A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
Madame Marie Princesse de la Grand Bretagne. The Ladey Mary Princess of Great Brittaine.
Moncornet ex. [n.d., c.1650.]
Engraving with very large margins; 160 x 120mm (6¼ x 4¾").
Mary Henrietta Stuart (1631-1660), daughter of Charles I, the first Princess Royal. She married Prince William II of Orange, but both of them died of smallpox. Their only child became king of England as William III after the Glorious Revolution of 1688.
[Ref: 32711] £90.00 (£108.00 incl.VAT)
Moncornet ex. [n.d., c.1650.]
Engraving with very large margins; 160 x 120mm (6¼ x 4¾").
Mary Henrietta Stuart (1631-1660), daughter of Charles I, the first Princess Royal. She married Prince William II of Orange, but both of them died of smallpox. Their only child became king of England as William III after the Glorious Revolution of 1688.
[Ref: 32711] £90.00 (£108.00 incl.VAT)
Maria Angliae Hispaniae &et. Regina. Nata 18 Feb: 1516 Regnara cepit 6.to July 1553. Obijt 17.mo Novemb: 1558.
R. White Sculp: [after Francis Delaram].
[Richard Chiswell.] [n.d. c.1681.]
Engraving, paper watermarked. 235 x 154mm (9¼ x 6").
Mary I (1516-1558), Queen of England. She married Philip II of Spain in 1554 and sided with Spain in war with France, leading to the loss of Calais in 1557, England's last continental possession. She restored Papal authority in England and her repression of Protestants earned her the sobriquet 'Bloody Mary'. Illustration to Gilbert Burnet's 'History of the Reformation'.
[Ref: 30346] £70.00 (£84.00 incl.VAT)
R. White Sculp: [after Francis Delaram].
[Richard Chiswell.] [n.d. c.1681.]
Engraving, paper watermarked. 235 x 154mm (9¼ x 6").
Mary I (1516-1558), Queen of England. She married Philip II of Spain in 1554 and sided with Spain in war with France, leading to the loss of Calais in 1557, England's last continental possession. She restored Papal authority in England and her repression of Protestants earned her the sobriquet 'Bloody Mary'. Illustration to Gilbert Burnet's 'History of the Reformation'.
[Ref: 30346] £70.00 (£84.00 incl.VAT)
Mary, Queene of England, France and Ireland, Defender of the Faith, &c. No sooner I possest the Royall Throne, [/] But true Religion straight was dispossest: [/] Bad Councell caus'd Rome, Spaine and I, as one[ [/] To persecute, to martyr and molest [/] All that the unstain'd truth of God prosest...
[John Taylor.]
[James Boler at the signe of the Marigold in Pauls Churchyard. 1630.]
Woodcut with letterpress. Image: 90 x 140mm (3½ x 5½"). Letterpress: 85 x 100mm (3¼ x 4"). Trimmed and laid on album sheet at edges.
A woodcut portrait of Queen Mary I of England (1515-1558) with letterpress poem, from 'All the Works of John Taylor the Water-Poet. Beeing Sixty and three in Number...'. This poem is from the part titled 'A Briefe Remembrance of All the English Monarchs, from Norman conquest, until this present.'
[Ref: 41935] £160.00 (£192.00 incl.VAT)
[John Taylor.]
[James Boler at the signe of the Marigold in Pauls Churchyard. 1630.]
Woodcut with letterpress. Image: 90 x 140mm (3½ x 5½"). Letterpress: 85 x 100mm (3¼ x 4"). Trimmed and laid on album sheet at edges.
A woodcut portrait of Queen Mary I of England (1515-1558) with letterpress poem, from 'All the Works of John Taylor the Water-Poet. Beeing Sixty and three in Number...'. This poem is from the part titled 'A Briefe Remembrance of All the English Monarchs, from Norman conquest, until this present.'
[Ref: 41935] £160.00 (£192.00 incl.VAT)
![[The Lady Mary after Queen.]](jpegs/33149.jpg)
[The Lady Mary after Queen.] In His Majesty's Collection.
From an Original Drawing by Hans Holbein. Engraved by F. Bartolozzi, R.A. Historical Engraver to his Majesty.
Published as the Act directs, June 1796, by I. Chamberlaine, Brompton Row, Knightsbridge.
Stipple. 440 x 310mm (17¼ x 12¼").
Mary Tudor painted before she became queen as Mary I. After Hans Holbein the Younger (1497/8 - 1543), for 'Portraits of Illustrious Personages of the Court of Henry VIII Engraved in imitation of the original drawings of Hans Holbein in the Collection of His Majesty, with biographical and historical memoirs' issued in parts between 1792 and 1800.
[Ref: 33149] £140.00 (£168.00 incl.VAT)
From an Original Drawing by Hans Holbein. Engraved by F. Bartolozzi, R.A. Historical Engraver to his Majesty.
Published as the Act directs, June 1796, by I. Chamberlaine, Brompton Row, Knightsbridge.
Stipple. 440 x 310mm (17¼ x 12¼").
Mary Tudor painted before she became queen as Mary I. After Hans Holbein the Younger (1497/8 - 1543), for 'Portraits of Illustrious Personages of the Court of Henry VIII Engraved in imitation of the original drawings of Hans Holbein in the Collection of His Majesty, with biographical and historical memoirs' issued in parts between 1792 and 1800.
[Ref: 33149] £140.00 (£168.00 incl.VAT)
Queen Mary.
J. Chapman sculpsit.
Published as the Act directs Feb. 1 . 1800.
Stipple with small margins Platemark: 160 x 110mm (6¼ x 4¼").
A portrait of Mary I (1516 - 1558), directed to the right, facing the viewer, within an oval. Mary I was Queen of England and Ireland from July 1553 until her death. Her executions of Protestants caused her opponents to give her the title 'Bloody Mary'. As the fourth crowned monarch of the Tudor dynasty, she is remembered for her restoration of Roman Catholicism after the short-lived Protestant reign of her half-brother, Edward VI. During her five year reign, she had over 280 religious dissenters burned at the stake. Her re-establishment of Roman Catholicism was reversed after her death in 1558 by her younger half-sister and successor, Elizabeth I.
[Ref: 34602] £45.00 (£54.00 incl.VAT)
J. Chapman sculpsit.
Published as the Act directs Feb. 1 . 1800.
Stipple with small margins Platemark: 160 x 110mm (6¼ x 4¼").
A portrait of Mary I (1516 - 1558), directed to the right, facing the viewer, within an oval. Mary I was Queen of England and Ireland from July 1553 until her death. Her executions of Protestants caused her opponents to give her the title 'Bloody Mary'. As the fourth crowned monarch of the Tudor dynasty, she is remembered for her restoration of Roman Catholicism after the short-lived Protestant reign of her half-brother, Edward VI. During her five year reign, she had over 280 religious dissenters burned at the stake. Her re-establishment of Roman Catholicism was reversed after her death in 1558 by her younger half-sister and successor, Elizabeth I.
[Ref: 34602] £45.00 (£54.00 incl.VAT)
![[Mary I] Maria Catholijcke Coninginne van Enghelandt, ende wettighe dochter van Coninck Henricus VIII.](jpegs/52534.jpg)
[Mary I] Maria Catholijcke Coninginne van Enghelandt, ende wettighe dochter van Coninck Henricus VIII. Folio 299.
[after Hans Holbein the Younger.]
[n.d. c.1669.]
Fine engraving, 17th century watermarked paper. 280 x 171mm (11 x 10¾").
Portrait of Queen Mary I; bust length, looking to left, wearing a gable hood with billowing fabric, pearl necklace; after Hans Holbein the Younger; illustration to Hazart's 'Kerkelijcke Histoire (1669) - a history of the missionary activities of the church, published in several volumes. The designs were made by several artists. Mary I, Queen of England (1516-1558); Daughter of Henry VIII (q.v.) and Katherine of Aragon (q.v). Succeeded half-brother Edward VI (q.v.) after unsuccessful usurpation of Lady Jane Grey (q.v.). 1554, married Philip II of Spain, and sided with Spain in war with France, leading to loss of Calais in 1557, England's last continental possession. Restored Papal authority in England, repression of Protestants earned her the sobriquet "Bloody Mary".
[Ref: 52534] £180.00 (£216.00 incl.VAT)
[after Hans Holbein the Younger.]
[n.d. c.1669.]
Fine engraving, 17th century watermarked paper. 280 x 171mm (11 x 10¾").
Portrait of Queen Mary I; bust length, looking to left, wearing a gable hood with billowing fabric, pearl necklace; after Hans Holbein the Younger; illustration to Hazart's 'Kerkelijcke Histoire (1669) - a history of the missionary activities of the church, published in several volumes. The designs were made by several artists. Mary I, Queen of England (1516-1558); Daughter of Henry VIII (q.v.) and Katherine of Aragon (q.v). Succeeded half-brother Edward VI (q.v.) after unsuccessful usurpation of Lady Jane Grey (q.v.). 1554, married Philip II of Spain, and sided with Spain in war with France, leading to loss of Calais in 1557, England's last continental possession. Restored Papal authority in England, repression of Protestants earned her the sobriquet "Bloody Mary".
[Ref: 52534] £180.00 (£216.00 incl.VAT)
Princeps Maria Henrici VIII Regis Angliæ Filia.
HHolbein pinxit. W: Hollar fecit, ex Collectione Arundeliana 1647 [but later].
Etching. Sheet: 130 x 105mm (5 x 4¼"). Trimmed into plate at top, thread margins on the other three sides.
A portrait of Princess Mary, later Mary I, shown wearing a peaked bonnet, from a painting in the Arundel Collection. It was Thomas Howard, 21st Earl of Arundel (1586-1646), who brought Hollar to England.
Pennington 1465, state ii of iv.
[Ref: 52565] £130.00 (£156.00 incl.VAT)
HHolbein pinxit. W: Hollar fecit, ex Collectione Arundeliana 1647 [but later].
Etching. Sheet: 130 x 105mm (5 x 4¼"). Trimmed into plate at top, thread margins on the other three sides.
A portrait of Princess Mary, later Mary I, shown wearing a peaked bonnet, from a painting in the Arundel Collection. It was Thomas Howard, 21st Earl of Arundel (1586-1646), who brought Hollar to England.
Pennington 1465, state ii of iv.
[Ref: 52565] £130.00 (£156.00 incl.VAT)
Maria Catholijcke Coninginne van Enghelandt, ende wettighe dochter van Coninck Henricus VIII.
[After Hans Holbein.]
[n.d., c.1669.]
Engraving, rare, 17th century watermark. Plate: 280 x 170mm (11 x 6¾''). Small margins.
A portrait of Mary I (1516-1558) and illustration to Hazart's 'Kerkelijcke Histoire'.
[Ref: 48639] £260.00 (£312.00 incl.VAT)
[After Hans Holbein.]
[n.d., c.1669.]
Engraving, rare, 17th century watermark. Plate: 280 x 170mm (11 x 6¾''). Small margins.
A portrait of Mary I (1516-1558) and illustration to Hazart's 'Kerkelijcke Histoire'.
[Ref: 48639] £260.00 (£312.00 incl.VAT)
![[Mary I of Scotland.]](jpegs/65973.jpg)
[Mary I of Scotland.] The most excellent Princesse Mary. Queene of Scotland and Dowager of France.
[William Marshall? or Frederick Hendrik van Hove?]
[n.d., c.1650.]
Engraving. Sheet 115 x 70mm (4½ x 2¾"). Trimmed and backed onto album paper.
Portrait of Mary, Queen of Scots (1542 - 1587), also known as Mary Stuart or Mary I of Scotland. Queen of Scotland from 14 December 1542 until her forced abdication in 1567. Possibly by William Marshall (fl. 1617-1649) was a British engraver and illustrator, mostly known for his allegorical portrait of King Charles I of England as a Christian martyr, which was published as the frontispiece to the Eikon Basilike. Or by Frederick Hendrick Van Hove (c.1628-98) who was born in The Hague and trained under F. Bouttats in Antwerp. He later returned to his hometown to work as a draughtsman and engraver. Around 1692, he relocated to London, where he spent the final years of his career.
[Ref: 65973] £85.00 (£102.00 incl.VAT)
[William Marshall? or Frederick Hendrik van Hove?]
[n.d., c.1650.]
Engraving. Sheet 115 x 70mm (4½ x 2¾"). Trimmed and backed onto album paper.
Portrait of Mary, Queen of Scots (1542 - 1587), also known as Mary Stuart or Mary I of Scotland. Queen of Scotland from 14 December 1542 until her forced abdication in 1567. Possibly by William Marshall (fl. 1617-1649) was a British engraver and illustrator, mostly known for his allegorical portrait of King Charles I of England as a Christian martyr, which was published as the frontispiece to the Eikon Basilike. Or by Frederick Hendrick Van Hove (c.1628-98) who was born in The Hague and trained under F. Bouttats in Antwerp. He later returned to his hometown to work as a draughtsman and engraver. Around 1692, he relocated to London, where he spent the final years of his career.
[Ref: 65973] £85.00 (£102.00 incl.VAT)
Princeps Maria Henrici VIII Regis Angliæ Filia.
HHolbein pinxit. W. Hollar fecit, ex Collectione Arundeliana 1647.
Etching. Sheet: 130 x 105mm (5 x 4¼") but later. Trimmed and laid on an album sheet.
A portrait of Princess Mary, later Mary I, shown wearing a peaked bonnet, from a painting in the Arundel Collection. It was Thomas Howard, 21st Earl of Arundel (1586-1646), who brought Hollar to England.
Pennington 1465, state iv of iv.
[Ref: 43712] £160.00 (£192.00 incl.VAT)
HHolbein pinxit. W. Hollar fecit, ex Collectione Arundeliana 1647.
Etching. Sheet: 130 x 105mm (5 x 4¼") but later. Trimmed and laid on an album sheet.
A portrait of Princess Mary, later Mary I, shown wearing a peaked bonnet, from a painting in the Arundel Collection. It was Thomas Howard, 21st Earl of Arundel (1586-1646), who brought Hollar to England.
Pennington 1465, state iv of iv.
[Ref: 43712] £160.00 (£192.00 incl.VAT)
Princeps Maria Henrici VIII Regis Angliæ Filia.
HHolbein pinxit. W: Hollar fecit, ex Collectione Arundeliana 1647 [but later].
Etching. Sheet: 130 x 105mm (5 x 4¼"). Trimmed and laid on an album sheet.
A portrait of Princess Mary, later Mary I, shown wearing a peaked bonnet, from a painting in the Arundel Collection. It was Thomas Howard, 21st Earl of Arundel (1586-1646), who brought Hollar to England.
Pennington 1465, state ii of iv.
[Ref: 43713] £160.00 (£192.00 incl.VAT)
HHolbein pinxit. W: Hollar fecit, ex Collectione Arundeliana 1647 [but later].
Etching. Sheet: 130 x 105mm (5 x 4¼"). Trimmed and laid on an album sheet.
A portrait of Princess Mary, later Mary I, shown wearing a peaked bonnet, from a painting in the Arundel Collection. It was Thomas Howard, 21st Earl of Arundel (1586-1646), who brought Hollar to England.
Pennington 1465, state ii of iv.
[Ref: 43713] £160.00 (£192.00 incl.VAT)
![Reception of Her Royal High. The Princesse of Orange as queene of Great Britain [parallel text in Dutch]](jpegs/42379.jpg)
Reception of Her Royal High. The Princesse of Orange as queene of Great Britain [parallel text in Dutch]
R. de Hooge fec.
Tot Leiden By J. Tangena gedruckt met Privilegi [1689]
Etching, sheet 475 x 570mm (18¾ x 22½"). Trimmed inside platemark; repaired vertical and horizontal folds barely visible from front, two cuts from bottom edge to facilitate folding;
A grand image of a new age. The arrival in England of Mary II, daughter of James II who married William of Orange. In 1688 William invaded Britain in the Glorious Revolution, deposing James II and becoming William III, and Mary followed in 1689. Here a large crowd welcomes her while ships in the middle ground and background fire salutes. Various elements are numbered 1-23 although there is no letterpress identification in this state. Etching by Romeyn de Hooghe (1645-1708), exponent of the late Dutch Baroque best known for his political caricatures of Louis XIV and his prints glorifying William III and the Glorious Revolution such as this. De Hooghe's output as an artist was broad, however, and he had other talents and responsibilities: in 1689 he was placed in charge of obtaining building materials for the royal hunting lodge of Het Loo; the same year he became a Doctor of Law at Harderwijk University; he designed ceiling paintings for municipal buildings and church windows; and he wrote several political and historical treatises.
See C Mendez & Grosvenor Prints: "Restoration & Revolution 2002" No 28; Landwehr: p153.
[Ref: 42379] £950.00
R. de Hooge fec.
Tot Leiden By J. Tangena gedruckt met Privilegi [1689]
Etching, sheet 475 x 570mm (18¾ x 22½"). Trimmed inside platemark; repaired vertical and horizontal folds barely visible from front, two cuts from bottom edge to facilitate folding;
A grand image of a new age. The arrival in England of Mary II, daughter of James II who married William of Orange. In 1688 William invaded Britain in the Glorious Revolution, deposing James II and becoming William III, and Mary followed in 1689. Here a large crowd welcomes her while ships in the middle ground and background fire salutes. Various elements are numbered 1-23 although there is no letterpress identification in this state. Etching by Romeyn de Hooghe (1645-1708), exponent of the late Dutch Baroque best known for his political caricatures of Louis XIV and his prints glorifying William III and the Glorious Revolution such as this. De Hooghe's output as an artist was broad, however, and he had other talents and responsibilities: in 1689 he was placed in charge of obtaining building materials for the royal hunting lodge of Het Loo; the same year he became a Doctor of Law at Harderwijk University; he designed ceiling paintings for municipal buildings and church windows; and he wrote several political and historical treatises.
See C Mendez & Grosvenor Prints: "Restoration & Revolution 2002" No 28; Landwehr: p153.
[Ref: 42379] £950.00
![[Mary II] Her Highness the Princess of Orange.](jpegs/24358.jpg)
[Mary II] Her Highness the Princess of Orange.
Sr. P. Lellij Pinxit.
R.Tompson excudit. [n.d. c.1690.]
Rare mezzotint. Plate 355 x 254mm (14 x 10"). Thread margins, a few repairs.
Portrait of Mary Stuart as Princess of Orange, three-quarter length, sitting, hair in curls, wearing necklace, and low dress decorated with pearls; vase of flowers and fluted pillar in background to left; embroidered curtain in background to right; frieze with three sculpted Cupids and a lion in background to centre right. Mary (1662-1694), daughter of James II, married Prince William of Orange in 1677. After the 'Glorious Revolution' she returned to England to rule jointly with her husband as Mary II and William III.
CS: 34.ii [Tompson].
[Ref: 24358] £220.00 (£264.00 incl.VAT)
Sr. P. Lellij Pinxit.
R.Tompson excudit. [n.d. c.1690.]
Rare mezzotint. Plate 355 x 254mm (14 x 10"). Thread margins, a few repairs.
Portrait of Mary Stuart as Princess of Orange, three-quarter length, sitting, hair in curls, wearing necklace, and low dress decorated with pearls; vase of flowers and fluted pillar in background to left; embroidered curtain in background to right; frieze with three sculpted Cupids and a lion in background to centre right. Mary (1662-1694), daughter of James II, married Prince William of Orange in 1677. After the 'Glorious Revolution' she returned to England to rule jointly with her husband as Mary II and William III.
CS: 34.ii [Tompson].
[Ref: 24358] £220.00 (£264.00 incl.VAT)
Dits' koninklyke beelt, Maria, t hofcieraat. van Brit, en Schot, en Yr, en Batoos Vryestaat; Wiens dappre prins, 's lantsroem, in veertig Winterdagen (een herkles was te swak, om deze last te dragen) drie koninkryken, als een nooit verwonnen helt, tot heil van't kristendom verovert, en herstelt.
J. Norel.
P. Schenck Fe: et Ex: Cum Priv. [n.d., c.1690.]
Rare mezzotint with large margins, platemark 250 x 180mm (9¾ x 7"). Crease.
Queen Mary II (1662-1694), joint Sovereign of England, Scotland & Ireland with her husband and first cousin, William III.
[Ref: 24859] £180.00 (£216.00 incl.VAT)
J. Norel.
P. Schenck Fe: et Ex: Cum Priv. [n.d., c.1690.]
Rare mezzotint with large margins, platemark 250 x 180mm (9¾ x 7"). Crease.
Queen Mary II (1662-1694), joint Sovereign of England, Scotland & Ireland with her husband and first cousin, William III.
[Ref: 24859] £180.00 (£216.00 incl.VAT)
Queen Mary, reviewing the Militia of London and Westminster, in Hyde-Park, A.D. 1692. Acta Historica Reginarum Angliae. Plate XI. Engraved from the Original Drawing, of the same dimensions in the Possession of Mr. V. Green. To Her Royal Highness Frederica, Sophia, Wilhelmina, Princess of Orange, This plate is (by Permission) Most Humbly Dedicated By Her Royal Highnesses Most Devoted and Obedient humble servant Valentine Green.
Drawn by J. Gerhard Huck. Engraved by V. Green Mezzotinto Engraver to his Majesty & the Elector Palatine.
Publish'd October 18th 1791 by V. & R. Green No. 29 Newman Street, Oxford Street, London.
Fine mezzotint, rare, platemark 490 x 625mm (19¼ x 24½"). Creasing; large margins, uncut.
Mary II surveying troops in Hyde Park. The main event of 1692 was the War of the Grand Alliance between the allied forces of England and the Dutch Republic, and the French. Plate eleven of 'Acta Historicae Reginarum Angliae' by the celebrated mezzotinter Valentine Green (1739-183) from drawings by his former student Johann Gerhard Huck (c.1759-1811), with parallel text in French.
Whitman: 258 II of II; CS: 153.11. Ex Collection of Hon Christopher Lennox-Boyd.
[Ref: 23086] £420.00
Drawn by J. Gerhard Huck. Engraved by V. Green Mezzotinto Engraver to his Majesty & the Elector Palatine.
Publish'd October 18th 1791 by V. & R. Green No. 29 Newman Street, Oxford Street, London.
Fine mezzotint, rare, platemark 490 x 625mm (19¼ x 24½"). Creasing; large margins, uncut.
Mary II surveying troops in Hyde Park. The main event of 1692 was the War of the Grand Alliance between the allied forces of England and the Dutch Republic, and the French. Plate eleven of 'Acta Historicae Reginarum Angliae' by the celebrated mezzotinter Valentine Green (1739-183) from drawings by his former student Johann Gerhard Huck (c.1759-1811), with parallel text in French.
Whitman: 258 II of II; CS: 153.11. Ex Collection of Hon Christopher Lennox-Boyd.
[Ref: 23086] £420.00
![[Mary II] Maria Princeps Auriaca.](jpegs/64791.jpg)
[Mary II] Maria Princeps Auriaca.
[after Peter Lely.] A. Blooteling fec. et. ex.
[n.d. c.1680.]
Very scarce mezzotint. 100 x 70mm (4 x 2¾"). Trimmed within plate, laid on album paper on left side.
Half-length portrait of Mary II as Princess of Orange, her hair styled in ringlets cascading over her left shoulder wearing a low dress with mantel decorated with pearls.
Ex: Collection of The Hon. Christopher Lennox-Boyd. Wessely 35.
[Ref: 64791] £130.00 (£156.00 incl.VAT)
[after Peter Lely.] A. Blooteling fec. et. ex.
[n.d. c.1680.]
Very scarce mezzotint. 100 x 70mm (4 x 2¾"). Trimmed within plate, laid on album paper on left side.
Half-length portrait of Mary II as Princess of Orange, her hair styled in ringlets cascading over her left shoulder wearing a low dress with mantel decorated with pearls.
Ex: Collection of The Hon. Christopher Lennox-Boyd. Wessely 35.
[Ref: 64791] £130.00 (£156.00 incl.VAT)
Mary Princess of Orange Countess of Nassow &acc.
[George Perfect Harding, c.1801].
Watercolour and wash, 155 x 115mm (6 x 4½"). Tipped into album sheet with hand-drawn border.
Mary II (1662-94), queen of England, Scotland, and Ireland, as Princess of Orange. She married William of Orange in 1677 in England before the couple departed for the Netherlands. After the 'Glorious Revolution' of 1688 she returned to England to rule jointly with her husband as Mary II and William III. Watercolour by George Perfect Harding (1779/80-1853), miniature painter. Harding devoted himself to producing minute copies in watercolour of works of historical and antiquarian interest. Examples of his work are in several major British institutions.
[Ref: 42334] £340.00
[George Perfect Harding, c.1801].
Watercolour and wash, 155 x 115mm (6 x 4½"). Tipped into album sheet with hand-drawn border.
Mary II (1662-94), queen of England, Scotland, and Ireland, as Princess of Orange. She married William of Orange in 1677 in England before the couple departed for the Netherlands. After the 'Glorious Revolution' of 1688 she returned to England to rule jointly with her husband as Mary II and William III. Watercolour by George Perfect Harding (1779/80-1853), miniature painter. Harding devoted himself to producing minute copies in watercolour of works of historical and antiquarian interest. Examples of his work are in several major British institutions.
[Ref: 42334] £340.00
![[Mary II] [Her Highness the Princess of Orange.]](jpegs/65077.jpg)
[Mary II] [Her Highness the Princess of Orange.]
[P. Lellij Pinxit.]
[R.Tompson excudit]. [n.d. c.1690.]
Rare mezzotint proof before letters, watermarked paper, sheet 340 x 25mm (13½ x 9¾"). Trimmed within plate.
Portrait of Mary Stuart as Princess of Orange, three-quarter length, sitting, hair in curls, wearing necklace, and low dress decorated with pearls; vase of flowers and fluted pillar in background to left; embroidered curtain in background to right; frieze with three sculpted Cupids and a lion in background to centre right. Mary (1662-1694), daughter of James II, married Prince William of Orange in 1677. After the 'Glorious Revolution' she returned to England to rule jointly with her husband as Mary II and William III.
CS34. Blackett-Ord T48 I of III. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65077] £460.00
[P. Lellij Pinxit.]
[R.Tompson excudit]. [n.d. c.1690.]
Rare mezzotint proof before letters, watermarked paper, sheet 340 x 25mm (13½ x 9¾"). Trimmed within plate.
Portrait of Mary Stuart as Princess of Orange, three-quarter length, sitting, hair in curls, wearing necklace, and low dress decorated with pearls; vase of flowers and fluted pillar in background to left; embroidered curtain in background to right; frieze with three sculpted Cupids and a lion in background to centre right. Mary (1662-1694), daughter of James II, married Prince William of Orange in 1677. After the 'Glorious Revolution' she returned to England to rule jointly with her husband as Mary II and William III.
CS34. Blackett-Ord T48 I of III. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65077] £460.00
![[Mary II] Maria Princeps Auriaca.](jpegs/64790.jpg)
[Mary II] Maria Princeps Auriaca.
[after Peter Lely.] A. Blooteling fec. et. ex.
[n.d. c.1680.]
Very fine & scarce mezzotint. 105 x 70mm (4¼ x 2¾"). Mounted on album paper on left side.
Half-length portrait of Mary II as Princess of Orange, her hair styled in ringlets cascading over her left shoulder wearing a low dress with mantel decorated with pearls.
Ex: Collection of The Hon. Christopher Lennox-Boyd. Wessely 35.
[Ref: 64790] £260.00 (£312.00 incl.VAT)
[after Peter Lely.] A. Blooteling fec. et. ex.
[n.d. c.1680.]
Very fine & scarce mezzotint. 105 x 70mm (4¼ x 2¾"). Mounted on album paper on left side.
Half-length portrait of Mary II as Princess of Orange, her hair styled in ringlets cascading over her left shoulder wearing a low dress with mantel decorated with pearls.
Ex: Collection of The Hon. Christopher Lennox-Boyd. Wessely 35.
[Ref: 64790] £260.00 (£312.00 incl.VAT)
![[Mary II] Maria Princeps Auriaca.](jpegs/32997.jpg)
[Mary II] Maria Princeps Auriaca.
[after Peter Lely.] A. Blooteling fec. et. ex.
[n.d. c.1680.]
Very scarce mezzotint. Sheet 105 x 70mm (4¼ x 2¾"). Trimmed to plate, mounted on album paper.
Half-length portrait of Mary II as Princess of Orange, her hair styled in ringlets cascading over her left shoulder wearing a low dress with mantel decorated with pearls. Mary (1662-94), daughter of James II, married Prince William of Orange in 1677. After the 'Glorious Revolution' she returned to England to rule jointly with her husband as Mary II and William III.
[Ref: 32997] £260.00 (£312.00 incl.VAT)
[after Peter Lely.] A. Blooteling fec. et. ex.
[n.d. c.1680.]
Very scarce mezzotint. Sheet 105 x 70mm (4¼ x 2¾"). Trimmed to plate, mounted on album paper.
Half-length portrait of Mary II as Princess of Orange, her hair styled in ringlets cascading over her left shoulder wearing a low dress with mantel decorated with pearls. Mary (1662-94), daughter of James II, married Prince William of Orange in 1677. After the 'Glorious Revolution' she returned to England to rule jointly with her husband as Mary II and William III.
[Ref: 32997] £260.00 (£312.00 incl.VAT)
Her Majesty Queen Mary.
Sold by Paul van Somer in Newport Street. [n.d., c.1690].
Etching and engraving, rare. Sheet size: 275 x 170mm (10¾ x 6¾"). Trimmed to platemark.
A portrait of Mary II , Queen of England (1662 - 1694), whole length, seated on throne wearing fur robes over a dress. Behind her is a tapestry of the royal arms and curtains hanging on either side. Published by Dutch printmaker Paul van Somer II (1670 active - 1714).
[Ref: 33444] £190.00 (£228.00 incl.VAT)
Sold by Paul van Somer in Newport Street. [n.d., c.1690].
Etching and engraving, rare. Sheet size: 275 x 170mm (10¾ x 6¾"). Trimmed to platemark.
A portrait of Mary II , Queen of England (1662 - 1694), whole length, seated on throne wearing fur robes over a dress. Behind her is a tapestry of the royal arms and curtains hanging on either side. Published by Dutch printmaker Paul van Somer II (1670 active - 1714).
[Ref: 33444] £190.00 (£228.00 incl.VAT)
![[Mary II]](jpegs/40863.jpg)
[Mary II] Maria Stuart, Gemalinne van Willem de III, Prins van Oranje, enz enz enz
G. Netscher Pinx. H. Pothoven Effig: et Orn. delin. J. Houbraken Sculps 1751
J.bs Haffman en P. Meyer Excud.
Very fine engraving, platemark 370 x 235mm (14½ x 9¼"), with large margins.
Mary II (1662 - 1694), reigned 1689-94. The eldest daughter of James II, Mary married Prince William of Orange in 1677. In the dilemma of the 1688 Revolution she supported her husband and Protestantism rather than her Catholic father, and she was invited to return to England in 1689 to share the monarchy with William. She proved a wise and effective ruler, especially during William's absences at war. From a series of twenty-one engravings by Jacob Houbraken and Pieter Tanjé of Dutch stadholders and their families, each in a decorative oval placed on a pedestal, designed by Hendrik van Pothoven
[Ref: 40863] £290.00 (£348.00 incl.VAT)
G. Netscher Pinx. H. Pothoven Effig: et Orn. delin. J. Houbraken Sculps 1751
J.bs Haffman en P. Meyer Excud.
Very fine engraving, platemark 370 x 235mm (14½ x 9¼"), with large margins.
Mary II (1662 - 1694), reigned 1689-94. The eldest daughter of James II, Mary married Prince William of Orange in 1677. In the dilemma of the 1688 Revolution she supported her husband and Protestantism rather than her Catholic father, and she was invited to return to England in 1689 to share the monarchy with William. She proved a wise and effective ruler, especially during William's absences at war. From a series of twenty-one engravings by Jacob Houbraken and Pieter Tanjé of Dutch stadholders and their families, each in a decorative oval placed on a pedestal, designed by Hendrik van Pothoven
[Ref: 40863] £290.00 (£348.00 incl.VAT)
![[Departure of Marry II from Holland.] Vetrek van haar Koning lyke Hoogheid Mevrouw de Prinses van Oranjen uit Holland den 20 Februar 1689.](jpegs/42942.jpg)
[Departure of Marry II from Holland.] Vetrek van haar Koning lyke Hoogheid Mevrouw de Prinses van Oranjen uit Holland den 20 Februar 1689.
Carolus Allard Excudit Cum Privilegie. [n.d., c.1689].
Engraving. Sheet: 295 x 255mm (11½ x 10"). Trimmed and tipped into album sheet.
A scene showing Mary, wife of William of Orange leaving Holland to be crowned Mary II of England.
[Ref: 42942] £320.00
Carolus Allard Excudit Cum Privilegie. [n.d., c.1689].
Engraving. Sheet: 295 x 255mm (11½ x 10"). Trimmed and tipped into album sheet.
A scene showing Mary, wife of William of Orange leaving Holland to be crowned Mary II of England.
[Ref: 42942] £320.00
![[Mary II as Princess of Orange.]](jpegs/64752.jpg)
[Mary II as Princess of Orange.]
[engraved by Herman Hendrick Quiter after Sir Peter Lely.]
[Nijmegen, n.d., c.1680.]
Scarce mezzotint. Sheet 320 x 270mm (12½ x 10½"). Trimmed within plate, losing title?, printer's crease.
Three-quarter length portrait of Mary II as the Princess of Orange, standing before a window, holding a basket of flowers. A reversed copy of Richard Thomson's plate ''Her Highness the Princess of Orange''.
Ex: Collection of The Hon. Christopher Lennox-Boyd. O'D 10.
[Ref: 64752] £360.00
[engraved by Herman Hendrick Quiter after Sir Peter Lely.]
[Nijmegen, n.d., c.1680.]
Scarce mezzotint. Sheet 320 x 270mm (12½ x 10½"). Trimmed within plate, losing title?, printer's crease.
Three-quarter length portrait of Mary II as the Princess of Orange, standing before a window, holding a basket of flowers. A reversed copy of Richard Thomson's plate ''Her Highness the Princess of Orange''.
Ex: Collection of The Hon. Christopher Lennox-Boyd. O'D 10.
[Ref: 64752] £360.00
![[Het wezen van Mariaes majesteit...]](jpegs/5862.jpg)
[Het wezen van Mariaes majesteit...]
B.V. Swideven sculps. [Old ink mss.]
[n.d., c.1690.]
Engraving. 195 x 150mm. Trimmed to plate.
With 6 lines of letterpress verse signed 'Sylvius' underneath.
[Ref: 5862] £130.00 (£156.00 incl.VAT)
B.V. Swideven sculps. [Old ink mss.]
[n.d., c.1690.]
Engraving. 195 x 150mm. Trimmed to plate.
With 6 lines of letterpress verse signed 'Sylvius' underneath.
[Ref: 5862] £130.00 (£156.00 incl.VAT)
![[Mary II] Maria Princeps Auriaca.](jpegs/56235.jpg)
[Mary II] Maria Princeps Auriaca.
P. Lely Pinxit. A. Blooteling fecit et Ex.
Cum Privilegio Ordinum Hallandiae et West-Frisiae. [n.d. c.1677-89.]
Mezzotint. 350 x 255mm (13¾ x 10"), very large margins. Slight crease.
A bust portrait of Mary II (1662-94) as Princess of Orange, her hair styled in ringlets cascading over her left shoulder wearing a low dress with mantel decorated with pearls. Mary (1662-94), daughter of James II, married Prince William of Orange in 1677. After the 'Glorious Revolution' she returned to England to rule jointly with her husband as Mary II and William III.
[Ref: 56235] £850.00
P. Lely Pinxit. A. Blooteling fecit et Ex.
Cum Privilegio Ordinum Hallandiae et West-Frisiae. [n.d. c.1677-89.]
Mezzotint. 350 x 255mm (13¾ x 10"), very large margins. Slight crease.
A bust portrait of Mary II (1662-94) as Princess of Orange, her hair styled in ringlets cascading over her left shoulder wearing a low dress with mantel decorated with pearls. Mary (1662-94), daughter of James II, married Prince William of Orange in 1677. After the 'Glorious Revolution' she returned to England to rule jointly with her husband as Mary II and William III.
[Ref: 56235] £850.00
Marie Anne Stuard Princesse D'Orange Fille aisnee de Jacques Stuard….Elle a Espouse Guillaume Henry Prince d'Orange en l'annee.
De Larmessin, Sculp, [n.d. c.1690].
A Paris Chez N. de L'Armessin, Rue St. Iacques a la Pome d'Or pres St. Seuerin, Avec Privil du Roy.
Engraving. 165 x 240mm. Light foxing/staining, largely in margins. Stain from sellotape just into image at top.
Mary II, Queen of England, Scotland, and Ireland [1662 -1694]. The eldest daughter of James II with his first wife Anne Hyde, she ruled jointly with her husband, William III, formerly William of Orange, at the behest of the Protestant opponents of her father.
Collection of the Royal House of Savoy and Italy.
[Ref: 1646] £70.00 (£84.00 incl.VAT)
De Larmessin, Sculp, [n.d. c.1690].
A Paris Chez N. de L'Armessin, Rue St. Iacques a la Pome d'Or pres St. Seuerin, Avec Privil du Roy.
Engraving. 165 x 240mm. Light foxing/staining, largely in margins. Stain from sellotape just into image at top.
Mary II, Queen of England, Scotland, and Ireland [1662 -1694]. The eldest daughter of James II with his first wife Anne Hyde, she ruled jointly with her husband, William III, formerly William of Orange, at the behest of the Protestant opponents of her father.
Collection of the Royal House of Savoy and Italy.
[Ref: 1646] £70.00 (£84.00 incl.VAT)
Maria Stuart die hier voor uw oogen staat, Vertoont haar Mayesteyt int Koninglyk gewaat.
J. Gole. fecit et excudit cum privil:ordin:Holl:et West-Frisiæ.
Mezzotint. 250 x 185mm. Narrow margins.
Queen Mary II (1662-1694), reigned 1689-94. The eldest daughter of James II, Mary married Prince William of Orange in 1677. In the dilemma of the 1688 Revolution she supported her husband and Protestantism rather than her Catholic father, and she was invited to return to England in 1689 to share the monarchy with William. She proved a wise and effective ruler, especially during William's absences at war.
Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 2765] £130.00 (£156.00 incl.VAT)
J. Gole. fecit et excudit cum privil:ordin:Holl:et West-Frisiæ.
Mezzotint. 250 x 185mm. Narrow margins.
Queen Mary II (1662-1694), reigned 1689-94. The eldest daughter of James II, Mary married Prince William of Orange in 1677. In the dilemma of the 1688 Revolution she supported her husband and Protestantism rather than her Catholic father, and she was invited to return to England in 1689 to share the monarchy with William. She proved a wise and effective ruler, especially during William's absences at war.
Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 2765] £130.00 (£156.00 incl.VAT)
Marie Anne Stuard Princesse D'Orange. Fille aisnee de Jacques Stuard, D'Angleterre...[etc.]
De Larmessin sculp, 1681.
A Paris Chez la Venue Bertrand, Rue St. Iacques a la Pome d'Or pres St Seuerin, Avec Privil du Roy.
Engraving, sheet 230 x 170mm. 9 x 6¾". Light spotting; repaired corner upper right.
Queen Mary II (1662 - 1694), reigned 1689-94. The eldest daughter of James II, Mary married Prince William of Orange in 1677. In the dilemma of the 1688 Revolution she supported her husband and Protestantism rather than her Catholic father, and she was invited to return to England in 1689 to share the monarchy with William. She proved a wise and effective ruler, especially during William's absences at war. In oval frame, coat of arms in the lower part; biographical text. Engraved by Nicolas de Larmessin I (1632 - 1694), from a large series of (at least) 240 portraits.
[Ref: 13783] £95.00 (£114.00 incl.VAT)
De Larmessin sculp, 1681.
A Paris Chez la Venue Bertrand, Rue St. Iacques a la Pome d'Or pres St Seuerin, Avec Privil du Roy.
Engraving, sheet 230 x 170mm. 9 x 6¾". Light spotting; repaired corner upper right.
Queen Mary II (1662 - 1694), reigned 1689-94. The eldest daughter of James II, Mary married Prince William of Orange in 1677. In the dilemma of the 1688 Revolution she supported her husband and Protestantism rather than her Catholic father, and she was invited to return to England in 1689 to share the monarchy with William. She proved a wise and effective ruler, especially during William's absences at war. In oval frame, coat of arms in the lower part; biographical text. Engraved by Nicolas de Larmessin I (1632 - 1694), from a large series of (at least) 240 portraits.
[Ref: 13783] £95.00 (£114.00 incl.VAT)
![[Mary II] Serenifsima Maria D.G.Angl: Scot: Fran: et Hib: Regina.](jpegs/64969.jpg)
[Mary II] Serenifsima Maria D.G.Angl: Scot: Fran: et Hib: Regina.
G.Kneller Baronet.s pinx. J.Faber fec.
[n.d., c.1723.] Printed & Sold by Rob.t Sayer Near St. Dunstans Church in Fleetstreet, & John King at the Globe in the Poultrey.
Fine mezzotint, 18th century watermark. 455 x 305mm (18 x 12"), with large margins.
Portrait of Mary II (1662 - 1694), Queen of England, Scotland, and Ireland with her husband, King William III and II, from 1689 until her death in 1694. She was also Princess of Orange following her marriage on 4 November 1677. Her joint reign with William over Britain is known as that of William and Mary. From the series of thirteen plates 'Beauties at Hampton Court'.
CS 28 ii of iii. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 64969] £320.00
G.Kneller Baronet.s pinx. J.Faber fec.
[n.d., c.1723.] Printed & Sold by Rob.t Sayer Near St. Dunstans Church in Fleetstreet, & John King at the Globe in the Poultrey.
Fine mezzotint, 18th century watermark. 455 x 305mm (18 x 12"), with large margins.
Portrait of Mary II (1662 - 1694), Queen of England, Scotland, and Ireland with her husband, King William III and II, from 1689 until her death in 1694. She was also Princess of Orange following her marriage on 4 November 1677. Her joint reign with William over Britain is known as that of William and Mary. From the series of thirteen plates 'Beauties at Hampton Court'.
CS 28 ii of iii. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 64969] £320.00
![[Mary II] Her Highness the Princess of Orange.](jpegs/65078.jpg)
[Mary II] Her Highness the Princess of Orange.
P. Lellij Pinxit.
R.Tompson excudit. [n.d. c.1690.]
Rare mezzotint counterproof, watermarked paper, 345 x 250mm (13½ x 9¾"). Thread margins.
Portrait of Mary Stuart as Princess of Orange, three-quarter length, sitting, hair in curls, wearing necklace, and low dress decorated with pearls; vase of flowers and fluted pillar in background to left; embroidered curtain in background to right; frieze with three sculpted Cupids and a lion in background to centre right. Mary (1662-1694), daughter of James II, married Prince William of Orange in 1677. After the 'Glorious Revolution' she returned to England to rule jointly with her husband as Mary II and William III.
CS34. Blackett-Ord T48 II of III. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65078] £360.00
P. Lellij Pinxit.
R.Tompson excudit. [n.d. c.1690.]
Rare mezzotint counterproof, watermarked paper, 345 x 250mm (13½ x 9¾"). Thread margins.
Portrait of Mary Stuart as Princess of Orange, three-quarter length, sitting, hair in curls, wearing necklace, and low dress decorated with pearls; vase of flowers and fluted pillar in background to left; embroidered curtain in background to right; frieze with three sculpted Cupids and a lion in background to centre right. Mary (1662-1694), daughter of James II, married Prince William of Orange in 1677. After the 'Glorious Revolution' she returned to England to rule jointly with her husband as Mary II and William III.
CS34. Blackett-Ord T48 II of III. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65078] £360.00
![[Mary II] Her Highness the Princess of Orange.](jpegs/65080.jpg)
[Mary II] Her Highness the Princess of Orange.
Lilly pinxit.
R.Tompson excudit. [n.d. c.1690.]
Mezzotint, 240 x 200mm (9½ x 8"). Thread margins. Ink mss in margin.
Head and shoulders portrait of Mary Stuart as Princess of Orange, in an oval. Her hair in curls, wearing a necklace, and low dress decorated with pearls. Mary (1662-1694), daughter of James II, married Prince William of Orange in 1677. After the 'Glorious Revolution' she returned to England to rule jointly with her husband as Mary II and William III.
CS35. Blackett-Ord T49. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65080] £280.00 (£336.00 incl.VAT)
Lilly pinxit.
R.Tompson excudit. [n.d. c.1690.]
Mezzotint, 240 x 200mm (9½ x 8"). Thread margins. Ink mss in margin.
Head and shoulders portrait of Mary Stuart as Princess of Orange, in an oval. Her hair in curls, wearing a necklace, and low dress decorated with pearls. Mary (1662-1694), daughter of James II, married Prince William of Orange in 1677. After the 'Glorious Revolution' she returned to England to rule jointly with her husband as Mary II and William III.
CS35. Blackett-Ord T49. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65080] £280.00 (£336.00 incl.VAT)
![[Mary II] Her Highness the Princess of Orange.](jpegs/65104.jpg)
[Mary II] Her Highness the Princess of Orange.
P. Lilly Pinxit.
R.Tompson excudit. [n.d. c.1690.]
Mezzotint, 335 x 250mm (13¼ x 9¾"). Trimmed to plate. Time stained.
A three-quarter length portrait of Mary II as Princess of Orange, standing with her hair in curls, wearing a loose robe held by a strap across her shoulder. She holds a small basket of flowers. To the left, there is a curtain, and to the right, a window through which a distant landscape is visible. Mary (1662-1694), daughter of James II, married Prince William of Orange in 1677. After the 'Glorious Revolution' she returned to England to rule jointly with her husband as Mary II and William III.
CS33. Blackett-Ord T47 II of III. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65104] £220.00 (£264.00 incl.VAT)
P. Lilly Pinxit.
R.Tompson excudit. [n.d. c.1690.]
Mezzotint, 335 x 250mm (13¼ x 9¾"). Trimmed to plate. Time stained.
A three-quarter length portrait of Mary II as Princess of Orange, standing with her hair in curls, wearing a loose robe held by a strap across her shoulder. She holds a small basket of flowers. To the left, there is a curtain, and to the right, a window through which a distant landscape is visible. Mary (1662-1694), daughter of James II, married Prince William of Orange in 1677. After the 'Glorious Revolution' she returned to England to rule jointly with her husband as Mary II and William III.
CS33. Blackett-Ord T47 II of III. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65104] £220.00 (£264.00 incl.VAT)
![[Mary II] Her Highness the Princess of Orange.](jpegs/65105.jpg)
[Mary II] Her Highness the Princess of Orange.
P. Lilly Pinxit.
R.Tompson excudit. [n.d. c.1690.]
Mezzotint, sheet 350 x 265mm (13¾ x 10½"). Trimmed to plate and glued to backing sheet.
A three-quarter length portrait of Mary II as Princess of Orange, standing with her hair in curls, wearing a loose robe held by a strap across her shoulder. She holds a small basket of flowers. To the left, there is a curtain, and to the right, a window through which a distant landscape is visible. Mary (1662-1694), daughter of James II, married Prince William of Orange in 1677. After the 'Glorious Revolution' she returned to England to rule jointly with her husband as Mary II and William III.
CS33. Blackett-Ord T47 II of III. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65105] £260.00 (£312.00 incl.VAT)
P. Lilly Pinxit.
R.Tompson excudit. [n.d. c.1690.]
Mezzotint, sheet 350 x 265mm (13¾ x 10½"). Trimmed to plate and glued to backing sheet.
A three-quarter length portrait of Mary II as Princess of Orange, standing with her hair in curls, wearing a loose robe held by a strap across her shoulder. She holds a small basket of flowers. To the left, there is a curtain, and to the right, a window through which a distant landscape is visible. Mary (1662-1694), daughter of James II, married Prince William of Orange in 1677. After the 'Glorious Revolution' she returned to England to rule jointly with her husband as Mary II and William III.
CS33. Blackett-Ord T47 II of III. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65105] £260.00 (£312.00 incl.VAT)
![[Mary II] Her Highness the Princess of Orange.](jpegs/65106.jpg)
[Mary II] Her Highness the Princess of Orange.
P. Lilly Pinxit.
R.Tompson excudit. [n.d. c.1690.]
Mezzotint, watermarked paper, 335 x 250mm (13¼ x 9¾"), with very large margins. Glued to backing sheet.
A three-quarter length portrait of Mary II as Princess of Orange, standing with her hair in curls, wearing a loose robe held by a strap across her shoulder. She holds a small basket of flowers. To the left, there is a curtain, and to the right, a window through which a distant landscape is visible. Mary (1662-1694), daughter of James II, married Prince William of Orange in 1677. After the 'Glorious Revolution' she returned to England to rule jointly with her husband as Mary II and William III.
CS33. Blackett-Ord T47 II of III. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65106] £380.00
P. Lilly Pinxit.
R.Tompson excudit. [n.d. c.1690.]
Mezzotint, watermarked paper, 335 x 250mm (13¼ x 9¾"), with very large margins. Glued to backing sheet.
A three-quarter length portrait of Mary II as Princess of Orange, standing with her hair in curls, wearing a loose robe held by a strap across her shoulder. She holds a small basket of flowers. To the left, there is a curtain, and to the right, a window through which a distant landscape is visible. Mary (1662-1694), daughter of James II, married Prince William of Orange in 1677. After the 'Glorious Revolution' she returned to England to rule jointly with her husband as Mary II and William III.
CS33. Blackett-Ord T47 II of III. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65106] £380.00
![[Mary II as Princess of Orange.] Maria Princeps Auriaca.](jpegs/65327.jpg)
[Mary II as Princess of Orange.] Maria Princeps Auriaca.
P. Lely pinxit. G. Valck fecit et excud 1680.
Mezzotint. 200 x 145mm (8 x 5¾"), large margins. Paper toned.
Head and shoulders portrait in oval of Mary Stuart as Princess of Orange. wearing a pearl necklace.
CS 5. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65327] £160.00 (£192.00 incl.VAT)
P. Lely pinxit. G. Valck fecit et excud 1680.
Mezzotint. 200 x 145mm (8 x 5¾"), large margins. Paper toned.
Head and shoulders portrait in oval of Mary Stuart as Princess of Orange. wearing a pearl necklace.
CS 5. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65327] £160.00 (£192.00 incl.VAT)
![[Charlotte Fitzroy] [The Countess of Litchfield.]](jpegs/65423.jpg)
[Charlotte Fitzroy] [The Countess of Litchfield.]
[G. Kneller pinx. I. Beckett fe:]
[Cum Privilegio Regis.] [n.d., c.1790.]
Mezzotint. Sheet 195 x 160mm (7¾ x 6¼"), on wove paper. Trimmed well into image, losing all inscriptions, crease, worn impression.
A cut down impression of what had been a full-length portrait of Charlotte Fitzroy (1664-1718, daughter of Charles II by his most famous mistress, Barbara Villiers), which was subsequently retitled to Mary II without changing the face.
CS: 66, probably after iii of iii. Ex collection Christopher Lennox-Boyd, his state v of v.
[Ref: 65423] £45.00 (£54.00 incl.VAT)
[G. Kneller pinx. I. Beckett fe:]
[Cum Privilegio Regis.] [n.d., c.1790.]
Mezzotint. Sheet 195 x 160mm (7¾ x 6¼"), on wove paper. Trimmed well into image, losing all inscriptions, crease, worn impression.
A cut down impression of what had been a full-length portrait of Charlotte Fitzroy (1664-1718, daughter of Charles II by his most famous mistress, Barbara Villiers), which was subsequently retitled to Mary II without changing the face.
CS: 66, probably after iii of iii. Ex collection Christopher Lennox-Boyd, his state v of v.
[Ref: 65423] £45.00 (£54.00 incl.VAT)
![[Mary II.]](jpegs/48739.jpg)
[Mary II.] Maria Stuart nacque li 30...
[n.d., c.1690.]
Engraving. Sheet: 280 x 170mm (11 x 6¾''), with large margins.
A portrait of Mary II (1662-1694), daughter of James II from 'Teatro Belgico...' by Gregorio Leti.
[Ref: 48739] £140.00 (£168.00 incl.VAT)
[n.d., c.1690.]
Engraving. Sheet: 280 x 170mm (11 x 6¾''), with large margins.
A portrait of Mary II (1662-1694), daughter of James II from 'Teatro Belgico...' by Gregorio Leti.
[Ref: 48739] £140.00 (£168.00 incl.VAT)
Maria D.G. Mag. Brit. Fran. et Hyb. Reg.
Johannes Verkolje fecit.
Nicolaus Visscher in lucem editit, cum Privil. Ordin. General. Belgii Fśderati [n.d. c.1688.]
Rare mezzotint. Sheet 440 x 325mm (17¼ x 12¾") Trimmed to plate, mounted on album paper at top.
Mary II (1662-94), who became joint ruler of England with her husband William III after the Glorious Revolution of 1689.
For Verkolje's portrait of William III see stock 14813.
[Ref: 45822] £450.00
Johannes Verkolje fecit.
Nicolaus Visscher in lucem editit, cum Privil. Ordin. General. Belgii Fśderati [n.d. c.1688.]
Rare mezzotint. Sheet 440 x 325mm (17¼ x 12¾") Trimmed to plate, mounted on album paper at top.
Mary II (1662-94), who became joint ruler of England with her husband William III after the Glorious Revolution of 1689.
For Verkolje's portrait of William III see stock 14813.
[Ref: 45822] £450.00
Maria, D.G. Angliæ, Scotiæ, Franciæ, et Hiberniæ Regina.
Amsteladami Formis Nicolas Visscher cum Privil: ordin: General: Belgii Fśderati. [n.d., c.1700.]
Mezzotint, very scarce. Sheet 435 x 320mm (17 x 12½"). Trimmed within image. Laid on mount at top corner.
Mary II (1662-94), who became joint ruler of England with her husband William III after the Glorious Revolution of 1689.
[Ref: 45823] £380.00
Amsteladami Formis Nicolas Visscher cum Privil: ordin: General: Belgii Fśderati. [n.d., c.1700.]
Mezzotint, very scarce. Sheet 435 x 320mm (17 x 12½"). Trimmed within image. Laid on mount at top corner.
Mary II (1662-94), who became joint ruler of England with her husband William III after the Glorious Revolution of 1689.
[Ref: 45823] £380.00
![[Mary II?]](jpegs/68683.jpg)
[Mary II?]
[after Sir Godfrey Kneller.]
[n.d., c.1690.]
Fine & rare mezzotint, proof before letters. 340 x 250mm (13½ x 9¾"). Thread margins, repaired hole, old ink mss. in inscription area.
A three-quarter portrait of a lady, probably Mary II, seated in an interior with a curtain, wearing low dress adorned with jewels. There is no known example with Mary's name, but a portrait of the Countess of Rutland, engraved by John Smith after Kneller, uses the same dress and posture, but with a much narrower face and a scenic background. Chaloner Smith described them as different plates, but Russell believed them to be the same, without mentioning the altered face.
CS ENA 1, 69, also CS 218. Russell 218, i of iii. Ex: collection of The Hon. Christopher Lennox-Boyd. See [Ref: 68684]
[Ref: 68683] £280.00 (£336.00 incl.VAT)
[after Sir Godfrey Kneller.]
[n.d., c.1690.]
Fine & rare mezzotint, proof before letters. 340 x 250mm (13½ x 9¾"). Thread margins, repaired hole, old ink mss. in inscription area.
A three-quarter portrait of a lady, probably Mary II, seated in an interior with a curtain, wearing low dress adorned with jewels. There is no known example with Mary's name, but a portrait of the Countess of Rutland, engraved by John Smith after Kneller, uses the same dress and posture, but with a much narrower face and a scenic background. Chaloner Smith described them as different plates, but Russell believed them to be the same, without mentioning the altered face.
CS ENA 1, 69, also CS 218. Russell 218, i of iii. Ex: collection of The Hon. Christopher Lennox-Boyd. See [Ref: 68684]
[Ref: 68683] £280.00 (£336.00 incl.VAT)
![[Mary II] Her Royal highness The Princes of Orange.](jpegs/65454.jpg)
[Mary II] Her Royal highness The Princes of Orange.
I. Beckett exc: [n.d., c.1685].
Mezzotint, pt 17th century watermark. 235 x 185mm (9¼ x 7¼"). Narrow margins.
A half-length portrait in oval of Mary II while Princess of Orange, wearing low cut dress with lace and ermine.
CS 79. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65454] £260.00 (£312.00 incl.VAT)
I. Beckett exc: [n.d., c.1685].
Mezzotint, pt 17th century watermark. 235 x 185mm (9¼ x 7¼"). Narrow margins.
A half-length portrait in oval of Mary II while Princess of Orange, wearing low cut dress with lace and ermine.
CS 79. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65454] £260.00 (£312.00 incl.VAT)
![[Mary II on her deathbed, with William III grieving and courtiers offering condolences]](jpegs/42798.jpg)
[Mary II on her deathbed, with William III grieving and courtiers offering condolences]
[Romeyn de Hooghe, 1695]
Etching, sheet 445 x 585mm (17½ x 23"). Trimmed from large broadside, losing text below; three folds.
Mary II on her deathbed. On 24 November 1694 she collapsed with a stroke from which she never recovered, and by Christmas of that year it was clear she was suffering from smallpox. She died at Kensington Palace on the morning of 28 December 1694, and her body was embalmed that day as a precaution against the putrescent effects of smallpox. Top half of a broadside on the death of Mary II in 1694 etched by Romeyn de Hooghe (1645-1708), Dutch Baroque printmaker best known for his political caricatures of Louis XIV and his prints glorifying William III and the Glorious Revolution.
Landwehr p.174.
[Ref: 42798] £590.00
[Romeyn de Hooghe, 1695]
Etching, sheet 445 x 585mm (17½ x 23"). Trimmed from large broadside, losing text below; three folds.
Mary II on her deathbed. On 24 November 1694 she collapsed with a stroke from which she never recovered, and by Christmas of that year it was clear she was suffering from smallpox. She died at Kensington Palace on the morning of 28 December 1694, and her body was embalmed that day as a precaution against the putrescent effects of smallpox. Top half of a broadside on the death of Mary II in 1694 etched by Romeyn de Hooghe (1645-1708), Dutch Baroque printmaker best known for his political caricatures of Louis XIV and his prints glorifying William III and the Glorious Revolution.
Landwehr p.174.
[Ref: 42798] £590.00
![[Title page to series of prints depicting the funeral of Mary II]](jpegs/42807.jpg)
[Title page to series of prints depicting the funeral of Mary II] Funeralia Mariae Reginae, Talia Soeva Sonat: per Rostra, Palatia, Templa, Seminecem [...]
Rom: de Hooge I.V.D. et Com: R: Auct.
D. Persoy Excud: Cum Privilegio [c.1691]
Etching, rare; sheet 300 x 185mm (11¾ x 7¼"). Trimmed. Tipped into album sheet.
Mary II (1662-94) privately expressed the wish for a simple funeral, but following her death from smallpox she was given an elaborate burial in Westminster Abbey and the most lavish funeral procession ever held for an English monarch, as depicted in a series of prints by Romeyn de Hooghe to which this is the frontispiece. De Hooghe (1645-1708) was a Dutch Baroque printmaker best known for his political caricatures of Louis XIV and his prints glorifying William III and the Glorious Revolution.
Landwehr p.171
[Ref: 42807] £320.00
Rom: de Hooge I.V.D. et Com: R: Auct.
D. Persoy Excud: Cum Privilegio [c.1691]
Etching, rare; sheet 300 x 185mm (11¾ x 7¼"). Trimmed. Tipped into album sheet.
Mary II (1662-94) privately expressed the wish for a simple funeral, but following her death from smallpox she was given an elaborate burial in Westminster Abbey and the most lavish funeral procession ever held for an English monarch, as depicted in a series of prints by Romeyn de Hooghe to which this is the frontispiece. De Hooghe (1645-1708) was a Dutch Baroque printmaker best known for his political caricatures of Louis XIV and his prints glorifying William III and the Glorious Revolution.
Landwehr p.171
[Ref: 42807] £320.00
![[The funeral of Mary II] Bed van Parade [...]](jpegs/61405.jpg)
[The funeral of Mary II] Bed van Parade [...]
[Romeyn de Hooghe]
By Pieter Persoy met Previlegie [1695].
Rare etching. Sheet 240 x 300mm (9½ x 11¾"). Trimmed close to printed border on left, lacking letterpress key.
Mary II's regalia on display after her death in 1694. Plate from Samuel Gruterus, 'Funeralia Mariae II Britanniarum' (Haarlem, 1695), which depicted episodes from the funeral of Mary II (1662-94). Although Mary had privately expressed the wish for a simple funeral, she was buried with elaborate ceremony in Westminster Abbey, and her funeral procession was the largest ever held for an English monarch. Etched by Romeyn de Hooghe (1645-1708),
Landwehr Bookplates 87.
[Ref: 61405] £180.00 (£216.00 incl.VAT)
[Romeyn de Hooghe]
By Pieter Persoy met Previlegie [1695].
Rare etching. Sheet 240 x 300mm (9½ x 11¾"). Trimmed close to printed border on left, lacking letterpress key.
Mary II's regalia on display after her death in 1694. Plate from Samuel Gruterus, 'Funeralia Mariae II Britanniarum' (Haarlem, 1695), which depicted episodes from the funeral of Mary II (1662-94). Although Mary had privately expressed the wish for a simple funeral, she was buried with elaborate ceremony in Westminster Abbey, and her funeral procession was the largest ever held for an English monarch. Etched by Romeyn de Hooghe (1645-1708),
Landwehr Bookplates 87.
[Ref: 61405] £180.00 (£216.00 incl.VAT)
![[The funeral of Mary II] Lectisternium Ostentiserum. Bed van Parade [...]](jpegs/42576.jpg)
[The funeral of Mary II] Lectisternium Ostentiserum. Bed van Parade [...]
[Romeyn de Hooghe]
By Pieter Persoy met Previlegie [1695].
Rare etching with letterpress. heet 325 x 285mm (12¾ x 11¼"). Trimmed; fold through middle as normal.
Mary II's regalia on display after her death in 1694. Plate from Samuel Gruterus, 'Funeralia Mariae II Britanniarum' (Haarlem, 1695), which depicted episodes from the funeral of Mary II (1662-94), queen of England, Scotland and Ireland. Although Mary had privately expressed the wish for a simple funeral, she was buried with elaborate ceremony in Westminster Abbey, and her funeral procession was the largest ever held for an English monarch. Etched by Romeyn de Hooghe (1645-1708), exponent of the late Dutch Baroque best known for his political caricatures of Louis XIV and his prints glorifying William III and the Glorious Revolution. De Hooghe's output as an artist was broad, however, and he had other talents and responsibilities: in 1689 he was placed in charge of obtaining building materials for the royal hunting lodge of Het Loo; the same year he became a Doctor of Law at Harderwijk University; he designed ceiling paintings for municipal buildings and church windows; and he wrote several political and historical treatises.
Landwehr Bookplates 87
[Ref: 42576] £420.00
[Romeyn de Hooghe]
By Pieter Persoy met Previlegie [1695].
Rare etching with letterpress. heet 325 x 285mm (12¾ x 11¼"). Trimmed; fold through middle as normal.
Mary II's regalia on display after her death in 1694. Plate from Samuel Gruterus, 'Funeralia Mariae II Britanniarum' (Haarlem, 1695), which depicted episodes from the funeral of Mary II (1662-94), queen of England, Scotland and Ireland. Although Mary had privately expressed the wish for a simple funeral, she was buried with elaborate ceremony in Westminster Abbey, and her funeral procession was the largest ever held for an English monarch. Etched by Romeyn de Hooghe (1645-1708), exponent of the late Dutch Baroque best known for his political caricatures of Louis XIV and his prints glorifying William III and the Glorious Revolution. De Hooghe's output as an artist was broad, however, and he had other talents and responsibilities: in 1689 he was placed in charge of obtaining building materials for the royal hunting lodge of Het Loo; the same year he became a Doctor of Law at Harderwijk University; he designed ceiling paintings for municipal buildings and church windows; and he wrote several political and historical treatises.
Landwehr Bookplates 87
[Ref: 42576] £420.00
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![[Entrance to Whitehall Palace during preparations for the funeral of Mary II]](jpegs/42595.jpg)
[Entrance to Whitehall Palace during preparations for the funeral of Mary II] Rou Poort van Withal [...]
[Romeyn de Hooghe]
P Persoy Exc. Cum Previlegie [1695]
Etching with letterpress, sheet 345 x 285mm (13½ x 11¼"). Trimmed; fold through middle as normal.
Plate from Samuel Gruterus, 'Funeralia Mariae II Britanniarum' (Haarlem, 1695), which depicted episodes from the funeral of Mary II (1662-94), queen of England, Scotland and Ireland, showing four sedan chairs in background. Although Mary had privately expressed the wish for a simple funeral, she was buried with elaborate ceremony in Westminster Abbey, and her funeral procession was the largest ever held for an English monarch. Etched by Romeyn de Hooghe (1645-1708), exponent of the late Dutch Baroque best known for his political caricatures of Louis XIV and his prints glorifying William III and the Glorious Revolution. De Hooghe's output as an artist was broad, however, and he had other talents and responsibilities: in 1689 he was placed in charge of obtaining building materials for the royal hunting lodge of Het Loo; the same year he became a Doctor of Law at Harderwijk University; he designed ceiling paintings for municipal buildings and church windows; and he wrote several political and historical treatises.
[Ref: 42595] £380.00
[Romeyn de Hooghe]
P Persoy Exc. Cum Previlegie [1695]
Etching with letterpress, sheet 345 x 285mm (13½ x 11¼"). Trimmed; fold through middle as normal.
Plate from Samuel Gruterus, 'Funeralia Mariae II Britanniarum' (Haarlem, 1695), which depicted episodes from the funeral of Mary II (1662-94), queen of England, Scotland and Ireland, showing four sedan chairs in background. Although Mary had privately expressed the wish for a simple funeral, she was buried with elaborate ceremony in Westminster Abbey, and her funeral procession was the largest ever held for an English monarch. Etched by Romeyn de Hooghe (1645-1708), exponent of the late Dutch Baroque best known for his political caricatures of Louis XIV and his prints glorifying William III and the Glorious Revolution. De Hooghe's output as an artist was broad, however, and he had other talents and responsibilities: in 1689 he was placed in charge of obtaining building materials for the royal hunting lodge of Het Loo; the same year he became a Doctor of Law at Harderwijk University; he designed ceiling paintings for municipal buildings and church windows; and he wrote several political and historical treatises.
[Ref: 42595] £380.00
![[Mary II on her deathbed]](jpegs/42808.jpg)
[Mary II on her deathbed] Sterven der Koninginne [...]
[Romeyn de Hooghe]
P Persoy Exc. Cum Previlegie [1695]
Etching with letterpress, sheet 285 x 285mm (11¼ x 11¼"). Trimmed; fold through middle as normal.
Mary II attended on her deathbed by William III, Archbishop of Canterbury Thomas Tenison, doctors, and courtiers. Plate from Samuel Gruterus, 'Funeralia Mariae II Britanniarum' (Haarlem, 1695), which depicted episodes from the funeral of Mary II (1662-94), queen of England, Scotland and Ireland. Although Mary had privately expressed the wish for a simple funeral, she was buried with elaborate ceremony in Westminster Abbey, and her funeral procession was the largest ever held for an English monarch. Etched by Romeyn de Hooghe (1645-1708), exponent of the late Dutch Baroque best known for his political caricatures of Louis XIV and his prints glorifying William III and the Glorious Revolution. De Hooghe's output as an artist was broad, however, and he had other talents and responsibilities: in 1689 he was placed in charge of obtaining building materials for the royal hunting lodge of Het Loo; the same year he became a Doctor of Law at Harderwijk University; he designed ceiling paintings for municipal buildings and church windows; and he wrote several political and historical treatises.
Landwehr p.172
[Ref: 42808] £280.00 (£336.00 incl.VAT)
[Romeyn de Hooghe]
P Persoy Exc. Cum Previlegie [1695]
Etching with letterpress, sheet 285 x 285mm (11¼ x 11¼"). Trimmed; fold through middle as normal.
Mary II attended on her deathbed by William III, Archbishop of Canterbury Thomas Tenison, doctors, and courtiers. Plate from Samuel Gruterus, 'Funeralia Mariae II Britanniarum' (Haarlem, 1695), which depicted episodes from the funeral of Mary II (1662-94), queen of England, Scotland and Ireland. Although Mary had privately expressed the wish for a simple funeral, she was buried with elaborate ceremony in Westminster Abbey, and her funeral procession was the largest ever held for an English monarch. Etched by Romeyn de Hooghe (1645-1708), exponent of the late Dutch Baroque best known for his political caricatures of Louis XIV and his prints glorifying William III and the Glorious Revolution. De Hooghe's output as an artist was broad, however, and he had other talents and responsibilities: in 1689 he was placed in charge of obtaining building materials for the royal hunting lodge of Het Loo; the same year he became a Doctor of Law at Harderwijk University; he designed ceiling paintings for municipal buildings and church windows; and he wrote several political and historical treatises.
Landwehr p.172
[Ref: 42808] £280.00 (£336.00 incl.VAT)
![[Burial of Mary II at Westminster Abbey]](jpegs/42809.jpg)
[Burial of Mary II at Westminster Abbey] Excell.mo Nob.mo D.o D.o Algernoni Com: d'Essex Vice Com: de Malden. [...]
[Romeyn de Hooghe]
P Persoy Exc. Cum Previlegie [1695]
Etching, sheet 450 x 595mm (17¾ x 23½"). Trimmed, losing text below image; creasing not visible from front.
Plate from Samuel Gruterus, 'Funeralia Mariae II Britanniarum' (Haarlem, 1695), which depicted episodes from the funeral of Mary II (1662-94), queen of England, Scotland and Ireland. Although Mary had privately expressed the wish for a simple funeral, she was buried with elaborate ceremony in Westminster Abbey, and her funeral procession was the largest ever held for an English monarch. Etched by Romeyn de Hooghe (1645-1708), exponent of the late Dutch Baroque best known for his political caricatures of Louis XIV and his prints glorifying William III and the Glorious Revolution. De Hooghe's output as an artist was broad, however, and he had other talents and responsibilities: in 1689 he was placed in charge of obtaining building materials for the royal hunting lodge of Het Loo; the same year he became a Doctor of Law at Harderwijk University; he designed ceiling paintings for municipal buildings and church windows; and he wrote several political and historical treatises.
Landwehr p.182
[Ref: 42809] £550.00
[Romeyn de Hooghe]
P Persoy Exc. Cum Previlegie [1695]
Etching, sheet 450 x 595mm (17¾ x 23½"). Trimmed, losing text below image; creasing not visible from front.
Plate from Samuel Gruterus, 'Funeralia Mariae II Britanniarum' (Haarlem, 1695), which depicted episodes from the funeral of Mary II (1662-94), queen of England, Scotland and Ireland. Although Mary had privately expressed the wish for a simple funeral, she was buried with elaborate ceremony in Westminster Abbey, and her funeral procession was the largest ever held for an English monarch. Etched by Romeyn de Hooghe (1645-1708), exponent of the late Dutch Baroque best known for his political caricatures of Louis XIV and his prints glorifying William III and the Glorious Revolution. De Hooghe's output as an artist was broad, however, and he had other talents and responsibilities: in 1689 he was placed in charge of obtaining building materials for the royal hunting lodge of Het Loo; the same year he became a Doctor of Law at Harderwijk University; he designed ceiling paintings for municipal buildings and church windows; and he wrote several political and historical treatises.
Landwehr p.182
[Ref: 42809] £550.00
![[Funeral Procession of Mary II]](jpegs/42810.jpg)
[Funeral Procession of Mary II]
[Romeyn de Hooghe]
P Persoy Exc. Cum Previlegio [1695]
Three etched sheets, rare; each approx 445 x 570mm (17½ x 22½"). Each sheet trimmed in half and pasted one half above the other, with letterpress trimmed and pasted verso; vertical folds to each sheet. Loss on left side 1st plate.
Complete series of views depicting the extraordinary funeral procession for Mary II, which proceeded from the Banqueting House in Whitehall Palace to Westminster Abbey. It remains the largest ever held for an English monarch. Plates from Samuel Gruterus, 'Funeralia Mariae II Britanniarum' (Haarlem, 1695), which depicted episodes from the funeral of Mary II. Etched by Romeyn de Hooghe (1645-1708), exponent of the late Dutch Baroque best known for his political caricatures of Louis XIV and his prints glorifying William III and the Glorious Revolution. De Hooghe's output as an artist was broad, however, and he had other talents and responsibilities: in 1689 he was placed in charge of obtaining building materials for the royal hunting lodge of Het Loo; the same year he became a Doctor of Law at Harderwijk University; he designed ceiling paintings for municipal buildings and church windows; and he wrote several political and historical treatises.
Landwehr pp.176-181. Numbered 1-78. See C Mendez & Grosvenor Prints "Restoration & Revolution 2002" No 35.
[Ref: 42810] £950.00 view all images for this item
[Romeyn de Hooghe]
P Persoy Exc. Cum Previlegio [1695]
Three etched sheets, rare; each approx 445 x 570mm (17½ x 22½"). Each sheet trimmed in half and pasted one half above the other, with letterpress trimmed and pasted verso; vertical folds to each sheet. Loss on left side 1st plate.
Complete series of views depicting the extraordinary funeral procession for Mary II, which proceeded from the Banqueting House in Whitehall Palace to Westminster Abbey. It remains the largest ever held for an English monarch. Plates from Samuel Gruterus, 'Funeralia Mariae II Britanniarum' (Haarlem, 1695), which depicted episodes from the funeral of Mary II. Etched by Romeyn de Hooghe (1645-1708), exponent of the late Dutch Baroque best known for his political caricatures of Louis XIV and his prints glorifying William III and the Glorious Revolution. De Hooghe's output as an artist was broad, however, and he had other talents and responsibilities: in 1689 he was placed in charge of obtaining building materials for the royal hunting lodge of Het Loo; the same year he became a Doctor of Law at Harderwijk University; he designed ceiling paintings for municipal buildings and church windows; and he wrote several political and historical treatises.
Landwehr pp.176-181. Numbered 1-78. See C Mendez & Grosvenor Prints "Restoration & Revolution 2002" No 35.
[Ref: 42810] £950.00 view all images for this item