A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
![[Carl Linnaeus.] Deus creavit Linnaeus disposuit.](jpegs/58655.jpg)
[Carl Linnaeus.] Deus creavit Linnaeus disposuit.
J. Heath Sculp.t.
[London: E. Hobson and B. and J. White, 1794.]
Proof stipple engraving. Sheet 220 x 135mm (8¾ x 5¼") Trimmed within plate.
Oval portrait in profile of Carl Linnaeus (1707-78), Swedish botanist, physician and zoologist who laid the foundations for the modern scheme of nomenclature. The frontispiece to Stoever's 'The life of Sir Charles Linnaeus'.
[Ref: 58655] £95.00 (£114.00 incl.VAT)
J. Heath Sculp.t.
[London: E. Hobson and B. and J. White, 1794.]
Proof stipple engraving. Sheet 220 x 135mm (8¾ x 5¼") Trimmed within plate.
Oval portrait in profile of Carl Linnaeus (1707-78), Swedish botanist, physician and zoologist who laid the foundations for the modern scheme of nomenclature. The frontispiece to Stoever's 'The life of Sir Charles Linnaeus'.
[Ref: 58655] £95.00 (£114.00 incl.VAT)
Linnaeus in his Lapland Dress. From an original Picture in the possession of Dr. Thornton.
Hoffman pinxt. H. Kingsbury sculpt.
London published by Dr. Thornton June 1805.
Mezzotint, printed in colours. 510 x 350mm (20 x 13¾"). Slightly rubbed, 4cm break on platemark lower left.
Carolus Linnaeus the elder, 1707-1778, a plant with a label attached in one hand, a shaman's drum in the other. An inscription on the drum reads 'Carolus Linnaeus a Lapponia redux aetat 30, anno 1737 / Mart Hoffman fecit.' An illustration from Robert Thornton's 'Illustration of the Sexual System of Carolus von Linnaeus'.
[Ref: 3212] £650.00
Hoffman pinxt. H. Kingsbury sculpt.
London published by Dr. Thornton June 1805.
Mezzotint, printed in colours. 510 x 350mm (20 x 13¾"). Slightly rubbed, 4cm break on platemark lower left.
Carolus Linnaeus the elder, 1707-1778, a plant with a label attached in one hand, a shaman's drum in the other. An inscription on the drum reads 'Carolus Linnaeus a Lapponia redux aetat 30, anno 1737 / Mart Hoffman fecit.' An illustration from Robert Thornton's 'Illustration of the Sexual System of Carolus von Linnaeus'.
[Ref: 3212] £650.00
Æsculapius, Flora, Ceres and Cupid honouring the Bust of Linnæus.
Russell R. A. and Opie R. A. pinx. Caldwell sculp.
London, Published by D.r Thornton, April 1, 1806.
Fine stipple with hand-colour. Plate: 510 x 380mm (20 x 15"). Light mount burn. Cracking around the plate.
The frontis to Dr Thornton's 'Temple of Flora' showing Classical figures crowing the bust of Swedish botanist and zoologist Carl Linneaus (1707-1778).
See 16742 for b/w impression.
[Ref: 47882] £380.00
Russell R. A. and Opie R. A. pinx. Caldwell sculp.
London, Published by D.r Thornton, April 1, 1806.
Fine stipple with hand-colour. Plate: 510 x 380mm (20 x 15"). Light mount burn. Cracking around the plate.
The frontis to Dr Thornton's 'Temple of Flora' showing Classical figures crowing the bust of Swedish botanist and zoologist Carl Linneaus (1707-1778).
See 16742 for b/w impression.
[Ref: 47882] £380.00
Carolus Linneo.
Tramontini dis. Felice Zuliani inc.
per Dalla Libera [Italian, n.d. c.1800].
Engraving. Sheet 330 x 235mm (13 x 9¼"). Tears in edges.
Portrait of Carl Linnaeus (1707-1778) the Swedish botanist, physician and zoologist, who laid the foundations for the modern scheme of binomial nomenclature. He is often referred to as the father of modern taxonomy, and also considered one of the fathers of modern ecology.
Wellcome 1778, 18.
[Ref: 53121] £130.00 (£156.00 incl.VAT)
Tramontini dis. Felice Zuliani inc.
per Dalla Libera [Italian, n.d. c.1800].
Engraving. Sheet 330 x 235mm (13 x 9¼"). Tears in edges.
Portrait of Carl Linnaeus (1707-1778) the Swedish botanist, physician and zoologist, who laid the foundations for the modern scheme of binomial nomenclature. He is often referred to as the father of modern taxonomy, and also considered one of the fathers of modern ecology.
Wellcome 1778, 18.
[Ref: 53121] £130.00 (£156.00 incl.VAT)
Cupid, Flora, Ceres, and Esculapius, Honouring the Bust of Linnaeus.
Russell R.A. and Opie R.A. pinx.t. Ridley sculp.t.
London, Published by Dr. Thornton, Duke Street, Grosvenor Square, May 1.1799.
Stipple engraving. 485 x 330mm (19 x 13"). Trimmed to plate top and right. Repair in centre right.
Carl Linnaeus (1707-78), was a Swedish botanist, physician and zoologist who laid the foundations for the modern scheme of nomenclature.
W: 1778-29. Ex Collection of Hon. C. Lennox-Boyd.
[Ref: 58262] £260.00 (£312.00 incl.VAT)
Russell R.A. and Opie R.A. pinx.t. Ridley sculp.t.
London, Published by Dr. Thornton, Duke Street, Grosvenor Square, May 1.1799.
Stipple engraving. 485 x 330mm (19 x 13"). Trimmed to plate top and right. Repair in centre right.
Carl Linnaeus (1707-78), was a Swedish botanist, physician and zoologist who laid the foundations for the modern scheme of nomenclature.
W: 1778-29. Ex Collection of Hon. C. Lennox-Boyd.
[Ref: 58262] £260.00 (£312.00 incl.VAT)
Linnaeus.
Chapman sculp.
London Publisjed as the Act directs Aug.t 1.1812 by Jones & Adlard.
Stipple with large margins. Plate 165 x 114mm. 6½ x 4½".
Carl Linnaeus (1707-1778) the Swedish botanist, physician and zoologist, who laid the foundations for the modern scheme of binomial nomenclature. He is often referred to as the father of modern taxonomy, and also considered one of the fathers of modern ecology. One of a number of stipple heads of Kings and Queens of similar format printed on quarto sheets, by Chapman, published by J. Wilkes, 1795-1810. They probably appeared as illustrations to the 'Encyclopaedia Londinensis, Universal Dictionary of Arts, Sciences and Literature ... Embellished by ... engravings. Compiled ... by John Wilkes'.
W: 1778-27; this portrait may derive from Bartolozzi's engraving of him, for which see ref. 10314
[Ref: 27070] £60.00 (£72.00 incl.VAT)
Chapman sculp.
London Publisjed as the Act directs Aug.t 1.1812 by Jones & Adlard.
Stipple with large margins. Plate 165 x 114mm. 6½ x 4½".
Carl Linnaeus (1707-1778) the Swedish botanist, physician and zoologist, who laid the foundations for the modern scheme of binomial nomenclature. He is often referred to as the father of modern taxonomy, and also considered one of the fathers of modern ecology. One of a number of stipple heads of Kings and Queens of similar format printed on quarto sheets, by Chapman, published by J. Wilkes, 1795-1810. They probably appeared as illustrations to the 'Encyclopaedia Londinensis, Universal Dictionary of Arts, Sciences and Literature ... Embellished by ... engravings. Compiled ... by John Wilkes'.
W: 1778-27; this portrait may derive from Bartolozzi's engraving of him, for which see ref. 10314
[Ref: 27070] £60.00 (£72.00 incl.VAT)
Linnaeus in his Lapland Dress. From an original Picture in the possession of Dr. Thornton.
Hoffman pinx.t. Dunkarton sculp.t.
London published by Dr. Thornton June 1. 1805.
Rare mezzotint. 510 x 350mm (20 x 13¾").
Carl Linnaeus the elder, (1707-1778), a plant with a label attached in one hand, a shaman's drum in the other. An inscription on the drum reads 'Carolus Linnaeus a Lapponia redux aetat 30, anno 1737 / Mart Hoffman fecit.' An illustration from Robert Thornton's 'Illustration of the Sexual System of Carolus von Linnaeus'. Other states give the engraver's name as Henry Kingsbury.
Chaloner Smith 8, state iii of iii. Ex Collection of the Hon. Christopher Lennox-Boyd. Wellcome: 1778-2
[Ref: 36872] £850.00
Hoffman pinx.t. Dunkarton sculp.t.
London published by Dr. Thornton June 1. 1805.
Rare mezzotint. 510 x 350mm (20 x 13¾").
Carl Linnaeus the elder, (1707-1778), a plant with a label attached in one hand, a shaman's drum in the other. An inscription on the drum reads 'Carolus Linnaeus a Lapponia redux aetat 30, anno 1737 / Mart Hoffman fecit.' An illustration from Robert Thornton's 'Illustration of the Sexual System of Carolus von Linnaeus'. Other states give the engraver's name as Henry Kingsbury.
Chaloner Smith 8, state iii of iii. Ex Collection of the Hon. Christopher Lennox-Boyd. Wellcome: 1778-2
[Ref: 36872] £850.00
![[Carl von Linnaeus.]](jpegs/57848.jpg)
[Carl von Linnaeus.]
T. Hamilton Crawford [pencil signature].
Published 1925 by The Museum Galleries, 53, Shorts Gardens, London, W.C. Copyright.
Mezzotint on chine collé, printed in colours, signed by the engraver, publisher's blind stamp lower left. 275 x 215mm (11 x 8½"), very large margins, with a letterpress biography.
Seated portrait of Carl Linnaeus (1707-78) Swedish botanist & zoologist, known as the "father of modern taxonomy". According to the letterpress, the original oil, painted by Alexander Roslin, is owned by the Linnean Society of London.
Wellcome: 1778 - not in.
[Ref: 57848] £80.00 (£96.00 incl.VAT)
T. Hamilton Crawford [pencil signature].
Published 1925 by The Museum Galleries, 53, Shorts Gardens, London, W.C. Copyright.
Mezzotint on chine collé, printed in colours, signed by the engraver, publisher's blind stamp lower left. 275 x 215mm (11 x 8½"), very large margins, with a letterpress biography.
Seated portrait of Carl Linnaeus (1707-78) Swedish botanist & zoologist, known as the "father of modern taxonomy". According to the letterpress, the original oil, painted by Alexander Roslin, is owned by the Linnean Society of London.
Wellcome: 1778 - not in.
[Ref: 57848] £80.00 (£96.00 incl.VAT)
Charles von Linné. Bern 13/24 May 1707. Died Jan.y 10.th 1778. Engraved from the Original Picture in the Possession of Sir Joseph Banks Bart.
Rostin Pinxit. S.G. & J.G. Facius Sculpserunt.
Publish'd June 24.th 1788 by John & Josiah Boydell, N.o 90 Cheapside London.
Engraving. Sheet: 305 x 215mm (12 x 8½"). Trimmed and slight creasing at top corners.
A portrait of Swedish botanist, physician and zoologist Carl Linneaus (1707-1778), shown holding a specimen. "Linnoea Borealis"
[Ref: 47364] £190.00 (£228.00 incl.VAT)
Rostin Pinxit. S.G. & J.G. Facius Sculpserunt.
Publish'd June 24.th 1788 by John & Josiah Boydell, N.o 90 Cheapside London.
Engraving. Sheet: 305 x 215mm (12 x 8½"). Trimmed and slight creasing at top corners.
A portrait of Swedish botanist, physician and zoologist Carl Linneaus (1707-1778), shown holding a specimen. "Linnoea Borealis"
[Ref: 47364] £190.00 (£228.00 incl.VAT)
Miss Linwood.
Engraved by P.W. Tomkins, Historical Engraver to her Majesty.
London, Published as the Act directs, April 29, 1806, for the Proprietor, by P.W. Tomkins, 49, New Bond St.
Colour-printed stipple. 494 x 393mm. 19½ x 15½". Two small creases just inside the platemark.
Mary Linwood (1755-1845) was a needle woman who exhibited her worsted embroidery or crewel embroidery in Leicester and London, and was the school mistress of a private school later known as Mary Linwood Comprehensive School. She received a medal in 1790 from the Society of Arts. For nearly seventy-five years Mary worked in worsted embroidery, producing a collection of over 100 pictures that specialised in full size copies of old masters. She opened an exhibition in the Hanover Square Rooms in 1798, which afterward travelled to Leicester Square, Edinburgh and Dublin. Mary Linwood's copies of old master paintings in crewel wool (named from the crewel or worsted wool used), in which the irregular and sloping stitches resembled brushwork, achieved great fame from the time of her first London exhibition in 1787. She met most of the crowned heads of Europe. Her exhibition in Leicester Square, London, was the first art show to be illuminated by gaslight. So successful was Mary Linwood that she was able to commission John Hoppner to paint her portrait; and John Constable's first commissioned work was to paint the background details in one of her works. The needle work pictures continued to be exhibited in Leicester square in London continuously for forty year. See Stock No: 28138 Worsted Embroidery, A Tigress, after Stubbs.
[Ref: 12719] £360.00
Engraved by P.W. Tomkins, Historical Engraver to her Majesty.
London, Published as the Act directs, April 29, 1806, for the Proprietor, by P.W. Tomkins, 49, New Bond St.
Colour-printed stipple. 494 x 393mm. 19½ x 15½". Two small creases just inside the platemark.
Mary Linwood (1755-1845) was a needle woman who exhibited her worsted embroidery or crewel embroidery in Leicester and London, and was the school mistress of a private school later known as Mary Linwood Comprehensive School. She received a medal in 1790 from the Society of Arts. For nearly seventy-five years Mary worked in worsted embroidery, producing a collection of over 100 pictures that specialised in full size copies of old masters. She opened an exhibition in the Hanover Square Rooms in 1798, which afterward travelled to Leicester Square, Edinburgh and Dublin. Mary Linwood's copies of old master paintings in crewel wool (named from the crewel or worsted wool used), in which the irregular and sloping stitches resembled brushwork, achieved great fame from the time of her first London exhibition in 1787. She met most of the crowned heads of Europe. Her exhibition in Leicester Square, London, was the first art show to be illuminated by gaslight. So successful was Mary Linwood that she was able to commission John Hoppner to paint her portrait; and John Constable's first commissioned work was to paint the background details in one of her works. The needle work pictures continued to be exhibited in Leicester square in London continuously for forty year. See Stock No: 28138 Worsted Embroidery, A Tigress, after Stubbs.
[Ref: 12719] £360.00
Miss. Linwood.
Published Dec.r 1.st 1821, for La Belle Assemblee No.155.
Stipple. 227 x 140mm. 9 x 5½".
Mary Linwood (1755-1845) was a musician, writer and needlepoint artist, who exhibited her worsted embroidery or crewel embroidery in Leicester and London, and was the school mistress of a private school later known as Mary Linwood Comprehensive School. In 170 she received a medal from the Society of Arts.
[Ref: 22245] £45.00 (£54.00 incl.VAT)
Published Dec.r 1.st 1821, for La Belle Assemblee No.155.
Stipple. 227 x 140mm. 9 x 5½".
Mary Linwood (1755-1845) was a musician, writer and needlepoint artist, who exhibited her worsted embroidery or crewel embroidery in Leicester and London, and was the school mistress of a private school later known as Mary Linwood Comprehensive School. In 170 she received a medal from the Society of Arts.
[Ref: 22245] £45.00 (£54.00 incl.VAT)
A Lion and Tiger Fighting.
Painted & Engraved by James Ward, Painter & Engraver in Mezzotinto to His Royal Highness, The Prince of Wales.
[London, Published June 1st. 1799 by James Ward & Co. No. 6 Newman Street.]
Mezzotint. 605 x 475mm. Laid on board with overmount obscuring publication line and edges, rubbing and repairs.
A Study of 'Lion and Tiger' was exhibited in the Academy in 1798, and it was after this that James Ward became anxious for public approval for his painting. A prolific artist, James Ward. R.A (1769-1859) was one of the finest animal, portrait, and landscape painters of Regency England. Brittle, pious, and argumentative, Ward worked well into the mid-19th century, creating dynamic compositions that epitomized Romanticism. He was devoted to the art of Rubens and Van Dyck, and emulated them more than any of his contemporaries.
Frankau 51. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 6446] £450.00
Painted & Engraved by James Ward, Painter & Engraver in Mezzotinto to His Royal Highness, The Prince of Wales.
[London, Published June 1st. 1799 by James Ward & Co. No. 6 Newman Street.]
Mezzotint. 605 x 475mm. Laid on board with overmount obscuring publication line and edges, rubbing and repairs.
A Study of 'Lion and Tiger' was exhibited in the Academy in 1798, and it was after this that James Ward became anxious for public approval for his painting. A prolific artist, James Ward. R.A (1769-1859) was one of the finest animal, portrait, and landscape painters of Regency England. Brittle, pious, and argumentative, Ward worked well into the mid-19th century, creating dynamic compositions that epitomized Romanticism. He was devoted to the art of Rubens and Van Dyck, and emulated them more than any of his contemporaries.
Frankau 51. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 6446] £450.00
A Lion and Tiger Fighting.
Painted & Engraved by James Ward, Painter & Engraver in Mezzotinto to His Royal Highness, The Prince of Wales.
London, Published June 1st. 1799 by James Ward & Co. No. 6 Newman Street.
Mezzotint. 605 x 475mm. Uncleanly trimmed 5mm into the plate at top.
A Study of 'Lion and Tiger' was exhibited in the Academy in 1798, and it was after this that James Ward became anxious for public approval for his painting. A prolific artist, James Ward. R.A (1769-1859) was one of the finest animal, portrait, and landscape painters of Regency England. Brittle, pious, and argumentative, Ward worked well into the mid-19th century, creating dynamic compositions that epitomized Romanticism. He was devoted to the art of Rubens and Van Dyck, and emulated them more than any of his contemporaries.
Frankau 51.
[Ref: 6445] £950.00
Painted & Engraved by James Ward, Painter & Engraver in Mezzotinto to His Royal Highness, The Prince of Wales.
London, Published June 1st. 1799 by James Ward & Co. No. 6 Newman Street.
Mezzotint. 605 x 475mm. Uncleanly trimmed 5mm into the plate at top.
A Study of 'Lion and Tiger' was exhibited in the Academy in 1798, and it was after this that James Ward became anxious for public approval for his painting. A prolific artist, James Ward. R.A (1769-1859) was one of the finest animal, portrait, and landscape painters of Regency England. Brittle, pious, and argumentative, Ward worked well into the mid-19th century, creating dynamic compositions that epitomized Romanticism. He was devoted to the art of Rubens and Van Dyck, and emulated them more than any of his contemporaries.
Frankau 51.
[Ref: 6445] £950.00
![[The Lion and Boar.]](jpegs/5642.jpg)
[The Lion and Boar.] [From the Original Picture Painted by Snyders, In the Collection of his Grace the Duke of Newcastle.]
Snyders pinx.t. R.Earlom Sculp 1771.
J.Boydell Excudit, Publish'd January 1.st 1772.
Mezzotint, scratched letter proof before title. 420 x 505mm. Crack in paper top left, with loss in margin.
Whitman state i of ii. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 5642] £450.00
Snyders pinx.t. R.Earlom Sculp 1771.
J.Boydell Excudit, Publish'd January 1.st 1772.
Mezzotint, scratched letter proof before title. 420 x 505mm. Crack in paper top left, with loss in margin.
Whitman state i of ii. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 5642] £450.00
Lion and Horse.
[J. Collett Pinx.t. R. Laurie fecit.]
London, Printed for Rob.t Sayer & John Bennett, Print & Mapsellers, Nº 53 in Fleet Street, as the Act directs, 1.st July 1774.
Mezzotint, fine impression; 455 x 555mm (18 x 21¾"). Thread margins, chipped to plate in places, repaired tears into image at top, repaired damage in inscription area.
Pastiche of Stubbs' horse and lion subjects, issued as a companion to Robert Sayers' reprint of Stubbs' 'Lioness and Lion' by George Townley Stubbs. Lennox-Boyd (p.123) supposes that Collett's painting was commissioned by the publisher specifically with a view to being engraved as a pair for the Stubbs print. John Collet (c.1725-80) was a painter and prolific designer of predominantly humorous scenes for publishers to make prints from.
See Lennox-Boyd p.23. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 66413] £680.00
[J. Collett Pinx.t. R. Laurie fecit.]
London, Printed for Rob.t Sayer & John Bennett, Print & Mapsellers, Nº 53 in Fleet Street, as the Act directs, 1.st July 1774.
Mezzotint, fine impression; 455 x 555mm (18 x 21¾"). Thread margins, chipped to plate in places, repaired tears into image at top, repaired damage in inscription area.
Pastiche of Stubbs' horse and lion subjects, issued as a companion to Robert Sayers' reprint of Stubbs' 'Lioness and Lion' by George Townley Stubbs. Lennox-Boyd (p.123) supposes that Collett's painting was commissioned by the publisher specifically with a view to being engraved as a pair for the Stubbs print. John Collet (c.1725-80) was a painter and prolific designer of predominantly humorous scenes for publishers to make prints from.
See Lennox-Boyd p.23. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 66413] £680.00
Lion and Horse.
[J. Collett Pinx.t. R. Laurie fecit.]
London, Printed for Rob.t Sayer & John Bennett, Print & Mapsellers, Nº 53 in Fleet Street, as the Act directs, 1.st July 1774.
Mezzotint. 455 x 555mm (18 x 21¾"). Trimmed to plate at bottom, narrow margins elsewhere, creasing, unidentified collector's blindstamp in inscription area bottom left & right.
Pastiche of Stubbs' horse and lion subjects, issued as a companion to Robert Sayers' reprint of Stubbs' 'Lioness and Lion' by George Townley Stubbs. Lennox-Boyd (p.123) supposes that Collett's painting was commissioned by the publisher specifically with a view to being engraved as a pair for the Stubbs print. John Collet (c.1725-80) was a painter and prolific designer of predominantly humorous scenes for publishers to make prints from.
See Lennox-Boyd p.23. Ex: collection of The Hon. Christopher Lennox-Boyd. Lugt L.2872.
[Ref: 66414] £680.00
[J. Collett Pinx.t. R. Laurie fecit.]
London, Printed for Rob.t Sayer & John Bennett, Print & Mapsellers, Nº 53 in Fleet Street, as the Act directs, 1.st July 1774.
Mezzotint. 455 x 555mm (18 x 21¾"). Trimmed to plate at bottom, narrow margins elsewhere, creasing, unidentified collector's blindstamp in inscription area bottom left & right.
Pastiche of Stubbs' horse and lion subjects, issued as a companion to Robert Sayers' reprint of Stubbs' 'Lioness and Lion' by George Townley Stubbs. Lennox-Boyd (p.123) supposes that Collett's painting was commissioned by the publisher specifically with a view to being engraved as a pair for the Stubbs print. John Collet (c.1725-80) was a painter and prolific designer of predominantly humorous scenes for publishers to make prints from.
See Lennox-Boyd p.23. Ex: collection of The Hon. Christopher Lennox-Boyd. Lugt L.2872.
[Ref: 66414] £680.00
![[Lion and Man.]](jpegs/25819.jpg)
[Lion and Man.]
J W Nahl f. Juli 1850.
Lithograph sheet 444 x 584mm. 17½ x 23". Some foxing.
Hercules holding down a lion with his foot and stretching the beast's jaw with both hands. Lithograph by Johann Wilhelm Nahl (1803-80), artist and collector.
[Ref: 25819] £160.00 (£192.00 incl.VAT)
J W Nahl f. Juli 1850.
Lithograph sheet 444 x 584mm. 17½ x 23". Some foxing.
Hercules holding down a lion with his foot and stretching the beast's jaw with both hands. Lithograph by Johann Wilhelm Nahl (1803-80), artist and collector.
[Ref: 25819] £160.00 (£192.00 incl.VAT)
![[A lion hunt.]](jpegs/64056.jpg)
[A lion hunt.]
[after Antonio Tempesta.]
[n.d., c.1650.]
Engraving, 17th century watermark. 135 x 190mm (5¼ x 7½"). Small margins.
Persian horsemen hunt a lion with lances.
[Ref: 64056] £130.00 (£156.00 incl.VAT)
[after Antonio Tempesta.]
[n.d., c.1650.]
Engraving, 17th century watermark. 135 x 190mm (5¼ x 7½"). Small margins.
Persian horsemen hunt a lion with lances.
[Ref: 64056] £130.00 (£156.00 incl.VAT)
Nero From the Life
B.E. Duppa Esq.r Del.t R. Roe fec.t.
[n.d., c.1850.]
Rare etching. 255 x 305mm (10 x 12"), large margins on 3 sides. Trimmed into plate at bottom, foxing.
Sketched portrait of the head of a lion, presumably the same 'Nero' which the menagerie owner George Wombwell (1777-1850) attempted to make fight against a pack of dogs in Warwick in 1825. In a notorious event which provoked public outcry, Wombwell sold tickets (prices varied), but Nero took no notice of the dogs and so was replaced by another lion, Wallace. When the dogs were introduced into the cage with Wallace, two at a time, they were immediately destroyed. Lithograph after portrait painter Bryan Edward Duppa (1804-66).
[Ref: 66554] £160.00 (£192.00 incl.VAT)
B.E. Duppa Esq.r Del.t R. Roe fec.t.
[n.d., c.1850.]
Rare etching. 255 x 305mm (10 x 12"), large margins on 3 sides. Trimmed into plate at bottom, foxing.
Sketched portrait of the head of a lion, presumably the same 'Nero' which the menagerie owner George Wombwell (1777-1850) attempted to make fight against a pack of dogs in Warwick in 1825. In a notorious event which provoked public outcry, Wombwell sold tickets (prices varied), but Nero took no notice of the dogs and so was replaced by another lion, Wallace. When the dogs were introduced into the cage with Wallace, two at a time, they were immediately destroyed. Lithograph after portrait painter Bryan Edward Duppa (1804-66).
[Ref: 66554] £160.00 (£192.00 incl.VAT)
Nero From the Life
B.E. Duppa Esq.r Del.t R. Roe fec.t.
[n.d., c.1850.]
Rare etching. Printed area 195 x 180mm (7¾ x 7").
Head of a lion named Nero. This is presumably the same lion which the menagerie owner George Wombwell (1777-1850) attempted to make fight against a pack of dogs in Warwick in 1825. In a notorious event which provoked public outcry, Wombwell sold tickets (prices varied), but Nero took no notice of the dogs and so was replaced by another lion, Wallace. When the dogs were introduced into the cage with Wallace, two at a time, they were immediately destroyed. Lithograph after portrait painter Bryan Edward Duppa (1804-1866).
[Ref: 43375] £160.00 (£192.00 incl.VAT)
B.E. Duppa Esq.r Del.t R. Roe fec.t.
[n.d., c.1850.]
Rare etching. Printed area 195 x 180mm (7¾ x 7").
Head of a lion named Nero. This is presumably the same lion which the menagerie owner George Wombwell (1777-1850) attempted to make fight against a pack of dogs in Warwick in 1825. In a notorious event which provoked public outcry, Wombwell sold tickets (prices varied), but Nero took no notice of the dogs and so was replaced by another lion, Wallace. When the dogs were introduced into the cage with Wallace, two at a time, they were immediately destroyed. Lithograph after portrait painter Bryan Edward Duppa (1804-1866).
[Ref: 43375] £160.00 (£192.00 incl.VAT)
![[A lion and tiger fighting over a native.]](jpegs/1148.jpg)
[A lion and tiger fighting over a native.]
C.Callon jnr invt et fecit.
London published april 10th 1785 by J.R.Smith No 83 Oxford Street.
Etching. 285 x 350mm. Narrow margins, a few short tears.
[Ref: 1148] £580.00
C.Callon jnr invt et fecit.
London published april 10th 1785 by J.R.Smith No 83 Oxford Street.
Etching. 285 x 350mm. Narrow margins, a few short tears.
[Ref: 1148] £580.00
Lioness and Whelp's. The young were whelp'd in the Tower of London, in the y.r 1792.
Painted by J. Northcote. Engrav'd by R.Earlom.
Publish'd Sep.r 1793, by J. & J .Boydell, at the Shakspeare Gallery, Pall Mall, & Cheapside.
Mezzotint. 495 x 635mm (19½ x 25"). Trimmed to plate at bottom, surface rubbing.
A lioness and two cubs in a den, the lion in the background.
Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 4442] £750.00
Painted by J. Northcote. Engrav'd by R.Earlom.
Publish'd Sep.r 1793, by J. & J .Boydell, at the Shakspeare Gallery, Pall Mall, & Cheapside.
Mezzotint. 495 x 635mm (19½ x 25"). Trimmed to plate at bottom, surface rubbing.
A lioness and two cubs in a den, the lion in the background.
Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 4442] £750.00
Julius Paulus de Lionne Regi ab eleemosynis...
J. Jouvenet major Pinxit. Edelinck Eques Sculp. C. P. R.
[n.d., c.1700.]
Etching and engraving. 480 x 375mm (19 x 14¾"). Trimmed within plate at bottom.
Seated portrait of Jules-Paul de Lionne (1647- 1721), Abbot of Marmoutiers, Chaplain to Louis XIV from 1671. He received his posts through family influence rather than piety: the diarist Saint-Simon described him as 'débauché'.
[Ref: 50074] £130.00 (£156.00 incl.VAT)
J. Jouvenet major Pinxit. Edelinck Eques Sculp. C. P. R.
[n.d., c.1700.]
Etching and engraving. 480 x 375mm (19 x 14¾"). Trimmed within plate at bottom.
Seated portrait of Jules-Paul de Lionne (1647- 1721), Abbot of Marmoutiers, Chaplain to Louis XIV from 1671. He received his posts through family influence rather than piety: the diarist Saint-Simon described him as 'débauché'.
[Ref: 50074] £130.00 (£156.00 incl.VAT)
La Lionne avec ses petits. Lüwin mit ihren Jungen. A’nïs Oroszlán es kölykei. 89.
[n.d. c.1847.]
Lithograph. 240 x 369mm (9½ x 14½").
A young man inside a lion cage sits on the ground with the lioness's head nestled in his lap, and her two cubs relaxing with their paws on him. From "Panorama der Saeugethiere lithographirt und herausgegeben von H. Reichert".
See Ref: 12182 for a different and coloured version; see Ref: 29473 & 29474 for different versions.
[Ref: 29472] £140.00 (£168.00 incl.VAT)
[n.d. c.1847.]
Lithograph. 240 x 369mm (9½ x 14½").
A young man inside a lion cage sits on the ground with the lioness's head nestled in his lap, and her two cubs relaxing with their paws on him. From "Panorama der Saeugethiere lithographirt und herausgegeben von H. Reichert".
See Ref: 12182 for a different and coloured version; see Ref: 29473 & 29474 for different versions.
[Ref: 29472] £140.00 (£168.00 incl.VAT)
Die Löwin mit ihren Jungen, und ihr Wärter. La Lionne avec ses Petits, et son Gardien. 85.
[n.d., c.1850.]
Lithograph. 240 x 335mm (9½ x 13¼").
A lionness, her cubs, and probably a lion tamer. The man seen here is slightly older than Ref: 12182 and 29494.
See Ref: 12182 for a different and coloured version; see Ref: 29472 & 29474 for different versions.
[Ref: 29473] £140.00 (£168.00 incl.VAT)
[n.d., c.1850.]
Lithograph. 240 x 335mm (9½ x 13¼").
A lionness, her cubs, and probably a lion tamer. The man seen here is slightly older than Ref: 12182 and 29494.
See Ref: 12182 for a different and coloured version; see Ref: 29472 & 29474 for different versions.
[Ref: 29473] £140.00 (£168.00 incl.VAT)
Die Löwin mit ihren Jungen, und ihr Wärter. La Lionne avec ses Petits, et son Gardien. 53.
[n.d., c.1850.]
Lithograph. 240 x 335mm (9½ x 13¼").
A lionness, her cubs, and probably a lion tamer. The man seen here is younger than Ref 29473.
See Ref: 12182 for a different and coloured version; see Ref: 29472 & 29473 for different versions.
[Ref: 29474] £140.00 (£168.00 incl.VAT)
[n.d., c.1850.]
Lithograph. 240 x 335mm (9½ x 13¼").
A lionness, her cubs, and probably a lion tamer. The man seen here is younger than Ref 29473.
See Ref: 12182 for a different and coloured version; see Ref: 29472 & 29473 for different versions.
[Ref: 29474] £140.00 (£168.00 incl.VAT)
![[Along the Ridge.]](jpegs/52095.jpg)
[Along the Ridge.]
H.D. 1927. Herbert Dicksee [pencil signature]
Rare etching, signed by the artist. 260 x 450mm (10¼ x 17¾"). Limited edition 150. Framed. Unexamined out of frame. Mint.
A lion and lioness prowling.
From the celebrated collection of Bryan & Valerie Steele.
[Ref: 52095] £850.00
H.D. 1927. Herbert Dicksee [pencil signature]
Rare etching, signed by the artist. 260 x 450mm (10¼ x 17¾"). Limited edition 150. Framed. Unexamined out of frame. Mint.
A lion and lioness prowling.
From the celebrated collection of Bryan & Valerie Steele.
[Ref: 52095] £850.00
![[The Alarm.]](jpegs/52097.jpg)
[The Alarm.]
Herbert Dicksee [pencil signature]
Published at 8, Clare St. Bristol, by Frost & Reed, Printsellers of Bristol, Lonon 2nd April 1918. Copyright.
Etching, limited edition of 325 signed by the artist. 505 x 760mm (20 x 30"). Framed. Unexamined out of frame. Mint.
A lion and lioness in a hillside cave, alerted to danger. The lioness picks her small cub up in her mouth.
From the celebrated collection of Bryan & Valerie Steele.
[Ref: 52097] £650.00
Herbert Dicksee [pencil signature]
Published at 8, Clare St. Bristol, by Frost & Reed, Printsellers of Bristol, Lonon 2nd April 1918. Copyright.
Etching, limited edition of 325 signed by the artist. 505 x 760mm (20 x 30"). Framed. Unexamined out of frame. Mint.
A lion and lioness in a hillside cave, alerted to danger. The lioness picks her small cub up in her mouth.
From the celebrated collection of Bryan & Valerie Steele.
[Ref: 52097] £650.00
![[Lion. Plate I. (Felis Leo).]](jpegs/30175.jpg)
[Lion. Plate I. (Felis Leo).]
W. Kuhnert [facsimile inside image.] G. Bx & Up.
[London. Frederick Warne & Co. & New York.] [1912.]
Chromolithograph. Plate 171 x 240mm (6¾ x 9½").
An African lion and lioness. From "Animal Portraiture being Fifty Studies", by Wilhelm Kunhert (text by Richard Lydekker). Friedrich Wilhelm Kuhnert (1865-1926), the German painter, author and illustrator who specialised in animal images.
[Ref: 30175] £80.00 (£96.00 incl.VAT)
W. Kuhnert [facsimile inside image.] G. Bx & Up.
[London. Frederick Warne & Co. & New York.] [1912.]
Chromolithograph. Plate 171 x 240mm (6¾ x 9½").
An African lion and lioness. From "Animal Portraiture being Fifty Studies", by Wilhelm Kunhert (text by Richard Lydekker). Friedrich Wilhelm Kuhnert (1865-1926), the German painter, author and illustrator who specialised in animal images.
[Ref: 30175] £80.00 (£96.00 incl.VAT)
![[Lion and Lioness].](jpegs/54783.jpg)
[Lion and Lioness].
[n.d. c. 1910].
Etching, proof before letters. 250 x 200mm (9¾ x 8"), with large margins. Minor creasing. Laid on paper.
A lion and lioness sheltering under a rock with vines hanging across by Arthur Radclyffe Dugmore (1870-1955), Welsh-born American naturalist and wildlife photographer, painter, print-maker and author.
[Ref: 54783] £260.00 (£312.00 incl.VAT)
[n.d. c. 1910].
Etching, proof before letters. 250 x 200mm (9¾ x 8"), with large margins. Minor creasing. Laid on paper.
A lion and lioness sheltering under a rock with vines hanging across by Arthur Radclyffe Dugmore (1870-1955), Welsh-born American naturalist and wildlife photographer, painter, print-maker and author.
[Ref: 54783] £260.00 (£312.00 incl.VAT)
![[Study of a Lion.]](jpegs/23477.jpg)
[Study of a Lion.]
[After Sir Edwin Landseer] [Engraved by J. Cother Webb.]
London, Henry Graves & Co. Decr. 1st 1892. Copyright.
Mixed-method engraving, india proof from a limited edition, 200 x 265mm. 8 x 10½". Presented with original descriptive text leaf. A fine impression, with untrimmed margins.
From a study by Edwin Landseer (1802 - 1873) for his sculpted Lions at the base of Nelson's Column; the sketch was exhibited at the RA in 1869. From 'The Works of Sir Edwin Landseer, R.A., "Library Edition"', H. Graves (in parts, 1880s-90s). Printsellers' Association blindstamp lower left.
Printsellers' Association p.153.
[Ref: 23477] £130.00 (£156.00 incl.VAT)
[After Sir Edwin Landseer] [Engraved by J. Cother Webb.]
London, Henry Graves & Co. Decr. 1st 1892. Copyright.
Mixed-method engraving, india proof from a limited edition, 200 x 265mm. 8 x 10½". Presented with original descriptive text leaf. A fine impression, with untrimmed margins.
From a study by Edwin Landseer (1802 - 1873) for his sculpted Lions at the base of Nelson's Column; the sketch was exhibited at the RA in 1869. From 'The Works of Sir Edwin Landseer, R.A., "Library Edition"', H. Graves (in parts, 1880s-90s). Printsellers' Association blindstamp lower left.
Printsellers' Association p.153.
[Ref: 23477] £130.00 (£156.00 incl.VAT)
![[Study of a lion's head.]](jpegs/18314.jpg)
[Study of a lion's head.]
Heywood Hardy [pencil signature.]
[n.d., c.1880.]
Etching with large margins, 330 x 250mm, 13 x 9¾". Faint spotting.
Heywood Hardy (1843-1933).
[Ref: 18314] £280.00 (£336.00 incl.VAT)
Heywood Hardy [pencil signature.]
[n.d., c.1880.]
Etching with large margins, 330 x 250mm, 13 x 9¾". Faint spotting.
Heywood Hardy (1843-1933).
[Ref: 18314] £280.00 (£336.00 incl.VAT)
![[Peril.]](jpegs/1800.jpg)
[Peril.]
H.D. 1910.
Frost & Reed, 1910.
Proof etching on vellum, signed by the artist. 330 x 550mm (13 x 21¾"). Faint horizontal crease through the image.
A lioness protecting her two cubs.
[Ref: 1800] £720.00
H.D. 1910.
Frost & Reed, 1910.
Proof etching on vellum, signed by the artist. 330 x 550mm (13 x 21¾"). Faint horizontal crease through the image.
A lioness protecting her two cubs.
[Ref: 1800] £720.00
![[An African Monarch.]](jpegs/22886.jpg)
[An African Monarch.]
HD. Herbert Dicksee [signed in pencil.]
Published at 8, Clare Street, Bristol by Frost & Reed Ltd. Printsellers of Bristol and London, October 1.st 1915 Copyright. Copyright October 1.st 1915 by Frost & Reed Ltd. (of Bristol, England) in the United States of America.
Etching signed in pencil, framed. Plate 514 x 425mm (20¼ x 16¾"). Unexamined out of frame.
Herbert Dicksee, R.E. (British, 1862-1942). The head of an African lion.
[Ref: 22886] £620.00
HD. Herbert Dicksee [signed in pencil.]
Published at 8, Clare Street, Bristol by Frost & Reed Ltd. Printsellers of Bristol and London, October 1.st 1915 Copyright. Copyright October 1.st 1915 by Frost & Reed Ltd. (of Bristol, England) in the United States of America.
Etching signed in pencil, framed. Plate 514 x 425mm (20¼ x 16¾"). Unexamined out of frame.
Herbert Dicksee, R.E. (British, 1862-1942). The head of an African lion.
[Ref: 22886] £620.00
![[Lioness Sleeping.]](jpegs/52092.jpg)
[Lioness Sleeping.]
Herbert Dicksee [pencil signature].
[Frost & Reed, c.1917.]
Scarcep proof etching, signed by the artist. 185 x 305mm (7¼ x 12"). Limited edition 100. Framed. Unexamined out of frame. Mint.
From the celebrated collection of Bryan & Valerie Steele.
[Ref: 52092] £820.00
Herbert Dicksee [pencil signature].
[Frost & Reed, c.1917.]
Scarcep proof etching, signed by the artist. 185 x 305mm (7¼ x 12"). Limited edition 100. Framed. Unexamined out of frame. Mint.
From the celebrated collection of Bryan & Valerie Steele.
[Ref: 52092] £820.00
![[Lion and skull in a landscape] A Study from Nature.](jpegs/19236.jpg)
[Lion and skull in a landscape] A Study from Nature.
[George Hayter.]
Etching, 250 x 295mm. 9¾ x 11½".
Numbered '44' upper right. Sir George Hayter (1792 - 1871).
[Ref: 19236] £160.00 (£192.00 incl.VAT)
[George Hayter.]
Etching, 250 x 295mm. 9¾ x 11½".
Numbered '44' upper right. Sir George Hayter (1792 - 1871).
[Ref: 19236] £160.00 (£192.00 incl.VAT)
![[Six lions in various poses.] & & 2. 7.](jpegs/64052.jpg)
[Six lions in various poses.] & & 2. 7.
P Paulus Rubens pinxit. R Gaywood fecit.
[London, c.1700.]
Etching. 140 x 210mm (5¼ x 8¼"), very large margins with early 18th century watermark. Foxing top right margin.
Five studies of lions, a reversed copy of Hollar's etching of Rubens' lions, 1646 (Pennington 2098), taken from Rubens' 'Daniel in the Lions' Den', now in the National Gallery of Art, Washington. From the series 'Animals after Various Artists', a state with two sets of pagination added and Gaywood's role as publisher removed.
[Ref: 64052] £120.00 (£144.00 incl.VAT)
P Paulus Rubens pinxit. R Gaywood fecit.
[London, c.1700.]
Etching. 140 x 210mm (5¼ x 8¼"), very large margins with early 18th century watermark. Foxing top right margin.
Five studies of lions, a reversed copy of Hollar's etching of Rubens' lions, 1646 (Pennington 2098), taken from Rubens' 'Daniel in the Lions' Den', now in the National Gallery of Art, Washington. From the series 'Animals after Various Artists', a state with two sets of pagination added and Gaywood's role as publisher removed.
[Ref: 64052] £120.00 (£144.00 incl.VAT)
Sleeping Lion. The Drawing in the possession of Sir Thos. Lawrence, P.R.A.
Drawn & Engraved by J.F. Lewis.
[London, Published June, 1. 1824, by W.B. Cooke, 9, Soho Square.]
Etching. 240 x 330mm (9½" x 13"). Trimmed into plate at bottom, losing publication line. Small margins on 3 sides. Small repaired tear top left.
From ''Six Studies of Wild Animals'' by John Frederick Lewis (1804-76).
[Ref: 64057] £180.00 (£216.00 incl.VAT)
Drawn & Engraved by J.F. Lewis.
[London, Published June, 1. 1824, by W.B. Cooke, 9, Soho Square.]
Etching. 240 x 330mm (9½" x 13"). Trimmed into plate at bottom, losing publication line. Small margins on 3 sides. Small repaired tear top left.
From ''Six Studies of Wild Animals'' by John Frederick Lewis (1804-76).
[Ref: 64057] £180.00 (£216.00 incl.VAT)
![[A pacing lion.]](jpegs/64059.jpg)
[A pacing lion.]
Leon Richeton [pencil signature].
London Published March 1st 1894 by H.G. Lugard, 15, Percy St, W. Copyright Registered.
Etching, signed by the artist. 310 x 410mm (12¼ x 16"), with large margins.
A rare etching by Léon Richeton (1854-1934), French printmaker and sculptor resident in London.
[Ref: 64059] £260.00 (£312.00 incl.VAT)
Leon Richeton [pencil signature].
London Published March 1st 1894 by H.G. Lugard, 15, Percy St, W. Copyright Registered.
Etching, signed by the artist. 310 x 410mm (12¼ x 16"), with large margins.
A rare etching by Léon Richeton (1854-1934), French printmaker and sculptor resident in London.
[Ref: 64059] £260.00 (£312.00 incl.VAT)
![[Two lions.]](jpegs/64060.jpg)
[Two lions.]
Eug Delacroix. Aglaiis Bauvenne [pencil signature].
[n.d., c.1880.]
Etching, signed by the etcher. 245 x 295mm (9¾ x 11½"), with large margins, 'MBM' watermark.
Two recumbent lions in a landscape, after Eugène Delacroix (1798-1863).
[Ref: 64060] £130.00 (£156.00 incl.VAT)
Eug Delacroix. Aglaiis Bauvenne [pencil signature].
[n.d., c.1880.]
Etching, signed by the etcher. 245 x 295mm (9¾ x 11½"), with large margins, 'MBM' watermark.
Two recumbent lions in a landscape, after Eugène Delacroix (1798-1863).
[Ref: 64060] £130.00 (£156.00 incl.VAT)
![[A lion.]](jpegs/64064.jpg)
[A lion.]
Eug Delacroix 1847. Aglaiis Bauvenne [pencil signature].
[n.d., c.1880.]
Etching, signed by the etcher. 255 x 335mm (10 x 13¼"), with large margins, 'MBM' watermark.
A lion in a landscape, after Eugène Delacroix (1798-1863).
[Ref: 64064] £130.00 (£156.00 incl.VAT)
Eug Delacroix 1847. Aglaiis Bauvenne [pencil signature].
[n.d., c.1880.]
Etching, signed by the etcher. 255 x 335mm (10 x 13¼"), with large margins, 'MBM' watermark.
A lion in a landscape, after Eugène Delacroix (1798-1863).
[Ref: 64064] £130.00 (£156.00 incl.VAT)
![[Lioness on Rock.]](jpegs/52964.jpg)
[Lioness on Rock.]
HD. Herbert Dicksee. [pencil signature.]
[n.d., c.1930.]
Etching, signed by the artist. 160 x 260mm (6¼ x 10¼"), with publisher's blind stamps. Framed. Unexamined out of the frame.
[Ref: 52964] £950.00
HD. Herbert Dicksee. [pencil signature.]
[n.d., c.1930.]
Etching, signed by the artist. 160 x 260mm (6¼ x 10¼"), with publisher's blind stamps. Framed. Unexamined out of the frame.
[Ref: 52964] £950.00
![[Lioness Sleeping.]](jpegs/52666.jpg)
[Lioness Sleeping.]
Herbert Dicksee. [Signed in pencil.]
[n.d., c.1917.]
Drypoint etching, proof signed by the artist. 185 x 305mm (7¼ x 12"), with Fine Art Society blindstamp. Mint.
Herbert Thomas Dicksee (1862-1942) was an English painter who specialised in paintings of dogs and animals. He studied at the Slade School of Art and his first painting was exhibited in 1881. His paintings were usually done from life; he kept numerous dogs as pets and frequented London Zoo. His daughter, Dorothy was the executor of his will, which directed her to destroy most of the plates for his etchings.
[Ref: 52666] £950.00
Herbert Dicksee. [Signed in pencil.]
[n.d., c.1917.]
Drypoint etching, proof signed by the artist. 185 x 305mm (7¼ x 12"), with Fine Art Society blindstamp. Mint.
Herbert Thomas Dicksee (1862-1942) was an English painter who specialised in paintings of dogs and animals. He studied at the Slade School of Art and his first painting was exhibited in 1881. His paintings were usually done from life; he kept numerous dogs as pets and frequented London Zoo. His daughter, Dorothy was the executor of his will, which directed her to destroy most of the plates for his etchings.
[Ref: 52666] £950.00
![[Lions.]](jpegs/52803.jpg)
[Lions.]
A. Radclyffe Dugmore [pencil signature].
[n.d., c.1945.]
Etching on india paper, limited edition signed by the artist. 205 x 255mm (8 x 10") very wide margins.
Arthur Radclyffe Dugmore (1870-1955), Welsh-born American naturalist and wildlife photographer, painter, print-maker and author.
[Ref: 52803] £220.00 (£264.00 incl.VAT)
A. Radclyffe Dugmore [pencil signature].
[n.d., c.1945.]
Etching on india paper, limited edition signed by the artist. 205 x 255mm (8 x 10") very wide margins.
Arthur Radclyffe Dugmore (1870-1955), Welsh-born American naturalist and wildlife photographer, painter, print-maker and author.
[Ref: 52803] £220.00 (£264.00 incl.VAT)
![[The Lions with their Young and their Keeper.]](jpegs/65308.jpg)
[The Lions with their Young and their Keeper.] Die Lowen mit ihren Jungen undihr Warter. Zupag 187. Tab. XXXVIII.
1828.
Engraving. Sheet 230 x 190mm (9 x 7½"). Damage to bottom of sheet.
A young keeper sits amongst three lions.
[Ref: 65308] £140.00 (£168.00 incl.VAT)
1828.
Engraving. Sheet 230 x 190mm (9 x 7½"). Damage to bottom of sheet.
A young keeper sits amongst three lions.
[Ref: 65308] £140.00 (£168.00 incl.VAT)
![[Peace.]](jpegs/52104.jpg)
[Peace.]
Herbert Dicksee [pencil signature.]
Published at 8, Clare Street, Bristol by Frost & Reed, Printsellers of Bristol, Clifton and London, November 30th. 1906. Berlin Stiefbold & Co. No.25, Maingragenstrasse. Copyright Registered. Copyright 1906, in the United States of America by Frost & Reed, Bristol, England.
Etching, signed artist's proof on vellum, only state. 350 x 565mm (13¾ x 22¼"). Framed. Unexamined out of frame. Mint.
A lioness and two cubs drinking at the side of a stream.
From the celebrated collection of Bryan & Valerie Steele.
[Ref: 52104] £950.00
Herbert Dicksee [pencil signature.]
Published at 8, Clare Street, Bristol by Frost & Reed, Printsellers of Bristol, Clifton and London, November 30th. 1906. Berlin Stiefbold & Co. No.25, Maingragenstrasse. Copyright Registered. Copyright 1906, in the United States of America by Frost & Reed, Bristol, England.
Etching, signed artist's proof on vellum, only state. 350 x 565mm (13¾ x 22¼"). Framed. Unexamined out of frame. Mint.
A lioness and two cubs drinking at the side of a stream.
From the celebrated collection of Bryan & Valerie Steele.
[Ref: 52104] £950.00
![[Idlers.]](jpegs/52086.jpg)
[Idlers.]
HD [Herbert Dicksee].
[n.d., c.1910.]
Etching, signed in pencil by the artist. 230 x 490mm (9 x 19¼"), with large margins, five blindstamps including the Fine Art Trade Guild. Mint.
A pair of dozing lions.
From the celebrated collection of Bryan & Valerie Steele.
[Ref: 52086] £1,250.00
HD [Herbert Dicksee].
[n.d., c.1910.]
Etching, signed in pencil by the artist. 230 x 490mm (9 x 19¼"), with large margins, five blindstamps including the Fine Art Trade Guild. Mint.
A pair of dozing lions.
From the celebrated collection of Bryan & Valerie Steele.
[Ref: 52086] £1,250.00
![[Lion and Lioness].](jpegs/54785.jpg)
[Lion and Lioness].
31/. A Radclyffe Dugmore [pencil signature].
[n.d. c. 1910].
Etching, proof. 250 x 200m (9¾ x 8"), with large margins. Vertical creasing. Laid on paper.
A lion and a lioness lie on the ground, by Arthur Radclyffe Dugmore (1870-1955), Welsh-born American naturalist and wildlife photographer, painter, print-maker and author.
[Ref: 54785] £220.00 (£264.00 incl.VAT)
31/. A Radclyffe Dugmore [pencil signature].
[n.d. c. 1910].
Etching, proof. 250 x 200m (9¾ x 8"), with large margins. Vertical creasing. Laid on paper.
A lion and a lioness lie on the ground, by Arthur Radclyffe Dugmore (1870-1955), Welsh-born American naturalist and wildlife photographer, painter, print-maker and author.
[Ref: 54785] £220.00 (£264.00 incl.VAT)
![[Lion at Rest]](jpegs/63079.jpg)
[Lion at Rest]
HD. [Herbert Dicksee.]
[Bristol: Frost & Reed, 1915.]
Scarce & fine etching, signed by the artist in pencil. 190 x 490mm (7½ x 19¼"), with publisher's blind stamp, very large margins. Mint
Provenance: From the Descendants of Herbert Dicksee.
[Ref: 63079] £650.00
HD. [Herbert Dicksee.]
[Bristol: Frost & Reed, 1915.]
Scarce & fine etching, signed by the artist in pencil. 190 x 490mm (7½ x 19¼"), with publisher's blind stamp, very large margins. Mint
Provenance: From the Descendants of Herbert Dicksee.
[Ref: 63079] £650.00
![[Lion and Lioness].](jpegs/54780.jpg)
[Lion and Lioness].
3rd proof.
[n.d. c. 1910].
Etching, proof before letters. 250 x 200mm (9¾ x 8"), with large margins. Minor creasing. Laid on paper.
A lion and lioness sheltering under a rock by Arthur Radclyffe Dugmore (1870-1955), Welsh-born American naturalist and wildlife photographer, painter, print-maker and author.
[Ref: 54780] £260.00 (£312.00 incl.VAT)
3rd proof.
[n.d. c. 1910].
Etching, proof before letters. 250 x 200mm (9¾ x 8"), with large margins. Minor creasing. Laid on paper.
A lion and lioness sheltering under a rock by Arthur Radclyffe Dugmore (1870-1955), Welsh-born American naturalist and wildlife photographer, painter, print-maker and author.
[Ref: 54780] £260.00 (£312.00 incl.VAT)