A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
Lyme Regis, from Holm Bush Hill.
On Stone by G. Hawkins from a sketch by George Willis. Day & Son, Lith.rs to the Queen.
Published by D. Dunster, Lyme Regis [n.d., c.1840].
Tinted lithograph. Printed area 190 x 265mm (7½ x 10½"), with large margins.
A view of Lyme Regis from the west, with the Cobb, looking towards Golden Cap. Daniel Dunster also published 'An Account of and Guide to the Mighty Landslip of Dowlands and Bindon, near Lyme Regis', with plans and views, regarded as an important record of the nearby cliff collapse of 1839.
Not in Abbey.
[Ref: 57827] £140.00 (£168.00 incl.VAT)
On Stone by G. Hawkins from a sketch by George Willis. Day & Son, Lith.rs to the Queen.
Published by D. Dunster, Lyme Regis [n.d., c.1840].
Tinted lithograph. Printed area 190 x 265mm (7½ x 10½"), with large margins.
A view of Lyme Regis from the west, with the Cobb, looking towards Golden Cap. Daniel Dunster also published 'An Account of and Guide to the Mighty Landslip of Dowlands and Bindon, near Lyme Regis', with plans and views, regarded as an important record of the nearby cliff collapse of 1839.
Not in Abbey.
[Ref: 57827] £140.00 (£168.00 incl.VAT)
Lyme Regis. From a Drawing in the Possession of the Rev. Dr. Hodges.
G. Hawkins, Jun.r lith. Day & Haghe Lith.rs to the Queen.
Published & Sold by D. Dunster, Lyme Regis [n.d., c.1840].
Tinted lithograph with fine hand colour. Printed area 150 x 220mm (6 x 8¾), with large margins.
A view of Lyme Regis from the west, looking along the cliffs towards Golden Cap. Daniel Dunster also published 'An Account of and Guide to the Mighty Landslip of Dowlands and Bindon, near Lyme Regis', with plans and views, regarded as an important record of the nearby cliff collapse of 1839.
Not in Abbey.
[Ref: 57828] £140.00 (£168.00 incl.VAT)
G. Hawkins, Jun.r lith. Day & Haghe Lith.rs to the Queen.
Published & Sold by D. Dunster, Lyme Regis [n.d., c.1840].
Tinted lithograph with fine hand colour. Printed area 150 x 220mm (6 x 8¾), with large margins.
A view of Lyme Regis from the west, looking along the cliffs towards Golden Cap. Daniel Dunster also published 'An Account of and Guide to the Mighty Landslip of Dowlands and Bindon, near Lyme Regis', with plans and views, regarded as an important record of the nearby cliff collapse of 1839.
Not in Abbey.
[Ref: 57828] £140.00 (£168.00 incl.VAT)
![Lyme from Holme Bush. [&] Lyme from Charmouth Fields.](jpegs/24578.jpg)
Lyme from Holme Bush. [&] Lyme from Charmouth Fields.
W. Gauci Lith.
Published by H. Locke [n.d. c.1850.]
Very rare pair of lithographs. 130 x 185mm (5 x 7¼").
A pair of lithographs of Lyme Regis, from Holme Bush with a view across the harbour eastwards; and Lyme Regis from Charmouth Fields looking out to sea.
[Ref: 24578] £130.00 (£156.00 incl.VAT) view all images for this item
W. Gauci Lith.
Published by H. Locke [n.d. c.1850.]
Very rare pair of lithographs. 130 x 185mm (5 x 7¼").
A pair of lithographs of Lyme Regis, from Holme Bush with a view across the harbour eastwards; and Lyme Regis from Charmouth Fields looking out to sea.
[Ref: 24578] £130.00 (£156.00 incl.VAT) view all images for this item
Lyme Regis and Harbour from the Sea.
Lithographed by Newman & Co, 48 Watling St. London.
Published by Daniel Dunster, Lyme Regis [n.d., c.1840].
Tinted lithograph with hand colour. Printed area 185 x 270mm (7¼ x 10½"), with large margins.
A view of Lyme Regis from outside the Cobb. Daniel Dunster also published 'An Account of and Guide to the Mighty Landslip of Dowlands and Bindon, near Lyme Regis', with plans and views, regarded as an important record of the nearby cliff collapse of 1839.
Not in Abbey.
[Ref: 57823] £140.00 (£168.00 incl.VAT)
Lithographed by Newman & Co, 48 Watling St. London.
Published by Daniel Dunster, Lyme Regis [n.d., c.1840].
Tinted lithograph with hand colour. Printed area 185 x 270mm (7¼ x 10½"), with large margins.
A view of Lyme Regis from outside the Cobb. Daniel Dunster also published 'An Account of and Guide to the Mighty Landslip of Dowlands and Bindon, near Lyme Regis', with plans and views, regarded as an important record of the nearby cliff collapse of 1839.
Not in Abbey.
[Ref: 57823] £140.00 (£168.00 incl.VAT)
Lyme Regis and Harbour from the Sea.
Lithographed by Newman & Co, 48 Watling St. London.
Published by Daniel Dunster, Lyme Regis [n.d., c.1840].
Tinted lithograph. Printed area 185 x 270mm (7¼ x 10½"), with large margins.
A view of Lyme Regis from outside the Cobb. Daniel Dunster also published 'An Account of and Guide to the Mighty Landslip of Dowlands and Bindon, near Lyme Regis', with plans and views, regarded as an important record of the nearby cliff collapse of 1839.
Not in Abbey.
[Ref: 57824] £95.00 (£114.00 incl.VAT)
Lithographed by Newman & Co, 48 Watling St. London.
Published by Daniel Dunster, Lyme Regis [n.d., c.1840].
Tinted lithograph. Printed area 185 x 270mm (7¼ x 10½"), with large margins.
A view of Lyme Regis from outside the Cobb. Daniel Dunster also published 'An Account of and Guide to the Mighty Landslip of Dowlands and Bindon, near Lyme Regis', with plans and views, regarded as an important record of the nearby cliff collapse of 1839.
Not in Abbey.
[Ref: 57824] £95.00 (£114.00 incl.VAT)
Lyme Regis, from the Cobb.
G. Hawkins, Lith.
Published by D. Dunster, Library, Broad St. Lyme Regis [n.d., c.1840].
Lithograph. Printed area 170 x 230mm (6¾ x 9"), with large margins.
A view of Lyme Regis with boats at the quay in the foreground. Daniel Dunster also published 'An Account of and Guide to the Mighty Landslip of Dowlands and Bindon, near Lyme Regis', with plans and views, regarded as an important record of the nearby cliff collapse of 1839.
Not in Abbey.
[Ref: 57825] £95.00 (£114.00 incl.VAT)
G. Hawkins, Lith.
Published by D. Dunster, Library, Broad St. Lyme Regis [n.d., c.1840].
Lithograph. Printed area 170 x 230mm (6¾ x 9"), with large margins.
A view of Lyme Regis with boats at the quay in the foreground. Daniel Dunster also published 'An Account of and Guide to the Mighty Landslip of Dowlands and Bindon, near Lyme Regis', with plans and views, regarded as an important record of the nearby cliff collapse of 1839.
Not in Abbey.
[Ref: 57825] £95.00 (£114.00 incl.VAT)
Lyme Regis from the Charmouth Road.
Lithographed by Newman & Co, 48 Watling St. London.
Published by Daniel Dunster, Lyme Regis [n.d., c.1840].
Tinted lithograph. Printed area 190 x 265mm (7½ x 10½"), with large margins.
A view of Lyme Regis from the east, with the Landslip. Daniel Dunster also published 'An Account of and Guide to the Mighty Landslip of Dowlands and Bindon, near Lyme Regis', with plans and views, regarded as an important record of the nearby cliff collapse of 1839.
Not in Abbey.
[Ref: 57826] £95.00 (£114.00 incl.VAT)
Lithographed by Newman & Co, 48 Watling St. London.
Published by Daniel Dunster, Lyme Regis [n.d., c.1840].
Tinted lithograph. Printed area 190 x 265mm (7½ x 10½"), with large margins.
A view of Lyme Regis from the east, with the Landslip. Daniel Dunster also published 'An Account of and Guide to the Mighty Landslip of Dowlands and Bindon, near Lyme Regis', with plans and views, regarded as an important record of the nearby cliff collapse of 1839.
Not in Abbey.
[Ref: 57826] £95.00 (£114.00 incl.VAT)
This View of the High Street, Lymington, Hants. is with permission respectfully dedicated to Admiral Sir Harry Neale, Bart. by R. A. Grove.
Drawn on Stone by L. Haghe. Sketched by B. Ferrey.
[n.d. c.1840.]
Coloured lithograph. Mounted. Sheet 355 x 475mm. 14" x 18¾". Crease vertically down the middle of the image.
A Street scene of Lymington High Street.
[Ref: 8964] £320.00
Drawn on Stone by L. Haghe. Sketched by B. Ferrey.
[n.d. c.1840.]
Coloured lithograph. Mounted. Sheet 355 x 475mm. 14" x 18¾". Crease vertically down the middle of the image.
A Street scene of Lymington High Street.
[Ref: 8964] £320.00
A Song, Addressed to the Independent Electors of Lymington. To the Tune of 'Gee Ho, Dobbin'.
R. Galpine, Printer, Lymington. [n.d., c.1812.]
Letterpress song sheet. 285 x 150mm (11¼ x 6"). Folds.
A broadside satirising the candidates for MP for Lymington, Hampshire. The chorus runs: 'Their fiat's gone forth, - if you swerve, - by the Lord, / You'll be duck'd in a horse-pond, and feather'd and tarr'd'.
[Ref: 52011] £60.00 (£72.00 incl.VAT)
R. Galpine, Printer, Lymington. [n.d., c.1812.]
Letterpress song sheet. 285 x 150mm (11¼ x 6"). Folds.
A broadside satirising the candidates for MP for Lymington, Hampshire. The chorus runs: 'Their fiat's gone forth, - if you swerve, - by the Lord, / You'll be duck'd in a horse-pond, and feather'd and tarr'd'.
[Ref: 52011] £60.00 (£72.00 incl.VAT)
![[Lymington] Plate I. To Sir Will.m Heathcote Bar.t M.P. This View near Lymington in Hampshire is most respectfully inscribed by his obedient humble servant F. Jukes.](jpegs/55538.jpg)
[Lymington] Plate I. To Sir Will.m Heathcote Bar.t M.P. This View near Lymington in Hampshire is most respectfully inscribed by his obedient humble servant F. Jukes. [&] Plate II. To Will. Chute Esq.r M.P. This View... [&] Plate III. To Sir Harry Burrand Bar.t M.P. This View... [&] Plate IV. To N.B. Halhead Esq.r M.P. This View...
W.R. Bigg A Pinxt. F. Jukes Aqua.t.
London, Pub.d Jan. 1st 1795. By F.Jukes No 10 Howland Street.
Set of four aquatints, 2 have pt Whatman 1794 watermark. Sheet 260 x 295mm (10¼ x 11½"). Trimmed into image, losing edges of inscriptions at sides.
A set of four views of rural scenery around Lymington, Hampshire, after William Redmore Bigg (1755-1828)
[Ref: 55538] £350.00 view all images for this item
W.R. Bigg A Pinxt. F. Jukes Aqua.t.
London, Pub.d Jan. 1st 1795. By F.Jukes No 10 Howland Street.
Set of four aquatints, 2 have pt Whatman 1794 watermark. Sheet 260 x 295mm (10¼ x 11½"). Trimmed into image, losing edges of inscriptions at sides.
A set of four views of rural scenery around Lymington, Hampshire, after William Redmore Bigg (1755-1828)
[Ref: 55538] £350.00 view all images for this item
![[Lymm] View at Lynn.](jpegs/44229.jpg)
[Lymm] View at Lynn.
[after Joseph Farington.]
[n.d., c.1790.]
Soft ground etching. Sheet 270 x 290mm (10½ x 15¼"). Trimmed into wash border as issued, laid on board.
Lymm Bridge, over the Bridgewater Canal in Lymm, Cheshire.
[Ref: 44229] £140.00 (£168.00 incl.VAT)
[after Joseph Farington.]
[n.d., c.1790.]
Soft ground etching. Sheet 270 x 290mm (10½ x 15¼"). Trimmed into wash border as issued, laid on board.
Lymm Bridge, over the Bridgewater Canal in Lymm, Cheshire.
[Ref: 44229] £140.00 (£168.00 incl.VAT)
Lymne Castle, with a distant View of the French Coast. It is situated on the descent of a Hill, about two miles West of Hythe: Its remains bear marks of great Antiquity, but when, or by whom founded, is not certain: It has been suppos'd to be the famous Portius Lemanis; but that the Sea had retired from its spacious Haven, once a Harbour for 250 Danish Vessels, Anno 893. Here it was that Prince Edward, exacted the Oath from the Barons of the Cinque Ports.
Dayes del.t. Jukes aq.t.
[London, Pub.d Jany. 31. 1790 by F. Jukes Engraver, Howland Street.] [but later.]
Coloured aquatint very rare & fine. Sheet 390 x 500mm (15¼ x 19¾"). Tear in inscription area skillfully repaired.
Lympne Castle, built at the former Roman Channel port of 'Portus Lemanis'. The topographical watercolours of Edward Dayes (1763-1804) often contained ruins, and had an influence on the early work of J.M.W. Turner.
[Ref: 36754] £320.00
Dayes del.t. Jukes aq.t.
[London, Pub.d Jany. 31. 1790 by F. Jukes Engraver, Howland Street.] [but later.]
Coloured aquatint very rare & fine. Sheet 390 x 500mm (15¼ x 19¾"). Tear in inscription area skillfully repaired.
Lympne Castle, built at the former Roman Channel port of 'Portus Lemanis'. The topographical watercolours of Edward Dayes (1763-1804) often contained ruins, and had an influence on the early work of J.M.W. Turner.
[Ref: 36754] £320.00
William Lynch Esq.r
Engraved by S. W. Reynolds from a Picture painted by Gainsborough.
Mezzotint. 350 x 255mm (13¾ x 10"). Trimmed within plate on lower edge.
William Lynch (1726—1797), steward of Ipswich Races. He attended St. Johns, Cambridge and by the 1750s he was a Captain in the Suffolk Militia under Colonel Francis Vernon, nephew of the famous Admiral Vernon. Both he and Vernon fell out with Philip Thicknesse, the Lieutenant Governor of Landguard Fort, where the regiment of the Suffolk militia was stationed. On one occasion Lynch slipped off to Ipswich for a few days rest and recreation: incensed, Thicknesse demanded his return, which he cheerfully ignored. Thicknesse had Lynch thrown in jail for twenty-four hours to reflect on his lack of discipline and threatened to report him to the Secretary of War. Lynch demanded a court martial, where, despite admitting to all charges, he was found not guilty. The dispute was only resolved by moving the regiment from the fort. The Suffolk Militia was disbanded in 1762; however in 1794 Lynch signed up as Captain for an Ipswich Regiment of Volunteers formed to meet the threat of French invasion, aged 68. Gainsborough painted this portrait (now in the Muskegon Museum of Art in Michigan) as one of a series of young officers c.1756. However, a decade later, Lynch had Gainsborough rework the portrait to excise the military theme, removing his hat and covering up much of his coa
Whitman: 184. Horne: 45. ii of ii.
[Ref: 19255] £240.00 (£288.00 incl.VAT)
Engraved by S. W. Reynolds from a Picture painted by Gainsborough.
Mezzotint. 350 x 255mm (13¾ x 10"). Trimmed within plate on lower edge.
William Lynch (1726—1797), steward of Ipswich Races. He attended St. Johns, Cambridge and by the 1750s he was a Captain in the Suffolk Militia under Colonel Francis Vernon, nephew of the famous Admiral Vernon. Both he and Vernon fell out with Philip Thicknesse, the Lieutenant Governor of Landguard Fort, where the regiment of the Suffolk militia was stationed. On one occasion Lynch slipped off to Ipswich for a few days rest and recreation: incensed, Thicknesse demanded his return, which he cheerfully ignored. Thicknesse had Lynch thrown in jail for twenty-four hours to reflect on his lack of discipline and threatened to report him to the Secretary of War. Lynch demanded a court martial, where, despite admitting to all charges, he was found not guilty. The dispute was only resolved by moving the regiment from the fort. The Suffolk Militia was disbanded in 1762; however in 1794 Lynch signed up as Captain for an Ipswich Regiment of Volunteers formed to meet the threat of French invasion, aged 68. Gainsborough painted this portrait (now in the Muskegon Museum of Art in Michigan) as one of a series of young officers c.1756. However, a decade later, Lynch had Gainsborough rework the portrait to excise the military theme, removing his hat and covering up much of his coa
Whitman: 184. Horne: 45. ii of ii.
[Ref: 19255] £240.00 (£288.00 incl.VAT)
![[The Lynx. Plate XXIX. (Felis (Lynx) lynx).]](jpegs/30194.jpg)
[The Lynx. Plate XXIX. (Felis (Lynx) lynx).]
W. Kuhnert [facsimile inside image.]
[London. Frederick Warne & Co. & New York.] [1912.]
Chromolithograph. Plate 241 x 171mm (9½ x 6¾").
The lynx, a genus of medium-sixed wild cats. They are found in parts of North America, and Northern Europe. From "Animal Portraiture being Fifty Studies", by Wilhelm Kunhert (text by Richard Lydekker). Friedrich Wilhelm Kuhnert (1865-1926), the German painter, author and illustrator who specialised in animal images.
[Ref: 30194] £70.00 (£84.00 incl.VAT)
W. Kuhnert [facsimile inside image.]
[London. Frederick Warne & Co. & New York.] [1912.]
Chromolithograph. Plate 241 x 171mm (9½ x 6¾").
The lynx, a genus of medium-sixed wild cats. They are found in parts of North America, and Northern Europe. From "Animal Portraiture being Fifty Studies", by Wilhelm Kunhert (text by Richard Lydekker). Friedrich Wilhelm Kuhnert (1865-1926), the German painter, author and illustrator who specialised in animal images.
[Ref: 30194] £70.00 (£84.00 incl.VAT)
The Lyon entranced Quis Talia Fando. Temperet a Lachrimis.
[n.d. c.1762.]
Etching. 84 x 127mm. 3¼ x 5". Paper toning and foxing. Small nicks to the edges.
Pocket-sized satire. The Preliminaries of Peace, signed at Fontainebleau, November 3rd 1762. Here present were the Duke of Cumberland, Edward Duke of York, Lord Bute, Henry Fox, the Duke of Bedford, William Pitt the Elder, Lord Temple and the Duke of Newcastle.
See BM Satires: 3922.
[Ref: 17553] £45.00 (£54.00 incl.VAT)
[n.d. c.1762.]
Etching. 84 x 127mm. 3¼ x 5". Paper toning and foxing. Small nicks to the edges.
Pocket-sized satire. The Preliminaries of Peace, signed at Fontainebleau, November 3rd 1762. Here present were the Duke of Cumberland, Edward Duke of York, Lord Bute, Henry Fox, the Duke of Bedford, William Pitt the Elder, Lord Temple and the Duke of Newcastle.
See BM Satires: 3922.
[Ref: 17553] £45.00 (£54.00 incl.VAT)
The Lyon Entranced. Quis talia fando Temperet a Lachrymis?_ Virgil.
[n.d. c.1762]
Scarce etching, plate 200 x 265mm (8 x 10½"), with large margins. Slightly creased.
Satire suggesting that John Stuart, 3rd Earl of Bute (1713-1792) has ruined Britain by taking over its government. had West Country Will [Pitt] been still his Keeper, I had not lost him."; B. "Will English, a True patriot" (the Duke of Cumberland) comforts her saying that Pitt will save the country, and that he will deal with Bute himself; C. "Ned Worthy, his Nephew" (Edward, Duke of York) contests with "Malcolm Fitz-Stewart, Undertaker" (John Stuart, Earl of Bute) about the alleged death of the lion; E. "Harry Crafty, his Man" (Henry Fox) and F. "Jack Rustle, Gravedigger" (John Russell, Duke of Bedford) insist that the lion is dead; G. "West Country Will" and H. "Dick the Templar" stand silent as Mutes, failing to speak out for Britain; I. "Mother Torbuck" (William, Earl Torbert) and K. "Goody Oldcastle" (the Duke of Newcastle), dressed as old women searchers, determine to find the cause of the lion's death, Newcastle suggesting that Bute has choked him on "those plaguy French Olives".
BM Satires 3922. See also reference 17553.
[Ref: 62335] £260.00 (£312.00 incl.VAT)
[n.d. c.1762]
Scarce etching, plate 200 x 265mm (8 x 10½"), with large margins. Slightly creased.
Satire suggesting that John Stuart, 3rd Earl of Bute (1713-1792) has ruined Britain by taking over its government. had West Country Will [Pitt] been still his Keeper, I had not lost him."; B. "Will English, a True patriot" (the Duke of Cumberland) comforts her saying that Pitt will save the country, and that he will deal with Bute himself; C. "Ned Worthy, his Nephew" (Edward, Duke of York) contests with "Malcolm Fitz-Stewart, Undertaker" (John Stuart, Earl of Bute) about the alleged death of the lion; E. "Harry Crafty, his Man" (Henry Fox) and F. "Jack Rustle, Gravedigger" (John Russell, Duke of Bedford) insist that the lion is dead; G. "West Country Will" and H. "Dick the Templar" stand silent as Mutes, failing to speak out for Britain; I. "Mother Torbuck" (William, Earl Torbert) and K. "Goody Oldcastle" (the Duke of Newcastle), dressed as old women searchers, determine to find the cause of the lion's death, Newcastle suggesting that Bute has choked him on "those plaguy French Olives".
BM Satires 3922. See also reference 17553.
[Ref: 62335] £260.00 (£312.00 incl.VAT)
Pont de la Guillotière. Album Lyonnais.
Dessiné d’apres nature et lith. Par Ed. Hostein.
Imp. Lemercier à Paris. [n.d. c.1839.]
Embossed stamp: "Societé des Amis des Arts de Lyon.". Lithograph. Sheet 437 x 546mm. 17¼" x 21½".
From 'Album lyonnais. Vues pittoresques de Lyon et de ses environs, publiées par la Société des Amis des Arts de Lyon, dessinées et lithographiées par MM. Champin, J. Coignet, Dauzats, Desjardins, Hostein, Villeneuve et Cie'.
Collection Bibliothèque municipale de Lyon, Boîte Album lyonnais n° 16.
[Ref: 8962] £150.00 (£180.00 incl.VAT)
Dessiné d’apres nature et lith. Par Ed. Hostein.
Imp. Lemercier à Paris. [n.d. c.1839.]
Embossed stamp: "Societé des Amis des Arts de Lyon.". Lithograph. Sheet 437 x 546mm. 17¼" x 21½".
From 'Album lyonnais. Vues pittoresques de Lyon et de ses environs, publiées par la Société des Amis des Arts de Lyon, dessinées et lithographiées par MM. Champin, J. Coignet, Dauzats, Desjardins, Hostein, Villeneuve et Cie'.
Collection Bibliothèque municipale de Lyon, Boîte Album lyonnais n° 16.
[Ref: 8962] £150.00 (£180.00 incl.VAT)
The Lady Stanhop.
P Lelij Eques pinxit.
Sold by Alex Browne at ye blew ballcony in little Queen Street. [nd. c.1680]
Rare mezzotint, 340 x 250mm (13¼ x 9¾"). Trimmed to plate. Taped into mount at top.
A three-quarter length portrait of Elizabeth Lyon (nee Stanhope), Countess of Strathmore with curled hair, wearing a low-cut dress and holding a flower. On the right, a large vase with a carved head contains a plant. In the background to the left, a rock and trees are visible.
CS38. Turner B48. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 64986] £260.00 (£312.00 incl.VAT)
P Lelij Eques pinxit.
Sold by Alex Browne at ye blew ballcony in little Queen Street. [nd. c.1680]
Rare mezzotint, 340 x 250mm (13¼ x 9¾"). Trimmed to plate. Taped into mount at top.
A three-quarter length portrait of Elizabeth Lyon (nee Stanhope), Countess of Strathmore with curled hair, wearing a low-cut dress and holding a flower. On the right, a large vase with a carved head contains a plant. In the background to the left, a rock and trees are visible.
CS38. Turner B48. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 64986] £260.00 (£312.00 incl.VAT)
Captain G.F. Lyon, R.N. in his Tripoline Costume.
Painted & Drawn on Stone by Richard J. Lane. Printed by C. Hullmandel. Proof.
[London, n.d., c.1825.]
Fine lithograph on india paper, proof inscribed by the artist. India 245 x 295mm, 9¾ x 11½". Dedicated in pencil in lower right margin: "Josh: Andrews Esq./ from his friend RJLane." Very large margins.
Portrait of George Francis Lyon (1795 - 1832), Captain in the Royal Navy and traveller, reclining and holding a cane, in full Arab costume. After service in Malta during 1818, Lyon joined the government mission led by Mr. Ritchie, secretary of the embassy at Paris, in Tripoli. The mission left Tripoli in March 1819, arriving in Murzuq in May of that year. After Ritchie's death, Lyon carried on to the southern boundaries of Fezzan but was forced to return to Tripoli in May 1820. By Richard James Lane (1800 - 1872).
See NPG D21955.
[Ref: 27370] £240.00 (£288.00 incl.VAT)
Painted & Drawn on Stone by Richard J. Lane. Printed by C. Hullmandel. Proof.
[London, n.d., c.1825.]
Fine lithograph on india paper, proof inscribed by the artist. India 245 x 295mm, 9¾ x 11½". Dedicated in pencil in lower right margin: "Josh: Andrews Esq./ from his friend RJLane." Very large margins.
Portrait of George Francis Lyon (1795 - 1832), Captain in the Royal Navy and traveller, reclining and holding a cane, in full Arab costume. After service in Malta during 1818, Lyon joined the government mission led by Mr. Ritchie, secretary of the embassy at Paris, in Tripoli. The mission left Tripoli in March 1819, arriving in Murzuq in May of that year. After Ritchie's death, Lyon carried on to the southern boundaries of Fezzan but was forced to return to Tripoli in May 1820. By Richard James Lane (1800 - 1872).
See NPG D21955.
[Ref: 27370] £240.00 (£288.00 incl.VAT)
Captain G.F. Lyon, R.N. in his Tripoline Costume.
[R.J. Lane. Printed by C. Hullmandel.]
[London, Dickinson? n.d., c.1825.]
Fine lithograph on india paper, sheet 220 x 260mm. 8¾ x 10¼". Margins trimmed.
Portrait of George Francis Lyon (1795 - 1832), Captain in the Royal Navy and traveller, reclining and holding a cane, in full Arab costume. After service in Malta during 1818, Lyon joined the government mission led by Mr. Ritchie, secretary of the embassy at Paris, in Tripoli. The mission left Tripoli in March 1819, arriving in Murzuq in May of that year. After Ritchie's death, Lyon carried on to the southern boundaries of Fezzan but was forced to return to Tripoli in May 1820. By Richard James Lane (1800 - 1872).
See NPG D21955.
[Ref: 21658] £160.00 (£192.00 incl.VAT)
[R.J. Lane. Printed by C. Hullmandel.]
[London, Dickinson? n.d., c.1825.]
Fine lithograph on india paper, sheet 220 x 260mm. 8¾ x 10¼". Margins trimmed.
Portrait of George Francis Lyon (1795 - 1832), Captain in the Royal Navy and traveller, reclining and holding a cane, in full Arab costume. After service in Malta during 1818, Lyon joined the government mission led by Mr. Ritchie, secretary of the embassy at Paris, in Tripoli. The mission left Tripoli in March 1819, arriving in Murzuq in May of that year. After Ritchie's death, Lyon carried on to the southern boundaries of Fezzan but was forced to return to Tripoli in May 1820. By Richard James Lane (1800 - 1872).
See NPG D21955.
[Ref: 21658] £160.00 (£192.00 incl.VAT)
The Lyrist.
Painted by W. Haines. Eng.d by J.W. Cook.
Printed by Mc.Queen. [n.d. c.1880.]
Engraving, cut inside plate. 128 x 109mm (5 x 4¼").
A classical woman sat with laurel reef on her head, playing the lyre.
[Ref: 34636] £60.00 (£72.00 incl.VAT)
Painted by W. Haines. Eng.d by J.W. Cook.
Printed by Mc.Queen. [n.d. c.1880.]
Engraving, cut inside plate. 128 x 109mm (5 x 4¼").
A classical woman sat with laurel reef on her head, playing the lyre.
[Ref: 34636] £60.00 (£72.00 incl.VAT)
Le Liskmann. Vallée de Viège.
A. Calame. Lith de Schmid a Genève.
[n.d., c.1850.]
Tinted lithograph. Sheet: 315 x 250mm (12½ x 9¾").
A view of the Lyskamm, a large mountain in the Pennine Alps straddling the Swiss/Italian border.
[Ref: 41859] £230.00 (£276.00 incl.VAT)
A. Calame. Lith de Schmid a Genève.
[n.d., c.1850.]
Tinted lithograph. Sheet: 315 x 250mm (12½ x 9¾").
A view of the Lyskamm, a large mountain in the Pennine Alps straddling the Swiss/Italian border.
[Ref: 41859] £230.00 (£276.00 incl.VAT)
Saml. Lysons Esqr. V.P.R.S. & F.S.A. Keeper of H.M. Records in the Tower.
Engraved by W. Bond from a Miniature painted by W.J. Newton.
Published February 1st. 1823 by T. Cadell, in the Strand.
Stipple, 300 x 225mm. 11¾ x 9". Trimmed close to plate; foxed.
Samuel Lysons (1763 - 1819), antiquary. He was also an artist of some skill, and between 1785 and 1796 was an occasional exhibitor at the Royal Academy of views of old buildings. He also contributed numerous etchings to his brother Daniel's ‘Environs of London.’ In 1818, when the honorary office of antiquary professor was revived in the Royal Academy, Lysons was chosen to fill it. After Sir William John Newton (1785-1869).
NPG: D5149.
[Ref: 13147] £65.00 (£78.00 incl.VAT)
Engraved by W. Bond from a Miniature painted by W.J. Newton.
Published February 1st. 1823 by T. Cadell, in the Strand.
Stipple, 300 x 225mm. 11¾ x 9". Trimmed close to plate; foxed.
Samuel Lysons (1763 - 1819), antiquary. He was also an artist of some skill, and between 1785 and 1796 was an occasional exhibitor at the Royal Academy of views of old buildings. He also contributed numerous etchings to his brother Daniel's ‘Environs of London.’ In 1818, when the honorary office of antiquary professor was revived in the Royal Academy, Lysons was chosen to fill it. After Sir William John Newton (1785-1869).
NPG: D5149.
[Ref: 13147] £65.00 (£78.00 incl.VAT)
Samuel Lysons Esq.r F.R.S. & F.A.S. Keeper of the Records of the Tower.
Painted by T. Lawrence Esq.r R.A. Engraved by S.W. Reynolds.
London, Published by S.W. Reynolds, June 1, 1804.
Mezzotint, 310 x 250mm (12¼ x 9¾"), with large margins Repaired tears in margins.
A half-length portrait in oval of Samuel Lysons (1763-1819), engraver, antiquarian and archaeologist who specialised in Roman mosaics. He was director of the Society of Antiquaries of London (1798-1809), vice-president and treasurer of the Royal Society (1810-9), briefly antiquary professor in the Royal Academy, and Keeper of the Records in the Tower of London, forerunner of the National Archives, from 1803 until his death.
Whitman 187, ii of ii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 66985] £260.00 (£312.00 incl.VAT)
Painted by T. Lawrence Esq.r R.A. Engraved by S.W. Reynolds.
London, Published by S.W. Reynolds, June 1, 1804.
Mezzotint, 310 x 250mm (12¼ x 9¾"), with large margins Repaired tears in margins.
A half-length portrait in oval of Samuel Lysons (1763-1819), engraver, antiquarian and archaeologist who specialised in Roman mosaics. He was director of the Society of Antiquaries of London (1798-1809), vice-president and treasurer of the Royal Society (1810-9), briefly antiquary professor in the Royal Academy, and Keeper of the Records in the Tower of London, forerunner of the National Archives, from 1803 until his death.
Whitman 187, ii of ii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 66985] £260.00 (£312.00 incl.VAT)
Samuel Lysons Esq.r F.R.S. & F.A.S. Keeper of the Records of the Tower.
Painted by T. Lawrence Esq.r R.A. Engraved by S.W. Reynolds.
London, Published by S.W. Reynolds, June 1, 1804.
Mezzotint. 310 x 250mm (12¼ x 9¾"), with large margins, Lawrence's blind stamp in inscription area.
A half-length portrait in oval of Samuel Lysons (1763-1819), engraver, antiquarian and archaeologist who specialised in Roman mosaics. He was director of the Society of Antiquaries of London (1798-1809), vice-president and treasurer of the Royal Society (1810-9), briefly antiquary professor in the Royal Academy, and Keeper of the Records in the Tower of London, forerunner of the National Archives, from 1803 until his death.
Whitman 187, ii of ii. Ex: collection of The Hon. Christopher Lennox-Boyd & Sir Th. Lawrence.
[Ref: 66986] £290.00 (£348.00 incl.VAT)
Painted by T. Lawrence Esq.r R.A. Engraved by S.W. Reynolds.
London, Published by S.W. Reynolds, June 1, 1804.
Mezzotint. 310 x 250mm (12¼ x 9¾"), with large margins, Lawrence's blind stamp in inscription area.
A half-length portrait in oval of Samuel Lysons (1763-1819), engraver, antiquarian and archaeologist who specialised in Roman mosaics. He was director of the Society of Antiquaries of London (1798-1809), vice-president and treasurer of the Royal Society (1810-9), briefly antiquary professor in the Royal Academy, and Keeper of the Records in the Tower of London, forerunner of the National Archives, from 1803 until his death.
Whitman 187, ii of ii. Ex: collection of The Hon. Christopher Lennox-Boyd & Sir Th. Lawrence.
[Ref: 66986] £290.00 (£348.00 incl.VAT)
![[John Lyster.]](jpegs/21885.jpg)
[John Lyster.]
A D'Orsay 1834 [signed in plate].
[London: J. Mitchell, c.1834.]
Lithograph on india paper, proof, india 200 x 160mm. 8 x 6¼".
Portrait of John Lyster (died 1840), lieutenant-colonel in the Grenadier Guards and gentleman usher. From a series of portraits by Count Alfred Guillaume Gabriel d'Orsay (1801 - 1852), Paris-born artist and gentleman of fashion. His profile sketches of his contemporaries, to the number of 125, include among them nearly all the literary, artistic, and fashionable celebrities of that time
O'Donoghue p.111.
[Ref: 21885] £65.00 (£78.00 incl.VAT)
A D'Orsay 1834 [signed in plate].
[London: J. Mitchell, c.1834.]
Lithograph on india paper, proof, india 200 x 160mm. 8 x 6¼".
Portrait of John Lyster (died 1840), lieutenant-colonel in the Grenadier Guards and gentleman usher. From a series of portraits by Count Alfred Guillaume Gabriel d'Orsay (1801 - 1852), Paris-born artist and gentleman of fashion. His profile sketches of his contemporaries, to the number of 125, include among them nearly all the literary, artistic, and fashionable celebrities of that time
O'Donoghue p.111.
[Ref: 21885] £65.00 (£78.00 incl.VAT)
![[Lord Lyttelton in profile]](jpegs/43820.jpg)
[Lord Lyttelton in profile] The Advocate. What Oratory can do Shall be done / But then Good Sir you know I am but one
Publish'd according to Act Oct 2d 1756 by Edwards & Darly facing Hungerford, Strand
Etching, platemark 80 x 110mm (3 x 4¼") large margins. Bottom margin on left missing, jacket has faded old colour bit foxed.
Caricature of George Lyttelton, first baron Lyttelton (1709-73), politician and writer, in profile in the act of speaking. Seen through a window on the right is the Duke of Newcastle, while on the wall behind Lyttelton hangs a picture of Brittania chained by the wrist, in reference to the alleged subservience of the Newcastle administration to French influence. Lyttelton was chancellor of the exchequer at this time, a role to which he was unsuited, and when Newcastle resigned in the face of popular opposition shortly after this print was published, Lyttleton retired from office. Published in 'A Political and Satirical History of the Years 1756 and 1757', a volume of seventy-five satirical prints with short descriptions. The description of this print read 'A Caricatura famous for his Attachment to the old Pack; his Eloquence was always exerted to vindicate their Blunders, which he was a great Admirer of'.
BM Satires 3527; for 'A Political and Satirical History of the Years 1756 and 1757' see ref. 38743.
[Ref: 43820] £60.00 (£72.00 incl.VAT)
Publish'd according to Act Oct 2d 1756 by Edwards & Darly facing Hungerford, Strand
Etching, platemark 80 x 110mm (3 x 4¼") large margins. Bottom margin on left missing, jacket has faded old colour bit foxed.
Caricature of George Lyttelton, first baron Lyttelton (1709-73), politician and writer, in profile in the act of speaking. Seen through a window on the right is the Duke of Newcastle, while on the wall behind Lyttelton hangs a picture of Brittania chained by the wrist, in reference to the alleged subservience of the Newcastle administration to French influence. Lyttelton was chancellor of the exchequer at this time, a role to which he was unsuited, and when Newcastle resigned in the face of popular opposition shortly after this print was published, Lyttleton retired from office. Published in 'A Political and Satirical History of the Years 1756 and 1757', a volume of seventy-five satirical prints with short descriptions. The description of this print read 'A Caricatura famous for his Attachment to the old Pack; his Eloquence was always exerted to vindicate their Blunders, which he was a great Admirer of'.
BM Satires 3527; for 'A Political and Satirical History of the Years 1756 and 1757' see ref. 38743.
[Ref: 43820] £60.00 (£72.00 incl.VAT)
The Right Honourable George Lyttelton Baron Lyttelton and Baronet.
[Anon., c.1750]
Engraving, platemark 425 x 235mm (16¾ x 9¼").
Coat of arms of George Lyttelton, first Baron Lyttelton (1709-73), politician and writer.
Provenance: Thomas Pitt 1st Baron Camelford
[Ref: 45278] £140.00 (£168.00 incl.VAT)
[Anon., c.1750]
Engraving, platemark 425 x 235mm (16¾ x 9¼").
Coat of arms of George Lyttelton, first Baron Lyttelton (1709-73), politician and writer.
Provenance: Thomas Pitt 1st Baron Camelford
[Ref: 45278] £140.00 (£168.00 incl.VAT)
![[George Lyttelton] Cassius.](jpegs/43821.jpg)
[George Lyttelton] Cassius. O Prithee Strive they Grov'ling mind to raise, / Above the Bounds of thy Imperfect State [...]
Publish'd according to Act of Parliam.t Sep. 30 1756 by Edwards & Darly at ye Acorn in ye Strand
Engraving, sheet 115 x 80mm (4½ x 3") large margins.
Caricature of George Lyttelton (1709-73), politician and writer, published shortly before he was created Baron Lyttelton of Frankley, alluding to the Roman Senator Cassius in Shakespeare's 'Julius Caesar'. Published in 'A Political and Satirical History of the Years 1756 and 1757', a volume of seventy-five satirical prints with short descriptions. The description of this print simply read 'This Caricatura, with the Label and Lines is sufficiently explanative'.
BM Satires 3513; for 'A Political and Satirical History of the Years 1756 and 1757' see ref. 38743; for impression without plate number upper right see ref. 41556.
[Ref: 43821] £65.00 (£78.00 incl.VAT)
Publish'd according to Act of Parliam.t Sep. 30 1756 by Edwards & Darly at ye Acorn in ye Strand
Engraving, sheet 115 x 80mm (4½ x 3") large margins.
Caricature of George Lyttelton (1709-73), politician and writer, published shortly before he was created Baron Lyttelton of Frankley, alluding to the Roman Senator Cassius in Shakespeare's 'Julius Caesar'. Published in 'A Political and Satirical History of the Years 1756 and 1757', a volume of seventy-five satirical prints with short descriptions. The description of this print simply read 'This Caricatura, with the Label and Lines is sufficiently explanative'.
BM Satires 3513; for 'A Political and Satirical History of the Years 1756 and 1757' see ref. 38743; for impression without plate number upper right see ref. 41556.
[Ref: 43821] £65.00 (£78.00 incl.VAT)
Upon my Word it is Might fine, I'm above the Axe yet I'm under the Lyne.
[Anon., c.1750.]
Engraving, sheet 115 x 80mm (4½ x 3"). Trimmed.
Caricature, perhaps of George Lyttelton (1709-73), politician and writer.
[Ref: 41558] £70.00 (£84.00 incl.VAT)
[Anon., c.1750.]
Engraving, sheet 115 x 80mm (4½ x 3"). Trimmed.
Caricature, perhaps of George Lyttelton (1709-73), politician and writer.
[Ref: 41558] £70.00 (£84.00 incl.VAT)
![[George Lyttelton] The Merits and Defects of the Dead by their Ingenious Secretary.](jpegs/54443.jpg)
[George Lyttelton] The Merits and Defects of the Dead by their Ingenious Secretary. 11.
Pub.d as the Act Directs May 1st 1773 [by William Austin].
Coloured etching. 300 x 375mm (11¾ x 14¾"), with wide margins. Some creasing and spotting.
George Lyttelton as a hooked-nosed Death, using a tomb as a writing desk, one hand holding a scythe. A grave-digger with a built-up shoe, holds out a skull which declaims ''Life is a jest & all things shew it. I thought so once but now I know it'', John Gay's own epitaph on his monument in Westminster Abbey. The first Baron Lyttelton (1709-1773, a few months after this caricature) wrote 'Dialogues of the Dead' (1760).
[Ref: 54443] £260.00 (£312.00 incl.VAT)
Pub.d as the Act Directs May 1st 1773 [by William Austin].
Coloured etching. 300 x 375mm (11¾ x 14¾"), with wide margins. Some creasing and spotting.
George Lyttelton as a hooked-nosed Death, using a tomb as a writing desk, one hand holding a scythe. A grave-digger with a built-up shoe, holds out a skull which declaims ''Life is a jest & all things shew it. I thought so once but now I know it'', John Gay's own epitaph on his monument in Westminster Abbey. The first Baron Lyttelton (1709-1773, a few months after this caricature) wrote 'Dialogues of the Dead' (1760).
[Ref: 54443] £260.00 (£312.00 incl.VAT)
![[George Lyttelton] The Merits and Defects of the Dead by their Ingenious Secretary.](jpegs/63635.jpg)
[George Lyttelton] The Merits and Defects of the Dead by their Ingenious Secretary. 11
Pub.d as the Act Directs May 1st 1773 [by William Austin].
Etching, J. Whatman watermark. 300 x 375mm (11¾ x 14¾"), with large margins.
George Lyttelton as a hooked-nosed Death, using a tomb as a writing desk, one hand holding a scythe. A grave-digger with a built-up shoe, holds out a skull which declaims ''Life is a jest & all things shew it. I thought so once but now I know it'', John Gay's own epitaph on his monument in Westminster Abbey. The first Baron Lyttelton (1709-73), a few months after this caricature) wrote 'Dialogues of the Dead' (1760). From a set of twelve prints by William Austin (1721/33-1820), drawing-master and engraver. Austin taught caricature to amateurs and this series, which mocked several well-known personages (as did its dedicatee, the actor Samuel Foote) contains some of the most lively English caricatures of the period between Hogarth and the late Georgian satire of Gillray and Rowlandson.
See Ref: 54443
[Ref: 63635] £290.00 (£348.00 incl.VAT)
Pub.d as the Act Directs May 1st 1773 [by William Austin].
Etching, J. Whatman watermark. 300 x 375mm (11¾ x 14¾"), with large margins.
George Lyttelton as a hooked-nosed Death, using a tomb as a writing desk, one hand holding a scythe. A grave-digger with a built-up shoe, holds out a skull which declaims ''Life is a jest & all things shew it. I thought so once but now I know it'', John Gay's own epitaph on his monument in Westminster Abbey. The first Baron Lyttelton (1709-73), a few months after this caricature) wrote 'Dialogues of the Dead' (1760). From a set of twelve prints by William Austin (1721/33-1820), drawing-master and engraver. Austin taught caricature to amateurs and this series, which mocked several well-known personages (as did its dedicatee, the actor Samuel Foote) contains some of the most lively English caricatures of the period between Hogarth and the late Georgian satire of Gillray and Rowlandson.
See Ref: 54443
[Ref: 63635] £290.00 (£348.00 incl.VAT)
![[George Lyttelton] Cassius.](jpegs/41556.jpg)
[George Lyttelton] Cassius. O Prithee Strive they Grov'ling mind to raise, / Above the Bounds of thy Imperfect State [...]
Publish'd according to Act of Parliam.t Sep. 30 1756 by Edwards & Darly at ye Acorn in ye Strand
Engraving, sheet 115 x 80mm (4½ x 3"). Trimmed on card as issued.
Caricature of George Lyttelton (1709-73), politician and writer, published shortly before he was created Baron Lyttelton of Frankley, alluding to the Roman Senator Cassius in Shakespeare's 'Julius Caesar'.
BM Satires 3513.
[Ref: 41556] £120.00 (£144.00 incl.VAT)
Publish'd according to Act of Parliam.t Sep. 30 1756 by Edwards & Darly at ye Acorn in ye Strand
Engraving, sheet 115 x 80mm (4½ x 3"). Trimmed on card as issued.
Caricature of George Lyttelton (1709-73), politician and writer, published shortly before he was created Baron Lyttelton of Frankley, alluding to the Roman Senator Cassius in Shakespeare's 'Julius Caesar'.
BM Satires 3513.
[Ref: 41556] £120.00 (£144.00 incl.VAT)
Giorgio Lygttleton.
G.B. Bosio dis. L. Rados inc.
[n.d. c.1770].
Stipple engraving. 155 x 220mm.
George Lyttelton, 1st Baron Lyttelton, statesman and patron of poets like Pope and Fielding [1709 - 1773].
[Ref: 730] £60.00 (£72.00 incl.VAT)
G.B. Bosio dis. L. Rados inc.
[n.d. c.1770].
Stipple engraving. 155 x 220mm.
George Lyttelton, 1st Baron Lyttelton, statesman and patron of poets like Pope and Fielding [1709 - 1773].
[Ref: 730] £60.00 (£72.00 incl.VAT)
![Edward Lytton Bulwer [facsimile signature.]](jpegs/21887.jpg)
Edward Lytton Bulwer [facsimile signature.]
A. D'Orsay 1. August 1837 [signed in plate.]
London, Published by John Mitchell, 33, Old Bond St. J. Graf, Printer to the Queen.
Lithograph on india paper, india 240 x 165mm. 9½ x 6½".
Portrait of Edward George Earle Lytton Bulwer Lytton, 1st Baron Lytton (1803 - 1873), novelist and politician. He published Falkland, 1827, and Pelham, 1828, which made his reputation; he enjoyed great popularity as the author of historical and romantic novels. MP from 1852 and secretary for the colonies, 1858-9. From a series of portraits by Count Alfred Guillaume Gabriel d'Orsay (1801 - 1852), Paris-born artist and gentleman of fashion. His profile sketches of his contemporaries, to the number of 125, include among them nearly all the literary, artistic, and fashionable celebrities of that time
O'Donoghue p.113, 3.
[Ref: 21887] £75.00 (£90.00 incl.VAT)
A. D'Orsay 1. August 1837 [signed in plate.]
London, Published by John Mitchell, 33, Old Bond St. J. Graf, Printer to the Queen.
Lithograph on india paper, india 240 x 165mm. 9½ x 6½".
Portrait of Edward George Earle Lytton Bulwer Lytton, 1st Baron Lytton (1803 - 1873), novelist and politician. He published Falkland, 1827, and Pelham, 1828, which made his reputation; he enjoyed great popularity as the author of historical and romantic novels. MP from 1852 and secretary for the colonies, 1858-9. From a series of portraits by Count Alfred Guillaume Gabriel d'Orsay (1801 - 1852), Paris-born artist and gentleman of fashion. His profile sketches of his contemporaries, to the number of 125, include among them nearly all the literary, artistic, and fashionable celebrities of that time
O'Donoghue p.113, 3.
[Ref: 21887] £75.00 (£90.00 incl.VAT)
L’América. Galerie du Palais Royal (T..re. Gudin)
Sabatier del. Fig par V. Adam [after Theodore Gudin) Lith de C. Motte.
J.P. Quenot direx [n.d., c.1830].
Lithograph on chine collé. 303 x 438mm (12" x 17¼"), with blind stamp of 'Galerie Lithographiée de S. A. R. Mgr. le Duc d'Orléans' in title. Some staining in the margins.
A view of a ship bearing the American flag in a choppy sea.
[Ref: 8740] £420.00
Sabatier del. Fig par V. Adam [after Theodore Gudin) Lith de C. Motte.
J.P. Quenot direx [n.d., c.1830].
Lithograph on chine collé. 303 x 438mm (12" x 17¼"), with blind stamp of 'Galerie Lithographiée de S. A. R. Mgr. le Duc d'Orléans' in title. Some staining in the margins.
A view of a ship bearing the American flag in a choppy sea.
[Ref: 8740] £420.00
![[Daniel M'Naghten] Trial of M.cNaughton.](jpegs/62531.jpg)
[Daniel M'Naghten] Trial of M.cNaughton.
[n.d., c.1843.]
Engraving. Sheet 135 x 220mm (5¼ x 8¾"). Trimmed within plate, edges browned.
The trial of Daniel M'Naghten (1813-65, also McNaughten) for the murder of Prime Minister Robert Peel's private secretary, Edward Drummond, at the Old Bailey in 1843. His defence was that he was suffering from paranoid delusions: the verdict of not guilty on the ground of insanity led to the creation of the 'M'Naghten rules', a legal test defining the defence of insanity, in 1843.
[Ref: 62531] £95.00 (£114.00 incl.VAT)
[n.d., c.1843.]
Engraving. Sheet 135 x 220mm (5¼ x 8¾"). Trimmed within plate, edges browned.
The trial of Daniel M'Naghten (1813-65, also McNaughten) for the murder of Prime Minister Robert Peel's private secretary, Edward Drummond, at the Old Bailey in 1843. His defence was that he was suffering from paranoid delusions: the verdict of not guilty on the ground of insanity led to the creation of the 'M'Naghten rules', a legal test defining the defence of insanity, in 1843.
[Ref: 62531] £95.00 (£114.00 incl.VAT)
A View on the Maese, near Maestricht. From the Original Picture painted by Adrian Cuyp, in the Collection of the Right Honble. the Earl of Bute; To Whom this Plate is most humbly Dedicated, by his Lordship's most Obliged, and most Obedient humble Servant, J. Boydell. Size of the Picture, 5 feet by 8 F in Length. No.12.
Adrian Cuyp Pinxit. Will.m Elliott Sculpsit.
Published according to Act of Parliament, by J. Boydell Engraver, in Cheapside, London; December 1st. 1764.
Engraving. 405 x 605mm (16 x 23¾"), with wide margins.
A fine pastoral landscape with shepherds and their cattle near trees in left foreground, the River Maas with town in right background.
Ex Collection Duke of Westminster.
[Ref: 38276] £520.00
Adrian Cuyp Pinxit. Will.m Elliott Sculpsit.
Published according to Act of Parliament, by J. Boydell Engraver, in Cheapside, London; December 1st. 1764.
Engraving. 405 x 605mm (16 x 23¾"), with wide margins.
A fine pastoral landscape with shepherds and their cattle near trees in left foreground, the River Maas with town in right background.
Ex Collection Duke of Westminster.
[Ref: 38276] £520.00
Vue de Maestricht.
[Anon., c.1830]
Lithograph, printed area 155 x 205mm (6 x 8").
The town of Maastricht in the Netherlands. Annexed to the First French Empire from 1794-1814, it became part of the Netherlands in 1815, and was made the capital of the new Province of Limburg.
[Ref: 43423] £130.00 (£156.00 incl.VAT)
[Anon., c.1830]
Lithograph, printed area 155 x 205mm (6 x 8").
The town of Maastricht in the Netherlands. Annexed to the First French Empire from 1794-1814, it became part of the Netherlands in 1815, and was made the capital of the new Province of Limburg.
[Ref: 43423] £130.00 (£156.00 incl.VAT)
![[Zonneberg caves.] S.t Pieters Bergh bÿ Mastricht, soo als hem die onder de Aerde vertoont.](jpegs/59402.jpg)
[Zonneberg caves.] S.t Pieters Bergh bÿ Mastricht, soo als hem die onder de Aerde vertoont.
Jan Luyken invenit et fecit.
[n.d., 1682.]
Rare etching. Sheet 170 x 280mm (6¾ x 11). Trimmed to image on three sides, into plate at bottom. Small wormhole bottom centre.
A view of the Zonneberg caves, limestone quarries under Sint Pietersberg near Maastricht. Many men are working.
[Ref: 59402] £190.00 (£228.00 incl.VAT)
Jan Luyken invenit et fecit.
[n.d., 1682.]
Rare etching. Sheet 170 x 280mm (6¾ x 11). Trimmed to image on three sides, into plate at bottom. Small wormhole bottom centre.
A view of the Zonneberg caves, limestone quarries under Sint Pietersberg near Maastricht. Many men are working.
[Ref: 59402] £190.00 (£228.00 incl.VAT)
Battle of Maestricht. Plan of the Camp of the Army of the Allies, commanded by Mons.r D'Auverquerque, and the manner in which it was drawn up in Battle, when the Army of the Two Crowns advanced to Attack It May 14th 1703.
I. Basire Sculp.
For Mr Tindal's Continuation of Mr Rapin's History of England. [London, James & Paul Knapton, 1751.]
Engraved map. 385 x 480mm (15¼ x 18¾"). Very fine impression with original binding folds, trimmed at top, as issued.
A map of the environs of Maastricht during the War of the Spanish Succession, when the allied army under Henry, Count of Nassau, Lord of Overkirk (Ouwerkerk in Dutch) was attacked by the French & Spanish. Henry, second cousin and Master of Horse to William III, was one of Marlborough's most trusted generals and was made Field Marshal of the Dutch States Army in 1704. Nicholas Tindal (1687-1774), at one time Chaplain to Greenwich Hospital, first published a translation of Frenchman Paul de Rapin's 'History of England' in 1727, running to thirteen volumes; in 1732 it was enlarged with his own notes and maps. This map was published in 'A summary of Mr Rapin de Thoyras's History of England, and Mr Tindal's Continuation, from the Invasion of Julius Caesar, to the End of the Reign of King George I. Illustrated With Medals, Plans of Battles, Towns, and Sieges', 1751.
[Ref: 28246] £95.00
I. Basire Sculp.
For Mr Tindal's Continuation of Mr Rapin's History of England. [London, James & Paul Knapton, 1751.]
Engraved map. 385 x 480mm (15¼ x 18¾"). Very fine impression with original binding folds, trimmed at top, as issued.
A map of the environs of Maastricht during the War of the Spanish Succession, when the allied army under Henry, Count of Nassau, Lord of Overkirk (Ouwerkerk in Dutch) was attacked by the French & Spanish. Henry, second cousin and Master of Horse to William III, was one of Marlborough's most trusted generals and was made Field Marshal of the Dutch States Army in 1704. Nicholas Tindal (1687-1774), at one time Chaplain to Greenwich Hospital, first published a translation of Frenchman Paul de Rapin's 'History of England' in 1727, running to thirteen volumes; in 1732 it was enlarged with his own notes and maps. This map was published in 'A summary of Mr Rapin de Thoyras's History of England, and Mr Tindal's Continuation, from the Invasion of Julius Caesar, to the End of the Reign of King George I. Illustrated With Medals, Plans of Battles, Towns, and Sieges', 1751.
[Ref: 28246] £95.00
![[Mrs Maberley?] Equestrian Sketches Pl. 20.](jpegs/51811.jpg)
[Mrs Maberley?] Equestrian Sketches Pl. 20.
[by John Doyle, ''H.B.''] A. Ducotè's Lithog.y 70, St. Martin's Lane.
Published by T. M.cLean, 26, Haymarket, 1st. July 1839.
Tinted lithograph. Printed area 240 x 325mm (9½ x 12¾") very large margins.
A gentle caricature of a woman riding side-saddle, one of at least 45 in the series, all printed without names of the subjects. Probably the wife of William Leader Maberly (1798-1885), the joint secretary to the General Post Office who strongly opposed the introduction of the Penny Post.
[Ref: 51811] £140.00 (£168.00 incl.VAT)
[by John Doyle, ''H.B.''] A. Ducotè's Lithog.y 70, St. Martin's Lane.
Published by T. M.cLean, 26, Haymarket, 1st. July 1839.
Tinted lithograph. Printed area 240 x 325mm (9½ x 12¾") very large margins.
A gentle caricature of a woman riding side-saddle, one of at least 45 in the series, all printed without names of the subjects. Probably the wife of William Leader Maberly (1798-1885), the joint secretary to the General Post Office who strongly opposed the introduction of the Penny Post.
[Ref: 51811] £140.00 (£168.00 incl.VAT)
Mac Rimmon.
R. R. M.clan pinxit. L. Dickinson, Lith.
Printed by C. Graf. [n.d., c.1845]
Coloured lithograph, sheet 470 x 325mm (18½ x 12¾"). Dent in bottom left. Taped to cloth covered mount at corners.
A depiction of a MacCrimmon piper to MacLeod of MacLeod, from Robert Ronald McIan's The Clans of the Scottish Highlands', published in 1845. The MacCrimmons were a Scottish family that were pipers to the chiefs of Clan MacLeod for several generations. McIan (1803-56, also Robert Ranald McIan), was a Scottish actor and painter best known for romanticised depictions of Scottish clansmen, their battles and domestic life.
[Ref: 58002] £260.00 (£312.00 incl.VAT)
R. R. M.clan pinxit. L. Dickinson, Lith.
Printed by C. Graf. [n.d., c.1845]
Coloured lithograph, sheet 470 x 325mm (18½ x 12¾"). Dent in bottom left. Taped to cloth covered mount at corners.
A depiction of a MacCrimmon piper to MacLeod of MacLeod, from Robert Ronald McIan's The Clans of the Scottish Highlands', published in 1845. The MacCrimmons were a Scottish family that were pipers to the chiefs of Clan MacLeod for several generations. McIan (1803-56, also Robert Ranald McIan), was a Scottish actor and painter best known for romanticised depictions of Scottish clansmen, their battles and domestic life.
[Ref: 58002] £260.00 (£312.00 incl.VAT)
MacAlister.
R. R. M.clan pinxit. L. Dickinson, Lith. Printed by C. Graf.
London, Published by Ackermann & Co, 36, Strand [n.d., 1847].
Coloured lithograph. Sheet 370 x 265mm (14½ x 10½"), on thick paper. Edges chipped top left & bottom.
A man of Clan MacAlister, one foot resting on a chest with 'J. Macalister Passenger Canada', suggesting he is a victim of the Highland Clearances. From Robert Ronald McIan's The Clans of the Scottish Highlands', Volume II, published in 1847. McIan (1803-56, also Robert Ranald McIan), was a Scottish actor and painter best known for romanticised depictions of Scottish clansmen, their battles and domestic life.
[Ref: 61062] £180.00 (£216.00 incl.VAT)
R. R. M.clan pinxit. L. Dickinson, Lith. Printed by C. Graf.
London, Published by Ackermann & Co, 36, Strand [n.d., 1847].
Coloured lithograph. Sheet 370 x 265mm (14½ x 10½"), on thick paper. Edges chipped top left & bottom.
A man of Clan MacAlister, one foot resting on a chest with 'J. Macalister Passenger Canada', suggesting he is a victim of the Highland Clearances. From Robert Ronald McIan's The Clans of the Scottish Highlands', Volume II, published in 1847. McIan (1803-56, also Robert Ranald McIan), was a Scottish actor and painter best known for romanticised depictions of Scottish clansmen, their battles and domestic life.
[Ref: 61062] £180.00 (£216.00 incl.VAT)
Aana Macallame borne in the Orknes of Scotland in the year of our Lord 1615 being presented to the kings Majesties sight Octob.r 1662. Though my portraiture seems to bee [/] A Man; my Sex denyes me so; [/] Nature hath still Varity; [/] To make the World her wisdome know;.
[n.d., c.1662.]
Fine engraving. Sheet: 180 x 125mm (7 x 5'').
A portrait of Anna Macallame, a bearded woman of Orkney presented to Charles II.
Wellcome Library 881i.
[Ref: 49714] £180.00 (£216.00 incl.VAT)
[n.d., c.1662.]
Fine engraving. Sheet: 180 x 125mm (7 x 5'').
A portrait of Anna Macallame, a bearded woman of Orkney presented to Charles II.
Wellcome Library 881i.
[Ref: 49714] £180.00 (£216.00 incl.VAT)
![[Map of Macau and surrounding area]](jpegs/47424.jpg)
[Map of Macau and surrounding area] Carte de l'entrée de la riviere de Canton Dressée sur les Observations les plus récentes. Par N.B. Ing.r [...]
J.v. Schley direx. [c.1764]
Engraving, platemark 275 x 210mm (11 x 8"), with very large margins. Folds as normal.
Map of the port of Macau and the entrnce to the Pearl River in China. From a Dutch edition of Prevost's 'Histoire des Voyages', with copies of Jacques-Nicolas Bellin's maps.
[Ref: 47424] £160.00
J.v. Schley direx. [c.1764]
Engraving, platemark 275 x 210mm (11 x 8"), with very large margins. Folds as normal.
Map of the port of Macau and the entrnce to the Pearl River in China. From a Dutch edition of Prevost's 'Histoire des Voyages', with copies of Jacques-Nicolas Bellin's maps.
[Ref: 47424] £160.00
Macao.
Lauvergne del. Himely sc.
De Sainson Edit. [Paris: Imprimerie Royale, 1833-1835.]
Aquatint on india paper. 285 x 380mm (11¼ x 15"), with wide margins.
Prospect of the trading port of Macao (Macau), on the South China Sea; a sailing ship in foreground. Macao is now, along with Hong Kong, one of the two special administrative regions of the People's Republic of China. From 'Voyage autour du monde par les mers de l'Inde et de la Chine de la corvette de sa Majeste La Favorite execute pendant les annees 1830, 1831, 1832 sous le commandement de M. Laplace...' (5 vols).
See BNF FRBNF33995730. See BM Anthropology Library KU4 [LAP-] V.1-5.
[Ref: 27829] £650.00
Lauvergne del. Himely sc.
De Sainson Edit. [Paris: Imprimerie Royale, 1833-1835.]
Aquatint on india paper. 285 x 380mm (11¼ x 15"), with wide margins.
Prospect of the trading port of Macao (Macau), on the South China Sea; a sailing ship in foreground. Macao is now, along with Hong Kong, one of the two special administrative regions of the People's Republic of China. From 'Voyage autour du monde par les mers de l'Inde et de la Chine de la corvette de sa Majeste La Favorite execute pendant les annees 1830, 1831, 1832 sous le commandement de M. Laplace...' (5 vols).
See BNF FRBNF33995730. See BM Anthropology Library KU4 [LAP-] V.1-5.
[Ref: 27829] £650.00
Macao
C. Graham del. A.H. Payne sc.
Verlag der Englischen Kunstanstalt von A.H. Payne in Leipzig.
Steel engraving, sheet 180 x 235mm (7 x 9¼").
Prospect of the trading port of Macao (Macau), on the South China Sea; a sailing ship in foreground. Macao is now, along with Hong Kong, one of the two special administrative regions of the People's Republic of China.
Not in Chater Collection; for coloured impression see ref. 37024.
[Ref: 42254] £80.00 (£96.00 incl.VAT)
C. Graham del. A.H. Payne sc.
Verlag der Englischen Kunstanstalt von A.H. Payne in Leipzig.
Steel engraving, sheet 180 x 235mm (7 x 9¼").
Prospect of the trading port of Macao (Macau), on the South China Sea; a sailing ship in foreground. Macao is now, along with Hong Kong, one of the two special administrative regions of the People's Republic of China.
Not in Chater Collection; for coloured impression see ref. 37024.
[Ref: 42254] £80.00 (£96.00 incl.VAT)
A Plan of the City and Harbour of Macao A Colony of the Portuguese situated on the southern extemity of the Chinese Empire.
Engraved by B. Baker Islington.
Published April the 12th, 1796 by George Nicol.
Engraved map. 710 x 560mm (18 x 22"). Staining top & bottom right.
A detailed map of Macao. published in Sir George Staunton's 'An Authentic Account of an Embassy from the King of Great Britain to the Emperor of China', the first British embassy to China. The 37-point key lists forts, parishes, colleges, covents, chapels and other buildings of interest including the Customs House and the English Factory. See item ref: 37515, 'Narrative of the British Embassy to China In the Years 1792, 1793 and 1794' for a detailed account of Æneas Anderson's voyage to China in the service of Lord Macartney, including a list of the retinue of Lord Macartney and a Glossary of Chinese words.
[Ref: 38164] £650.00
Engraved by B. Baker Islington.
Published April the 12th, 1796 by George Nicol.
Engraved map. 710 x 560mm (18 x 22"). Staining top & bottom right.
A detailed map of Macao. published in Sir George Staunton's 'An Authentic Account of an Embassy from the King of Great Britain to the Emperor of China', the first British embassy to China. The 37-point key lists forts, parishes, colleges, covents, chapels and other buildings of interest including the Customs House and the English Factory. See item ref: 37515, 'Narrative of the British Embassy to China In the Years 1792, 1793 and 1794' for a detailed account of Æneas Anderson's voyage to China in the service of Lord Macartney, including a list of the retinue of Lord Macartney and a Glossary of Chinese words.
[Ref: 38164] £650.00
Macao from Penha Hill.
W. Heine. J. Queen del.t. P.S. Duval & Co. Phil.a.
[New York: G. P. Putnam & Company, 1856.]
Tinted lithograph. Sheet 220 x 290mm (8¾ x 11½"). Small chips in edges.
From Francis Hawk's 'Narrative of the Expedition of an American Squadron to the China Seas and Japan', the account of Commodore Matthew Perry's mission to Japan. Wilhelm Heine (1827 - 1885), a German-American, was the official artist to the expedition.
[Ref: 64710] £260.00 (£312.00 incl.VAT)
W. Heine. J. Queen del.t. P.S. Duval & Co. Phil.a.
[New York: G. P. Putnam & Company, 1856.]
Tinted lithograph. Sheet 220 x 290mm (8¾ x 11½"). Small chips in edges.
From Francis Hawk's 'Narrative of the Expedition of an American Squadron to the China Seas and Japan', the account of Commodore Matthew Perry's mission to Japan. Wilhelm Heine (1827 - 1885), a German-American, was the official artist to the expedition.
[Ref: 64710] £260.00 (£312.00 incl.VAT)