A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
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![[Anthony Maddox.]](jpegs/49848.jpg)
[Anthony Maddox.] To long, unjust to our own country's cause, / On foreigners we wasted our applause, / On home-bred merit seldom known to smile, / Nor praise the product of our Native Isle. / But now each artist from abroad must yield, / And Mahomet to Maddox quits the field, / Who's form'd alike t'astonish & to please, / And adds to matchless skill a gracefull ease, / The sweetly smiling fair in crowds appear, / And love that art, they used to view with fear.
T. King Pinx.t. R. Houston Fecit.
Printed for & Sold by John Smith Map & Printseller at Hogarth's Head, in Cheapside, & Rob.t Sayer at the Golden Buck in Fleet Street, London.
Mezzotint. 355 x 250mm (14 x 9¾"). Small margins.
A three-quarter length portrait of the entertainer Anthony Maddox, wearing a rich suit with an emboidered waistcoat, holding a straw. Maddox was a successful slack-wire acrobat: his signature trick was standing on the wire and passing the straw from his foot to his mouth, accounting for its inclusion here. He drowned in 1758 when 'The Dublin Trader' was wrecked off the Scottish coast en route to Dublin, along with his travelling companion, actor Theophilus Cibber, and Edward, fifth Earl of Drogheda..
CS 75.
[Ref: 49848] £490.00
T. King Pinx.t. R. Houston Fecit.
Printed for & Sold by John Smith Map & Printseller at Hogarth's Head, in Cheapside, & Rob.t Sayer at the Golden Buck in Fleet Street, London.
Mezzotint. 355 x 250mm (14 x 9¾"). Small margins.
A three-quarter length portrait of the entertainer Anthony Maddox, wearing a rich suit with an emboidered waistcoat, holding a straw. Maddox was a successful slack-wire acrobat: his signature trick was standing on the wire and passing the straw from his foot to his mouth, accounting for its inclusion here. He drowned in 1758 when 'The Dublin Trader' was wrecked off the Scottish coast en route to Dublin, along with his travelling companion, actor Theophilus Cibber, and Edward, fifth Earl of Drogheda..
CS 75.
[Ref: 49848] £490.00
![[Madeira.]](jpegs/45654.jpg)
[Madeira.] The Prospect of the two small Islands, las Desertas (in the NE of Maderas) att 3 Leagues Distance. The Prospect of the Town of Funchal, and of the road, in the Island of Maderas, on ye south side. The Prospect of the West side of Gomera, from A to B at 15 leagues distance the Pico Tenerife appearing over at East. The Prospect of the Island Palma at 6 Leagues distance, seen from the South.
J. Kip fecit.
[London: Lintot and Osborn, 1746.]
Engraving. 350 x 260mm (13¾ x 10¼") large margins. Folded as issued, toning to edges.
Three coastal profiles and a prospect of Funchal from the sea, illustrations from Jean Barbot's 'A Description of the Coasts of North and South Guinea; and of Ethiopia Inferior, vulgarly Angola...', as published in Volume V of 'Churchill's Voyages and Travels'. A French explorer, Barbot made two voyages to West Africa in 1678 and 1681 but, after the Edict of Nantes was revoked in 1685, he sought sanctuary in England from anti-protestant persecution.
[Ref: 45654] £160.00 (£192.00 incl.VAT)
J. Kip fecit.
[London: Lintot and Osborn, 1746.]
Engraving. 350 x 260mm (13¾ x 10¼") large margins. Folded as issued, toning to edges.
Three coastal profiles and a prospect of Funchal from the sea, illustrations from Jean Barbot's 'A Description of the Coasts of North and South Guinea; and of Ethiopia Inferior, vulgarly Angola...', as published in Volume V of 'Churchill's Voyages and Travels'. A French explorer, Barbot made two voyages to West Africa in 1678 and 1681 but, after the Edict of Nantes was revoked in 1685, he sought sanctuary in England from anti-protestant persecution.
[Ref: 45654] £160.00 (£192.00 incl.VAT)
Old Fort, Funchal, Madeira. April 1900.
AHT. 1900. [Astley Herbert Terry.]
Signed watercolour. Sheet: 175 x 250mm (7 x 9¾''). Mounted on board.
A watercolour by Lieutenant Astley Herbert Terry (1866 - after 1937). The son of Major General Astley Fellows Terry, the artist served with both the Army Service Corps and the 60th Rifles. His posting to Sierra Leone coincides with the Second Boer War, so his duties would have been to provide for the troops en route to South Africa. He was promoted to major at the time of his departure, which was probably to the Cape: a 'Major Terry' of the 60th Rifles is recorded as participating in the war. In the 1911 census Terry was recorded as living in Kensington. In 1937 Colonel Astley Herbert Terry was installed as Commander of the Venerable Order of the Hospital of St John of Jerusalem, which is the last reference to him we can trace.
[Ref: 48109] £180.00 (£216.00 incl.VAT)
AHT. 1900. [Astley Herbert Terry.]
Signed watercolour. Sheet: 175 x 250mm (7 x 9¾''). Mounted on board.
A watercolour by Lieutenant Astley Herbert Terry (1866 - after 1937). The son of Major General Astley Fellows Terry, the artist served with both the Army Service Corps and the 60th Rifles. His posting to Sierra Leone coincides with the Second Boer War, so his duties would have been to provide for the troops en route to South Africa. He was promoted to major at the time of his departure, which was probably to the Cape: a 'Major Terry' of the 60th Rifles is recorded as participating in the war. In the 1911 census Terry was recorded as living in Kensington. In 1937 Colonel Astley Herbert Terry was installed as Commander of the Venerable Order of the Hospital of St John of Jerusalem, which is the last reference to him we can trace.
[Ref: 48109] £180.00 (£216.00 incl.VAT)
Funchal, Madeira. April 1900.
AHT. 1900. [Astley Herbert Terry.]
Signed watercolour. Sheet: 175 x 250mm (7 x 9¾''). Mounted on board.
A watercolour by Lieutenant Astley Herbert Terry (1866 - after 1937). The son of Major General Astley Fellows Terry, the artist served with both the Army Service Corps and the 60th Rifles. His posting to Sierra Leone coincides with the Second Boer War, so his duties would have been to provide for the troops en route to South Africa. He was promoted to major at the time of his departure, which was probably to the Cape: a 'Major Terry' of the 60th Rifles is recorded as participating in the war. In the 1911 census Terry was recorded as living in Kensington. In 1937 Colonel Astley Herbert Terry was installed as Commander of the Venerable Order of the Hospital of St John of Jerusalem, which is the last reference to him we can trace.
[Ref: 48110] £160.00 (£192.00 incl.VAT)
AHT. 1900. [Astley Herbert Terry.]
Signed watercolour. Sheet: 175 x 250mm (7 x 9¾''). Mounted on board.
A watercolour by Lieutenant Astley Herbert Terry (1866 - after 1937). The son of Major General Astley Fellows Terry, the artist served with both the Army Service Corps and the 60th Rifles. His posting to Sierra Leone coincides with the Second Boer War, so his duties would have been to provide for the troops en route to South Africa. He was promoted to major at the time of his departure, which was probably to the Cape: a 'Major Terry' of the 60th Rifles is recorded as participating in the war. In the 1911 census Terry was recorded as living in Kensington. In 1937 Colonel Astley Herbert Terry was installed as Commander of the Venerable Order of the Hospital of St John of Jerusalem, which is the last reference to him we can trace.
[Ref: 48110] £160.00 (£192.00 incl.VAT)
![View at Madeira. [&] The Loo Rock, Madeira.](jpegs/9437.jpg)
View at Madeira. [&] The Loo Rock, Madeira.
George.
August 1826. [&] Nov.r 1826.
Two watercolours, aggregate dimensions 200 x 145mm. 8 x 5¾". Trimmed around images; laid down.
Two very fine views of Madeira in the North Atlantic ocean. By the gifted amateur watercolourist James George. See Ref: 9438
[Ref: 9437] £480.00
George.
August 1826. [&] Nov.r 1826.
Two watercolours, aggregate dimensions 200 x 145mm. 8 x 5¾". Trimmed around images; laid down.
Two very fine views of Madeira in the North Atlantic ocean. By the gifted amateur watercolourist James George. See Ref: 9438
[Ref: 9437] £480.00
Loo .Rock .Funchal.
Walter W. May.
[n.d. c.1860.]
Etching. 109 x 145mm (4¼ x 5¾").
Loo Rock, off the Port of Funchal in Madeira, Portugal. Walter William May [1831-1896] artist of sketches made on an expedition that was looking in the Polar regions for Franklin.
[Ref: 17406] £45.00 (£54.00 incl.VAT)
Walter W. May.
[n.d. c.1860.]
Etching. 109 x 145mm (4¼ x 5¾").
Loo Rock, off the Port of Funchal in Madeira, Portugal. Walter William May [1831-1896] artist of sketches made on an expedition that was looking in the Polar regions for Franklin.
[Ref: 17406] £45.00 (£54.00 incl.VAT)
Funchall, Capitale de l'Ile de Madere.
Par Thomas Ender de Vienne, (Austriche.)
Paris, Challamel, Editeur. [n.d., 1848.]
Tinted lithograph Sheet 230 x 300mm (9 x 11¾"); large margins. Slight crease.
A fine view of Funchal from 'Album cosmopolite: Choix des Collections de M. A. Vattemare, d'après les dessines des principaux artistes de l'Europe'.
[Ref: 40686] £140.00 (£168.00 incl.VAT)
Par Thomas Ender de Vienne, (Austriche.)
Paris, Challamel, Editeur. [n.d., 1848.]
Tinted lithograph Sheet 230 x 300mm (9 x 11¾"); large margins. Slight crease.
A fine view of Funchal from 'Album cosmopolite: Choix des Collections de M. A. Vattemare, d'après les dessines des principaux artistes de l'Europe'.
[Ref: 40686] £140.00 (£168.00 incl.VAT)
Funchal, from the Chapel of Santa Catharina.
Drawn from Nature by J.B. On stone by W. Gauci.
Printed by Engelman, Graf, Coindet & Co. 92 Dean St. [n.d., c.1850].
Hand-coloured lithograph. Sheet size: 247 x 325mm (9¾ x 12¾").
A view of the Portugese city of Funchal, the largest city and capital of Portugal's Autonomous Region of Madeira. A number of figures in traditional costume can be seen around the chapel, with the city in the background and mountains in the distance. The chapel was originally built solely out of wood but was later rebuilt in stone. The wife of one of the island´s discoverers (João Gonçalves Zarco), Lady Constance, ordered the construction of this chapel back in 1425.
Not in Abbey.
[Ref: 32138] £360.00
Drawn from Nature by J.B. On stone by W. Gauci.
Printed by Engelman, Graf, Coindet & Co. 92 Dean St. [n.d., c.1850].
Hand-coloured lithograph. Sheet size: 247 x 325mm (9¾ x 12¾").
A view of the Portugese city of Funchal, the largest city and capital of Portugal's Autonomous Region of Madeira. A number of figures in traditional costume can be seen around the chapel, with the city in the background and mountains in the distance. The chapel was originally built solely out of wood but was later rebuilt in stone. The wife of one of the island´s discoverers (João Gonçalves Zarco), Lady Constance, ordered the construction of this chapel back in 1425.
Not in Abbey.
[Ref: 32138] £360.00
Madeleine de France. Pour me le maigner son amour Un Roi passa la mer, et m'obtint sa femme: Ma vertu commencoit a reformer la cour. Mais la mort de mes jours coupu trap tôt la trame.
Adr.n vander Werff pinx. P.a Gunst Sculps.
[n.d. c.1700.]
Engraving with very large margins. Platemark: 315 x 180mm (12¼ x 7¼").
A bust of Madeleine of Valois (1520 - 1537), a French princess who became Queen of Scots as the first spouse of King James V. Slightly turned to the left, dressed in a gown with decorative ropes of pearls and a ruffed collar, on a plinth decorated with thistle leaves, and a landscape beyond. For a proof before letters impression, see item ref: 36420.
O'Donoghue 36.
[Ref: 36419] £60.00 (£72.00 incl.VAT)
Adr.n vander Werff pinx. P.a Gunst Sculps.
[n.d. c.1700.]
Engraving with very large margins. Platemark: 315 x 180mm (12¼ x 7¼").
A bust of Madeleine of Valois (1520 - 1537), a French princess who became Queen of Scots as the first spouse of King James V. Slightly turned to the left, dressed in a gown with decorative ropes of pearls and a ruffed collar, on a plinth decorated with thistle leaves, and a landscape beyond. For a proof before letters impression, see item ref: 36420.
O'Donoghue 36.
[Ref: 36419] £60.00 (£72.00 incl.VAT)
Madeleine de France.
[Adr.n vander Werff pinx. P.a Gunst Sculps.]
[n.d. c.1700.]
Engraving. Proof before letters. Sheet size: 310 x 180mm (12¼ x 7¼"). Trimmed inside plate.
A bust of Madeleine of Valois (1520 - 1537), a French princess who became Queen of Scots as the first spouse of King James V. Slightly turned to the left, dressed in a gown with decorative ropes of pearls and a ruffed collar, on a plinth decorated with thistle leaves, and a landscape beyond. For a lettered impression, see item ref: 34619.
O'Donoghue 36.
[Ref: 36420] £160.00 (£192.00 incl.VAT)
[Adr.n vander Werff pinx. P.a Gunst Sculps.]
[n.d. c.1700.]
Engraving. Proof before letters. Sheet size: 310 x 180mm (12¼ x 7¼"). Trimmed inside plate.
A bust of Madeleine of Valois (1520 - 1537), a French princess who became Queen of Scots as the first spouse of King James V. Slightly turned to the left, dressed in a gown with decorative ropes of pearls and a ruffed collar, on a plinth decorated with thistle leaves, and a landscape beyond. For a lettered impression, see item ref: 34619.
O'Donoghue 36.
[Ref: 36420] £160.00 (£192.00 incl.VAT)
The Great Madiai Meeting of 1853, of the Protestant Alliance in Exeter Hall. Francesco and Rosa Madiai in their Prison Cells. Engraved from the Original Picture by W. Henry Fisk, Esq., and respectfully dedicated to the Right Hon. The Lord Mayor, M.P. &c. &c. &c.
W.H. Fisk, delt. G. Meason, Sc.
Published for the Proprietors by Messrs. Partridge & Oackley, 34, Paternoster Row; and to be had of Messrs. Fisk & Co., 163, Strand; and of all Stationers.
Wood engraving. Sheet 380 x 430mm (15 x 17"). Laid on card, slight staining.
A view of the large meeting of the Protestant Alliance in Exeter Hall in support of Francesco and Rosa Madiai, who had been imprisoned in Florence for their Protestant faith, having been caught with an English Bible. Two vignettes show the pair in prison, Francesco in solitary confinement. In 1853, after an international outcry, their punishment was commuted to exile. Such was their fame that Phineas Taylor Barnum requested they tour America.
[Ref: 63926] £390.00
W.H. Fisk, delt. G. Meason, Sc.
Published for the Proprietors by Messrs. Partridge & Oackley, 34, Paternoster Row; and to be had of Messrs. Fisk & Co., 163, Strand; and of all Stationers.
Wood engraving. Sheet 380 x 430mm (15 x 17"). Laid on card, slight staining.
A view of the large meeting of the Protestant Alliance in Exeter Hall in support of Francesco and Rosa Madiai, who had been imprisoned in Florence for their Protestant faith, having been caught with an English Bible. Two vignettes show the pair in prison, Francesco in solitary confinement. In 1853, after an international outcry, their punishment was commuted to exile. Such was their fame that Phineas Taylor Barnum requested they tour America.
[Ref: 63926] £390.00
La Folie pare la Décrépitude des ajustemens de la Jeunesse.
Peint au Pastel par Ch. Coypel Gravé par L. Surugue en 1745
a Paris chez L. Surugue Graveur du Roy rue des Noyers, attenant le Magazin de Papier vis-a-vis St. Yves A.P.D.R.
Engraving, platemark 370 x 270mm (14½ x 10½"). Thread margins; pinholes.
Decrepitude, assisted by Madness, dresses in an extravagant costume with outsized beauty spots; cupid with arrow overhead. Allegorical scene after Charles-Antoine Coypel (1694-1752), son of a successful painter who enjoyed early success, inheriting his father's position of painter to Philippe II, duc d'Orléans and becoming favourite painter of Louis XV's queen, Maria Leczinska. Coypel's moralizing genre scenes such as the pastel from which this print derives, are some of his most original works.
[Ref: 40283] £240.00 (£288.00 incl.VAT)
Peint au Pastel par Ch. Coypel Gravé par L. Surugue en 1745
a Paris chez L. Surugue Graveur du Roy rue des Noyers, attenant le Magazin de Papier vis-a-vis St. Yves A.P.D.R.
Engraving, platemark 370 x 270mm (14½ x 10½"). Thread margins; pinholes.
Decrepitude, assisted by Madness, dresses in an extravagant costume with outsized beauty spots; cupid with arrow overhead. Allegorical scene after Charles-Antoine Coypel (1694-1752), son of a successful painter who enjoyed early success, inheriting his father's position of painter to Philippe II, duc d'Orléans and becoming favourite painter of Louis XV's queen, Maria Leczinska. Coypel's moralizing genre scenes such as the pastel from which this print derives, are some of his most original works.
[Ref: 40283] £240.00 (£288.00 incl.VAT)
![[The Virgin?][1]](jpegs/32574.jpg)
[The Virgin?][1]
[Thomas Worlidge]
Etching, platemark 170 x 140mm (6¾ x 5½"). Two tears at bottom.
Possibly the Virgin, reading. This is believed to be an early state of Worlidge's print (for which see BM 1925,0511.198) before his name was added. Born in Peterborough, Worlidge was a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. His widow issued his plates in 1766 and 1767 afater his death with the numbers in the corners, but very few impressions were issued and sold by Worlidge during his lifetime.
The BM also have a related drawing by Worlidge (1861,0810.83). W30; D127. Ex: Collection Hon. C. Lennox-Boyd.
[Ref: 32574] £140.00 (£168.00 incl.VAT)
[Thomas Worlidge]
Etching, platemark 170 x 140mm (6¾ x 5½"). Two tears at bottom.
Possibly the Virgin, reading. This is believed to be an early state of Worlidge's print (for which see BM 1925,0511.198) before his name was added. Born in Peterborough, Worlidge was a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. His widow issued his plates in 1766 and 1767 afater his death with the numbers in the corners, but very few impressions were issued and sold by Worlidge during his lifetime.
The BM also have a related drawing by Worlidge (1861,0810.83). W30; D127. Ex: Collection Hon. C. Lennox-Boyd.
[Ref: 32574] £140.00 (£168.00 incl.VAT)
![[Allegory of the Virgin.]](jpegs/47563.jpg)
[Allegory of the Virgin.]
[Etched by P.W. Tomkins after Annibale Carracci.]
London Pub.ld March 20. 1807 by I. Chamberlain Scotland Yard.
Etching with aquatint, printed in sepia, fine. Proof. Plate: 375 x 295mm (14¾ x 11¾"), with very large margins.
A biblical scene showing the Allegory of the Virgin. King David is shown on the left sitting in his throne and playing the harp, on the right two archangels wrestle with the Devil while behind them the Madonna stands with her arms. From a series of prints of 'Original Designs in his Majesty's Collection'.
[Ref: 47563] £260.00 (£312.00 incl.VAT)
[Etched by P.W. Tomkins after Annibale Carracci.]
London Pub.ld March 20. 1807 by I. Chamberlain Scotland Yard.
Etching with aquatint, printed in sepia, fine. Proof. Plate: 375 x 295mm (14¾ x 11¾"), with very large margins.
A biblical scene showing the Allegory of the Virgin. King David is shown on the left sitting in his throne and playing the harp, on the right two archangels wrestle with the Devil while behind them the Madonna stands with her arms. From a series of prints of 'Original Designs in his Majesty's Collection'.
[Ref: 47563] £260.00 (£312.00 incl.VAT)
![[Madonna and child?]](jpegs/36479.jpg)
[Madonna and child?] From a very rare etching of the same size by Andrea Meldolla in the Collection of Richard Ford.
R.F. Scul. only 20 taken off. 1823.
Crayon-manner etching, all text in ink mss, very scarce. Image 170 x 90mm (10½ x 3½")
An amateur etching after Andrea Meldolla (c. 1510/5-1563, also known as Andrea Schiavone). Richard Ford (1796-1858) was an art connoisseur who travelled widely in Europe and wrote a guidebook to Spain. When he died of Bright's disease he left a fine collection of pictures to his widow Mary.
[Ref: 36479] £80.00 (£96.00 incl.VAT)
R.F. Scul. only 20 taken off. 1823.
Crayon-manner etching, all text in ink mss, very scarce. Image 170 x 90mm (10½ x 3½")
An amateur etching after Andrea Meldolla (c. 1510/5-1563, also known as Andrea Schiavone). Richard Ford (1796-1858) was an art connoisseur who travelled widely in Europe and wrote a guidebook to Spain. When he died of Bright's disease he left a fine collection of pictures to his widow Mary.
[Ref: 36479] £80.00 (£96.00 incl.VAT)
![[The Virgin Mary with Jesus and two angels.]](jpegs/39122.jpg)
[The Virgin Mary with Jesus and two angels.]
Guercino inv. F. Bartolozzi Engraver To His Majesty sculp.
[J. & J. Boydell.] [n.d., c.1790s]
Stipple, printed in brown ink. Plate: 220 x 320mm (8½ x 12½"), with large margins.
The Virgin Mary sits on a cloud with Jesus, who plays with a necklace, upon her knee while two angels above them place a crown on the Virgin's head.
de Vesme: 2187, II of II.
[Ref: 39122] £160.00 (£192.00 incl.VAT)
Guercino inv. F. Bartolozzi Engraver To His Majesty sculp.
[J. & J. Boydell.] [n.d., c.1790s]
Stipple, printed in brown ink. Plate: 220 x 320mm (8½ x 12½"), with large margins.
The Virgin Mary sits on a cloud with Jesus, who plays with a necklace, upon her knee while two angels above them place a crown on the Virgin's head.
de Vesme: 2187, II of II.
[Ref: 39122] £160.00 (£192.00 incl.VAT)
![[Madonna Reading a Book Held by a Cherub.]](jpegs/39412.jpg)
[Madonna Reading a Book Held by a Cherub.]
Guercino inv. G. Vitalba scul. Londra 1764.
Etching, printed in brown ink. Plate: 280 x 370mm, (11 x 14½"). Very large margins.
A portrait of the Madonna who reads from a book held up to her by a cherub.
[Ref: 39412] £160.00 (£192.00 incl.VAT)
Guercino inv. G. Vitalba scul. Londra 1764.
Etching, printed in brown ink. Plate: 280 x 370mm, (11 x 14½"). Very large margins.
A portrait of the Madonna who reads from a book held up to her by a cherub.
[Ref: 39412] £160.00 (£192.00 incl.VAT)
![[The Holy Family.]](jpegs/40620.jpg)
[The Holy Family.] From an Orig.l Picture by Bar.o Schidone in the Collection of Doctor Brag
WB. [monogram of Captain William Baillie.]
[n.d., c.1790.]
Mezzotint. 360 x 255mm (14¼ x 10"). Thread margins.
The Holy Family; the Virgin holding the infant Jesus in her lap, with St John as a child leaning in towards them from left, and St Joseph, leaning on a stick. Engraved after Bartolomeo Schedoni by Capt William Baillie (1723 - 1810) who retired from the army and became a picture dealer. He was also an amateur then semi-professional printmaker, later selling his plates to Boydell.
[Ref: 40620] £140.00 (£168.00 incl.VAT)
WB. [monogram of Captain William Baillie.]
[n.d., c.1790.]
Mezzotint. 360 x 255mm (14¼ x 10"). Thread margins.
The Holy Family; the Virgin holding the infant Jesus in her lap, with St John as a child leaning in towards them from left, and St Joseph, leaning on a stick. Engraved after Bartolomeo Schedoni by Capt William Baillie (1723 - 1810) who retired from the army and became a picture dealer. He was also an amateur then semi-professional printmaker, later selling his plates to Boydell.
[Ref: 40620] £140.00 (£168.00 incl.VAT)
![[The Immaculate Conception. Or. the Assumption of the Virgin.]](jpegs/36649.jpg)
[The Immaculate Conception. Or. the Assumption of the Virgin.]
[Bar.t. Murillo pinx.t. McArdell Fecit.]
[n.d., c.1750.]
Mezzotint. Scare proof before letters impression. Platemark: 505 x 350mm (20 x 13¾"). Thread margins. Light horizntal creases to centre.
A scarce proof before letters impression. The Virgin is seen with her long hair hanging loose, her eyes raised upwards and hands across her breast. She is suspended on a cloud supported by cherubs carrying lilies, roses and palms, a crescent moon under her feet. More cherubs can be seen in the clouds above. Sometimes catalogued with the title 'Assumption of the Virgin'. After Bartolomé Esteban Murillo (1617 - 1682) , painter of portraits and genre scenes, but especially renowned for his paintings of children and his religious works, including his many versions of the 'Virgin of the Immaculate Conception' dispersed throughout international art collections. For a lettered impression, see item ref: 36648.
Ex collection of Christopher Lennox-Boyd. Goodwin: 216.
[Ref: 36649] £450.00
[Bar.t. Murillo pinx.t. McArdell Fecit.]
[n.d., c.1750.]
Mezzotint. Scare proof before letters impression. Platemark: 505 x 350mm (20 x 13¾"). Thread margins. Light horizntal creases to centre.
A scarce proof before letters impression. The Virgin is seen with her long hair hanging loose, her eyes raised upwards and hands across her breast. She is suspended on a cloud supported by cherubs carrying lilies, roses and palms, a crescent moon under her feet. More cherubs can be seen in the clouds above. Sometimes catalogued with the title 'Assumption of the Virgin'. After Bartolomé Esteban Murillo (1617 - 1682) , painter of portraits and genre scenes, but especially renowned for his paintings of children and his religious works, including his many versions of the 'Virgin of the Immaculate Conception' dispersed throughout international art collections. For a lettered impression, see item ref: 36648.
Ex collection of Christopher Lennox-Boyd. Goodwin: 216.
[Ref: 36649] £450.00
![[The Holy Virgin and Infant Jesus]](jpegs/36930.jpg)
[The Holy Virgin and Infant Jesus] [In His Majesty's Collection]
[Guido pinxot. Gondolfi del.t. Gondolfi & Bartolozzi sculp.nt]
Etching and engraving with large margins, platemark 250 x 185mm (9¾ x 7¼"). Rare proof before letters.
Virgin and child after the painting by Guido Reni (1575-1642) in the Royal Collection (currently hanging in Hampton Court Palace). According to de Vesme, the painting was acquired by George III's librarian Richard Dalton in Bologna, and Dalton had the painting engraved by G. Gandolfi in 1770 before engaging the more esteemed Bartolozzi to retouch the plate. The Royal Collection, however, state that inventories record the painting as having been bought by George III himself.
De Vesme 135 i/ii
[Ref: 36930] £220.00 (£264.00 incl.VAT)
[Guido pinxot. Gondolfi del.t. Gondolfi & Bartolozzi sculp.nt]
Etching and engraving with large margins, platemark 250 x 185mm (9¾ x 7¼"). Rare proof before letters.
Virgin and child after the painting by Guido Reni (1575-1642) in the Royal Collection (currently hanging in Hampton Court Palace). According to de Vesme, the painting was acquired by George III's librarian Richard Dalton in Bologna, and Dalton had the painting engraved by G. Gandolfi in 1770 before engaging the more esteemed Bartolozzi to retouch the plate. The Royal Collection, however, state that inventories record the painting as having been bought by George III himself.
De Vesme 135 i/ii
[Ref: 36930] £220.00 (£264.00 incl.VAT)
The Offspring of Love. From a Painting by Guido Reni, in the Possession of Rob.t Strange.
Guido Reni Pinxit. Rob.us. Strange delineavit et Sculpsit.
[London: Robert Strange, 1790.]
Engraving. 385 x 440mm (15¼ x 17¼), large margins.
The Virgin Mary praying over the sleeping infant, who lies on a large cushion with a tassel. From a collected edition of the engravings by Sir Robert Strange (1721-92) after famous paintings, in this case one by Guido Reni (1575 - 1642).
BM U,3.116, 'Possibly one of the prints found in the possession of Robert Dighton', the caricaturist that plundered the Museum's print collection.
[Ref: 46542] £360.00
Guido Reni Pinxit. Rob.us. Strange delineavit et Sculpsit.
[London: Robert Strange, 1790.]
Engraving. 385 x 440mm (15¼ x 17¼), large margins.
The Virgin Mary praying over the sleeping infant, who lies on a large cushion with a tassel. From a collected edition of the engravings by Sir Robert Strange (1721-92) after famous paintings, in this case one by Guido Reni (1575 - 1642).
BM U,3.116, 'Possibly one of the prints found in the possession of Robert Dighton', the caricaturist that plundered the Museum's print collection.
[Ref: 46542] £360.00
The Madonna.
G. B. Cipriana. Inv.t.
London: Printed in Colours & Published by A. Friedel, 15, Southampton St. Strand. [n.d., c.1830.]
Very fine colour printed lithograph. Sheet size: 495 x 345mm (19½ x 13½"). Uncut with very large margins.
The Virgin Mary holding the infant Jesus, his arms stretched out to front, looking up to the sky. After Giovanni Battista Cipriani (1727 - 1785).
[Ref: 38076] £140.00 (£168.00 incl.VAT)
G. B. Cipriana. Inv.t.
London: Printed in Colours & Published by A. Friedel, 15, Southampton St. Strand. [n.d., c.1830.]
Very fine colour printed lithograph. Sheet size: 495 x 345mm (19½ x 13½"). Uncut with very large margins.
The Virgin Mary holding the infant Jesus, his arms stretched out to front, looking up to the sky. After Giovanni Battista Cipriani (1727 - 1785).
[Ref: 38076] £140.00 (£168.00 incl.VAT)
Madona. From the Orig:l Picture of the same size painted by Carlo Dolci. In the Collection of Clotworthy Upton Esqr. Vol. II. No. 54.
Carlo Dolci pincs: J. Boydell exudi 1769. F. Bartolozzi del. sculp.
Published Nov.r 1st 1769 by Boydell Engraver in Cheapside London.
Engraving. Platemark: 225 x 170mm (8¾ x 6¾"). Very large margins.
Bust of the Virgin Mary, weeping, her head covered with a veil. Within a roundel. Below the image are two angels with a laurel wreath flanking a cross. After Carlo Dolci (1616 - 1686). From the series 'The Most Capital Paintings in England', Boydell's first major initiative as a pioneering publisher of fine engravings.
De Vesme 115. Ex Collection Duke of Westminster.
[Ref: 38419] £130.00 (£156.00 incl.VAT)
Carlo Dolci pincs: J. Boydell exudi 1769. F. Bartolozzi del. sculp.
Published Nov.r 1st 1769 by Boydell Engraver in Cheapside London.
Engraving. Platemark: 225 x 170mm (8¾ x 6¾"). Very large margins.
Bust of the Virgin Mary, weeping, her head covered with a veil. Within a roundel. Below the image are two angels with a laurel wreath flanking a cross. After Carlo Dolci (1616 - 1686). From the series 'The Most Capital Paintings in England', Boydell's first major initiative as a pioneering publisher of fine engravings.
De Vesme 115. Ex Collection Duke of Westminster.
[Ref: 38419] £130.00 (£156.00 incl.VAT)
Van Dyck's Wife. Daughter of Earl Gowry. From a Picture by Ant. Van Dyck, In the Collection of His Excel.y S.r R.d Lyttelton Kn.t of the most Hon.ble Order of the Bath, Lieut.t General of His Majesty's Forces, and Gov.r of the Isl.nds of Guernsey &c. Voll. II. No. 53.
Ant. van Dyck Pinx.t. Boydell excudit. F. Bartolozzi del. et Sculpsit.
Published July 18th 1770 by J. Boydell Engraver in Cheapside London.
Engraving. Platemark: 225 x 170mm (8¾ x 6¾"). Very large margins.
The Virgin Mary, seated, turned to the left, suckling the infant Jesus, and covering him with a cloth as he sits on her lap. Within an oval with a crest below the image. From the series 'The Most Capital Paintings in England', Boydell's first major initiative as a pioneering publisher of fine engravings.
De Vesme 141. Ex Collection Duke of Westminster.
[Ref: 38420] £130.00 (£156.00 incl.VAT)
Ant. van Dyck Pinx.t. Boydell excudit. F. Bartolozzi del. et Sculpsit.
Published July 18th 1770 by J. Boydell Engraver in Cheapside London.
Engraving. Platemark: 225 x 170mm (8¾ x 6¾"). Very large margins.
The Virgin Mary, seated, turned to the left, suckling the infant Jesus, and covering him with a cloth as he sits on her lap. Within an oval with a crest below the image. From the series 'The Most Capital Paintings in England', Boydell's first major initiative as a pioneering publisher of fine engravings.
De Vesme 141. Ex Collection Duke of Westminster.
[Ref: 38420] £130.00 (£156.00 incl.VAT)
![[Madonna adoring the Child.]](jpegs/38475.jpg)
[Madonna adoring the Child.] Mariae Aloisiae Caroli III Hispaniarum Regis Filiae Coniugi Petri Leopoldi ab Austr. Magni Aetru [...]
Iconem ab Antonio Allegri Patria Corregium, industria [...] 1768.
Engraving, 18th century watermarked paper; platemark 470 x 330mm (18½ x 13"), with large, uncut margins. Crease through centre as issued.
Print after Correggio's painting of the Madonna adoring the Child in the Uffizi Gallery, Florence. Engraved by Florentine printmaker Ferdinando Gregori (1743?-1804), who made many large engravings after Old Master paintings, particularly those in Florence.
[Ref: 38475] £320.00
Iconem ab Antonio Allegri Patria Corregium, industria [...] 1768.
Engraving, 18th century watermarked paper; platemark 470 x 330mm (18½ x 13"), with large, uncut margins. Crease through centre as issued.
Print after Correggio's painting of the Madonna adoring the Child in the Uffizi Gallery, Florence. Engraved by Florentine printmaker Ferdinando Gregori (1743?-1804), who made many large engravings after Old Master paintings, particularly those in Florence.
[Ref: 38475] £320.00
![[Madonna and Child.]](jpegs/47576.jpg)
[Madonna and Child.] Comiti. Iosepho. De. Wilzeck. Iosepho...
Ant.o Allegri detto il Coreggio inv. Domenico Aspar delin. et sculp.
L'Originale della stessa grandezza è appresso il Sig.e Albate Il Carlo Bianconi Secretario perpetuo della Reale Accademia delle Bella arti in Milano.
Engraving. Sheet: 365 x 240mm (14¼ x 9½"). Trimmed. Time stained.
A scene showing the Holy Family after Antonio Allegri da Correggio.
[Ref: 47576] £160.00 (£192.00 incl.VAT)
Ant.o Allegri detto il Coreggio inv. Domenico Aspar delin. et sculp.
L'Originale della stessa grandezza è appresso il Sig.e Albate Il Carlo Bianconi Secretario perpetuo della Reale Accademia delle Bella arti in Milano.
Engraving. Sheet: 365 x 240mm (14¼ x 9½"). Trimmed. Time stained.
A scene showing the Holy Family after Antonio Allegri da Correggio.
[Ref: 47576] £160.00 (£192.00 incl.VAT)
Beatus venter qui te portauit et ubera quae succisti. Luc. Cap. XI. art XXVII.
I. Ruel. Lugdunensis pinxit. I: Coelemans Antverpiensis sculpsit.
[n.d. c.1710.]
Engraving with very large margins. Plate 266 x 209mm (10½ x 8¼"). 3 small repaired wormholes.
The Virgin with the Christ Child and the infant Baptist. The Virgin seated at centre with her left foot on a cradle and suckling Christ; the infant Baptist kneeling next to her at left, and angels crowning her with a flower wreath. From "Recueil d'estampes d'après les tableaux des peintres les plus célèbres d'Italie, des Pays-Bas et de France".
[Ref: 31269] £140.00 (£168.00 incl.VAT)
I. Ruel. Lugdunensis pinxit. I: Coelemans Antverpiensis sculpsit.
[n.d. c.1710.]
Engraving with very large margins. Plate 266 x 209mm (10½ x 8¼"). 3 small repaired wormholes.
The Virgin with the Christ Child and the infant Baptist. The Virgin seated at centre with her left foot on a cradle and suckling Christ; the infant Baptist kneeling next to her at left, and angels crowning her with a flower wreath. From "Recueil d'estampes d'après les tableaux des peintres les plus célèbres d'Italie, des Pays-Bas et de France".
[Ref: 31269] £140.00 (£168.00 incl.VAT)
![[The Holy Virgin of the Annunciation.]](jpegs/46529.jpg)
[The Holy Virgin of the Annunciation.] From the Painting of Guido Rheni, in the Possession of Charles Chauncy M.D.
Guido Rheni Pinx.t. R. Strange delineavit et sculp.t Londini.
Sold at the Golden Head, Henrietta Street, Covent Garden, London. [Robert Strange, n.d., 1790.]
Engraving. 300 x 205mm (12 x 8"), large margins. Manuscript numeral above platemark.
From a collected edition of the engravings by Sir Robert Strange (1721-92) after famous paintings, in this case one by Guido Reni.
[Ref: 46529] £230.00 (£276.00 incl.VAT)
Guido Rheni Pinx.t. R. Strange delineavit et sculp.t Londini.
Sold at the Golden Head, Henrietta Street, Covent Garden, London. [Robert Strange, n.d., 1790.]
Engraving. 300 x 205mm (12 x 8"), large margins. Manuscript numeral above platemark.
From a collected edition of the engravings by Sir Robert Strange (1721-92) after famous paintings, in this case one by Guido Reni.
[Ref: 46529] £230.00 (£276.00 incl.VAT)
![[The Virgin and Child with Tobias and the angel behind.]](jpegs/42111.jpg)
[The Virgin and Child with Tobias and the angel behind.]
[Engraved by Cornelis Visscher after Titian?]
[n.d., c.1658.]
Fine engraving, proof before letters. Sheet 300 x 400mm (12 x 15¾"). Trimmed within plate at bottom.
A scene from the series ''Cabinet Reynst: Variarum imaginum a celeberrimis artificibus pictarum Caelaturae...''. Christ lies on a blanket as Mary picks roses; in the background Tobias stands holding the fish as the angel gestures into the distance. The armorial of the Della Torre family is engraved on the foreground. Gerrit Reynst (1599-1658) was a Dutch collector of Italian painting and sculpture; after his death the Dutch Republic bought 24 of the best paintings and 12 sculptures and gave them to Charles II of England on his restoration (known as the 'Dutch Gift'). However most of the paintings were destroyed when Whitehall Palace burned down in 1698. This painting is the only known survivor of the Dutch Gift and is held in the Royal Collection at Hampton Court.
BM: 1839,0413.161; see Royal Collection, Hampton Court, inv.no.465 for the painting.
[Ref: 42111] £260.00 (£312.00 incl.VAT)
[Engraved by Cornelis Visscher after Titian?]
[n.d., c.1658.]
Fine engraving, proof before letters. Sheet 300 x 400mm (12 x 15¾"). Trimmed within plate at bottom.
A scene from the series ''Cabinet Reynst: Variarum imaginum a celeberrimis artificibus pictarum Caelaturae...''. Christ lies on a blanket as Mary picks roses; in the background Tobias stands holding the fish as the angel gestures into the distance. The armorial of the Della Torre family is engraved on the foreground. Gerrit Reynst (1599-1658) was a Dutch collector of Italian painting and sculpture; after his death the Dutch Republic bought 24 of the best paintings and 12 sculptures and gave them to Charles II of England on his restoration (known as the 'Dutch Gift'). However most of the paintings were destroyed when Whitehall Palace burned down in 1698. This painting is the only known survivor of the Dutch Gift and is held in the Royal Collection at Hampton Court.
BM: 1839,0413.161; see Royal Collection, Hampton Court, inv.no.465 for the painting.
[Ref: 42111] £260.00 (£312.00 incl.VAT)
![[Madonna with a veil]](jpegs/32765.jpg)
[Madonna with a veil]
TW [Thomas Worlidge] 1751.
Etching, platemark 125 x 100mm (5 x 4"). Thread margins; crease bottom right; on white laid paper.
By Thomas Worlidge (1700-66), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Early impression.
State i/iii; W27; D128
[Ref: 32765] £220.00 (£264.00 incl.VAT)
TW [Thomas Worlidge] 1751.
Etching, platemark 125 x 100mm (5 x 4"). Thread margins; crease bottom right; on white laid paper.
By Thomas Worlidge (1700-66), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Early impression.
State i/iii; W27; D128
[Ref: 32765] £220.00 (£264.00 incl.VAT)
![[Madonna with a veil] [11 top left]](jpegs/32767.jpg)
[Madonna with a veil] [11 top left]
TW [Thomas Worlidge] 1751.
Etching, platemark 125 x 100mm (5 x 4"). Small margins; crease through centre; good impression; white laid paper.
By Thomas Worlidge (1700-66), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Lifetime impression.
State ii/iii; W27; D128
[Ref: 32767] £80.00 (£96.00 incl.VAT)
TW [Thomas Worlidge] 1751.
Etching, platemark 125 x 100mm (5 x 4"). Small margins; crease through centre; good impression; white laid paper.
By Thomas Worlidge (1700-66), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Lifetime impression.
State ii/iii; W27; D128
[Ref: 32767] £80.00 (£96.00 incl.VAT)
![[Madonna with a veil] [11 top left]](jpegs/32768.jpg)
[Madonna with a veil] [11 top left]
TW [Thomas Worlidge] 1751.
Etching, platemark 125 x 100mm (5 x 4"). Thread margins; good impression; white laid paper.
By Thomas Worlidge (1700-66), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Lifetime impression.
State ii/iii; W27; D128
[Ref: 32768] £95.00 (£114.00 incl.VAT)
TW [Thomas Worlidge] 1751.
Etching, platemark 125 x 100mm (5 x 4"). Thread margins; good impression; white laid paper.
By Thomas Worlidge (1700-66), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Lifetime impression.
State ii/iii; W27; D128
[Ref: 32768] £95.00 (£114.00 incl.VAT)
![[Madonna with a veil] [11 & 28 top left]](jpegs/32769.jpg)
[Madonna with a veil] [11 & 28 top left]
TW [Thomas Worlidge] 1751.
Etching, platemark 125 x 100mm (5 x 4"). Good margins; good impression; cream laid paper.
By Thomas Worlidge (1700-66), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Posthumous impression with number '27' added in top right by Worlidge's widow to correspond with number in her 1767 catalogue of his prints.
State iii/iii; W27; D128
[Ref: 32769] £140.00 (£168.00 incl.VAT)
TW [Thomas Worlidge] 1751.
Etching, platemark 125 x 100mm (5 x 4"). Good margins; good impression; cream laid paper.
By Thomas Worlidge (1700-66), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Posthumous impression with number '27' added in top right by Worlidge's widow to correspond with number in her 1767 catalogue of his prints.
State iii/iii; W27; D128
[Ref: 32769] £140.00 (£168.00 incl.VAT)
![[Madonna and Christ Child.]](jpegs/41929.jpg)
[Madonna and Christ Child.] And she shall bring forth a son, and thou shalt call his name Jesus; for he shall save his people from their sins. Matthew, Chap 1 Verse 21.
Guercino inv. F. Bartolozzi sculpx.
Pub.d by A.Poggi, S.t George's Row, Oct.r 15 1785, London.
Fine stipple, printed in brown. 280 x 220mm (11 x 8¾") large margins.
The Madonna suckling Christ, watched by an angel. One of a pair with a scene of Mary teaching Jesus to read.
[Ref: 41929] £180.00 (£216.00 incl.VAT)
Guercino inv. F. Bartolozzi sculpx.
Pub.d by A.Poggi, S.t George's Row, Oct.r 15 1785, London.
Fine stipple, printed in brown. 280 x 220mm (11 x 8¾") large margins.
The Madonna suckling Christ, watched by an angel. One of a pair with a scene of Mary teaching Jesus to read.
[Ref: 41929] £180.00 (£216.00 incl.VAT)
![[The Holy Family.]](jpegs/66124.jpg)
[The Holy Family.] From the Original Picture of the same size, Painted by Parmigiano, In the Collection of the Right Honourable Lord Trevor.
Parmegiano pinx.t [but Giulio Cesare Procaccini]. Cha.s Phillips fecit 1767.
Jn.º Excudit. [John Boydell excudit, London, Oct.r 1.st 1767.]
Mezzotint, scratched-letter proof before title and publication line. 505 x 360mm (19¾ x 14¼). Narrow margins.
The Virgin sitting in clouds with Christ on her lap, with John the Baptist, who brings a lamb, and two angels. The original painting of 1610 is recorded in the collection of King Charles I, and was almost certainly the first work by Giulio Cesare Procaccini (1575-1625) to enter Britain. It is now in the Scottish National Gallery (NG 2647).
See Wellcome 10728i for lettered state. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 66124] £260.00 (£312.00 incl.VAT)
Parmegiano pinx.t [but Giulio Cesare Procaccini]. Cha.s Phillips fecit 1767.
Jn.º Excudit. [John Boydell excudit, London, Oct.r 1.st 1767.]
Mezzotint, scratched-letter proof before title and publication line. 505 x 360mm (19¾ x 14¼). Narrow margins.
The Virgin sitting in clouds with Christ on her lap, with John the Baptist, who brings a lamb, and two angels. The original painting of 1610 is recorded in the collection of King Charles I, and was almost certainly the first work by Giulio Cesare Procaccini (1575-1625) to enter Britain. It is now in the Scottish National Gallery (NG 2647).
See Wellcome 10728i for lettered state. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 66124] £260.00 (£312.00 incl.VAT)
![[Virgin & Child.]](jpegs/34550.jpg)
[Virgin & Child.]
Salsa Ferrata pinx.t. R.E. delin et Sculp.st 1767.
J. Boydell Excudit. Publish'd January 10th 1772.
Mezzotint, very fine with large margins. 220 x 140mm (8¾ x 5½"). Mounted in album paper.
The Virgin and child by Giovanni Battista Sassoferrato (1609-85), drawn and engraved by Richard Earlom. Earlom's drawing was also used for an etching by Bartolozzi in 1767 and a mezzotint by Laurie also 1772.
Wessely 67.I. Ex collection of the Hon. Christopher Lennox-Boyd.
[Ref: 34550] £375.00
Salsa Ferrata pinx.t. R.E. delin et Sculp.st 1767.
J. Boydell Excudit. Publish'd January 10th 1772.
Mezzotint, very fine with large margins. 220 x 140mm (8¾ x 5½"). Mounted in album paper.
The Virgin and child by Giovanni Battista Sassoferrato (1609-85), drawn and engraved by Richard Earlom. Earlom's drawing was also used for an etching by Bartolozzi in 1767 and a mezzotint by Laurie also 1772.
Wessely 67.I. Ex collection of the Hon. Christopher Lennox-Boyd.
[Ref: 34550] £375.00
![[Virgin and Child with John the Baptist]](jpegs/34686.jpg)
[Virgin and Child with John the Baptist]
W Vincent fe. & ex.
Mezzotint, 140 x 105mm (5½ x 4¼"). Thread margins.
Later reissue of a plate first engraved in the late 17th century by little-known printmaker William Vincent (1680s, fl.) and apparently copied in reverse, with adjustments, from an etching by Cornelis Schut. This impression may date from 1805, when John Boydell included the plate in his 'Collection of Portraits'.
Ex collection of the Hon. Christopher Lennox-Boyd.
[Ref: 34686] £130.00 (£156.00 incl.VAT)
W Vincent fe. & ex.
Mezzotint, 140 x 105mm (5½ x 4¼"). Thread margins.
Later reissue of a plate first engraved in the late 17th century by little-known printmaker William Vincent (1680s, fl.) and apparently copied in reverse, with adjustments, from an etching by Cornelis Schut. This impression may date from 1805, when John Boydell included the plate in his 'Collection of Portraits'.
Ex collection of the Hon. Christopher Lennox-Boyd.
[Ref: 34686] £130.00 (£156.00 incl.VAT)
![[Virgini Matris.]](jpegs/57443.jpg)
[Virgini Matris.]
F. Poilly ex cum privl Regis [n.d., c.1660].
Engraving. 365 x 360mm (18¼ x 14¼"). Trimmed close to plate, creasing.
Head and shoulders portrait in oval of the Virgin Mary, hands joined in prayer. It is a detail of a painting by Raphael and his studio, 'Madonna del Divino Amore', now at the Museo et Gallerie Nazionali di Capodimonte, Naples.
[Ref: 57443] £220.00 (£264.00 incl.VAT)
F. Poilly ex cum privl Regis [n.d., c.1660].
Engraving. 365 x 360mm (18¼ x 14¼"). Trimmed close to plate, creasing.
Head and shoulders portrait in oval of the Virgin Mary, hands joined in prayer. It is a detail of a painting by Raphael and his studio, 'Madonna del Divino Amore', now at the Museo et Gallerie Nazionali di Capodimonte, Naples.
[Ref: 57443] £220.00 (£264.00 incl.VAT)
![[Virgin and Child]](jpegs/45999.jpg)
[Virgin and Child] Dillectus meus mihi et ego illi / Admodum Reverendo Domino: Dno Ioanni Chrisostomo vander Sterre [...]
Correggio p. [c.1628]
Engraving, 17th century watermark; platemark 290 x 205mm (11½ x 8"), with large margins. Loss of margin top right.
Engraving by Lucas Vorsterman (or, as Hollstein believes, one of his studio assistants) after a painting here erroneously attributed to Correggio.
[Ref: 45999] £230.00 (£276.00 incl.VAT)
Correggio p. [c.1628]
Engraving, 17th century watermark; platemark 290 x 205mm (11½ x 8"), with large margins. Loss of margin top right.
Engraving by Lucas Vorsterman (or, as Hollstein believes, one of his studio assistants) after a painting here erroneously attributed to Correggio.
[Ref: 45999] £230.00 (£276.00 incl.VAT)
Madona. From the Orig.l Picture of the same size Painted by Carlo Dolci. In the Collection of Clotworthy Upton Esq.r Vol. II No. 54.
Carlo Dolci pinx. J. Boydell excudit 1769. F. Bartolozzi del et Sculp.
Published Nov.r 1.st 1769 by J. Boydell Engraver in Cheapside London.
Engraving. Plate: 170 x 120mm (6¾ x 4¾"). Small margins.
A portrait of the Madonna, shown shrouded in black with a tear in her eye.
[Ref: 46073] £70.00 (£84.00 incl.VAT)
Carlo Dolci pinx. J. Boydell excudit 1769. F. Bartolozzi del et Sculp.
Published Nov.r 1.st 1769 by J. Boydell Engraver in Cheapside London.
Engraving. Plate: 170 x 120mm (6¾ x 4¾"). Small margins.
A portrait of the Madonna, shown shrouded in black with a tear in her eye.
[Ref: 46073] £70.00 (£84.00 incl.VAT)
![[Virgin Mary.]](jpegs/46715.jpg)
[Virgin Mary.] From a Drawing by Gyles Hussey Esq. in the Collection of M. Duane Esq.
F. Bartolozzi sculp.
Published according to Act of Parliament. [n.d., c.1775.]
Stipple printed in sepia. Plate: 170 x 125mm (6¾ x 5"). Small margins.
A portrait of the Madonna in profile.
De Vesme 116. Provenance: Edge Hall Library, Cheshire
[Ref: 46715] £180.00 (£216.00 incl.VAT)
F. Bartolozzi sculp.
Published according to Act of Parliament. [n.d., c.1775.]
Stipple printed in sepia. Plate: 170 x 125mm (6¾ x 5"). Small margins.
A portrait of the Madonna in profile.
De Vesme 116. Provenance: Edge Hall Library, Cheshire
[Ref: 46715] £180.00 (£216.00 incl.VAT)
![[The Virgin Teaching Christ to Read.]](jpegs/48985.jpg)
[The Virgin Teaching Christ to Read.]
Guercino inv. F. Bartolozzi sculp.
[n.d., c.1783.]
Stipple, proof before title, fine impression. Plate: 320 x 235mm (12½ x 9¼''). Small margins. Slight repairs to corners in margin.
A scene in which Mary teaches her son to read using a sheet of paper with the alphabet on it. This appeared in Boydells' 'Seventy-three prints...from the original drawings...in the Collection of His Majesty'
De Vesme 2189.II
[Ref: 48985] £220.00 (£264.00 incl.VAT)
Guercino inv. F. Bartolozzi sculp.
[n.d., c.1783.]
Stipple, proof before title, fine impression. Plate: 320 x 235mm (12½ x 9¼''). Small margins. Slight repairs to corners in margin.
A scene in which Mary teaches her son to read using a sheet of paper with the alphabet on it. This appeared in Boydells' 'Seventy-three prints...from the original drawings...in the Collection of His Majesty'
De Vesme 2189.II
[Ref: 48985] £220.00 (£264.00 incl.VAT)
Mater Salvatoris.
I. Smith ex.
[n.d., c.1690.]
Fine mezzotint. Plate: 165 x 130mm (6½ x 5''). Slight creasing top left corner, laid on album sheet at corners.
A portrait of the Virgin of the Immaculate conception, shown between the moon and the sun.
[Ref: 51110] £160.00 (£192.00 incl.VAT)
I. Smith ex.
[n.d., c.1690.]
Fine mezzotint. Plate: 165 x 130mm (6½ x 5''). Slight creasing top left corner, laid on album sheet at corners.
A portrait of the Virgin of the Immaculate conception, shown between the moon and the sun.
[Ref: 51110] £160.00 (£192.00 incl.VAT)
![[Madonna and Child.]](jpegs/60947.jpg)
[Madonna and Child.]
Peter Vannucci dite Perugino. N. Strixner del:
[Munich: J. Stuntz, 1811-1816.]
Tinted lithograph. Sheet 395 x 340mm (15½ x 13½"), large margins.
An early tinted lithograph, a portrait of the Virgin Mary and Jesus Christ, after Pietro di Cristoforo Vannucci, known as Pietro Perugino (c.1450-1523). From 'Les Oeuvres lithographiques. Contenant un choix de dessins d'après les grands maîtres de toutes les écoles, tiré des Musées de sa Majesté le Roi de Bavière.'
[Ref: 60947] £130.00 (£156.00 incl.VAT)
Peter Vannucci dite Perugino. N. Strixner del:
[Munich: J. Stuntz, 1811-1816.]
Tinted lithograph. Sheet 395 x 340mm (15½ x 13½"), large margins.
An early tinted lithograph, a portrait of the Virgin Mary and Jesus Christ, after Pietro di Cristoforo Vannucci, known as Pietro Perugino (c.1450-1523). From 'Les Oeuvres lithographiques. Contenant un choix de dessins d'après les grands maîtres de toutes les écoles, tiré des Musées de sa Majesté le Roi de Bavière.'
[Ref: 60947] £130.00 (£156.00 incl.VAT)
![[Virgin and Christ child]](jpegs/60951.jpg)
[Virgin and Christ child]
Polidoro [da Caravaggio]. F. Piloty del.
[Munich: J. Stuntz, 1811-1816.]
Tinted lithograph, with white highlights. Sheet 315 x 260mm (12½ x 10¼"), large margins.
The Virgin Mary, holding the Christ child, being offered a goblet by one of two attendants. After Polidoro Caldara, usually known as Polidoro da Caravaggio (c. 149- 1543). From 'Les Oeuvres lithographiques. Contenant un choix de dessins d'après les grands maîtres de toutes les écoles, tiré des Musées de sa Majesté le Roi de Bavière.'
[Ref: 60951] £60.00 (£72.00 incl.VAT)
Polidoro [da Caravaggio]. F. Piloty del.
[Munich: J. Stuntz, 1811-1816.]
Tinted lithograph, with white highlights. Sheet 315 x 260mm (12½ x 10¼"), large margins.
The Virgin Mary, holding the Christ child, being offered a goblet by one of two attendants. After Polidoro Caldara, usually known as Polidoro da Caravaggio (c. 149- 1543). From 'Les Oeuvres lithographiques. Contenant un choix de dessins d'après les grands maîtres de toutes les écoles, tiré des Musées de sa Majesté le Roi de Bavière.'
[Ref: 60951] £60.00 (£72.00 incl.VAT)
![[The Holy Family.]](jpegs/65256.jpg)
[The Holy Family.]
Bickham Jn.r fecit [after Sir Godrey Kneller].
[n.d., c.1750.]
Etching, pt 18th century watermark. Sheet 200 x 145mm (8 x 5¾"). Trimmed within plate.
An untitled plate of Jesus, Joseph and Mary sitting on a terrace with two overgrown fluted pillars behind them.
[Ref: 65256] £65.00 (£78.00 incl.VAT)
Bickham Jn.r fecit [after Sir Godrey Kneller].
[n.d., c.1750.]
Etching, pt 18th century watermark. Sheet 200 x 145mm (8 x 5¾"). Trimmed within plate.
An untitled plate of Jesus, Joseph and Mary sitting on a terrace with two overgrown fluted pillars behind them.
[Ref: 65256] £65.00 (£78.00 incl.VAT)
The Virgin and Child. Drawn by Rich.d Earlom from the Original Picture, painted by Cantarini, in the Collection of His Grave the Duke of Devonshire.
[after Lorenzo Pasinelli.] Rob.t Lowrie fecit.
Publish'd as the Act directs 2.d Jan.y 1772 by Rob.t Sayer Map & Printseller, N.º 53 Fleet Street, London.
Fine mezzotint. 380 x 280mm (15 x 11"), large margins.
Jesus lies asleep in the arms of his Mother, her breast still exposed after a feeding. A reversed copy of a painting at Chatsworth, recently attributed to Lorenzo Pasinelli (1629-1700)
Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 66406] £260.00 (£312.00 incl.VAT)
[after Lorenzo Pasinelli.] Rob.t Lowrie fecit.
Publish'd as the Act directs 2.d Jan.y 1772 by Rob.t Sayer Map & Printseller, N.º 53 Fleet Street, London.
Fine mezzotint. 380 x 280mm (15 x 11"), large margins.
Jesus lies asleep in the arms of his Mother, her breast still exposed after a feeding. A reversed copy of a painting at Chatsworth, recently attributed to Lorenzo Pasinelli (1629-1700)
Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 66406] £260.00 (£312.00 incl.VAT)
![[The Madonna.] From a Picture in the Collection of Robert Wigram Esq.r M.P.](jpegs/67613.jpg)
[The Madonna.] From a Picture in the Collection of Robert Wigram Esq.r M.P. To whom this Plate is dedicated by his obedient Servant. C. Turner.
Painted by Carlo Dolce. Engraved by C. Turner.
London Published Jan.y 10 1810 by C. Turner N.50, Warren Street, Fitzroy Square.
Mezzotint. 355 x 230mm (14 x 9"), on laid paper with very large margins.
The Madonna, after Carlo Dolci (1616 - 1686). With arms in centre of inscription bearing motto 'Dulcis Amor Patriae'.
Whitman: 720. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 67613] £260.00 (£312.00 incl.VAT)
Painted by Carlo Dolce. Engraved by C. Turner.
London Published Jan.y 10 1810 by C. Turner N.50, Warren Street, Fitzroy Square.
Mezzotint. 355 x 230mm (14 x 9"), on laid paper with very large margins.
The Madonna, after Carlo Dolci (1616 - 1686). With arms in centre of inscription bearing motto 'Dulcis Amor Patriae'.
Whitman: 720. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 67613] £260.00 (£312.00 incl.VAT)
![[The Virgin & Child.]](jpegs/67676.jpg)
[The Virgin & Child.]
Abraham van Merlen fecit et exc.
[n.d., c.1620.
Engrasving. Sheet 95 x 60mm (3¾ x 2¼"). Trimmed to image, laid on album paper.
The Virgin Mary breast-feeding Christ.
[Ref: 67676] £140.00 (£168.00 incl.VAT)
Abraham van Merlen fecit et exc.
[n.d., c.1620.
Engrasving. Sheet 95 x 60mm (3¾ x 2¼"). Trimmed to image, laid on album paper.
The Virgin Mary breast-feeding Christ.
[Ref: 67676] £140.00 (£168.00 incl.VAT)
![[The Holy Family.]](jpegs/68477.jpg)
[The Holy Family.] From an Orig.l Picture by Bar.o Schidone in the Collection of Doctor Brag.
WB. [monogram of Captain William Baillie.]
[n.d., c.1780.]
Mezzotint, 18th century watermark. 360 x 260mm (14¼ x 10¼").
The Holy Family; the Virgin holding the infant Jesus in her lap, with St John as a child leaning in towards them from left, and St Joseph, leaning on a stick. Engraved after Bartolomeo Schedoni by Capt William Baillie (1723 - 1810) who retired from the army and became a picture dealer. He was also an amateur then semi-professional printmaker, later selling his plates to Boydell who reissued them in 1792 and 1806..
Ex: collection of The Hon. Christopher Lennox-Boyd, his state 3 of 3. See [Ref: 68478] & [Ref: 68479] for earlier states.
[Ref: 68477] £260.00 (£312.00 incl.VAT)
WB. [monogram of Captain William Baillie.]
[n.d., c.1780.]
Mezzotint, 18th century watermark. 360 x 260mm (14¼ x 10¼").
The Holy Family; the Virgin holding the infant Jesus in her lap, with St John as a child leaning in towards them from left, and St Joseph, leaning on a stick. Engraved after Bartolomeo Schedoni by Capt William Baillie (1723 - 1810) who retired from the army and became a picture dealer. He was also an amateur then semi-professional printmaker, later selling his plates to Boydell who reissued them in 1792 and 1806..
Ex: collection of The Hon. Christopher Lennox-Boyd, his state 3 of 3. See [Ref: 68478] & [Ref: 68479] for earlier states.
[Ref: 68477] £260.00 (£312.00 incl.VAT)