A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
Luxemburg.
F. de Wit excudit. [n.d., c.1680.]
Etching, 17th century watermark. Sheet 220 x 275mm (8¾ x 10¾"). Trimmed to printed border.
A prospect of the town, showing the defences.
[Ref: 54711] £280.00 (£336.00 incl.VAT)
F. de Wit excudit. [n.d., c.1680.]
Etching, 17th century watermark. Sheet 220 x 275mm (8¾ x 10¾"). Trimmed to printed border.
A prospect of the town, showing the defences.
[Ref: 54711] £280.00 (£336.00 incl.VAT)
Lutzenburg.
[engraved by Jodocus Hondius II.]
[Amsterdam, c.1616.]
Engraved map. 95 x 135mm (3¾ x 5¼"), with letterpress sur-title. Repaired tear, right margin ragged, rust stains, laid on album paper.
A miniature map of Luxembourg, engraved by Jodocus Hondius II for the the 'Tabularum Geographicarum' atlas, with a text by Petrus Bertius. The is the second plate used by Bertius, replacing one engraved by Pieter van den Keere. It is recognisable by having wider borders and longitude & latitude scales.
[Ref: 59896] £130.00
[engraved by Jodocus Hondius II.]
[Amsterdam, c.1616.]
Engraved map. 95 x 135mm (3¾ x 5¼"), with letterpress sur-title. Repaired tear, right margin ragged, rust stains, laid on album paper.
A miniature map of Luxembourg, engraved by Jodocus Hondius II for the the 'Tabularum Geographicarum' atlas, with a text by Petrus Bertius. The is the second plate used by Bertius, replacing one engraved by Pieter van den Keere. It is recognisable by having wider borders and longitude & latitude scales.
[Ref: 59896] £130.00
Athénée de Luxembourg.
Bertrand del Lith. de Jobard.
[n.d., c.1830.]
Lithograph, printed area 160 x 205mm (6¼ x 8").
The Athénée de Luxembourg, a high school situated in Luxembourg City, founded by Jesuits in 1603 and still in existence, although its location has changed. Originally next to Notre Dame cathedral in the Ville Haute quarter of the city, after World War II it moved to a new building in the Hollerich quarter. The old site is now occupied by Luxembourg's National Library.
[Ref: 43439] £90.00 (£108.00 incl.VAT)
Bertrand del Lith. de Jobard.
[n.d., c.1830.]
Lithograph, printed area 160 x 205mm (6¼ x 8").
The Athénée de Luxembourg, a high school situated in Luxembourg City, founded by Jesuits in 1603 and still in existence, although its location has changed. Originally next to Notre Dame cathedral in the Ville Haute quarter of the city, after World War II it moved to a new building in the Hollerich quarter. The old site is now occupied by Luxembourg's National Library.
[Ref: 43439] £90.00 (£108.00 incl.VAT)
General View of the Ruins of Luxor, from the Nile.
David Roberts R.A. 1838.
London, Published F. G. Moon 20 Threadneedle St. Aug.t 1st. 1846.
Tinted lithograph. Printed area 370 x 500mm (14½ x 19¾").
Atmospheric view from the River Nile of the Temple and ancient remains at Luxor in Upper (southern) Egypt; shipping in foreground. Luxor was the ancient city of Thebes, the great capital of Egypt during the New Kingdom, and the glorious city of the god Amon-Ra. Published in the monumental folio edition of 'Egypt & Nubia: from drawings made on the spot' by David Roberts (1796 - 1864), lithographed by Louis Haghe. This example comes from the library of Sir Richard Hungerford Pollen (1815-81), 3rd Baronet of Redenham, an amateur artist listed as a subscriber to this work. However this is not a hand-coloured subscription plate but is still an early printing, one issued in wrappered parts prior to the bound First Edition.
Abbey Travel 272.
[Ref: 40745] £750.00
David Roberts R.A. 1838.
London, Published F. G. Moon 20 Threadneedle St. Aug.t 1st. 1846.
Tinted lithograph. Printed area 370 x 500mm (14½ x 19¾").
Atmospheric view from the River Nile of the Temple and ancient remains at Luxor in Upper (southern) Egypt; shipping in foreground. Luxor was the ancient city of Thebes, the great capital of Egypt during the New Kingdom, and the glorious city of the god Amon-Ra. Published in the monumental folio edition of 'Egypt & Nubia: from drawings made on the spot' by David Roberts (1796 - 1864), lithographed by Louis Haghe. This example comes from the library of Sir Richard Hungerford Pollen (1815-81), 3rd Baronet of Redenham, an amateur artist listed as a subscriber to this work. However this is not a hand-coloured subscription plate but is still an early printing, one issued in wrappered parts prior to the bound First Edition.
Abbey Travel 272.
[Ref: 40745] £750.00
General View of the Ruins of Luxor, from the Nile.
David Roberts R.A. 1838.
London, Published F. G. Moon 20 Threadneedle St. Aug.t 1st. 1846.
Tinted lithograph. Printed area 370 x 500mm (14½ x 19¾").
Atmospheric view from the River Nile of the Temple and ancient remains at Luxor in Upper (southern) Egypt; shipping in foreground. Luxor was the ancient city of Thebes, the great capital of Egypt during the New Kingdom, and the glorious city of the god Amon-Ra. Published in the monumental folio edition of 'Egypt & Nubia: from drawings made on the spot' by David Roberts (1796 - 1864), lithographed by Louis Haghe.
Abbey Travel 272.
[Ref: 40980] £650.00
David Roberts R.A. 1838.
London, Published F. G. Moon 20 Threadneedle St. Aug.t 1st. 1846.
Tinted lithograph. Printed area 370 x 500mm (14½ x 19¾").
Atmospheric view from the River Nile of the Temple and ancient remains at Luxor in Upper (southern) Egypt; shipping in foreground. Luxor was the ancient city of Thebes, the great capital of Egypt during the New Kingdom, and the glorious city of the god Amon-Ra. Published in the monumental folio edition of 'Egypt & Nubia: from drawings made on the spot' by David Roberts (1796 - 1864), lithographed by Louis Haghe.
Abbey Travel 272.
[Ref: 40980] £650.00
Grand Entrance to the Temple of Luxor.
David Roberts, R.A. S. Haghe, lith.
London Published by F.G. Moon, 20 Threadneedle St. Aug.t 1.st 1848.
Tinted lithograph. Printed area 350 x 490mm (13¾ x 19¼").
The façade of the Great Temple of Amun at Luxor. Roberts has included several small details in this scene: a falcon that scattered the pigeons pestering Roberts as he sketched is shown perched on the obelisk; pots used as dovecots cover the roofs; and the tip of the minaret of the mosque of Abu el-Haggah peaks over the wall of the pylon. Published in the monumental folio edition of 'Egypt & Nubia: from drawings made on the spot' by David Roberts (1796 - 1864), lithographed by Louis Haghe.
Abbey Travel 272.
[Ref: 40904] £850.00
David Roberts, R.A. S. Haghe, lith.
London Published by F.G. Moon, 20 Threadneedle St. Aug.t 1.st 1848.
Tinted lithograph. Printed area 350 x 490mm (13¾ x 19¼").
The façade of the Great Temple of Amun at Luxor. Roberts has included several small details in this scene: a falcon that scattered the pigeons pestering Roberts as he sketched is shown perched on the obelisk; pots used as dovecots cover the roofs; and the tip of the minaret of the mosque of Abu el-Haggah peaks over the wall of the pylon. Published in the monumental folio edition of 'Egypt & Nubia: from drawings made on the spot' by David Roberts (1796 - 1864), lithographed by Louis Haghe.
Abbey Travel 272.
[Ref: 40904] £850.00
Grand Entrance to the Temple of Luxor.
David Roberts, R.A. S. Haghe, lith.
London Published by F.G. Moon, 20 Threadneedle St. Aug.t 1.st 1848.
Tinted lithograph. Printed area 350 x 490mm (13¾ x 19¼").
The façade of the Great Temple of Amun at Luxor. Roberts has included several small details in this scene: a falcon that scattered the pigeons pestering Roberts as he sketched is shown perched on the obelisk; pots used as dovecots cover the roofs; and the tip of the minaret of the mosque of Abu el-Haggah peaks over the wall of the pylon. Published in the monumental folio edition of 'Egypt & Nubia: from drawings made on the spot' by David Roberts (1796 - 1864), lithographed by Louis Haghe.
Abbey Travel 272.
[Ref: 41039] £850.00
David Roberts, R.A. S. Haghe, lith.
London Published by F.G. Moon, 20 Threadneedle St. Aug.t 1.st 1848.
Tinted lithograph. Printed area 350 x 490mm (13¾ x 19¼").
The façade of the Great Temple of Amun at Luxor. Roberts has included several small details in this scene: a falcon that scattered the pigeons pestering Roberts as he sketched is shown perched on the obelisk; pots used as dovecots cover the roofs; and the tip of the minaret of the mosque of Abu el-Haggah peaks over the wall of the pylon. Published in the monumental folio edition of 'Egypt & Nubia: from drawings made on the spot' by David Roberts (1796 - 1864), lithographed by Louis Haghe.
Abbey Travel 272.
[Ref: 41039] £850.00
Grand Entrance to the Temple of Luxor.
David Roberts, R.A. S. Haghe, lith.
London Published by F.G. Moon, 20 Threadneedle St. Aug.t 1.st 1848.
Tinted lithograph. 411 x 611mm. 16¼ x 24".
Luxor Temple, the large Ancient Egyptian temple complex on the east bank of the Nile River. Many festivals were celebrated in Thebes. The Temple of Luxor was the centre of the most important one, the festival of Opet. Built largely by Amenhotep III and Ramesses II, it appears that the temple's purpose was for as a setting for the rituals of the festival. The festival itself was to reconcile the human aspect of the ruler with the divine office.
[Ref: 24027] £650.00
David Roberts, R.A. S. Haghe, lith.
London Published by F.G. Moon, 20 Threadneedle St. Aug.t 1.st 1848.
Tinted lithograph. 411 x 611mm. 16¼ x 24".
Luxor Temple, the large Ancient Egyptian temple complex on the east bank of the Nile River. Many festivals were celebrated in Thebes. The Temple of Luxor was the centre of the most important one, the festival of Opet. Built largely by Amenhotep III and Ramesses II, it appears that the temple's purpose was for as a setting for the rituals of the festival. The festival itself was to reconcile the human aspect of the ruler with the divine office.
[Ref: 24027] £650.00
Lybian Chain of Mountains, from the Temple of Luxor.
David Roberts. R.A. L. Haghe Lith.
London, Published F. G. Moon, 20 Threadneedle Street, March 1st, 1847
Tinted lithograph, printed area 350 x 500mm.
From left to right can be seen: The temple of Rameses III at Medinet Habu, The Colossi of Memnon, and The Ramesseum and temple of Sethi I. The Valley of the Kings is in the distance.
[Ref: 4977] £980.00
David Roberts. R.A. L. Haghe Lith.
London, Published F. G. Moon, 20 Threadneedle Street, March 1st, 1847
Tinted lithograph, printed area 350 x 500mm.
From left to right can be seen: The temple of Rameses III at Medinet Habu, The Colossi of Memnon, and The Ramesseum and temple of Sethi I. The Valley of the Kings is in the distance.
[Ref: 4977] £980.00
Lybian Chain of Mountains, from the Temple of Luxor.
David Roberts. R.A. L. Haghe Lith.
London, Published F. G. Moon, 20 Threadneedle Street, March 1st, 1847.
Tinted lithograph, printed area 350 x 500mm (13¾ x 19¾").
From left to right can be seen: The temple of Rameses III at Medinet Habu, The Colossi of Memnon, and The Ramesseum and temple of Sethi I. The Valley of the Kings is in the distance. Published in the monumental folio edition of 'Egypt & Nubia: from drawings made on the spot' by David Roberts (1796 - 1864), lithographed by Louis Haghe. This example comes from the library of Sir Richard Hungerford Pollen (1815-81), 3rd Baronet of Redenham, an amateur artist listed as a subscriber to this work. However this is not a hand-coloured subscription plate but is still an early printing, one issued in wrappered parts prior to the bound First Edition.
Abbey Travel 272.
[Ref: 40749] £580.00
David Roberts. R.A. L. Haghe Lith.
London, Published F. G. Moon, 20 Threadneedle Street, March 1st, 1847.
Tinted lithograph, printed area 350 x 500mm (13¾ x 19¾").
From left to right can be seen: The temple of Rameses III at Medinet Habu, The Colossi of Memnon, and The Ramesseum and temple of Sethi I. The Valley of the Kings is in the distance. Published in the monumental folio edition of 'Egypt & Nubia: from drawings made on the spot' by David Roberts (1796 - 1864), lithographed by Louis Haghe. This example comes from the library of Sir Richard Hungerford Pollen (1815-81), 3rd Baronet of Redenham, an amateur artist listed as a subscriber to this work. However this is not a hand-coloured subscription plate but is still an early printing, one issued in wrappered parts prior to the bound First Edition.
Abbey Travel 272.
[Ref: 40749] £580.00
Lybian Chain of Mountains, from the Temple of Luxor.
David Roberts. R.A. L. Haghe Lith.
London, Published F. G. Moon, 20 Threadneedle Street, March 1st, 1847.
Tinted lithograph, printed area 350 x 500mm (13¾ x 19¾").
From left to right can be seen: The temple of Rameses III at Medinet Habu, The Colossi of Memnon, and The Ramesseum and temple of Sethi I. The Valley of the Kings is in the distance. Published in the monumental folio edition of 'Egypt & Nubia: from drawings made on the spot' by David Roberts (1796 - 1864), lithographed by Louis Haghe.
Abbey Travel 272.
[Ref: 40987] £580.00
David Roberts. R.A. L. Haghe Lith.
London, Published F. G. Moon, 20 Threadneedle Street, March 1st, 1847.
Tinted lithograph, printed area 350 x 500mm (13¾ x 19¾").
From left to right can be seen: The temple of Rameses III at Medinet Habu, The Colossi of Memnon, and The Ramesseum and temple of Sethi I. The Valley of the Kings is in the distance. Published in the monumental folio edition of 'Egypt & Nubia: from drawings made on the spot' by David Roberts (1796 - 1864), lithographed by Louis Haghe.
Abbey Travel 272.
[Ref: 40987] £580.00
Lybian Chain of Mountains, from the Temple of Luxor.
David Roberts. R.A. L. Haghe Lith.
London, Published F. G. Moon, 20 Threadneedle Street, March 1st, 1847.
Tinted lithograph with touches of later hand colour. Printed area 350 x 500mm (13¾ x 19¾") large margins.
From left to right can be seen: The temple of Rameses III at Medinet Habu, The Colossi of Memnon, and The Ramesseum and temple of Sethi I. The Valley of the Kings is in the distance. Published in the monumental folio edition of 'Egypt & Nubia: from drawings made on the spot' by David Roberts (1796 - 1864), lithographed by Louis Haghe.
Abbey Travel 272.
[Ref: 51208] £700.00
David Roberts. R.A. L. Haghe Lith.
London, Published F. G. Moon, 20 Threadneedle Street, March 1st, 1847.
Tinted lithograph with touches of later hand colour. Printed area 350 x 500mm (13¾ x 19¾") large margins.
From left to right can be seen: The temple of Rameses III at Medinet Habu, The Colossi of Memnon, and The Ramesseum and temple of Sethi I. The Valley of the Kings is in the distance. Published in the monumental folio edition of 'Egypt & Nubia: from drawings made on the spot' by David Roberts (1796 - 1864), lithographed by Louis Haghe.
Abbey Travel 272.
[Ref: 51208] £700.00
Obelisk of Luxor.
David Roberts R. A. L. Haghe. lith.
London, Published by F. Moon, 20 Threadneedle St. Aug.st. 1.st. 1846.
Lithograph. Framed. Printed area: 330 x 510mm (13 x 20"). Frame: 530 x 710mm (21 x 28"). Unexamined out of frame.
View of the obelisk flanking the entrance to Luxor Temple in Egypt which was founded in c.1400BC. Originally two obelisks stood at the entrance but the second is now situated in Place de la Concorde in Paris.
[Ref: 35079] £850.00
David Roberts R. A. L. Haghe. lith.
London, Published by F. Moon, 20 Threadneedle St. Aug.st. 1.st. 1846.
Lithograph. Framed. Printed area: 330 x 510mm (13 x 20"). Frame: 530 x 710mm (21 x 28"). Unexamined out of frame.
View of the obelisk flanking the entrance to Luxor Temple in Egypt which was founded in c.1400BC. Originally two obelisks stood at the entrance but the second is now situated in Place de la Concorde in Paris.
[Ref: 35079] £850.00
![[Luxuria]](jpegs/46381.jpg)
[Luxuria]
ABrouwer Vorsterman junior sc. [c.1650]
Etching, scarce, 195 x 140mm (7¾ x 5½"). Trimmed; glued to backing sheet on left.
First state, before verses in Dutch added, of print after Adriaen Brouwer illustrating the vice of drinking.
[Ref: 46381] £450.00
ABrouwer Vorsterman junior sc. [c.1650]
Etching, scarce, 195 x 140mm (7¾ x 5½"). Trimmed; glued to backing sheet on left.
First state, before verses in Dutch added, of print after Adriaen Brouwer illustrating the vice of drinking.
[Ref: 46381] £450.00
Lake Patterson, near Patterson's Plains. _ Hunters River. New South Wales.
[after Joseph Lycett.]
London Published Sept.r 1st 1824 by J. Souter, 73 ,St Paul's Church Yard.
Coloured aquatint. Sheet 200 x 270mm (8 x 10½"). Trimmed and laid on album paper, some cockling.
A lake with a man with a setter shooting ducks. From the rare book 'Views in Australia, or New South Wales and Van Diemens Land Delineated', after paintings by a transported forger, Joseph Lycett (c.1774 - c.1825).
Abbey 570.
[Ref: 51190] £320.00
[after Joseph Lycett.]
London Published Sept.r 1st 1824 by J. Souter, 73 ,St Paul's Church Yard.
Coloured aquatint. Sheet 200 x 270mm (8 x 10½"). Trimmed and laid on album paper, some cockling.
A lake with a man with a setter shooting ducks. From the rare book 'Views in Australia, or New South Wales and Van Diemens Land Delineated', after paintings by a transported forger, Joseph Lycett (c.1774 - c.1825).
Abbey 570.
[Ref: 51190] £320.00
The Sugar Loaf Mountain, near New Castle, New South Wales.
[after Joseph Lycett.]
London Published Oct.r 1st 1824 by J. Souter, 73, St Paul's Church Yard.
Coloured aquatint. Sheet 200 x 270mm (8 x 10½"). Trimmed and laid on album paper, some cockling.
Two European hunters admire a view, with an Aboriginal family in the foreground. From the rare book 'Views in Australia, or New South Wales and Van Diemens Land Delineated', after paintings by a transported forger, Joseph Lycett (c.1774 - c.1825).
Abbey 570.
[Ref: 51193] £320.00
[after Joseph Lycett.]
London Published Oct.r 1st 1824 by J. Souter, 73, St Paul's Church Yard.
Coloured aquatint. Sheet 200 x 270mm (8 x 10½"). Trimmed and laid on album paper, some cockling.
Two European hunters admire a view, with an Aboriginal family in the foreground. From the rare book 'Views in Australia, or New South Wales and Van Diemens Land Delineated', after paintings by a transported forger, Joseph Lycett (c.1774 - c.1825).
Abbey 570.
[Ref: 51193] £320.00
View of Port Macquarie, at the entrance of the River Hastings, New South Wales.
[after Joseph Lycett.]
London Published March 1st 1825 by J. Souter, 73, St Paul's Church Yard.
Coloured aquatint. Sheet 200 x 270mm (8 x 10½"). Trimmed and laid on album paper, some cockling.
Two British ships in a bay watched by a dozen Aboriginals on the shore. From the rare book 'Views in Australia, or New South Wales and Van Diemens Land Delineated', after paintings by a transported forger, Joseph Lycett (c.1774 - c.1825).
Abbey 570.
[Ref: 51191] £320.00
[after Joseph Lycett.]
London Published March 1st 1825 by J. Souter, 73, St Paul's Church Yard.
Coloured aquatint. Sheet 200 x 270mm (8 x 10½"). Trimmed and laid on album paper, some cockling.
Two British ships in a bay watched by a dozen Aboriginals on the shore. From the rare book 'Views in Australia, or New South Wales and Van Diemens Land Delineated', after paintings by a transported forger, Joseph Lycett (c.1774 - c.1825).
Abbey 570.
[Ref: 51191] £320.00
View on the Wingeecarrabee River, New South Wales.
[after Joseph Lycett.]
London Published Dec. 1st 1824 by J. Souter, 73, St Paul's Church Yard.
Coloured aquatint. Sheet 200 x 270mm (8 x 10½"). Trimmed and laid on album paper.
A European and an Aboriginal hunt a kangaroo together by a cliff-lined river. From the rare book 'Views in Australia, or New South Wales and Van Diemens Land Delineated', after paintings by a transported forger, Joseph Lycett (c.1774 - c.1825).
Abbey 570.
[Ref: 51192] £320.00
[after Joseph Lycett.]
London Published Dec. 1st 1824 by J. Souter, 73, St Paul's Church Yard.
Coloured aquatint. Sheet 200 x 270mm (8 x 10½"). Trimmed and laid on album paper.
A European and an Aboriginal hunt a kangaroo together by a cliff-lined river. From the rare book 'Views in Australia, or New South Wales and Van Diemens Land Delineated', after paintings by a transported forger, Joseph Lycett (c.1774 - c.1825).
Abbey 570.
[Ref: 51192] £320.00
Tom, Jerry and Logic, in characters at the Grand Carnival.
Drawn & Engraved by I.R. & G. Cruikshank.
Pub.d by Sherwood, Neely & Jones, March 1. 1821.
Coloured aquatint. 140 x 230mm (5½ x 9"). Stitch holes within plate. Cut to plate.
An acted representation of the 'Grand Carnival', at the English Opera House (the Lyceum Theatre), with the pit and stage thrown together and crowded with revellers. The characters include a tiny Richard III, imitating Kean, a Puss in Boots, a man in armour, a nun (being chatted-up by Tom) Jerry as a monk and Logic as an undertaker. From Pierce Egan's ' Life in London, or the Day and Night Scenes of Jerry Hawthorn Esq. and his Elegant Friend Corinthian Tom, accompanied by Bob Logic, the Oxonian, in their Rambles and Sprees through the Metropolis', originally issued as a monthly journal at a shilling a time, illustrated by George Cruikshank (1792-1878).
Abbey: Life 281.
[Ref: 34343] £60.00 (£72.00 incl.VAT)
Drawn & Engraved by I.R. & G. Cruikshank.
Pub.d by Sherwood, Neely & Jones, March 1. 1821.
Coloured aquatint. 140 x 230mm (5½ x 9"). Stitch holes within plate. Cut to plate.
An acted representation of the 'Grand Carnival', at the English Opera House (the Lyceum Theatre), with the pit and stage thrown together and crowded with revellers. The characters include a tiny Richard III, imitating Kean, a Puss in Boots, a man in armour, a nun (being chatted-up by Tom) Jerry as a monk and Logic as an undertaker. From Pierce Egan's ' Life in London, or the Day and Night Scenes of Jerry Hawthorn Esq. and his Elegant Friend Corinthian Tom, accompanied by Bob Logic, the Oxonian, in their Rambles and Sprees through the Metropolis', originally issued as a monthly journal at a shilling a time, illustrated by George Cruikshank (1792-1878).
Abbey: Life 281.
[Ref: 34343] £60.00 (£72.00 incl.VAT)
Dear Lydia Languish, see thy Soldier true. / Come from the Wars, and dies for love of You: / No more I'll seek the foe 'midst dire alarms, / But clasp thee Charmer, in my eager Arms.
[n.d., c.1820.]
Rare coloured etching. Sheet 205 x 175mm (8 x 6¾"). Edges chipped.
A satire of Sheridan's play 'The Rivals', with Lydia Languish with her beau, supposedly Ensign Beverley, a poor army officer, but in fact Captain Jack Absolute, son of a local baronet.
[Ref: 54394] £160.00 (£192.00 incl.VAT)
[n.d., c.1820.]
Rare coloured etching. Sheet 205 x 175mm (8 x 6¾"). Edges chipped.
A satire of Sheridan's play 'The Rivals', with Lydia Languish with her beau, supposedly Ensign Beverley, a poor army officer, but in fact Captain Jack Absolute, son of a local baronet.
[Ref: 54394] £160.00 (£192.00 incl.VAT)
![[Sir Charles Lyell]](jpegs/26229.jpg)
[Sir Charles Lyell]
C.H.Jeens 75 [Etched in plate]
[n.d. c.1875]
Engraving on india paper, proof before title. Plate 225 x 152mm. 9 x 6".
Sir Charles Lyell (1797-1857) was a geologist. From 1823-1826 he was secretary of the Geological Society and later served as president. His highly influential Principles of Geology (1830-33) was an important source for Darwin's theories and went to many editions. He urged Darwin to publish 'Origin of Species', 1859, with Sir Joseph Hooker. He is considered the greatest geologist of his generation.
W: 1835-5.
[Ref: 26229] £130.00 (£156.00 incl.VAT)
C.H.Jeens 75 [Etched in plate]
[n.d. c.1875]
Engraving on india paper, proof before title. Plate 225 x 152mm. 9 x 6".
Sir Charles Lyell (1797-1857) was a geologist. From 1823-1826 he was secretary of the Geological Society and later served as president. His highly influential Principles of Geology (1830-33) was an important source for Darwin's theories and went to many editions. He urged Darwin to publish 'Origin of Species', 1859, with Sir Joseph Hooker. He is considered the greatest geologist of his generation.
W: 1835-5.
[Ref: 26229] £130.00 (£156.00 incl.VAT)
Lyme Regis, from Holm Bush Hill.
On Stone by G. Hawkins from a sketch by George Willis. Day & Son, Lith.rs to the Queen.
Published by D. Dunster, Lyme Regis [n.d., c.1840].
Tinted lithograph. Printed area 190 x 265mm (7½ x 10½"), with large margins.
A view of Lyme Regis from the west, with the Cobb, looking towards Golden Cap. Daniel Dunster also published 'An Account of and Guide to the Mighty Landslip of Dowlands and Bindon, near Lyme Regis', with plans and views, regarded as an important record of the nearby cliff collapse of 1839.
Not in Abbey.
[Ref: 57827] £140.00 (£168.00 incl.VAT)
On Stone by G. Hawkins from a sketch by George Willis. Day & Son, Lith.rs to the Queen.
Published by D. Dunster, Lyme Regis [n.d., c.1840].
Tinted lithograph. Printed area 190 x 265mm (7½ x 10½"), with large margins.
A view of Lyme Regis from the west, with the Cobb, looking towards Golden Cap. Daniel Dunster also published 'An Account of and Guide to the Mighty Landslip of Dowlands and Bindon, near Lyme Regis', with plans and views, regarded as an important record of the nearby cliff collapse of 1839.
Not in Abbey.
[Ref: 57827] £140.00 (£168.00 incl.VAT)
Lyme Regis. From a Drawing in the Possession of the Rev. Dr. Hodges.
G. Hawkins, Jun.r lith. Day & Haghe Lith.rs to the Queen.
Published & Sold by D. Dunster, Lyme Regis [n.d., c.1840].
Tinted lithograph with fine hand colour. Printed area 150 x 220mm (6 x 8¾), with large margins.
A view of Lyme Regis from the west, looking along the cliffs towards Golden Cap. Daniel Dunster also published 'An Account of and Guide to the Mighty Landslip of Dowlands and Bindon, near Lyme Regis', with plans and views, regarded as an important record of the nearby cliff collapse of 1839.
Not in Abbey.
[Ref: 57828] £140.00 (£168.00 incl.VAT)
G. Hawkins, Jun.r lith. Day & Haghe Lith.rs to the Queen.
Published & Sold by D. Dunster, Lyme Regis [n.d., c.1840].
Tinted lithograph with fine hand colour. Printed area 150 x 220mm (6 x 8¾), with large margins.
A view of Lyme Regis from the west, looking along the cliffs towards Golden Cap. Daniel Dunster also published 'An Account of and Guide to the Mighty Landslip of Dowlands and Bindon, near Lyme Regis', with plans and views, regarded as an important record of the nearby cliff collapse of 1839.
Not in Abbey.
[Ref: 57828] £140.00 (£168.00 incl.VAT)
![Lyme from Holme Bush. [&] Lyme from Charmouth Fields.](jpegs/24578.jpg)
Lyme from Holme Bush. [&] Lyme from Charmouth Fields.
W. Gauci Lith.
Published by H. Locke [n.d. c.1850.]
Very rare pair of lithographs. 130 x 185mm (5 x 7¼").
A pair of lithographs of Lyme Regis, from Holme Bush with a view across the harbour eastwards; and Lyme Regis from Charmouth Fields looking out to sea.
[Ref: 24578] £130.00 (£156.00 incl.VAT) view all images for this item
W. Gauci Lith.
Published by H. Locke [n.d. c.1850.]
Very rare pair of lithographs. 130 x 185mm (5 x 7¼").
A pair of lithographs of Lyme Regis, from Holme Bush with a view across the harbour eastwards; and Lyme Regis from Charmouth Fields looking out to sea.
[Ref: 24578] £130.00 (£156.00 incl.VAT) view all images for this item
Lyme Regis and Harbour from the Sea.
Lithographed by Newman & Co, 48 Watling St. London.
Published by Daniel Dunster, Lyme Regis [n.d., c.1840].
Tinted lithograph with hand colour. Printed area 185 x 270mm (7¼ x 10½"), with large margins.
A view of Lyme Regis from outside the Cobb. Daniel Dunster also published 'An Account of and Guide to the Mighty Landslip of Dowlands and Bindon, near Lyme Regis', with plans and views, regarded as an important record of the nearby cliff collapse of 1839.
Not in Abbey.
[Ref: 57823] £140.00 (£168.00 incl.VAT)
Lithographed by Newman & Co, 48 Watling St. London.
Published by Daniel Dunster, Lyme Regis [n.d., c.1840].
Tinted lithograph with hand colour. Printed area 185 x 270mm (7¼ x 10½"), with large margins.
A view of Lyme Regis from outside the Cobb. Daniel Dunster also published 'An Account of and Guide to the Mighty Landslip of Dowlands and Bindon, near Lyme Regis', with plans and views, regarded as an important record of the nearby cliff collapse of 1839.
Not in Abbey.
[Ref: 57823] £140.00 (£168.00 incl.VAT)
Lyme Regis and Harbour from the Sea.
Lithographed by Newman & Co, 48 Watling St. London.
Published by Daniel Dunster, Lyme Regis [n.d., c.1840].
Tinted lithograph. Printed area 185 x 270mm (7¼ x 10½"), with large margins.
A view of Lyme Regis from outside the Cobb. Daniel Dunster also published 'An Account of and Guide to the Mighty Landslip of Dowlands and Bindon, near Lyme Regis', with plans and views, regarded as an important record of the nearby cliff collapse of 1839.
Not in Abbey.
[Ref: 57824] £95.00 (£114.00 incl.VAT)
Lithographed by Newman & Co, 48 Watling St. London.
Published by Daniel Dunster, Lyme Regis [n.d., c.1840].
Tinted lithograph. Printed area 185 x 270mm (7¼ x 10½"), with large margins.
A view of Lyme Regis from outside the Cobb. Daniel Dunster also published 'An Account of and Guide to the Mighty Landslip of Dowlands and Bindon, near Lyme Regis', with plans and views, regarded as an important record of the nearby cliff collapse of 1839.
Not in Abbey.
[Ref: 57824] £95.00 (£114.00 incl.VAT)
Lyme Regis, from the Cobb.
G. Hawkins, Lith.
Published by D. Dunster, Library, Broad St. Lyme Regis [n.d., c.1840].
Lithograph. Printed area 170 x 230mm (6¾ x 9"), with large margins.
A view of Lyme Regis with boats at the quay in the foreground. Daniel Dunster also published 'An Account of and Guide to the Mighty Landslip of Dowlands and Bindon, near Lyme Regis', with plans and views, regarded as an important record of the nearby cliff collapse of 1839.
Not in Abbey.
[Ref: 57825] £95.00 (£114.00 incl.VAT)
G. Hawkins, Lith.
Published by D. Dunster, Library, Broad St. Lyme Regis [n.d., c.1840].
Lithograph. Printed area 170 x 230mm (6¾ x 9"), with large margins.
A view of Lyme Regis with boats at the quay in the foreground. Daniel Dunster also published 'An Account of and Guide to the Mighty Landslip of Dowlands and Bindon, near Lyme Regis', with plans and views, regarded as an important record of the nearby cliff collapse of 1839.
Not in Abbey.
[Ref: 57825] £95.00 (£114.00 incl.VAT)
Lyme Regis from the Charmouth Road.
Lithographed by Newman & Co, 48 Watling St. London.
Published by Daniel Dunster, Lyme Regis [n.d., c.1840].
Tinted lithograph. Printed area 190 x 265mm (7½ x 10½"), with large margins.
A view of Lyme Regis from the east, with the Landslip. Daniel Dunster also published 'An Account of and Guide to the Mighty Landslip of Dowlands and Bindon, near Lyme Regis', with plans and views, regarded as an important record of the nearby cliff collapse of 1839.
Not in Abbey.
[Ref: 57826] £95.00 (£114.00 incl.VAT)
Lithographed by Newman & Co, 48 Watling St. London.
Published by Daniel Dunster, Lyme Regis [n.d., c.1840].
Tinted lithograph. Printed area 190 x 265mm (7½ x 10½"), with large margins.
A view of Lyme Regis from the east, with the Landslip. Daniel Dunster also published 'An Account of and Guide to the Mighty Landslip of Dowlands and Bindon, near Lyme Regis', with plans and views, regarded as an important record of the nearby cliff collapse of 1839.
Not in Abbey.
[Ref: 57826] £95.00 (£114.00 incl.VAT)
This View of the High Street, Lymington, Hants. is with permission respectfully dedicated to Admiral Sir Harry Neale, Bart. by R. A. Grove.
Drawn on Stone by L. Haghe. Sketched by B. Ferrey.
[n.d. c.1840.]
Coloured lithograph. Mounted. Sheet 355 x 475mm. 14" x 18¾". Crease vertically down the middle of the image.
A Street scene of Lymington High Street.
[Ref: 8964] £320.00
Drawn on Stone by L. Haghe. Sketched by B. Ferrey.
[n.d. c.1840.]
Coloured lithograph. Mounted. Sheet 355 x 475mm. 14" x 18¾". Crease vertically down the middle of the image.
A Street scene of Lymington High Street.
[Ref: 8964] £320.00
A Song, Addressed to the Independent Electors of Lymington. To the Tune of 'Gee Ho, Dobbin'.
R. Galpine, Printer, Lymington. [n.d., c.1812.]
Letterpress song sheet. 285 x 150mm (11¼ x 6"). Folds.
A broadside satirising the candidates for MP for Lymington, Hampshire. The chorus runs: 'Their fiat's gone forth, - if you swerve, - by the Lord, / You'll be duck'd in a horse-pond, and feather'd and tarr'd'.
[Ref: 52011] £60.00 (£72.00 incl.VAT)
R. Galpine, Printer, Lymington. [n.d., c.1812.]
Letterpress song sheet. 285 x 150mm (11¼ x 6"). Folds.
A broadside satirising the candidates for MP for Lymington, Hampshire. The chorus runs: 'Their fiat's gone forth, - if you swerve, - by the Lord, / You'll be duck'd in a horse-pond, and feather'd and tarr'd'.
[Ref: 52011] £60.00 (£72.00 incl.VAT)
![[Lymington] Plate I. To Sir Will.m Heathcote Bar.t M.P. This View near Lymington in Hampshire is most respectfully inscribed by his obedient humble servant F. Jukes.](jpegs/55538.jpg)
[Lymington] Plate I. To Sir Will.m Heathcote Bar.t M.P. This View near Lymington in Hampshire is most respectfully inscribed by his obedient humble servant F. Jukes. [&] Plate II. To Will. Chute Esq.r M.P. This View... [&] Plate III. To Sir Harry Burrand Bar.t M.P. This View... [&] Plate IV. To N.B. Halhead Esq.r M.P. This View...
W.R. Bigg A Pinxt. F. Jukes Aqua.t.
London, Pub.d Jan. 1st 1795. By F.Jukes No 10 Howland Street.
Set of four aquatints, 2 have pt Whatman 1794 watermark. Sheet 260 x 295mm (10¼ x 11½"). Trimmed into image, losing edges of inscriptions at sides.
A set of four views of rural scenery around Lymington, Hampshire, after William Redmore Bigg (1755-1828)
[Ref: 55538] £350.00 view all images for this item
W.R. Bigg A Pinxt. F. Jukes Aqua.t.
London, Pub.d Jan. 1st 1795. By F.Jukes No 10 Howland Street.
Set of four aquatints, 2 have pt Whatman 1794 watermark. Sheet 260 x 295mm (10¼ x 11½"). Trimmed into image, losing edges of inscriptions at sides.
A set of four views of rural scenery around Lymington, Hampshire, after William Redmore Bigg (1755-1828)
[Ref: 55538] £350.00 view all images for this item
![[Lymm] View at Lynn.](jpegs/44229.jpg)
[Lymm] View at Lynn.
[after Joseph Farington.]
[n.d., c.1790.]
Soft ground etching. Sheet 270 x 290mm (10½ x 15¼"). Trimmed into wash border as issued, laid on board.
Lymm Bridge, over the Bridgewater Canal in Lymm, Cheshire.
[Ref: 44229] £140.00 (£168.00 incl.VAT)
[after Joseph Farington.]
[n.d., c.1790.]
Soft ground etching. Sheet 270 x 290mm (10½ x 15¼"). Trimmed into wash border as issued, laid on board.
Lymm Bridge, over the Bridgewater Canal in Lymm, Cheshire.
[Ref: 44229] £140.00 (£168.00 incl.VAT)
Lymne Castle, with a distant View of the French Coast. It is situated on the descent of a Hill, about two miles West of Hythe: Its remains bear marks of great Antiquity, but when, or by whom founded, is not certain: It has been suppos'd to be the famous Portius Lemanis; but that the Sea had retired from its spacious Haven, once a Harbour for 250 Danish Vessels, Anno 893. Here it was that Prince Edward, exacted the Oath from the Barons of the Cinque Ports.
Dayes del.t. Jukes aq.t.
[London, Pub.d Jany. 31. 1790 by F. Jukes Engraver, Howland Street.] [but later.]
Coloured aquatint very rare & fine. Sheet 390 x 500mm (15¼ x 19¾"). Tear in inscription area skillfully repaired.
Lympne Castle, built at the former Roman Channel port of 'Portus Lemanis'. The topographical watercolours of Edward Dayes (1763-1804) often contained ruins, and had an influence on the early work of J.M.W. Turner.
[Ref: 36754] £320.00
Dayes del.t. Jukes aq.t.
[London, Pub.d Jany. 31. 1790 by F. Jukes Engraver, Howland Street.] [but later.]
Coloured aquatint very rare & fine. Sheet 390 x 500mm (15¼ x 19¾"). Tear in inscription area skillfully repaired.
Lympne Castle, built at the former Roman Channel port of 'Portus Lemanis'. The topographical watercolours of Edward Dayes (1763-1804) often contained ruins, and had an influence on the early work of J.M.W. Turner.
[Ref: 36754] £320.00
William Lynch Esq.r
Engraved by S. W. Reynolds from a Picture painted by Gainsborough.
Mezzotint. 350 x 255mm (13¾ x 10"). Trimmed within plate on lower edge.
William Lynch (1726—1797), steward of Ipswich Races. He attended St. Johns, Cambridge and by the 1750s he was a Captain in the Suffolk Militia under Colonel Francis Vernon, nephew of the famous Admiral Vernon. Both he and Vernon fell out with Philip Thicknesse, the Lieutenant Governor of Landguard Fort, where the regiment of the Suffolk militia was stationed. On one occasion Lynch slipped off to Ipswich for a few days rest and recreation: incensed, Thicknesse demanded his return, which he cheerfully ignored. Thicknesse had Lynch thrown in jail for twenty-four hours to reflect on his lack of discipline and threatened to report him to the Secretary of War. Lynch demanded a court martial, where, despite admitting to all charges, he was found not guilty. The dispute was only resolved by moving the regiment from the fort. The Suffolk Militia was disbanded in 1762; however in 1794 Lynch signed up as Captain for an Ipswich Regiment of Volunteers formed to meet the threat of French invasion, aged 68. Gainsborough painted this portrait (now in the Muskegon Museum of Art in Michigan) as one of a series of young officers c.1756. However, a decade later, Lynch had Gainsborough rework the portrait to excise the military theme, removing his hat and covering up much of his coa
Whitman: 184. Horne: 45. ii of ii.
[Ref: 19255] £240.00 (£288.00 incl.VAT)
Engraved by S. W. Reynolds from a Picture painted by Gainsborough.
Mezzotint. 350 x 255mm (13¾ x 10"). Trimmed within plate on lower edge.
William Lynch (1726—1797), steward of Ipswich Races. He attended St. Johns, Cambridge and by the 1750s he was a Captain in the Suffolk Militia under Colonel Francis Vernon, nephew of the famous Admiral Vernon. Both he and Vernon fell out with Philip Thicknesse, the Lieutenant Governor of Landguard Fort, where the regiment of the Suffolk militia was stationed. On one occasion Lynch slipped off to Ipswich for a few days rest and recreation: incensed, Thicknesse demanded his return, which he cheerfully ignored. Thicknesse had Lynch thrown in jail for twenty-four hours to reflect on his lack of discipline and threatened to report him to the Secretary of War. Lynch demanded a court martial, where, despite admitting to all charges, he was found not guilty. The dispute was only resolved by moving the regiment from the fort. The Suffolk Militia was disbanded in 1762; however in 1794 Lynch signed up as Captain for an Ipswich Regiment of Volunteers formed to meet the threat of French invasion, aged 68. Gainsborough painted this portrait (now in the Muskegon Museum of Art in Michigan) as one of a series of young officers c.1756. However, a decade later, Lynch had Gainsborough rework the portrait to excise the military theme, removing his hat and covering up much of his coa
Whitman: 184. Horne: 45. ii of ii.
[Ref: 19255] £240.00 (£288.00 incl.VAT)
![[The Lynx. Plate XXIX. (Felis (Lynx) lynx).]](jpegs/30194.jpg)
[The Lynx. Plate XXIX. (Felis (Lynx) lynx).]
W. Kuhnert [facsimile inside image.]
[London. Frederick Warne & Co. & New York.] [1912.]
Chromolithograph. Plate 241 x 171mm (9½ x 6¾").
The lynx, a genus of medium-sixed wild cats. They are found in parts of North America, and Northern Europe. From "Animal Portraiture being Fifty Studies", by Wilhelm Kunhert (text by Richard Lydekker). Friedrich Wilhelm Kuhnert (1865-1926), the German painter, author and illustrator who specialised in animal images.
[Ref: 30194] £70.00 (£84.00 incl.VAT)
W. Kuhnert [facsimile inside image.]
[London. Frederick Warne & Co. & New York.] [1912.]
Chromolithograph. Plate 241 x 171mm (9½ x 6¾").
The lynx, a genus of medium-sixed wild cats. They are found in parts of North America, and Northern Europe. From "Animal Portraiture being Fifty Studies", by Wilhelm Kunhert (text by Richard Lydekker). Friedrich Wilhelm Kuhnert (1865-1926), the German painter, author and illustrator who specialised in animal images.
[Ref: 30194] £70.00 (£84.00 incl.VAT)
The Lyon entranced Quis Talia Fando. Temperet a Lachrimis.
[n.d. c.1762.]
Etching. 84 x 127mm. 3¼ x 5". Paper toning and foxing. Small nicks to the edges.
Pocket-sized satire. The Preliminaries of Peace, signed at Fontainebleau, November 3rd 1762. Here present were the Duke of Cumberland, Edward Duke of York, Lord Bute, Henry Fox, the Duke of Bedford, William Pitt the Elder, Lord Temple and the Duke of Newcastle.
See BM Satires: 3922.
[Ref: 17553] £45.00 (£54.00 incl.VAT)
[n.d. c.1762.]
Etching. 84 x 127mm. 3¼ x 5". Paper toning and foxing. Small nicks to the edges.
Pocket-sized satire. The Preliminaries of Peace, signed at Fontainebleau, November 3rd 1762. Here present were the Duke of Cumberland, Edward Duke of York, Lord Bute, Henry Fox, the Duke of Bedford, William Pitt the Elder, Lord Temple and the Duke of Newcastle.
See BM Satires: 3922.
[Ref: 17553] £45.00 (£54.00 incl.VAT)
The Lyon Entranced. Quis talia fando Temperet a Lachrymis?_ Virgil.
[n.d. c.1762]
Scarce etching, plate 200 x 265mm (8 x 10½"), with large margins. Slightly creased.
Satire suggesting that John Stuart, 3rd Earl of Bute (1713-1792) has ruined Britain by taking over its government. had West Country Will [Pitt] been still his Keeper, I had not lost him."; B. "Will English, a True patriot" (the Duke of Cumberland) comforts her saying that Pitt will save the country, and that he will deal with Bute himself; C. "Ned Worthy, his Nephew" (Edward, Duke of York) contests with "Malcolm Fitz-Stewart, Undertaker" (John Stuart, Earl of Bute) about the alleged death of the lion; E. "Harry Crafty, his Man" (Henry Fox) and F. "Jack Rustle, Gravedigger" (John Russell, Duke of Bedford) insist that the lion is dead; G. "West Country Will" and H. "Dick the Templar" stand silent as Mutes, failing to speak out for Britain; I. "Mother Torbuck" (William, Earl Torbert) and K. "Goody Oldcastle" (the Duke of Newcastle), dressed as old women searchers, determine to find the cause of the lion's death, Newcastle suggesting that Bute has choked him on "those plaguy French Olives".
BM Satires 3922. See also reference 17553.
[Ref: 62335] £260.00 (£312.00 incl.VAT)
[n.d. c.1762]
Scarce etching, plate 200 x 265mm (8 x 10½"), with large margins. Slightly creased.
Satire suggesting that John Stuart, 3rd Earl of Bute (1713-1792) has ruined Britain by taking over its government. had West Country Will [Pitt] been still his Keeper, I had not lost him."; B. "Will English, a True patriot" (the Duke of Cumberland) comforts her saying that Pitt will save the country, and that he will deal with Bute himself; C. "Ned Worthy, his Nephew" (Edward, Duke of York) contests with "Malcolm Fitz-Stewart, Undertaker" (John Stuart, Earl of Bute) about the alleged death of the lion; E. "Harry Crafty, his Man" (Henry Fox) and F. "Jack Rustle, Gravedigger" (John Russell, Duke of Bedford) insist that the lion is dead; G. "West Country Will" and H. "Dick the Templar" stand silent as Mutes, failing to speak out for Britain; I. "Mother Torbuck" (William, Earl Torbert) and K. "Goody Oldcastle" (the Duke of Newcastle), dressed as old women searchers, determine to find the cause of the lion's death, Newcastle suggesting that Bute has choked him on "those plaguy French Olives".
BM Satires 3922. See also reference 17553.
[Ref: 62335] £260.00 (£312.00 incl.VAT)
Pont de la Guillotière. Album Lyonnais.
Dessiné d’apres nature et lith. Par Ed. Hostein.
Imp. Lemercier à Paris. [n.d. c.1839.]
Embossed stamp: "Societé des Amis des Arts de Lyon.". Lithograph. Sheet 437 x 546mm. 17¼" x 21½".
From 'Album lyonnais. Vues pittoresques de Lyon et de ses environs, publiées par la Société des Amis des Arts de Lyon, dessinées et lithographiées par MM. Champin, J. Coignet, Dauzats, Desjardins, Hostein, Villeneuve et Cie'.
Collection Bibliothèque municipale de Lyon, Boîte Album lyonnais n° 16.
[Ref: 8962] £150.00 (£180.00 incl.VAT)
Dessiné d’apres nature et lith. Par Ed. Hostein.
Imp. Lemercier à Paris. [n.d. c.1839.]
Embossed stamp: "Societé des Amis des Arts de Lyon.". Lithograph. Sheet 437 x 546mm. 17¼" x 21½".
From 'Album lyonnais. Vues pittoresques de Lyon et de ses environs, publiées par la Société des Amis des Arts de Lyon, dessinées et lithographiées par MM. Champin, J. Coignet, Dauzats, Desjardins, Hostein, Villeneuve et Cie'.
Collection Bibliothèque municipale de Lyon, Boîte Album lyonnais n° 16.
[Ref: 8962] £150.00 (£180.00 incl.VAT)
The Lady Stanhop.
P Lelij Eques pinxit.
Sold by Alex Browne at ye blew ballcony in little Queen Street. [nd. c.1680]
Rare mezzotint, 340 x 250mm (13¼ x 9¾"). Trimmed to plate. Taped into mount at top.
A three-quarter length portrait of Elizabeth Lyon (nee Stanhope), Countess of Strathmore with curled hair, wearing a low-cut dress and holding a flower. On the right, a large vase with a carved head contains a plant. In the background to the left, a rock and trees are visible.
CS38. Turner B48. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 64986] £260.00 (£312.00 incl.VAT)
P Lelij Eques pinxit.
Sold by Alex Browne at ye blew ballcony in little Queen Street. [nd. c.1680]
Rare mezzotint, 340 x 250mm (13¼ x 9¾"). Trimmed to plate. Taped into mount at top.
A three-quarter length portrait of Elizabeth Lyon (nee Stanhope), Countess of Strathmore with curled hair, wearing a low-cut dress and holding a flower. On the right, a large vase with a carved head contains a plant. In the background to the left, a rock and trees are visible.
CS38. Turner B48. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 64986] £260.00 (£312.00 incl.VAT)
Captain G.F. Lyon, R.N. in his Tripoline Costume.
Painted & Drawn on Stone by Richard J. Lane. Printed by C. Hullmandel. Proof.
[London, n.d., c.1825.]
Fine lithograph on india paper, proof inscribed by the artist. India 245 x 295mm, 9¾ x 11½". Dedicated in pencil in lower right margin: "Josh: Andrews Esq./ from his friend RJLane." Very large margins.
Portrait of George Francis Lyon (1795 - 1832), Captain in the Royal Navy and traveller, reclining and holding a cane, in full Arab costume. After service in Malta during 1818, Lyon joined the government mission led by Mr. Ritchie, secretary of the embassy at Paris, in Tripoli. The mission left Tripoli in March 1819, arriving in Murzuq in May of that year. After Ritchie's death, Lyon carried on to the southern boundaries of Fezzan but was forced to return to Tripoli in May 1820. By Richard James Lane (1800 - 1872).
See NPG D21955.
[Ref: 27370] £240.00 (£288.00 incl.VAT)
Painted & Drawn on Stone by Richard J. Lane. Printed by C. Hullmandel. Proof.
[London, n.d., c.1825.]
Fine lithograph on india paper, proof inscribed by the artist. India 245 x 295mm, 9¾ x 11½". Dedicated in pencil in lower right margin: "Josh: Andrews Esq./ from his friend RJLane." Very large margins.
Portrait of George Francis Lyon (1795 - 1832), Captain in the Royal Navy and traveller, reclining and holding a cane, in full Arab costume. After service in Malta during 1818, Lyon joined the government mission led by Mr. Ritchie, secretary of the embassy at Paris, in Tripoli. The mission left Tripoli in March 1819, arriving in Murzuq in May of that year. After Ritchie's death, Lyon carried on to the southern boundaries of Fezzan but was forced to return to Tripoli in May 1820. By Richard James Lane (1800 - 1872).
See NPG D21955.
[Ref: 27370] £240.00 (£288.00 incl.VAT)
Captain G.F. Lyon, R.N. in his Tripoline Costume.
[R.J. Lane. Printed by C. Hullmandel.]
[London, Dickinson? n.d., c.1825.]
Fine lithograph on india paper, sheet 220 x 260mm. 8¾ x 10¼". Margins trimmed.
Portrait of George Francis Lyon (1795 - 1832), Captain in the Royal Navy and traveller, reclining and holding a cane, in full Arab costume. After service in Malta during 1818, Lyon joined the government mission led by Mr. Ritchie, secretary of the embassy at Paris, in Tripoli. The mission left Tripoli in March 1819, arriving in Murzuq in May of that year. After Ritchie's death, Lyon carried on to the southern boundaries of Fezzan but was forced to return to Tripoli in May 1820. By Richard James Lane (1800 - 1872).
See NPG D21955.
[Ref: 21658] £160.00 (£192.00 incl.VAT)
[R.J. Lane. Printed by C. Hullmandel.]
[London, Dickinson? n.d., c.1825.]
Fine lithograph on india paper, sheet 220 x 260mm. 8¾ x 10¼". Margins trimmed.
Portrait of George Francis Lyon (1795 - 1832), Captain in the Royal Navy and traveller, reclining and holding a cane, in full Arab costume. After service in Malta during 1818, Lyon joined the government mission led by Mr. Ritchie, secretary of the embassy at Paris, in Tripoli. The mission left Tripoli in March 1819, arriving in Murzuq in May of that year. After Ritchie's death, Lyon carried on to the southern boundaries of Fezzan but was forced to return to Tripoli in May 1820. By Richard James Lane (1800 - 1872).
See NPG D21955.
[Ref: 21658] £160.00 (£192.00 incl.VAT)
The Lyrist.
Painted by W. Haines. Eng.d by J.W. Cook.
Printed by Mc.Queen. [n.d. c.1880.]
Engraving, cut inside plate. 128 x 109mm (5 x 4¼").
A classical woman sat with laurel reef on her head, playing the lyre.
[Ref: 34636] £60.00 (£72.00 incl.VAT)
Painted by W. Haines. Eng.d by J.W. Cook.
Printed by Mc.Queen. [n.d. c.1880.]
Engraving, cut inside plate. 128 x 109mm (5 x 4¼").
A classical woman sat with laurel reef on her head, playing the lyre.
[Ref: 34636] £60.00 (£72.00 incl.VAT)
Le Liskmann. Vallée de Viège.
A. Calame. Lith de Schmid a Genève.
[n.d., c.1850.]
Tinted lithograph. Sheet: 315 x 250mm (12½ x 9¾").
A view of the Lyskamm, a large mountain in the Pennine Alps straddling the Swiss/Italian border.
[Ref: 41859] £230.00 (£276.00 incl.VAT)
A. Calame. Lith de Schmid a Genève.
[n.d., c.1850.]
Tinted lithograph. Sheet: 315 x 250mm (12½ x 9¾").
A view of the Lyskamm, a large mountain in the Pennine Alps straddling the Swiss/Italian border.
[Ref: 41859] £230.00 (£276.00 incl.VAT)
Saml. Lysons Esqr. V.P.R.S. & F.S.A. Keeper of H.M. Records in the Tower.
Engraved by W. Bond from a Miniature painted by W.J. Newton.
Published February 1st. 1823 by T. Cadell, in the Strand.
Stipple, 300 x 225mm. 11¾ x 9". Trimmed close to plate; foxed.
Samuel Lysons (1763 - 1819), antiquary. He was also an artist of some skill, and between 1785 and 1796 was an occasional exhibitor at the Royal Academy of views of old buildings. He also contributed numerous etchings to his brother Daniel's ‘Environs of London.’ In 1818, when the honorary office of antiquary professor was revived in the Royal Academy, Lysons was chosen to fill it. After Sir William John Newton (1785-1869).
NPG: D5149.
[Ref: 13147] £65.00 (£78.00 incl.VAT)
Engraved by W. Bond from a Miniature painted by W.J. Newton.
Published February 1st. 1823 by T. Cadell, in the Strand.
Stipple, 300 x 225mm. 11¾ x 9". Trimmed close to plate; foxed.
Samuel Lysons (1763 - 1819), antiquary. He was also an artist of some skill, and between 1785 and 1796 was an occasional exhibitor at the Royal Academy of views of old buildings. He also contributed numerous etchings to his brother Daniel's ‘Environs of London.’ In 1818, when the honorary office of antiquary professor was revived in the Royal Academy, Lysons was chosen to fill it. After Sir William John Newton (1785-1869).
NPG: D5149.
[Ref: 13147] £65.00 (£78.00 incl.VAT)
Samuel Lysons Esq.r F.R.S. & F.A.S. Keeper of the Records of the Tower.
Painted by T. Lawrence Esq.r R.A. Engraved by S.W. Reynolds.
London, Published by S.W. Reynolds, June 1, 1804.
Mezzotint, 310 x 250mm (12¼ x 9¾"), with large margins Repaired tears in margins.
A half-length portrait in oval of Samuel Lysons (1763-1819), engraver, antiquarian and archaeologist who specialised in Roman mosaics. He was director of the Society of Antiquaries of London (1798-1809), vice-president and treasurer of the Royal Society (1810-9), briefly antiquary professor in the Royal Academy, and Keeper of the Records in the Tower of London, forerunner of the National Archives, from 1803 until his death.
Whitman 187, ii of ii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 66985] £260.00 (£312.00 incl.VAT)
Painted by T. Lawrence Esq.r R.A. Engraved by S.W. Reynolds.
London, Published by S.W. Reynolds, June 1, 1804.
Mezzotint, 310 x 250mm (12¼ x 9¾"), with large margins Repaired tears in margins.
A half-length portrait in oval of Samuel Lysons (1763-1819), engraver, antiquarian and archaeologist who specialised in Roman mosaics. He was director of the Society of Antiquaries of London (1798-1809), vice-president and treasurer of the Royal Society (1810-9), briefly antiquary professor in the Royal Academy, and Keeper of the Records in the Tower of London, forerunner of the National Archives, from 1803 until his death.
Whitman 187, ii of ii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 66985] £260.00 (£312.00 incl.VAT)
Samuel Lysons Esq.r F.R.S. & F.A.S. Keeper of the Records of the Tower.
Painted by T. Lawrence Esq.r R.A. Engraved by S.W. Reynolds.
London, Published by S.W. Reynolds, June 1, 1804.
Mezzotint. 310 x 250mm (12¼ x 9¾"), with large margins, Lawrence's blind stamp in inscription area.
A half-length portrait in oval of Samuel Lysons (1763-1819), engraver, antiquarian and archaeologist who specialised in Roman mosaics. He was director of the Society of Antiquaries of London (1798-1809), vice-president and treasurer of the Royal Society (1810-9), briefly antiquary professor in the Royal Academy, and Keeper of the Records in the Tower of London, forerunner of the National Archives, from 1803 until his death.
Whitman 187, ii of ii. Ex: collection of The Hon. Christopher Lennox-Boyd & Sir Th. Lawrence.
[Ref: 66986] £290.00 (£348.00 incl.VAT)
Painted by T. Lawrence Esq.r R.A. Engraved by S.W. Reynolds.
London, Published by S.W. Reynolds, June 1, 1804.
Mezzotint. 310 x 250mm (12¼ x 9¾"), with large margins, Lawrence's blind stamp in inscription area.
A half-length portrait in oval of Samuel Lysons (1763-1819), engraver, antiquarian and archaeologist who specialised in Roman mosaics. He was director of the Society of Antiquaries of London (1798-1809), vice-president and treasurer of the Royal Society (1810-9), briefly antiquary professor in the Royal Academy, and Keeper of the Records in the Tower of London, forerunner of the National Archives, from 1803 until his death.
Whitman 187, ii of ii. Ex: collection of The Hon. Christopher Lennox-Boyd & Sir Th. Lawrence.
[Ref: 66986] £290.00 (£348.00 incl.VAT)
![[John Lyster.]](jpegs/21885.jpg)
[John Lyster.]
A D'Orsay 1834 [signed in plate].
[London: J. Mitchell, c.1834.]
Lithograph on india paper, proof, india 200 x 160mm. 8 x 6¼".
Portrait of John Lyster (died 1840), lieutenant-colonel in the Grenadier Guards and gentleman usher. From a series of portraits by Count Alfred Guillaume Gabriel d'Orsay (1801 - 1852), Paris-born artist and gentleman of fashion. His profile sketches of his contemporaries, to the number of 125, include among them nearly all the literary, artistic, and fashionable celebrities of that time
O'Donoghue p.111.
[Ref: 21885] £65.00 (£78.00 incl.VAT)
A D'Orsay 1834 [signed in plate].
[London: J. Mitchell, c.1834.]
Lithograph on india paper, proof, india 200 x 160mm. 8 x 6¼".
Portrait of John Lyster (died 1840), lieutenant-colonel in the Grenadier Guards and gentleman usher. From a series of portraits by Count Alfred Guillaume Gabriel d'Orsay (1801 - 1852), Paris-born artist and gentleman of fashion. His profile sketches of his contemporaries, to the number of 125, include among them nearly all the literary, artistic, and fashionable celebrities of that time
O'Donoghue p.111.
[Ref: 21885] £65.00 (£78.00 incl.VAT)
![[Lord Lyttelton in profile]](jpegs/43820.jpg)
[Lord Lyttelton in profile] The Advocate. What Oratory can do Shall be done / But then Good Sir you know I am but one
Publish'd according to Act Oct 2d 1756 by Edwards & Darly facing Hungerford, Strand
Etching, platemark 80 x 110mm (3 x 4¼") large margins. Bottom margin on left missing, jacket has faded old colour bit foxed.
Caricature of George Lyttelton, first baron Lyttelton (1709-73), politician and writer, in profile in the act of speaking. Seen through a window on the right is the Duke of Newcastle, while on the wall behind Lyttelton hangs a picture of Brittania chained by the wrist, in reference to the alleged subservience of the Newcastle administration to French influence. Lyttelton was chancellor of the exchequer at this time, a role to which he was unsuited, and when Newcastle resigned in the face of popular opposition shortly after this print was published, Lyttleton retired from office. Published in 'A Political and Satirical History of the Years 1756 and 1757', a volume of seventy-five satirical prints with short descriptions. The description of this print read 'A Caricatura famous for his Attachment to the old Pack; his Eloquence was always exerted to vindicate their Blunders, which he was a great Admirer of'.
BM Satires 3527; for 'A Political and Satirical History of the Years 1756 and 1757' see ref. 38743.
[Ref: 43820] £60.00 (£72.00 incl.VAT)
Publish'd according to Act Oct 2d 1756 by Edwards & Darly facing Hungerford, Strand
Etching, platemark 80 x 110mm (3 x 4¼") large margins. Bottom margin on left missing, jacket has faded old colour bit foxed.
Caricature of George Lyttelton, first baron Lyttelton (1709-73), politician and writer, in profile in the act of speaking. Seen through a window on the right is the Duke of Newcastle, while on the wall behind Lyttelton hangs a picture of Brittania chained by the wrist, in reference to the alleged subservience of the Newcastle administration to French influence. Lyttelton was chancellor of the exchequer at this time, a role to which he was unsuited, and when Newcastle resigned in the face of popular opposition shortly after this print was published, Lyttleton retired from office. Published in 'A Political and Satirical History of the Years 1756 and 1757', a volume of seventy-five satirical prints with short descriptions. The description of this print read 'A Caricatura famous for his Attachment to the old Pack; his Eloquence was always exerted to vindicate their Blunders, which he was a great Admirer of'.
BM Satires 3527; for 'A Political and Satirical History of the Years 1756 and 1757' see ref. 38743.
[Ref: 43820] £60.00 (£72.00 incl.VAT)
The Right Honourable George Lyttelton Baron Lyttelton and Baronet.
[Anon., c.1750]
Engraving, platemark 425 x 235mm (16¾ x 9¼").
Coat of arms of George Lyttelton, first Baron Lyttelton (1709-73), politician and writer.
Provenance: Thomas Pitt 1st Baron Camelford
[Ref: 45278] £140.00 (£168.00 incl.VAT)
[Anon., c.1750]
Engraving, platemark 425 x 235mm (16¾ x 9¼").
Coat of arms of George Lyttelton, first Baron Lyttelton (1709-73), politician and writer.
Provenance: Thomas Pitt 1st Baron Camelford
[Ref: 45278] £140.00 (£168.00 incl.VAT)
![[George Lyttelton] Cassius.](jpegs/43821.jpg)
[George Lyttelton] Cassius. O Prithee Strive they Grov'ling mind to raise, / Above the Bounds of thy Imperfect State [...]
Publish'd according to Act of Parliam.t Sep. 30 1756 by Edwards & Darly at ye Acorn in ye Strand
Engraving, sheet 115 x 80mm (4½ x 3") large margins.
Caricature of George Lyttelton (1709-73), politician and writer, published shortly before he was created Baron Lyttelton of Frankley, alluding to the Roman Senator Cassius in Shakespeare's 'Julius Caesar'. Published in 'A Political and Satirical History of the Years 1756 and 1757', a volume of seventy-five satirical prints with short descriptions. The description of this print simply read 'This Caricatura, with the Label and Lines is sufficiently explanative'.
BM Satires 3513; for 'A Political and Satirical History of the Years 1756 and 1757' see ref. 38743; for impression without plate number upper right see ref. 41556.
[Ref: 43821] £65.00 (£78.00 incl.VAT)
Publish'd according to Act of Parliam.t Sep. 30 1756 by Edwards & Darly at ye Acorn in ye Strand
Engraving, sheet 115 x 80mm (4½ x 3") large margins.
Caricature of George Lyttelton (1709-73), politician and writer, published shortly before he was created Baron Lyttelton of Frankley, alluding to the Roman Senator Cassius in Shakespeare's 'Julius Caesar'. Published in 'A Political and Satirical History of the Years 1756 and 1757', a volume of seventy-five satirical prints with short descriptions. The description of this print simply read 'This Caricatura, with the Label and Lines is sufficiently explanative'.
BM Satires 3513; for 'A Political and Satirical History of the Years 1756 and 1757' see ref. 38743; for impression without plate number upper right see ref. 41556.
[Ref: 43821] £65.00 (£78.00 incl.VAT)