Grosvenor Prints

[A Man with a Knife.] Done from an Original Picture in the Collection of John Blackwood Esq.r. Rembrandt (f.1661.
Rembrandt Pinx.t. R. Houston Fecit.
Sold by Rd. Houston at Charing Cross, London [n.d., c.1757].
Mezzotint. 320 x 255mm (12½ x 10"), large margins.
A man with one hand at his chin, the other holding a knife.
Charrington 82, state iii of iii. CS 146. Ref: 45203 for state II.
[Ref: 58713] £280.00 (£336.00 incl.VAT)

[Man with retroussé nose] In the Collection of Tho. Sadler Esqr.
Carlo Maratti del. AP. [monogram of Athur Pond.]
[n.d. c.1740.]
Crayon-manner, printed in brown ink, rare. 212 x 160mm. 8¼ x 6¼". Uncut.
Arthur Pond (1701-1758) was a British painter, engraver, print-seller, dealer and collector. He studied with John Vanderbank before entering St Martin's Lane Academy in 1720. He visited Italy in 1725-7 with George Knapton, John Dyer and Daniel Wray. This print, one of three produced by Pond from caricatures by Maratti, derives from a drawing by sold through Christies in 1988. The British Museum have drawings by Hugh Howard, who studied in Italy with Maratti (1697-1700) which may have been the basis for Pond's prints.
Hake: 89. See British Museum no. 1874,0808.119 for Howard's drawing.
[Ref: 21321] £180.00 (£216.00 incl.VAT)

[Profile of a Man with Spectacles Over his Ear.]
[After Guercino.] Gius. Zocchi sc.
[n.d., c.1790s.]
Etching printed in brown ink. Plate: 180 x 255mm (7 x 10"). Very large margins.
A profile bust of man with a beard facing right, the man wears a pair of spectacles over one ear.
[Ref: 39411] £140.00 (£168.00 incl.VAT)

[Man with drawn sword.]
Joh. Baptista Piazzetta Venetus delineavit. Lorenz Haid sculpsit.
Cum Gratia et Privilegio Sacrae Casareae Majestatis. Johann Christian Leopold excudit Augustae Vindelicorum [n.d., c.1750].
Mezzotint. 390 x 270mm (15¼ x 10½"). Thread margins, some damage to image with old repairs, mounted on album paper. Damaged.
The head of a man with a moustache, wearing a feathered hat and lace collar, the hilt of his sword visible over his shoulder. After Giovanni Battista Piazzetta (1682-1754), a Venetian noted for his paintings of expressive heads.
[Ref: 60192] £280.00 (£336.00 incl.VAT)

[Man with toys, etc.]
Julius Ibbetson f 1803.
Etching. Sheet 85 x 125mm (3¼ x 5"). Trimmed to plate, laid on card, faint soiling.
A spiky-haired man, carrying a parasol, cane and satchel, looking through an eyeglass at a pile of toys (including dolls and a rocking horse), brooms and an upset bucket. This plate was republished in 1816 as a subscription notice for Ibbetson's series of 'Groups of Figures'. It is possible that it is a satirical self-portrait.
[Ref: 45176] £130.00 (£156.00 incl.VAT)

[Bust of a man] 3.
T.W. [Thomas Worlidge]
Etching, platemark 195 x 135mm (7¾ x 5¼"). Glued to backing sheet at edges. Small margins.
Portrait study by Thomas Worlidge Senior (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Posthumous impression after Worlidge's widow Mary issued new impressions in 1767 with the number added to correspond with the catalogue of his prints she produced.
[Ref: 47689] £180.00 (£216.00 incl.VAT)

[A man's head in profile, looking upwards]
Thos Worlidge 1751
Etching, sheet 160 x 120mm (6¼ x 4¾"). Trimmed inside platemark; very good impression; 'J.B.' (for John Barnard) verso.
Portrait study by Thomas Worlidge Senior (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Early impression from Collection of John Barnard (1709-84), print-collector and one of the foremost connoisseurs of his day.
State i/iv; W121; D205.
[Ref: 32934] £220.00 (£264.00 incl.VAT)

[A man's head in profile, looking upwards]
Thos Worlidge 1751.
Etching, sheet 160 x 120mm (6¼ x 4¾"). Trimmed inside platemark; very good impression; glued to backing sheet in corners.
Portrait study by Thomas Worlidge Senior (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Lifetime impression before Worlidge's widow Mary issued new impressions in 1767 with the number '121' added lower right to correspond with the catalogue of his prints she produced.
State i/iv; W121; D205. Ex collection of the Late Hon. C. Lennox-Boyd.
[Ref: 32933] £160.00 (£192.00 incl.VAT)

[A man's head in profile, looking upwards]
Thos Worlidge 1751.
Etching, platemark 165 x 130mm (6½ x 5"). Good impression; very large margins; uncut; on cream laid paper.
Portrait study by Thomas Worlidge Senior (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Posthumous impression after Worlidge's widow Mary issued new impressions in 1767 with the number '121' added lower right and '10' upper left to correspond with the catalogue of his prints she produced.
State ii/iv; W121; D205.
[Ref: 32935] £140.00 (£168.00 incl.VAT)

[A man's head in profile, looking upwards]
Thos Worlidge 1751.
Etching, sheet 155 x 115mm (6 x 4½"). Trimmed inside platemark; on cream laid paper; collector's stamp of Thomas Clutterbuck (L.2424) top right?
Portrait study by Thomas Worlidge Senior (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married.
State iii/iv; W121; D205.
[Ref: 32936] £120.00 (£144.00 incl.VAT)

[A man's head in profile, looking upwards]
Etched by T. Worlidge. Pub.d by R. Pollard, Spa Fields 1790.
Etching and aquatint, sheet 165 x 130mm (6½ x 5"). Trimmed on platemark; strong crease; on laid paper.
Portrait study by Thomas Worlidge Senior (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Later impression after publisher Robert Pollard added aquatint to the aging plate.
State iii/iv; W121; D205.
[Ref: 32937] £45.00 (£54.00 incl.VAT)

Manager and Sea Pilot. Dividers of the Kempton Park Great Champion Stakers, 1884. Value 1400. Manager is by Misterton, out of Devotion, the Property of Mr Miller. _ Sea Pilot is by Hadde, out of Sea Beauty, the Property of Mr T. Stone.
Painted & Engraved by Edwin Henry Hunt.
London, Published March 1884 by George Rees, 115 Strand.
Aquatint and etching, printed in colour and hand finished. 430 x 540mm (16¾ x 21¼), very large margins. In contemporary French frame. Paper lightly toned, single small wormhole on front dog's back. Unexamined out of frame.
Portrait of a pair of greyhound coursing champions in a landscape.
Not listed in Hickman.
[Ref: 44273] £320.00

Capt.n G.W. Manby, F.R.S. Author of the plan for the preservation of Shipwrecked Mariners, also for rescuing persons from the Flames, and for saving those, who break through the Ice.
Tho.s Wageman fec.t. 1832. Drawn on Stone & Litho'd by J.M. Johnson, Norwich.
1832.
Very rare lithograph. Sheet size: 385 x 260mm (15 x 10¼"). Large margins.
A three-quarter length portrait of George William Manby (1765 - 1854), militia captain and the barrack master at Great Yarmouth (from 1803). He is seen holding an illustration of the 'Manby apparatus' his invention for saving lives from ships wrecked close to shore. It was first successfully used at Yarmouth in 1808 and rapidly became widespread.
[Ref: 39045] £260.00 (£312.00 incl.VAT)

The South West Prospect of Manchester, in the County Palatine of Lancaster.
S & N Buck delin.t et sculp.t. 1728.
[London: Robert Sayer, c.1774.]
Coloured engraving. 255 x 710mm (10 x 28"), large margins.
A detailed prospect of Manchester, with an engraved description and a 7-point key below. From the series 'Buck's Perspective Views of Cities and Chief Towns in England and Wales', as re-issued by Robert Sayer, with a plate number top right.
[Ref: 60393] £450.00

Manchester from Mount Pleasant. Dedicated to the Inhabitants of Manchester and its Environs, by their obliged Servants, W.M.Craig and J.Landseer.
Drawn by W.M.Craig. Engraved by J. Landseer, Engraver to the King
Published Aug.t 1 1802 by J. Landseer, No 88 Queen Anne Street, East. & W.M.Craig, No 88 Charlotte Street, Rathbone Place, London; and in Manchester at No 79 Market Street Lane.
Scarce engraving. 365 x 480mm (14¼ x 18¾"), very large margins.
A fine prospect of Manchester from sheep fields to the north of the city. John Landseer, the engraver, was the father of Sir Edwin Landseer.
[Ref: 58706] £380.00

Bridge over the Irwell, Victoria Station, Manchester.
A.F. Tait, del et lith.
Day & Haghe lith.rs to the Queen [1845]
Lithograph with tintstone, printed area 270 x 360mm (10½ x 14¼").
Bridge near Victoria station in Manchester, named in honour of the monarch at the time it was opened in 1844, queen Victoria. Plate from 'Views on the Manchester & Leeds Railway' (1845), by Arthur Fitzwilliam Tait. The volume depicted notable bridges and stations on the route, which opened in 1839.
Abbey 411.5.
[Ref: 43304] £200.00 (£240.00 incl.VAT)

Rastrick Terrace & Viaduct
A.F. Tait, del et lith.
Day & Haghe lith.rs to the Queen [1845]
Lithograph with tintstone, printed area 250 x 365mm (9¾ x 14¼").
Plate from 'Views on the Manchester & Leeds Railway' (1845), by Arthur Fitzwilliam Tait. The volume depicted notable bridges and stations on the route, which opened in 1839.
Abbey 411.14
[Ref: 43305] £180.00 (£216.00 incl.VAT)

Rochdale Station.
A.F. Tait, del et lith.
Day & Haghe lith.rs to the Queen [1845]
Lithograph with tintstone, printed area 255 x 345mm (10 x 13½"). Slight stain off image bottom left. Tears to margins one slightly going into image.
The first railway station in the town of Rochdale, Greater Manchester, which served the line from Manchester to Leeds. After the increasing traffic became too great for the station, it was replacded by the larger current depot in 1889. Plate from 'Views on the Manchester & Leeds Railway' (1845), by Arthur Fitzwilliam Tait. The volume depicted notable bridges and stations on the route, which opened in 1839.
Abbey 411.17
[Ref: 43309] £190.00 (£228.00 incl.VAT)

Whiteleys Viaduct, Charleston Curves.
A.F. Tait, del et lith.
Day & Haghe lith.rs to the Queen [1845].
Tinted lithograph with hand colour. Printed area 240 x 325mm (9½ x 12¼"). Faint mount burn.
A view of the viaduct carrying the Manchester & Leeds Railway over the River Calder near Hebden Bridge, with navvies working on the line and a barge on the river below. Plate from 'Views on the Manchester & Leeds Railway' (1845), by Arthur Fitzwilliam Tait. The volume depicted notable bridges and stations on the route, which opened in 1839.
Abbey 411.
[Ref: 57351] £200.00 (£240.00 incl.VAT)

[Cross Street Chapel, Manchester]
Fred. W. Goolden inv. et del. [pencil signature, lower right.]
Fred. W. Goolden/10 [etched in plate lower left.] [1910.]
Etching with very large margins, platemark 255 x 345mm (10 x 13½"). Uncut.
Cross Street Chapel in Manchester, the first Non-conformist place of worship in the city. Bombed during World War II, in 1959 a new chapel was constructed on the site. In 2012 this chapel became the first place of worship in Britain to receive a licence to conduct civil partnership ceremonies.
Ex: Agnews.
[Ref: 36776] £220.00 (£264.00 incl.VAT)

The Late Dr. White's House, King St. [Manchester.]
I. Ralston delt. & on Stone by A. Aglio. Printed by N. Chater & Co.
Published by D. & P. Jackson, Manchester, Septr. 1823.
Lithograph on india, india 310 x 390mm. 12¼ x 15¼". Very slight creases on india.
In 1752 Charles White (1696 - 1776), along with Joseph Bancroft, a merchant, was instrumental in founding Manchester Infirmary. This was the first hospital in the area. The premises were a house in Garden Street but a new, purpose-built, hospital was opened overlooking what is now Piccadilly Gardens in 1756. White was a surgeon at the infirmary for 28 years. Atmospheric street scene. After John Ralston (1789 - 1833) a little known Manchester-based artist. Some of the best pictorial records of late 18th and early 19th century Manchester rely on drawings made by Ralston, including his many studies of Market Sted Lane (now Market Street).
Wellcome Library no. 571883i.
[Ref: 23684] £180.00 (£216.00 incl.VAT)

The Manchester Hero, or Arts yield to Arms. From the Original Picture by John Collett, in the possession of Carington Bowles.
Printed for & Sold by Carington Bowles, at his Map & Print Warehouse, No. 69 in St Pauls Church Yard. Published as the Act directs, 20 April 1778.
Mezzotint. 355 x 250mm (14 x 9¾"), with very large margins. In mount measuring 595 x 485mm (23½ x 19"). Mint.
The willing victim of a recruitment party.
Ex: Collection of The Hon. C. Lennox-Boyd. BM Satires 4556.
[Ref: 64507] £360.00

[The Royal Exchange, Manchester.]
Fred. W. Goolden inv. et del. [pencil signature, lower right.]
Fred. W. Goolden/13 [etched in plate lower left.] [1913.]
Etching with very large margins, very fine, platemark 405 x 290mm. 16 x 11½".
The Royal Exchange in Manchester, located in the city centre on the land bounded by St Ann’s Square, Market Street and Cross Street. The building now houses the Royal Exchange Theatre and the Royal Exchange shopping centre. Remarque of a beehive lower left.
Ex: Agnews.
[Ref: 36775] £160.00 (£192.00 incl.VAT)

[Manchester Royal Infirmary, Piccadilly Gardens]
Fred. W. Goolden inv. et del. [pencil signature]. Fred. W. Goolden 09.
Published 1909 by Tho.s Agnew & Sons, London & Manchester.
Fine etching, signed by the artist. 295 x 450mm (11½ x 71¾").
With a remarque of St George and the Dragon.
[Ref: 61287] £240.00 (£288.00 incl.VAT)

Peter Manchester.
Drawn for Life Etched & Published by Mr Orme Portrait Painter No.40 Piccadilly Manchester. Jany.y 2.nd 1815.
Etching, with some hand-colour, 'R. Glover 1812' watermark. Plate: 300 x 220mm (12 x 8¾''). Small margins
A portrait of a giant man, shown standing in a street, the shops behind him are identified by signs on the walls. A rare portrait published in Manchester.
Not in Wellcome Collection.
[Ref: 51042] £290.00 (£348.00 incl.VAT)

[Hortense Mancini] [The Dutchess of Mazareen & Count Colbert, in the Characters of Vertumnus and Pomona...]
Netscher Pinxit. James Watson sculpsit.
Published Oct.r 24th. 1777 by John Boydell Engraver, in Cheapside London.
Fine mezzotint, scratched letter proof before title. 510 x 355mm (20 x 14"), large margins. Tear in bottom margin, creasing in right margin. Right margin bit tatty.
A three-quarter length portrait of Hortense Mancini, Duchess of Mazarin (1646-99), seated, wearing a low-cut dress and pearls in her curled hair. Standing behind is Jean Baptiste Colbert (1619-83), Marquess of Seignelay and chief minister of Louis XIV from 1665 until his death Mancini, the niece of Cardinal Mazarin, was the mistress of Charles II.
CS 100, i of ii. Goodwin 110, ii of iii. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 66362] £360.00

[Hortense Mancini] Ortance Manchini Duchess of Mazarin &c.
P.Lely Pinxit. G. Valck fecit et Ex.
[n.d., c.1680.]
Mezzotint. 195 x 140mm (7¾ x 5½"), large margins. Mount burn around image.
Head and shoulders portrait in oval of Ortensia Mancini (1646-99), Duchess of Mazarin, mistress of Charles II, wearing a low dress.
Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65330] £260.00 (£312.00 incl.VAT)

[Hortense Mancini] Ortance Manzini Duchesse de Mazarin, etc.
P.Lely Pinx. A De Blois fecit.
N. Visscher exc: [n.d., c.1680.]
Mezzotint. 210 x 155mm (8¼ x 6"). Small margins. Light horizontal crease.
Ortensia Mancini (1646-99), Duchess of Mazarin, mistress of Charles II, beauty; half length in an oval, hair in curls, wearing a low dress.
[Ref: 38436] £140.00 (£168.00 incl.VAT)

[Hortense Mancini] Ortance Manzini Duchesse de Mazarin, etc.
P.Lely Pinx. A De Blois fecit.
N. Visscher exc: [n.d., c.1680.] Bit later.
Mezzotint. 210 x 155mm (8¼ x 6"). Mounted in album paper.
Ortensia Mancini (1646-99), Duchess of Mazarin, mistress of Charles II, beauty; half length in an oval, hair in curls, wearing a low dress.
O'D 3. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 64810] £240.00 (£288.00 incl.VAT)

[Hortense Mancini] Ortance Manzini Duchesse de Mazarin, etc.
P.Lely Pinx. A De Blois fecit.
N. Visscher exc: [n.d., c.1680.]
Mezzotint. 210 x 155mm (8¼ x 6"), with large margins.
Ortensia Mancini (1646-99), Duchess of Mazarin, mistress of Charles II, beauty; half length in an oval, hair in curls, wearing a low dress.
O'D 3. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 64811] £240.00 (£288.00 incl.VAT)

[Hortense Mancini] Ortance Manzini Duchesse de Mazarin, etc.
P.Lely Pinx. A De Blois fecit.
N. Visscher exc: [n.d., c.1680.]
Mezzotint. Image 200 x 145mm. Trimmed to plate, mounted on album paper; hole in subscription area.
Hortense Mancini (1646-1699), Duchess of Mazarin, a mistress of Charles II.
[Ref: 7245] £160.00 (£192.00 incl.VAT)

Louis Jules Barbon Mazarini Mancini. Duc de Nivernois, Donjiois, Pair de France, [...]
A. Ramsay pinx.t. J. McArdell fecit.
[n.d., c.1764.]
Rare mezzotint. Plate: 225 x 330mm (9 x 13"). Small margins, slightly foxed.
A half-length portrait of Louis Jules Barbon Mazarini Mancini (1716-1798) a french aristocrat who served as French Ambassador in Rome, Berlin and London where he negotiated the Treaty of Paris, ending the Seven Years's War. He stayed in France after the Revolution which led to the loss of his money and his imprisonment.
CS 140 i of ii; Goodwin 108 ii of iii.
[Ref: 41343] £230.00 (£276.00 incl.VAT)

Louis Jules Barbon Mazarini Mancini. Duc de Nivernois, Donjiois, Pair de France, [...]
A. Ramsay pinx.t. J. M.cArdell fecit.
[n.d., c.1764.]
Mezzotint, 225 x 330mm (9 x 13"). On 18th century watermarked paper. Bottom corners torn and repaired. Small margins.
A half-length portrait of Louis Jules Barbon Mazarini Mancini (1716-1798), 4th Duke of Nevers, who served as French Ambassador in Rome, Berlin and London where he negotiated the Treaty of Paris, ending the Seven Years's War. He stayed in France after the Revolution which led to the loss of his money and his imprisonment.
CS 140 i of ii; Goodwin 108 ii of iii. Ex: collections of The Hon. Christopher Lennox-Boyd & Mrs. E.M. Hamilton.
[Ref: 68355] £190.00 (£228.00 incl.VAT)

Madame la Duchesse de Boüillon Joüant au Solitaire. Marie Anne Macini fille de Michelle Laurant Mancini Gentilhome Romain, mariées le 20 Avril 1662 avec Godefroy Maurice de la Tour Duc de Boüillon, a'Albret &c. cgr. Chambellan de Fra.
Se vend à Paris chez Deshayes Rue de la Coutellerie a la Couronne Royale avec Privelege du Roy.
[n.d., c.1690.]
Engraving. 300 x 195mm (12 x 7¾"), with very large margins.
A portrait of Marie Anne Manchini, duchesse de Bouillon (1649-1714), playing solitaire. She was the youngest of the five Mancini sisters, known as the Mazarinettes as their uncle, Cardinal Mazarin, was Louis XIV's chief minister.
[Ref: 46692] £320.00

Mah-To-Toh-Pa. The Mandan Chief. (From Catlin's N.A. Indian Collection).
Catlin del. Mc.Gahey, lith.
Day & Haghe Lith.rs to the Queen.
Scarce tinted lithograph. Sheet: 515 x 385mm (21¼ x 15''). Staining at bottom and 2 very small tears top.
A portrait of the Mandan chief Mah-To-Toh-Pa after a study made by George Catlin (1796-1872) who made three trips to study the Native American peoples between 1832-1836.
[Ref: 50647] £480.00

[India] [Venterus Mandey.] Vera Effigies Veneri Mandey. Etatis Sua 37 Anno 1682.
R.White Sculp.
[n.d., c.1682.]
Engraving. Sheet 160 x 105mm (6¼ x 4"). Backed onto album paper. Small margins.
Portrait of Venterus Mandey (1646–1702), also called Venturus Mandey and Venteri Mandey, an English bricklayer and mathematician. Portrait used for the frontispiece to Marrow of Measuring, first published in 1682.
Wellcome 1889.
[Ref: 66942] £180.00 (£216.00 incl.VAT)

Vera Effigies Venteri Mandey. Etatis Suae 37.
R. White Sculp.
[n.d., c.1682.]
Engraving, rare. Sheet size: 145 x 90mm (5¾ x 3¾"). Trimmed to image. Glued to album sheet at corners.
A portrait of the British mathematician Venterus Mandey (1646 - 1702). Bust, to the right, looking at viewer, with shoulder length hair, wearing cloak and neck scarf. In an oval on a pedestal. This portrait was the frontispiece to Mandey's 'Marrow of Measuring' (1682).
[Ref: 33843] £180.00 (£216.00 incl.VAT)

[Louis Mandrin and accomplices holding up a bank] En nous paiant comptant, nous aurons toujours soin, / De prévenir, Monsieur votre moindre besoin [...]
[Anon., c.1750]
Engraving, scarce; sheet 200 x 290mm (8 x 11½"). Trimmed; damage to lower right; glued to backing sheet.
The French highwayman Louis Mandrin (1725-55) holds a pistol to the throat of a 'financier', who he forces to accept various goods in return. Mandrin, who was executed, has been described as the French equivalent of Robin Hood.
[Ref: 43926] £130.00 (£156.00 incl.VAT)

Le Manege. Dedie a Messire Marc-Rene de Voyer Marquis d'Argenson, Marechal de Camp des Arnees du Roy, Lieutenant General de la Province d'Alsace, Gouverneur de Romorantin. Tire de son Cabinet; et Grave de la meme grandeur que l'Original Parson tres-humble et tre Obeissant Serviteur T. Major.
P. Wouvermans pinx. T. Major sculp.
A Londres chez l'Auteur Graveur de S.A.R. Frederic Prince de Galles, a la Tete d'or dans West-Street [n.d., c.1750.]
Very rare engraving. 360 x 450mm (14¼ x 17¾"), with wide margins. Centrefold as normal.
A Riding School in a country estate, after Philip Wouvermans the 17th Century Dutch painter. Thomas Major studied in Paris under Jacques-Philippe Le Bas (1707-83), tutor to many of the century's best engravers. Examples of Wouwerman's work could be found in the leading 18th century collections of Dutch and Flemish masters in both France and England. The subject of a riding school was one he tackled many times in his career. The painting was in the collection of Marc-Rene de Voyer, 3rd Marquis d'Argenson (1722-87) who had become a friend after his father, the 2nd Marquis, had helped to secure Major's release from the Bastille where he had been incarcerated shortly after his arrival in Paris. On Major's return to England he developed a reputation as one of the best engravers of his day.
[Ref: 21625] £380.00

Eustachius Manfredius Bon. Phil. Doct. Colleg. Math. Lect. Pub. Acad. Paris. Et Londin.
[n.d. c.1720].
Engraving. 160 x 200mm. Trimmed to plate mark.
[1674 - 1739] Italian mathematician, astronomer and poet. Mathematics professor at Bologna University, was the first director of the Observatory. Enfant prodige, at 16 he founded at his own home a scientific academy, which later gave origin to the Institute of Sciences. Main topic of research in his early years at the Observatory was the annual aberration of fixed stars, about which he published 'De annuis inerrantium aberrationibus' in 1729. Manfredi was al Manfredi, together with his brothers and sisters, made astronomical observations.
W: 1890-1.
[Ref: 273] £130.00 (£156.00 incl.VAT)

Manila [No 10. Indisches Dorf auf den Philipinnen.]
E. Hildebrandt. [Chromofacsimilirt nach der Aquarelle aus der Sammlung 'die Reise um die Erde'.]
[Verlag von R.Wagner, Berlin Zimmerstr. No.92/93.] [n.d., 1871-4.]
Finely coloured chromolithograph. Image 240 x 340mm (9½ x 13½"), trimmed to image and mounted on card as issued, title label on reverse as usual.
A Filippino village on stilts after a watercolour by Eduard Hildebrandt (1818-69). Born in Gdansk, Hildebrandt travelled constantly, including visits to the Middle East, India, Singapore, Siam (Thailand), Macao, Hong Kong, China, The Philippines, Japan and the United States. He worked mainly in watercolours, and his paintings were exhibited in London in 1866 and at the Crystal Palace in 1868, just a year before his death in Berlin. A folio of chromolithographs, mounted in imitation of watercolour presentation, was published as 'Reise um die Erde', (Journey around the World).
[Ref: 46872] £550.00

Giorgio Manley Ajutante Generale delle Truppe Pontificie. Colonnello di Cavalleria Drag.ni Commendatore dell'Ordine di San Gregorio Magno ec. ec. ec. All'Emo, e Reverino Principe Card. Tommaso Weld L'Autore rispettosamente D.D.D.
Ang.o Balestra fec. Roma inc....
[n.d. c.1860.]
Lithograph. Sheet: 330 x 460mm (13 x 18"), with large margins. Large horizontal crease.
Giorge Manley, Adjutant General of the Papal Army, Colonel of the Dragoon Cavalry. He served in the Austrian Army and fought at Waterloo although he was originally from Yorkshire.
[Ref: 39815] £130.00 (£156.00 incl.VAT)

Manneken-Pis. En petite tenue. [&] Manneken-Pis.
[n.d., c.1830s.]
Two hand coloured lithographs glued to one album page, sheets each 205 x 140mm, 8 x 5½". Sheets trimmed.
The Manneken Pis (Flemish for little man urinating), 'naked' on the left and clothed on the right, is a famous Brussels landmark. It is a small bronze fountain sculpture depicting a naked little boy urinating into the fountain's basin. On certain occasions, the statue is dressed in a costume. His wardrobe now consists of several hundred different costumes. The costumes are changed according to a schedule managed by the non-profit association The Friends of Manneken-Pis, in ceremonies that are often accompanied by brass band music. A descriptive ink mss. note below the image on the right relates how Louis XIV's modesty was so affronted by the statue that he endowed it with a 'rich wardrobe'.
[Ref: 12319] £70.00 (£84.00 incl.VAT)

[Catherine Manners] The Countess of Rutland.
G. Kneller pinx. J. Smith fe: et exc:
[n.d., c.1690.]
Mezzotint. 340 x 250mm (13½ x 9¾"), large margins.
A three-quarter portrait of Catherine Manners (1657–1733), seated in landscape, wearing low dress adorned with jewels. The daughter of the 3rd Viscount Campden, she married John Manners, first Duke of Rutland. Russell believed this to be an altered plate, originally depicting Mary II.
CS 218, ii of ii. Russell 218, iii of iii. Ex: collection of The Hon. Christopher Lennox-Boyd. See [Ref: 68683]
[Ref: 68684] £280.00 (£336.00 incl.VAT)

Lady Catherine Manners. Daughter to his Grace the Duke of Rutland.
Sir Joshua Reynolds pinx. T. Gaugain sculp.
Publish'd Jan.y 1785 by T. Gaugain, No. 4 Little Compton Street, St. Ann's, London.
Fine stipple and etching printed in brown, title in open letters. 265 x 205mm (10½ x 8"), with large margins
Portrait of Catherine Manners (1779-1829), as a young child, wearing a frilled cap, after Sir Joshua Reynolds (1723-1792). She married Cecil Forester, 1st Baron Forester.
Hamilton p.116, II of II.
[Ref: 67905] £240.00 (£288.00 incl.VAT)

Charles Duke of Rutland, appointed Lord Lieutenant and General Govenor of the Kingdom of Ireland. Feb.y 1784. Died there Oct.r 24.th 1787. Universally lamented.
R. Cosway pinx. W. Lane sculp.
[n.d. c.1790.]
Stipple, with large margins. Plate 179 x 114mm (7 x 4½"). Horizontal creases.
Charles Manners, Duke of Rutland (1754-1787) was a British politician and nobleman. In 1775 he married Lady Mary Isabella Somerset, who was a celebrated beauty. He entered parliament in opposition to the North Ministry and as an ally to the Rockingham Whigs. During the American Revolution, he followed Chatham in urging reconciliation with America, and was one of those who questioned the conduct of Admiral Keppel in 1779.
Daniell: 125. In the National Library of Ireland.
[Ref: 39914] £75.00 (£90.00 incl.VAT)

Rutland [facsimile.]
Painted by F. Grant, R.A. Engraved by T.L. Atkinson.
[n.d. c.1860.]
Mezzotint. 680 x 464mm (26¾ x 18¼"). Some staining.
Charles Manners (1815-1888), 6th Duke of Rutland, was an English Conservative politician.
Ex Collection: The Late Honourable Christopher Lennox-Boyd.
[Ref: 29010] £120.00 (£144.00 incl.VAT)

The Right Hon.ble Lady Frances Manners. Dedicated to Her Grace the Dutchess Dowager of Somerset. By Her Grace's most obedient Servant David Martin.
D. Martin pinxit et fecit.
Publ.d as the Act directs Feb.y 1 1772.
Rare mezzotint, 18th century watermark, 505 x 355mm (20 x 14"). Small margins. Very faint time staining in title area.
A half-length portrait of Frances Manners, Countess of Tyrconnell (1753-92) facing left but gazing toward the viewer. She rests her head on her right hand, with her elbow propped on a table in front of her. In her left hand, she holds a mask, her wrist resting on the table's edge. She is dressed in a gown with voluminous padded sleeves, an ermine-trimmed cloak, and a striped scarf, while strands of pearls are woven into her hair.
CS 3 II. Russell III. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65163] £320.00

The Right Hon.ble John Manners, Marquis of Granby, One of his Majesty's most Honourable Privy Council, Colonel of his Majesties Royal Regiment of Horse Guards, Commander in Chief of his Majesties Forces, and Master General of the Ordnance &c. &c.
J. Reynolds pinx.t J. Watson fecit.
Sold by Ryland, Bryer, & Co at the King's Arms, in Cornhill. [n.d., c.1766.]
Mezzotint. 610 x 470mm (24 x 18½"). Scratch in sky area, a few repairs, laid on archival paper. Small margins.
Portrait of John Manners (1721 - 1770), Marquess of Granby, standing by his horse, a negro groom behind. In the background a battle rages.
CS 64.
[Ref: 50086] £450.00

The Most Noble John Manners, Marquis of Granby.
J. Reynolds pinxt.
[n.d., c.1770.]
Mezzotint. 150 x 110mm (6 x 4¼"), very large margins. Laid on album paper.
Portrait of John Manners (1721-70), Marquess of Granby, Commander-in-Chief of the Army during the Seven Years' War. A detail of the three-quarter length portrait by Sir Joshua Reynolds, perhaps a reworked version of the mezzotint by John Spilsbury (BM 1925,0608.1).
Hamilton: Not in.
[Ref: 58551] £140.00 (£168.00 incl.VAT)

Quick Search

Search by Ref. Number

Browse by Subject

Browse by Artist

Browse by Engraver

New - Catalogue 153

Catalogue 152

Catalogue 151

Advanced Search