A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
![[The Little Bridge.]](jpegs/13412.jpg)
[The Little Bridge.]
E.A. Hope. 2/50. [pencil signature]
[n.d., c.1930.]
Etching, second strike of a limited editon of 50, signed by the artist. 300 x 300mm, 11¾ x 11¾".
An angler fishing in a city river, probably southern France. By Edith Amy Hope (1870 - 1942), Australian painter & printmaker.
Collection of Maj. J. B. Talbot, M.C.
[Ref: 13412] £260.00 (£312.00 incl.VAT)
E.A. Hope. 2/50. [pencil signature]
[n.d., c.1930.]
Etching, second strike of a limited editon of 50, signed by the artist. 300 x 300mm, 11¾ x 11¾".
An angler fishing in a city river, probably southern France. By Edith Amy Hope (1870 - 1942), Australian painter & printmaker.
Collection of Maj. J. B. Talbot, M.C.
[Ref: 13412] £260.00 (£312.00 incl.VAT)
I'ts Only a Little Crack! Can You See it Down There Eh?
Published at T. Wards Parisian Repository 105 Strand.
Very scarce handcoloured lithograph. Sheet: 200 x 300mm, (8 x 12").
A young woman stands on a ledge cleaning the window and examining a crack in the glass.
[Ref: 39464] £180.00 (£216.00 incl.VAT)
Published at T. Wards Parisian Repository 105 Strand.
Very scarce handcoloured lithograph. Sheet: 200 x 300mm, (8 x 12").
A young woman stands on a ledge cleaning the window and examining a crack in the glass.
[Ref: 39464] £180.00 (£216.00 incl.VAT)
The Little Domestic.
Drawn by R. Westall R.A. Engraved by Hellyer & Gaugain.
[Pub. May 1. 1802 by J. & J. Boydell, No. 90 Cheapside, & at the Shakespeare Gallery, Pall Mall, London.]
Stipple. 297 x 375mm. 11¾ x 14¾". Cut to platemark.
A young woman in a interior holds a bellows, waiting while a saucepan heats on the fire. After Richard Westall RA (1765-1836). A versatile artist, Westall became a full RA in 1794, and in the 1790s worked for both Boydell's Shakespeare Gallery and Fuseli's Milton Gallery. He later illustrated the works of Milton, Byron, Walter Scott and many other leading writers. The high point of Westall's career came in 1814 when he exhibited 312 of his pictures in a successful exhibition in Pall Mall, but from 1815 his fortunes declined and he died in penury.
See Ref: 14458 for printed in colour.
[Ref: 26586] £120.00 (£144.00 incl.VAT)
Drawn by R. Westall R.A. Engraved by Hellyer & Gaugain.
[Pub. May 1. 1802 by J. & J. Boydell, No. 90 Cheapside, & at the Shakespeare Gallery, Pall Mall, London.]
Stipple. 297 x 375mm. 11¾ x 14¾". Cut to platemark.
A young woman in a interior holds a bellows, waiting while a saucepan heats on the fire. After Richard Westall RA (1765-1836). A versatile artist, Westall became a full RA in 1794, and in the 1790s worked for both Boydell's Shakespeare Gallery and Fuseli's Milton Gallery. He later illustrated the works of Milton, Byron, Walter Scott and many other leading writers. The high point of Westall's career came in 1814 when he exhibited 312 of his pictures in a successful exhibition in Pall Mall, but from 1815 his fortunes declined and he died in penury.
See Ref: 14458 for printed in colour.
[Ref: 26586] £120.00 (£144.00 incl.VAT)
The little domestic.
Drawn by R. Westall R.A. Engraved by Hellyer & Gaugain.
Pub. May 1. 1802 by J. & J. Boydell, No. 90 Cheapside, & at the Shakespeare Gallery, Pall Mall, London.
Stipple engraving printed in colour. Image size 17 x 19¼". Unexamined out of frame.
A young woman in a interior holds a bellows, waiting while a saucepan heats on the fire. After Richard Westall RA (1765-1836). A versatile artist, Westall became a full RA in 1794, and in the 1790s worked for both Boydell's Shakespeare Gallery and Fuseli's Milton Gallery. He later illustrated the works of Milton, Byron, Walter Scott and many other leading writers. The high point of Westall's career came in 1814 when he exhibited 312 of his pictures in a successful exhibition in Pall Mall, but from 1815 his fortunes declined and he died in penury.
Richard J. Westall, 'Richard Westall' in the Oxford Dictionary of National Biography.
[Ref: 14458] £150.00 (£180.00 incl.VAT)
Drawn by R. Westall R.A. Engraved by Hellyer & Gaugain.
Pub. May 1. 1802 by J. & J. Boydell, No. 90 Cheapside, & at the Shakespeare Gallery, Pall Mall, London.
Stipple engraving printed in colour. Image size 17 x 19¼". Unexamined out of frame.
A young woman in a interior holds a bellows, waiting while a saucepan heats on the fire. After Richard Westall RA (1765-1836). A versatile artist, Westall became a full RA in 1794, and in the 1790s worked for both Boydell's Shakespeare Gallery and Fuseli's Milton Gallery. He later illustrated the works of Milton, Byron, Walter Scott and many other leading writers. The high point of Westall's career came in 1814 when he exhibited 312 of his pictures in a successful exhibition in Pall Mall, but from 1815 his fortunes declined and he died in penury.
Richard J. Westall, 'Richard Westall' in the Oxford Dictionary of National Biography.
[Ref: 14458] £150.00 (£180.00 incl.VAT)
The "Little Lucy", Steel Screw Steamer. Successful Voyage of a Steel Screw Steamer - (From the Engineer, August 27, 1859.)
T. G. Dutton, del.t et lith. Day & Son, Lith.rs to the Queen.
[n.d., c.1859.]
Tinted lithograph with large margins. Extremely rare. Sheet size: 400 x 515mm (15¾ x 20¼"). Creasing, some foxing. Loss to margins top left.
The 'Little Lucy', built in 1858 in Stockton, by Richardson, Duck & Co. was Teeside's first steel ship. It was built for river service in the Brazils, travelling from England to Bahia after it was originally due to be sent in loose plates and constructed on arrival. It was decided to test 'Little Lucy', sailing to Falmouth from the Tees before embarking across the Atlantic under sail and steam, to South America. The severe weather the ship successfully endured on this test trip proved that for such a small ship, she was a 'good and safe sea boat'. An explanation of the ship's construction and voyage is printed below the title.
[Ref: 35408] £650.00
T. G. Dutton, del.t et lith. Day & Son, Lith.rs to the Queen.
[n.d., c.1859.]
Tinted lithograph with large margins. Extremely rare. Sheet size: 400 x 515mm (15¾ x 20¼"). Creasing, some foxing. Loss to margins top left.
The 'Little Lucy', built in 1858 in Stockton, by Richardson, Duck & Co. was Teeside's first steel ship. It was built for river service in the Brazils, travelling from England to Bahia after it was originally due to be sent in loose plates and constructed on arrival. It was decided to test 'Little Lucy', sailing to Falmouth from the Tees before embarking across the Atlantic under sail and steam, to South America. The severe weather the ship successfully endured on this test trip proved that for such a small ship, she was a 'good and safe sea boat'. An explanation of the ship's construction and voyage is printed below the title.
[Ref: 35408] £650.00
Little Nell. Charles Dickens's Old Curiosity Shop.
Painted by Florence Graham. Engraved by E. Slocombe.
London Published November 1..st 1888 by Buck & Reid, 173, New Bond Street London W. New York M. Knoedler & C.º
Mezzotint. 505 x 380mm (19¾ x 15"), with large margins. Paper toned, edges chipped.
Little Nell seated in the Old Curiosity Shop.
[Ref: 65902] £260.00 (£312.00 incl.VAT)
Painted by Florence Graham. Engraved by E. Slocombe.
London Published November 1..st 1888 by Buck & Reid, 173, New Bond Street London W. New York M. Knoedler & C.º
Mezzotint. 505 x 380mm (19¾ x 15"), with large margins. Paper toned, edges chipped.
Little Nell seated in the Old Curiosity Shop.
[Ref: 65902] £260.00 (£312.00 incl.VAT)
![[Little Nell. Charles Dickens's Old Curiosity Shop.]](jpegs/65903.jpg)
[Little Nell. Charles Dickens's Old Curiosity Shop.]
Florence Graham. Edward Slocombe [pencil signatures].
London Published November 1..st 1888 by Buck & Reid, 173, New Bond Street London W. New York M. Knoedler & C.º
Mezzotint, proof before title, limited edition of 200 signed by the artist and engraver in pencil, Printseller's Association blindstamp, printed on parchment. 505 x 380mm (19¾ x 15"), with large margins. Mint.
Little Nell seated in the Old Curiosity Shop.
[Ref: 65903] £380.00
Florence Graham. Edward Slocombe [pencil signatures].
London Published November 1..st 1888 by Buck & Reid, 173, New Bond Street London W. New York M. Knoedler & C.º
Mezzotint, proof before title, limited edition of 200 signed by the artist and engraver in pencil, Printseller's Association blindstamp, printed on parchment. 505 x 380mm (19¾ x 15"), with large margins. Mint.
Little Nell seated in the Old Curiosity Shop.
[Ref: 65903] £380.00
![[Little Owl] Noctua Minor Aucuparia.](jpegs/50361.jpg)
[Little Owl] Noctua Minor Aucuparia.
[after Corenlis Nozeman.]
[Amsterdam, n.d., c.1790.]
Engraving with original hand colour. 420 x 280mm (16½ x 11"), 18th century watermark, very large margins.
An illustration of a Little Owl (Athene noctua) with a depiction of its egg. A plate from 'Nederlandsche vogelen' the first study of Dutch birds, published in parts from 1770-1829, with illustrations by Cornelius Nozeman, engraved by Christiaan Sepp, his son Jan Christiaan Sepp and grandson Jan Sepp.
[Ref: 50361] £220.00 (£264.00 incl.VAT)
[after Corenlis Nozeman.]
[Amsterdam, n.d., c.1790.]
Engraving with original hand colour. 420 x 280mm (16½ x 11"), 18th century watermark, very large margins.
An illustration of a Little Owl (Athene noctua) with a depiction of its egg. A plate from 'Nederlandsche vogelen' the first study of Dutch birds, published in parts from 1770-1829, with illustrations by Cornelius Nozeman, engraved by Christiaan Sepp, his son Jan Christiaan Sepp and grandson Jan Sepp.
[Ref: 50361] £220.00 (£264.00 incl.VAT)
Le Petit Physician. The Little Philosopher.
Pub.d Nov.r 1828, by A. Friedel, 34, Surrey Street, Strand, from a Painting by Caspar Netscher.
Rare lithograph. 406 x 266mm (16 x 10½"), with wide margins.
A young boy sat at a ledge, inside an arched frame on a window; he plays with bubbles and holds a pin ready to burst them.
[Ref: 24880] £95.00 (£114.00 incl.VAT)
Pub.d Nov.r 1828, by A. Friedel, 34, Surrey Street, Strand, from a Painting by Caspar Netscher.
Rare lithograph. 406 x 266mm (16 x 10½"), with wide margins.
A young boy sat at a ledge, inside an arched frame on a window; he plays with bubbles and holds a pin ready to burst them.
[Ref: 24880] £95.00 (£114.00 incl.VAT)
Little Pickle.
J.H.J. [Charles] Hunt scul.pt.
London Published by G.S.Tregear 123 Cheapside. [n.d., c.1826.]
Coloured aquatint. Sheet 290 x 215mm (11½ x 8½). Trimmed into image and around inscriptions.
A very well-dressed 'road-sweeper' with an ample picnic, with mustard pot and a wine bottle with corkscrew, begging for a bit of pickle. A satire on men in reduced circumstances.
Hickman: Pg 118
[Ref: 58492] £160.00 (£192.00 incl.VAT)
J.H.J. [Charles] Hunt scul.pt.
London Published by G.S.Tregear 123 Cheapside. [n.d., c.1826.]
Coloured aquatint. Sheet 290 x 215mm (11½ x 8½). Trimmed into image and around inscriptions.
A very well-dressed 'road-sweeper' with an ample picnic, with mustard pot and a wine bottle with corkscrew, begging for a bit of pickle. A satire on men in reduced circumstances.
Hickman: Pg 118
[Ref: 58492] £160.00 (£192.00 incl.VAT)
La Petite Espiegle. The Little Quiz.
Peint par E. Chatfield. Grave par R.H. Dyer.
Paris, chez Rittner, Boulevard Montmatre, 12. [n.d., c.1835.]
Stipple, 230 x 170mm. 9 x 6¾". A fine impression, uncut.
A girl looking over her left shoulder at the viewer, wearing a locket on a chain which she holds open in her hand; it appears to reveal a miniature bust portrait. Three lines of verse from 'Alastor, or The Spirit of Solitude' by Percy Bysshe Shelley, in French and English below each respective title. A French copy of an English print, after Edward Chatfield (1802 - 1839).
See BM: 1891,0511.153. Ex Collection Norman Blackburn.
[Ref: 18589] £160.00 (£192.00 incl.VAT)
Peint par E. Chatfield. Grave par R.H. Dyer.
Paris, chez Rittner, Boulevard Montmatre, 12. [n.d., c.1835.]
Stipple, 230 x 170mm. 9 x 6¾". A fine impression, uncut.
A girl looking over her left shoulder at the viewer, wearing a locket on a chain which she holds open in her hand; it appears to reveal a miniature bust portrait. Three lines of verse from 'Alastor, or The Spirit of Solitude' by Percy Bysshe Shelley, in French and English below each respective title. A French copy of an English print, after Edward Chatfield (1802 - 1839).
See BM: 1891,0511.153. Ex Collection Norman Blackburn.
[Ref: 18589] £160.00 (£192.00 incl.VAT)
La petite Rusée.
Painted by Sir Joshua Reynolds. Engraved by J.F. Bause 1784.
London Published 1. Jan.y 1785 by Wm Dickinson Nº 158 New Bond Street.
Stipple. 395 x 290mm (15½ x 11½"), large margins
A young girl wearing a tiara leaning on a stone pedestal.
Hamilton pg 149 iii of iii. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 67958] £280.00 (£336.00 incl.VAT)
Painted by Sir Joshua Reynolds. Engraved by J.F. Bause 1784.
London Published 1. Jan.y 1785 by Wm Dickinson Nº 158 New Bond Street.
Stipple. 395 x 290mm (15½ x 11½"), large margins
A young girl wearing a tiara leaning on a stone pedestal.
Hamilton pg 149 iii of iii. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 67958] £280.00 (£336.00 incl.VAT)
Le Petit Poliçon. Gravé d'apres l'Original peint par Godefroy Sckalken, (haut d'un pied 9 pounces et demi, large d'un pied 4 pounces et demi,) du Cabinet de S.E. Mr. de St Saphorin.
Peint par G. Sckalken. Gravé par J. Clarout 1708.
Rare mezzotint with very large margins. 375 x 265mm (14¾ x 10½").
'The Little Thief', a boy eating an egg, after Godfried Schalcken (1643-1706).
[Ref: 31263] £230.00 (£276.00 incl.VAT)
Peint par G. Sckalken. Gravé par J. Clarout 1708.
Rare mezzotint with very large margins. 375 x 265mm (14¾ x 10½").
'The Little Thief', a boy eating an egg, after Godfried Schalcken (1643-1706).
[Ref: 31263] £230.00 (£276.00 incl.VAT)
Trogan Meridionalis; (Swains) Little Trogan.
Drawn from Nature & on stone by J & E Gould. Printed by C. Hullmandel.
[n.d., c.1836.]
Hand-coloured lithograph. Sheet: 555 x 380mm (22 x 15"), with large margins.
A portrait of two Little Trogans. From John Gould's 'A Monograph of the Trogonidae or Family of Trogans' published in 20 monthly parts between 1836 and 1838. Illustrations were painted by John and Elizabeth Gould and text was written by N.A. Vigors.
[Ref: 47013] £240.00 (£288.00 incl.VAT)
Drawn from Nature & on stone by J & E Gould. Printed by C. Hullmandel.
[n.d., c.1836.]
Hand-coloured lithograph. Sheet: 555 x 380mm (22 x 15"), with large margins.
A portrait of two Little Trogans. From John Gould's 'A Monograph of the Trogonidae or Family of Trogans' published in 20 monthly parts between 1836 and 1838. Illustrations were painted by John and Elizabeth Gould and text was written by N.A. Vigors.
[Ref: 47013] £240.00 (£288.00 incl.VAT)
The Little Unknown. The above gentleman turns round to express his gratitude to the Ladies of London on account of the very handsome and flattering manner in which his proposals have been received by them; at the same time he is happy to inform them that he is still open to treaty, no matrimonial arrangement having been determined on...
Published by S.W. Fores, 41 Piccadilly for the Proprietor 1832.
Very scarce lithograph with hand colour. Sheet 310 x 245mm (12¼ x 9¾"). Laid on scrapbook page.
A racist satire, the second in a series of three, taking the form of a man advertising his desire to find a wife. Although the illustration makes it clear he is black, the text, written in the third person, includes the line 'he has already expressly stated that he is by no means a [n-word]', and makes in plain that he is looking for a white wife, not a 'sable lady'. He writes he can be viewed in Hyde Park or the Burlington Arcade if it is raining. The third print in the series (BM Satires 15154) shows him as a very short man, engaged to a white woman who towers above him; an ink and watercolour sketch in the Lewis Walpole collection (lwlpr13368), apparently unpublished, shows him with a son.
See BM 2006,0929.45 for very similar variant; Not in BM Satire, but see 15153 & 15154 for first and third plate.
[Ref: 53217] £390.00
Published by S.W. Fores, 41 Piccadilly for the Proprietor 1832.
Very scarce lithograph with hand colour. Sheet 310 x 245mm (12¼ x 9¾"). Laid on scrapbook page.
A racist satire, the second in a series of three, taking the form of a man advertising his desire to find a wife. Although the illustration makes it clear he is black, the text, written in the third person, includes the line 'he has already expressly stated that he is by no means a [n-word]', and makes in plain that he is looking for a white wife, not a 'sable lady'. He writes he can be viewed in Hyde Park or the Burlington Arcade if it is raining. The third print in the series (BM Satires 15154) shows him as a very short man, engaged to a white woman who towers above him; an ink and watercolour sketch in the Lewis Walpole collection (lwlpr13368), apparently unpublished, shows him with a son.
See BM 2006,0929.45 for very similar variant; Not in BM Satire, but see 15153 & 15154 for first and third plate.
[Ref: 53217] £390.00
[Thomas Littledale Esq.r of Rotterdam.
Painted by W.m Beechey A.R.A. Portrait Painter to Her Majesty. Engraved by T. Hardy.
[n.d., c.1790.]
Mezzotint. 355 x 255mm (14 x 10"). Time stained. Small margins.
A half-length portrait of Sir Thomas Littledale (1744-1809), originally of Whitehaven but who established a successful merchant house in Rotterdam, prominent in the tobacco trade, importing from the slave plantations of Virginia and Maryland.
CS 5. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 66520] £240.00 (£288.00 incl.VAT)
Painted by W.m Beechey A.R.A. Portrait Painter to Her Majesty. Engraved by T. Hardy.
[n.d., c.1790.]
Mezzotint. 355 x 255mm (14 x 10"). Time stained. Small margins.
A half-length portrait of Sir Thomas Littledale (1744-1809), originally of Whitehaven but who established a successful merchant house in Rotterdam, prominent in the tobacco trade, importing from the slave plantations of Virginia and Maryland.
CS 5. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 66520] £240.00 (£288.00 incl.VAT)
Sr. Edward Littleton Kt.
[R.Williams fecit.] Ant Van Dyck Eques pinxit.
[n.d., c.1690.]
Mezzotint, 310 x 250mm (12¼ x 10"). On 18th century watermarked paper. Trimmed close to plate. Crease from fold across the centre of image.
Portrait of Edward Littleton, 1st Baron Lyttleton (1589 - 1645), Chief Justice of North Wales. He was descended from the judge and legal scholar, Thomas de Littleton. His father, also Edward, had been Chief Justice of North Wales before him.
CS 33 iii of iii. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65471] £190.00 (£228.00 incl.VAT)
[R.Williams fecit.] Ant Van Dyck Eques pinxit.
[n.d., c.1690.]
Mezzotint, 310 x 250mm (12¼ x 10"). On 18th century watermarked paper. Trimmed close to plate. Crease from fold across the centre of image.
Portrait of Edward Littleton, 1st Baron Lyttleton (1589 - 1645), Chief Justice of North Wales. He was descended from the judge and legal scholar, Thomas de Littleton. His father, also Edward, had been Chief Justice of North Wales before him.
CS 33 iii of iii. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65471] £190.00 (£228.00 incl.VAT)
Edouard Zittleton. Premier Justicier d'Angleterre. d'Apres Vandick.
Touze d. Feme. Duflos.S.
A Paris chez Duflos le Jeune. [n.d. c.1780]
Engraving with hand colour. 277 x 168mm.
Edward Littleton, Lord Chief Justice. From 'Recueil d'estampes représentant les grades, les rangs et les dignités suivant le costume de toutes les nations existantes' by Pierre Duflos, published 1779-84. The original colour is particularly fine, with gold leaf highlights.
[Ref: 2166] £60.00 (£72.00 incl.VAT)
Touze d. Feme. Duflos.S.
A Paris chez Duflos le Jeune. [n.d. c.1780]
Engraving with hand colour. 277 x 168mm.
Edward Littleton, Lord Chief Justice. From 'Recueil d'estampes représentant les grades, les rangs et les dignités suivant le costume de toutes les nations existantes' by Pierre Duflos, published 1779-84. The original colour is particularly fine, with gold leaf highlights.
[Ref: 2166] £60.00 (£72.00 incl.VAT)
The true portraiture of Iudge Littleton the Famous English Lawyer.
[Robert Vaughan.]
[n.d. c.1628.]
Engraving. 197 x 140mm. 7¾ x 5½".
Thomas Littleton (1417-1481) was an English judge and legal writer. Frontipiece to Edward Coke's "The First Part of the Institutes of the Lawes of England. Or, A Commentarie upon Littleton, not the name of a lawyer onely, but of the law it selfe" (London [Adam Islip], 1628).
[Ref: 18423] £130.00 (£156.00 incl.VAT)
[Robert Vaughan.]
[n.d. c.1628.]
Engraving. 197 x 140mm. 7¾ x 5½".
Thomas Littleton (1417-1481) was an English judge and legal writer. Frontipiece to Edward Coke's "The First Part of the Institutes of the Lawes of England. Or, A Commentarie upon Littleton, not the name of a lawyer onely, but of the law it selfe" (London [Adam Islip], 1628).
[Ref: 18423] £130.00 (£156.00 incl.VAT)
The true portraiture of Iudge Littleton the Famous English Lawyer.
[after Robert Vaughan
[1684]
Engraving with large margins, 17th century watermarked paper. 197 x 140mm (7¾ x 5½").
Thomas Littleton (1417-1481), justice and legal writer. His celebrated treatise on tenures was printed anonymously within a year of his death, making it the first law book printed in England, and the most successful (going through more than ninety editions). Frontispiece to the 1684 edition of Sir Edward Coke's commentary on Littleton ("The First Part of the Institutes of the Lawes of England. Or, A Commentarie upon Littleton, not the name of a lawyer onely, but of the law it selfe"), copying the Robert Vaughan engraving used in the first 1628 edition. Vaughan's engraving was itself probably copied from a portrait formerly in the windows of Frankley church, where Littleton founded a chapel.
O'D 1; for Vaughan's engraving see ref. 18423.
[Ref: 35005] £160.00 (£192.00 incl.VAT)
[after Robert Vaughan
[1684]
Engraving with large margins, 17th century watermarked paper. 197 x 140mm (7¾ x 5½").
Thomas Littleton (1417-1481), justice and legal writer. His celebrated treatise on tenures was printed anonymously within a year of his death, making it the first law book printed in England, and the most successful (going through more than ninety editions). Frontispiece to the 1684 edition of Sir Edward Coke's commentary on Littleton ("The First Part of the Institutes of the Lawes of England. Or, A Commentarie upon Littleton, not the name of a lawyer onely, but of the law it selfe"), copying the Robert Vaughan engraving used in the first 1628 edition. Vaughan's engraving was itself probably copied from a portrait formerly in the windows of Frankley church, where Littleton founded a chapel.
O'D 1; for Vaughan's engraving see ref. 18423.
[Ref: 35005] £160.00 (£192.00 incl.VAT)
![[Music cover] La Lituana.](jpegs/21669.jpg)
[Music cover] La Lituana. Danced at Her Majesty's Theatre, by Madlle Cerito...
[J. Brandard.]
[London: Jefferys & Co., c.1845.]
Lithograph, illustrated sheet music cover. Sheet 265 x 185mm, 10½ x 7¼". Trimmed. A few stains.
Francesca Cerrito (1817- 1909), Italian ballet dancer and choreographer. By John Brandard (1812 - 1863), Victorian lithographer, engraver and illustrator.
Beaumont 113.
[Ref: 21669] £130.00 (£156.00 incl.VAT)
[J. Brandard.]
[London: Jefferys & Co., c.1845.]
Lithograph, illustrated sheet music cover. Sheet 265 x 185mm, 10½ x 7¼". Trimmed. A few stains.
Francesca Cerrito (1817- 1909), Italian ballet dancer and choreographer. By John Brandard (1812 - 1863), Victorian lithographer, engraver and illustrator.
Beaumont 113.
[Ref: 21669] £130.00 (£156.00 incl.VAT)
Giovanni Liverati.
Drawn on Stone, from Life by John Cardini.
Printed by C. Hullmandel. London. Pubd. by Colnaghi & Co. Pall Mall East. [n.d. c.1820.]
Lithograph on india. Image 177 x 103mm. Laid on sheet. Fine and rare.
Liverati, Giovanni (1772-1846). Dramatic singer and composer; born at Bologna. His early musical instruction was under Giuseppe and Ferdinand Tibbaldi, who were celebrated composers. At the age of fourteen he began to study under Abbate Mattei for piano, organ, thorough-bass and composition. Later he took singing lessons from Lorenzo Gibelli. At seventeen he had composed some psalms, and two years later appeared his first dramatic composition, a one-act opera. About the same time he composed a mass for two voices with organ accompaniment, also The Seven Words of Jesus Christ on the Cross, for three voices with wind accompaniment, and A Grand Requiem Mass. In early youth he had been a singer in churches and concerts, and in 1792 he became first tenor in the Italian Theatre in Barcelona. Afterwards he went to Madrid, and for several years he directed Italian Opera at Potsdam, besides performing the duties of chapel-master at Prague and Trieste. He went to Vienna in 1805, where he taught singing, remaining there until 1814, when he went to London as a composer to the King's Theatre. In Vienna he stood on terms of intimacy with the celebrated masters, Haydn, Beethoven, Kozeluch and Salieri. Liverati wrote fourteen operas; several cantatas; two oratorios; many vocal compositions; several stringed quartets; and much sacred music.
[Ref: 12653] £160.00 (£192.00 incl.VAT)
Drawn on Stone, from Life by John Cardini.
Printed by C. Hullmandel. London. Pubd. by Colnaghi & Co. Pall Mall East. [n.d. c.1820.]
Lithograph on india. Image 177 x 103mm. Laid on sheet. Fine and rare.
Liverati, Giovanni (1772-1846). Dramatic singer and composer; born at Bologna. His early musical instruction was under Giuseppe and Ferdinand Tibbaldi, who were celebrated composers. At the age of fourteen he began to study under Abbate Mattei for piano, organ, thorough-bass and composition. Later he took singing lessons from Lorenzo Gibelli. At seventeen he had composed some psalms, and two years later appeared his first dramatic composition, a one-act opera. About the same time he composed a mass for two voices with organ accompaniment, also The Seven Words of Jesus Christ on the Cross, for three voices with wind accompaniment, and A Grand Requiem Mass. In early youth he had been a singer in churches and concerts, and in 1792 he became first tenor in the Italian Theatre in Barcelona. Afterwards he went to Madrid, and for several years he directed Italian Opera at Potsdam, besides performing the duties of chapel-master at Prague and Trieste. He went to Vienna in 1805, where he taught singing, remaining there until 1814, when he went to London as a composer to the King's Theatre. In Vienna he stood on terms of intimacy with the celebrated masters, Haydn, Beethoven, Kozeluch and Salieri. Liverati wrote fourteen operas; several cantatas; two oratorios; many vocal compositions; several stringed quartets; and much sacred music.
[Ref: 12653] £160.00 (£192.00 incl.VAT)
Seacombe Ferry, Liverpool.
Drawn & Engraved by Will.m Daniell.
Published by Mess.rs Longman, & Co. Paternoster Row, & W. Daniell, 9 Cleveland St. Fitzroy Square, London. Sept.r, 1, 1815.
Aquatint with fine original hand colour. 230 x 300mm (9 x 12"). Large margins, uncut.
A view of the port of the Seacombe Ferry in Liverpool, with a crowd standing on a high wooden jetty at the right, and figures near the water below. A ship with three masts is in background to the left, with hills in the distance. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 36130] £190.00 (£228.00 incl.VAT)
Drawn & Engraved by Will.m Daniell.
Published by Mess.rs Longman, & Co. Paternoster Row, & W. Daniell, 9 Cleveland St. Fitzroy Square, London. Sept.r, 1, 1815.
Aquatint with fine original hand colour. 230 x 300mm (9 x 12"). Large margins, uncut.
A view of the port of the Seacombe Ferry in Liverpool, with a crowd standing on a high wooden jetty at the right, and figures near the water below. A ship with three masts is in background to the left, with hills in the distance. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 36130] £190.00 (£228.00 incl.VAT)
A Plan of the Town of Liverpool.
O'Connor Sculp.t 20 Rainsfords Gard.n.
[n.d., c.1800.]
Engraved map, 18th century watermark. On verso in ink Rich. Champney; 225 x 280mm (8¾ x 11"). Trimmed to plate top and bottom.
A detailed plan showing the docks.
[Ref: 56078] £160.00
O'Connor Sculp.t 20 Rainsfords Gard.n.
[n.d., c.1800.]
Engraved map, 18th century watermark. On verso in ink Rich. Champney; 225 x 280mm (8¾ x 11"). Trimmed to plate top and bottom.
A detailed plan showing the docks.
[Ref: 56078] £160.00
Pictorial Relics of Ancient Liverpool. Accompanied with Descriptions of the Antique Buildings, Etc. Compiled from Original Evidences, Private Muniments, and Unpublished Collections. By William Gawin Herdman, Author of The Illustrated Book of Fleetwood; A Folio of Continental Sketches; Ancient Liverpool, First Series; The Curvilinear Perspective of Nature; A Volume of Original Sacred Melodies, Etc. Etc.
Published by the Author. MDCCCLVII. [1857.] Liverpool: Printed by Henry Greenwood, Castle Street.
Subscriber's Copy. 4to (392 x 285mm. 15½ x 11¼"), blind-stamped full morocco gilt. Tinted lithograph title page and 49 plates, depicting 57 separate scenes (3 double-page) Cover slightly scuffed and rubbed; foxing across the pages.
A subscriber's copy of Herdman's larger compliation of drawings and images of Liverpool. Herdman (1805-82) was a self-taught painter who painted over 2000 watercolours on the environs of Liverpool. He exhibited at the RA from 1834-1861.
[Ref: 22108] £450.00 view all images for this item
Published by the Author. MDCCCLVII. [1857.] Liverpool: Printed by Henry Greenwood, Castle Street.
Subscriber's Copy. 4to (392 x 285mm. 15½ x 11¼"), blind-stamped full morocco gilt. Tinted lithograph title page and 49 plates, depicting 57 separate scenes (3 double-page) Cover slightly scuffed and rubbed; foxing across the pages.
A subscriber's copy of Herdman's larger compliation of drawings and images of Liverpool. Herdman (1805-82) was a self-taught painter who painted over 2000 watercolours on the environs of Liverpool. He exhibited at the RA from 1834-1861.
[Ref: 22108] £450.00 view all images for this item
Approaches to Liverpool. 1847. [with] Abstract of The Act, 9 & 10 Vic., c.100. For the Regulation of Steam Navigation, and for requiring Sea-going Vessels to carry Boats.
J.B. Leatherbarrow, lithog. So J.n Street.
Lithographic map. 220 x 260mm (8¾ x 10¼"), 12pp. pamphlet pasted to edge. Splits in folds.
A guide to navigating into Liverpool's port, with coastal landmarks marked and illustrations of the lighthouses around three sides. The accompanying pamphet, published in Liverpool, outlines the new requirements for lifeboats.
[Ref: 37621] £80.00
J.B. Leatherbarrow, lithog. So J.n Street.
Lithographic map. 220 x 260mm (8¾ x 10¼"), 12pp. pamphlet pasted to edge. Splits in folds.
A guide to navigating into Liverpool's port, with coastal landmarks marked and illustrations of the lighthouses around three sides. The accompanying pamphet, published in Liverpool, outlines the new requirements for lifeboats.
[Ref: 37621] £80.00
Exchange Buildings and Nelsons Monument.
Rol.t. Barrow del.t. Litho.g. by W. Crane Chester.
Published by Tho.s. Kaye 30 Castle Street. [n.d., c.1830.]
Lithograph. 340 x 225mm (13½ x 9").
Exterior view of the Exchange buildings and Nelsons Monument in Liverpool.
[Ref: 63215] £130.00 (£156.00 incl.VAT)
Rol.t. Barrow del.t. Litho.g. by W. Crane Chester.
Published by Tho.s. Kaye 30 Castle Street. [n.d., c.1830.]
Lithograph. 340 x 225mm (13½ x 9").
Exterior view of the Exchange buildings and Nelsons Monument in Liverpool.
[Ref: 63215] £130.00 (£156.00 incl.VAT)
Saint Johns' Market Liverpool.
Rol.t. Barrow del.t. W. Crane Litho.g. Chester
Published by Tho.s. Kaye 30 Castle Street. [n.d., c.1830.]
Rare lithograph. 340 x 225mm (13½ x 9").
Interior view of Saint Johns' Market, Liverpool.
[Ref: 63217] £130.00 (£156.00 incl.VAT)
Rol.t. Barrow del.t. W. Crane Litho.g. Chester
Published by Tho.s. Kaye 30 Castle Street. [n.d., c.1830.]
Rare lithograph. 340 x 225mm (13½ x 9").
Interior view of Saint Johns' Market, Liverpool.
[Ref: 63217] £130.00 (£156.00 incl.VAT)
Light House and Castle near Liverpool.
On Stone by L. Haghe. Painted by F. Calvert. Day & Haghe. Lith.rs. to the King 17, Gate St.
London, Pub.d. by R. Ackermann, 96, Strand, March 1832.
Very rare lithograph. 285 x 220mm (11¼ x 8¾"). India paper borders foxed.
View from the shore looking out to sea towards a light house and castle.
[Ref: 63218] £120.00 (£144.00 incl.VAT)
On Stone by L. Haghe. Painted by F. Calvert. Day & Haghe. Lith.rs. to the King 17, Gate St.
London, Pub.d. by R. Ackermann, 96, Strand, March 1832.
Very rare lithograph. 285 x 220mm (11¼ x 8¾"). India paper borders foxed.
View from the shore looking out to sea towards a light house and castle.
[Ref: 63218] £120.00 (£144.00 incl.VAT)
Liverpool.
On Stone by L. Haghe. Painted by F. Calvert. Day & Haghe. Lith.rs. to the King, Gate St.
London, Published by R. Ackermann, 96, Strand, March 1832.
Rare lithograph. 285 x 220mm (11¼ x 8¾"). India paper borders foxed.
View from the sea looking towards Liverpool.
[Ref: 63220] £160.00 (£192.00 incl.VAT)
On Stone by L. Haghe. Painted by F. Calvert. Day & Haghe. Lith.rs. to the King, Gate St.
London, Published by R. Ackermann, 96, Strand, March 1832.
Rare lithograph. 285 x 220mm (11¼ x 8¾"). India paper borders foxed.
View from the sea looking towards Liverpool.
[Ref: 63220] £160.00 (£192.00 incl.VAT)
Sketch of the Carriages on the Liverpool and Manchester Railway.
Drawn by Henry Austen, March, 1832. Printed by George Smith.
[Liverpool: T. Taylor, 1832.]
Rare wood engraving, sheet 145 x 300mm (5¾ x 11¾"). Trimmed with loss of publication line.
Two strips showing two trains of carriages, pulled by the steam locomotives 'Planet' (above) and 'Venus'; for passengers as well as wagons for livestock and goods. The line between Liverpool and Manchester was 31 miles (50 km) long and was built under the supervision of the Liverpool & Manchester Railway’s (LMR) chief engineer George Stephenson (1781-1848). Opened on 15 September 1830, it was the world’s first intercity railway. With numbered key to each car.
[Ref: 56998] £260.00 (£312.00 incl.VAT)
Drawn by Henry Austen, March, 1832. Printed by George Smith.
[Liverpool: T. Taylor, 1832.]
Rare wood engraving, sheet 145 x 300mm (5¾ x 11¾"). Trimmed with loss of publication line.
Two strips showing two trains of carriages, pulled by the steam locomotives 'Planet' (above) and 'Venus'; for passengers as well as wagons for livestock and goods. The line between Liverpool and Manchester was 31 miles (50 km) long and was built under the supervision of the Liverpool & Manchester Railway’s (LMR) chief engineer George Stephenson (1781-1848). Opened on 15 September 1830, it was the world’s first intercity railway. With numbered key to each car.
[Ref: 56998] £260.00 (£312.00 incl.VAT)
Sketch of the Carriages on the Liverpool and Manchester Railway.
Drawn by Henry Austen, March, 1832. Printed by George Smith.
Published by Thomas Taylor, Castle Street. [n.d. 1832.]
Hand coloured wood engraving. Sheet 155 x 300mm (6 x 11¾"). Creasing in the top left corner.
Two strips showing two trains of carriages, pulled by the steam locomotives 'Planet' (above) and 'Venus'; for passengers as well as wagons for livestock and goods. The line between Liverpool and Manchester was 31 miles (50 km) long and was built under the supervision of the Liverpool & Manchester Railway’s (LMR) chief engineer George Stephenson (1781-1848). Opened on 15 September 1830, it was the world’s first intercity railway. With numbered key to each car.
[Ref: 56999] £360.00
Drawn by Henry Austen, March, 1832. Printed by George Smith.
Published by Thomas Taylor, Castle Street. [n.d. 1832.]
Hand coloured wood engraving. Sheet 155 x 300mm (6 x 11¾"). Creasing in the top left corner.
Two strips showing two trains of carriages, pulled by the steam locomotives 'Planet' (above) and 'Venus'; for passengers as well as wagons for livestock and goods. The line between Liverpool and Manchester was 31 miles (50 km) long and was built under the supervision of the Liverpool & Manchester Railway’s (LMR) chief engineer George Stephenson (1781-1848). Opened on 15 September 1830, it was the world’s first intercity railway. With numbered key to each car.
[Ref: 56999] £360.00
Eisenbahn zwischen Liverpool and Manchester. 6ter Jahrgang. Tab II.
[n.d., c.1830].
Lithograph, sheet 190 x 240mm (7½ x 9½").
German print of the opening of the Liverpool and Manchester Railway 15th September 1830. The Duke of Wellington's train and other locomotives being readied for departure from Liverpool and people atop the Moorish Arch at Edge Hill wave and cheer.
[Ref: 57066] £140.00 (£168.00 incl.VAT)
[n.d., c.1830].
Lithograph, sheet 190 x 240mm (7½ x 9½").
German print of the opening of the Liverpool and Manchester Railway 15th September 1830. The Duke of Wellington's train and other locomotives being readied for departure from Liverpool and people atop the Moorish Arch at Edge Hill wave and cheer.
[Ref: 57066] £140.00 (£168.00 incl.VAT)
Travelling on the Liverpool and Manchester Railway. A Train of the First Class of Carriages, with the Mail.
Drawn by J. Shaw, Liverpool. Aquat.a by S.G. Hughes.
[n.d., 1860] But later.
Coloured aquatint. Sheet 295 x 630mm (11½ x 24¾").
A profiles of the 'Jupiter' locomotive and its carriages, built by Robert Stephenson and Company. Based on the print published by Ackermann in 1833, copying the artist and engraver's inscriptions.
[Ref: 58741] £220.00 (£264.00 incl.VAT)
Drawn by J. Shaw, Liverpool. Aquat.a by S.G. Hughes.
[n.d., 1860] But later.
Coloured aquatint. Sheet 295 x 630mm (11½ x 24¾").
A profiles of the 'Jupiter' locomotive and its carriages, built by Robert Stephenson and Company. Based on the print published by Ackermann in 1833, copying the artist and engraver's inscriptions.
[Ref: 58741] £220.00 (£264.00 incl.VAT)
Near Liverpool, looking towards Manchester. 11.
T. T. Bury. H. Pyall, sculp.t.
London, Pub.d. by R. Ackermann, 96 Strand, 1831.
Fine hand-coloured aquatint. Platemark: 255 x 290mm (10 x 11¼"). Very slight timestaining.
A view depicting a new railway line, with a train approaching from under a bridge. Several bridges are seen in the distance, as figures walk along the bank, one walking along the tracks. From 'Coloured views of the Liverpool and Manchester railway, with plates of the Coaches, Machines. &c. from drawings made on the spot by T. T. Bury. with descriptive particulars, serving as a guide to Travellers on the Railway. London.' published by Ackermann in 1831.
Abbey, Life: 400.
[Ref: 65653] £280.00 (£336.00 incl.VAT)
T. T. Bury. H. Pyall, sculp.t.
London, Pub.d. by R. Ackermann, 96 Strand, 1831.
Fine hand-coloured aquatint. Platemark: 255 x 290mm (10 x 11¼"). Very slight timestaining.
A view depicting a new railway line, with a train approaching from under a bridge. Several bridges are seen in the distance, as figures walk along the bank, one walking along the tracks. From 'Coloured views of the Liverpool and Manchester railway, with plates of the Coaches, Machines. &c. from drawings made on the spot by T. T. Bury. with descriptive particulars, serving as a guide to Travellers on the Railway. London.' published by Ackermann in 1831.
Abbey, Life: 400.
[Ref: 65653] £280.00 (£336.00 incl.VAT)
Near Liverpool, looking towards Manchester.
T. T. Bury. H. Pyall, sculp.t.
London, Pub.d. by R. Ackermann, 96 Strand, 1831.
Fine hand-coloured aquatint. Platemark: 255 x 290mm (10 x 11¼"). Some staining along edges.
A view depicting a new railway line, with a train approaching from under a bridge. Several bridges are seen in the distance, as figures walk along the bank, one walking along the tracks. From 'Coloured views of the Liverpool and Manchester railway, with plates of the Coaches, Machines. &c. from drawings made on the spot by T. T. Bury. with descriptive particulars, serving as a guide to Travellers on the Railway. London.' published by Ackermann in 1831.
Abbey, Life: 400.
[Ref: 40016] £160.00 (£192.00 incl.VAT)
T. T. Bury. H. Pyall, sculp.t.
London, Pub.d. by R. Ackermann, 96 Strand, 1831.
Fine hand-coloured aquatint. Platemark: 255 x 290mm (10 x 11¼"). Some staining along edges.
A view depicting a new railway line, with a train approaching from under a bridge. Several bridges are seen in the distance, as figures walk along the bank, one walking along the tracks. From 'Coloured views of the Liverpool and Manchester railway, with plates of the Coaches, Machines. &c. from drawings made on the spot by T. T. Bury. with descriptive particulars, serving as a guide to Travellers on the Railway. London.' published by Ackermann in 1831.
Abbey, Life: 400.
[Ref: 40016] £160.00 (£192.00 incl.VAT)
![[Two items of Liverpool maritime insurance interest.]](jpegs/40969.jpg)
[Two items of Liverpool maritime insurance interest.]
[1876 & 1902.]
4pp. letterpress prospectus and a pen & ink sketch. Prospectus battered.
A prospectus for 'The Sea Insurance Company' of 1876; and a study for an invitation to the 'Liverpool Underwriter's Association Centenary Banquet', 1902; with the letterhead of the above.
[Ref: 40969] £80.00 (£96.00 incl.VAT) view all images for this item
[1876 & 1902.]
4pp. letterpress prospectus and a pen & ink sketch. Prospectus battered.
A prospectus for 'The Sea Insurance Company' of 1876; and a study for an invitation to the 'Liverpool Underwriter's Association Centenary Banquet', 1902; with the letterhead of the above.
[Ref: 40969] £80.00 (£96.00 incl.VAT) view all images for this item
Entrance to the Liverpool Station.
Printed by C. Hullmandel. [n.d., c.1830.]
Rare Lithograph, sheet 175 x 115mm. 7 x 4½". Sheet trimmed; corner tips clipped.
The first railway station at Liverpool at Crown Street, and tunnels, on the Liverpool & Manchester Railway (LMR), the world's first inter-city railway. By 1836 Crown Street had stopped being a passenger station and had been relegated to a goods and engineering maintenance depot. The LMR opened on 15 September 1830, and linked the textiles centre of Manchester, Lancashire with Liverpool, the most important port in the north of England.
[Ref: 18295] £130.00 (£156.00 incl.VAT)
Printed by C. Hullmandel. [n.d., c.1830.]
Rare Lithograph, sheet 175 x 115mm. 7 x 4½". Sheet trimmed; corner tips clipped.
The first railway station at Liverpool at Crown Street, and tunnels, on the Liverpool & Manchester Railway (LMR), the world's first inter-city railway. By 1836 Crown Street had stopped being a passenger station and had been relegated to a goods and engineering maintenance depot. The LMR opened on 15 September 1830, and linked the textiles centre of Manchester, Lancashire with Liverpool, the most important port in the north of England.
[Ref: 18295] £130.00 (£156.00 incl.VAT)
Liverpool Station and Entrance to the Tunnels. Liverpool and Manchester Rail Road.
[Lithog.d by W. Crane., c.1831.]
Lithograph, rare. 152 x 108mm (6 x 4¼"). Trimmed.
A view of Crown Street station and tunnels on the Liverpool & Manchester Railway (LMR), the world's first inter-city railway. The first railway station at Liverpool was at Crown Street, which by 1836 had stopped being a passenger station and had been relegated to a goods and engineering maintenance depot. The LMR opened on 15 September 1830, and linked the textiles centre of Manchester, Lancashire with Liverpool, the most important port in the north of England.
[Ref: 28940] £140.00 (£168.00 incl.VAT)
[Lithog.d by W. Crane., c.1831.]
Lithograph, rare. 152 x 108mm (6 x 4¼"). Trimmed.
A view of Crown Street station and tunnels on the Liverpool & Manchester Railway (LMR), the world's first inter-city railway. The first railway station at Liverpool was at Crown Street, which by 1836 had stopped being a passenger station and had been relegated to a goods and engineering maintenance depot. The LMR opened on 15 September 1830, and linked the textiles centre of Manchester, Lancashire with Liverpool, the most important port in the north of England.
[Ref: 28940] £140.00 (£168.00 incl.VAT)
Liverpool.
London, Publish'd Decr. 1, 1804, by T. Woodfall, Villiers St. Strand.
Hand coloured aquatint, sheet 200 x 250mm. 7¾ x 9¾". Trimmed within plate.
The theatre at Liverpool. Plate to 'The Theatric Tourist; being a genuine collection of ... views, with brief ... accounts of all the principal provincial theatres in the United Kingdom. By a Theatric Amateur (James Winston).'
Abbey Scenery: 29, 16.
[Ref: 11538] £110.00 (£132.00 incl.VAT)
London, Publish'd Decr. 1, 1804, by T. Woodfall, Villiers St. Strand.
Hand coloured aquatint, sheet 200 x 250mm. 7¾ x 9¾". Trimmed within plate.
The theatre at Liverpool. Plate to 'The Theatric Tourist; being a genuine collection of ... views, with brief ... accounts of all the principal provincial theatres in the United Kingdom. By a Theatric Amateur (James Winston).'
Abbey Scenery: 29, 16.
[Ref: 11538] £110.00 (£132.00 incl.VAT)
View in the Liverpool Vaults, Cheltenham.
Radclyffes & Co, Birmingham.
[n.d., c.1840.]
Engraving. Sheet 105 x 160mm (4¼ x 6¼"). Trimmed within plate.
The cellar of Mills Brothers wine merchant, in Regent Street, Cheltenham, filled with barrels and bottles on racks. Their merchandise would have been imported through Liverpool docks.
[Ref: 42065] £95.00 (£114.00 incl.VAT)
Radclyffes & Co, Birmingham.
[n.d., c.1840.]
Engraving. Sheet 105 x 160mm (4¼ x 6¼"). Trimmed within plate.
The cellar of Mills Brothers wine merchant, in Regent Street, Cheltenham, filled with barrels and bottles on racks. Their merchandise would have been imported through Liverpool docks.
[Ref: 42065] £95.00 (£114.00 incl.VAT)
![Une Vie de Garcon. [&] Une Vie de Femme.](jpegs/32173.jpg)
Une Vie de Garcon. [&] Une Vie de Femme.
[n.d., c.1840.]
Pair of coloured lithographs, scarce. Excised and laid on album paper, each c. 270 x 205mm (10½ x 8").
Pair of plates, each made up of eight vignette scenes in rings around the titles, with idyllic scenes of the lives of a young man and woman.
[Ref: 32173] £360.00 view all images for this item
[n.d., c.1840.]
Pair of coloured lithographs, scarce. Excised and laid on album paper, each c. 270 x 205mm (10½ x 8").
Pair of plates, each made up of eight vignette scenes in rings around the titles, with idyllic scenes of the lives of a young man and woman.
[Ref: 32173] £360.00 view all images for this item
Studies from Nature.
Painted Engraved & Published by James Ward, Painter & Engraver to H.R.H. the Prince of Wales, no.6, Newman Street, London.
Very fine mezzotint. Plate: 500 x 380mm (19¾ x 15"), with very large margins.
Very unusual collection of studies of chickens and ducks with the heads and feet of older birds. Head of greyhound, head of goat and calf, also feet of goats and calves. A prolific artist, James Ward. R.A (1769-1859) was one of the finest animal, portrait, and landscape painters of Regency England.
Frankau: 76. Ex: Collection the Hon. C. Lennox-Boyd.
[Ref: 40101] £850.00
Painted Engraved & Published by James Ward, Painter & Engraver to H.R.H. the Prince of Wales, no.6, Newman Street, London.
Very fine mezzotint. Plate: 500 x 380mm (19¾ x 15"), with very large margins.
Very unusual collection of studies of chickens and ducks with the heads and feet of older birds. Head of greyhound, head of goat and calf, also feet of goats and calves. A prolific artist, James Ward. R.A (1769-1859) was one of the finest animal, portrait, and landscape painters of Regency England.
Frankau: 76. Ex: Collection the Hon. C. Lennox-Boyd.
[Ref: 40101] £850.00
Living Made Easy. Easy Mode of Courtship.
Printed by J. Netherclift.
London, Pubd. by T. McLean, 26, Haymarket. Jan. 7. 1830.
Engraving with later hand-colouring, sheet 185 x 275mm (7¼ x 10¾"). Cut within plate and laid on card. Mountburn. 2 foxing marks in title.
A man strolls through a park with an advertisement for a wife on his back. Promenading people stop to stare.
[Ref: 60986] £160.00 (£192.00 incl.VAT)
Printed by J. Netherclift.
London, Pubd. by T. McLean, 26, Haymarket. Jan. 7. 1830.
Engraving with later hand-colouring, sheet 185 x 275mm (7¼ x 10¾"). Cut within plate and laid on card. Mountburn. 2 foxing marks in title.
A man strolls through a park with an advertisement for a wife on his back. Promenading people stop to stare.
[Ref: 60986] £160.00 (£192.00 incl.VAT)
David Livingstone, Esq.re LL.d. H.M. Consul at Quillimane, East Africa. 'Supplement to The Illustrated News of the World.'
Engraved by D.J. Pound from a Photograph by Mayall.
The London Joint Stock Newspaper Company Limited. Office, 199, Strand, London [n.d., 1857.]
Engraving. Sheet 415 x 285mm (16¼ x 11¼"). Slight damage left corner.
Half length portrait of David Livingstone (1813-1873), legendary missionary and explorer who was the first European to travel across southern Africa from coast to coast. This image was published the year he issued his book 'Missionary travels and researches in South Africa'.
[Ref: 35851] £90.00 (£108.00 incl.VAT)
Engraved by D.J. Pound from a Photograph by Mayall.
The London Joint Stock Newspaper Company Limited. Office, 199, Strand, London [n.d., 1857.]
Engraving. Sheet 415 x 285mm (16¼ x 11¼"). Slight damage left corner.
Half length portrait of David Livingstone (1813-1873), legendary missionary and explorer who was the first European to travel across southern Africa from coast to coast. This image was published the year he issued his book 'Missionary travels and researches in South Africa'.
[Ref: 35851] £90.00 (£108.00 incl.VAT)
The Meeting of Stanley and Livingstone.
[n.d., c.1875.]
Tinted lithograph. Printed area 235 x 155mm (9¼ x 6¼").
The famous scene of Stanley's meeting with the 'lost' explorer David Livingstone on the 10th November 1871.
[Ref: 30241] £60.00 (£72.00 incl.VAT)
[n.d., c.1875.]
Tinted lithograph. Printed area 235 x 155mm (9¼ x 6¼").
The famous scene of Stanley's meeting with the 'lost' explorer David Livingstone on the 10th November 1871.
[Ref: 30241] £60.00 (£72.00 incl.VAT)
![[David Livingstone.]](jpegs/35350.jpg)
[David Livingstone.]
[After Henry Phillips.]
[n.d., c.1850.]
Engraving on india with very large margins, proof before all letters. Plate: 150 x 230mm (6 x 9"). Uncut.
Half length portrait of David Livingstone (1813-1873), legendary missionary and explorer who was the first European to travel across southern Africa from coast to coast. This image was used as the frontispiece to Livingstone's book 'Missionary travels and researches in South Africa' (1857).
[Ref: 35350] £95.00 (£114.00 incl.VAT)
[After Henry Phillips.]
[n.d., c.1850.]
Engraving on india with very large margins, proof before all letters. Plate: 150 x 230mm (6 x 9"). Uncut.
Half length portrait of David Livingstone (1813-1873), legendary missionary and explorer who was the first European to travel across southern Africa from coast to coast. This image was used as the frontispiece to Livingstone's book 'Missionary travels and researches in South Africa' (1857).
[Ref: 35350] £95.00 (£114.00 incl.VAT)
![[The Meeting of Livingstone and Stanley.]](jpegs/30240.jpg)
[The Meeting of Livingstone and Stanley.] This engraving, for which I Supplied the materials represents my meeting with Dr. Livingstone at Ujiji, Lake Tanganyika; and is correct as if the scene had been photographed. Henry M. Stanley [facsimile signature].
Extra Supplement to the Illustrated London News, August 10, 1872.
Wood engraving. 370 x 495mm (14½ x 19½").
The famous scene of Stanley's meeting with the 'lost' explorer David Livingstone on the 10th November 1871.
[Ref: 30240] £160.00 (£192.00 incl.VAT)
Extra Supplement to the Illustrated London News, August 10, 1872.
Wood engraving. 370 x 495mm (14½ x 19½").
The famous scene of Stanley's meeting with the 'lost' explorer David Livingstone on the 10th November 1871.
[Ref: 30240] £160.00 (£192.00 incl.VAT)
Veduta di Livorno. View of Leghorn.
Gustavo Mellini dis. 1826. Antonio Verico inc.
A Livorno presso Gio. Batta. Guerrazzi, Via Ferdinanda, No. 90.
Rare engraving. Plate: 500 x 390mm (19¾ x 15¼"), with very large margins.
A view of the Tuscan port city Livorno from the sea showing the lighthouse, harbour and the hills beyond.
[Ref: 40971] £460.00
Gustavo Mellini dis. 1826. Antonio Verico inc.
A Livorno presso Gio. Batta. Guerrazzi, Via Ferdinanda, No. 90.
Rare engraving. Plate: 500 x 390mm (19¾ x 15¼"), with very large margins.
A view of the Tuscan port city Livorno from the sea showing the lighthouse, harbour and the hills beyond.
[Ref: 40971] £460.00
Entrée des Francais dans Livourne. le 11 Messidor An 4.
Dessiné par Carle Vernet. Gravé à l’eau forte par Duplessi-Bertaux. Terminé par Dambrun.
[Paris: Auber, 1804.]
Etching. Plate 297 x 411mm (11¾ x 16"). Trimmed to plate along lower edge, scuffing to upper image right; foxing to margin areas.
English warships sailing in the vicinity of Livorno stopped at the docks in the years 1792-1796. These ships and their occupants were involved in the English response to the French Revolutionary Wars: Livorno was then used as a supply harbour for the British Mediterranean fleet until the French entered the city during the summer 1796. All English merchant families were forced to flee the town and were able to return only after 1797. Published in the 'Collection complète des tableaux historiques de la révolution française'.
RMG: PAG8938.
[Ref: 28303] £140.00 (£168.00 incl.VAT)
Dessiné par Carle Vernet. Gravé à l’eau forte par Duplessi-Bertaux. Terminé par Dambrun.
[Paris: Auber, 1804.]
Etching. Plate 297 x 411mm (11¾ x 16"). Trimmed to plate along lower edge, scuffing to upper image right; foxing to margin areas.
English warships sailing in the vicinity of Livorno stopped at the docks in the years 1792-1796. These ships and their occupants were involved in the English response to the French Revolutionary Wars: Livorno was then used as a supply harbour for the British Mediterranean fleet until the French entered the city during the summer 1796. All English merchant families were forced to flee the town and were able to return only after 1797. Published in the 'Collection complète des tableaux historiques de la révolution française'.
RMG: PAG8938.
[Ref: 28303] £140.00 (£168.00 incl.VAT)