Grosvenor Prints

Mich.l Bailey. The original subject of the celebrated Picture of the Woodman - Taken in the 108th year of his Age: by John Artur Cahusac: Aged 15.
Drawn by J.A. Cahusac. W.m Florio sculp.t.
London Published Jan.y 12.th 1818 by D. Cox, Bookseller & Stationer, N.º 39 High Street, Borough.
Fine & rare mezzotint. 240 x 170mm (9½ x 6¾"), with large margins.
A half-length portrait of an elderly man leaning on a stick. Possibly the woodman painted by Thomas Barker of Bath at least twice.
Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 64580] £280.00 (£336.00 incl.VAT)

From a Drawing of Molyn, in the Collection of the Earl of Bute.
WBaillie sculp.t.
Publish'd Feb.y 2.d 1773.
Soft ground etching with mezzotint tone, 18th century watermark. Sheet 220 x 325mm (8¾ x 12¾"). Trimmed within plate, creasing.
A rustic scene with wagons, after Pieter de Molijn (1595-1661), Engraved by Captain William Baillie (1723-1810), who retired from the army in 1761 and devoted himself to printmaking and dealing. He specialised in imitating old-master drawings and prints, using a variety of printmaking techniques. Baillie also acted as the Earl of Bute's art agent.
Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68466] £130.00 (£156.00 incl.VAT)

The Honourable George Baillie Esq.r of Jerriswood - one of the Lords Commissioners of the Treasury.
G. Kneller 1718/19 Pinx. A.V. Heacken fecit.
[n.d., c.1742.]
Fine mezzotint, 18th century watermark; 355 x 250mm (14 x 9¾"), large margins.
Half-length portrait in oval of George Baillie (1664-1738), M.P., a director of the 'Company of Scotland Trading to Africa and the Indies' and thus one of the first subscribers to the Darien Scheme, and a supporter of the Act of Union treaty that compensated the company for its losses. The accounts of his house, Mellerstain, for 1742 lists the expenses of a copper plate portrait paid for by his widow.
CS i of ii. See BM 1933,0623.52 for the accounts.
[Ref: 65839] £360.00

Baillière's Popular Atlas of the Anatomy and Physiology of the Female Human Body. With Descriptive Text by Hubert E.J. Bliss M.A., M.D., Cantab. Third edition.
Plates by Georges M. Dupuy., M.D.
London: Ballière, Tindall & Cox, 7 & 8 Henrietta Street, Covent Garden, 1942 (Reprinted).
Tall folio, original illustrated boards; pp. (ii)+ 24 + (1)(ads); five chromolithographic plates on one folding sheet, as called for. A few signs of wear.
Five anatomical illustrations, one with overlays. Mounted into the book and folded, the plates appear out of order. Interestingly, while the atlas of the male body has a photo-realistic illustration of a man wearing a loincloth on the front board, this volume prudishly has a marble statue of Venus.
[Ref: 50438] £220.00 (£264.00 incl.VAT) view all images for this item

Baillière's Popular Atlas of the Anatomy and Physiology of the Male Human Body. With Descriptive Text by Hubert E.J. Bliss M.A., M.D., Cantab. Third edition.
Plates by Georges M. Dupuy., M.D.
London: Ballière, Tindall & Cox, 7 & 8 Henrietta Street, Covent Garden, 1942 (Reprinted).
Tall folio, original illustrated boards; pp. 27; eight plates, as called for. A few signs of wear.
Eight anatomical illustrations, with a photo-realistic illustration of a man wearing a loincloth on the front board.
[Ref: 50439] £220.00 (£264.00 incl.VAT) view all images for this item

M. Bailly, Mayor of Paris 1789 and 1790.
Boizot, del. Cook, sculpt.
[n.d., c.1793].
Engraving, plate 180 x 110mm (7 x 4¼"), with margins. Small margin on left. Foxing, mainly in margins. Holes in right margin where previously bound.
Portrait of Jean Sylvain Bailly bust in profile to the right, wearing a queue wig. Jean Sylvain Bailly (1736 -1793) was a French astronomer, mathematician, freemason and political leader of the early part of the French Revolution. He presided over the Tennis Court Oath, served as the mayor of Paris from 1789 to 1791, and was ultimately guillotined during the Reign of Terror.
Wellcome: 148-1.
[Ref: 57161] £60.00 (£72.00 incl.VAT)

M. Bailly Presid.t de l'Assemblée Nationale, Nommé Maire de Ville par les Citoyens de Paris, le 14 Juillet 1789.
A Paris chez Mad.e Bergny Mde. d'Estampes de S.A.S. la Princesse Lamballe, rue du Coq S. Honore [n.d., 1790-1792.]
Stipple printed in colours, 210 x 130mm (8¼ x 5"). A fine impression, with full margins.
Profile portrait by Jean-Baptiste Vérité, Jean-Sylvain Bailly (1736 - 1793), French astronomer and politician, one of the leaders of the early part of the French Revolution. He served as the mayor of Paris from 1789 to 1791 and was ultimately guillotined during the Reign of Terror. He is oted for his computation of an orbit for Halley's Comet in 1759 In oval, lettered to plaque below.
BNF FRBNF40248744. Not in Wellcome.
[Ref: 24271] £130.00 (£156.00 incl.VAT)

J.S.Bailley Député aux États Généraux de 1789, et Maire de Paris, Jugé à mort le 12 Novembre 1794.
Lavachez sc. Duplesi-Bertaux inv et del. Duplesi-Bertaux aqua forte.
[Paris: Auber, 1804.]
Mezzotint and etching. 430 x 285mm (17 x 11¼"). Some spotting.
Oval mezzotint portrait of Jean-Sylvain Bailly (1736-1793), astronomer, mathematician and politician who presided over the Tennis Court Oath. He was guillotined at the Champs de Mars for refusing to testify at Marie Antoinette's trial. Published in the 'Collection complète des tableaux historiques de la révolution française'.
Wellcome: 148-2
[Ref: 28400] £160.00 (£192.00 incl.VAT)

J.n Silvain Bailly. Président de l'Assemblée Nationale. Néle 15 7.bre 1736. Collection Genérale des Portraits de M.M. les Députés à l'Assemblée Nationale tenue à Versailles le 4 Mai 1789. A.P.D.R.
De Vogues le J.ne del. A. Sergent excudit. Sergent sculp.
Chez Sergent rue Mauconseil, No 62. A Paris chez le Vache, M.d d'Estampes sous les Colonnades du Palais Royal, N.o 258. Et chez le meme à Versailles, rue des Chantiers, N.o 14.
Fine mezzotint, printed in sepia and black. Plate: 180 x 235mm (7 x 9¼"), very large margins. Faint marking in margins. Very slight repair above Bailly name.
A portrait of French mathematician, astronomer and early political leader of the French Revolution Jean Silvain Bailly (1736-1793). Bailly was the first to take the Tennis Court Oath on June 20th 1789 and became mayor of Paris following the storming of the Bastille. Bailly was executed during the Reign of Terror.
[Ref: 41614] £260.00 (£312.00 incl.VAT)

M. Bailly élu Maire de la Ville de Paris de 15 Juillet 1789 [...] Dédié et Presenté à Messeigneurs de l'assemblée Nationale, Par leur très humble et très Respectueux Serviteur Miger.
Dessiné par Boizot S.D.R. Gravé par Miger
A Paris chez Miger graveur du Roi, Rue de 4 Vents, No. 5 en face de la rue de Tournon.
Etching, sheet 295 x 180mm (11½ x 7"). Trimmed inside platemark.
Jean-Sylvain Bailly (1736 - 1793), French astronomer and politician, and one of the leaders of the early part of the French Revolution. He served as the mayor of Paris from 1789 to 1791 and was ultimately guillotined during the Reign of Terror. As an astronomer, Bailly built an observatory in the Louvre and was noted for his computation of an orbit for Halley's Comet in 1759 and his study of Jupiter's moons He was elected to the Academy des Sciences in 1763 and befriended Franklin in Paris. Meanwhile, his antiquarian interests led to works on the history of astronomy and the origins of science (written in response to Voltaire's ideas on the subject), which gain him membership in the French Academy. Bailly's high public standing saw him made first President of the National Assembly- he stands above the crowd of deputies in David's famous painting 'the Tennis Court Oath'. However, his political authority had disappeared by the time he and Lafayette imposed martial law and had the national guard open fire on demonstrators on July 17 1791. Bailly resigned as mayor soon after but was later arrested and executed. His subsequent influence has been felt through his thesis about a Hyperborean Atlantis dating to before recorded history, which while mocked by Jules Verne in '20,000 Leagues Under the Sea', was incorporated by Madame Blavatsky into the mythos of Theosophy.
For 'The Tennis Court Oath' see ref. 6998
[Ref: 36923] £130.00 (£156.00 incl.VAT)

Francis Bailey President of the Roy: Ast: Soc: [facsimile signature].
Painted by Thomas Phillips R.A. From the Picture painted for the Royal Astronomical Society. Engraved by Thomas Lupton. 1 Keppel Street, Russell Square.
[n.d. c.1830].
Mezzotint. 405 x 530mm. Some ingrained dirt in paper.
Francis Baily [1774 - 1844] President of the Royal Astronomical Society.
[Ref: 4625] £280.00 (£336.00 incl.VAT)

[Sir Edward Baines Junior.]
[Drawn by C. A. Du Val.. Engraved by J. Stevenson. Printed by Brooker & Harrison.]
[Published by Thomas Agnew, Repository of Arts Manchester, & Messrs. Ackermann & Co. London, April 21st. 1846.]
Mezzotint with stipple and engraving, proof before letters. 370 x 280mm (14½ x 11"), with large margins.
Seated portrait of nonconformist newspaper publisher Edward Baines (1800-90). As a young journalist on the Leeds Mercury (owned by his father) he witnessed the Peterloo Massacre of 1819. He became editor (1834) and proprietor (1848), and served as MP for Leeds from 1859 to 1874.
Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 67841] £280.00 (£336.00 incl.VAT)

Major General Sir David Baird K.C.
Drawn by A.J. Oliver. Engraved by A. Cardon
London Pub. 1805 & Sold by Ant. Cardon 31 Clipstone Street Fitzroy Square.
Fine stipple. 250 x 200mm (10 x 8"). Small margins.
Sir David Baird, first baronet (1757-1829), army officer. Baird served in India (1780-1801). In the Siege of Seringapatam in 1799, Baird (who twenty years earlier had been held captive by the Indians for nearly four years) led the British troops in their assault. In the palace Baird discovered the body of Tipu Sultan (an event commemorated by Sir David Wilkie's painting 'General Sir David Baird discovering the body of the Sultaun Tippoo Sahib' (National Gallery of Scotland). Baird also served in Egypt before heading a British attack on Cape Colony in 1806, culminating in the Battle of Blauberg near Cape Town. He then served in Spain before relinquishing his command for executive office in later years.
[Ref: 35838] £110.00 (£132.00 incl.VAT)

Right Hon.ble General David Baird Bar.t G.C.B. & K.C. Col. 24.th Reg.t &c. &c. &c.
Sir Henry Raeburn, R.A. Pinx.t. T. Hodgetts & Son Sculp.t.
Published for Alexander Hill Printseller and Colourman to the Scottish Academy of Painting &c. 50 Princes Street Edinburgh.
Mezzotint with separate engraved title plate. Total of two plates 745 x 410mm (29½ x 16"), very large margins. Some foxing.
Full length portrait of Sir David Baird (1757-1929), in uniform, standing beside a white horse, right hand pointing. Baird served in India, capturing Pondicherry in 1793 and leading the storming party at Seringapatam in 1799; he served in Egypt in 1801; he commanded the 1805-6 expedition against the Cape of Good Hope with complete success, capturing Cape Town; and during the Peninsular War he was briefly Commander of the British forces, during the Battle of Corunna in 1819, between the death of John Moore and his own wounding.
Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 66093] £620.00

Right Hon.ble General David Baird Bar.t G.C.B. & K.C. Col. 24.th Reg.t &c. &c. &c.
Sir Henry Raeburn, R.A. Pinx.t. T. Hodgetts & Son Sculp.t.
Published for Alexander Hill Printseller and Colourman to the Scottish Academy of Painting &c. 50 Princes Street Edinburgh.
Mezzotint with separate engraved title plate. Total of two plates 745 x 410mm (29½ x 16"). Paper toned. Small margins.
Full length portrait of Sir David Baird (1757-1929), in uniform, standing beside a white horse, right hand pointing. Baird served in India, capturing Pondicherry in 1793 and leading the storming party at Seringapatam in 1799; he served in Egypt in 1801; he commanded the 1805-6 expedition against the Cape of Good Hope, capturing Cape Town; and he was briefly Commander of the British forces in the Peninsular, between the death of John Moore and his own wounding during the Battle of Corunna in 1809.
Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 66094] £620.00

[Le Baiser Envoyé.]
J. B. Greuze. C. Turner [in lower right corner in plate].
[n.d., c.1800.]
Very fine mezzotint. 410 x 520mm (16 x 20½"). Frame: 620 x 740mm (24½ x 29"). Trimmed in lower edge. Some repaired damage.
A portrait of a young woman in a state of undress who stands by a window, in one hand she holds a letter while in the other she blows a kiss.
Whitman 747.I.
[Ref: 35741] £520.00

No. 47. [Baker.]
[Drawn & engraved by William Henry Pyne.]
Published by William Miller, Albemarle Street Jan.y 1. 1805.
Hand coloured etching with aquatint. Sheet 340 x 250mm (13¼ x 10").
A man with a white apron carrying two large baskets of bread down a path. The print was published in 'The Costume of Great Britain', a work notable for portraying British life on the eve of the Industrial Revolution.
Abbey Life 430.
[Ref: 28715] £95.00 (£114.00 incl.VAT)

Baker.
[n.d., c.1850.]
Coloured wood engraving. Sheet 135 x 225mm, 5½ x 9". Trimmed, laid on album paper.
An educational image showing a baker putting a pie into an oven.
[Ref: 16431] £70.00 (£84.00 incl.VAT)

Baker
[n.d., c.1800.]
Engraving. Sheet: 150 x 90mm (6 x 3½''). Foxing.
A baker kneading dough in his bakery.
[Ref: 50493] £45.00 (£54.00 incl.VAT)

The Fairies! Flee o'er the dale! Flee o'er the Bourn...
Design'd & Sketche'd on stone by I.Baker.
Printed by N.Chater & Co, 33 Fleet Street. [n.d., c.1840.]
Lithograph. Printed area 180 x 230mm. Trimmed and laid on album paper.
Three kilted Scots pursued by 'Brownies, Bogles, Phantons'.
[Ref: 7097] £65.00 (£78.00 incl.VAT)

Henry Baker, Fellow of the Royal and Antiquarian Societies, and of the Society for the Ecouragement of the Arts, Manufactures and Commerce. Author of "The Microscope made easy" "Employment for the Microscope," and other Works. Bonr May 8. 1698; died Nov.r 25. 1774.
Thomson pinx. Nutter Sculpt.
Publish'd by Jany. 1st. 1812.
Stipple, sheet 220 x 125mm (8¾ x 5"). Some foxing around the edges. Trimmed within plate on left and small margin on right.
Half-length portrait of Henry Baker in an oval to right, head turned to look to front, in his study with bookcase behind at left and microscope on table behind at right; illustration to Nichols's 'Literary Anecdotes of the eighteenth century' (London, 1812-1815). Henry Baker (1698 -1774) was a British naturalist.
Wellcome: 151
[Ref: 57151] £130.00 (£156.00 incl.VAT)

Henry Baker. Fellow of the Royal and Antiquarian Societies, and of the Society for the Encouragement of Arts, Manufactures, and Commerce. Author of "The Microscope made easy." "Employment for the Microscope", and other Works. Born May 8, 1698; died Nov.r 25, 1774.
Thomson pinx. Nutter sculpt.
Publish'd by J.Nichols & Son, Jan.y 1st 1812. [But later]
Stipple engraving on watermarked paper 1809. 180 x 110mm (7 x 4¼").
Portrait of Henry Baker (1698 - 1774), British naturalist. In 1740, he was elected fellow of the Society of Antiquaries and of the Royal Society. In 1744, he received the Copley gold medal for microscopical observations on the crystallization of saline particles.
W151-1
[Ref: 68295] £160.00 (£192.00 incl.VAT)

[John Baker of Ditchingham.]
[n.d., c.1806.]
Coloured etching. Sheet 220 x 165mm (8¾ x 6½"). Trimmed within plate,
A portrait caricature of John Baker of Ditchingham, in the style of Dighton. It shows him in old age, full-length, walking cobbles, both hands behind his back, holding top hat. The attribution comes from the BM example, which is titled in pencil; Baker is described as an eccentric character but the print is classified as a portrait of an 'acrobat/street-performer', although giving no details.
BM: 1853,0112.2206.
[Ref: 41735] £130.00 (£156.00 incl.VAT)

Madam Baker.
G. Kneller pinx: I. Beckett fe.
J. Smith ex:
Mezzotint. 210 x 150mm (8¼ x 6"). Thread margins, creased.
An oval portrait of a woman in a low-cut dress, her long hair draped forward over her shoulder.
CS 5, state ii of ii, originally published by Beckett.
[Ref: 65368] £180.00 (£216.00 incl.VAT)

Madam Baker.
G. Kneller pinx: I. Beckett fe.
J. Smith ex:
Mezzotint. 210 x 150mm (8¼ x 6"). Trimmed to image on three sides, old ink mss. at bottom.
An oval portrait of a woman in a low-cut dress, her long hair draped forward over her shoulder.
CS 5, state ii of ii, originally published by Beckett. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65369] £160.00 (£192.00 incl.VAT)

"Society" Bijou Portraits, No. 69, Baker Pasha. Supplement to "Society," April 26, 1884.
"Ink Photo", Sprague & c.o, London.
London, 1884.
Photogravure. 330 x 210mm (13 x 8¼"). Creasing in upper and lower left corners. Bit dusty.
Portrait of Valentine Baker, also known as Baker Pasha (1827-1887). He joined the British Army after his formal education. His was dismissed after he was charged with assualting a woman on a train. After serving his sentence he joined the Ottoman Army but after helping to achieve a peace, he moved to Cairo after being offered command of the Egyptian police, a position he held until his death.
[Ref: 53874] £75.00 (£90.00 incl.VAT)

Walter Baker by Worlidge [ms]
[by Thomas Worlidge, c.1755]
Etching, platemark 200 x 155mm (8 x 6"). Fine impression; slight stains.
Portrait by Thomas Worlidge (1700-66), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Lifetime impression before Worlidge's widow Mary issued new impressions in 1767 with number '61' added top right to correspond with the catalogue of his prints she produced. Dack reproduces an impression of this print with the following inscription in ms: 'This Portrait of Walter Baker (M.D. so created by himself) Painter, Designed & Etched by Thomas Worlidge Painter in the Little Piazza Covent Garden'.
State i/ii; W61; D15; O'D incorrectly identifies this as a portrait of scientist Henry Baker, F.R.S.
[Ref: 32864] £260.00 (£312.00 incl.VAT)

[Dr Walter Baker] [61]
[by Thomas Worlidge.]
Etching in sepia, Collector's mark at bottom; platemark 200 x 160mm (7¾ x 6½"). Printed on thick paper
Posthumous impression of an etching by Thomas Worlidge (1700-66). Born in Peterborough, Worlidge was a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. After his death, his widow published further impressions of his plates, adding new numbers to the plates to correspond with her own catalogue numbers, as here. The identity of the sitter follows that on the British Museum's impression of the same print.
see BM 1877,0811.1275. Ex: Collection of the Late Honourable Christopher Lennox-Boyd.
[Ref: 32593] £110.00 (£132.00 incl.VAT)

William Baker Esq.r M.P.
Painted by Dance. Engraved by M. Bovi.
[n.d., c.1760.]
Rare stipple. 330 x 245mm (13 x 9¾"). Cut to platemark.
Sir William Baker (1705-1770), shown with one hand resting on a volume of Milton. As well as being an MP he was the 11th Governor of the Hudson's Bay Company, 1760-70.
[Ref: 40520] £190.00 (£228.00 incl.VAT)

William Baker [facsimile signature.]
H.P. Briggs, R.A. F. Joubert, F.S.A.
[n.d., c.1840.]
Mixed-method engraving, with armorial remarque. 540 x 430mm.
Seated half-length portrait, elbow on one book, resting on another.
NPG D7478, no biography.
[Ref: 21802] £220.00 (£264.00 incl.VAT)

Le Patissier a la Mode.
C. Malapeauy. Im.de Lemercier et C.ie.
Bourdet Jeune, éditeur. à Paris chez Dupin, Galerie Colbert. [n.d. c.1850.]
Lithograph. 279 x 356mm. 11 x 14". Spotting.
Inside a pâtisserie in Paris; a woman sat behind a counter with pastries and sweets on, speaking to a female customer who is paying for her goods, a gentleman admires the display, and a family of three standing looking at the cakes on the shelves to the right. A table in the near left foreground holds various bottles of liqueur.
[Ref: 22873] £65.00 (£78.00 incl.VAT)

Marchand de Gateaux. Bruxelles.
J.J. Eeckhout fc. Déposé. Lith: de Burggraaff.
[n.d. c.1820.]
Hand coloured lithograph. 241 x 190mm. 9½ x 7½". Trimmed and laid on album sheet.
Scene in Brussels, a cake seller: a young man holding a basket in one hand, strapped across his chest. In the other hand he holds a slice of cake.
[Ref: 16225] £45.00 (£54.00 incl.VAT)

Alfred Crowquill's Sketches From Jullien's Bal Masque. The Lion & The Lamb. Perhaps You'd Like To Take The Lady From Me Sir?
Alfred Crowquill, delt. et lith. M & N. Hanhart, Impt.
Published by E. Sidebetham, 38, Burlington Arcade [n.d., c.1850].
Coloured lithograph, sheet 380 x 280mm. Light foxing to margins, some spotting to image.
Illustrations to Jullien's Bal Masque quadrille, by Alfred Henry Forrester, best known under the name of Alfred Crowquill (1804 - 1872). Louis Antoine Jullien (1812 -1860) conducted a series of winter season promenade concerts at the Covent Garden Theatre, which were highly successful; and on March 4th, 1844, the first bal-masqué given in England in the 19th century took place at Covent Garden under his auspices. In 1822 Forrester wrote for the Hive and in 1823 for the Mirror. He next applied himself to the study of drawing and modelling, as well as to wood and steel engraving. He was also the writer of burlesques, drew pantomimic extravaganzas for the pictorial papers, and exhibited pen-and-ink sketches in the miniature room of the Royal Academy in 1845 and 1846. For a time he contributed sketches to ‘Punch,' where his work will be found in vols. ii. iii. and iv., and then went over to the ‘Illustrated London News' as a member of the literary and pictorial staff. As a writer and illustrator of his own writings he was very popular; upwards of twenty works came from his pen, many of them being children's books. For some years the London pantomimes were indebted to him for designs, devices, and effects. In 1851 he modelled a statuette of the Duke of Wellington, which he produced a fortnight before the duke's death and presented to Queen Victoria and the allied sovereigns. At the time when he originally started as an artist there was not much competition, and he consequently found constant work. His works have enjoyed a considerable amount of popularity.
Ex: Collection of Alec Clunes.
[Ref: 7818] £230.00 (£276.00 incl.VAT)

Alfred Crowquill's Sketches From Jullien's Bal Masque. I've Hardly The Face To Ask You: But Are You Angel Enough. To Smile When Nobody Asks You To Dance.
Alfred Crowquill, delt. et lith. M & N. Hanhart, Impt.
Published by E. Sidebetham, 38, Burlington Arcade [n.d., c.1850].
Coloured lithograph, sheet 379 x 279mm. Light foxing to margins.
Illustrations to Jullien's Bal Masque quadrille, by Alfred Henry Forrester, best known under the name of Alfred Crowquill (1804 - 1872). Louis Antoine Jullien (1812 -1860) conducted a series of winter season promenade concerts at the Covent Garden Theatre, which were highly successful; and on March 4th, 1844, the first bal-masqué given in England in the 19th century took place at Covent Garden under his auspices. In 1822 Forrester wrote for the Hive and in 1823 for the Mirror. He next applied himself to the study of drawing and modelling, as well as to wood and steel engraving. He was also the writer of burlesques, drew pantomimic extravaganzas for the pictorial papers, and exhibited pen-and-ink sketches in the miniature room of the Royal Academy in 1845 and 1846. For a time he contributed sketches to ‘Punch,' where his work will be found in vols. ii. iii. and iv., and then went over to the ‘Illustrated London News' as a member of the literary and pictorial staff. As a writer and illustrator of his own writings he was very popular; upwards of twenty works came from his pen, many of them being children's books. For some years the London pantomimes were indebted to him for designs, devices, and effects. In 1851 he modelled a statuette of the Duke of Wellington, which he produced a fortnight before the duke's death and presented to Queen Victoria and the allied sovereigns. At the time when he originally started as an artist there was not much competition, and he consequently found constant work. His works have enjoyed a considerable amount of popularity.
Ex: Collection of Alec Clunes.
[Ref: 7816] £230.00 (£276.00 incl.VAT)

Alfred Crowquill's Sketches From Jullien's Bal Masque. Smith Your Wife's In The Boxes!
Alfred Crowquill, delt. et lith. M & N. Hanhart, Impt.
Published by E. Sidebetham, 38, Burlington Arcade [n.d., c.1850].
Lithograph, sheet 266 x 203mm. Foxing and staining, trimmed to printed border.
Illustrations to Jullien's Bal Masque quadrille, by Alfred Henry Forrester, best known under the name of Alfred Crowquill (1804 - 1872). Louis Antoine Jullien (1812 -1860) conducted a series of winter season promenade concerts at the Covent Garden Theatre, which were highly successful; and on March 4th, 1844, the first bal-masqué given in England in the 19th century took place at Covent Garden under his auspices. In 1822 Forrester wrote for the Hive and in 1823 for the Mirror. He next applied himself to the study of drawing and modelling, as well as to wood and steel engraving. He was also the writer of burlesques, drew pantomimic extravaganzas for the pictorial papers, and exhibited pen-and-ink sketches in the miniature room of the Royal Academy in 1845 and 1846. For a time he contributed sketches to ‘Punch,' where his work will be found in vols. ii. iii. and iv., and then went over to the ‘Illustrated London News' as a member of the literary and pictorial staff. As a writer and illustrator of his own writings he was very popular; upwards of twenty works came from his pen, many of them being children's books. For some years the London pantomimes were indebted to him for designs, devices, and effects. In 1851 he modelled a statuette of the Duke of Wellington, which he produced a fortnight before the duke's death and presented to Queen Victoria and the allied sovereigns. At the time when he originally started as an artist there was not much competition, and he consequently found constant work. His works have enjoyed a considerable amount of popularity.
Ex: Collection of Alec Clunes.
[Ref: 7819] £90.00 (£108.00 incl.VAT)

Alfred Crowquill's Sketches From Jullien's Bal Masque. You Shall Dance One More __ Pon My Word You Must Excuse Me Ive. No Key And Promised To Be Home Early.
Alfred Crowquill, delt. et lith. M & N. Hanhart, Impt.
Published by E. Sidebetham, 38, Burlington Arcade [n.d., c.1850].
Coloured lithograph, sheet 378 x 279mm. Light foxing to margins.
Illustrations to Jullien's Bal Masque quadrille, by Alfred Henry Forrester, best known under the name of Alfred Crowquill (1804 - 1872). Louis Antoine Jullien (1812 -1860) conducted a series of winter season promenade concerts at the Covent Garden Theatre, which were highly successful; and on March 4th, 1844, the first bal-masqué given in England in the 19th century took place at Covent Garden under his auspices. In 1822 Forrester wrote for the Hive and in 1823 for the Mirror. He next applied himself to the study of drawing and modelling, as well as to wood and steel engraving. He was also the writer of burlesques, drew pantomimic extravaganzas for the pictorial papers, and exhibited pen-and-ink sketches in the miniature room of the Royal Academy in 1845 and 1846. For a time he contributed sketches to ‘Punch,' where his work will be found in vols. ii. iii. and iv., and then went over to the ‘Illustrated London News' as a member of the literary and pictorial staff. As a writer and illustrator of his own writings he was very popular; upwards of twenty works came from his pen, many of them being children's books. For some years the London pantomimes were indebted to him for designs, devices, and effects. In 1851 he modelled a statuette of the Duke of Wellington, which he produced a fortnight before the duke's death and presented to Queen Victoria and the allied sovereigns. At the time when he originally started as an artist there was not much competition, and he consequently found constant work. His works have enjoyed a considerable amount of popularity.
Ex: Collection of Alec Clunes.
[Ref: 7815] £260.00 (£312.00 incl.VAT)

Alfred Crowquill's Sketches From Jullien's Bal Masque. The Early Bird. What Tired Already? Shut Its Dear Little Mouth, For I Am Engaged By Twenty More Partners!
Alfred Crowquill, delt. et lith. M & N. Hanhart, Impt.
Published by E. Sidebetham, 38, Burlington Arcade [n.d., c.1850].
Coloured lithograph, sheet 381 x 279mm. Light foxing to margins.
Illustrations to Jullien's Bal Masque quadrille, by Alfred Henry Forrester, best known under the name of Alfred Crowquill (1804 - 1872). Louis Antoine Jullien (1812 -1860) conducted a series of winter season promenade concerts at the Covent Garden Theatre, which were highly successful; and on March 4th, 1844, the first bal-masqué given in England in the 19th century took place at Covent Garden under his auspices. In 1822 Forrester wrote for the Hive and in 1823 for the Mirror. He next applied himself to the study of drawing and modelling, as well as to wood and steel engraving. He was also the writer of burlesques, drew pantomimic extravaganzas for the pictorial papers, and exhibited pen-and-ink sketches in the miniature room of the Royal Academy in 1845 and 1846. For a time he contributed sketches to ‘Punch,' where his work will be found in vols. ii. iii. and iv., and then went over to the ‘Illustrated London News' as a member of the literary and pictorial staff. As a writer and illustrator of his own writings he was very popular; upwards of twenty works came from his pen, many of them being children's books. For some years the London pantomimes were indebted to him for designs, devices, and effects. In 1851 he modelled a statuette of the Duke of Wellington, which he produced a fortnight before the duke's death and presented to Queen Victoria and the allied sovereigns. At the time when he originally started as an artist there was not much competition, and he consequently found constant work. His works have enjoyed a considerable amount of popularity.
Ex: Collection of Alec Clunes.
[Ref: 7814] £260.00 (£312.00 incl.VAT)

Alfred Crowquill's Sketches From Jullien's Bal Masque. That's About The Step I Think Maria? Yes Love, Now Isn't He A Duck!
Alfred Crowquill, delt. et lith. M & N. Hanhart, Impt.
Published by E. Sidebetham, 38, Burlington Arcade [n.d., c.1850].
Coloured lithograph, sheet 379 x 279mm. Light foxing to margins.
Illustrations to Jullien's Bal Masque quadrille, by Alfred Henry Forrester, best known under the name of Alfred Crowquill (1804 - 1872). Louis Antoine Jullien (1812 -1860) conducted a series of winter season promenade concerts at the Covent Garden Theatre, which were highly successful; and on March 4th, 1844, the first bal-masqué given in England in the 19th century took place at Covent Garden under his auspices. In 1822 Forrester wrote for the Hive and in 1823 for the Mirror. He next applied himself to the study of drawing and modelling, as well as to wood and steel engraving. He was also the writer of burlesques, drew pantomimic extravaganzas for the pictorial papers, and exhibited pen-and-ink sketches in the miniature room of the Royal Academy in 1845 and 1846. For a time he contributed sketches to ‘Punch,' where his work will be found in vols. ii. iii. and iv., and then went over to the ‘Illustrated London News' as a member of the literary and pictorial staff. As a writer and illustrator of his own writings he was very popular; upwards of twenty works came from his pen, many of them being children's books. For some years the London pantomimes were indebted to him for designs, devices, and effects. In 1851 he modelled a statuette of the Duke of Wellington, which he produced a fortnight before the duke's death and presented to Queen Victoria and the allied sovereigns. At the time when he originally started as an artist there was not much competition, and he consequently found constant work. His works have enjoyed a considerable amount of popularity.
Ex: Collection of Alec Clunes.
[Ref: 7813] £230.00 (£276.00 incl.VAT)

Alfred Crowquill's Sketches From Jullien's Bal Masque. What Not One Kiss. Why We Both Belong To The Sea.
Alfred Crowquill, delt. et lith. M & N. Hanhart, Impt.
Published by E. Sidebetham, 38, Burlington Arcade [n.d., c.1850].
Coloured lithograph, sheet 384 x 281mm. Light foxing to margins.
Illustrations to Jullien's Bal Masque quadrille, by Alfred Henry Forrester, best known under the name of Alfred Crowquill (1804 - 1872). Louis Antoine Jullien (1812 -1860) conducted a series of winter season promenade concerts at the Covent Garden Theatre, which were highly successful; and on March 4th, 1844, the first bal-masqué given in England in the 19th century took place at Covent Garden under his auspices. In 1822 Forrester wrote for the Hive and in 1823 for the Mirror. He next applied himself to the study of drawing and modelling, as well as to wood and steel engraving. He was also the writer of burlesques, drew pantomimic extravaganzas for the pictorial papers, and exhibited pen-and-ink sketches in the miniature room of the Royal Academy in 1845 and 1846. For a time he contributed sketches to ‘Punch,' where his work will be found in vols. ii. iii. and iv., and then went over to the ‘Illustrated London News' as a member of the literary and pictorial staff. As a writer and illustrator of his own writings he was very popular; upwards of twenty works came from his pen, many of them being children's books. For some years the London pantomimes were indebted to him for designs, devices, and effects. In 1851 he modelled a statuette of the Duke of Wellington, which he produced a fortnight before the duke's death and presented to Queen Victoria and the allied sovereigns. At the time when he originally started as an artist there was not much competition, and he consequently found constant work. His works have enjoyed a considerable amount of popularity.
Ex: Collection of Alec Clunes.
[Ref: 7812] £230.00 (£276.00 incl.VAT)

To Sir Robt. Howell Vaughn Bart. this view on the River Dee near Bala is with the greatest respect inscribed by his Obedient and Obliged Servants T.Walmsley and F.Jukes.
From a Picture by T.Walmsley. Engraved by F.Jukes.
London. Pubd. Oct. 2 1792 by F.Jukes No. 10 Howland Street.
Aquatint with original hand colour. 350 x 450mm. Small puncture in bottom margin.
Engraved by Jukes.
[Ref: 3496] £220.00 (£264.00 incl.VAT)

Bala Lake.
London, Published by Thomas McLean, Haymarket, 1822.
Hand coloured aquatint; part printed on 1820 J. Whatman watermarked paper. Platemark: 160 x 228mm (6¼ x 8¾"). Fine hand colouring.
A fine landscape view of Bala Lake and the surroundig area, in Gwynedd, Wales. The lake was the largest natural body of water in Wales prior to the level being raised by Thomas Telford to help support the flow of the Ellesmere Canal. From 'A Picturesque Description of North Wales: Embelished with Twenty Select Views From Nature', published in 1823 by Howlett and Brimmer, 10 Frith Street, Soho.
Abbey: 525.
[Ref: 33341] £70.00 (£84.00 incl.VAT)

Bala Hissar, or Citadel of Cabul.
S. Bull Sc.t
Published by Henry Colburn, Great Marlborough Street, 1844.
Steel engraving. Plate 127 x 203mm. 5 x 8". Trimmed to the plate top and bottom.
The Bala Hissar is the famour citadel of Kabul, built during the 5th century B.C. It served as the prime defensive shelter for the ruler of Afghanistan. The Citadel was destroyed in 1879 by General Roberts during the Second Anglo-Afghan War.
[Ref: 20166] £65.00 (£78.00 incl.VAT)

Balaam's Ass.
Elyse Lord [signed in pencil.]
[n.d. c.1930.]
Etching with pencil signature. Sheet 196 x 260mm (7¾ x 10¼"). Toning, damage, repaired hole.
Balaam, the diviner in the Torah; seen here on his ass. Jewish interest. Elyse Ashe Lord (1900-1971), British.
[Ref: 30402] £180.00 (£216.00 incl.VAT)

Balagans or Summer Habitations, with the method of Drying Fish at St. Peter & Paul. Kamtschatka.
J. Webber R. A. fecit.
London Pub.d April 1. 1809 by Boydell & Comp.y No. 90 Cheapside.
Aquatint with large margins and very fine hand colour on watermarked paper, 'J. Whatman. 1819'. Platemark: 325 x 450mm (12¾ x 17½"). Small stain in left margin.
A thatched building, at the edge of a river where men are fishing with large nets. Behind is a thatched hut on stilts and a large frame from which fish are hanging to dry, with surrounding figures working, gathering and storing the fish. A woman and child are in the foreground, beside a pot hanging from a tripod over a fire. Wooded hills are in the background to the left. John Webber was the official artist on Cook's final voyage through the Pacific; his drawings formed the basis for printed illustrations to the account of 'A Voyage to the Pacific', published in 1784.
Vol. III. Book VI page 375.
[Ref: 31817] £420.00

[Bala Lake] To the Hon.ble Thos. Fitzmaurice this view of Bala-Pool on the River-Dee is with great respect inscribed by his Obedient and Obliged Servants T.Walmsley and F.Jukes.
From a Picture by T.Walmsley. Engraved by F.Jukes.
London. Pubd. Oct. 2 1792 by F.Jukes No. 10 Howland Street.
Aquatint, printed in colour and hand finished. 350 x 450mm (13¾ x 17¾"). Small puncture in title area.
Bala Lake, Gwynedd.
[Ref: 3497] £220.00 (£264.00 incl.VAT)

[Two officials from the Ottoman court] Balbadgi. Kislar Aga, Chef des Eunuques noirs.
Lith. de Langlume et Cie.
[French, n.d., c.1828.]
Lithograph in fine early colour by hand. Sheet 280 x 220mm, 11 x 8¾".
The Ottoman court harem was under the administration of Black Eunuchs and White Eunuchs. Black Eunuchs were Africans who served the concubines and officials in the Harem together with chamber maidens of low rank. The White Eunuchs were Europeans from the Balkans. They served the recruits at the Palace School and were from 1582 prohibited from entering the Harem. An important figure in the Ottoman court was the Chief Black Eunuch (Kizlar Agasi or Dar al-Saada Agasi). In control of the Harem and a network of spies, the Chief Eunuch was involved in almost every palace intrigue. From Charles Deval's 'Deux annees a Constantinople et en Moree...'.
[Ref: 27909] £110.00 (£132.00 incl.VAT)

Balboa Discovering the Southern Ocean.
Brighty del.t. Romney sculp.t.
[n.d., c.1817.]
Engraving. Plate: 200 x 160mm (8 x 6¼'') very large margins.
A historical scene showing the Spanish conquistador Vasco Nunez de Balboa (1475-1519) discovering the Pacific. Balboa was the first to reach the Pacific from the New World and he founded Santa María la Antigua del Darién, the first permanent European settlement in the Americas.
[Ref: 48298] £50.00 (£60.00 incl.VAT)

[Balboa claiming the Pacific Ocean for Spain.] [Toma de posesion de la mar del sur.]
[Drawn and lithographed by Vicente Urrabieta Ortiz.]
[Madrid : Lit. J. Donon y Ayguals de Izco, 1849.]
Lithograph with hand colour; rare. Printed area 350 x 445mm (13¾ x 17¾"). Some toning. Cut inside titles.
Vasco Núñez de Balboa (c.1475-1519) crossed the Isthmus of Panama in 1513 and became the first European to reach the Pacific from the New World. From 'Colección de láminas de la Historia de la Marina Real Española. Litografías de los Mejores Artistas Españoles.'
[Ref: 35917] £280.00 (£336.00 incl.VAT)

The Bald Fac'd Doe. 10.
E.T.Invt. Epping Sc. [Darly]
Pub by MDarly Strand May 29th 1772 accor to Act.
Etching, part 18th century paper with watermark. Plate 178 x 127mm. 7 x 5". Tears to the edges.
A stout woman standing in profile, her hand is thrust beneath her apron, a bunch of keys hangs from her waist. She wears a cap, elbow sleeves, a figured handkerchief or scarf, and a straight full skirt over a quilted petticoat. She is Mrs. Owen, keeper of an inn at Epping, the Bald-Faced Stag in Epping Forest, a well-known inn and a resort of Londoners for venison feasts and City hunts. After Edward Topham (1751 - 1820). From 'Macaronies, Characters, Caricatures &c designed by the greatest personages, artists &c', in an album of caricatures published by Mary Darly dated January 1776. It seems that her husband Matthew made the plates. Numbered 'V.3' upper left and '10' upper right.
BM Satires: 5011.
[Ref: 21227] £130.00 (£156.00 incl.VAT)

Philippus Baldæus Delphensis V.D. M. Primo Annum in Punte Gale, Postea in Regno Iaffnapatnam in Insula Ceylon 8 Annos, Iam in Geervliet 2. Ætatis 38. A. 1671.
vr. Sÿdervelt. I:v P. A. Blooteling sculp.
[1671.]
Engraving. Plate: 275 x 190mm (10¾ x 7½'') very large margins.
A portrait of Dutch minister Philips Baldaeus (1632-1671) who travelled to Ceylon.
[Ref: 49119] £180.00 (£216.00 incl.VAT)

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