A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
Martigny (Vallais).
[after Morel?]
[Geneva, c.1850.]
Tinted lithograph. Image 90 x 120mm (3½ x 4¾") plus title. Trimmed as scrap, to image and around title.
A view of the Château de la Bâtiaz, a ruin on a rocky outcrop, now a Swiss heritage site of national significance. This view was published in 'Gene`ve, le lac et Chamonix', one of Morel's 'Souvenirs de la Suisse' series, containing tinted lithographic views by Morel, Mottu, Linck and others.
[Ref: 33790] £45.00 (£54.00 incl.VAT)
[after Morel?]
[Geneva, c.1850.]
Tinted lithograph. Image 90 x 120mm (3½ x 4¾") plus title. Trimmed as scrap, to image and around title.
A view of the Château de la Bâtiaz, a ruin on a rocky outcrop, now a Swiss heritage site of national significance. This view was published in 'Gene`ve, le lac et Chamonix', one of Morel's 'Souvenirs de la Suisse' series, containing tinted lithographic views by Morel, Mottu, Linck and others.
[Ref: 33790] £45.00 (£54.00 incl.VAT)
The Destroying Angel. To the Rev'd Dr. Croly. &c.&c.&c. This plate is inscribed as a testimony to the esteem in which his genius and character are held. By his sincere friend, John Martin.
John Martin Del.t. Alfred Martin Sculp.t.
London published by J. Martin. 30 Allsop Terrace, New Road and Ackermann & Co. Strand.
Mezzotint with very large margins. Platemark: 490 x 380mm. (19¼ x15"). Light staining and foxing. Crease to top left corner of sheet. Title slightly faded.
A dramatic scene depicting the story of Passover. The Destroying Angel hovers over the Imperial Palace in Egypt, hurling lightning upon the city. Thousands of the bereaved inhabitants are seen crowding through the gates and spread over the plains. In the foreground, physicians work on preserving a corpse, whilst in the distance, the Pyramids stand before the luminous horizon, looking on at the scene of devestation before them. John Martin (1789 - 1854) executed 48 drawings for illustrations of the Bible, all of which were based on Old Testament subjects.
See Campbell, 'John Martin: Visionary Printmaker' p.157 for discussion of this print and John Martin's mezzotint of the subject, published shortly after.
[Ref: 30282] £320.00
John Martin Del.t. Alfred Martin Sculp.t.
London published by J. Martin. 30 Allsop Terrace, New Road and Ackermann & Co. Strand.
Mezzotint with very large margins. Platemark: 490 x 380mm. (19¼ x15"). Light staining and foxing. Crease to top left corner of sheet. Title slightly faded.
A dramatic scene depicting the story of Passover. The Destroying Angel hovers over the Imperial Palace in Egypt, hurling lightning upon the city. Thousands of the bereaved inhabitants are seen crowding through the gates and spread over the plains. In the foreground, physicians work on preserving a corpse, whilst in the distance, the Pyramids stand before the luminous horizon, looking on at the scene of devestation before them. John Martin (1789 - 1854) executed 48 drawings for illustrations of the Bible, all of which were based on Old Testament subjects.
See Campbell, 'John Martin: Visionary Printmaker' p.157 for discussion of this print and John Martin's mezzotint of the subject, published shortly after.
[Ref: 30282] £320.00
![[Donkey Racing.]](jpegs/36344.jpg)
[Donkey Racing.]
E. Martin Inv.t. J. F. Martin sculp.t.
[n.d., c.1799.]
Stipple with hand colour, large margins. Platemark: 180 x 240mm (7 x 9½"). Light staining in margins. Small repair in centre. Bit dusty.
A scene depicting nine figures racing donkeys over a small bridge, to the right, past two spectators in the centre, and off into the distance to the left. To the right, a goat leaps in front of a rider, throwing him from his donkey, in front, a small child rides with an adult, and further ahead another rider falls from his animal. By Elias Martin, A.R.A. Swedish, born Stockholm in 1739, died Stockholm 1818. He came to London in 1768, becoming a Royal Academy student the next year and was elected A.R.A in 1770. After Elias Martin, engraved by his younger brother, Johann Frederick (1745-1808).
[Ref: 36344] £220.00 (£264.00 incl.VAT)
E. Martin Inv.t. J. F. Martin sculp.t.
[n.d., c.1799.]
Stipple with hand colour, large margins. Platemark: 180 x 240mm (7 x 9½"). Light staining in margins. Small repair in centre. Bit dusty.
A scene depicting nine figures racing donkeys over a small bridge, to the right, past two spectators in the centre, and off into the distance to the left. To the right, a goat leaps in front of a rider, throwing him from his donkey, in front, a small child rides with an adult, and further ahead another rider falls from his animal. By Elias Martin, A.R.A. Swedish, born Stockholm in 1739, died Stockholm 1818. He came to London in 1768, becoming a Royal Academy student the next year and was elected A.R.A in 1770. After Elias Martin, engraved by his younger brother, Johann Frederick (1745-1808).
[Ref: 36344] £220.00 (£264.00 incl.VAT)
![[Mother and child eating fruit from a tree.]](jpegs/36347.jpg)
[Mother and child eating fruit from a tree.]
E. M. fecit.
Publish.d 1779.
Stipple with hand colour, with large margins, very fine. On watermarked paper. Platemark: 240 x 160mm (9½ x 6¼"). Small tear in lower right corner of sheet. Two small spots in the left margin. Light rubbing to right margin.
A well dressed woman picks fruit with her right hand, most likely cherries, from the branch of small tree to the left, whilst a child eats from her left hand. By Elias Martin, A.R.A. Swedish, born Stockholm in 1739, died Stockholm 1818. He came to London in 1768, becoming a Royal Academy student the next year and was elected A.R.A in 1770.
[Ref: 36347] £240.00 (£288.00 incl.VAT)
E. M. fecit.
Publish.d 1779.
Stipple with hand colour, with large margins, very fine. On watermarked paper. Platemark: 240 x 160mm (9½ x 6¼"). Small tear in lower right corner of sheet. Two small spots in the left margin. Light rubbing to right margin.
A well dressed woman picks fruit with her right hand, most likely cherries, from the branch of small tree to the left, whilst a child eats from her left hand. By Elias Martin, A.R.A. Swedish, born Stockholm in 1739, died Stockholm 1818. He came to London in 1768, becoming a Royal Academy student the next year and was elected A.R.A in 1770.
[Ref: 36347] £240.00 (£288.00 incl.VAT)
![[Horse Chestnut]](jpegs/39537.jpg)
[Horse Chestnut]
J Martin
[London, Published May 15th 1817 at R. Ackermann's Repository of Arts, 101 Strand.]
Etching, sheet 330 x 270mm (13 x 10½"). Trimmed losing text. Crease; slight foxing.
Horse chestnut with two groups of figures, and deer, beneath. One of seven etchings contained in John Martin's (1789-1854) first commercial publication, 'Characters of Trees' (1817). The work contained no text, being simply a series of unnumbered prints advertised as a drawing book. According to Campbell, ''Horse Chestnut' is, without doubt, the most elaborate of the etchings produced for 'Characters of Trees''. Martin (1789 - 1854) is best known for his paintings and mezzotints of biblical subjects, in which capacity his hold on the popular imagination was unparalleled in its day. In the 20th century the influence of these works has continued to be felt- Martin's mezzotint of Belshazzar's Feast was the basis of the enormous Babylon set constructed for D.W. Griffith's film 'Intolerance' (1916).
C.W.5.
[Ref: 39537] £360.00
J Martin
[London, Published May 15th 1817 at R. Ackermann's Repository of Arts, 101 Strand.]
Etching, sheet 330 x 270mm (13 x 10½"). Trimmed losing text. Crease; slight foxing.
Horse chestnut with two groups of figures, and deer, beneath. One of seven etchings contained in John Martin's (1789-1854) first commercial publication, 'Characters of Trees' (1817). The work contained no text, being simply a series of unnumbered prints advertised as a drawing book. According to Campbell, ''Horse Chestnut' is, without doubt, the most elaborate of the etchings produced for 'Characters of Trees''. Martin (1789 - 1854) is best known for his paintings and mezzotints of biblical subjects, in which capacity his hold on the popular imagination was unparalleled in its day. In the 20th century the influence of these works has continued to be felt- Martin's mezzotint of Belshazzar's Feast was the basis of the enormous Babylon set constructed for D.W. Griffith's film 'Intolerance' (1916).
C.W.5.
[Ref: 39537] £360.00
![[Pine]](jpegs/39538.jpg)
[Pine]
J Martin
[London, Published May 15th 1817 at R. Ackermann's Repository of Arts, 101 Strand.]
Etching, sheet 380 x 235mm (15 x 9¼"). Trimmed losing text. Crease; slight foxing.
Pine with ruined castle and distant mountains beyond, with a contrast between the strong foreground and faint, distant background produced by a 'stopping out' technique during the biting of the copper plate. One of seven etchings contained in John Martin's (1789-1854) first commercial publication, 'Characters of Trees' (1817). The work contained no text, being simply a series of unnumbered prints advertised as a drawing book. A preparatory drawing is in the Courtauld Institute collection. Martin (1789 - 1854) is best known for his paintings and mezzotints of biblical subjects, in which capacity his hold on the popular imagination was unparalleled in its day. In the 20th century the influence of these works has continued to be felt- Martin's mezzotint of Belshazzar's Feast was the basis of the enormous Babylon set constructed for D.W. Griffith's film 'Intolerance' (1916).
C.W.8.
[Ref: 39538] £360.00
J Martin
[London, Published May 15th 1817 at R. Ackermann's Repository of Arts, 101 Strand.]
Etching, sheet 380 x 235mm (15 x 9¼"). Trimmed losing text. Crease; slight foxing.
Pine with ruined castle and distant mountains beyond, with a contrast between the strong foreground and faint, distant background produced by a 'stopping out' technique during the biting of the copper plate. One of seven etchings contained in John Martin's (1789-1854) first commercial publication, 'Characters of Trees' (1817). The work contained no text, being simply a series of unnumbered prints advertised as a drawing book. A preparatory drawing is in the Courtauld Institute collection. Martin (1789 - 1854) is best known for his paintings and mezzotints of biblical subjects, in which capacity his hold on the popular imagination was unparalleled in its day. In the 20th century the influence of these works has continued to be felt- Martin's mezzotint of Belshazzar's Feast was the basis of the enormous Babylon set constructed for D.W. Griffith's film 'Intolerance' (1916).
C.W.8.
[Ref: 39538] £360.00
![[Mother and Child.]](jpegs/36334.jpg)
[Mother and Child.]
Elias Martin fecit.
Published Decem.br. 1779.
Hand-coloured stipple with very large margins. Plate: 130 x 170mm ( 5 x 6¾"). Fine.
A scene in which a mother holds her baby to her shoulder while behind her a man and animals look on. By Elias Martin, A.R.A. Swedish, born Stockholm in 1739, died Stockholm 1818. He came to London in 1768, becoming a Royal Academy student the next year and was elected A.R.A in 1770.
[Ref: 36334] £180.00 (£216.00 incl.VAT)
Elias Martin fecit.
Published Decem.br. 1779.
Hand-coloured stipple with very large margins. Plate: 130 x 170mm ( 5 x 6¾"). Fine.
A scene in which a mother holds her baby to her shoulder while behind her a man and animals look on. By Elias Martin, A.R.A. Swedish, born Stockholm in 1739, died Stockholm 1818. He came to London in 1768, becoming a Royal Academy student the next year and was elected A.R.A in 1770.
[Ref: 36334] £180.00 (£216.00 incl.VAT)
The mind uncumber'd plays.
E. Martin Inv.t & Sculp.t.
Publish'd as the Act Directs, 1779.
Stipple with hand colouring with very large margins; Platemark: 190 x 150mm (7¾ x 6").
A child sits looking down towards a small dog to the left, with its paws on the childs lap. By Elias Martin, A.R.A. Swedish, born Stockholm in 1739, died Stockholm 1818. He came to London in 1768, becoming a Royal Academy student the next year and was elected A.R.A in 1770.
[Ref: 36335] £140.00 (£168.00 incl.VAT)
E. Martin Inv.t & Sculp.t.
Publish'd as the Act Directs, 1779.
Stipple with hand colouring with very large margins; Platemark: 190 x 150mm (7¾ x 6").
A child sits looking down towards a small dog to the left, with its paws on the childs lap. By Elias Martin, A.R.A. Swedish, born Stockholm in 1739, died Stockholm 1818. He came to London in 1768, becoming a Royal Academy student the next year and was elected A.R.A in 1770.
[Ref: 36335] £140.00 (£168.00 incl.VAT)
Constantia Charming.
Elias Martin ino & Sculp.t.
Published December 18.th 1778, Leicester Street, No. 8.
Fine stipple printed in colours, plate 220 x 165mm (8¾ x 6½"), with large margins. Very light foxing.
A half portrait of a woman wearing a veil, with covered shoulders, directed to the left, reading from a book. By Elias Martin, A.R.A. Swedish, born Stockholm in 1739, died Stockholm 1818. He came to London in 1768, becoming a Royal Academy student the next year and was elected A.R.A in 1770.
Ex: Oettingen-Wallerstein collection. Sotheby's London / Milan Nov 1997. See 36350 for one printed in sanguine.
[Ref: 60281] £260.00 (£312.00 incl.VAT)
Elias Martin ino & Sculp.t.
Published December 18.th 1778, Leicester Street, No. 8.
Fine stipple printed in colours, plate 220 x 165mm (8¾ x 6½"), with large margins. Very light foxing.
A half portrait of a woman wearing a veil, with covered shoulders, directed to the left, reading from a book. By Elias Martin, A.R.A. Swedish, born Stockholm in 1739, died Stockholm 1818. He came to London in 1768, becoming a Royal Academy student the next year and was elected A.R.A in 1770.
Ex: Oettingen-Wallerstein collection. Sotheby's London / Milan Nov 1997. See 36350 for one printed in sanguine.
[Ref: 60281] £260.00 (£312.00 incl.VAT)
![[Riverside Cottage.]](jpegs/36343.jpg)
[Riverside Cottage.]
E. Martin Inv.t & Sculp.t.
Publi.d December 14. 1799. No. 8. Leicester Street.
Etching with hand colouring, large margins and very fine. 145 x 125mm (5¾ x 5"). Paper worn in small area of bottom left corner, inside the platemark. Light staining to sheet.
A picturesque view of a large thatched cottage to the right of a shallow river which is in the centre. Three figures are seen on the left bank, whilst a man rides a horse and leads another in the water. Other buildings can be seen in the distance. By Elias Martin, A.R.A. Swedish, born Stockholm in 1739, died Stockholm 1818. He came to London in 1768, becoming a Royal Academy student the next year and was elected A.R.A in 1770.
[Ref: 36343] £160.00 (£192.00 incl.VAT)
E. Martin Inv.t & Sculp.t.
Publi.d December 14. 1799. No. 8. Leicester Street.
Etching with hand colouring, large margins and very fine. 145 x 125mm (5¾ x 5"). Paper worn in small area of bottom left corner, inside the platemark. Light staining to sheet.
A picturesque view of a large thatched cottage to the right of a shallow river which is in the centre. Three figures are seen on the left bank, whilst a man rides a horse and leads another in the water. Other buildings can be seen in the distance. By Elias Martin, A.R.A. Swedish, born Stockholm in 1739, died Stockholm 1818. He came to London in 1768, becoming a Royal Academy student the next year and was elected A.R.A in 1770.
[Ref: 36343] £160.00 (£192.00 incl.VAT)
Around my Fire an evening group to draw, And tell of all I felt and all I saw.
E. Martin inv.t. J. Fred.k Martin Sculp.t.
Publish'd as the Act directs 1778. No. 8 Leicester Street, Leicester Square, London.
Etching printed in brown ink, large margins. On watermarked paper. Platemark: 175 x 200mm (7 x 8").
An interior scene. A group are gathered around a large roaring fire, listening to a gentleman speaking about his life. Two small children and two dogs are sat on the floor, with a number of adults sat around them. Books, paintings, a mirror, and a bust on a plinth, furnish the room. The title of the print is taken from the poem, 'The Deserted Village' by Oliver Goldsmith (1730 - 1774), published in 1770. By Elias Martin, A.R.A. Swedish, born Stockholm in 1739, died Stockholm 1818. He came to London in 1768, becoming a Royal Academy student the next year and was elected A.R.A in 1770. After Elias Martin, engraved by his younger brother, Johann Frederick (1745-1808).
[Ref: 36348] £160.00 (£192.00 incl.VAT)
E. Martin inv.t. J. Fred.k Martin Sculp.t.
Publish'd as the Act directs 1778. No. 8 Leicester Street, Leicester Square, London.
Etching printed in brown ink, large margins. On watermarked paper. Platemark: 175 x 200mm (7 x 8").
An interior scene. A group are gathered around a large roaring fire, listening to a gentleman speaking about his life. Two small children and two dogs are sat on the floor, with a number of adults sat around them. Books, paintings, a mirror, and a bust on a plinth, furnish the room. The title of the print is taken from the poem, 'The Deserted Village' by Oliver Goldsmith (1730 - 1774), published in 1770. By Elias Martin, A.R.A. Swedish, born Stockholm in 1739, died Stockholm 1818. He came to London in 1768, becoming a Royal Academy student the next year and was elected A.R.A in 1770. After Elias Martin, engraved by his younger brother, Johann Frederick (1745-1808).
[Ref: 36348] £160.00 (£192.00 incl.VAT)
to Night and Death / Made he flaming with rage, folling his eyes / So fast that whirlwinds rose about him.
J. Martin K.I. A. Martin.
[London: Francis Baisler, 1844.]
Mezzotint, fine image. Sheet 150 x 205mm (6 x 8"). Trimmed inside plate.
Two angelic figures by an underground sea representing Hell. Engraved by Alfred Martin (1841-1872) after John Martin (1789-1854) as the frontispiece to 'The Wars of Jehovah, in Heaven, Earth and Hell: in nine Books' by Thomas Harkins.
[Ref: 40347] £230.00 (£276.00 incl.VAT)
J. Martin K.I. A. Martin.
[London: Francis Baisler, 1844.]
Mezzotint, fine image. Sheet 150 x 205mm (6 x 8"). Trimmed inside plate.
Two angelic figures by an underground sea representing Hell. Engraved by Alfred Martin (1841-1872) after John Martin (1789-1854) as the frontispiece to 'The Wars of Jehovah, in Heaven, Earth and Hell: in nine Books' by Thomas Harkins.
[Ref: 40347] £230.00 (£276.00 incl.VAT)
![[Untitled self-portrait of Ellis Martin.]](jpegs/66855.jpg)
[Untitled self-portrait of Ellis Martin.]
Ellis Martin 1907.
Watercolour, signed. 230 x 180mm (9 x 7") Mint
A head and shoulders self-portrait of Ellis Martin (1881-1977), famed for his illustrated covers for Ordnance Survey maps, 1921-40.
[Ref: 66855] £650.00
Ellis Martin 1907.
Watercolour, signed. 230 x 180mm (9 x 7") Mint
A head and shoulders self-portrait of Ellis Martin (1881-1977), famed for his illustrated covers for Ordnance Survey maps, 1921-40.
[Ref: 66855] £650.00
![[Henri Martin] Hyder Ali, or the Lions of Mysore.](jpegs/55511.jpg)
[Henri Martin] Hyder Ali, or the Lions of Mysore. Sadhusing extracating his Children from the Boa Constrictors, as performed at Drury Lane Theatre.
W. Clerk lith, 41 Dean Str Soho.
Published by S. Gans 15 Southampton Street, Covent Garden [n.d., c.1831].
Lithograph with fine hand colour. . Sheet: 160 x 185mm (6¼ x 7¼"). Trimmed, two tears in right edge. Tear in left edge.
A scene from 'Hyder Ali, or the Lions of Mysore', a play shown at Drury Lane Theatre in 1831 which incorporated scenes of animal taming by the first famous lion tamer Henri Martin (1793-1882). Martin played the title of role of Sadhusing, the son of Hyder Ali who escapes into the forest during a battle and befriends the lions. This scene shows Martin performing with Boa Constrictors which were made to appear as if they were attacking the small boys.
[Ref: 55511] £180.00 (£216.00 incl.VAT)
W. Clerk lith, 41 Dean Str Soho.
Published by S. Gans 15 Southampton Street, Covent Garden [n.d., c.1831].
Lithograph with fine hand colour. . Sheet: 160 x 185mm (6¼ x 7¼"). Trimmed, two tears in right edge. Tear in left edge.
A scene from 'Hyder Ali, or the Lions of Mysore', a play shown at Drury Lane Theatre in 1831 which incorporated scenes of animal taming by the first famous lion tamer Henri Martin (1793-1882). Martin played the title of role of Sadhusing, the son of Hyder Ali who escapes into the forest during a battle and befriends the lions. This scene shows Martin performing with Boa Constrictors which were made to appear as if they were attacking the small boys.
[Ref: 55511] £180.00 (£216.00 incl.VAT)
![[Henri Martin] Hyder Ali or the Lions of Mysore.](jpegs/39440.jpg)
[Henri Martin] Hyder Ali or the Lions of Mysore. The Combat between Sadhuing and the Lion as Performed at Drury Lane Theatre.
[Printed by W. Clerk. 41 Dean S.t. Soho. n.d., c.1831.]
Rare lithograph. Sheet: 210 x 165mm (8¼ x 6½"). Trimmed.
An illustration of a scene from a play shown at Drury Lane Theatre in 1831 called 'Hyder Ali, or the Lions of Mysore' which incorporated scenes of animal taming by the first famous lion tamer Henri Martin (1793-1882). Martin played the title of role of Sadhusing, the son of Hyder Ali who escapes into the forest during a battle and befriends the lions. This scene shows Martin supposedly engaged in combat with his lion.
[Ref: 39440] £140.00 (£168.00 incl.VAT)
[Printed by W. Clerk. 41 Dean S.t. Soho. n.d., c.1831.]
Rare lithograph. Sheet: 210 x 165mm (8¼ x 6½"). Trimmed.
An illustration of a scene from a play shown at Drury Lane Theatre in 1831 called 'Hyder Ali, or the Lions of Mysore' which incorporated scenes of animal taming by the first famous lion tamer Henri Martin (1793-1882). Martin played the title of role of Sadhusing, the son of Hyder Ali who escapes into the forest during a battle and befriends the lions. This scene shows Martin supposedly engaged in combat with his lion.
[Ref: 39440] £140.00 (£168.00 incl.VAT)
![[Henri Martin] Hyder Ali or the Lions of Mysore.](jpegs/39441.jpg)
[Henri Martin] Hyder Ali or the Lions of Mysore.
Printed by W. Clerk. 41 Dean S.t. Soho. [n.d., c.1831.]
Lithograph. Sheet: 260 x 205mm (10¼ x 8"). Trimmed.
An illustration of a scene from a play shown at Drury Lane Theatre in 1831 called 'Hyder Ali, or the Lions of Mysore' which incorporated scenes of animal taming by the first famous lion tamer Henri Martin (1793-1882). Martin played the title of role of Sadhusing, the son of Hyder Ali who escapes into the forest during a battle and befriends the lions.
[Ref: 39441] £190.00 (£228.00 incl.VAT)
Printed by W. Clerk. 41 Dean S.t. Soho. [n.d., c.1831.]
Lithograph. Sheet: 260 x 205mm (10¼ x 8"). Trimmed.
An illustration of a scene from a play shown at Drury Lane Theatre in 1831 called 'Hyder Ali, or the Lions of Mysore' which incorporated scenes of animal taming by the first famous lion tamer Henri Martin (1793-1882). Martin played the title of role of Sadhusing, the son of Hyder Ali who escapes into the forest during a battle and befriends the lions.
[Ref: 39441] £190.00 (£228.00 incl.VAT)
John Martin. He was by trade a baker...
Drawn & Etched from the life by Easto.
London Pub. Feb.y 1st 1819 by S.W. Fores, 50 Piccadilly [but later].
Coloured etching. 415 x 285mm (16¼ x 11¼") very large margins Some restoration lower left.
A boxer, fists raised.
[Ref: 57979] £260.00 (£312.00 incl.VAT)
Drawn & Etched from the life by Easto.
London Pub. Feb.y 1st 1819 by S.W. Fores, 50 Piccadilly [but later].
Coloured etching. 415 x 285mm (16¼ x 11¼") very large margins Some restoration lower left.
A boxer, fists raised.
[Ref: 57979] £260.00 (£312.00 incl.VAT)
![John Martin [signature facsimile.]](jpegs/8876.jpg)
John Martin [signature facsimile.]
[n.d., c.1834.]
Stipple engraving with etching on india laid paper, proof before publication line. 225 x 165mm. 9 x 6½". Scarce.
John Martin (1789 - 1854), history, landscape and biblical painter, seated next to his canvas. By Charles Edward Wagstaff (b.1808), after Thomas Charles Wageman (1787 - 1863).
NPG: D16950.
[Ref: 8876] £450.00
[n.d., c.1834.]
Stipple engraving with etching on india laid paper, proof before publication line. 225 x 165mm. 9 x 6½". Scarce.
John Martin (1789 - 1854), history, landscape and biblical painter, seated next to his canvas. By Charles Edward Wagstaff (b.1808), after Thomas Charles Wageman (1787 - 1863).
NPG: D16950.
[Ref: 8876] £450.00
![Luther Martin [facsimile signature]](jpegs/35307.jpg)
Luther Martin [facsimile signature]
Engraved by W.A. Wilmer from a Painting in possession of J. Purviance Esq. of Baltimore. [c.1820]
Stipple, platemark approx 255 x 165mm (10 x 6½"). Rubbed.
Luther Martin (1748-1826), politician, lawyer (he was Maryland attorney general for 28 years) and one of the United States' Founding Fathers. Martin was an Anti-Federalist whose actions helped passage of the Bill of Rights.
[Ref: 35307] £50.00 (£60.00 incl.VAT)
Engraved by W.A. Wilmer from a Painting in possession of J. Purviance Esq. of Baltimore. [c.1820]
Stipple, platemark approx 255 x 165mm (10 x 6½"). Rubbed.
Luther Martin (1748-1826), politician, lawyer (he was Maryland attorney general for 28 years) and one of the United States' Founding Fathers. Martin was an Anti-Federalist whose actions helped passage of the Bill of Rights.
[Ref: 35307] £50.00 (£60.00 incl.VAT)
![Luther Martin [facsimile signature]](jpegs/35308.jpg)
Luther Martin [facsimile signature]
Engraved by W.A. Wilmer from a Painting in possession of J. Purviance Esq. of Baltimore. [c.1820]
Stipple, platemark approx 255 x 165mm (10 x 6½"). Rubbed.
Luther Martin (1748-1826), politician, lawyer (he was Maryland attorney general for 28 years) and one of the United States' Founding Fathers. Martin was an Anti-Federalist whose actions helped passage of the Bill of Rights.
[Ref: 35308] £60.00 (£72.00 incl.VAT)
Engraved by W.A. Wilmer from a Painting in possession of J. Purviance Esq. of Baltimore. [c.1820]
Stipple, platemark approx 255 x 165mm (10 x 6½"). Rubbed.
Luther Martin (1748-1826), politician, lawyer (he was Maryland attorney general for 28 years) and one of the United States' Founding Fathers. Martin was an Anti-Federalist whose actions helped passage of the Bill of Rights.
[Ref: 35308] £60.00 (£72.00 incl.VAT)
![[Portrait of Vincenzo Martinelli with cornucopia below]](jpegs/36621.jpg)
[Portrait of Vincenzo Martinelli with cornucopia below]
G.B. Cipriani Fiorentino disegno. F. Bartolozzi scalpi [1766]
Engraving with very large margins, fine, platemark 205 x 140mm (8 x 5½").
Portrait of the Italian author Vincenzo Martinelli, from his edition of Boccaccio's 'Decameron' published in London in 1766. Engraved by Francesco Bartolozzi (1725-1815), Florentine engraver and founding member of the Royal Academy in 1768. After meeting George III's librarian Richard Dalton in Italy in 1763, Dalton invited Bartolozzi to London with a promise of an appointment as engraver to the king. In England he became the most celebrated exponent of the 'stipple' technique whereby he produced prints using dots rather than lines. This was the medium employed for many of his prints although this print uses the more established technique of etching.
De Vesme 872 (only state).
[Ref: 36621] £160.00 (£192.00 incl.VAT)
G.B. Cipriani Fiorentino disegno. F. Bartolozzi scalpi [1766]
Engraving with very large margins, fine, platemark 205 x 140mm (8 x 5½").
Portrait of the Italian author Vincenzo Martinelli, from his edition of Boccaccio's 'Decameron' published in London in 1766. Engraved by Francesco Bartolozzi (1725-1815), Florentine engraver and founding member of the Royal Academy in 1768. After meeting George III's librarian Richard Dalton in Italy in 1763, Dalton invited Bartolozzi to London with a promise of an appointment as engraver to the king. In England he became the most celebrated exponent of the 'stipple' technique whereby he produced prints using dots rather than lines. This was the medium employed for many of his prints although this print uses the more established technique of etching.
De Vesme 872 (only state).
[Ref: 36621] £160.00 (£192.00 incl.VAT)
![[Crisóstomo Martínez] Chrisostomus Martines Valentianus.](jpegs/59912.jpg)
[Crisóstomo Martínez] Chrisostomus Martines Valentianus. Anagramma. Istic Inter Summos in Arte Sua Volans.
[n.d., c.1700.]
Scarce engraving. Sheet 255 x 195mm (10 x 7¾"). Trimmed into plate, laid on card with gold surrounds.
Crisóstomo Martínez y Sorli (1638-1694), a painter and engraver who began an anatomical atlas which, despite being unfinished after 18 plates, is an important milestone in anatomical illustration.
Not in Wellcome.
[Ref: 59912] £260.00 (£312.00 incl.VAT)
[n.d., c.1700.]
Scarce engraving. Sheet 255 x 195mm (10 x 7¾"). Trimmed into plate, laid on card with gold surrounds.
Crisóstomo Martínez y Sorli (1638-1694), a painter and engraver who began an anatomical atlas which, despite being unfinished after 18 plates, is an important milestone in anatomical illustration.
Not in Wellcome.
[Ref: 59912] £260.00 (£312.00 incl.VAT)
![[Jean Paul Egide Martini.]](jpegs/20036.jpg)
[Jean Paul Egide Martini.]
[n.d. c.1813.]
Stipple. Plate 272 x 203mm. 10¾ x 8". Uncut.
Jean Paul Egide Martini (1741-1816) was a composer of classical music. He is best known for his vocal romance 'Plaisir d'Amour', on which the 1961 Elvis Presley standard 'Can't Help Falling in Love' was based. Leaving Germany and settling in France he established a successful career as a court musician. He directed concerts for the Queen but adatpted well to the changing regimes throughout the French Revolution, and later wrote music for Napoleon's marriage as well as for the restored Chapelle Royale.
[Ref: 20036] £140.00 (£168.00 incl.VAT)
[n.d. c.1813.]
Stipple. Plate 272 x 203mm. 10¾ x 8". Uncut.
Jean Paul Egide Martini (1741-1816) was a composer of classical music. He is best known for his vocal romance 'Plaisir d'Amour', on which the 1961 Elvis Presley standard 'Can't Help Falling in Love' was based. Leaving Germany and settling in France he established a successful career as a court musician. He directed concerts for the Queen but adatpted well to the changing regimes throughout the French Revolution, and later wrote music for Napoleon's marriage as well as for the restored Chapelle Royale.
[Ref: 20036] £140.00 (£168.00 incl.VAT)
A Plan of Martinique.
[n.d. c.1800.]
Hand-coloured engraving. Plate 138 x 164mm. 5½ x 6½". Cut close to the plate at the bottom.
Martinique, an island in the eastern Caribbean Sea. Ackermann's Repository of Arts published between 1809 and 1829 by Rudolph Ackermann, was a journal and periodical which discussed and illustrated day to day life, which also influenced English taste in fashion, architecture and literature. See Ackermann's Repository ref:17091.
[Ref: 17093] £65.00
[n.d. c.1800.]
Hand-coloured engraving. Plate 138 x 164mm. 5½ x 6½". Cut close to the plate at the bottom.
Martinique, an island in the eastern Caribbean Sea. Ackermann's Repository of Arts published between 1809 and 1829 by Rudolph Ackermann, was a journal and periodical which discussed and illustrated day to day life, which also influenced English taste in fashion, architecture and literature. See Ackermann's Repository ref:17091.
[Ref: 17093] £65.00
A View of part of the Island of Martinique Pigeon Island, Gros Inlet Bay, Shaque Bay & part of Careenage Bay, St. Lucia.
Drawn from Nature by Lieut. Chas. Forrest late of the 90 Reg.t. Engraved by F. Chesham.
Published as the Act directs Feb.y 15 1785, by John Walker, No. 148 Strand.
Aquatint with etching printed in sepia. 300 x 510mm (11¾ x 20"). Trimmed almost to plate at sides, faint vertical crease, some general light scuffing and soiling.
View looking south of European shipping off the island Martinique in the eastern Caribbean Sea, with a distant view of St. Lucia. A very rare print, after Lieutenant-Colonel Charles Ramus Forrest (1750 - 1827). One of 'Twelve Views of the Island of Saint Lucia ... By Lieut. Chas. Forrest; engraved by Chesham', 1784-86. Forrest was a British military officer who served in India, the West Indies, and on the staff of the Earl of Dalhousie, Governor in Chief of Canada, from 1821 to 1823. Although an accomplished amateur artist, Forrest’s professional performance did not live up to Dalhousie’s expectations and he was dismissed. He returned to England in 1823. His best known work is probably 'A Picturesque Tour along the Rivers Ganges and Jumna', 1824.
British Library: 004924537.
[Ref: 45843] £580.00
Drawn from Nature by Lieut. Chas. Forrest late of the 90 Reg.t. Engraved by F. Chesham.
Published as the Act directs Feb.y 15 1785, by John Walker, No. 148 Strand.
Aquatint with etching printed in sepia. 300 x 510mm (11¾ x 20"). Trimmed almost to plate at sides, faint vertical crease, some general light scuffing and soiling.
View looking south of European shipping off the island Martinique in the eastern Caribbean Sea, with a distant view of St. Lucia. A very rare print, after Lieutenant-Colonel Charles Ramus Forrest (1750 - 1827). One of 'Twelve Views of the Island of Saint Lucia ... By Lieut. Chas. Forrest; engraved by Chesham', 1784-86. Forrest was a British military officer who served in India, the West Indies, and on the staff of the Earl of Dalhousie, Governor in Chief of Canada, from 1821 to 1823. Although an accomplished amateur artist, Forrest’s professional performance did not live up to Dalhousie’s expectations and he was dismissed. He returned to England in 1823. His best known work is probably 'A Picturesque Tour along the Rivers Ganges and Jumna', 1824.
British Library: 004924537.
[Ref: 45843] £580.00
A Plan of Martinique.
[n.d., c.1800.]
Engraved map with hand-colour. Plate: 140 x 160mm (5½ x 6¼").
A map of Martinique in the Caribbean showing the roads on the island.
[Ref: 46054] £110.00
[n.d., c.1800.]
Engraved map with hand-colour. Plate: 140 x 160mm (5½ x 6¼").
A map of Martinique in the Caribbean showing the roads on the island.
[Ref: 46054] £110.00
Diamond Rock, Martinique.
N. Pocock delt. Wells sculp.t.
Published March 31st 1803 by J.Gold, 103 Shoe Lane.
Aquatint. 130 x 220mm.
Published in the 'Naval Chronicle'.
[Ref: 4365] £70.00 (£84.00 incl.VAT)
N. Pocock delt. Wells sculp.t.
Published March 31st 1803 by J.Gold, 103 Shoe Lane.
Aquatint. 130 x 220mm.
Published in the 'Naval Chronicle'.
[Ref: 4365] £70.00 (£84.00 incl.VAT)
View of St. Louis.
Pub.d at R. Ackermann's, London, 1821.
Hand-coloured aquatint. 90 x 145mm. 3½ x 5¾". Crease along upper edge.
Fort Saint Louis is a fortress on a peninsula at Fort-de France, Martinique.
[Ref: 21021] £130.00 (£156.00 incl.VAT)
Pub.d at R. Ackermann's, London, 1821.
Hand-coloured aquatint. 90 x 145mm. 3½ x 5¾". Crease along upper edge.
Fort Saint Louis is a fortress on a peninsula at Fort-de France, Martinique.
[Ref: 21021] £130.00 (£156.00 incl.VAT)
![Martinsyde Elephant [in pencil to bottom right.]](jpegs/15532.jpg)
Martinsyde Elephant [in pencil to bottom right.]
[n.d. c.1916.]
Pencil drawing, 381 x 280mm. 15 x 11".
The Martinsyde G.100 "Elephant" was a British fighter bomber aircrafy of the First World War. Martinsyde was the manufacturer of British aircraft and motorcycles between 1908 and 1922. This aircraft gained the name "elephant" due to its large size and lack of manoeuvrability.
[Ref: 15532] £160.00 (£192.00 incl.VAT)
[n.d. c.1916.]
Pencil drawing, 381 x 280mm. 15 x 11".
The Martinsyde G.100 "Elephant" was a British fighter bomber aircrafy of the First World War. Martinsyde was the manufacturer of British aircraft and motorcycles between 1908 and 1922. This aircraft gained the name "elephant" due to its large size and lack of manoeuvrability.
[Ref: 15532] £160.00 (£192.00 incl.VAT)
![[Landscape with stream and man fishing.]](jpegs/38745.jpg)
[Landscape with stream and man fishing.] Engraved from a Picture of Martorelli. No. 9.
Martorelli Pinx.t. F. Vivares Sculp.
Publish'd Jan.y 15th 1754 by F. Vivares
Engraving, sheet 400 x 515mm (15¾ x 20¼"). Fine impression.
One of very few prints after Neapolitan painter Gaetano Martorelli (1670-1723), a follower of Salvator Rosa. Part of an influential series of landscape engravings after seventeenth century masters by Francis Vivares (1709-80),
Ex Private Collection.
[Ref: 38745] £280.00 (£336.00 incl.VAT)
Martorelli Pinx.t. F. Vivares Sculp.
Publish'd Jan.y 15th 1754 by F. Vivares
Engraving, sheet 400 x 515mm (15¾ x 20¼"). Fine impression.
One of very few prints after Neapolitan painter Gaetano Martorelli (1670-1723), a follower of Salvator Rosa. Part of an influential series of landscape engravings after seventeenth century masters by Francis Vivares (1709-80),
Ex Private Collection.
[Ref: 38745] £280.00 (£336.00 incl.VAT)
![[Landscape with stream and man fishing.]](jpegs/38746.jpg)
[Landscape with stream and man fishing.] Engraved from a Picture of Martorelli.
Martorelli Pinx.t. F. Vivares Sculp. T. Philipe Excu.t.
Publish'd Jan.y 15th 1754 by F. Vivares
Engraving, sheet 400 x 515mm (15¾ x 20¼"). Fine impression. Small tear in lower plate.
One of very few prints after Neapolitan painter Gaetano Martorelli (1670-1723), a follower of Salvator Rosa. Part of an influential series of landscape engravings after seventeenth century masters by Francis Vivares (1709-80),
Private Collection.
[Ref: 38746] £230.00 (£276.00 incl.VAT)
Martorelli Pinx.t. F. Vivares Sculp. T. Philipe Excu.t.
Publish'd Jan.y 15th 1754 by F. Vivares
Engraving, sheet 400 x 515mm (15¾ x 20¼"). Fine impression. Small tear in lower plate.
One of very few prints after Neapolitan painter Gaetano Martorelli (1670-1723), a follower of Salvator Rosa. Part of an influential series of landscape engravings after seventeenth century masters by Francis Vivares (1709-80),
Private Collection.
[Ref: 38746] £230.00 (£276.00 incl.VAT)
![[Landscape with stream and man fishing.]](jpegs/38522.jpg)
[Landscape with stream and man fishing.] Engraved from a Picture of Martorelli.
Martorelli Pinx.t. F. Vivares Sculp.
Publish'd Jan.y 15th 1754 by F. Vivares
Engraving, sheet 400 x 515mm (15¾ x 20¼"). Trimmed to plate
One of very few prints after Neapolitan painter Gaetano Martorelli (1670-1723), a follower of Salvator Rosa. Part of an influential series of landscape engravings after seventeenth century masters by Francis Vivares (1709-80),
Private Collection.
[Ref: 38522] £180.00 (£216.00 incl.VAT)
Martorelli Pinx.t. F. Vivares Sculp.
Publish'd Jan.y 15th 1754 by F. Vivares
Engraving, sheet 400 x 515mm (15¾ x 20¼"). Trimmed to plate
One of very few prints after Neapolitan painter Gaetano Martorelli (1670-1723), a follower of Salvator Rosa. Part of an influential series of landscape engravings after seventeenth century masters by Francis Vivares (1709-80),
Private Collection.
[Ref: 38522] £180.00 (£216.00 incl.VAT)
![F.M Martyn [autograph, ink.]](jpegs/21945.jpg)
F.M Martyn [autograph, ink.]
A D'Orsay fecit Jany. 1842- [artist's signature.]
Pencil drawing with trace of red crayon to face, on artist's paper, mounted to album leaf with ink-ruled border. Sheet 280 x 205mm, 11 x 8". Light soiling; one stain, to image.
Sitter unidentified. An original sketch by Count Alfred Guillaume Gabriel d'Orsay (1801 - 1852), Paris-born artist and gentleman of fashion. His profile sketches of his contemporaries, to the number of 125, include among them nearly all the literary, artistic, and fashionable celebrities of that time.
[Ref: 21945] £230.00 (£276.00 incl.VAT)
A D'Orsay fecit Jany. 1842- [artist's signature.]
Pencil drawing with trace of red crayon to face, on artist's paper, mounted to album leaf with ink-ruled border. Sheet 280 x 205mm, 11 x 8". Light soiling; one stain, to image.
Sitter unidentified. An original sketch by Count Alfred Guillaume Gabriel d'Orsay (1801 - 1852), Paris-born artist and gentleman of fashion. His profile sketches of his contemporaries, to the number of 125, include among them nearly all the literary, artistic, and fashionable celebrities of that time.
[Ref: 21945] £230.00 (£276.00 incl.VAT)
Mr H. Martyn.
A. Chevallier Tayler 1905 [facsimile signature.]
Spottiswoode & Co. Ltd. Lith London.
Chromolithograph. Sheet: 250 x 380mm (10 x 15"). Tear in left edge.
Henry Martyn (1877-1928), the English cricketer who made 97 first-class appearances for Oxford University and Somerset between 1899 and 1908. Albert Chevallier Tayler (1862-1925), the English artist who specialised in portrait and genre painting. From 'The Empire's Cricketers'.
[Ref: 39901] £140.00 (£168.00 incl.VAT)
A. Chevallier Tayler 1905 [facsimile signature.]
Spottiswoode & Co. Ltd. Lith London.
Chromolithograph. Sheet: 250 x 380mm (10 x 15"). Tear in left edge.
Henry Martyn (1877-1928), the English cricketer who made 97 first-class appearances for Oxford University and Somerset between 1899 and 1908. Albert Chevallier Tayler (1862-1925), the English artist who specialised in portrait and genre painting. From 'The Empire's Cricketers'.
[Ref: 39901] £140.00 (£168.00 incl.VAT)
Mr Joseph Martyn of London, Merchant. Obijt 9 Nov: 1718 Ætatis suæ. 75.
M. Dahll pinx. 1705. J. Smith fec. 1719.
Fine & rare mezzotint, 18th century watermark. Sheet 345 x 250mm (13½ x 9¾"). Trimmed within plate.
Half-length portrait in oval of Joseph Martyn (1643-1718), merchant of London. He was a member of the Muscovy Company formed in 1555.
CS 167, ii.
[Ref: 59645] £240.00 (£288.00 incl.VAT)
M. Dahll pinx. 1705. J. Smith fec. 1719.
Fine & rare mezzotint, 18th century watermark. Sheet 345 x 250mm (13½ x 9¾"). Trimmed within plate.
Half-length portrait in oval of Joseph Martyn (1643-1718), merchant of London. He was a member of the Muscovy Company formed in 1555.
CS 167, ii.
[Ref: 59645] £240.00 (£288.00 incl.VAT)
Mrs. Martyr as Dolly Fairlop in the Woodman.
Springsguth sculp.
[n.d, c.1790.]
Engraving, with small margins, rare. Platemark: 155 x 100mm (6 x 4").
The actress Margaret Martyr (or Thornton, d.1807) as Dolly Fairlop in 'The Woodman' written by Bate Dudley, 1791, standing in a woodland scene, holding a large bow with her left hand, with her right arm outstretched. An archery target can be seen in the background. The Reverend Sir Henry Bate Dudley (1745-1824) was a British minister, magistrate and playwright.
[Ref: 36330] £80.00 (£96.00 incl.VAT)
Springsguth sculp.
[n.d, c.1790.]
Engraving, with small margins, rare. Platemark: 155 x 100mm (6 x 4").
The actress Margaret Martyr (or Thornton, d.1807) as Dolly Fairlop in 'The Woodman' written by Bate Dudley, 1791, standing in a woodland scene, holding a large bow with her left hand, with her right arm outstretched. An archery target can be seen in the background. The Reverend Sir Henry Bate Dudley (1745-1824) was a British minister, magistrate and playwright.
[Ref: 36330] £80.00 (£96.00 incl.VAT)
![[Cardinal escorted in a convoy.]](jpegs/41404.jpg)
[Cardinal escorted in a convoy.] Ill.no et excell.mo comiti D.D. Agnello Ravascherio e Lavaniae Comitibus Patririo [...]
P. Fr. Hilarion a S. Petro Sacri Reg. ac Milit Ord. B. Mariae de Mercede [...]
Engraving, platemark 310 x 210mm (12¼ x 8¼"). Small margins. Small wormhole.
Plate from an unidentified Italian volume of martyrs.
[Ref: 41404] £95.00 (£114.00 incl.VAT)
P. Fr. Hilarion a S. Petro Sacri Reg. ac Milit Ord. B. Mariae de Mercede [...]
Engraving, platemark 310 x 210mm (12¼ x 8¼"). Small margins. Small wormhole.
Plate from an unidentified Italian volume of martyrs.
[Ref: 41404] £95.00 (£114.00 incl.VAT)
![[Cardinal martyred in a fire]](jpegs/41405.jpg)
[Cardinal martyred in a fire] Ill.no et excell.mo Dom D. Josepho Albertino Principi Sanctae Severinae et Marchioni [...]
P. Fr. Hilarion a S. Petro Sacri Reg. ac Milit Ord. B. Mariae de Mercede [...]
Engraving, platemark 310 x 210mm (12¼ x 8¼"). Small margins. Small wormhole.
Plate from an unidentified Italian volume of martyrs.
[Ref: 41405] £95.00 (£114.00 incl.VAT)
P. Fr. Hilarion a S. Petro Sacri Reg. ac Milit Ord. B. Mariae de Mercede [...]
Engraving, platemark 310 x 210mm (12¼ x 8¼"). Small margins. Small wormhole.
Plate from an unidentified Italian volume of martyrs.
[Ref: 41405] £95.00 (£114.00 incl.VAT)
![[Allegory of death with city view in background]](jpegs/41406.jpg)
[Allegory of death with city view in background] Ill.no et excell.mo Dom D. Nicolaeo Mariae Januario Principi Sancti Martini Duci Cantalupi [...]
P. Fr. Hilarion a S. Petro Sacri Reg. ac Milit Ord. B. Mariae de Mercede [...]
Engraving, platemark 310 x 210mm (12¼ x 8¼"). Small margins.
Plate from an unidentified Italian volume of martyrs.
[Ref: 41406] £95.00 (£114.00 incl.VAT)
P. Fr. Hilarion a S. Petro Sacri Reg. ac Milit Ord. B. Mariae de Mercede [...]
Engraving, platemark 310 x 210mm (12¼ x 8¼"). Small margins.
Plate from an unidentified Italian volume of martyrs.
[Ref: 41406] £95.00 (£114.00 incl.VAT)
![[Cardinal]](jpegs/41407.jpg)
[Cardinal] Imp. Caesari divi Stephani F. Divo P. Fausto Januario Sanctis Aug. Pio. Fel. Hostico [....]
A. Magliar Sclp.
P. Fr. Hilarion a S. Petro Sacri Reg. ac Milit Ord. B. Mariae de Mercede [...]
Engraving, 17th century watermark; platemark 310 x 210mm (12¼ x 8¼"). Small margins.
Plate from an unidentified Italian volume of martyrs.
[Ref: 41407] £95.00 (£114.00 incl.VAT)
A. Magliar Sclp.
P. Fr. Hilarion a S. Petro Sacri Reg. ac Milit Ord. B. Mariae de Mercede [...]
Engraving, 17th century watermark; platemark 310 x 210mm (12¼ x 8¼"). Small margins.
Plate from an unidentified Italian volume of martyrs.
[Ref: 41407] £95.00 (£114.00 incl.VAT)
![[Beheading of a cardinal]](jpegs/41408.jpg)
[Beheading of a cardinal] Em.mo et Reu.mo Dom Fr. Vincentio Mariae Ursino e Familia P.P. Praedicatorum [...]
P. Fr. Hilarion a S. Petro Sacri Reg. ac Milit Ord. B. Mariae de Mercede [...]
Engraving, 17th century watermark; platemark 310 x 210mm (12¼ x 8¼"). Small margins.
Plate from an unidentified Italian volume of martyrs.
[Ref: 41408] £95.00 (£114.00 incl.VAT)
P. Fr. Hilarion a S. Petro Sacri Reg. ac Milit Ord. B. Mariae de Mercede [...]
Engraving, 17th century watermark; platemark 310 x 210mm (12¼ x 8¼"). Small margins.
Plate from an unidentified Italian volume of martyrs.
[Ref: 41408] £95.00 (£114.00 incl.VAT)
![[Cardinal Pietro Ottoboni?]](jpegs/41409.jpg)
[Cardinal Pietro Ottoboni?] Amplissimo Atq. Eruditiss. Card. Petro Octobono Alexandri PP VIII Nepoti S.R.E. [...]
P. Fr. Hilarion a S. Petro Sacri Reg. ac Milit Ord. B. Mariae de Mercede [...]
Engraving, 17th century watermark; platemark 310 x 210mm (12¼ x 8¼"). Small margins. Small wormhole.
Plate from an unidentified Italian volume of martyrs.
[Ref: 41409] £95.00 (£114.00 incl.VAT)
P. Fr. Hilarion a S. Petro Sacri Reg. ac Milit Ord. B. Mariae de Mercede [...]
Engraving, 17th century watermark; platemark 310 x 210mm (12¼ x 8¼"). Small margins. Small wormhole.
Plate from an unidentified Italian volume of martyrs.
[Ref: 41409] £95.00 (£114.00 incl.VAT)
![[Child reaching for coins on a tray]](jpegs/41410.jpg)
[Child reaching for coins on a tray] Illustrissimae Dominae D. Josephae de Amato VI Baronissae Castricastagnetae [...]
P. Fr. Hilarion a S. Petro Sacri Reg. ac Milit Ord. B. Mariae de Mercede [...]
Engraving, 17th century watermark; platemark 310 x 210mm (12¼ x 8¼"). Small margins. Small wormhole.
Plate from an unidentified Italian volume of martyrs.
[Ref: 41410] £95.00 (£114.00 incl.VAT)
P. Fr. Hilarion a S. Petro Sacri Reg. ac Milit Ord. B. Mariae de Mercede [...]
Engraving, 17th century watermark; platemark 310 x 210mm (12¼ x 8¼"). Small margins. Small wormhole.
Plate from an unidentified Italian volume of martyrs.
[Ref: 41410] £95.00 (£114.00 incl.VAT)
![[Cardinal in a bearpit]](jpegs/41411.jpg)
[Cardinal in a bearpit] Ill.mo D.D. Andreae Casimiro De Ambrosio E Crechii Baronibus Nobili Amalphitano [...]
P. Fr. Hilarion a S. Petro Sacri Reg. ac Milit Ord. B. Mariae de Mercede [...]
Engraving, platemark 310 x 210mm (12¼ x 8¼"). Small margins.
Plate from an unidentified Italian volume of martyrs.
[Ref: 41411] £95.00 (£114.00 incl.VAT)
P. Fr. Hilarion a S. Petro Sacri Reg. ac Milit Ord. B. Mariae de Mercede [...]
Engraving, platemark 310 x 210mm (12¼ x 8¼"). Small margins.
Plate from an unidentified Italian volume of martyrs.
[Ref: 41411] £95.00 (£114.00 incl.VAT)
Ios. Marx. Frhr,v,Liechtenstern. Geb. zu Wien den 12 Febr. 1765.
C.Westermayr.
[n.d. c.1800.]
Stipple. Plate 140 x 89mm. 5½ x 3½". Slight creasing.
Joseph Marx (1765-1828), Freiherr von Lichtenstein, a geographer and cartographer.
[Ref: 26035] £85.00 (£102.00 incl.VAT)
C.Westermayr.
[n.d. c.1800.]
Stipple. Plate 140 x 89mm. 5½ x 3½". Slight creasing.
Joseph Marx (1765-1828), Freiherr von Lichtenstein, a geographer and cartographer.
[Ref: 26035] £85.00 (£102.00 incl.VAT)
![[Princess Mary] Her Royal Mary Duchess of Gloucester and Edinburgh, &c. &c. &c.](jpegs/67767.jpg)
[Princess Mary] Her Royal Mary Duchess of Gloucester and Edinburgh, &c. &c. &c.
Painted by Sir Will.m Beechey R.A. Portrait Painter to Her Late Majesty. Engraved by Will.m Say Engraver to H.R.H. the Duke of Gloucester..
London, Published March 22.nd 1819 by the Engraver 93, Norton Street, Fitzroy Square.
Mezzotint. 560 x 410mm (22 x 16¼"), with large margins. Creases on platemark at bottom.
A full-length seated portrait of Princess Mary, Duchess of Gloucester (1776-1857) in an elegant chair, turned slightly to the right but facing forward, holding a fan in her lap, with a backdrop of woods and a river to the right.
Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 67767] £380.00
Painted by Sir Will.m Beechey R.A. Portrait Painter to Her Late Majesty. Engraved by Will.m Say Engraver to H.R.H. the Duke of Gloucester..
London, Published March 22.nd 1819 by the Engraver 93, Norton Street, Fitzroy Square.
Mezzotint. 560 x 410mm (22 x 16¼"), with large margins. Creases on platemark at bottom.
A full-length seated portrait of Princess Mary, Duchess of Gloucester (1776-1857) in an elegant chair, turned slightly to the right but facing forward, holding a fan in her lap, with a backdrop of woods and a river to the right.
Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 67767] £380.00
![[Princess Mary, Duchess of Gloucester and Edinburgh] Her Royal Highness Princess Mary.](jpegs/22657.jpg)
[Princess Mary, Duchess of Gloucester and Edinburgh] Her Royal Highness Princess Mary.
Maria Anne Bourlier Sc.
London, Published by E. Harding, 19 May 1806.
Stipple. Plate 279 x 221mm. 11 x 8¾".
Princess Mary, Duchess of Gloucester and Edinburgh (1776-1857), was the fourth daughter of George III. She was considered to be the most beautiful of the six daughters of George III. Around 1796 Mary fell in love with the Dutch prince Frederick, while he and his family lived in exile in London. He died before they could be married. However she married her cousin Prince William Frederick, Duke of Gloucester and Edinburgh, the son of George III's brother, Prince William Henry, Duke of Gloucester and Edinburgh, at the Chapel Royal in St James's Palace. She was the longes lived of all George III's children and a favourite aunt of Queen Victoria.
[Ref: 22657] £70.00 (£84.00 incl.VAT)
Maria Anne Bourlier Sc.
London, Published by E. Harding, 19 May 1806.
Stipple. Plate 279 x 221mm. 11 x 8¾".
Princess Mary, Duchess of Gloucester and Edinburgh (1776-1857), was the fourth daughter of George III. She was considered to be the most beautiful of the six daughters of George III. Around 1796 Mary fell in love with the Dutch prince Frederick, while he and his family lived in exile in London. He died before they could be married. However she married her cousin Prince William Frederick, Duke of Gloucester and Edinburgh, the son of George III's brother, Prince William Henry, Duke of Gloucester and Edinburgh, at the Chapel Royal in St James's Palace. She was the longes lived of all George III's children and a favourite aunt of Queen Victoria.
[Ref: 22657] £70.00 (£84.00 incl.VAT)
Her Royall Highness Mary Princess of Orange, eldest Daughter of King Charles ye first, & Mother to King William the Third.
Van Dyke Pinx.t. Will.m Farthorne [Faithorne] Fecit.
[London, Laurie & Whittle? c.1790.]
Mezzotint, late impression. 330 x 230mm (13 x 9"), on wove paper watermarked 'Sm[ith]'.
Three-quarter portrait of Mary Henrietta Stuart (1631-1660) after Adriaen Hanneman. not Van Dyke. The daughter of Charles I and the first Princess Royal, Mary married Prince William II of Orange, but both died of smallpox. Their only child became King of England as William III after the Glorious Revolution of 1688. This print was first published when William was king and had the correct attribution (and spelled Faithorne's name correctly).
CS 27, state iii of iii. Fagan: Pg 10.
[Ref: 37588] £130.00 (£156.00 incl.VAT)
Van Dyke Pinx.t. Will.m Farthorne [Faithorne] Fecit.
[London, Laurie & Whittle? c.1790.]
Mezzotint, late impression. 330 x 230mm (13 x 9"), on wove paper watermarked 'Sm[ith]'.
Three-quarter portrait of Mary Henrietta Stuart (1631-1660) after Adriaen Hanneman. not Van Dyke. The daughter of Charles I and the first Princess Royal, Mary married Prince William II of Orange, but both died of smallpox. Their only child became King of England as William III after the Glorious Revolution of 1688. This print was first published when William was king and had the correct attribution (and spelled Faithorne's name correctly).
CS 27, state iii of iii. Fagan: Pg 10.
[Ref: 37588] £130.00 (£156.00 incl.VAT)
Her Royall Highness Mary Princess of Orange, eldest daughter of King Charles Ye first, & Mother to King William the Third.
Van Dyke Pinx.t. Will.m Farthorne [Faithorne] Fecit.
[London, Laurie & Whittle? c.1790.]
Mezzotint. Sheet 320 x 230mm (12½ x 9"), on wove paper. Trimmed to image on three sides.
Three-quarter portrait of Mary Henrietta Stuart (1631-1660) after Adriaen Hanneman. not Van Dyke. The daughter of Charles I and the first Princess Royal, Mary married Prince William II of Orange, but both died of smallpox. Their only child became King of England as William III after the Glorious Revolution of 1688. This print was first published when William was king and had the correct attribution (and spelled Faithorne's name correctly).
CS 27, state iii of iii. Fagan: Pg 10.
[Ref: 61546] £260.00 (£312.00 incl.VAT)
Van Dyke Pinx.t. Will.m Farthorne [Faithorne] Fecit.
[London, Laurie & Whittle? c.1790.]
Mezzotint. Sheet 320 x 230mm (12½ x 9"), on wove paper. Trimmed to image on three sides.
Three-quarter portrait of Mary Henrietta Stuart (1631-1660) after Adriaen Hanneman. not Van Dyke. The daughter of Charles I and the first Princess Royal, Mary married Prince William II of Orange, but both died of smallpox. Their only child became King of England as William III after the Glorious Revolution of 1688. This print was first published when William was king and had the correct attribution (and spelled Faithorne's name correctly).
CS 27, state iii of iii. Fagan: Pg 10.
[Ref: 61546] £260.00 (£312.00 incl.VAT)
Her Royall Highness Mary Princess of Orange, eldest Daughter of King Charles ye first, & Mother to King William the Third.
Van Dyke Pinx.t. Will.m Farthorne Fecit.
[London, Robert Sayer? c.1760.]
Rare mezzotint. Sheet 320 x 230mm (12½ x 9"). Trimmed to plate on three sides, into plate at bottom, losing publication line. Crease back middle from front.
Three-quarter portrait of Mary Henrietta Stuart (1631-1660) after Adriaen Hanneman. not Van Dyke. The daughter of Charles I and the first Princess Royal, Mary married Prince William II of Orange, but both died of smallpox. Their only child became King of England as William III after the Glorious Revolution of 1688. This print was first published when William was king and had the correct attribution (and spelled Faithorne's name correctly).
CS 27, state iii of iii. Fagan: Pg 10.
[Ref: 54198] £280.00 (£336.00 incl.VAT)
Van Dyke Pinx.t. Will.m Farthorne Fecit.
[London, Robert Sayer? c.1760.]
Rare mezzotint. Sheet 320 x 230mm (12½ x 9"). Trimmed to plate on three sides, into plate at bottom, losing publication line. Crease back middle from front.
Three-quarter portrait of Mary Henrietta Stuart (1631-1660) after Adriaen Hanneman. not Van Dyke. The daughter of Charles I and the first Princess Royal, Mary married Prince William II of Orange, but both died of smallpox. Their only child became King of England as William III after the Glorious Revolution of 1688. This print was first published when William was king and had the correct attribution (and spelled Faithorne's name correctly).
CS 27, state iii of iii. Fagan: Pg 10.
[Ref: 54198] £280.00 (£336.00 incl.VAT)