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The Good Child.  [&]  The Dunce.
The Good Child. [&] The Dunce.
W.R. Bigg Pinxt. W. Nutter Sculpt.
London Publishd. Jany. 1st: 1797 by W. Bond No.98 Charlotte Stt. Rathbone Place & ye. Proprietor No.60 Wilsted Street Sommers Town St Pancrass.
Pair of stipples, each sheet c.230 x 165mm. 9 x 6½". Trimmed to plates.
The contrasting fortunes of two children: the studious child at home has cheerfully mastered her lessons from a book, while her less fortunate contemporary has been told to stay behind after school to sweep the classroom; her fellow pupils are waved on their way home by the school master in the background. After William Redmore Bigg (1755 - 1828).
[Ref: 13551]   £320.00   view all images for this item
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[Girl with Scroll]
[Girl with Scroll]
London Pub by GT Stubbs No 97 High Street Maryle-bone April 9th 1798
Stipple with hand-colouring with small margins, platemark 455 x 325mm (18 x 12¾").
From a set of neoclassical stipples, 'Figures done after the Grecian Manner', published by George Townly Stubbs after designs by Anthony van Assen.
Ex: Kedleston collection; 'A Preliminary Checklist of Plates Engraved by George Townly Stubbs', no.102, in Christopher Lennox-Boyd et al, 'George Stubbs: The Complete Engraved Works'
[Ref: 28498]   £320.00  
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Grecque.
Grecque.
Guérard del. Imp. par Lemercier. Régnier lith.
Paris_ Jeannin, Place du Louvre, 20 et chez Desmaisons-Cabasson, Quai Voltaire, 15,
Tinted lithograph, with hand-colour. Sheet: 440 x 300mm (17¼ x 11¾''). Foxing in very large margins.
A portrait of a woman in Greek-style costume.
[Ref: 50140]   £230.00   (£276.00 incl.VAT)
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The Greek Girl.
The Greek Girl.
Geo. S. Newton [Gilbert Stuart Newton]. Geo. H. Philipps.
London: Published May 2, 1842, by Graves & Walmsley, Printseller's to Her Majesty, & H.R.H. Prince Albert, 6 Pall Mall.
Mixted method engraving on card. Sheet 290 x 215mm (11½ x 8½"). Trimmed to plate.
Portrait of a woman in Greek costume, hands clasped at her waist, wearing rings and bracelet, after Gilbert Stuart Newton (1794-1835, not George as this inscription). Similar works by Newton include 'A Cauchaise Girl', 'A Dutch Girl' and 'An English Girl'.
[Ref: 55652]   £160.00   (£192.00 incl.VAT)
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[Girl in Greek dress with peacock]
[Girl in Greek dress with peacock]
Painted by J. Northcote R.A. Engraved by H. Dawe
[n.d., c.1810]
Mezzotint with very large margins, rare; platemark 505 x 315mm (19¾ x 12½").
Girl in Greek dress, with a peacock to her right and a plant to her left. After James Northcote (1746-1831), painter and author. The engraver Henry Dawe (1790-1848) was part of a family of engravers, who like his brother George spent many years working in St Petersburg. Unfortunately during his career the technique of mezzotint, demonstrated so well here, went into decline as it was supplanted by lithography and engraving onto steel plates, both of which enabled publishers to make many good impressions whereas mezzotints yielded very few.
Ex: collection of the late Hon C. Lennox-Boyd;
[Ref: 36610]   £460.00  
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Plate 20. [Grinning Man.]
Plate 20. [Grinning Man.]
Gabr.l Smith fec.t.
[London: Carington Bowles, John Bowles & Robert Sayer, 1765.]
Crayon-manner etching. 330 x 230mm (13 x 9"), large margins. Small rust hole in unprinted area, stitch holes in left margin.
From 'The School of Art; or, most compleat drawing-book extant: consisting of an extensive series of well chosen examples, selected from the designs of those eminent masters Watteau, Boucher, Bouchardon, Le Brun, Eisen, &c. &c. engraved on sixty folio copper plates, and performed in a method which expresses the manner of handling the chalk, and the management and harmony of its tints in real drawings'.
BM: 1891,0511.316.20.
[Ref: 44235]   £120.00   (£144.00 incl.VAT)
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The Guardian Angel.
The Guardian Angel.
R. Cosway R.A. del. J. Ogborne sculp.
Pub Jan.y 1.st 1794 by J Ogborne No. 58 Great Portland St.
Stipple and etching, printed in colours. Sheet 260 x 195mm (10¼ x 7¾"). Trimmed within plate.
An angel kneeling, cradling a sleeping baby in his arms.
Daniell: 180.
[Ref: 57983]   £160.00   (£192.00 incl.VAT)
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[A woman and young girl.]
[A woman and young girl.]
Guercino del. [F. Bartolozzi sc.]
[London: J. & J. Boydell, c.1790s.]
Etching printed in brown ink on watermarked laid paper, first state before all letters. Initials lower right in image, maybe an artist's proof, 240 x 230mm, 9½ x 9". A fine impression with full margins.
After Giovanni Francesco Barbieri (1591 – 1666), known as Guercino. One of a number of prints after drawings by Guercino and other masters in the Royal Collection, etched by Francesco Bartolozzi (1728 - 1815). The original drawings by the Bolognese artist were acquired by the Earl of Bute while on his Grand Tour, and later given to George III. The king's librarian, Richard Dalton, met Bartolozzi in Italy in the early 1760s. This brought Bartolozzi to London in 1764 under Dalton’s employ. The plates were later bought by the London publishers John and Josiah Boydell, and published in two folio volumes. This appeared in Boydells' 'Eighty-two prints, engraved by F. Bartolozzi & c. from the original drawings of Guercino, in the collection of his Majesty'.
De Vesme 2215, only state.
[Ref: 21511]   £140.00   (£168.00 incl.VAT)
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[A woman and her child, with two men.]
[A woman and her child, with two men.]
[Guercino inv. F. Bartolozzi sc.]
[London: J. & J. Boydell, c.1790s.]
Etching printed in brown ink on watermarked laid paper, first state before all letters. 225 x 155mm, 9 x 6". A fine impression with full margins. Uncut.
After Giovanni Francesco Barbieri (1591 – 1666), known as Guercino. One of a number of prints after drawings by Guercino and other masters in the Royal Collection, etched by Francesco Bartolozzi (1728 - 1815). The original drawings by the Bolognese artist were acquired by the Earl of Bute while on his Grand Tour, and later given to George III. The king's librarian, Richard Dalton, met Bartolozzi in Italy in the early 1760s. This brought Bartolozzi to London in 1764 under Dalton’s employ. The plates were later bought by the London publishers John and Josiah Boydell, and published in two folio volumes. This appeared in Boydells' 'Eighty-two prints, engraved by F. Bartolozzi & c. from the original drawings of Guercino, in the collection of his Majesty'.
De Vesme 2170 [undescribed state].
[Ref: 21286]   £160.00   (£192.00 incl.VAT)
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[Bare-breasted woman playing a guitar with her lover.]
[Bare-breasted woman playing a guitar with her lover.]
D. Deuchar f.
[n.d., c.1803.]
Etching. 115 x 105mm (4½ x 4¼"), with wide margins.
A plate from 'A Collection of Etchings after the Most Eminent Masters of the Dutch and Flemish Schools'. David Deuchar (1743-1808), goldsmith and amateur etcher, in Edinburgh. c.1765 he and Alexander Deuchar were appointed Seal-Engravers to the Prince of Wales.
[Ref: 53256]   £80.00   (£96.00 incl.VAT)
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The Young Gipsy.
The Young Gipsy. Engraved from an original picture of Morelli in the possesion of Edw.d Fitzgerald of the temple Esq.r. To whom this plate is dedicated by his most obliged humble servant the proprietor John Boydell.
Morelli Pinx.t. S. F. Ravenet Sculp.
Publish'd according to act of parliament June 1st, 1762 by J. Boydell, engraver in Cheapside, London.
Engraving, very fine. Platemark: 400 x 290mm. (15¾ x 11¼"). Trimmed to platemark. Glued to sheet on one side.
Idealised representation of gypsy with child seen through trompe-l'oeil frame. A coat of arms is placed amongst the inscription underneath. After Bartolomeo Morelli (1629 - 1703).
From the Oettingen-Wallerstein Collection.
[Ref: 28397]   £220.00   (£264.00 incl.VAT)
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[The Gypsy] Spondeo divitius... verba dedissi.
[The Gypsy] Spondeo divitius... verba dedissi.
[C. Visscher.]
[Dutch, c.1650.]
Engraving, 365 x 305mm. 14½ x 12". Trimmed within plate, some loss image on three sides.
A seated woman in a landscape breast feeds her swaddled baby; a young child wails on her back and another clutches a jug and spoon expectant for food. By Cornelis Visscher (1628/9 - 1658).
[Ref: 18864]   £160.00   (£192.00 incl.VAT)
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[Five mezzotint heads, stitched together.]
[Five mezzotint heads, stitched together.]
J.J. Haid et filius excud: Aug. Vind.
Five mezzotints, stitched at top. Each c. 215 x 160mm, 8½ x 6¼". A rare collection. Uncut.
Five portraits, four untitled women and a man titled 'Le Baiser Rendu' (The received kiss). Published by Haid and Son; Johann Jakob Haid (1704-1767), the German painter and engraver, and founder of the big publishing house 'J.J. Haid'; and his son Johann Elias Haid (1736-1809) the German engraver, mezzotinter and publisher in Augsburg; son and pupil of Johann Jakob. These are possibly illustrations to Claude Joseph Dorat's (1734-1780) 1770s series of poems called 'Les Baisers'. Haid was a well-known publisher of popular subjects, these ones illustrating the magical power of the kiss
[Ref: 19530]   £1,000.00   view all images for this item
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Potus Calidæ Theiæ. Der Heise Theetranck.
Potus Calidæ Theiæ. Der Heise Theetranck.
I.I.Haid exud, A.V. [n.d., c.1760.]
Rare and fine mezzotint, 325 x 420mm (12¾ x 16½"), with very large margins. Slight stain and creased.
A woman making a cup of tea.
[Ref: 59635]   £490.00  
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[Woman in profile.]
[Woman in profile.]
H.D. Hamilton pinx.t. R. Laurie fecit.
[London, Printed for Robt Sayer No 53 Fleet Street, as the Act directs 20 Octr 1771.]
Mezzotint with thread margins, very rare, sheet 150 x 115mm (6 x 4½"). Trimmed inside plate at bottom, losing text.
Decorative mezzotint by engraver and printseller Robert Laurie (1755?-1836), after an early work by the Irish portrait and subject painter Hugh Douglas Hamilton (1740-1808). After building up a reputation in Ireland, Hamilton moved to Italy for thirteen years in 1779, where his work was popular among Irish Grand Tourists, before reluctantly returning to Ireland due to political events on the continent. One of few engravings made from Hamilton's work.
Ex: collection of the late Hon. C. Lennox-Boyd; CS 41.
[Ref: 36688]   £120.00   (£144.00 incl.VAT)
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[Woman in profile.]
[Woman in profile.]
H.D. Hamilton pinx.t. R. Laurie fecit.
London, Printed for Robt Sayer No 53 Fleet Street, as the Act directs 20 Octr 1771.
Mezzotint, very rare, sheet 150 x 115mm (6 x 4½"). Trimmed to image.
Decorative mezzotint by engraver and printseller Robert Laurie (1755?-1836), after an early work by the Irish portrait and subject painter Hugh Douglas Hamilton (1740-1808). After building up a reputation in Ireland, Hamilton moved to Italy for thirteen years in 1779, where his work was popular among Irish Grand Tourists, before reluctantly returning to Ireland due to political events on the continent. One of few engravings made from Hamilton's work.
CS 41.
[Ref: 41433]   £120.00   (£144.00 incl.VAT)
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[Man and Woman Embracing.] 20.
[Man and Woman Embracing.] 20.
Giorgione pinxit. Dom. Cunego sculpsit 1773.
Ex Tabula Romae in Aedibus Burghesianis asservata.
Engraving. 246 x 172mm (9¾ x 6¾"), with wide margins. Water stain lower left of margin.
A man and woman embracing. From "Schola Italica Picturae sive Selectae Quaedam Summorum e Schola Italica Pictorum Tabulae Aere Incisae Cura et Impensis Gavini Hamilton Pictoris", a series of forty plates.
[Ref: 31000]   £220.00   (£264.00 incl.VAT)
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[Catherine Viscountess Hampden.]
[Catherine Viscountess Hampden.]
[Painted by J. Hoppner, Engrav'd by J. Young.]
[Publish'd May 1st 1786, by J. Young No. 28 Newman Street, Oxford Street, London.]
Rare mezzotint, proof before all letters. 385 x 275mm (15¼ x 10¾"), with large margins. Title added in pencil.
A half-length portrait of Catherine Hampden (1749-1804), wife of Thomas 2nd Viscount Hampden, wearing large plumed hat, low dress and cape.
CS:32. state i of ii.
[Ref: 53488]   £360.00  
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Catherine Viscountess Hampden.
Catherine Viscountess Hampden.
Painted by J. Hoppner, Engrav'd by J. Young.
Publish'd May 1st 1786, by J. Young No. 28 Newman Street, Oxford Street, London.
Rare mezzotint. 385 x 275mm (15¼ x 10¾") large margins.
A half-length portrait of Catherine Hampden (1749-1804), wife of Thomas 2nd Viscount Hampden, wearing large plumed hat, low dress and cape.
CS:32. state ii of ii.
[Ref: 51809]   £320.00  
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[Portrait of a Man.]
[Portrait of a Man.]
[George Perfect Harding, c.1810.]
Watercolour and wash, 170 x 145mm (6¾ x 5¾"). Laid on album sheet.
A portrait of a man in an oval. Watercolour by George Perfect Harding (1779/80-1853), miniature painter. Harding devoted himself to producing minute copies in watercolour of works of historical and antiquarian interest. Examples of his work are in several major British institutions.
[Ref: 42346]   £220.00   (£264.00 incl.VAT)
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[Francis George Hare.]
[Francis George Hare.]
Painted by Sir Joshua Reynolds. Engrav'd by R. Thew.
Publish'd Mar. 25, 1790, by J. & J. Boydell, Cheapside, & at the Shakspeare Gallery, Pall Mall, London.
Rare stipple, proof before title. 250 x 200mm (9¾ x 8") large margins. Small hole in title area.
Portrait of Francis George Hare (1786-1847), aged about two, dressed in the chiffon frock fashionable for boys in that period. The third state titles it 'Infancy'. The original oil was presented to the Louvre by the heirs of Baron Alphonse de Rothschild.
Hamilton p.35, state ii of iii.
[Ref: 52160]   £180.00   (£216.00 incl.VAT)
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Hark!
Hark! "And sits with lively wonder on the shore, To hear, within her shell the ocean's roar." From the Original Picture in the Collection of F. Freeling Esq.r to whom this Print is respectfully Dedicated by his Oblig'd & Obed.t Serv.t Rob.t Cribb.
Painted by H. Howard Esq.r R.A. Engraved by I.C. Easling.
Published Feb.y 2. 1812, by Rob.t Cribb & Son, 288 High Holborn.
Mezzotint, very rare. 433 x 292mm. 17 x 11½". Trimmed under platemark.
A little girl with short hair kneeling on the sea-shore, directed to right, holding up her apron full of shells with her left hand, holding a shell to her left ear with the other and looking towards the viewer.
[Ref: 28161]   £220.00   (£264.00 incl.VAT)
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[Bearded man holding book]
[Bearded man holding book]
GH 1815 ft & pt
Etching, platemark 230 x 175mm (9 x 7"). Small margins.
Uncommon early etching by George Hayter (1792 - 1871), a notable English painter and printmaker. Hayter waas very well known for his portraits and large works involving in some cases several hundred individual portraits. Queen Victoria appreciated his merits and appointed him her Principal Painter in Ordinary and also awarded him a Knighthood 1841.
[Ref: 41717]   £240.00   (£288.00 incl.VAT)
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[Head of a man]
[Head of a man]
Thos. Worlidge Fecit 1754
Etching, platemark 130 x 100mm (5 x 4"). Very large margins; good impression.
Head of a man after Van Dyke, by Thomas Worlidge (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married.
W9?; Ex collection of the Late Hon. C. Lennox-Boyd.
[Ref: 33048]   £160.00   (£192.00 incl.VAT)
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[A bearded man in a hat] 2.
[A bearded man in a hat] 2.
[Jo. Henric Sperling Hamburg pinxit. Jo. Jac. Haid sculpsit et excudit A.V.
[Augsburg, Haid, c.1720.]
Scarce mezzotint proof before letters, 18th century watermark. 385 x 285mm (15¼ x 11¼"). Trimmed into plate at bottom, losing inscriptions, trimmed to plate at sides, small tears repaired.
[Ref: 57670]   £260.00   (£312.00 incl.VAT)
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[Head of a man]
[Head of a man]
Etch'd by the Rev Mr Bellamy [ms]
[c.1780]
Etching, sheet 130 x 115mm (5 x 4½"). Trimmed to platemark on three sides.
Unusual portrait etching by an amateur artist.
[Ref: 44128]   £130.00   (£156.00 incl.VAT)
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[Female head in profile]
[Female head in profile]
Bossi In. f. 1776.
Etching, platemark 125 x 90mm (5 x 3½") very large margins.
Rare etching by Benigno Bossi (1727-92), Italian artist, stuccoist and collector. This print comes from Bossi's series 'Fisonomie possibili' (c.1775-8), which date from Bossi's time in Parma. From 1766 Bossi was employed as a stucco artist at the Bourbon court in Parma, where he decorated the Palazzo del Giardino and helped to introduce the style of Central European Rococo.
[Ref: 44193]   £130.00   (£156.00 incl.VAT)
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[Head of a man]
[Head of a man]
Thos. Worlidge Fecit 1754
Etching, platemark 130 x 100mm (5 x 4"). Small margins; some surface loss
Head of a man after Van Dyck, by Thomas Worlidge (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married.
W9?; Ex collection of the Late Hon. C. Lennox-Boyd.
[Ref: 33047]   £60.00   (£72.00 incl.VAT)
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[Head of a man]
[Head of a man]
Sold by Chassereau & Pouncy Stationers in Long Acre [c.1770]
Engraving, sheet 135 x 125mm (5¼ x 5"). Trimmed to platemark, on album paper.
[Ref: 47794]   £60.00   (£72.00 incl.VAT)
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[Head of an old man]
[Head of an old man]
C Zofani pinxit FML f. 1765
Etching, platemark 200 x 150mm (8 x 6"). Slight loss in margin top right. Trimmed to plate.
Unusual and unidentifed etching.
[Ref: 40301]   £75.00   (£90.00 incl.VAT)
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[Man's head with a cap]
[Man's head with a cap]
TW [Thomas Worlidge] 1751
Etching, platemark 130 x 100mm (5¼ x 4"). Fine early impression with large margins.
Rembrandtesque portrait study by Thomas Worlidge (1700-66). The 'English Rembrandt', Worlidge was a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. First state before all numbers added.
State i/v; W23; D149.
[Ref: 32754]   £280.00   (£336.00 incl.VAT)
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[Man's head with a cap] [9 top left]
[Man's head with a cap] [9 top left]
TW [Thomas Worlidge] 1751.
Etching, 125 x 95mm (5¼ x 4"). Good impression; trimmed inside platemark; Signed verso 'J.B.' (for John Barnard, Lugt 1419).
Rembrandtesque portrait study by Thomas Worlidge (1700-66). The 'English Rembrandt', Worlidge was a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Lifetime impression from Collection of John Barnard (1709-84), print-collector and one of the foremost connoisseurs of his day.
State ii/v; W23; D149.
[Ref: 32755]   £240.00   (£288.00 incl.VAT)
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[Man's head with a cap] [9 top left, 29 bottom left]
[Man's head with a cap] [9 top left, 29 bottom left]
TW [Thomas Worlidge] 1751.
Etching, 125 x 95mm (5¼ x 4"). Trimmed on platemark; lifetime impression.
Rembrandtesque portrait study by Thomas Worlidge (1700-66). The 'English Rembrandt', Worlidge was a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married.
State iii/v; W23; D149.
[Ref: 32756]   £100.00   (£120.00 incl.VAT)
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[Man's head with a cap.]
[Man's head with a cap.]
TW [Thomas Worlidge] 1751.
London, Published by John Harwood, 26, Fenchurch Street.
Etching, platemark 125 x 95mm (5¼ x 4"). Worn impression with margins; crease in margins; on wove paper.
Rembrandtesque portrait study by Thomas Worlidge (1700-66). The 'English Rembrandt', Worlidge was a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. 19th century impression after the plate had been sold on to John Harwood.
State v/v; W23; D149.
[Ref: 32759]   £15.00   (£18.00 incl.VAT)
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[Man's head with a cap] [9 & 29 top left; 22 top right]
[Man's head with a cap] [9 & 29 top left; 22 top right]
TW [Thomas Worlidge] 1751.
Etching, platemark 125 x 95mm (5¼ x 4"). Good impression with large margins.
Rembrandtesque portrait study by Thomas Worlidge (1700-66). The 'English Rembrandt', Worlidge was a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Posthumous impression with number '22' added in top right by Worlidge's widow to correspond with number in her 1767 catalogue of his prints.
State iv/v; W23; D149.
[Ref: 32758]   £120.00   (£144.00 incl.VAT)
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[Man's head with a cap]
[Man's head with a cap]
TW [Thomas Worlidge] 1751.
Etching, platemark 125 x 95mm (5¼ x 4"). Thread margins; impression corrected by publisher for renumbering, with numbers 9 & 29 & 35 crossed off and '22' added in ink.
Rembrandtesque portrait study by Thomas Worlidge (1700-66). The 'English Rembrandt', Worlidge was a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. The corrections made to this impression are in advance of the posthumous edition of this print, with '22' printed in the top right.
State iii/v; W23; D149.
[Ref: 32757]   £120.00   (£144.00 incl.VAT)
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[Five heads.]
[Five heads.]
De Boissieu f.
[Etched c.1795 but a later printing.]
Etching on chine collé. 205 x 175mm (8 x 7"). Remains of album sheet on reverse.
Eight head studies, all representing middle-aged men, unshaved and wrinkled, by Jean Jacques de Boissieu (1736-1810).
[Ref: 55600]   £90.00   (£108.00 incl.VAT)
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[Sheet of head studies]
[Sheet of head studies]
Worlidge del. De Claussin f. 1809
Pub. Mar 1 1815 by E Dorrell No. 15 Upper Castle St. Leicester Sq.
Etching with very large margins, platemark 195 x 255mm (7¾ x 10").
Sheet of studies after Thomas Worlidge (1700-66), etched by Chevalier Ignace Joseph de Claussin (1766-1844), amateur etcher and collector of Rembrandt prints. This sheet was one of a set of eighteen plates published together in 1815, copied from work by Rembrandt and other artists admired by Claussin. Worlidge was often referred to as 'the English Rembrandt' because of similarities between the work of the two men.
Ex: Collection of the Late Honourable Christopher Lennox-Boyd.
[Ref: 32586]   £140.00   (£168.00 incl.VAT)
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[Two Levantine heads.] To Sir William Forbes Bar.t This plate is gratefully Inscribed by His much obliged, and most obedient Servant, Robert Blyth.
[Two Levantine heads.] To Sir William Forbes Bar.t This plate is gratefully Inscribed by His much obliged, and most obedient Servant, Robert Blyth. From an original Drawing of Mortimer, in the Collection of Richard Payne Knight Esqr. to whom this Plate is most humbly
Drawn by Mortimer Etched by R.Blyth.
London published as the Act directs Nov.r 1782 by R. Blyth No. 105 New Bond Street. [Watermarked 1820.]
Etching. 345 x 330mm (14 x 13"), with wide margins. Crack in platemark.
Two men with full beards, the closest in ceremonial dress. Etched by Robert Blyth after John Hamilton Mortimer (1740-79).
[Ref: 15876]   £140.00   (£168.00 incl.VAT)
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[Two levantine heads.] To Sir William Forbes Bar.t This plate is gratefully Inscribed by His much obliged, and most obedient Servant, Robert Blyth.
[Two levantine heads.] To Sir William Forbes Bar.t This plate is gratefully Inscribed by His much obliged, and most obedient Servant, Robert Blyth. From an original Drawing of Mortimer, in the Collection of Richard Payne Knight Esqr. to whom this Plate is most humbly
Drawn by Mortimer Etch'd by R.Blyth.
London publshed as the Act directs Nov.r 1782 by R. Blyth No. 105 New Bond Street. [Watermarked 1820.]
Etching. 345 x 330mm (14 x 13"), with very large margins.
A man with a full beard, with a woman behind. Etched by Robert Blyth after John Hamilton Mortimer (1740-79). Re-issued by Thomas Palser after Mortimer's death.
[Ref: 15878]   £160.00   (£192.00 incl.VAT)
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[Hearing.]
[Hearing.]
Debufe pinx.t. S.W. Reynolds sculp.t.
London 1st. May 1830. Published by Giraldon, Bovinet & Co.
Mezzotint, proof before title, printed on chine collé. 370 x 250mm (14½ x 9¾") very large margins.
A woman in a velvet dress tuning a harp.
Whitman: 360, state i of ii.
[Ref: 59335]   £260.00   (£312.00 incl.VAT)
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[Two children, a boy and older girl; possibly Katherine, Lady Heathcote.]
[Two children, a boy and older girl; possibly Katherine, Lady Heathcote.]
[Anon., c.1780.]
Stipple, oval, proof before all letters. 270 x 180mm, 10½ x 7". A fine impression, with small margins.
A pencil annotation to lower margin identifies the girl as Katherine Sophia, Lady Heathcote (1769 - 1825), wife of Sir Gilbert Heathcote, 4th Bt and daughter of Louisa Tollemache, Countess of Dysart.
[Ref: 17314]   £120.00   (£144.00 incl.VAT)
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Hebe.
Hebe.
Drawn by Huet Villiers, Miniature Painter to their Royal Highnesses the Duke and Duchess of York. Engraved by H.Cardon, Street Noel Square.
London Published April 1st 1817 by Walk, 37 Oxford Street.
Coloured stipple. 550 x 380mm. Some spotting in margins.
The Greek goddess of Youth.
[Ref: 6328]   £420.00  
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Hebe.
Hebe.
Willm. Hamilton, Pinxit. Facius's, Sculpserunt.
Publishd Augst. 1st. 1788, by John & Josiah Boydell, No.90, Cheapside London.
Stipple engraving with etching, 300 x 355mm (11¾ x 14"), with large, uncut margins.
Hebe, goddess of healing, youth and beauty, pouring water into a bowl from which Jupiter in the guise of an eagle drinks. By George Sigmund Facius (1750 - 1814), stipple engraver and mezzotinter, in collaboration with his brother Johann Gottlieb Facius (1750 - 1802 after).
[Ref: 8008]   £260.00   (£312.00 incl.VAT)
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Hebe.
Hebe.
Drawn by Huet Villiers Miniature Painter to their Royal Highnesses the Duke and Duchess of York. Engraved by C. Turner, Warren Street, Fitzroy Square.
London, Published Feby. 13th. 1817, by Alexr. Smith, 39, Fleet Street.
Very fine coloured mezzotint printed in colour. Plate 506 x 338mm (19¾ x 13¼").
Hebe, the Greek goddess of Youth.
Whitman: 762: Unrecorded 3rd state. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 14781]   £380.00  
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Hebe.
Hebe.
Drawn by T. Harper. Engraved by I. Thomson.
London: Published by W. Hayward, January 1.st 1842.
Stipple. 325 x 240mm. 12¾ x 9½". Some soiling.
Hebe, goddess of healing, youth and beauty, holding a drinking vessel, as a representation of the cup-bearer Jove, and feeding the immortal Eagle.
[Ref: 23379]   £140.00   (£168.00 incl.VAT)
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Hebe.
Hebe.
T. Lawrence del. C. Knight sculp.
Published May 2.nd 1808 by Edw.d Orme, London.
Coloured stipple, very fine. Plate 210 x 151mm (8¼ x 6"). Cut to platemark.
Head of a woman in clouds, with a large feather as a head-dress. Hebe, the goddess of youth; daughter of Zeus/Jupiter and Hera/Juno. She was the cup-bearer and handmaiden of the gods until she married Hercules after his apotheosis.
[Ref: 30432]   £190.00   (£228.00 incl.VAT)
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Hesitation.
Hesitation. Camilla's Lover proposes an Elopment.
London Published 1st Feb.y. 1796 by Haines & Son 19 Rolls Buildings Fetter Lane.
Mezzotint. Plate: 250 x 350mm (9¾ x 13¾"). Trimmed. Creasing and damage to top left corner. Tears and nicks to margins. Slight staining and paper tone.
Interior scene in which a young woman sits contemplating a letter in her lap, her head resting in one hand.
[Ref: 36031]   £180.00   (£216.00 incl.VAT)
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Elisabetha Rohnerin von Heyden Cant App Nata A1734.
Elisabetha Rohnerin von Heyden Cant App Nata A1734. In Diensten Ihr Wohl=Ehris Hrm Pfr: Kollers dasebst.
I.H.H. fecit.
Etching. 80 x 50mm (3¼ x 2"). Tipped onto card.
A woman's profile.
[Ref: 45177]   £75.00   (£90.00 incl.VAT)
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[Plate from Romeyn de Hooghe, 'Hieroglyphica']
[Plate from Romeyn de Hooghe, 'Hieroglyphica']
[first edition 1735]
Etching, sheet 175 x 135mm (7 x 5¼"). Trimmed; glued to backing sheet with slight stains.
Etching by Romeyn de Hooghe (1645-1708), Dutch artist working in various media, best known for his political caricatures of Louis XIV and his prints glorifying William III. Taken from de Hooghe's 'Hieroglyphica', first published posthumously in Amsterdam in 1735. De Hooghe both etched the plates and wrote the text of this iconographical treatise incorporating the iconography of various myths, cultures and religions from around the world. In the book, de Hooghe gives detailed accounts of the various elements in the image identified by letters.
[Ref: 40858]   £230.00   (£276.00 incl.VAT)
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