. [n.d., c.1850].
Tinted lithograph. Sheet size: 290 x 380mm (11½ x15").
A fine and highly detailed view, from the left, of Porta Venezia (formerly known as Porta Orientale) which is one of the historical gates of the city of Milan, Italy. The gate of Porta Venezia consists of two twin neoclassical buildings, that used to house customs offices, located on the opposite sides of the main street that was used to enter Milan from north east. This view depicts a number of figures in front of the buildings, including soldiers on horse back, and horses and carts. After Philipe Benoist (1813-1880), with titles in French and Italian.
[Ref: 33328] £220.00 (£264.00 incl.VAT)
Le Dôme à Milan.
Designé par Majochi. Gravée par Cittero.
Milan Chez Leopold Calvi Rue de Cappellari N. 4048 [n.d., c.1850.]
Aquatint on steel. 235 x 320mm (9¼ x 12½"), large margins. Trimmed to plate on right. Bit dusty.
A highly detailed view of the Gothic Cathedral of Milan, Italy, which took nearly six centuries to complete.
[Ref: 66294] £180.00 (£216.00 incl.VAT)
Designé par Majochi. Gravée par Cittero.
Milan Chez Leopold Calvi Rue de Cappellari N. 4048 [n.d., c.1850.]
Aquatint on steel. 235 x 320mm (9¼ x 12½"), large margins. Trimmed to plate on right. Bit dusty.
A highly detailed view of the Gothic Cathedral of Milan, Italy, which took nearly six centuries to complete.
[Ref: 66294] £180.00 (£216.00 incl.VAT)
Theresa & Maria Milanollo.
C.W. Menau Co. Prag.
[n.d. 1843.]
Engraving 185 x 235mm.
The sisters Teresa (1827-1904) and Maria (1832-1848) Milanollo, famous violinists from Savigliano. They came to England in 1845 in the course of an extensive European tour.
Harvard 203.
[Ref: 9559] £90.00 (£108.00 incl.VAT)
C.W. Menau Co. Prag.
[n.d. 1843.]
Engraving 185 x 235mm.
The sisters Teresa (1827-1904) and Maria (1832-1848) Milanollo, famous violinists from Savigliano. They came to England in 1845 in the course of an extensive European tour.
Harvard 203.
[Ref: 9559] £90.00 (£108.00 incl.VAT)