Grosvenor Prints

Jacob Bernhard Limburger.
Gem. von Henning. Lith von C. Wildt.
Druck des Konigl. lith. Instituts zu Berlin [n.d., c.1850].
Lithograph on india laid paper, 440 x 360mm. 17¼ x 14¼". Marginal foxing.
Jacob Bernhard Limburger, German composer and pianist. He leans on his piano and holds a sheet of music.
[Ref: 10294] £290.00 (£348.00 incl.VAT)

Lime and Sycamore in Cobham Park.
J.G. Strutt 1824.
[n.d., c.1826.]
Etching, printed on chine collé. 315 x 380mm (12½ x 15"), large margins. Chine slightly lifting.
Two large trees in the landscaped gardens of Cobham Park, as designed by John Bridges in the 1720s, rebuilt 1873. From the expanded edition of 'Sylva Britannica, or portraits of Forest trees, distinguished for their antiquity, magnitude or beauty' by Jacob George Strutt (1784-1867).
[Ref: 60023] £160.00 (£192.00 incl.VAT)

The Two Brewers Limehouse.
Sherborn fe. a.f 1882.
Etching. 150 x 395mm (6 x 15¼"), with large margins. Repaired tear in margin, stains.
A view of the Thames at Limehouse, with the famous pub and docked ships.
[Ref: 63045] £260.00 (£312.00 incl.VAT)

[Limehouse.] London. Sheet VII. 80. Edition of 1894-96.
Photozincographed and Published by the Director General at the Ordnance Survey Office, Southampton, 1895.
Zincograph with hand colour, sheet 700 x 990mm, 27½ x 39". With stenciled sheet number and mss. notes. Laid on linen, some surface soiling, edges chipped.
A large-scale plan (1/1056) of Limehouse with part of West India Dock. This sheet has been used to record the property of the Port of London Authority.
From the Port of London Authority archives.
[Ref: 10862] £140.00

Ship Building at Limehouse the President on the Stocks.
W. Parrott, Del et Lithog.
[H. Brooks, London, c.1840.]
Handcoloured lithograph. Framed. Printed area: 415 x 235mm, (16½ x 9½"). Frame: 600 x 430mm, (23¾ x 17"). Unexamined out of frame.
A view of the shipyard at Limehouse n the London docks. From 'London from the Thames' by William Parrott, one of the most important series of London views of the period.
[Ref: 39568] £420.00

[Limehouse & Stepney.] London. Sheet LXIV. Edition of 1894-96.
Photozincographed and Published by the Director General at the Ordnance Survey Office, Southampton, 1897.
Zincograph with hand colour, sheet 700 x 990mm, 27½ x 39". With stencilled sheet number and mss. notes. Laid on linen.
A large-scale plan (1/2500) of Limehouse & Stepney, with the Regent's Canal and its dock, Limehouse Cut, and Shadwell New Basin. This sheet has been used to record the property of the Port of London Authority, noting sales.
From the Port of London Authority archives.
[Ref: 10992] £220.00

A View taken near Limehouse Bridge, looking down the Thames. No.14.
J.no Boydell Delin & Sculp.
Publish'd according to Act of Parliament by J. Boydell Engraver 1751. Price. 1s.
Engraving, paper watermarked with very large margins. Plate 260 x 430mm (10¼ x 17").
View on the Thames, to the east of London, looking towards Limehouse Basin; barges, small rowing boats, and large sailing ships on the river. From "A Collection of One Hundred Views In England and Wales". John Boydell's 'Collection of Views' was made after he turned from engraver to print publisher in 1767. The first collection was issued in 1770, and included some plates by printmakers other than himself.
Adams (London): 47.14.
[Ref: 29307] £250.00 (£300.00 incl.VAT)

[Limehouse Reach.] London. Sheet VII. 90. Edition of 1894-96.
Photozincographed and Published by the Director General at the Ordnance Survey Office, Southampton, 1895.
Zincograph with hand colour, sheet 700 x 990mm, 27½ x 39". With stenciled sheet number and mss. notes. Some surface soiling, edges chipped.
A large-scale plan (1/1056) of Limehouse Reach, between Rotherhithe and the Isle of Dogs, with Nelson Dock and West India Docks Pier. This sheet has been used to record the property of the Port of London Authority, with sales of houses in Cuba and Manilla Streets dated 1937.
From the Port of London Authority archives.
[Ref: 10859] £200.00

View Near Limerick.
Walmsley Pinx.t. Hassell sculp.t.
London Published Oct.r 1st 1800 by J. Brydon, Charing Cross.
Aquatint, printed in colours and hand-finished, P & E watermark, 330 x 455mm (13 x 18"), with large margins Slight crease and wornhole in sky area. Bit dusty.
A ruined church by the side of a lake.
From the Berkeley Collection, Spetchley Park.
[Ref: 54981] £260.00 (£312.00 incl.VAT)

Abbey near Limerick Ireland.
From an Original Drawing by T Walmsly. Engrav'd by F. Jukes.
[n.d., c.1800.]
Rare aquatint. Sheet 220 x 295mm (8¾ x 11½"). Trimmed into image at top, within plate at bottom, and close to plate at sides. Some staining.
A ruined church by a country road.
[Ref: 55324] £180.00 (£216.00 incl.VAT)

[Limiers.]
O De. Penne [Facsimile signature.]
[Goupil & Co., c.1880.]
Colour photolitho with hand finishing. 570 x 410mm.
Hunting Dogs at Rest, with title as above on publisher's label on reverse. A pair of bloodhounds and pair of foxhounds, with a huntsman's jacket and horn hanging from a tree. Early proof from Goupil's own stock.
[Ref: 1667] £480.00

La Belle Liminaudiere au Caffee de Mille Collone, Palais Royale Paris.
J.N. [John Nixon]
[c.1814]
Etching with fine hand-colouring, pt 1812 watermark; sheet 190 x 265mm (7½ x 10½"). Trimmed from larger sheet.
Scene of Parisian high life depicting Madame Romain, who presided over the Café des Mille Colonnes, renowned for its gilt columns and mirrors. Etching after John Nixon (who visited Paris in 1814 after the fall of Napoleon) by Thomas Rowlandson (1757-1827), whose work has become an integral part of the popular vision of Regency Britain. This print was originally published on the same sheet as an etching of 'Madame Very Restaurateur. Palais Royal Paris'.
BM Satire 12410; for the two etchings together on uncut sheet see ref. 41132.
[Ref: 43842] £180.00 (£216.00 incl.VAT)

Le Gaillard Boiteux. Tel jadis le Gaillard Boiteux. Sur le pont neuf, faisant la nique, Aux plus grands Maitres de musique. Fut mitte fois plus suivy qu'eux.
[Girard Audran]
[erased] ex rue S.t Jacques au Coq. [N. Bonnart?] [n.d. c.1700]
Scarce engraving, sheet 290 x 200mm (11½ x 8") Trimmed to plate on three sides. Thread margin at top. Publication line partially erased.
Portrait of Guillaume de Limoges, a disabled street singer, seated on the low wall of the Pont-Neuf.
See Welcome Collection 323i for another version
[Ref: 68403] £380.00

[Advert.] In the Press, To be ready for delivery on the 1st of March, 1819, an Illustration of the Architecture and Sculpture of the Cathedral of Lincoln, Consisting of Sixteen Plates...
From Drawings by C. Wild.
Henry Sawyer, Engraver and Printer, Dean Street Soho. [1819.]
Letterpress advert. Sheet: 210 x 135mm (8¼ x 5¼'').
An advert for a series of prints after C. Wild of Lincoln Cathedral, the advert lists the engravers, various prices. The series 'consist of a Geometrical Plan, and Longitudal Section; various Elevations and Details; exterior and interiors Views; and Selections from the Sculpture'.
[Ref: 48120] £60.00 (£72.00 incl.VAT)

Great Tom O' Lincoln Founded by Thomas Mears of London. November, 1834. And placed in the Rood Tower of Lincoln, April, 1835.
Ja.s Savage, Architect, direxit. R. Martin & C.º lithog. 25 Long Acre.
[n.d., c.1835.]
Rare lithograph. Sheet 370 x 260mm (14¼ x 10¼"). Trimmed close to image, surface soiling.
An illustration of the largest bell in Lincoln Cathedral.
[Ref: 63968] £190.00 (£228.00 incl.VAT)

Chapel of Lincoln College. From the Ante Chapel.
F. Mackenzie del.t. G. Lewis sculp.t.
London, Pub.d Jan.y 1 1814, t 101 Strand, for R. Ackermann's History of Oxford.
Aquatint with fine hand colour. 300 x 250mm (11¾ x 9¾"), large margins. Two small tears on the right, outside margins.
The interior of the Chapel of Lincoln College, built in late perpendicular style between 1629 and 1631.
[Ref: 62941] £130.00 (£156.00 incl.VAT)

A View of Lincoln's- Inn Garden, from the Terrass. Vue du Jardin du Lincolns-Inn, du Terrase.
[London: n.d.,c.1750.]
Very rare engraving. 275 x 185mm (10¾ x 7¼"), with large margins. Some faint creases on right margin.
A view of Lincoln's-Inn Garden, Holborn from the terrace, people walk along the grounds.
[Ref: 63185] £180.00 (£216.00 incl.VAT)

A Perspective View of Lincoln's Inn. Vüe de Lincolns Inn.
J. Maurer delin et sculp London.
According to the Act of Parliament. London Printed for Bowles & Carver N.o 69 S.t Paul's Church Yard & Rob.t Wilkinson No.58 Cornhill.
Fine hand-coloured engraving, 250 x 425mm (9¾ x 16¾"), with large margins. On paper watermarked 'I Taylor.' (Possibly the British Paper Maker I. Taylor (1746-94) listed in Churchill 1935, p.53.) Time stained.
A view of Lincoln's Inn, one of the four of London's inns of courts. A scene of the square facing the garden, with a central fountain; elegantly dressed figures scattered throughout, a sedan chair in the foreground, and a carriage to the right.
[Ref: 66907] £390.00

The Western Side of the New Hall Lincolns Inn-Fields
Drawn by L.J. Wood. On Stone, by L.J. Wood
Published by John Weale, 19 High Holborn.
Lithograph printed in colours, printed area 280 x 325mm (11 x 12¾"). Title area faint.
A view of Lincolns Inn Fields, London, one of the four ancient inns of court, from a set of six.
For the complete set see ref. 1757; for the South East View of Lincolns Inn Fields from the same set see ref. 20797.
[Ref: 44803] £360.00

[The Gatehouse, Lincolns Inn.]
Sydney R. Jones.
[n.d., c.1926.]
Rare drypoint etching signed by the artist in pencil. 290 x 210mm (11½ x 8¼"), with large margins.
The Gatehouse, the entrance to Lincoln's Inn from Chancery Lane is the oldest existing part of the Inn, built between 1518 and 1521. The arms above the arch are those of Sir Thomas Lovell (the Treasurer at the time of construction), the Earl of Lincoln and Henry VIII. Sydney Robert Fleming Jones (1881-1961) was a notable watercolourist and etcher, particularly of architectural views; he also wrote several books on the English countryside and provided illustrations for several publications including The Times, Illustrated London News and The Studio.
[Ref: 54639] £290.00 (£348.00 incl.VAT)

The South East View of the New Hall Lincolns-Inn.
Drawn by L.J. Wood. On Stone, by T.C. Dibdin. M.&N. Hanhart Lith. Printers.
Published by John Weale, 19 High Holborn.
Hand-coloured lithograph. 343 x 452mm. 13½ x 17½". Some scuffing in the margins.
A view of Lincolns Inn Fields, London. One of the four ancient inns of court.
See Ref: 1757 for a set of six.
[Ref: 20797] £260.00 (£312.00 incl.VAT)

A Perspective View of Lincoln's Inn. Vüe de Lincolns Inn.
J. Maurer delin et Sculp London.
[Published ac]cording to the Act of Parliament 1741.
Engraving. 230 x 400mm. 9" x 15¾". Cut with some damage done to the left-hand side of the image.
A view of Lincoln's Inn, one of the four of London's inns of courts.
[Ref: 9007] £140.00 (£168.00 incl.VAT)

Plan Of Principal Floor [Lincoln's Inn].
P. Hardwick Archt. July 1842. Day & Haghe, Lithrs. to the Queen.
Lithographic architect's plan, sheet 270 x 400mm. 10½ x 15¾". Lithly soiled and foxed.
From a drawing by Philip Hardwick (1792 - 1870), architect. In 1842 he commenced designs for the hall, library, and offices of Lincoln's Inn. His health seriously failing him, the work had to be placed in the hands of his son. The first stone was laid 20 April 1843, and the buildings were opened by the queen 30 Oct. 1845. The Honourable Society of Lincoln's Inn is one of four Inns of Court in London to which barristers of England and Wales belong and where they are called to the Bar.
[Ref: 9167] £45.00 (£54.00 incl.VAT)

The Roman Catholic Chapel, (Lincolns Inn Fields.) Plate 16
Rowlandson & Pugin delt. et sculpt. J. Bluck aquat.
London Pub. 1st April 1808, at R. Ackermann’s Repository of Arts 101, Strand.
Hand coloured aquatint, plate 230 x 280mm (9 x 11"), with large margins.
Interior of the chapel; the congregation assembled and in prayer, two levels of balconies on either side supported by Doric columns with a domed ceiling over the altar. A plate from Ackermann's 'Microcosm of London' (1808-9), a landmark publication in the documentation of London, bringing together two specialist artists, Thomas Rowlandson to design the figures and Augustus Pugin to provide the architectural draughtsmanship. The result was a series of scenes unprecedented in their combination of vivid activity and architectual accuracy.
Abbey, Scenery: 212.16.
[Ref: 62751] £120.00 (£144.00 incl.VAT)

A Perspective View of Lincoln's Inn. Vüe de Lincolns Inn.
J. Maurer delin et sculp London.
According to the Act of Parliament 1741. Printed for John Bowles at the Black Horse in Cornhill.
Fine coloured engraving. 230 x 400mm (9 x 15"). Small margins.
A view of Lincoln's Inn, one of the four of London's inns of courts.
[Ref: 35854] £320.00

[The creation of Lincoln's Inn Place] Prospectus. It is proposed to make application to Parliament in the ensuing session for leave to effect a Spacious Opening from Carey Street to Pickett Place, Strand, in the direction of Serle Street, to be called Lincoln's Inn Place, and on each side of the same to erect a regular architectural range or Fire Proof Buildings, to be used as Chambers...
[n.d., c.1825.]
Scarce letterpress. Sheet 335 x 210mm (13¼ x 8¼").
A prospectus to raise £100,000 (later £120,000) for a building project, launched at Green's Coffee House in Serle Street. The architect of the scheme was Decimus Burton.
[Ref: 61975] £230.00 (£276.00 incl.VAT)

View of Surgeons College, South Side of Lincoln's Inn Fields.
Published June 24, 1813 by James Whittle & Richard Holmes Laurie, No.53, Fleet Street, London.
Engraving. 280 x 440mm.
[Ref: 3758] £260.00 (£312.00 incl.VAT)

Abraham Lincoln, President of the United States. [With signature facsimile.] From the Original Portrait by E-D Marchant, painted at the White House in 1863 and Now in the Possession of the Union League of Philadelphia.
After the original picture painted from life. Engraved by John Sartain. Phila.
Entered according to act of Congress in the year 1864, by E.D.Marchant in the Clerks Office of the District Court for the Eastern District of Pennsylvania.
Mezzotint, image 330 x 250mm. 13 x 9¾". Stained and soiled. Trimmed, missing publication line.
Abraham Lincoln (1809 - 1865) was the 16th President of the United States. Painted to commemorate the Emancipation Proclamation. Inscribed 'Proof' lower left. In 1860 under his presidency South Carolina secedes from the Union. Followed within two months by Mississippi, Florida, Alabama, Georgia, Louisiana and Texas. A bloody civil war then engulfed the nation as Lincoln vowed to preserve the Union, enforce the laws of the United States, and end the secession. What started as a war to preserve the Union and vindicate democracy became a battle for freedom and a war to end slavery when Lincoln issued the Emancipation Proclamation in January of 1863. Although the Proclamation did not free all slaves in the nation—indeed, no slaves outside of the Confederacy were affected by the Proclamation—it was an important symbolic gesture that identified the Union with freedom and the death of slavery. As part of the Proclamation, Lincoln also urged black males to join the Union forces as soldiers and sailors. By the end of the war, nearly two hundred thousand African Americans had fought for the Union cause, and Lincoln referred to them as indispensable in ensuring Union victory.
[Ref: 10814] £450.00

Abraham Lincoln. (Présdident des Etats-Unis.)
Metzmacher del et sc. 1862.
Berlin_Verlag von Goupil & C.o. Imprimé & Publié par Goupil & c.ie. Editeurs_Paris, London, La Haye. New York_Publised by M. Knoedler.
Engraving. Printed on india. Plate: 220 x 290mm (8¾ x 11). Very large margins.
A half-potrait of Abraham Lincoln (1809-1865) who served as President of the United States of America from 1861 until his assassination at the hands of J. W. Booth in 1865. During his term in office Lincoln led the US through the American Civil War, preserved the Union and abolished slavery.
[Ref: 37509] £160.00 (£192.00 incl.VAT)

To Papermakers... Particulars of the Spacious Manufacturing Premises, Erected within the last Five Years for the Lincolnshire Paper Company, at Helpstone, near Peterborough... Which will be Sold by Auction by Messrs. Fuller & Horsey, On Tuesday, June 4th, 1861, at Twelve for One o'clock precisely.
[Anon., c.1861.]
Auctioneer's sale particulars for a paper mill at Helpston, near Peterborough; letterpress leaflet, folio (365 x 240mm, 14¼ x 9½"), four pages total. Fold creases.
The principal components of the property are listed, along with conditions of sale.
Provenance: from a scrap album compiled c.1840 - 1880 by Alfred Towgood of Riverside, a paper mill owner at St. Neots, Huntingdon. He was also a Lieutenant in the Duke of Manchester's Light Horse.
[Ref: 16800] £80.00 (£96.00 incl.VAT)

Jenny Lind, as Amina in the Opera of La Sonnambula, Presented Gratis with the London & Paris Magazine for May, 1848.
Engraved by Read & Co. 10, Johnson's Court, Fleet St.
Engraving with stipple. 285 x 235mm. 11¼ x 9¼". Small tear to the left-hand side.
Johanna Maria (Jenny) Lind (1820-1887) was a singer, born and trained in Sweden. Her exquisite voice, allied with rare qualities of character, aroused intense enthusiasm in British audiences, following her debut in 1847. She became famous after her performance in Der Freischutz in Sweden in 1838, and then she was in great demand all over Europe. In England she was appointed a professor of singing at the Royal College of Music. La Sonnambula was an opera written by Vincenzo Bellini. The first performance took place at the Teatro Carcano, Milan in 1831.
From the Collection of J.S. Bumpus.
[Ref: 17274] £95.00 (£114.00 incl.VAT)

Jenny Lind.
Nach d. Nat gez. v. l'Allemand. Lith. v. C. Wildt.
Verlag u. Druck v. L. Sachese & Co. Berlin.
Lithograph, printed on india paper. Sheet: 625 x 470mm (6½ x 18½"), with large margins. Uncut.
A portrait of Swedish soprano Jenny Lind (1820-1887) also know as the 'Swedish Nightingale'. Lind had a successful career in Europe and the USA, working closly with composers such as Felix Mendelssohn and Giacomo Meyerbeer.
[Ref: 46508] £350.00

Sketches of M.lle Jenny Lind 1847. No. 5. La Sonnambula.
Sketched from life by H.G.G.
London, Published by T. McLean, 26 Haymarket. Printed at 10 St. Martins Lane.
Lithograph, rare. Sheet: 380 x 275mm (15 x 10¾"), with large margins.
A depiction of Jenny Lind in the role of Amina in Vincenzo Bellini's 'La Sonnambula', Amina is shown on her knees before the furious Elvino who believes her to be unfaithful. From a series of illustrations of Jenny Lind's various operatic roles.
[Ref: 47389] £160.00 (£192.00 incl.VAT)

M.lle Jenny Lind, as Maria, in the Opera of La Figlia del Reggimento, Ran-Tan-Plan.
J. Brandard del.t & lith. Printed by M. & N. Hanhart.
London, Published July 29th 1847, by Mess.rs Fores, 41 Piccadilly, corner of Sackville Street.
Coloured lithograph. Printed areas 275 x 440mm, 10¾ x 17¼". Creased, margin lightly stained.
Johanna Maria Lind (1820-87), opera singer better known as Jenny Lind, the 'Swedish Nightingale', shown in the costume of Maria in Gaetano Donizetti's 'Daughter of the Regiment'. Lind made her London debut two months before this print was published, singing at Her Majesty's Theatre on 4 May, attended by Queen Victoria.
[Ref: 26302] £220.00 (£264.00 incl.VAT)

Sketches of M.lle Jenny Lind 1847. No. 6. La Sonnambula.
Sketched from life by H.G.G.
London, Published by T. McLean, 26 Haymarket. Printed at 10 St. Martins Lane.
Lithograph, rare Sheet: 380 x 275mm (15 x 10¾"), with large margins.
A depiction of Jenny Lind in the role of Amina in Vincenzo Bellini's 'La Sonnambula', Amina is shown waking from her sleepwalk with Elvino before her. From a series of illustrations of Jenny Lind's various operatic roles.
[Ref: 47390] £160.00 (£192.00 incl.VAT)

Jenny Lind, The Swedish Nightingale.
J.T. Wood, Holywell St. Stand, London [n.d., c.1847].
Engraving on porcelain card. Sheet 125 x 115mm (5 x 4½"). Rubbing in unprinted area, corners knocked.
A half-length portrait of Jenny Lind (Johanna Maria Lind-Goldschmidt, 1820-87). She made her London debut in 1847 to great acclaim. In 1882 she was appointed a professor of singing at the new Royal College of Music.
[Ref: 62236] £130.00 (£156.00 incl.VAT)

Jenny Lind. Sonnambula.
A. De Valentini. T.F. Maguire.
[London, Published October 14th 1847, by J. Mitchell, Publisher to Her Majesty 34 Old Bond St.]
Coloured lithograph. Framed, sight size 420 x 250mm (13½ x 9¾"). Unexamined out of frame, print loose, spotting, mount burn, tears.
A full-length portrait of Swedish soprano Jenny Lind (1820-87), in Vincenzo Bellini's 'La sonnambula'.
[Ref: 68237] £320.00

Jenny Lind. [After Fritz L'Allemand]
M & N Hanhart, Lith Printers.
Lithograph on india paper, sheet 310 x 235mm (12¼ x 9¼). Cut and laid onto card. Some surface dirt.
Portrait of the Swedish opera singer Johanna Maria Lind-Goldschmidt (Jenny Lind), full-length, slightly turned to the right, a gloved hand raised and a handkerchief in the other, dressed in a dark silk dress with a lace collar adorned with a broach about her bust.
[Ref: 54902] £85.00 (£102.00 incl.VAT)

Jenny Lind [facsimile signature]
Painted by Edward Magnus Engraved by Hermann Droehmer
London: Published May 1st 1849 by Henry Graves & Comp.y, Publishers in Ordinary to Her Majesty & H.R.H. Prince Albert, 6 Pall Mall.
Mezzotint, sheet 505 x 380mm 19¾ x 15"). Trimmed to platemark, repaired tear on lower left.
Johanna Maria (Jenny) Lind (1820-1887) was a singer, born and trained in Sweden. Her exquisite voice, allied with rare qualities of character, aroused intense enthusiasm in British audiences, following her debut in 1847. She became famous after her performance in Der Freischutz in Sweden in 1838, and then she was in great demand all over Europe. In England she was appointed a professor of singing at the Royal College of Music.
[Ref: 43773] £220.00 (£264.00 incl.VAT)

Jenny Lind's Celebrated Sonnambula Song. "Ah Non Giunge," "Do Not Mingle."
[n.d., c.1840.] London. T.Boosey & Co, 28 Holles Street, Oxford Street. M&N Hanhart, Lith Printers.
Lithograph. Sheet 345 x 240mm (13½ x 9½"). Some foxing & time-staining.
Portrait of Johanna Maria Lind-Goldschmidt (Jenny Lind 1820-87), full-length, slightly turned to the left, her hands clasped at her breast about a bunch of flowers, dressed as Amina in La Sonnambula in a pale dress hanging off her shoulders, townsfolk and buildings beyond, illustration to a song sheet.
[Ref: 68537] £130.00 (£156.00 incl.VAT)

Sketches of M.lle Jenny Lind 1847. No. 4. La Sonnambula.
Sketched from life by H.G.G.
London, Published by T. McLean, 26 Haymarket. Printed at 10 St. Martins Lane.
Lithograph, rare. Sheet: 380 x 275mm (15 x 10¾"), with large margins. Crease.
A depiction of Jenny Lind in the role of Amina in Vincenzo Bellini's 'La Sonnambula'. From a series of illustrations of Jenny Lind's various operatic roles.
[Ref: 47388] £120.00 (£144.00 incl.VAT)

Sketches of M.lle Jenny Lind 1847. No. 1. Roberto Il Diavolo.
Sketched from life by H.G.G.
London, Published by T. McLean, 26 Haymarket. Printed at 10 St. Martins Lane.
Lithograph, rare. Sheet: 380 x 275mm (15 x 10¾"), with large margins. Repaired tear in bottom edge.
A depiction of Jenny Lind in the role of Alice in Meyerbeer's Opera 'Roberto Il Diavolo'. From a series of illustrations of Jenny Lind's various operatic roles.
[Ref: 47387] £160.00 (£192.00 incl.VAT)

[Jenny Lind]
[n.d., c.1860.]
Very decorative lithograph with hand colour, trimmed and inserted in a printed album sheet with an ornate embossed metal border. Lithograph coated in varnish as issued.
A portrait of Swedish opera singer Jenny Lind (1820-87).
[Ref: 60550] £160.00 (£192.00 incl.VAT)

Jenny Lind.
Baxters Patent Oil Painting 11, Northampton Square.
11 & 12 Northampton Square. Printed in Oil Colours by Baxter Inventor & Patentee. [n.d., c.1850.]
Baxter print. Sheet: 140 x 100mm (5½ x 4''). Laid on original card with Baxter stamp, marking.
Johanna Maria (Jenny) Lind (1820-1887) was a singer, born and trained in Sweden. Her exquisite voice, allied with rare qualities of character, aroused intense enthusiasm in British audiences, following her debut in 1847. She became famous after her performance in Der Freischutz in Sweden in 1838, and then she was in great demand all over Europe. In England she was appointed a professor of singing at the Royal College of Music.
[Ref: 48222] £95.00 (£114.00 incl.VAT)

[Jenny Lind] [The Celebrated Military Air, Ciascun lo dice, Sung by Mad.lle Jenny Lind. in the Opera La Figlia del Reggimento, Arranged for the Piano Forte by Albert Keller.]
[Ent. Sta. Hall. Pr. 2/6. London. Leoni Lee & Coxhead, Music Sellers to Her Majesty Queen Victoria, 48, Albermarle St.] [n.d., c.1847.]
Coloured lithograph. Framed, sight size 235 x 200m (9¼ x 8"). Unexamined out of frame, mounted over inscriptions, likely trimmed.
A full-length portrait of Swedish soprano Jenny Lind (1820-87), in Gaetano Donizetti's 'Daughter of the Regiment', with Gardoni and Larlache as soldiers. A music cover.
[Ref: 68242] £140.00 (£168.00 incl.VAT)

Juvenile Operas. Jenny Lind as Maria. in La Figlia del Reggimento.
J. Brandard.
Ent. Sta. Hall. Pr. 2/~.
Coloured lithograph. Framed, sight size 235 x 165mm (9¼ x 6½") Unexamined out of frame.
A full-length portrait of Swedish soprano Jenny Lind (1820-87), in Gaetano Donizetti's 'Daughter of the Regiment'. Probably a music cover.
[Ref: 68247] £160.00 (£192.00 incl.VAT)

A cheerful brow, a portly mien,/ A cheek that's braved the wind,/ A waistcoat spotless as his name;/ And here you have "Ned Lind".
[n.d., c.1840]
Pen lithograph, sheet 190 x 140mm (7½ x 5½").
A man seated at a table with a glass of wine. Decorative surrounding 'Frame' border.
[Ref: 23171] £65.00 (£78.00 incl.VAT)

Ioannes Linderhausen I.C. Iuris Professor.
Engraving. Plate 128 x 89mm. 5 x 3½".
John Linderhausen, Professor of Law.
Ex Collection: R. Hobson of Hove.
[Ref: 25367] £50.00 (£60.00 incl.VAT)

John Lindley [facsimile signature]
T. H. Maguire. 1849. [etched in plate]
[M & N Hanhart]
Lithograph on octagonal chine collé. Sheet: 615 x 445mm (24¼ x 17½"), very large margins. Some foxing across the sheet. Small repaired tear in the top edge.
A half length portrait of Dr. John Lindley (1799-1865), a notable botanist, gardener and orchidologist. A chance connection with Sir Joseph Banks that saw Lindley employed as an assistant in his herbarium provided the ideal beginning to what would become a successful career in botany and horticulture. Despite his family not being able to afford to send him to university, Lindley's research and publications, which he illustrated himself, earned him such high esteem that he was appointed professor of Botany at the new London University in 1829. He held this position alongside his post as the Assistant Secretary of the Royal Horticultural Society's garden. His magum opus 'The Genera and Species of Orchidaceous Plants' led to his recognition as the leading authority on the orchid plant species. This protrait is from the Ipswich Museum Portraits series published by George Ransom in 1852: the sixty portraits of distinguished men of science were commissioned to commemorate the foundation of the museum in 1846.
[Ref: 57853] £240.00 (£288.00 incl.VAT)

Addled Art. "Criticism is the conscience of Art." - Ernest Hello.
by Lional Lindsay.
Hollis and Carter Ltd. 25 Ashley Place, London, S.W.1. First published in England, 1946.
Book: 4to (150 x 188mm). Cloth and board binding with title stamped on cover and along spine. Complete with dustjacket. Dust jacket worn and torn. Binding a worn around edges.
An 'honest debunking of modernism in art' which 'reaches conclusions destructive of much contemporay art criticism', by the Australian printmaker and critic Sir Lionel Lindsay (1874-1961) Chapters: I. Anarchy in Art. II. The Jew in Modern Painting. III. Novelty. IV. Les Fauves. V. Surrealism. VI. Drawing-Bad and Good. VII.. The Cult of Ugliness. VIII. Colour and the Quantum of Good in Modern Work. IV. A Few Words on Art Writers. X. Return to Subject. XI. Into the Breach.
[Ref: 10422] £70.00

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