A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
A Man of the Duke of York's Island. A Man of Lord Howe's Group of Islands.
From an Original Sketch Engraved by Thornton.
Published by Alex.r Hogg [n.d., c.1790].
Engraving. 180 x 230mm (7 x 9''). Foxing.
A man of Duke of York's Island, Papua New Guinea; and a man of Lord Howe Island, Australia. From 'The New Royal System of Universal Geography' by Michael Adams.
[Ref: 48118] £130.00 (£156.00 incl.VAT)
From an Original Sketch Engraved by Thornton.
Published by Alex.r Hogg [n.d., c.1790].
Engraving. 180 x 230mm (7 x 9''). Foxing.
A man of Duke of York's Island, Papua New Guinea; and a man of Lord Howe Island, Australia. From 'The New Royal System of Universal Geography' by Michael Adams.
[Ref: 48118] £130.00 (£156.00 incl.VAT)
A Man of the Duke of York's Island. A Man of Lord Howe's Island.
Published by Alex.r Hogg. Aug.t 1. 1793.
Engraving. 185 x 230mm (7¼ x 9"). Cut from a larger sheet.
A man of Duke of York's Island, Papua New Guinea; and a man of Lord Howe Island, Australia. From 'The New Royal System of Universal Geography' by Michael Adams.
[Ref: 44624] £140.00 (£168.00 incl.VAT)
Published by Alex.r Hogg. Aug.t 1. 1793.
Engraving. 185 x 230mm (7¼ x 9"). Cut from a larger sheet.
A man of Duke of York's Island, Papua New Guinea; and a man of Lord Howe Island, Australia. From 'The New Royal System of Universal Geography' by Michael Adams.
[Ref: 44624] £140.00 (£168.00 incl.VAT)
A Family of New South Wales. A Man of The Duke of York's Island. A Man of Lord Howe's Island. Engraved for Baldwyn's New System of Universal Geography.
Published by Alex.r Hogg. March 1. 1794.
Engraving. 350 x 222mm (13¾ x 8¾").
A family of New South Wales; a man of Duke of York's Island, Papua, New Guinea; a man of Lord Howe's Island, Australia, Tasman Sea.
[Ref: 20876] £95.00 (£114.00 incl.VAT)
Published by Alex.r Hogg. March 1. 1794.
Engraving. 350 x 222mm (13¾ x 8¾").
A family of New South Wales; a man of Duke of York's Island, Papua, New Guinea; a man of Lord Howe's Island, Australia, Tasman Sea.
[Ref: 20876] £95.00 (£114.00 incl.VAT)
A Man of The Duke of York's Island. A Man of Lord Howe's Island.
Published by Alex.r Hogg. March 1. 1794.
Engraving. Sheet 175 x 225mm (7 x 8¾"). Cut from a sheet with another illustration.
A man of Duke of York's Island, Papua New Guinea; a man of Lord Howe's Island, Australia, Tasman Sea. From George Augustus Baldwyn's 'A New, Royal, Authentic, Complete, and Universal System of Georgraphy...'
See also Ref: 20876.
[Ref: 64002] £50.00 (£60.00 incl.VAT)
Published by Alex.r Hogg. March 1. 1794.
Engraving. Sheet 175 x 225mm (7 x 8¾"). Cut from a sheet with another illustration.
A man of Duke of York's Island, Papua New Guinea; a man of Lord Howe's Island, Australia, Tasman Sea. From George Augustus Baldwyn's 'A New, Royal, Authentic, Complete, and Universal System of Georgraphy...'
See also Ref: 20876.
[Ref: 64002] £50.00 (£60.00 incl.VAT)
The Lord Mayor &c. taking Water on their return from Westminster Hall.
[Anon., London, n.d., c.1770s.]
Engraving, rare, sheet 110 x 130mm. 4¼ x 5". Vertical fold, as normal. Lacking margins.
The Lord Mayor of London embarking onto his barge, festooned with the arms of the City of London, beside the River Thames. From a contemporary magazine/periodical.
[Ref: 26819] £60.00 (£72.00 incl.VAT)
[Anon., London, n.d., c.1770s.]
Engraving, rare, sheet 110 x 130mm. 4¼ x 5". Vertical fold, as normal. Lacking margins.
The Lord Mayor of London embarking onto his barge, festooned with the arms of the City of London, beside the River Thames. From a contemporary magazine/periodical.
[Ref: 26819] £60.00 (£72.00 incl.VAT)
View of Blackfriar's Bridge, with the Lord Mayor &c taking Water on the 9th of Nov.
Cook sculp.
[London, n.d., c.1770s.]
Engraving, rare, sheet 110 x 130mm. 4¼ x 5". Vertical fold, as normal. Lacking margins.
View of Blackfriars Bridge, with the Lord Mayor of London in his barge and other dignitaries afloat during the Lord Mayor's Procession on the River Thames. From a contemporary magazine/periodical.
Guildhall Library Record: 1236.
[Ref: 26818] £60.00 (£72.00 incl.VAT)
Cook sculp.
[London, n.d., c.1770s.]
Engraving, rare, sheet 110 x 130mm. 4¼ x 5". Vertical fold, as normal. Lacking margins.
View of Blackfriars Bridge, with the Lord Mayor of London in his barge and other dignitaries afloat during the Lord Mayor's Procession on the River Thames. From a contemporary magazine/periodical.
Guildhall Library Record: 1236.
[Ref: 26818] £60.00 (£72.00 incl.VAT)
The Lord Mayors Speech and the City Petition about the Excise. Monday April 9, at a Meeting of the Common Council of this City, the Right Hon.ble the Lord Mayor was pleas'd to introduce the Business of the Day...
[Anon.]
[n.d., c.1771.]
Engraving, rare. Sheet: 355 x 255mm (14 x 10''). Trimmed, tear in right edge.
A satirical broadside commenting on the City's Petition against the Excise was delivered to the King on 10 April 1771 accompanied by a procession of coaches reaching from Westminster to Temple Bar.
BM Satires 1926.
[Ref: 48361] £280.00 (£336.00 incl.VAT)
[Anon.]
[n.d., c.1771.]
Engraving, rare. Sheet: 355 x 255mm (14 x 10''). Trimmed, tear in right edge.
A satirical broadside commenting on the City's Petition against the Excise was delivered to the King on 10 April 1771 accompanied by a procession of coaches reaching from Westminster to Temple Bar.
BM Satires 1926.
[Ref: 48361] £280.00 (£336.00 incl.VAT)
Ein Kanot nebst einigen Landesbewohnern aus Lord=Mulgrave's=Insel.
Clovel: del: G: Vogel sc.
[n.d. c.1790.]
Engraving and etching. Plate 225 x 280mm. 8¾ x 11".
A native fishing boat around the Lord Mulgrave's Islands, a group of islands closely adjoining on the east to the Carolines.
[Ref: 20879] £130.00 (£156.00 incl.VAT)
Clovel: del: G: Vogel sc.
[n.d. c.1790.]
Engraving and etching. Plate 225 x 280mm. 8¾ x 11".
A native fishing boat around the Lord Mulgrave's Islands, a group of islands closely adjoining on the east to the Carolines.
[Ref: 20879] £130.00 (£156.00 incl.VAT)
![Lord Nelson engaging the Toulon Fleet off the Mouth of the Nile. [&] French Line of Battle References... Bay of Aboukir [battle plan layout.]](jpegs/23318.jpg)
Lord Nelson engaging the Toulon Fleet off the Mouth of the Nile. [&] French Line of Battle References... Bay of Aboukir [battle plan layout.]
N. Pocock del. R. Pollard Sculp.t
Publish'd by Bunney & Co. [n.d. c.1800.] [Plan:] Publish'd by Bunney & Gold, 1. June, 1799.
Aquatint with explanatory and map of the battle plan layout. 140 x 229mm. 5½ x 9". Plan: 330 x 350mm. 13 x 13¾". Plan folded, as normal.
Lord Nelson at the Battle of the Nile, fought between British and French fleets at Aboukir Bay on the Mediterranean coast of Egypt from 1-3 August 1798. The large French convoy from Toulon and led by General Napoleon Bonaparte was defeated by the British forces led by Rear-Admiral Sir Horatio Nelson. This engraving was published in the 'Naval Chronicle'. Gold was the founder and publisher.
See NMM: PAD4019. Parker 134: u.
[Ref: 23318] £140.00 (£168.00 incl.VAT) view all images for this item
N. Pocock del. R. Pollard Sculp.t
Publish'd by Bunney & Co. [n.d. c.1800.] [Plan:] Publish'd by Bunney & Gold, 1. June, 1799.
Aquatint with explanatory and map of the battle plan layout. 140 x 229mm. 5½ x 9". Plan: 330 x 350mm. 13 x 13¾". Plan folded, as normal.
Lord Nelson at the Battle of the Nile, fought between British and French fleets at Aboukir Bay on the Mediterranean coast of Egypt from 1-3 August 1798. The large French convoy from Toulon and led by General Napoleon Bonaparte was defeated by the British forces led by Rear-Admiral Sir Horatio Nelson. This engraving was published in the 'Naval Chronicle'. Gold was the founder and publisher.
See NMM: PAD4019. Parker 134: u.
[Ref: 23318] £140.00 (£168.00 incl.VAT) view all images for this item
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Our Herds, No.5, Lord of the Herd.
Painted by T.S. Cooper, A.R.A. On Stone by J. West Giles. [Etched in image:] T.S. Cooper RA. 1853.
London, Published 1st. Sept.r 1853, by E. Gambart & Co. 25, Berners St. Oxford St. Printed by M & N. Hanhart.
Coloured lithograph with gum arabic, very rare. Publisher's stamp lower left. 610 x 730mm. 24 x 28¾". Some spotting.
By a stream three horned cows sit resting, with a lone bull keeping guard; three sheep, one standing, rest to the right with a running stream in the background.
[Ref: 23349] £620.00
Painted by T.S. Cooper, A.R.A. On Stone by J. West Giles. [Etched in image:] T.S. Cooper RA. 1853.
London, Published 1st. Sept.r 1853, by E. Gambart & Co. 25, Berners St. Oxford St. Printed by M & N. Hanhart.
Coloured lithograph with gum arabic, very rare. Publisher's stamp lower left. 610 x 730mm. 24 x 28¾". Some spotting.
By a stream three horned cows sit resting, with a lone bull keeping guard; three sheep, one standing, rest to the right with a running stream in the background.
[Ref: 23349] £620.00
The Lord of the Vineyard Paying his Labourers. From the Original Picture, Painted by Rembrandt, In the Collection of Hrnry Isaac Esq.r. To whom this Plate is Dedicated, by his much Obliged, and most humble Servant, John Boydell.
Rembrandt Pinx.t. Pether delin.t. S.F. Ravenet Sculpsit 1767.
Published March 25.th 1767 by J. Boydell, Engraver, in Cheapside, London.
Engraving. 520 x 430mm (20½ x 17)". Very large margins.
After a painting of 'The Labourers in the Vineyard' bought as a Rembrandt by the Frankfurter Kunstverein. The painting is still in the Frankfurt Städel Museum, although it has most recently been attributed to the circle of Ferdinand Bol (1616-80), a pupil and follower of Rembrandt. Number 39 from "The Most Capital Paintings in England", a series of engravings in five volumes published from the late 1760s to 1786 (although the first three originally published as 'Sculptura Britannica'). These were a critical and financial success for the publisher John Boydell (later a Lord Major of London) and helped establish a tradition for collecting prints in Britain.
C. Hofstede de Groot, 'The Author of a so-called Rembrandt'; León Krempel, Holländische Gemälde im Städel 1550-1800, Bd. 2: Künstler geboren 1615 bis 1630, Petersberg 2005, S. 49-55. With thanks to Ga
[Ref: 38293] £320.00
Rembrandt Pinx.t. Pether delin.t. S.F. Ravenet Sculpsit 1767.
Published March 25.th 1767 by J. Boydell, Engraver, in Cheapside, London.
Engraving. 520 x 430mm (20½ x 17)". Very large margins.
After a painting of 'The Labourers in the Vineyard' bought as a Rembrandt by the Frankfurter Kunstverein. The painting is still in the Frankfurt Städel Museum, although it has most recently been attributed to the circle of Ferdinand Bol (1616-80), a pupil and follower of Rembrandt. Number 39 from "The Most Capital Paintings in England", a series of engravings in five volumes published from the late 1760s to 1786 (although the first three originally published as 'Sculptura Britannica'). These were a critical and financial success for the publisher John Boydell (later a Lord Major of London) and helped establish a tradition for collecting prints in Britain.
C. Hofstede de Groot, 'The Author of a so-called Rembrandt'; León Krempel, Holländische Gemälde im Städel 1550-1800, Bd. 2: Künstler geboren 1615 bis 1630, Petersberg 2005, S. 49-55. With thanks to Ga
[Ref: 38293] £320.00
The Lord of the Vineyard. - Matthew Ch. XX.v 8.12.
J. Opie R. A. Pinx.t J. Hall Sculp.t.
London Publish'd March 25, 1793, by Tho.s Macklin, Fleet Street.
Engraving. 300 x 240mm (12 x 9½"), with wide margins. Trimmed to platemark. Foxing and toning along top, right and bottom edges.
The Lord of the Vineyard sits grief stricken as the workman carrying the scythe hold's out the ring belonging to the Lord's son who has been murdered by the labourers in the vineyard. Print from the series Macklin's Bible.
[Ref: 54079] £140.00 (£168.00 incl.VAT)
J. Opie R. A. Pinx.t J. Hall Sculp.t.
London Publish'd March 25, 1793, by Tho.s Macklin, Fleet Street.
Engraving. 300 x 240mm (12 x 9½"), with wide margins. Trimmed to platemark. Foxing and toning along top, right and bottom edges.
The Lord of the Vineyard sits grief stricken as the workman carrying the scythe hold's out the ring belonging to the Lord's son who has been murdered by the labourers in the vineyard. Print from the series Macklin's Bible.
[Ref: 54079] £140.00 (£168.00 incl.VAT)
Lord Thomas and Fair Annett.
H. Bunbury Esqr,, Delint: Engraved by F. Bartolozzi.
London, Published Novr; 22d; 1784 by W. Dickinson Engraver & Printseller No.158 New Bond Street.
Stipple and etching, published state, sheet 405 x 360mm. 16 x 14¼". Trimmed to plate, repaired tear left..
Illustration in a roundel of the folk ballad 'Lord Thomas and Fair Annett': Lord Thomas leaning forward in a chair to left, one hand on his sword, handing a rose with the other to Annette, who sits opposite, petting a dog at her side. The nut-brown maid, new married to Lord Thomas, runs forward with a dagger to stab her rival in jealousy. Lord Thomas is in love with Fair Annet, or Annie, or Elinor, but she has little property. He asks for advice. His father, mother, and brother (or some of them) advise that he should marry the nut-brown maid with a rich dowry. His mother promises to curse him if he marries Annet and bless him if he marries the nut-brown maid, and Lord Thomas takes his mother's advice. Fair Annet dresses as splendidly as she can and goes to the wedding. The nut-brown maid is so jealous that she stabs Annet to death. Lord Thomas stabs both the nut-brown maid and himself to death. A rose grew from Fair Annet's grave, a brier from Lord Thomas's, and they grew together. After Henry William Bunbury (1750 - 1811).
From the Norman Blackburn Collection.
[Ref: 18268] £260.00 (£312.00 incl.VAT)
H. Bunbury Esqr,, Delint: Engraved by F. Bartolozzi.
London, Published Novr; 22d; 1784 by W. Dickinson Engraver & Printseller No.158 New Bond Street.
Stipple and etching, published state, sheet 405 x 360mm. 16 x 14¼". Trimmed to plate, repaired tear left..
Illustration in a roundel of the folk ballad 'Lord Thomas and Fair Annett': Lord Thomas leaning forward in a chair to left, one hand on his sword, handing a rose with the other to Annette, who sits opposite, petting a dog at her side. The nut-brown maid, new married to Lord Thomas, runs forward with a dagger to stab her rival in jealousy. Lord Thomas is in love with Fair Annet, or Annie, or Elinor, but she has little property. He asks for advice. His father, mother, and brother (or some of them) advise that he should marry the nut-brown maid with a rich dowry. His mother promises to curse him if he marries Annet and bless him if he marries the nut-brown maid, and Lord Thomas takes his mother's advice. Fair Annet dresses as splendidly as she can and goes to the wedding. The nut-brown maid is so jealous that she stabs Annet to death. Lord Thomas stabs both the nut-brown maid and himself to death. A rose grew from Fair Annet's grave, a brier from Lord Thomas's, and they grew together. After Henry William Bunbury (1750 - 1811).
From the Norman Blackburn Collection.
[Ref: 18268] £260.00 (£312.00 incl.VAT)
My Lord Tip-Toe. Just arrived from Monkey Land. V.1. 22.
Pubd. according to Act of Parlt. Novr. 5th. 1771 by MDarly 39 Strand.
Etching. Plate 153 x 107mm (6 x 4½").
A Frenchified nobleman with a coat, wig and hair in a bag, with hat and sword.
BM Satires: 4686.
[Ref: 38242] £160.00 (£192.00 incl.VAT)
Pubd. according to Act of Parlt. Novr. 5th. 1771 by MDarly 39 Strand.
Etching. Plate 153 x 107mm (6 x 4½").
A Frenchified nobleman with a coat, wig and hair in a bag, with hat and sword.
BM Satires: 4686.
[Ref: 38242] £160.00 (£192.00 incl.VAT)
Lord Wellington's March. For the Piano Forte, Violin or Flute. Battle of Busacca.
[n.d., c.1810.]
Two plates of engraved music, scarce. 310 x 220 (12¼ x 8¾") & 285 x 205mm (11¼ x 8"). Taped at centre fold, old ink mss. pagination; first plate trimmed to plate lower left, small tear; second plate with repaired tear.
Music probably written for a recuitment drive, illustrated with a scene of the Battle of Bussaco (27th September 1810), in which the Viscount Wellington's Anglo-Portuguese army held off a larger French army.
[Ref: 58839] £290.00 (£348.00 incl.VAT)
[n.d., c.1810.]
Two plates of engraved music, scarce. 310 x 220 (12¼ x 8¾") & 285 x 205mm (11¼ x 8"). Taped at centre fold, old ink mss. pagination; first plate trimmed to plate lower left, small tear; second plate with repaired tear.
Music probably written for a recuitment drive, illustrated with a scene of the Battle of Bussaco (27th September 1810), in which the Viscount Wellington's Anglo-Portuguese army held off a larger French army.
[Ref: 58839] £290.00 (£348.00 incl.VAT)
Cricket at Lord's in 1822.
London, Published by the Leadenhall Press Limited, Sep. 5, 1892. Copyright Registered.
Coloured chromolithograph. Printed area 450 x 530mm (17¾ x 20¾"), with large margins. Edges frayed, tear through publication line.
A cricket match, seen through a crowd of spectators.
[Ref: 43544] £280.00 (£336.00 incl.VAT)
London, Published by the Leadenhall Press Limited, Sep. 5, 1892. Copyright Registered.
Coloured chromolithograph. Printed area 450 x 530mm (17¾ x 20¾"), with large margins. Edges frayed, tear through publication line.
A cricket match, seen through a crowd of spectators.
[Ref: 43544] £280.00 (£336.00 incl.VAT)
![[Lord's on a ''Gentlemen v. Players'' Day. ''Before the Match''.]](jpegs/58581.jpg)
[Lord's on a ''Gentlemen v. Players'' Day. ''Before the Match''.]
Dickinson's [pencil].
London, Published June 1st 1895 by Mess.rs Dickinson & Foster, Publishers to the Queen, 11a New Bond Street, W. Copyright Registered.
Coloured photogravure, unlettered proof, signed limited edition of 100, with Printsellers' Association blind stamp. 540 x 1030mm (21¼ x 40½").
A view of the stands outside the clubhouse of Lord's, with the spectators shown in photographic detail.
[Ref: 58581] £450.00 view all images for this item
Dickinson's [pencil].
London, Published June 1st 1895 by Mess.rs Dickinson & Foster, Publishers to the Queen, 11a New Bond Street, W. Copyright Registered.
Coloured photogravure, unlettered proof, signed limited edition of 100, with Printsellers' Association blind stamp. 540 x 1030mm (21¼ x 40½").
A view of the stands outside the clubhouse of Lord's, with the spectators shown in photographic detail.
[Ref: 58581] £450.00 view all images for this item
Lord's Ground. M.C.C. & Ground v. Cambridge University Monday, June 26, 1905.
Letterpress sheet 210 x 130mm (8¼ x 5"). Tear at bottom.
A list of matches at Lord's Cricket ground May-September 1905.
[Ref: 62041] £70.00 (£84.00 incl.VAT) view all images for this item
Letterpress sheet 210 x 130mm (8¼ x 5"). Tear at bottom.
A list of matches at Lord's Cricket ground May-September 1905.
[Ref: 62041] £70.00 (£84.00 incl.VAT) view all images for this item
![[26 plates from 'Lord’s entire new system of ornithology'.]](jpegs/62786.jpg)
[26 plates from 'Lord’s entire new system of ornithology'.]
[after Thomas Lord.]
[London: Thomas Lord, 1791-6.]
26 etchings with fine hand colour. Plates various sizes, c.300 x 210mm (11¾ x 8¼"), all but one with very good margins. 'Dunlis' trimmed into plate at top, a few plates with a little spotting.
A collection of plates from ''Lord’s entire new system of ornithology; wonderful colour of this very scarce publication. Or oecumenical history, of British birds... The writing corrected, & embellish'd, by the Rev.d Dr. Dupree'', a series of 114 bird prints, which was published by subscription in 38 parts between 1791 until 1796. The plates, after drawings by Lord, showed the birds as close to actual size as possible. Unfortuately the series ground to a halt and few complete examples exist, with most lacking some or all of the last part. This collection includes six hawks, two owls, a woodpecker, magpie, goldfinch and plover.
[Ref: 62786] £3,200.00 view all images for this item
[after Thomas Lord.]
[London: Thomas Lord, 1791-6.]
26 etchings with fine hand colour. Plates various sizes, c.300 x 210mm (11¾ x 8¼"), all but one with very good margins. 'Dunlis' trimmed into plate at top, a few plates with a little spotting.
A collection of plates from ''Lord’s entire new system of ornithology; wonderful colour of this very scarce publication. Or oecumenical history, of British birds... The writing corrected, & embellish'd, by the Rev.d Dr. Dupree'', a series of 114 bird prints, which was published by subscription in 38 parts between 1791 until 1796. The plates, after drawings by Lord, showed the birds as close to actual size as possible. Unfortuately the series ground to a halt and few complete examples exist, with most lacking some or all of the last part. This collection includes six hawks, two owls, a woodpecker, magpie, goldfinch and plover.
[Ref: 62786] £3,200.00 view all images for this item
The Lord's Prayer in Seven Different Languages.
Ent.d at Stationers' Hall. Pub.d by J.T. Wood, 33, Holywell Street, Strand. London. June 12 1841.
Stained.
Crucifix divided into seven sections, each of which contains a circle in which the lord's prayer is written in a different language. The languages are: English, French, Greek, Latin, German, Spanish and Italian. Printmaking typical of the Victorian period, which delighted in puzzles, riddles and novel ways of combining text and image.
[Ref: 39850] £65.00 (£78.00 incl.VAT)
Ent.d at Stationers' Hall. Pub.d by J.T. Wood, 33, Holywell Street, Strand. London. June 12 1841.
Stained.
Crucifix divided into seven sections, each of which contains a circle in which the lord's prayer is written in a different language. The languages are: English, French, Greek, Latin, German, Spanish and Italian. Printmaking typical of the Victorian period, which delighted in puzzles, riddles and novel ways of combining text and image.
[Ref: 39850] £65.00 (£78.00 incl.VAT)
![[The Lord's Prayer as a calligraphy exercise.]](jpegs/52597.jpg)
[The Lord's Prayer as a calligraphy exercise.]
[n.d., c.1840.]
Ink and watercolour. Sheet 70 x 70mm (2¾ x 2¾"). Laid on album paper.
The Lord's prayer, probably written with a needle, within a star surrounded by representations of the four continents, a cherub with a trumpet above Europe.
[Ref: 52597] £220.00 (£264.00 incl.VAT)
[n.d., c.1840.]
Ink and watercolour. Sheet 70 x 70mm (2¾ x 2¾"). Laid on album paper.
The Lord's prayer, probably written with a needle, within a star surrounded by representations of the four continents, a cherub with a trumpet above Europe.
[Ref: 52597] £220.00 (£264.00 incl.VAT)
The Lord's Prayer in Ten Different Languages.
Ent.d at Stationers' Hall. London Pub.d July 1 1841 by J.T. Wood, 33, Holywell Street, Strand.
Etching on porcelain card. Sheet 150 x 115mm (6 x 4½").
Within the eye at top is the Lord's Prayer in English; the roundels are in Welsh, French, German, Spanish, Latin, Greek, Irish, Italian, Portuguese and German. Underneath, the word 'Bible' is made up of facts about the Good Book. A typical example of the Victorian educational print genre, which delighted in puzzles, riddles and novel ways of combining text and image.
See Ref: 48813 & 48812
[Ref: 56335] £95.00 (£114.00 incl.VAT)
Ent.d at Stationers' Hall. London Pub.d July 1 1841 by J.T. Wood, 33, Holywell Street, Strand.
Etching on porcelain card. Sheet 150 x 115mm (6 x 4½").
Within the eye at top is the Lord's Prayer in English; the roundels are in Welsh, French, German, Spanish, Latin, Greek, Irish, Italian, Portuguese and German. Underneath, the word 'Bible' is made up of facts about the Good Book. A typical example of the Victorian educational print genre, which delighted in puzzles, riddles and novel ways of combining text and image.
See Ref: 48813 & 48812
[Ref: 56335] £95.00 (£114.00 incl.VAT)
The Lord's Prayer in the Russian Language. Published: Commemorative of His Imperial Majesty The Emperor of all the Russias &c.&c.&c. Visit to Great Britain and his landing at Dover on the 6th. Day of June 1814. by R & E. Williamson. Size of Circle to the above Prayer. One Fifth of an Inch Diameter. Proof. Ornamental Writing Engravers.
London. Published June 25.th. 1814 by R. & E. Williamson, No.8 Brooks Street, West Square.
Engraving. Plate 114 x 90mm. 4½ x 3½". Slight horizontal creasing.
A commemorative copy of the Lord's Prayer in Russian for Czar Alexander of Russia (1777-1825) who joined the Allied sovereign's on their visit to England in the June of 1814 to the celebrate the peace following the defeat of the French and the abdication of Napoleon Bonaparte.
[Ref: 20795] £140.00 (£168.00 incl.VAT)
London. Published June 25.th. 1814 by R. & E. Williamson, No.8 Brooks Street, West Square.
Engraving. Plate 114 x 90mm. 4½ x 3½". Slight horizontal creasing.
A commemorative copy of the Lord's Prayer in Russian for Czar Alexander of Russia (1777-1825) who joined the Allied sovereign's on their visit to England in the June of 1814 to the celebrate the peace following the defeat of the French and the abdication of Napoleon Bonaparte.
[Ref: 20795] £140.00 (£168.00 incl.VAT)
![[Edward Lord, 2nd Baron Ellenborough] A Cabinet Curiosity.](jpegs/52762.jpg)
[Edward Lord, 2nd Baron Ellenborough] A Cabinet Curiosity.
HB. [John Doyle]
Pub.d by Edw.d Mc.Lean, 14. St. Martins Ct. Leicester Sq.re [n.d. c.1829.]
Fine coloured lithograph 420 x 285mm (16¾ x 11¼"), with very large margins. Large tear outside image.
Lord Ellenborough, President of the Board of Control, walks in profile to left, holding an eye-glass, his left forefinger in his waistcoat pocket, dandified, his curls resting on his coat-collar.
BM Satires: 15827.
[Ref: 52762] £80.00 (£96.00 incl.VAT)
HB. [John Doyle]
Pub.d by Edw.d Mc.Lean, 14. St. Martins Ct. Leicester Sq.re [n.d. c.1829.]
Fine coloured lithograph 420 x 285mm (16¾ x 11¼"), with very large margins. Large tear outside image.
Lord Ellenborough, President of the Board of Control, walks in profile to left, holding an eye-glass, his left forefinger in his waistcoat pocket, dandified, his curls resting on his coat-collar.
BM Satires: 15827.
[Ref: 52762] £80.00 (£96.00 incl.VAT)
Lord-tolan prenant sa leçon de danse. Les Passions, [No.7].
[Paris, n.d., c.1819.]
Hand-coloured etching, image 305 x 230mm. 12 x 9". Trimmed within plate, false margins added.
Social satire, and a great image: a fat Englishman attempting to dance to a (thin) violinist, mimicked by his pug dog. The title is a pun on the French 'l'ortolan' - in English the bunting. By Henri Buguet (1761 - c.1833), from his series of 'Les Passions'. The publisher of these plates is sometimes Martinet, and sometimes Paul-André Basset.
[Ref: 24297] £160.00 (£192.00 incl.VAT)
[Paris, n.d., c.1819.]
Hand-coloured etching, image 305 x 230mm. 12 x 9". Trimmed within plate, false margins added.
Social satire, and a great image: a fat Englishman attempting to dance to a (thin) violinist, mimicked by his pug dog. The title is a pun on the French 'l'ortolan' - in English the bunting. By Henri Buguet (1761 - c.1833), from his series of 'Les Passions'. The publisher of these plates is sometimes Martinet, and sometimes Paul-André Basset.
[Ref: 24297] £160.00 (£192.00 incl.VAT)
![Frontispiece to Henry Hare's translation of Giovanni Francesco Loredano's 'The Ascents of the Soul']](jpegs/52535.jpg)
Frontispiece to Henry Hare's translation of Giovanni Francesco Loredano's 'The Ascents of the Soul']
W. Faithorne Sculp.
[Printed by A. Godbid and J. Playford for Robert Harford, London, 1681.]
Engraving, 17th century watermark. Sheet 270 x 160mm (10½ x 6¼"). Collector's stamp of Walter Francis Tiffin on reverse. Trimmed to the image.
A writer in pilgrim's habit, before a pyramidal monument on which is an image of Jacob's ladder with angels ascending and descending. In the background is a map-view of Venice and the city's crest. Giovanni Francesco Loredano (1607-61) was a Venetian writer and politician, a founder of the 'Accademia degli Incogniti' and member of the Council of Ten and the Minor Consiglio. Henry Hare (1636-1708) was the second Baron Coleraine; it is suggested that the writer is either him or his father Hugh (the first baron), who had actutally travelled to Venice. Walter Francis Tiffin was a miniature painter, who published (for private circulation), a 'Catalog of a collection of English Portraits in Mezzotint' in 1883.
Lugt: 1051
[Ref: 52535] £260.00 (£312.00 incl.VAT)
W. Faithorne Sculp.
[Printed by A. Godbid and J. Playford for Robert Harford, London, 1681.]
Engraving, 17th century watermark. Sheet 270 x 160mm (10½ x 6¼"). Collector's stamp of Walter Francis Tiffin on reverse. Trimmed to the image.
A writer in pilgrim's habit, before a pyramidal monument on which is an image of Jacob's ladder with angels ascending and descending. In the background is a map-view of Venice and the city's crest. Giovanni Francesco Loredano (1607-61) was a Venetian writer and politician, a founder of the 'Accademia degli Incogniti' and member of the Council of Ten and the Minor Consiglio. Henry Hare (1636-1708) was the second Baron Coleraine; it is suggested that the writer is either him or his father Hugh (the first baron), who had actutally travelled to Venice. Walter Francis Tiffin was a miniature painter, who published (for private circulation), a 'Catalog of a collection of English Portraits in Mezzotint' in 1883.
Lugt: 1051
[Ref: 52535] £260.00 (£312.00 incl.VAT)
Lord's Cricket Ground.
William Mackenzie, London, Edinburgh & Glasgow. [n.d., c.1860].
Lithograph. Sheet size: 240 x 310mm (9½ x 12¼").
A plate from William Mackenzie's 'British Field Sports', c.1870. A view showing the action of a cricket match being played at Lord's cricket ground, London. The pavillion can be seen in the background, with the players on the pitch in the foreground. Named after its founder, Thomas Lord, the ground widely referred to as the 'home of cricket' and is home to the world's oldest sporting museum. William Mackenzie, of Ludgate Hill, Edinburgh and Dublin, was a well-known publisher of books in the 1870s. His best-known publication was probably County Seats of 'The Noblemen and Gentlemen of Great Britain and Ireland'.
[Ref: 33550] £260.00 (£312.00 incl.VAT)
William Mackenzie, London, Edinburgh & Glasgow. [n.d., c.1860].
Lithograph. Sheet size: 240 x 310mm (9½ x 12¼").
A plate from William Mackenzie's 'British Field Sports', c.1870. A view showing the action of a cricket match being played at Lord's cricket ground, London. The pavillion can be seen in the background, with the players on the pitch in the foreground. Named after its founder, Thomas Lord, the ground widely referred to as the 'home of cricket' and is home to the world's oldest sporting museum. William Mackenzie, of Ludgate Hill, Edinburgh and Dublin, was a well-known publisher of books in the 1870s. His best-known publication was probably County Seats of 'The Noblemen and Gentlemen of Great Britain and Ireland'.
[Ref: 33550] £260.00 (£312.00 incl.VAT)
Lord's Cricket Ground.
William Mackenzie London. Edinburgh & Glasgow.
Lithograph, image 225 x 150mm. Slight marks in margins.
From 'Book of Field Sports' c. 1860.
[Ref: 3990] £260.00 (£312.00 incl.VAT)
William Mackenzie London. Edinburgh & Glasgow.
Lithograph, image 225 x 150mm. Slight marks in margins.
From 'Book of Field Sports' c. 1860.
[Ref: 3990] £260.00 (£312.00 incl.VAT)
House of Lords. N.o 52.
Pugin & Rowlandson, del.t. et sculp.t. J. Bluck aqua.t.
London, Pub. 1.st. Jan. 1809 at R. Ackermann's Repository of Arts 101 Strand.
Hand coloured aquatint, plate 270 x 220mm (10½ x 8¾"), with very large margins.
Interior view of the House of Lords in session in which robed figures regard a standing man addressing the room. Published in Ackermann's famous work, the 'Microcosm of London', the figures were drawn by the famous caricaturist Thomas Rowlandson and the architecture by Augustus Pugin.
Abbey, Scenery: 212.
[Ref: 62689] £180.00 (£216.00 incl.VAT)
Pugin & Rowlandson, del.t. et sculp.t. J. Bluck aqua.t.
London, Pub. 1.st. Jan. 1809 at R. Ackermann's Repository of Arts 101 Strand.
Hand coloured aquatint, plate 270 x 220mm (10½ x 8¾"), with very large margins.
Interior view of the House of Lords in session in which robed figures regard a standing man addressing the room. Published in Ackermann's famous work, the 'Microcosm of London', the figures were drawn by the famous caricaturist Thomas Rowlandson and the architecture by Augustus Pugin.
Abbey, Scenery: 212.
[Ref: 62689] £180.00 (£216.00 incl.VAT)
Grand Cricket Match, played in Lord's Ground Mary-le-bone, on June 20.th & follwing day between the Earl's of Winchelsea & Darnley for 1000 Guineas. [&] The Laws of Cricket.
Cook sculp.
[n.d. c. 1839][&] Published July 1.st 1793 by I. Wheble, Warwick Square, London. [&]
Sheet 570 x 380mm (22½ x 15"). Glued to backing sheet at edges.
View of a cricket game at Lord's and two pages from 'The Laws of Cricket., published in Sporting Magazine.
[Ref: 62048] £480.00
Cook sculp.
[n.d. c. 1839][&] Published July 1.st 1793 by I. Wheble, Warwick Square, London. [&]
Sheet 570 x 380mm (22½ x 15"). Glued to backing sheet at edges.
View of a cricket game at Lord's and two pages from 'The Laws of Cricket., published in Sporting Magazine.
[Ref: 62048] £480.00
Cricketing. (Lord Cricket Ground, S.t John's Wood, Match of the Gentlemen & Players.) [&] Lords [in pencil].
G. Dore. Pannemaker. Fils.
London: Henry Lea & C.o, 125 Fleet Street. [n.d. c.1850]. [&] [n.d. c. 1872]
Lithograph and wood engraving, sheet 570 x 380mm (22½ x 15"). Trimmed and glued to backing sheet at edges. Foxing and marks.
Two views of cricket games at Lord's mainly focusing on the crowd.
[Ref: 62049] £280.00 (£336.00 incl.VAT)
G. Dore. Pannemaker. Fils.
London: Henry Lea & C.o, 125 Fleet Street. [n.d. c.1850]. [&] [n.d. c. 1872]
Lithograph and wood engraving, sheet 570 x 380mm (22½ x 15"). Trimmed and glued to backing sheet at edges. Foxing and marks.
Two views of cricket games at Lord's mainly focusing on the crowd.
[Ref: 62049] £280.00 (£336.00 incl.VAT)
Serenissimus Princeps Carolus a Lotharingia.
Nanteuil ad vivum faciebat 1660.
Engraving. 320 x 250mm (12½ x 9¾"). Cut.
Jean Loret (c.1600-65), French poet who published a weekly journal of Parisian gossip society, written as letters in verse to Marie d'Orléans Longueville, published as a collction in 'La Muse historique'. The first volume is believed to contain the earliest written reference to the tales of Mother Goose. Such was Loret's fame that this portrait was engraved by Robert Nanteuil, the most celebrated of French 17th century portrait engravers, and published among portraits of the people he wrote about, in 'Portraits de Nanteuil Tome I'.
From the Charles Wickert Collection. R.D. 150 III.
[Ref: 28558] £140.00 (£168.00 incl.VAT)
Nanteuil ad vivum faciebat 1660.
Engraving. 320 x 250mm (12½ x 9¾"). Cut.
Jean Loret (c.1600-65), French poet who published a weekly journal of Parisian gossip society, written as letters in verse to Marie d'Orléans Longueville, published as a collction in 'La Muse historique'. The first volume is believed to contain the earliest written reference to the tales of Mother Goose. Such was Loret's fame that this portrait was engraved by Robert Nanteuil, the most celebrated of French 17th century portrait engravers, and published among portraits of the people he wrote about, in 'Portraits de Nanteuil Tome I'.
From the Charles Wickert Collection. R.D. 150 III.
[Ref: 28558] £140.00 (£168.00 incl.VAT)
Lorette, een Stedeken in Italie, vermaert door Bedevaerten. Loretta, Italiae oppidulum, votis peregrinantium celebre.
Pet: Schenk Amsteld C.P.
[n.d. c.1720.]
Etching. Plate 215 x 266mm. 8½ x 10½". Large margins.
A view of Loreto, the hilltown of the Italian province of Ancona, in the Marche. The prominent building is the Basilica della Santa Casa, a popular Catholic pilgrimage site.
[Ref: 23405] £220.00 (£264.00 incl.VAT)
Pet: Schenk Amsteld C.P.
[n.d. c.1720.]
Etching. Plate 215 x 266mm. 8½ x 10½". Large margins.
A view of Loreto, the hilltown of the Italian province of Ancona, in the Marche. The prominent building is the Basilica della Santa Casa, a popular Catholic pilgrimage site.
[Ref: 23405] £220.00 (£264.00 incl.VAT)
Philibert de Lorme.
Jacquand del. Leclerce sc.
[n.d. c.1820.]
Hand-coloured engraving. 268 x 184mm. 10½ x 7¼".
Philibert de l'Orme (c.1514-1570) was a French architect, one of the great masters of the French Renaissance, holding plan & dividers. His major work was the Chateau de St Maur-des-Fosses, and in 1545 he was made architect to Francis I of France and give the charge of works in Brittany. In 1548 Henry II gave him the supervision of Fontainebleau, where he built the Chateau Neuf, and other royal buildings. Under Charles IX, he was employed to construct the Tuileries, in collaboration with Jean Bullant. His tomb of Francis I at Saint Denis Basilica remains a perfect specimen of his art. He wrote two books on architecture: Nouvelles inventions pour bien bastir et à petits frais (1561) and Le premier tome de l'Architecture (1567).
[Ref: 24771] £70.00 (£84.00 incl.VAT)
Jacquand del. Leclerce sc.
[n.d. c.1820.]
Hand-coloured engraving. 268 x 184mm. 10½ x 7¼".
Philibert de l'Orme (c.1514-1570) was a French architect, one of the great masters of the French Renaissance, holding plan & dividers. His major work was the Chateau de St Maur-des-Fosses, and in 1545 he was made architect to Francis I of France and give the charge of works in Brittany. In 1548 Henry II gave him the supervision of Fontainebleau, where he built the Chateau Neuf, and other royal buildings. Under Charles IX, he was employed to construct the Tuileries, in collaboration with Jean Bullant. His tomb of Francis I at Saint Denis Basilica remains a perfect specimen of his art. He wrote two books on architecture: Nouvelles inventions pour bien bastir et à petits frais (1561) and Le premier tome de l'Architecture (1567).
[Ref: 24771] £70.00 (£84.00 incl.VAT)
![[The Foreshore / Lorne]](jpegs/54016.jpg)
[The Foreshore / Lorne] Genuine original etching limited edition by Fabian Swire (London Artist) / Series One Views of Victoria.
1934-5.
Signed etching, with original label as issued. 85 x 140mm (3½ x 5½"), with margins. Letterpress souvenir of Melbourne & centenary edition on reverse Sheet laid at top in original mount. Stain in the centre at the top of the mount.
A view of shore from the seaside town Lorne, in the Victoria state, published as part of Fabian Swire's first series Views of Victoria. The souvenir slip attached to the back of the mount celebrates 100 years since the city of Melbourne was founded, in August 1835.
[Ref: 54016] £140.00 (£168.00 incl.VAT)
1934-5.
Signed etching, with original label as issued. 85 x 140mm (3½ x 5½"), with margins. Letterpress souvenir of Melbourne & centenary edition on reverse Sheet laid at top in original mount. Stain in the centre at the top of the mount.
A view of shore from the seaside town Lorne, in the Victoria state, published as part of Fabian Swire's first series Views of Victoria. The souvenir slip attached to the back of the mount celebrates 100 years since the city of Melbourne was founded, in August 1835.
[Ref: 54016] £140.00 (£168.00 incl.VAT)
![[Charles of Lorraine-Guise.]](jpegs/32662.jpg)
[Charles of Lorraine-Guise.]
[Innsbruck: D. Baur, 1603.]
Engraving with large margins. 425 x 295mm (16¾ x 7¾").
Charles of Lorraine, Duke of Mayenne (1554-1611), a military leader of the Catholic League, founded by his brother Henry of Guise, during the French religious civil wars (1562-98). He is shown in armour within an alcove with superb architectural details, a strap-work cartouche for a title left blank. On the reverse is a German-text biography relating to another portrait, within an ornate woodcut frame. Published in Jacob Schrenck von Notzing's 'Der aller Durchleuchtigisten und Grossmächtigen Kayser, Durchleuchtigisten unnd Großmächtigen Königen'.
[Ref: 32662] £220.00 (£264.00 incl.VAT)
[Innsbruck: D. Baur, 1603.]
Engraving with large margins. 425 x 295mm (16¾ x 7¾").
Charles of Lorraine, Duke of Mayenne (1554-1611), a military leader of the Catholic League, founded by his brother Henry of Guise, during the French religious civil wars (1562-98). He is shown in armour within an alcove with superb architectural details, a strap-work cartouche for a title left blank. On the reverse is a German-text biography relating to another portrait, within an ornate woodcut frame. Published in Jacob Schrenck von Notzing's 'Der aller Durchleuchtigisten und Grossmächtigen Kayser, Durchleuchtigisten unnd Großmächtigen Königen'.
[Ref: 32662] £220.00 (£264.00 incl.VAT)
The Rt. Rev.d W.m Lort Mansel, D.D. Lord Bishop of Bristol. And Master of Trinity College in the University of Cambridge.
Painted by T. Kirkby, Esq.r Engraved by W. Say, Engraver to H.R.H. the Duke of Gloucester, 92, Norton Street.
Published May 1, 1812, by R. Harraden & Son, Cambridge. Publishers of a History of the University & Town of Cambridge. Illustrated with 36 Views of Colleges, Halls, Public Buildings &c. &c. forming an elegant Q.to Vol._Price 4.4.0.
Mezzotint with very small margins, fine. Plate 507 x 350mm (20 x 13¾"). Laid on album sheet.
William Lort Mansel (1753-1820) Bishop of Bristol and in 1798 he was appointed master of Trinity College, Cambridge. Three-quarter length portrait wearing a gown with large sleeves and a dark stole, holding a cap in his right hand and rolled paper in his left hand, left arm resting on the back of a chair.
[Ref: 29067] £160.00 (£192.00 incl.VAT)
Painted by T. Kirkby, Esq.r Engraved by W. Say, Engraver to H.R.H. the Duke of Gloucester, 92, Norton Street.
Published May 1, 1812, by R. Harraden & Son, Cambridge. Publishers of a History of the University & Town of Cambridge. Illustrated with 36 Views of Colleges, Halls, Public Buildings &c. &c. forming an elegant Q.to Vol._Price 4.4.0.
Mezzotint with very small margins, fine. Plate 507 x 350mm (20 x 13¾"). Laid on album sheet.
William Lort Mansel (1753-1820) Bishop of Bristol and in 1798 he was appointed master of Trinity College, Cambridge. Three-quarter length portrait wearing a gown with large sleeves and a dark stole, holding a cap in his right hand and rolled paper in his left hand, left arm resting on the back of a chair.
[Ref: 29067] £160.00 (£192.00 incl.VAT)
The Loss of the Pennsylvania New York Packet Ship; the Lockwoods Emigrant Ship; The Saint Andrew Packet Ship, and the Victoria from Charleston; near Liverpool, during the Hurricane on Monday & Tuesday Jan.y 7.th & 8.th 1839. Also the Ward from Saint Johns at Anchor;_the Victoria Steam Tug towing the Life Boat and the Mountaineer Steamer; with a view fo Leasowe Light House, & Bidston Hill. This Print is intended to represent the Vessels shortly after they struck on the Tuesday afternoon, from particulars given to the Artist by Captain Sprowle of the Lockwoods;_Capt.n Thompson of the Saint Andrew: and by Capt.n Candler of the Victoria.
Painted by Samuel Walters. Drawn on Stone by T. Fairland.
Liverpoo, Published by Henry Lacey, Repository of Arts, 100, Bold St. & S. Walters, 99, Mill St._London Ackermann & Co._New York, Appleton & Co. Printed by Fairland, 19, Chavel St. Pentonville. [n.d. c.1839.]
Coloured lithograph, very rare. 414 x 533mm. 16¼ x 21". Damaged.
See Ref: 6421.
[Ref: 27184] £200.00 (£240.00 incl.VAT)
Painted by Samuel Walters. Drawn on Stone by T. Fairland.
Liverpoo, Published by Henry Lacey, Repository of Arts, 100, Bold St. & S. Walters, 99, Mill St._London Ackermann & Co._New York, Appleton & Co. Printed by Fairland, 19, Chavel St. Pentonville. [n.d. c.1839.]
Coloured lithograph, very rare. 414 x 533mm. 16¼ x 21". Damaged.
See Ref: 6421.
[Ref: 27184] £200.00 (£240.00 incl.VAT)
Lost! A German, who lately lost his horse, published the following notice. Rund away or sdolen, or was sdrayed, mine large plack Horse, about eighteen hands hie [...]
[American Anon., c.1840]
Letterpress, sheet 190 x 130mm (7½ x 5").
Description of a missing horse, written as if with a heavy German accent.
[Ref: 37934] £95.00 (£114.00 incl.VAT)
[American Anon., c.1840]
Letterpress, sheet 190 x 130mm (7½ x 5").
Description of a missing horse, written as if with a heavy German accent.
[Ref: 37934] £95.00 (£114.00 incl.VAT)
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![[The Flight of Lot and His Family from Sodom.] Eruditione et probitae Cl.mo V.D. Joanni Brantio Lc.to](jpegs/55623.jpg)
[The Flight of Lot and His Family from Sodom.] Eruditione et probitae Cl.mo V.D. Joanni Brantio Lc.to Urbi Antverpiensi Ab Actis Socero Amantissimo, Petrus Paulus Rubens Gener. Observantiiæ Ergo D.D.
P.P. Rubens pinxit. Lucas Vosterman Sculp. et excud. An.o 1620.
Engraving, 17th century watermark. Sheet 325 x 385mm (12¾ x 15¼"). Trimmed to plate, repaired tear & nicks. Damaged.
An angel leads Lot, his wife and daughters from Sodom before the city is destroyed, after Peter Paul Rubens.. The original painting is in The John and Mable Ringling Museum of Art, the official state art museum of Florida.
[Ref: 55623] £240.00 (£288.00 incl.VAT)
P.P. Rubens pinxit. Lucas Vosterman Sculp. et excud. An.o 1620.
Engraving, 17th century watermark. Sheet 325 x 385mm (12¾ x 15¼"). Trimmed to plate, repaired tear & nicks. Damaged.
An angel leads Lot, his wife and daughters from Sodom before the city is destroyed, after Peter Paul Rubens.. The original painting is in The John and Mable Ringling Museum of Art, the official state art museum of Florida.
[Ref: 55623] £240.00 (£288.00 incl.VAT)
Lot And His Daughter. From the Original Picture in the Collection of the Proprietor.
Arnould de Gelder Pinxit. Dunkarton Sculpsit.
published April 25th 1787, by John & Josiah Boydell. No. 90 Cheapside, London.
Mezzotint with large margins. Fine impression. Rare.
Lot and one of his daughters, in the cave in the mountains, sitting side by side. They are leaning towards each other as the goblet in his right hand falls into her left. He holds her chin, drawing her towards him. Lot is an Old Testament figure, a son of Abraham's youngest brother. On the destruction of Sodom, he was rescued with his family by divine intervention, but against instruction, his wife turned back to look at the city, upon which she turned into a pillar of salt.
Ex Oettinger-Wallenstein collection Sotheby's Lot 736, 13/11/97. Ex collection of Christopher Lennox-Boyd.
[Ref: 36641] £350.00
Arnould de Gelder Pinxit. Dunkarton Sculpsit.
published April 25th 1787, by John & Josiah Boydell. No. 90 Cheapside, London.
Mezzotint with large margins. Fine impression. Rare.
Lot and one of his daughters, in the cave in the mountains, sitting side by side. They are leaning towards each other as the goblet in his right hand falls into her left. He holds her chin, drawing her towards him. Lot is an Old Testament figure, a son of Abraham's youngest brother. On the destruction of Sodom, he was rescued with his family by divine intervention, but against instruction, his wife turned back to look at the city, upon which she turned into a pillar of salt.
Ex Oettinger-Wallenstein collection Sotheby's Lot 736, 13/11/97. Ex collection of Christopher Lennox-Boyd.
[Ref: 36641] £350.00
![[Lot and his Daughters]](jpegs/40299.jpg)
[Lot and his Daughters] Lot digne par ses Saintes moeurs / Déchaper au courroux celeste. / Qui sur tant d'infames pecheurs / Fit pleuvoir un feu si funeste [...]
peint par N. Vleughels J. Chereau sculp.
à Paris chez F. Chereau graveur du Roy rue S. jaque aux 2 pilliers dor avec privil. du Roy [c.1725]
Very fine engraving, platemark 290 x 365mm (11½ x 14¼"), with very large margins.
Lot and his daughters escaped the burning city of Sodom (seen in the distance here, lower right) to dwell in a mountain cave. His daughters, fearing that they would not be able to have children in any other way, plied their father with wine in an episode depicted by many artists. Engraved after a painting by Nicolas Vleughels (1668-1737), French artist and close friend of Watteau whose later years were spent in Rome as Director of the Académie de France. He was an outstanding teacher whose pupils included Carle Vanloo.
[Ref: 40299] £95.00 (£114.00 incl.VAT)
peint par N. Vleughels J. Chereau sculp.
à Paris chez F. Chereau graveur du Roy rue S. jaque aux 2 pilliers dor avec privil. du Roy [c.1725]
Very fine engraving, platemark 290 x 365mm (11½ x 14¼"), with very large margins.
Lot and his daughters escaped the burning city of Sodom (seen in the distance here, lower right) to dwell in a mountain cave. His daughters, fearing that they would not be able to have children in any other way, plied their father with wine in an episode depicted by many artists. Engraved after a painting by Nicolas Vleughels (1668-1737), French artist and close friend of Watteau whose later years were spent in Rome as Director of the Académie de France. He was an outstanding teacher whose pupils included Carle Vanloo.
[Ref: 40299] £95.00 (£114.00 incl.VAT)
Loth. 36.
Guido Reni pinxit. Dom. Cunego sculpsit Romae 1771.
Romae ex Tabula in Aedibus Lancellotti.
Engraving. 266 x 322mm (10½ x 12¾"), with wide margins.
Lot and his daughters, one holding an elaborate urn. From "Schola Italica Picturae sive Selectae Quaedam Summorum e Schola Italica Pictorum Tabulae Aere Incisae Cura et Impensis Gavini Hamilton Pictoris", a series of forty plates.
[Ref: 31003] £130.00 (£156.00 incl.VAT)
Guido Reni pinxit. Dom. Cunego sculpsit Romae 1771.
Romae ex Tabula in Aedibus Lancellotti.
Engraving. 266 x 322mm (10½ x 12¾"), with wide margins.
Lot and his daughters, one holding an elaborate urn. From "Schola Italica Picturae sive Selectae Quaedam Summorum e Schola Italica Pictorum Tabulae Aere Incisae Cura et Impensis Gavini Hamilton Pictoris", a series of forty plates.
[Ref: 31003] £130.00 (£156.00 incl.VAT)
Nobilissimo et Honoratissimo Domino Dno Carolo Baroni de Hallifax nec non Receptae Saccary Auditori. [Lot and his Daughers.]
Michel Ange di Caravagio pinxit. Lud. du Guernier Sculpsit Londini.
[n.d. c.1714.]
Fine etching and engraving. Plate 312 x 388mm. 12¼ x 15¼". Laid on separate sheet.
Lot and his daughters: landscape with Lot sitting in the left foreground and sucking on one of his daughter's breasts whilst taking a cup from his other daughter; various objects piled up on the right; in the background, to the right, the burning city of Sodom, from which he and his family was rescued by divine intervention, but against instruction his wife turned back to look at the city; upon which she turned into a pillar of salt.
[Ref: 17913] £180.00 (£216.00 incl.VAT)
Michel Ange di Caravagio pinxit. Lud. du Guernier Sculpsit Londini.
[n.d. c.1714.]
Fine etching and engraving. Plate 312 x 388mm. 12¼ x 15¼". Laid on separate sheet.
Lot and his daughters: landscape with Lot sitting in the left foreground and sucking on one of his daughter's breasts whilst taking a cup from his other daughter; various objects piled up on the right; in the background, to the right, the burning city of Sodom, from which he and his family was rescued by divine intervention, but against instruction his wife turned back to look at the city; upon which she turned into a pillar of salt.
[Ref: 17913] £180.00 (£216.00 incl.VAT)
![[Lot and his daughters]](jpegs/45141.jpg)
[Lot and his daughters] Lot digne par ses Saintes moeurs / Déchaper au courroux celeste [...]
peint par M. Vleughels. J. Chereau sculp
à Paris chez F. Chereau graveur du Roy rue S. jaque aux 2 pilliers dor avec privil. du Roy
Engraving, platemark 290 x 365mm (11½ x 14½"), with very large margins. Fine impression.
The biblical story of Lot and his daughters, who get their father drunk and seduce him in order to impregnate themselves. Verses below asserting that the story demonstrates the consequences of drunkenness.
From the Library of Pitsligo
[Ref: 45141] £280.00 (£336.00 incl.VAT)
peint par M. Vleughels. J. Chereau sculp
à Paris chez F. Chereau graveur du Roy rue S. jaque aux 2 pilliers dor avec privil. du Roy
Engraving, platemark 290 x 365mm (11½ x 14½"), with very large margins. Fine impression.
The biblical story of Lot and his daughters, who get their father drunk and seduce him in order to impregnate themselves. Verses below asserting that the story demonstrates the consequences of drunkenness.
From the Library of Pitsligo
[Ref: 45141] £280.00 (£336.00 incl.VAT)
![[Lot and his Daughters]](jpegs/40221.jpg)
[Lot and his Daughters]
[Robert Robinson after Simon Vouet, c.1690]
Mezzotint, platemark 180 x 160mm (7 x 6¼") very large margins. 19th century impression on wove paper.
Lot and his daughters escaped the burning city of Sodom (seen in the distance here, lower right) to dwell in a mountain cave. His daughters, fearing that they would not be able to have children in any other way, plied their father with wine in an episode depicted by many artists. Mezzotint by painter and engraver Robert Robinson (fl.1674-d.1706). Robinson is chiefly remembered for early mezzotints such as this, while the most notable of his surviving paintings are the panels he painted for a house on St Botolph Street in the City of London, now housed at the Sir John Cass School in Aldgate.
State ii/ii (Christopher Lennox-Boyd database).
[Ref: 40221] £75.00 (£90.00 incl.VAT)
[Robert Robinson after Simon Vouet, c.1690]
Mezzotint, platemark 180 x 160mm (7 x 6¼") very large margins. 19th century impression on wove paper.
Lot and his daughters escaped the burning city of Sodom (seen in the distance here, lower right) to dwell in a mountain cave. His daughters, fearing that they would not be able to have children in any other way, plied their father with wine in an episode depicted by many artists. Mezzotint by painter and engraver Robert Robinson (fl.1674-d.1706). Robinson is chiefly remembered for early mezzotints such as this, while the most notable of his surviving paintings are the panels he painted for a house on St Botolph Street in the City of London, now housed at the Sir John Cass School in Aldgate.
State ii/ii (Christopher Lennox-Boyd database).
[Ref: 40221] £75.00 (£90.00 incl.VAT)
Lothbury Court, Bank. Pl.64.
Published March 1. 1801 by T. Malton.
Coloured aquatint, sheet 310 x 415mm (12¼ x 16¼"). Trimmed to platemark.
A view of the Bank of England within the court built by John Soane (1753–1837), the outer walls of the court are lined with Corinthian columns with a large archway in centre and elegantly dressed figures roam. Plate to 'A Picturesque Tour Through the Cities of London and Westminster, illustrated With the most interesting Views, accurately delineated And executed in Aquatinta by Thomas Malton', 1792 - 1801.
Abbey Scenery 204.64. Crace 1878 XXII.10. Adams 1983 72.64.
[Ref: 58330] £180.00 (£216.00 incl.VAT)
Published March 1. 1801 by T. Malton.
Coloured aquatint, sheet 310 x 415mm (12¼ x 16¼"). Trimmed to platemark.
A view of the Bank of England within the court built by John Soane (1753–1837), the outer walls of the court are lined with Corinthian columns with a large archway in centre and elegantly dressed figures roam. Plate to 'A Picturesque Tour Through the Cities of London and Westminster, illustrated With the most interesting Views, accurately delineated And executed in Aquatinta by Thomas Malton', 1792 - 1801.
Abbey Scenery 204.64. Crace 1878 XXII.10. Adams 1983 72.64.
[Ref: 58330] £180.00 (£216.00 incl.VAT)
Lots Wife. bearing N. dift. 2 Miles, near 300 feet above the level of the Sea.
T. Stothard Pinx. J. Sanders in Aqua Tinta fecit July 1790.
[London: J. Walter, 1790.]
Etching and aquatint, sheet 140 x 190mm. 5½ x 7½". Trimmed within plate, to image border on three sides.
Lot's Wife, a rock off the north coast of Gough Island, in the middle of the South Atlantic. Plate to 'Voyages Made in the Years 1788 and 1789, from China to the North West Coast of America' by John Meares.
Abbey Travel: 594, 9.
[Ref: 11428] £45.00 (£54.00 incl.VAT)
T. Stothard Pinx. J. Sanders in Aqua Tinta fecit July 1790.
[London: J. Walter, 1790.]
Etching and aquatint, sheet 140 x 190mm. 5½ x 7½". Trimmed within plate, to image border on three sides.
Lot's Wife, a rock off the north coast of Gough Island, in the middle of the South Atlantic. Plate to 'Voyages Made in the Years 1788 and 1789, from China to the North West Coast of America' by John Meares.
Abbey Travel: 594, 9.
[Ref: 11428] £45.00 (£54.00 incl.VAT)
La Petite Loterie.
Dessine par Pescorski. Grave par Gautier Aine.
[n.d. c.1805.]
Stipple printed in blue and brown ink, 260 x 200mm. 10¼ x 8". Trimmed to platemark.
Cupid on a pedestal with a tombola drawing lots for three women dressed in the classical manner, probably representing Greco-Roman deities. Very rare.
[Ref: 11669] £180.00 (£216.00 incl.VAT)
Dessine par Pescorski. Grave par Gautier Aine.
[n.d. c.1805.]
Stipple printed in blue and brown ink, 260 x 200mm. 10¼ x 8". Trimmed to platemark.
Cupid on a pedestal with a tombola drawing lots for three women dressed in the classical manner, probably representing Greco-Roman deities. Very rare.
[Ref: 11669] £180.00 (£216.00 incl.VAT)
The Lottery Adventurers. Prize. Blank.
London, pub.d as the Act directs Dec.r 1.st 1780, by Rob.t Wilkinson, at No.58 Cornhill.
Etching. Plate: 250 x 350mm (9¾ x 13¾''), with large margins on 3 sides. Trimmed to plate in top edge, staining.
A satirical print published during the 1780 lottery draw, on the left a man stands proudly holding his prize while on the right a dejected man holds his blank ticket.
BM Satire 5789.
[Ref: 50764] £240.00 (£288.00 incl.VAT)
London, pub.d as the Act directs Dec.r 1.st 1780, by Rob.t Wilkinson, at No.58 Cornhill.
Etching. Plate: 250 x 350mm (9¾ x 13¾''), with large margins on 3 sides. Trimmed to plate in top edge, staining.
A satirical print published during the 1780 lottery draw, on the left a man stands proudly holding his prize while on the right a dejected man holds his blank ticket.
BM Satire 5789.
[Ref: 50764] £240.00 (£288.00 incl.VAT)