Grosvenor Prints

[Man in a fur-trimmed hat]
T. Worlidge delin 1754.
Etching, sheet 185 x 135mm (7¼ x 5¼"). Trimmed inside platemark; glued to backing sheet at corners;
Rembrandtesque print by Thomas Worlidge (1700-66) who specialised in etchings either copied from, or in the style of Rembrandt.
Ex: Collection of the Late Honourable Christopher Lennox-Boyd
[Ref: 32581] £90.00 (£108.00 incl.VAT)

[Portrait of a man in a Cap.]
Mlasne fecit.
[n.d., c.1640.]
Engraving. Sheet: 340 x 240mm (13¼ x 9½''). Trimmed within plate. Damage in plate near head.
A portrait of a man in a cap in an oval with a decorative border. Engraved by Michel Lasne (1590-1667).
[Ref: 49926] £50.00 (£60.00 incl.VAT)

[A man in a fur hat and gown.] 5. III. 215.
Watteau del. B [François Boucher] sc.
Huquier ex. C.P.R. [n.d., c.1725.]
Fine etching. 325 x 240mm (12¾ x 9½"), with 18th century watermark. Narrow margins, mounted in album paper at sides.
From 'Figures de différents caractères, de Paysages, et d'Etudes dessinées d'après nature par Antoine Watteau', second state, with Huquier's name.
[Ref: 62254] £160.00 (£192.00 incl.VAT)

[Man in hat and fur-trimmed gown]
Tho.s Worlidge Fecit 1751
Etching, sheet 120 x 95mm (4¾ x 3¾"). Trimmed inside platemark; glued to backing sheet;
Rembrandtesque print by Thomas Worlidge (1700-66) who specialised in etchings either copied from, or in the style of Rembrandt. Born in Peterborough, Worlidge was a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. His widow issued his plates in 1766 and 1767 afater his death with added numbers in the top right corner to correspond with the numbers in the catalogue of his prints which she produced. This is a believed to be an early state before numbers added, as even though the print is slightly trimmed, the numbers would be visible if present.
W32; D100. Ex: Collection of the Late Honourable Christopher Lennox-Boyd; cf. BM 1925,0511.179
[Ref: 32582] £65.00 (£78.00 incl.VAT)

[Warrior dressed in a Lion Skin.]
[Philip James de Loutherbourg.]
Etching. Proof plate 280 x 195mm. 11 x 7¾". Tear into bottom margin.
Philip James de Loutherbourg [1740 - 1812] he studied under Carle van Loo and Casanova and in 1771 he is in London in service of Garrick at Drury Lane where he was active as a scene painter pioneering many forms of set exhibition. This study of a man dressed with a lion skin over his head in the style of the series "Iere suite de soldats" published in France c.1770.
Not in BM.
[Ref: 16395] £140.00 (£168.00 incl.VAT)

[Man in Oriental Dress.] 13.53. 45.
Tho.s Worlidge Inven.t Et. Fecit. 1753.
Etching with drypoint. 152 x 96mm (6 x 3¾"). Trimmed.
A man standing in oriental dress and a turban under his fur hat. He stands wearing a fur-trimmed gown, staff in his left hand and a sword hanging behind from his hip.
[Ref: 31159] £70.00 (£84.00 incl.VAT)

[Man wearing hat, in profile] 2.
J.J. Haid et filius exc A.V. [c.1750]
Mezzotint, scarce, platemark 210 x 160mm (8¼ x 6¼"). Glued to backing sheet, one small etching pasted verso. Small margins. Printer's crease on right.
Fine mezzotint published by Johann Jakob Haid, German painter and mezzotint engraver who died in Augsburg in 1767, and his son, Johann Elias (d.1800).
[Ref: 47690] £180.00 (£216.00 incl.VAT)

[Man in turban.]
[Jo. Henric. Sperling Hamburg pinxit. Jo. Jac. Haid sculpsit et excud. A.V.]
[n.d., c.1720.]
Mezzotint, proof before letters. 390 x 280mm (15¼ x 11"), large margins on 3 sides. Trimmed into plate, losing inscriptions at bottom, creased, ink spot in background.
A head and shoulders portrait of a bearded man in a turban.
[Ref: 68124] £320.00

[Man in a Turban.]
J.C.B. 1815.
Hand-coloured etching, scarce. Image: 235 x 165mm (9¼ x 6½'') very large margins. Tears and toning in edges.
An etching with orginal colour by John Cart Burgess (1798-1863).
[Ref: 48857] £130.00 (£156.00 incl.VAT)

[A bearded man in a turban]
[attributed to Bernard Lens II.]
[n.d., c.1700.]
Mezzotint. Sheet 120 x 85mm (4¾ x 3¼"). Trimmed within plate, slight staining.
A profile portrait in oval of a man in a feathered turban, full bear and emboidered coat.
BM: 1902,1011.7439.
[Ref: 65602] £220.00 (£264.00 incl.VAT)

[Man looking to his right]
T.W. [Thomas Worlidge]
[n.d., c.1760]
Etching, platemark 80 x 65mm (3 x 2½"). Good impression; trimmed on platemark; 'J.B.' (for John Barnard) verso.
Portrait study by Thomas Worlidge Senior (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Early impression from the Collection of John Barnard (1709-84), print-collector and one of the foremost connoisseurs of his day.
State i/iii; W101; D139.
[Ref: 32908] £280.00 (£336.00 incl.VAT)

[Man looking to his right]
T.W. [Thomas Worlidge]
[n.d., c.1760]
Etching, platemark 80 x 65mm (3 x 2½"). Small margins.
Portrait study by Thomas Worlidge Senior (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Lifetime impression before Worlidge's widow Mary issued new impressions in 1767 with the number '7' added top right to correspond with the catalogue of his prints she produced.
State ii/iii; W101; D139.
[Ref: 32909] £200.00 (£240.00 incl.VAT)

[Man's head looking to his right]
[by Thomas Worlidge]
[n.d., c.1760]
Etching, platemark 85 x 65mm (3¼ x 2½"). Large margins; on bluish laid paper; foxing around edges.
Portrait study by Thomas Worlidge Senior (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Posthumous impression after Worlidge's widow Mary issued new impressions in 1767 with the number '126' added top right to correspond with the catalogue of his prints she produced.
W126; D134.
[Ref: 32925] £120.00 (£144.00 incl.VAT)

[Man's head looking to his right]
[by Thomas Worlidge]
[n.d., c.1760]
Etching, platemark 85 x 65mm (3¼ x 2½"). Very large margins; uncut; on cream laid paper.
Portrait study by Thomas Worlidge Senior (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Posthumous impression after Worlidge's widow Mary issued new impressions in 1767 with the number '126' added top right to correspond with the catalogue of his prints she produced.
W126; D134.
[Ref: 32926] £160.00 (£192.00 incl.VAT)

A Man of good Works!
Janet Hutton [in ink bottom left-hand corner of the sheet.]
[n.d. c.1890.]
Etching. Plate 203 x 178mm. 8 x 7".
A figure of a man made entirely out of books; including the following texts: Head's Craniology, Cook's Oracle, Handle, Swift's Work, Comic Offering and Pilgrim's Progress.
[Ref: 15914] £95.00 (£114.00 incl.VAT)

A Man of War Cutter of 10 Guns, as Bramble, &c. Sailing by the wind, on the Larboard tack._Ensign and Pendant flying.
Knell, del.t. N. Fielding sculp.t.
London, Pub.d by Ackermann & Co. Oct.r 1. 1840.
Hand-coloured aquatint. Sheet: 150 x 245mm (6 x 9¾'').
A view of a Man of War H.M.S Bramble which served as tender to H.M.S Fly and H.M.S Rattlesnake, it also undertook several tours around Australia.
[Ref: 49896] £290.00 (£348.00 incl.VAT)

[A man reading under a tree.]
[French c.1760.]
Etching; proof before all letters. 210 x 155 (8¼ x 6¼") very large margins.
[Ref: 44251] £140.00 (£168.00 incl.VAT)

[Man teaching his pupils.]
Guercino del. R.D. sculp.
[n.d. c.1770.]
Etching printed in brown ink. Plate 263 x 396mm. 10½ x 15½". Uncut.
A man in the centre holding a musical score the his choir of three boys around him singing.
[Ref: 14604] £130.00 (£156.00 incl.VAT)

The Man that Couldn't Get Warm. Then close to a blazing fire he got, & took to drinking Brandy hot. / And sent for doctors, such a lot, The man that couldn't get warm. / Shivery Shakey Oh! Oh! Oh! &c.
[n.d., c.1840.]
Coloured woodcut. Sheet 195 x 240mm (7¾ x 9½"). Small splits in binding folds taped.
An illustration to the ballad of the same title, words by J. Beuler.
[Ref: 61099] £130.00 (£156.00 incl.VAT)

[The Watford Tunnel Collapse, 1835.] A Man that is Married. Air. _ Love Sick Looby.The Swiss Toy Girl. [WITH OLD INK MSS] This Song Belonged to James Carrick one of the Unfortunate of the Ten who was Buried in the Watford Tunnel and this was Buried with Him from the 16th July 1835 Till the 18th August 1835 and he was the Last Found.
Pitts' Printer, Toy & Marble Warehouse, 6 Great st Andrew street, Seven Dials.
Letterpress broadside song sheet. Sheet 250 x 200mm (9¾ x 8"). Some wear to old folds.
A songsheet with the lyrics to two ballads. According to the ink mss the sheet was buried with its owner in the collapse of the Watford Tunnel while it was being dug for the London & Birmingham Railway. Although the tunnel was mostly solid chalk there were areas made unstable by seams of gravel; a night crew, removing wooden struts to prepare for bricking the walls of a ventilation shaft, were buried 80 feet down under gravel, chalk and timbers. Despite working around the clock, it still took over a month to extricate the bodies.
Bodleian Ballads Online Bod12422.
[Ref: 55370] £280.00 (£336.00 incl.VAT)

[Man with Hat.]
Hayden Mackey [signed in the plate.]
[n.d. c.1920.]
Coloured woodcut, signed. 298 x 152mm. 11¾ x 6". Trimmed and laid on board.
An old man wearing a hat and a cravat. Haydn Reynolds Mackey (1883-1979) was a book illustrator and printmaker of bold coloured linocuts and woodcuts. He was a leader in representing an innovative and bold departure away from the traditional and recognised methods of printmaking.
[Ref: 23619] £220.00 (£264.00 incl.VAT)

[Man with cane]
Mr. Bunbury del. J.Bretherton f.
Publish'd 23d. December 1773.
Etching, platemark 230 x 170mm (9 x 6¾"). Trimmed to platemark; glued to backing sheet.
BM Satire 4762.
[Ref: 1053] £95.00 (£114.00 incl.VAT)

[Young Man with Short Curls] [5 - 17 top right]
Tho. Worlidge Fecit 1754
Etching, with large margins; 5 in ink at bottom right; platemark 130 x 100mm (5 x 4"). Fine.
Posthumous impression of an etching by Thomas Worlidge (1700-66). Born in Peterborough, Worlidge was a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. After his death, his widow published further impressions of his plates, adding new numbers to the plates to correspond with her own catalogue numbers. In this instance the '5' was etched by Worlidge himself, with the '17' added for posthumous impressions.
W17; D159. Ex: collection of the Late Hon. C. Lennox-Boyd.
[Ref: 32592] £180.00 (£216.00 incl.VAT)

[Young man with short curls]
Thos Worlidge Fecit 1754.
Etching, platemark 135 x 100mm (5½ x 4"). Large margins
Study of a young man, by Thomas Worlidge (1700-66). The 'English Rembrandt', Worlidge was a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Later impression with numbers erased (numbers '5' and '17' present in earlier state).
State ii/ii; W17; D159
[Ref: 32749] £60.00 (£72.00 incl.VAT)

[A Man with a Knife.]
[Rembrandt Pinx.t.] Rich.d Houston Fecit.
1757.
Mezzotint proof. 330 x 250mm (13 x 9¾"). Small margins. Trimmed at bottom.
A man with one hand at his chin, the other holding a knife.
Charrington 82 ii of iii. CS 146. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65705] £320.00

[A Man with a Knife.]
[Rembrandt Pinx.t.] Rich.d Houston Fecit.
1757.
Proof mezzotint. 355 x 250mm (14 x 9¾"), large margins on 3 sides.
A man with one hand at his chin, the other holding a knife.
Charrington 82 ii of iii. CS 146. Ex: Collection of The Hon. Christopher Lennox-Boyd & Reuss Collection.
[Ref: 65706] £320.00

[A Man with a Knife.] Done from an Original Picture in the Collection of John Blackwood Esq.r. 66
Rembrandt Pinx.t. R. Houston Fecit.
[n.d., c.1757.]
Mezzotint, with Collector's Mark. 350 x 250mm (13¾ x 9¾") large margins Some very faint marks across image.
A man with one hand at his chin, the other holding a knife.
Charrington 82 iii of iii. C.S. 146. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65708] £280.00 (£336.00 incl.VAT)

[A Man with a Knife.] Done from an Original Picture in the Collection of John Blackwood Esq.r. Rembrandt (f.1661.
Rembrandt Pinx.t. R. Houston Fecit.
Sold by Rd. Houston at Charing Cross, London [n.d., c.1757].
Mezzotint. 320 x 255mm (12½ x 10"), large margins.
A man with one hand at his chin, the other holding a knife.
Charrington 82, state iii of iii. CS 146. Ref: 45203 for state II.
[Ref: 58713] £280.00 (£336.00 incl.VAT)

[Man with retroussé nose] In the Collection of Tho. Sadler Esqr.
Carlo Maratti del. AP. [monogram of Athur Pond.]
[n.d. c.1740.]
Crayon-manner, printed in brown ink, rare. 212 x 160mm. 8¼ x 6¼". Uncut.
Arthur Pond (1701-1758) was a British painter, engraver, print-seller, dealer and collector. He studied with John Vanderbank before entering St Martin's Lane Academy in 1720. He visited Italy in 1725-7 with George Knapton, John Dyer and Daniel Wray. This print, one of three produced by Pond from caricatures by Maratti, derives from a drawing by sold through Christies in 1988. The British Museum have drawings by Hugh Howard, who studied in Italy with Maratti (1697-1700) which may have been the basis for Pond's prints.
Hake: 89. See British Museum no. 1874,0808.119 for Howard's drawing.
[Ref: 21321] £180.00 (£216.00 incl.VAT)

[Profile of a Man with Spectacles Over his Ear.]
[After Guercino.] Gius. Zocchi sc.
[n.d., c.1790s.]
Etching printed in brown ink. Plate: 180 x 255mm (7 x 10"). Very large margins.
A profile bust of man with a beard facing right, the man wears a pair of spectacles over one ear.
[Ref: 39411] £140.00 (£168.00 incl.VAT)

[Man with drawn sword.]
Joh. Baptista Piazzetta Venetus delineavit. Lorenz Haid sculpsit.
Cum Gratia et Privilegio Sacrae Casareae Majestatis. Johann Christian Leopold excudit Augustae Vindelicorum [n.d., c.1750].
Mezzotint. 390 x 270mm (15¼ x 10½"). Thread margins, some damage to image with old repairs, mounted on album paper. Damaged.
The head of a man with a moustache, wearing a feathered hat and lace collar, the hilt of his sword visible over his shoulder. After Giovanni Battista Piazzetta (1682-1754), a Venetian noted for his paintings of expressive heads.
[Ref: 60192] £280.00 (£336.00 incl.VAT)

[Man with toys, etc.]
Julius Ibbetson f 1803.
Etching. Sheet 85 x 125mm (3¼ x 5"). Trimmed to plate, laid on card, faint soiling.
A spiky-haired man, carrying a parasol, cane and satchel, looking through an eyeglass at a pile of toys (including dolls and a rocking horse), brooms and an upset bucket. This plate was republished in 1816 as a subscription notice for Ibbetson's series of 'Groups of Figures'. It is possible that it is a satirical self-portrait.
[Ref: 45176] £130.00 (£156.00 incl.VAT)

[Bust of a man] 3.
T.W. [Thomas Worlidge]
Etching, platemark 195 x 135mm (7¾ x 5¼"). Glued to backing sheet at edges. Small margins.
Portrait study by Thomas Worlidge Senior (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Posthumous impression after Worlidge's widow Mary issued new impressions in 1767 with the number added to correspond with the catalogue of his prints she produced.
[Ref: 47689] £180.00 (£216.00 incl.VAT)

[A man's head in profile, looking upwards]
Thos Worlidge 1751
Etching, sheet 160 x 120mm (6¼ x 4¾"). Trimmed inside platemark; very good impression; 'J.B.' (for John Barnard) verso.
Portrait study by Thomas Worlidge Senior (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Early impression from Collection of John Barnard (1709-84), print-collector and one of the foremost connoisseurs of his day.
State i/iv; W121; D205.
[Ref: 32934] £220.00 (£264.00 incl.VAT)

[A man's head in profile, looking upwards]
Thos Worlidge 1751.
Etching, sheet 160 x 120mm (6¼ x 4¾"). Trimmed inside platemark; very good impression; glued to backing sheet in corners.
Portrait study by Thomas Worlidge Senior (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Lifetime impression before Worlidge's widow Mary issued new impressions in 1767 with the number '121' added lower right to correspond with the catalogue of his prints she produced.
State i/iv; W121; D205. Ex collection of the Late Hon. C. Lennox-Boyd.
[Ref: 32933] £160.00 (£192.00 incl.VAT)

[A man's head in profile, looking upwards]
Thos Worlidge 1751.
Etching, platemark 165 x 130mm (6½ x 5"). Good impression; very large margins; uncut; on cream laid paper.
Portrait study by Thomas Worlidge Senior (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Posthumous impression after Worlidge's widow Mary issued new impressions in 1767 with the number '121' added lower right and '10' upper left to correspond with the catalogue of his prints she produced.
State ii/iv; W121; D205.
[Ref: 32935] £140.00 (£168.00 incl.VAT)

[A man's head in profile, looking upwards]
Thos Worlidge 1751.
Etching, sheet 155 x 115mm (6 x 4½"). Trimmed inside platemark; on cream laid paper; collector's stamp of Thomas Clutterbuck (L.2424) top right?
Portrait study by Thomas Worlidge Senior (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married.
State iii/iv; W121; D205.
[Ref: 32936] £120.00 (£144.00 incl.VAT)

[A man's head in profile, looking upwards]
Etched by T. Worlidge. Pub.d by R. Pollard, Spa Fields 1790.
Etching and aquatint, sheet 165 x 130mm (6½ x 5"). Trimmed on platemark; strong crease; on laid paper.
Portrait study by Thomas Worlidge Senior (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Later impression after publisher Robert Pollard added aquatint to the aging plate.
State iii/iv; W121; D205.
[Ref: 32937] £45.00 (£54.00 incl.VAT)

Manager and Sea Pilot. Dividers of the Kempton Park Great Champion Stakers, 1884. Value 1400. Manager is by Misterton, out of Devotion, the Property of Mr Miller. _ Sea Pilot is by Hadde, out of Sea Beauty, the Property of Mr T. Stone.
Painted & Engraved by Edwin Henry Hunt.
London, Published March 1884 by George Rees, 115 Strand.
Aquatint and etching, printed in colour and hand finished. 430 x 540mm (16¾ x 21¼), very large margins. In contemporary French frame. Paper lightly toned, single small wormhole on front dog's back. Unexamined out of frame.
Portrait of a pair of greyhound coursing champions in a landscape.
Not listed in Hickman.
[Ref: 44273] £320.00

Capt.n G.W. Manby, F.R.S. Author of the plan for the preservation of Shipwrecked Mariners, also for rescuing persons from the Flames, and for saving those, who break through the Ice.
Tho.s Wageman fec.t. 1832. Drawn on Stone & Litho'd by J.M. Johnson, Norwich.
1832.
Very rare lithograph. Sheet size: 385 x 260mm (15 x 10¼"). Large margins.
A three-quarter length portrait of George William Manby (1765 - 1854), militia captain and the barrack master at Great Yarmouth (from 1803). He is seen holding an illustration of the 'Manby apparatus' his invention for saving lives from ships wrecked close to shore. It was first successfully used at Yarmouth in 1808 and rapidly became widespread.
[Ref: 39045] £260.00 (£312.00 incl.VAT)

The South West Prospect of Manchester, in the County Palatine of Lancaster.
S & N Buck delin.t et sculp.t. 1728.
[London: Robert Sayer, c.1774.]
Coloured engraving. 255 x 710mm (10 x 28"), large margins.
A detailed prospect of Manchester, with an engraved description and a 7-point key below. From the series 'Buck's Perspective Views of Cities and Chief Towns in England and Wales', as re-issued by Robert Sayer, with a plate number top right.
[Ref: 60393] £450.00

Manchester from Mount Pleasant. Dedicated to the Inhabitants of Manchester and its Environs, by their obliged Servants, W.M.Craig and J.Landseer.
Drawn by W.M.Craig. Engraved by J. Landseer, Engraver to the King
Published Aug.t 1 1802 by J. Landseer, No 88 Queen Anne Street, East. & W.M.Craig, No 88 Charlotte Street, Rathbone Place, London; and in Manchester at No 79 Market Street Lane.
Scarce engraving. 365 x 480mm (14¼ x 18¾"), very large margins.
A fine prospect of Manchester from sheep fields to the north of the city. John Landseer, the engraver, was the father of Sir Edwin Landseer.
[Ref: 58706] £380.00

Bridge over the Irwell, Victoria Station, Manchester.
A.F. Tait, del et lith.
Day & Haghe lith.rs to the Queen [1845]
Lithograph with tintstone, printed area 270 x 360mm (10½ x 14¼").
Bridge near Victoria station in Manchester, named in honour of the monarch at the time it was opened in 1844, queen Victoria. Plate from 'Views on the Manchester & Leeds Railway' (1845), by Arthur Fitzwilliam Tait. The volume depicted notable bridges and stations on the route, which opened in 1839.
Abbey 411.5.
[Ref: 43304] £200.00 (£240.00 incl.VAT)

Rastrick Terrace & Viaduct
A.F. Tait, del et lith.
Day & Haghe lith.rs to the Queen [1845]
Lithograph with tintstone, printed area 250 x 365mm (9¾ x 14¼").
Plate from 'Views on the Manchester & Leeds Railway' (1845), by Arthur Fitzwilliam Tait. The volume depicted notable bridges and stations on the route, which opened in 1839.
Abbey 411.14
[Ref: 43305] £180.00 (£216.00 incl.VAT)

Rochdale Station.
A.F. Tait, del et lith.
Day & Haghe lith.rs to the Queen [1845]
Lithograph with tintstone, printed area 255 x 345mm (10 x 13½"). Slight stain off image bottom left. Tears to margins one slightly going into image.
The first railway station in the town of Rochdale, Greater Manchester, which served the line from Manchester to Leeds. After the increasing traffic became too great for the station, it was replacded by the larger current depot in 1889. Plate from 'Views on the Manchester & Leeds Railway' (1845), by Arthur Fitzwilliam Tait. The volume depicted notable bridges and stations on the route, which opened in 1839.
Abbey 411.17
[Ref: 43309] £190.00 (£228.00 incl.VAT)

Whiteleys Viaduct, Charleston Curves.
A.F. Tait, del et lith.
Day & Haghe lith.rs to the Queen [1845].
Tinted lithograph with hand colour. Printed area 240 x 325mm (9½ x 12¼"). Faint mount burn.
A view of the viaduct carrying the Manchester & Leeds Railway over the River Calder near Hebden Bridge, with navvies working on the line and a barge on the river below. Plate from 'Views on the Manchester & Leeds Railway' (1845), by Arthur Fitzwilliam Tait. The volume depicted notable bridges and stations on the route, which opened in 1839.
Abbey 411.
[Ref: 57351] £200.00 (£240.00 incl.VAT)

[Cross Street Chapel, Manchester]
Fred. W. Goolden inv. et del. [pencil signature, lower right.]
Fred. W. Goolden/10 [etched in plate lower left.] [1910.]
Etching with very large margins, platemark 255 x 345mm (10 x 13½"). Uncut.
Cross Street Chapel in Manchester, the first Non-conformist place of worship in the city. Bombed during World War II, in 1959 a new chapel was constructed on the site. In 2012 this chapel became the first place of worship in Britain to receive a licence to conduct civil partnership ceremonies.
Ex: Agnews.
[Ref: 36776] £220.00 (£264.00 incl.VAT)

The Late Dr. White's House, King St. [Manchester.]
I. Ralston delt. & on Stone by A. Aglio. Printed by N. Chater & Co.
Published by D. & P. Jackson, Manchester, Septr. 1823.
Lithograph on india, india 310 x 390mm. 12¼ x 15¼". Very slight creases on india.
In 1752 Charles White (1696 - 1776), along with Joseph Bancroft, a merchant, was instrumental in founding Manchester Infirmary. This was the first hospital in the area. The premises were a house in Garden Street but a new, purpose-built, hospital was opened overlooking what is now Piccadilly Gardens in 1756. White was a surgeon at the infirmary for 28 years. Atmospheric street scene. After John Ralston (1789 - 1833) a little known Manchester-based artist. Some of the best pictorial records of late 18th and early 19th century Manchester rely on drawings made by Ralston, including his many studies of Market Sted Lane (now Market Street).
Wellcome Library no. 571883i.
[Ref: 23684] £180.00 (£216.00 incl.VAT)

The Manchester Hero, or Arts yield to Arms. From the Original Picture by John Collett, in the possession of Carington Bowles.
Printed for & Sold by Carington Bowles, at his Map & Print Warehouse, No. 69 in St Pauls Church Yard. Published as the Act directs, 20 April 1778.
Mezzotint. 355 x 250mm (14 x 9¾"), with very large margins. In mount measuring 595 x 485mm (23½ x 19"). Mint.
The willing victim of a recruitment party.
Ex: Collection of The Hon. C. Lennox-Boyd. BM Satires 4556.
[Ref: 64507] £360.00

[The Royal Exchange, Manchester.]
Fred. W. Goolden inv. et del. [pencil signature, lower right.]
Fred. W. Goolden/13 [etched in plate lower left.] [1913.]
Etching with very large margins, very fine, platemark 405 x 290mm. 16 x 11½".
The Royal Exchange in Manchester, located in the city centre on the land bounded by St Ann’s Square, Market Street and Cross Street. The building now houses the Royal Exchange Theatre and the Royal Exchange shopping centre. Remarque of a beehive lower left.
Ex: Agnews.
[Ref: 36775] £160.00 (£192.00 incl.VAT)

Quick Search

Search by Ref. Number

Browse by Subject

Browse by Artist

Browse by Engraver

New - Catalogue 153

Catalogue 152

Catalogue 151

Advanced Search