A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
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Assignment of Lease of Kohurau Block No.1. From Hon. G. O. Waterhouse
Dated 23rd day of July 1883.
Mss, 4pp. with mss. map and tax stamp.
A land lease document for a plot of land of over 10,000 acres, near Kurow in the Waitaki District, New Zealand.
[Ref: 54936] £450.00
Dated 23rd day of July 1883.
Mss, 4pp. with mss. map and tax stamp.
A land lease document for a plot of land of over 10,000 acres, near Kurow in the Waitaki District, New Zealand.
[Ref: 54936] £450.00
Memorandum of Transfer... [mss names] , being enrolled on the Court Rolls of the Native Land Court, of the District of Otaki, in the Provincial District of Wellington, as the owners, according to Native custom, of all that pieces of Land situate at or near Otaki, in the aforesaid District, known by the name of Ngakaroro.
[23rd of November 1886.]
Letterpress and ink mss on vellum, 2pp. with mss. map and tax stamps.
A record of the purchase of land of 359 acres from Maori (signed by over 10) by James Gear (1838?-1911) and Isabella Ling (1829-1921), for the grazing of cattle. Gear, a butcher, had purchased the butchery business of Benjamin Ling in 1868, although Ling seems to have retained an interest in the business, which he passed onto his widow when he died in 1881.
[Ref: 54937] £650.00
[23rd of November 1886.]
Letterpress and ink mss on vellum, 2pp. with mss. map and tax stamps.
A record of the purchase of land of 359 acres from Maori (signed by over 10) by James Gear (1838?-1911) and Isabella Ling (1829-1921), for the grazing of cattle. Gear, a butcher, had purchased the butchery business of Benjamin Ling in 1868, although Ling seems to have retained an interest in the business, which he passed onto his widow when he died in 1881.
[Ref: 54937] £650.00
The Longships Light-House, off the Lands End, Cornwall. Engraved from the Picture, in the possession of John Woolmore Esq.r Deputy Master of the Corporation of Trinity House, to whom this Place is respectfully inscribed, by his much obliged friend W.m Daniell.
Painted & Engraved by Will.m Daniell R.A.
London, Published W. Daniell, Russell Place, Fitzroy Square, & Mess.rs Hurst, Robinson & C.º Pall Mall, Dec. 15, 1825.
Aquatint, printed on chine collé. 395 x 565mm (15½ x 22¼"). Damage to chine collé at top, wormholes in unprinted area on right, spotting in title. Small margins chipped.
A view of the lighthouse on Longships Reef, designed by Samuel Wyatt and operating from 1795, in stormy seas with a ship nearing the rocks on the left. Daniell first published William Daniell first published a view of this lighthouse in his 's 'A Voyage Round Great Britain' in 1814. This scene is mech larger and uncoloured.
[Ref: 67204] £550.00 (£660.00 incl.VAT)
Painted & Engraved by Will.m Daniell R.A.
London, Published W. Daniell, Russell Place, Fitzroy Square, & Mess.rs Hurst, Robinson & C.º Pall Mall, Dec. 15, 1825.
Aquatint, printed on chine collé. 395 x 565mm (15½ x 22¼"). Damage to chine collé at top, wormholes in unprinted area on right, spotting in title. Small margins chipped.
A view of the lighthouse on Longships Reef, designed by Samuel Wyatt and operating from 1795, in stormy seas with a ship nearing the rocks on the left. Daniell first published William Daniell first published a view of this lighthouse in his 's 'A Voyage Round Great Britain' in 1814. This scene is mech larger and uncoloured.
[Ref: 67204] £550.00 (£660.00 incl.VAT)
The Land's End. With the Longship's Lighthouse.
W. Walton lithog. Printed by C. Hullmandel.
Sketched and Published by J. Tonkin, Penzance, 1841.
Very rare lithograph, with hand colour. Sheet 230 x 295mm (9 x 11¾"), with large margins. Paper toned.
A view of Land's End from the north.
Not in Abbey.
[Ref: 53407] £130.00 (£156.00 incl.VAT)
W. Walton lithog. Printed by C. Hullmandel.
Sketched and Published by J. Tonkin, Penzance, 1841.
Very rare lithograph, with hand colour. Sheet 230 x 295mm (9 x 11¾"), with large margins. Paper toned.
A view of Land's End from the north.
Not in Abbey.
[Ref: 53407] £130.00 (£156.00 incl.VAT)
The long ships light house, off the lands end, Cornwall.
Drawn & Engraved by Will.m Daniell.
Published by Mess.rs Longman, & Co. Paternoster Row, & W. Daniell, 9 Cleveland St. Fitzroy Square, London. Jan.y, 1, 1814.
Aquatint with fine original hand colour. 230 x 300mm (9 x 12"). Large margins. Stain to lower left corner.
A small boat with two figures sailing at sea, tilting to left in stormy weather, near a lighthouse on top of a rock at the right. A rocky shoreline can be seen in the distance. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 37607] £160.00 (£192.00 incl.VAT)
Drawn & Engraved by Will.m Daniell.
Published by Mess.rs Longman, & Co. Paternoster Row, & W. Daniell, 9 Cleveland St. Fitzroy Square, London. Jan.y, 1, 1814.
Aquatint with fine original hand colour. 230 x 300mm (9 x 12"). Large margins. Stain to lower left corner.
A small boat with two figures sailing at sea, tilting to left in stormy weather, near a lighthouse on top of a rock at the right. A rocky shoreline can be seen in the distance. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 37607] £160.00 (£192.00 incl.VAT)
Landau.
Georg Phil. Rugendas. Abraham Drentwett Ornam: del. Ioh: August Corvinus Sculpsit.
Cum Gratia et Privileg: Sac: Caes: Majest: Ieremias Woldd excudit, Aug: Vind: [n.d., c.1720.]
Engraving. Sheet: 420 x 380mm (16½ x 15"). Trimmed, vertical crease. Slightly visible from front.
A battle scene showing the Siege of Landau in 1702, during the War of Spanish Succession in which an army of the Holy Roman Empire laid siege to the town of Landau which was held by the French. The scene is decorated with a ornate border, with a plan of the battle above. A plate from 'Repraesentatio belli ob successionem in Regno Hispanico...' published by Wolff.
[Ref: 42970] £280.00 (£336.00 incl.VAT)
Georg Phil. Rugendas. Abraham Drentwett Ornam: del. Ioh: August Corvinus Sculpsit.
Cum Gratia et Privileg: Sac: Caes: Majest: Ieremias Woldd excudit, Aug: Vind: [n.d., c.1720.]
Engraving. Sheet: 420 x 380mm (16½ x 15"). Trimmed, vertical crease. Slightly visible from front.
A battle scene showing the Siege of Landau in 1702, during the War of Spanish Succession in which an army of the Holy Roman Empire laid siege to the town of Landau which was held by the French. The scene is decorated with a ornate border, with a plan of the battle above. A plate from 'Repraesentatio belli ob successionem in Regno Hispanico...' published by Wolff.
[Ref: 42970] £280.00 (£336.00 incl.VAT)
Richard Lander. The discoverer of the termination of the Niger, In his African Costume. Respectfully dedicated to the Committee and Subscribers to the Lander Column at Truro.
Painted by Wm. Brockedon, F.R.S. Engraved by C. Turner, A.R.A.
London, Published July 13 1835, by Colnaghi, Son & Co. Printsellers to their Majesties, Pall Mall East.
Proof mezzotint, platemark 355 x 255mm (14 x 10").
Richard Lemon Lander (1804 - 1834), traveller in Africa. After travels in the West Indies and work as a servant in London, Lander travelled to west Africa with the Scottish explorer Hugh Clapperton in 1825. They crossed the Niger, and after Clapperton's death in Sokoto, Lander returned to England. Dissatisfied with the menial job he had obtained at the customs' house in London, Lander undertook a second expedition to Africa with his brother John, to trace the source and course of the Niger. Sailing to Cape Coast (now in Ghana), they travelled to Bussa and sailed upstream as far as Yelwa. Heading downstream in canoes they were robbed and nearly killed by locals at Kerre, and at Igbo Ora they were imprisoned by the king and only released after payment of a large ranson. Eventually the Landers found that the river flowed into the Gulf of Guinea on the Atlandtic coast, rather than Lake Chad as many had thought. They arrived back in England in 1831 and their journal of the expedition were published the following year. In 1832 Lander led an unsuccessful expedition hoping to use the Niger as a trade route to open trade with the countries of central Africa. He was shot by middlemen who wanted European traders to remain on the coast and died on the island of Fernando Po (Bioko). Fine engraving after the portrait by Brockedon now in the National Portrait Gallery, London. The print was dedicated to subscribers to the memorial erected on Lemon Street in Lander's hometown of Truro, Cornwall in 1835, which collapsed the following year although its replacement is still standing.
Whitman 69, state ii of iii. Ex: Collection of The Hon. Christopher Lennox-Boyd, his state iii of iv..
[Ref: 41150] £280.00 (£336.00 incl.VAT)
Painted by Wm. Brockedon, F.R.S. Engraved by C. Turner, A.R.A.
London, Published July 13 1835, by Colnaghi, Son & Co. Printsellers to their Majesties, Pall Mall East.
Proof mezzotint, platemark 355 x 255mm (14 x 10").
Richard Lemon Lander (1804 - 1834), traveller in Africa. After travels in the West Indies and work as a servant in London, Lander travelled to west Africa with the Scottish explorer Hugh Clapperton in 1825. They crossed the Niger, and after Clapperton's death in Sokoto, Lander returned to England. Dissatisfied with the menial job he had obtained at the customs' house in London, Lander undertook a second expedition to Africa with his brother John, to trace the source and course of the Niger. Sailing to Cape Coast (now in Ghana), they travelled to Bussa and sailed upstream as far as Yelwa. Heading downstream in canoes they were robbed and nearly killed by locals at Kerre, and at Igbo Ora they were imprisoned by the king and only released after payment of a large ranson. Eventually the Landers found that the river flowed into the Gulf of Guinea on the Atlandtic coast, rather than Lake Chad as many had thought. They arrived back in England in 1831 and their journal of the expedition were published the following year. In 1832 Lander led an unsuccessful expedition hoping to use the Niger as a trade route to open trade with the countries of central Africa. He was shot by middlemen who wanted European traders to remain on the coast and died on the island of Fernando Po (Bioko). Fine engraving after the portrait by Brockedon now in the National Portrait Gallery, London. The print was dedicated to subscribers to the memorial erected on Lemon Street in Lander's hometown of Truro, Cornwall in 1835, which collapsed the following year although its replacement is still standing.
Whitman 69, state ii of iii. Ex: Collection of The Hon. Christopher Lennox-Boyd, his state iii of iv..
[Ref: 41150] £280.00 (£336.00 incl.VAT)
Richard Lander.
Drawn by W. Bagg, Jun.r. Engraved by T.A.Dean.
Published by Henry Colburn & Richard Bentley, 1836.
Steel engraving. 190 x 120mm, (7½ x 4¾"). Creases.
Portrait of Richard Lemon Lander (1804 - 1834), wearing Arab dress. who explored the course of the Niger river, West Africa. The son of a Truro innkeeper, Lander's explorations began as an assistant to the Scottish explorer Hugh Clapperton, on an expedition to Western Africa in 1825. After Clapperton's death near Sokoto, Lander proceeded southeast to Kano and then returned to the coast through the country of the Yoruba people. He returned to Western Africa in 1830, accompanied by his brother John. They landed at Badagri and followed the lower Niger River from Bussa to the sea. After exploring about 160 kilometres of the Niger River upstream, they returned to explore the Benue River and Niger Delta before travelling back to England. On a trading expedition up the Niger in 1832, Lander was shot when tribesmen attacked his canoe: he returned to the coast but died soon after, and was buried on Fernando Po.
[Ref: 22926] £75.00 (£90.00 incl.VAT)
Drawn by W. Bagg, Jun.r. Engraved by T.A.Dean.
Published by Henry Colburn & Richard Bentley, 1836.
Steel engraving. 190 x 120mm, (7½ x 4¾"). Creases.
Portrait of Richard Lemon Lander (1804 - 1834), wearing Arab dress. who explored the course of the Niger river, West Africa. The son of a Truro innkeeper, Lander's explorations began as an assistant to the Scottish explorer Hugh Clapperton, on an expedition to Western Africa in 1825. After Clapperton's death near Sokoto, Lander proceeded southeast to Kano and then returned to the coast through the country of the Yoruba people. He returned to Western Africa in 1830, accompanied by his brother John. They landed at Badagri and followed the lower Niger River from Bussa to the sea. After exploring about 160 kilometres of the Niger River upstream, they returned to explore the Benue River and Niger Delta before travelling back to England. On a trading expedition up the Niger in 1832, Lander was shot when tribesmen attacked his canoe: he returned to the coast but died soon after, and was buried on Fernando Po.
[Ref: 22926] £75.00 (£90.00 incl.VAT)
Richard Lander. The discoverer of the termination of the Niger, In his African Costume. Respectfully dedicated to the Committee and Subscribers to the Lander Column at Truro.
Painted by W.m Brockedon, F.R.S. Engraved by C. Turner, A.R.A.
London, Published July 13 1835, by Colnaghi, Son & Co. Printsellers to their Majesties, Pall Mall East.
Proof mezzotint, platemark 355 x 255mm (14 x 10") very large margins. Tears in left margins taped.
A half-length portrait of Richard Lemon Lander (1804-34), famed for finally solving the mystery of where the Niger ended. after the portrait by William Brockedon now in the National Portrait Gallery, London. The print was dedicated to subscribers to the memorial to Lander, proposed the year after he was killed in Africa. Erected on Lemon Street in his hometown of Truro in 1835, it collapsed the following year but its replacement is still standing. For a set of views along the Niger made from sketches by the Landers see ref. 37241.
Whitman 300, state ii of iii. Ex: Collection of The Hon. Christopher Lennox-Boyd, his state iii of iv.
[Ref: 65243] £240.00 (£288.00 incl.VAT)
Painted by W.m Brockedon, F.R.S. Engraved by C. Turner, A.R.A.
London, Published July 13 1835, by Colnaghi, Son & Co. Printsellers to their Majesties, Pall Mall East.
Proof mezzotint, platemark 355 x 255mm (14 x 10") very large margins. Tears in left margins taped.
A half-length portrait of Richard Lemon Lander (1804-34), famed for finally solving the mystery of where the Niger ended. after the portrait by William Brockedon now in the National Portrait Gallery, London. The print was dedicated to subscribers to the memorial to Lander, proposed the year after he was killed in Africa. Erected on Lemon Street in his hometown of Truro in 1835, it collapsed the following year but its replacement is still standing. For a set of views along the Niger made from sketches by the Landers see ref. 37241.
Whitman 300, state ii of iii. Ex: Collection of The Hon. Christopher Lennox-Boyd, his state iii of iv.
[Ref: 65243] £240.00 (£288.00 incl.VAT)
The Landing at Erramanga, one of the New Hebrides.
Painted by W. Hodges. Engrav'd by J.K. Shirwin [Sherwin].
Publish'd Feby. 1st., 1777, Wm. Strahan, New Street, Shoe Lane, & Thos. Cadell, in the Strand, London.
Engraving, image 235 x 460mm. 9¼ x 18". Trimmed to plate on three sides; three vertical folds.
A skirmish between British sailors and marines in two boats and inhabitants of the South Pacific island of Vanuatu; HMS Resolution in background. Numbered 'No.LXII' lower right; from Cook's 'A voyage towards the South Pole, and round the World...' William Hodges (1744 - 1797) joined Cook's second expedition to the South Pacific as a draughtsman 1772-75 and was employed by the Admiralty in finishing his drawings, and superintending the engraving of them, upon his return.
NLA: 518406.
[Ref: 18745] £220.00 (£264.00 incl.VAT)
Painted by W. Hodges. Engrav'd by J.K. Shirwin [Sherwin].
Publish'd Feby. 1st., 1777, Wm. Strahan, New Street, Shoe Lane, & Thos. Cadell, in the Strand, London.
Engraving, image 235 x 460mm. 9¼ x 18". Trimmed to plate on three sides; three vertical folds.
A skirmish between British sailors and marines in two boats and inhabitants of the South Pacific island of Vanuatu; HMS Resolution in background. Numbered 'No.LXII' lower right; from Cook's 'A voyage towards the South Pole, and round the World...' William Hodges (1744 - 1797) joined Cook's second expedition to the South Pacific as a draughtsman 1772-75 and was employed by the Admiralty in finishing his drawings, and superintending the engraving of them, upon his return.
NLA: 518406.
[Ref: 18745] £220.00 (£264.00 incl.VAT)
The Landing at Middleburgh, one of the Friendly Isles.
Painted by W. Hodges. Engrav'd by J.K. Shirwin [Sherwin].
Publish'd Feby. 1st., 1777, by Wm. Strahan, New Street, Shoe Lane, and Thos. Cadel in the Strand, London.
Engraving, image 235 x 470mm. 9¼ x 18½". Trimmed into plate at left and right; three vertical folds.
Captain James Cook (1728 - 1779) in boat with small party of sailors coming ashore at Eua Island, Tonga; islanders greeting the Europeans, with HMS Resolution in background. Numbered 'No.LIV' lower right; from Cook's 'A voyage towards the South Pole, and round the World...' William Hodges (1744 - 1797) joined Cook's second expedition to the South Pacific as a draughtsman 1772-75 and was employed by the Admiralty in finishing his drawings, and superintending the engraving of them, upon his return.
NLA: 2084838.
[Ref: 18740] £220.00 (£264.00 incl.VAT)
Painted by W. Hodges. Engrav'd by J.K. Shirwin [Sherwin].
Publish'd Feby. 1st., 1777, by Wm. Strahan, New Street, Shoe Lane, and Thos. Cadel in the Strand, London.
Engraving, image 235 x 470mm. 9¼ x 18½". Trimmed into plate at left and right; three vertical folds.
Captain James Cook (1728 - 1779) in boat with small party of sailors coming ashore at Eua Island, Tonga; islanders greeting the Europeans, with HMS Resolution in background. Numbered 'No.LIV' lower right; from Cook's 'A voyage towards the South Pole, and round the World...' William Hodges (1744 - 1797) joined Cook's second expedition to the South Pacific as a draughtsman 1772-75 and was employed by the Admiralty in finishing his drawings, and superintending the engraving of them, upon his return.
NLA: 2084838.
[Ref: 18740] £220.00 (£264.00 incl.VAT)
![[The Landing at Middleburgh, one of the Friendly Isles.]](jpegs/18742.jpg)
[The Landing at Middleburgh, one of the Friendly Isles.]
[Painted by W. Hodges. Engraved by J.K. Sherwin.]
[London, c.1777.]
Engraving, before all letters, rare proof. 230 x 480mm, 9 x 19". Vertical centre crease.
Captain James Cook (1728 - 1779) in boat with small party of sailors coming ashore at Eua Island, Tonga; islanders greeting the Europeans, with HMS Resolution in background. William Hodges (1744 - 1797) joined Cook's second expedition to the South Pacific as a draughtsman 1772-75 and was employed by the Admiralty in finishing his drawings, and superintending the engraving of them, upon his return.
See NLA: 2084838.
[Ref: 18742] £280.00 (£336.00 incl.VAT)
[Painted by W. Hodges. Engraved by J.K. Sherwin.]
[London, c.1777.]
Engraving, before all letters, rare proof. 230 x 480mm, 9 x 19". Vertical centre crease.
Captain James Cook (1728 - 1779) in boat with small party of sailors coming ashore at Eua Island, Tonga; islanders greeting the Europeans, with HMS Resolution in background. William Hodges (1744 - 1797) joined Cook's second expedition to the South Pacific as a draughtsman 1772-75 and was employed by the Admiralty in finishing his drawings, and superintending the engraving of them, upon his return.
See NLA: 2084838.
[Ref: 18742] £280.00 (£336.00 incl.VAT)
![[Letitia Elizabeth Landon] Your obliged L.E. Landon [facsimile signature].](jpegs/51796.jpg)
[Letitia Elizabeth Landon] Your obliged L.E. Landon [facsimile signature]. Author of ''Romance and Reality''.
A. Croquis del [after Daniel Maclise].
Published by James Fraser, 215, Regent Street, London.
Stipple. Sheet 225 x 150mm (9 x 6"). Trimmed to platemark.
Letitia Elizabeth Landon (1802-38), poet and novelist, better known by her initials L.E.L. From a series of Literary Characters in 'Fraser's Magazine'
See BM 1893,0227.1 for Maclise's watercolour.
[Ref: 51796] £70.00 (£84.00 incl.VAT)
A. Croquis del [after Daniel Maclise].
Published by James Fraser, 215, Regent Street, London.
Stipple. Sheet 225 x 150mm (9 x 6"). Trimmed to platemark.
Letitia Elizabeth Landon (1802-38), poet and novelist, better known by her initials L.E.L. From a series of Literary Characters in 'Fraser's Magazine'
See BM 1893,0227.1 for Maclise's watercolour.
[Ref: 51796] £70.00 (£84.00 incl.VAT)
![[Letitia Elizabeth Landon] L.E.L.](jpegs/51794.jpg)
[Letitia Elizabeth Landon] L.E.L.
Eng.d by J. Hawkesworth from an Original Picture by Adam Buck.
[n.d., c.1835.]
Stipple. Sheet 175 x 110mm (7 x 4¼"). Trimmed.
Letitia Elizabeth Landon (1802-38), poet and novelist, better known by her initials L.E.L.
[Ref: 51794] £50.00 (£60.00 incl.VAT)
Eng.d by J. Hawkesworth from an Original Picture by Adam Buck.
[n.d., c.1835.]
Stipple. Sheet 175 x 110mm (7 x 4¼"). Trimmed.
Letitia Elizabeth Landon (1802-38), poet and novelist, better known by her initials L.E.L.
[Ref: 51794] £50.00 (£60.00 incl.VAT)
![[Letitia Elizabeth Landon] L.E. Landon [facsimile signature].](jpegs/51795.jpg)
[Letitia Elizabeth Landon] L.E. Landon [facsimile signature].
J. Wright del. S Freeman, sc.
London. Published by Henry Colburn, May 1837.
Stipple. Sheet 225 x 135mm (9 x 5¼"). Trimmed to platemark.
Letitia Elizabeth Landon (1802-38), poet and novelist, better known by her initials L.E.L. An illustration to 'New Monthly Magazine'.
[Ref: 51795] £60.00 (£72.00 incl.VAT)
J. Wright del. S Freeman, sc.
London. Published by Henry Colburn, May 1837.
Stipple. Sheet 225 x 135mm (9 x 5¼"). Trimmed to platemark.
Letitia Elizabeth Landon (1802-38), poet and novelist, better known by her initials L.E.L. An illustration to 'New Monthly Magazine'.
[Ref: 51795] £60.00 (£72.00 incl.VAT)
![Walter Savage Landor [facsimile signature.]](jpegs/21823.jpg)
Walter Savage Landor [facsimile signature.]
A D'Orsay fecit 1839 [signed in plate].
London, Published July 5th. 1839 by J. Mitchell, Royal Library, 33, Old Bond St. J. Graf, Printer to Her Majesty.
Lithograph on india paper, india 215 x 165mm. 8½ x 6½".
Portrait of Walter Savage Landor (1775 - 1864), poet and writer. His Imaginary Conversations of literary men and statesmen (1824-9) appeared during his long residence in Italy. From a series of portraits by Count Alfred Guillaume Gabriel d'Orsay (1801 - 1852), Paris-born artist and gentleman of fashion. His profile sketches of his contemporaries, to the number of 125, include among them nearly all the literary, artistic, and fashionable celebrities of that time.
See O'Donoghue.
[Ref: 21823] £70.00 (£84.00 incl.VAT)
A D'Orsay fecit 1839 [signed in plate].
London, Published July 5th. 1839 by J. Mitchell, Royal Library, 33, Old Bond St. J. Graf, Printer to Her Majesty.
Lithograph on india paper, india 215 x 165mm. 8½ x 6½".
Portrait of Walter Savage Landor (1775 - 1864), poet and writer. His Imaginary Conversations of literary men and statesmen (1824-9) appeared during his long residence in Italy. From a series of portraits by Count Alfred Guillaume Gabriel d'Orsay (1801 - 1852), Paris-born artist and gentleman of fashion. His profile sketches of his contemporaries, to the number of 125, include among them nearly all the literary, artistic, and fashionable celebrities of that time.
See O'Donoghue.
[Ref: 21823] £70.00 (£84.00 incl.VAT)
![[Walter Savage Landor]](jpegs/44154.jpg)
[Walter Savage Landor]
D'apres Alf. D'Orsay [by Richard James Lane].
[n.d., 1839.]
Lithograph. Printed area 130 x 100mm (5 x 4"). Glue stains in margins, spotted.
Walter Savage Landor (1775-1864), author of 'Imaginary Conversations' and 'Pericles and Aspasia'. After Count Alfred Guillaume D'Orsay (1801-52), dandy and artist who created a series of 125 profile sketches which included most of the celebrities of the day. Many of the related pencil sketches are in the National Portrait Gallery, London.
[Ref: 44154] £95.00 (£114.00 incl.VAT)
D'apres Alf. D'Orsay [by Richard James Lane].
[n.d., 1839.]
Lithograph. Printed area 130 x 100mm (5 x 4"). Glue stains in margins, spotted.
Walter Savage Landor (1775-1864), author of 'Imaginary Conversations' and 'Pericles and Aspasia'. After Count Alfred Guillaume D'Orsay (1801-52), dandy and artist who created a series of 125 profile sketches which included most of the celebrities of the day. Many of the related pencil sketches are in the National Portrait Gallery, London.
[Ref: 44154] £95.00 (£114.00 incl.VAT)
![[A Landscape with Cottages.]](jpegs/47499.jpg)
[A Landscape with Cottages.]
T.H. Williams Exeter.
[n.d., c.1820.]
Etching, rare. Plate: 225 x 320mm (9 x 12½"). Marking. Small margins on 3 sides. Tear in margin on right.
A landscape with cottages and a mounted figure driving two pack horses.
[Ref: 47499] £75.00 (£90.00 incl.VAT)
T.H. Williams Exeter.
[n.d., c.1820.]
Etching, rare. Plate: 225 x 320mm (9 x 12½"). Marking. Small margins on 3 sides. Tear in margin on right.
A landscape with cottages and a mounted figure driving two pack horses.
[Ref: 47499] £75.00 (£90.00 incl.VAT)
![[Woodland landscape with children playing]](jpegs/45164.jpg)
[Woodland landscape with children playing] From an original Picture of Marco Rizzi in the Collection of Bradshaw Peirson Esq.r [part of text lost]
Marcus Rizzi pinx. Barth.us Crivellari sculp [c.1770]
Rare engraving with very fine hand-colouring, printed area 290 x 410mm (11½ x 16"). Trimmed inside platemark top and bottom. Sky oxidisation.
[Ref: 45164] £260.00 (£312.00 incl.VAT)
Marcus Rizzi pinx. Barth.us Crivellari sculp [c.1770]
Rare engraving with very fine hand-colouring, printed area 290 x 410mm (11½ x 16"). Trimmed inside platemark top and bottom. Sky oxidisation.
[Ref: 45164] £260.00 (£312.00 incl.VAT)
![[Woodland landscape.]](jpegs/26553.jpg)
[Woodland landscape.]
Thos. Huson, 1880.
Etching, printed in sepia. 200 x 300mm (8 x 11¾"), with wide margins, J. Whatman watermark.
By Thomas Huson, R.I., R.P.E. (1844-1920).
[Ref: 26553] £160.00 (£192.00 incl.VAT)
Thos. Huson, 1880.
Etching, printed in sepia. 200 x 300mm (8 x 11¾"), with wide margins, J. Whatman watermark.
By Thomas Huson, R.I., R.P.E. (1844-1920).
[Ref: 26553] £160.00 (£192.00 incl.VAT)
![[A woodland river with cows and cowherds]](jpegs/45125.jpg)
[A woodland river with cows and cowherds] In the Collection of the Hon.ble Horace Walpole Esq.r.
Gaspar Poussin [Gaspard Dughet] pinx. P.C. Cannot Sculp.
[n.d., c.1744.]
Engraving. 315 x 415mm (12½ x 16¼"). Some staining.
Engraving after a painting by Gaspar Dughet (1615-75), who often used the name of his brother-in-law and teacher, Nicolas Poussin. Along with Claude Lorrain, Dughet was one of the landscape painters whose works were best-known to British audiences in the 18th century. His landscapes, disseminated through prints such as this, were highly influential on the nascent English landscape school. At the time of this engraving the painting belonged to Horace Walpole (1717-97)
[Ref: 45125] £90.00 (£108.00 incl.VAT)
Gaspar Poussin [Gaspard Dughet] pinx. P.C. Cannot Sculp.
[n.d., c.1744.]
Engraving. 315 x 415mm (12½ x 16¼"). Some staining.
Engraving after a painting by Gaspar Dughet (1615-75), who often used the name of his brother-in-law and teacher, Nicolas Poussin. Along with Claude Lorrain, Dughet was one of the landscape painters whose works were best-known to British audiences in the 18th century. His landscapes, disseminated through prints such as this, were highly influential on the nascent English landscape school. At the time of this engraving the painting belonged to Horace Walpole (1717-97)
[Ref: 45125] £90.00 (£108.00 incl.VAT)
![[Landscape with two peasants]](jpegs/43513.jpg)
[Landscape with two peasants]
C.W. f [c.1790]
Etching, sheet 130 x 195mm (5 x 7¾"). Trimmed to image.
[Ref: 43513] £65.00 (£78.00 incl.VAT)
C.W. f [c.1790]
Etching, sheet 130 x 195mm (5 x 7¾"). Trimmed to image.
[Ref: 43513] £65.00 (£78.00 incl.VAT)
![[Germanic landscape.]](jpegs/44307.jpg)
[Germanic landscape.]
[n.d., c.1730.]
Etching. Plate 70 x 100mm (2¾ x 4") very large margins. Stain on right.
A man leaning on a spade, a town with a fortified keep visible through the arch of a bridge. From a drawing book.
[Ref: 44307] £50.00 (£60.00 incl.VAT)
[n.d., c.1730.]
Etching. Plate 70 x 100mm (2¾ x 4") very large margins. Stain on right.
A man leaning on a spade, a town with a fortified keep visible through the arch of a bridge. From a drawing book.
[Ref: 44307] £50.00 (£60.00 incl.VAT)
Let Clans and Families all join the dead. This ancient house will never want a Head. T.H.
London. Published March 1, 1828 by W.B. Cooke, 9 Soho Square.
Etching. 140 x 185mm (5½ x 7¼").
A transformation print: a house on a rocky outcrop changes to a bearded man.
[Ref: 34586] £160.00 (£192.00 incl.VAT)
London. Published March 1, 1828 by W.B. Cooke, 9 Soho Square.
Etching. 140 x 185mm (5½ x 7¼").
A transformation print: a house on a rocky outcrop changes to a bearded man.
[Ref: 34586] £160.00 (£192.00 incl.VAT)
![[Landscape.]](jpegs/50035.jpg)
[Landscape.]
Malcolm Osborne. [signed in pencil.]
[n.d., c.1930.]
Etching. Plate: 175 x 230mm (7 x 9''), with large margins.
An etching by printmaker Malcolm Osborne (1880-1963).
[Ref: 50035] £160.00 (£192.00 incl.VAT)
Malcolm Osborne. [signed in pencil.]
[n.d., c.1930.]
Etching. Plate: 175 x 230mm (7 x 9''), with large margins.
An etching by printmaker Malcolm Osborne (1880-1963).
[Ref: 50035] £160.00 (£192.00 incl.VAT)
![[Landscape.]](jpegs/50036.jpg)
[Landscape.]
Malcolm Osborne. [signed in pencil.]
[n.d., c.1930.]
Etching. Plate: 140 x 320mm (5½ x 12½''), with large margins.
An etching by printmaker Malcolm Osborne (1880-1963).
[Ref: 50036] £230.00 (£276.00 incl.VAT)
Malcolm Osborne. [signed in pencil.]
[n.d., c.1930.]
Etching. Plate: 140 x 320mm (5½ x 12½''), with large margins.
An etching by printmaker Malcolm Osborne (1880-1963).
[Ref: 50036] £230.00 (£276.00 incl.VAT)
![[A landscape.] N.2](jpegs/14190.jpg)
[A landscape.] N.2 From an Original Picture of Annibale Caracci In the collection of John Pitt Esqr. To whom this Plate is Inscribed by his Obliged Humble Servt. William Woollett.
Annibale Carracci pinxt. W. Woollett sculpt.
Sold in Green Street Leicester Fields, London.
Etching, 405 x 555mm. 16 x 21¾". Trimmed inside the platemark.
In the centre in the distance is a town, with a river running around it; to left a wooded hill with a figure seen from behind leaning forward drinking from a waterfall. Further down the hill, two men on a bridge; to right, a distraught woman lying on the ground, her wrist being held by a man standing to left. These two are said by Fagan to be the Old Testament figures Judah and Tamar. After Annibale Carracci (1560 - 1609). Numbered 'No.2' lower right.
Fagan: 50, VI.
[Ref: 14190] £220.00 (£264.00 incl.VAT)
Annibale Carracci pinxt. W. Woollett sculpt.
Sold in Green Street Leicester Fields, London.
Etching, 405 x 555mm. 16 x 21¾". Trimmed inside the platemark.
In the centre in the distance is a town, with a river running around it; to left a wooded hill with a figure seen from behind leaning forward drinking from a waterfall. Further down the hill, two men on a bridge; to right, a distraught woman lying on the ground, her wrist being held by a man standing to left. These two are said by Fagan to be the Old Testament figures Judah and Tamar. After Annibale Carracci (1560 - 1609). Numbered 'No.2' lower right.
Fagan: 50, VI.
[Ref: 14190] £220.00 (£264.00 incl.VAT)
![[Landscape] From an Original Drawing by Pietro da Cortona.](jpegs/41970.jpg)
[Landscape] From an Original Drawing by Pietro da Cortona.
Fra. Bartolozzi sculp.
Publish'd by J.Boydell, Engraver in Cheapside, March 21st 1793.
Engraving, 255 x 360mm (10 x 14¼"). Small margins. Slight crease top left.
After Pietro Berrettini of Cortona (1597-1669).
[Ref: 41970] £160.00 (£192.00 incl.VAT)
Fra. Bartolozzi sculp.
Publish'd by J.Boydell, Engraver in Cheapside, March 21st 1793.
Engraving, 255 x 360mm (10 x 14¼"). Small margins. Slight crease top left.
After Pietro Berrettini of Cortona (1597-1669).
[Ref: 41970] £160.00 (£192.00 incl.VAT)
![[Landscape]. To William Whitehead Esqr,, P.L. This Etching from Francesco Millet is Inscribed. By his Obliged & affectionate Servant Newnham 1762'.](jpegs/9935.jpg)
[Landscape]. To William Whitehead Esqr,, P.L. This Etching from Francesco Millet is Inscribed. By his Obliged & affectionate Servant Newnham 1762'.
Etching 554 x 418mm. Trimmed to plate.
Landscape after Millet; a couple on a path in the right foreground, one carrying a bundle on her head, asking directions of a woman who stands in front, her har on the ground beside her, pointing to right and looking over her shoulder to inquire of a man sitting at the side of the road, with a small castle on hilly, wooded banks, on the far side of a river in the background to right, rocks to left and trees to either side in the foreground. 1762. George Simon, [Viscouint Nuneham] 2nd Earl Harcourt, [1736 - 1809] politician, statesman and gifted amateur and friend of Sandby. Viscouint Nuneham went of the grand tour in 1755 and prior to leaving had had lessons in drawing from both, Knapton and Cozens. Sandby was a frequent visitor to Nuneham Courtney and the drawings and etchings of Sandby and Nuneham give insight to what was a long and enduring friendship. On his return from Italy Nuneham became MP for St. Albans 1761-8, Master of the Horse for Queen Charlotte 1790. Married 26 September 1765 his cousin Elizabeth, daughter of George, 1st Lord Vernon and Martha his wife (sister of 1st Earl Harcout). Also known by Newnham & Nuneham as shown in the way the etchings are signed.
[Ref: 9935] £260.00 (£312.00 incl.VAT)
Etching 554 x 418mm. Trimmed to plate.
Landscape after Millet; a couple on a path in the right foreground, one carrying a bundle on her head, asking directions of a woman who stands in front, her har on the ground beside her, pointing to right and looking over her shoulder to inquire of a man sitting at the side of the road, with a small castle on hilly, wooded banks, on the far side of a river in the background to right, rocks to left and trees to either side in the foreground. 1762. George Simon, [Viscouint Nuneham] 2nd Earl Harcourt, [1736 - 1809] politician, statesman and gifted amateur and friend of Sandby. Viscouint Nuneham went of the grand tour in 1755 and prior to leaving had had lessons in drawing from both, Knapton and Cozens. Sandby was a frequent visitor to Nuneham Courtney and the drawings and etchings of Sandby and Nuneham give insight to what was a long and enduring friendship. On his return from Italy Nuneham became MP for St. Albans 1761-8, Master of the Horse for Queen Charlotte 1790. Married 26 September 1765 his cousin Elizabeth, daughter of George, 1st Lord Vernon and Martha his wife (sister of 1st Earl Harcout). Also known by Newnham & Nuneham as shown in the way the etchings are signed.
[Ref: 9935] £260.00 (£312.00 incl.VAT)
![[Landscape with figures on horseback in foreground and ruined abbey in distance]](jpegs/47684.jpg)
[Landscape with figures on horseback in foreground and ruined abbey in distance]
[unsigned, c.1800]
Etching, sheet 125 x 170mm (5 x 6¾"). Signed 'W Rooke' verso. Slight tear at top.
[Ref: 47684] £50.00 (£60.00 incl.VAT)
[unsigned, c.1800]
Etching, sheet 125 x 170mm (5 x 6¾"). Signed 'W Rooke' verso. Slight tear at top.
[Ref: 47684] £50.00 (£60.00 incl.VAT)
![[Rural landscape]](jpegs/47786.jpg)
[Rural landscape]
EE 1789.
Etching, sheet 140 x 220mm (5½ x 8½"). Trimmed.
Plate 32 of 'A Collection of Views and Studies after Nature', 1790, By Edward Edwards (1738-1806).
[Ref: 47786] £50.00 (£60.00 incl.VAT)
EE 1789.
Etching, sheet 140 x 220mm (5½ x 8½"). Trimmed.
Plate 32 of 'A Collection of Views and Studies after Nature', 1790, By Edward Edwards (1738-1806).
[Ref: 47786] £50.00 (£60.00 incl.VAT)
![[Landscape with river and church]](jpegs/47788.jpg)
[Landscape with river and church]
[unsigned, c.1790]
Etching, platemark 120 x 185mm (4¾ x 7¼"). Thread margins.
[Ref: 47788] £60.00 (£72.00 incl.VAT)
[unsigned, c.1790]
Etching, platemark 120 x 185mm (4¾ x 7¼"). Thread margins.
[Ref: 47788] £60.00 (£72.00 incl.VAT)
![[Landscape with river and ruined abbey]](jpegs/47789.jpg)
[Landscape with river and ruined abbey]
[unsigned, c.1790]
Etching, sheet 125 x 175mm (5 x 7"). Trimmed; crease through centre.
[Ref: 47789] £50.00 (£60.00 incl.VAT)
[unsigned, c.1790]
Etching, sheet 125 x 175mm (5 x 7"). Trimmed; crease through centre.
[Ref: 47789] £50.00 (£60.00 incl.VAT)
![[Untitled landscape.]](jpegs/55545.jpg)
[Untitled landscape.]
Chatelain Inv.t. R. Roberts Sculp.
Publish'd according to Act of Parliament June the 27th, by Hen. Roberts, Engraver, & Printseller, facing Turnstile Holborn.
Engraving. 195 x 255mm (7¾ x 10"), with very large margins. Paper crack in plate on left, Paper toned.
A country road leading away from a town in the distance.
[Ref: 55545] £130.00 (£156.00 incl.VAT)
Chatelain Inv.t. R. Roberts Sculp.
Publish'd according to Act of Parliament June the 27th, by Hen. Roberts, Engraver, & Printseller, facing Turnstile Holborn.
Engraving. 195 x 255mm (7¾ x 10"), with very large margins. Paper crack in plate on left, Paper toned.
A country road leading away from a town in the distance.
[Ref: 55545] £130.00 (£156.00 incl.VAT)
![[Rustic figures before a hilltop castle.]](jpegs/52518.jpg)
[Rustic figures before a hilltop castle.]
[Edward] Edwards.
[1785.]
Scarce etching. Sheet 250 x 330mm (10 x 13"). Trimmed, mounted on album paper at the corners.
Rustic figures before a hilltop castle. Outside the central image are two female figures in classical dress, turned away from but looking back towards the landscape, that to left holding up a bunch of grapes with a cup in the other hand, that to right with arms raised holding the edge of a shawl in her right. By Edward Edwards (1738-1806).
[Ref: 52518] £190.00 (£228.00 incl.VAT)
[Edward] Edwards.
[1785.]
Scarce etching. Sheet 250 x 330mm (10 x 13"). Trimmed, mounted on album paper at the corners.
Rustic figures before a hilltop castle. Outside the central image are two female figures in classical dress, turned away from but looking back towards the landscape, that to left holding up a bunch of grapes with a cup in the other hand, that to right with arms raised holding the edge of a shawl in her right. By Edward Edwards (1738-1806).
[Ref: 52518] £190.00 (£228.00 incl.VAT)
d'aprés le Tableau original de J. Wÿnands du Cabinet de Monsieur le Baron de Reibeld grand Bailli de Bocksberg.
par Guill. Kobell a Mannheim 92.
[n.d., c.1790.]
Aquatint, printed in sepia. Sheet: 390 x 290mm (15¼ x 11¼''). Image trimmed and laid on watercolour mount as issued. Damage in edges.
A decorative landscape with trees and a cottage in the distance by Wilhelm Kobell.
[Ref: 48616] £140.00 (£168.00 incl.VAT)
par Guill. Kobell a Mannheim 92.
[n.d., c.1790.]
Aquatint, printed in sepia. Sheet: 390 x 290mm (15¼ x 11¼''). Image trimmed and laid on watercolour mount as issued. Damage in edges.
A decorative landscape with trees and a cottage in the distance by Wilhelm Kobell.
[Ref: 48616] £140.00 (£168.00 incl.VAT)
![[Welsh Landscape with Fishing.]](jpegs/50276.jpg)
[Welsh Landscape with Fishing.]
[n.d., c.1790.]
Hand-coloured aquatint. Sheet: 190 x 240mm (7½ x 9½''), with Whatman watermark. Trimmed.
A view of a welsh landscape, two figures with horses walk along a path on the left, a man fishes on the right and a large castle can be seen in the distance.
[Ref: 50276] £65.00 (£78.00 incl.VAT)
[n.d., c.1790.]
Hand-coloured aquatint. Sheet: 190 x 240mm (7½ x 9½''), with Whatman watermark. Trimmed.
A view of a welsh landscape, two figures with horses walk along a path on the left, a man fishes on the right and a large castle can be seen in the distance.
[Ref: 50276] £65.00 (£78.00 incl.VAT)
![[A hamlet]](jpegs/52687.jpg)
[A hamlet]
EE 1789.
Etching, sheet 140 x 220mm (5½ x 8½"), with wide margins. Trimmed.
Plate 35 of 'A Collection of Views and Studies after Nature', 1790, By Edward Edwards (1738-1806).
[Ref: 52687] £130.00 (£156.00 incl.VAT)
EE 1789.
Etching, sheet 140 x 220mm (5½ x 8½"), with wide margins. Trimmed.
Plate 35 of 'A Collection of Views and Studies after Nature', 1790, By Edward Edwards (1738-1806).
[Ref: 52687] £130.00 (£156.00 incl.VAT)
![[Rocky landscape with trees.]](jpegs/41962.jpg)
[Rocky landscape with trees.]
Fortier Sculpsit.
[n.d. c.1780.]
Engraving. Sheet 210 x 275mm (8¼ x 10¾"). Trimmed within plate, losing title.
A transformation print: a wooded outcrop changes to the face of a man with a beard when turned sideways. A similar print by Fortier illustrated a quotation from the poem 'Les Mois - Avril' by Jean-Antoine Roucher (1745-1794), suggesting this example illustrated another month.
See Ref: 12593
[Ref: 41962] £160.00 (£192.00 incl.VAT)
Fortier Sculpsit.
[n.d. c.1780.]
Engraving. Sheet 210 x 275mm (8¼ x 10¾"). Trimmed within plate, losing title.
A transformation print: a wooded outcrop changes to the face of a man with a beard when turned sideways. A similar print by Fortier illustrated a quotation from the poem 'Les Mois - Avril' by Jean-Antoine Roucher (1745-1794), suggesting this example illustrated another month.
See Ref: 12593
[Ref: 41962] £160.00 (£192.00 incl.VAT)
![[Landscape made of layers of paper.]](jpegs/40416.jpg)
[Landscape made of layers of paper.]
[n.d., c.1820.]
Brown and white papers trimmed and overlaid. Image 145 x 185mm (5¾ x 7¼"), with card borders stuck on. Tissue over moon burst.
A transparency, with the image of towers, trees, bridge and figures made up of darker paper, so the sky and waterfall are lit up. The reverse has scorch marks, suggesting someone held this item too close to a fire, possibly causing the moon tissue to crack.
Ex: collections of the Spencer Sisters & the Hon. Christopher Lennox Boyd.
[Ref: 40416] £60.00 (£72.00 incl.VAT)
[n.d., c.1820.]
Brown and white papers trimmed and overlaid. Image 145 x 185mm (5¾ x 7¼"), with card borders stuck on. Tissue over moon burst.
A transparency, with the image of towers, trees, bridge and figures made up of darker paper, so the sky and waterfall are lit up. The reverse has scorch marks, suggesting someone held this item too close to a fire, possibly causing the moon tissue to crack.
Ex: collections of the Spencer Sisters & the Hon. Christopher Lennox Boyd.
[Ref: 40416] £60.00 (£72.00 incl.VAT)
Le Temps qui détruit tout, donne à tout l’existence: Des débris que tu vois, j’ai reçu la naissance.
Fortier Sculpsit.
A Paris, chez L. Dubois Peintre, Rue de L'Éperon No.8. Et chez tous les Mds. de Nouveautés. Déposé à la Bibliothèque Impériale. [n.d. c.1780.]
Engraving. 260 x 292mm (10¼" x 11½"). Small tear that comes into the top platemark. Repaired hole to the right-hand side of the image.
A transformation print: a rocky outcrop with buildings changes to the face of a man with a beard when turned sideways. The title is a quotation from the poem 'Les Mois - Avril' by Jean-Antoine Roucher (1745-1794).
See Ref: 41962 & 34586
[Ref: 8750] £120.00 (£144.00 incl.VAT)
Fortier Sculpsit.
A Paris, chez L. Dubois Peintre, Rue de L'Éperon No.8. Et chez tous les Mds. de Nouveautés. Déposé à la Bibliothèque Impériale. [n.d. c.1780.]
Engraving. 260 x 292mm (10¼" x 11½"). Small tear that comes into the top platemark. Repaired hole to the right-hand side of the image.
A transformation print: a rocky outcrop with buildings changes to the face of a man with a beard when turned sideways. The title is a quotation from the poem 'Les Mois - Avril' by Jean-Antoine Roucher (1745-1794).
See Ref: 41962 & 34586
[Ref: 8750] £120.00 (£144.00 incl.VAT)
![[Landscape with figures by lake, and rowing boat]](jpegs/36953.jpg)
[Landscape with figures by lake, and rowing boat]
[Anon., c.1810]
Large Pen lithograph, very scarce, sheet 305 x 380mm (12 x 15"). Slight stain spots in centre; two very samll holes at top.
Early pen lithograph. The new medium allowed artists to draw directly onto a prepared stone, allowing them to make prints which arguably resembled drawings more than any earlier printmaking technique. Unlike many printmaking techniques, lithography required no special training as artists could work directly onto the plate and leave specialist printers to actually make the prints. For this reason many artists who were not trained printmakers (such as Géricault and Delacroix) often worked in lithography.
[Ref: 36953] £220.00 (£264.00 incl.VAT)
[Anon., c.1810]
Large Pen lithograph, very scarce, sheet 305 x 380mm (12 x 15"). Slight stain spots in centre; two very samll holes at top.
Early pen lithograph. The new medium allowed artists to draw directly onto a prepared stone, allowing them to make prints which arguably resembled drawings more than any earlier printmaking technique. Unlike many printmaking techniques, lithography required no special training as artists could work directly onto the plate and leave specialist printers to actually make the prints. For this reason many artists who were not trained printmakers (such as Géricault and Delacroix) often worked in lithography.
[Ref: 36953] £220.00 (£264.00 incl.VAT)
Dédié à Monsieur J: C: Mörikofer Médailleur.
Par son Ami et Serviteur C..d..M..[Weiretter.]
A Paris rue St. Honoré audessus de celle des Frondeurs. [n.d. c.1760.]
Rare etching. Plate 242 x 350mm. 9½ x 13¾".
A landscape of a thatched lakeside cottage, a washerwoman kneeling outside with two men preparing to fish, one holding a rod. In the distance can be seen a castle and a small fishing boat in the lake.
[Ref: 18817] £140.00 (£168.00 incl.VAT)
Par son Ami et Serviteur C..d..M..[Weiretter.]
A Paris rue St. Honoré audessus de celle des Frondeurs. [n.d. c.1760.]
Rare etching. Plate 242 x 350mm. 9½ x 13¾".
A landscape of a thatched lakeside cottage, a washerwoman kneeling outside with two men preparing to fish, one holding a rod. In the distance can be seen a castle and a small fishing boat in the lake.
[Ref: 18817] £140.00 (£168.00 incl.VAT)
![[Landscape by Waterfall.]](jpegs/24954.jpg)
[Landscape by Waterfall.]
G.I.Graham.
[n.d. c.1823.]
Lithograph. 250 x 248mm. 9¾ x 9¾".
Two people sat and stood on a rock at the bottom of a waterfall over which a small wooden bridge crosses, supported by a jutting-up rock; upon which cross a woman and child, and another person demonstrating acrobatic skills.
[Ref: 24954] £60.00 (£72.00 incl.VAT)
G.I.Graham.
[n.d. c.1823.]
Lithograph. 250 x 248mm. 9¾ x 9¾".
Two people sat and stood on a rock at the bottom of a waterfall over which a small wooden bridge crosses, supported by a jutting-up rock; upon which cross a woman and child, and another person demonstrating acrobatic skills.
[Ref: 24954] £60.00 (£72.00 incl.VAT)
![[A landscape puzzle.]](jpegs/12593.jpg)
[A landscape puzzle.]
[n.d., c.1840.]
Pencil drawing, a puzzle, on card, with decorative embossed frame. Card 110 x 150mm, 4¼ x 6".
Buildings in a craggy landscape form the profile of a man's face; probably copied from a lithograph in the style of Thomas Mann Baynes.
See Ref: 41962, 42423 & 42424
[Ref: 12593] £95.00 (£114.00 incl.VAT)
[n.d., c.1840.]
Pencil drawing, a puzzle, on card, with decorative embossed frame. Card 110 x 150mm, 4¼ x 6".
Buildings in a craggy landscape form the profile of a man's face; probably copied from a lithograph in the style of Thomas Mann Baynes.
See Ref: 41962, 42423 & 42424
[Ref: 12593] £95.00 (£114.00 incl.VAT)
![[Four rural landscapes]](jpegs/34867.jpg)
[Four rural landscapes]
G.W. Carrington Fecit, [May-June] 1773
Four etchings, extremely rare; sheet size 225 x 280 (8¾ x 11") each. Each signed and dated verso.
Set of 4 amateur etchings showing figures in rural settings fishing, dancing, washing clothes and conversing. By amateur artist George William Carrington.
[Ref: 34867] £360.00 view all images for this item
G.W. Carrington Fecit, [May-June] 1773
Four etchings, extremely rare; sheet size 225 x 280 (8¾ x 11") each. Each signed and dated verso.
Set of 4 amateur etchings showing figures in rural settings fishing, dancing, washing clothes and conversing. By amateur artist George William Carrington.
[Ref: 34867] £360.00 view all images for this item
![[Landscape after George Smith of Chichester.]](jpegs/57678.jpg)
[Landscape after George Smith of Chichester.] Engrav'd after an Original Picture of M.r Geo. Smith, in the Possession of M.r Bradford.
G. Smith of Chichester pinxit. James Peake sculpsit.
London, Published 20 May 1774, by John Boydell, Engraver in Cheapside, & Rob.t Sayer, Map & PrintsSeller, No. 53 Fleet Street [n.d., 1774].
Engraving. Sheet 415 x 515mm (16¼ x 19¾"), large margins on 3 sides. Trimmed to plate, some slight soiling.
A landscape with a river, and a gentle waterfall in the foreground. A lone figure sitting beneath trees to right, looks across the water towards a cottage on the left. Other buildings can be seen surrounding the river as it winds into distance, with a castle on a hill in the background. First published by Thomas Bradford in 1764.
[Ref: 57678] £350.00
G. Smith of Chichester pinxit. James Peake sculpsit.
London, Published 20 May 1774, by John Boydell, Engraver in Cheapside, & Rob.t Sayer, Map & PrintsSeller, No. 53 Fleet Street [n.d., 1774].
Engraving. Sheet 415 x 515mm (16¼ x 19¾"), large margins on 3 sides. Trimmed to plate, some slight soiling.
A landscape with a river, and a gentle waterfall in the foreground. A lone figure sitting beneath trees to right, looks across the water towards a cottage on the left. Other buildings can be seen surrounding the river as it winds into distance, with a castle on a hill in the background. First published by Thomas Bradford in 1764.
[Ref: 57678] £350.00
![[Landscape with cattle and herdsmen resting.]](jpegs/8853.jpg)
[Landscape with cattle and herdsmen resting.]
Drawn by J. Ashley 1823, from Gainsborough. Printed by C. Hullmandel.
Lithograph, image 265 x 205mm. 10½ x 8". Margins slightly trimmed. Occasional stain spots.
Landscape with cattle and herdsmen resting amongst fallen tree branches. A cottage can be seen behind and a town with church spire over fields beyond. After Thomas Gainsborough by J G Ashley (1821 - 1837; fl.), landscape and flower painter in London. He exhibited work at the summer exhibition of the Royal Academy of Arts 1822-37, and was also a lithographer.
The Gainsborough picture was in the collection of Monsieur D'Esenfans in 1796. Rare.
BM Registration number: 1867,0112.105. Not in Horne.
[Ref: 8853] £180.00 (£216.00 incl.VAT)
Drawn by J. Ashley 1823, from Gainsborough. Printed by C. Hullmandel.
Lithograph, image 265 x 205mm. 10½ x 8". Margins slightly trimmed. Occasional stain spots.
Landscape with cattle and herdsmen resting amongst fallen tree branches. A cottage can be seen behind and a town with church spire over fields beyond. After Thomas Gainsborough by J G Ashley (1821 - 1837; fl.), landscape and flower painter in London. He exhibited work at the summer exhibition of the Royal Academy of Arts 1822-37, and was also a lithographer.
The Gainsborough picture was in the collection of Monsieur D'Esenfans in 1796. Rare.
BM Registration number: 1867,0112.105. Not in Horne.
[Ref: 8853] £180.00 (£216.00 incl.VAT)
![Landscape [tree and cottage].](jpegs/9919.jpg)
Landscape [tree and cottage].
Lettered under image at left with production detail Nuneham after P Sandby 1764.
Etching. 199 x 257mm. Trimmed to plate and laid on old album paper.
Landscape. 1764. George Simon, [Viscouint Nuneham] 2nd Earl Harcourt, [1736 - 1809] politician, statesman and gifted amateur and friend of Sandby. Viscouint Nuneham went of the grand tour in 1755 and prior to leaving had had lessons in drawing from both, Knapton and Cozens. Sandby was a frequent visitor to Nuneham Courtney and the drawings and etchings of Sandby and Nuneham give insight to what was a long and enduring friendship. On his return from Italy Nuneham became MP for St. Albans 1761-8, Master of the Horse for Queen Charlotte 1790. Married 26 September 1765 his cousin Elizabeth, daughter of George, 1st Lord Vernon and Martha his wife (sister of 1st Earl Harcout). Also known by Newnham & Nuneham as shown in the way the etchings are signed.
[Ref: 9919] £90.00 (£108.00 incl.VAT)
Lettered under image at left with production detail Nuneham after P Sandby 1764.
Etching. 199 x 257mm. Trimmed to plate and laid on old album paper.
Landscape. 1764. George Simon, [Viscouint Nuneham] 2nd Earl Harcourt, [1736 - 1809] politician, statesman and gifted amateur and friend of Sandby. Viscouint Nuneham went of the grand tour in 1755 and prior to leaving had had lessons in drawing from both, Knapton and Cozens. Sandby was a frequent visitor to Nuneham Courtney and the drawings and etchings of Sandby and Nuneham give insight to what was a long and enduring friendship. On his return from Italy Nuneham became MP for St. Albans 1761-8, Master of the Horse for Queen Charlotte 1790. Married 26 September 1765 his cousin Elizabeth, daughter of George, 1st Lord Vernon and Martha his wife (sister of 1st Earl Harcout). Also known by Newnham & Nuneham as shown in the way the etchings are signed.
[Ref: 9919] £90.00 (£108.00 incl.VAT)
![[Landscape with Cottage.]](jpegs/34794.jpg)
[Landscape with Cottage.]
[H.B. Ker.]
[n.d. c.1812.]
Etching. 102 x 156mm (4 x 6¼"). Cut.
Landscape, with cottage at centre and high trees behind a wooden fence on a slope in the foreground at right; fields in background. (Charles) Henry Bellenden Ker (1780-1871), a lawyer active in the Boundary Commission just before the Reform Act of 1852 and amateur artist. As a young man he was patron to William Blake but Blake had to take legal steps to get paid.
Ex collection of the Hon. Christopher Lennox-Boyd.
[Ref: 34794] £80.00 (£96.00 incl.VAT)
[H.B. Ker.]
[n.d. c.1812.]
Etching. 102 x 156mm (4 x 6¼"). Cut.
Landscape, with cottage at centre and high trees behind a wooden fence on a slope in the foreground at right; fields in background. (Charles) Henry Bellenden Ker (1780-1871), a lawyer active in the Boundary Commission just before the Reform Act of 1852 and amateur artist. As a young man he was patron to William Blake but Blake had to take legal steps to get paid.
Ex collection of the Hon. Christopher Lennox-Boyd.
[Ref: 34794] £80.00 (£96.00 incl.VAT)